The Memetune Annual 2024

video upload by Memetune Studio

"Available now from the Memetune Bandcamp merch page - a very limited run of BOTH Annuals (2023 and the new 2024 edition) at a special price!

https://zackdagoba.bandcamp.com/merch...

The new Annual is also released today:

https://zackdagoba.bandcamp.com/merch...

The second edition of the Memetune Programme Annual - for the year 2024

Hardback book (A4 size) with 74 full colour pages and download code for the accompanying music album

Based on the second season of Benge's unique 6 part TV series focussing on his passion for vintage synths, studio gear and video production equipment

The Memetune 2024 Annual follows the TV series format, broken down into the following categories:

LITTLE BLACK BOXES looks at some classic 80s and 90s rack mount synths, instruments that are often overlooked due to their utterly bland appearance. Their sounds, however, are anything but

SWITCHED ON CYBERSYNTHS features a brief history and description of abstract electronic music, in particular sounds created on modular synths, taking in randomness, chaos theory, feedback loops, nonlinear modifiers, plus stochastic and algorithmic ideas. It ends with perhaps the largest modular synth patch ever attempted, featuring 11 of the Memetune modulars containing over 430 modules

SYNTHESISER CLUB points a vintage video camera at various synthesisers and systems, and focuses on ‘families’ of synths, meaning a group of instruments made by one manufacturer in a particular time in synth history

PATCHING TODAY is a deep dive into patching on a selection of vintage modular systems, namely the Modcan A-Series (the most versatile modular ever made?), the Polyfusion 2000 (the simplest modular?), an EMS rig containing a VCS3, TKS sequencer, 8-octave filter bank and dual Synthi 100 HPF (the most English modular?), a Paia 4700 (the worst modular ever made?), the Buchla 100 (the first modular ever made?) and a hybrid Roland “green” modular system containing a modified System 100, SH5 with special modular panel and RE201 Space Echo (the ‘wonkiest’ system ever made?)

VIDEO LAB begins by presenting a short film called Proof of Hypertravel made entirely in the Lab, and then goes on to detail the lengthy process that went into making it, covering such things as Storyboarding, World-Building, Green Screening, Compositing, Special Effects, and types of vintage video cameras

There is also the Memetune Puzzle Page, the legendary Memetune Dictionary of Words, and a tour of the Memetune garden in a 1980 Lotus Esprit

The music on the download album that accompanies this annual has been selected from the second series and contains all the tracks made in the Synthesiser Club, Patching Today and Little Black Boxes sections respectively, approximately 60 minutes of original synthesiser compositions to enjoy whilst perusing the Annual

To watch the series search on YouTube for 'Memetune Programme by Benge'"

The Uncompromising Sound and Philosophy of the LEP Lumanoise Series

video upload by Oscillator Sink

https://www.leploop.org/

"One of the things that gripped me at Superbooth was the LEPLumanoise series of instruments. They seemed to possess that arcane electronic magic that interests me these days. So, I got in touch with LEP and they kindly agreed to send me across some of the instruments in the series to make a video about, namely: the Lumanoise v4, the Monocassa and the Lumamix resonant mixer.

In this video we’re going to get to know them individually and in concert with each other and other instruments, explaining the features and exploring their sounds.

Transparency Notice: LEP prvided the units shown in this video for free, but I have not otherwise been paid to make this video and they have had no oversight into the video's content.

Chapters:
00:00 Intro
01:42 A moment of madness
02:08 Introducing the Lumanoise V4
03:22 Lumanoise v4 - Architecture
10:23 Lumanoise v4 - The art of internal saturation
12:02 Lumanoise v4 - Sub-audio saturation as animation
14:55 Lumanoise v4 - XXX
19:12 Lumanoise v4 - Various patches
21:54 Lumanoise v4 - Summing up
24:26 Introducing the Monocassa
29:51 Monocassa - With a low-pass gate
31:40 Monocassa - With a sequencer
37:01 Monocassa - The trigger delay trick
43:19 Introducing the Lumamix
48:03 Lumamix - Dancing in dirt
55:17 Lumamix - Glorious Extreme Distortion
59:04 Final Thoughts - Being Uncompromising"

Waveshaping in Buchlas - Timbre & Digital Nonlinear Waveshaping

video upload by Shasta Cults

Above: Shasta Cults - Buchla 700 - wave shape editor

For those interested The Buchla Archives have an extensive article on wave shaping in buchlas here: https://www.buchlaarchives.com/blog/timbre-digital-nonlinear-waveshaping.

Opening paragaph:

"Ask most modern modular synthesizer enthusiasts about the hallmark characteristics of Donald Buchla's instruments: no doubt, one of the first things they'll mention is the idea of a 'complex oscillator.' Today—generally speaking—the term 'complex oscillator' refers to a general synthesis structure typically composed of two oscillators, a waveshaper, and various forms of inter-oscillator modulation. Typically, one oscillator is treated as a 'primary' or “principal” oscillator, and the other as a 'modulator.' The primary oscillator's sine wave output is typically hardwired to the waveshaping section, which provides a series of controls for continuously altering the waveshape/sonic character of the sound. The modulator usually has the ability to modulate the primary oscillator's frequency, amplitude, and aspects of the waveshaping process."

The Forgotten Synth That Launched a Ground-Breaking Technology

video upload by

"Franklin Eventoff, an American tinkerer and musician invented the force sensing resistor in 1977. This allowed for touch control of voltage, which he used to create instruments. It found first commercial musical use in the Mattel Musical Thing, a cheap toy synth. Frustrated with the experience, Eventoff went on to create the much more refined Sonica. The Sonica is a lovingly crafted boutique instrument with an oscillator by famed Serge Tcherepnin, the creator of the Serge synthesizer. Only about 650 where made, and they are collector's items. The technology of the force sensing resistor proved hugely successful and lives on in cars, robotics and instruments like the AKAI MPC and the Otamatone.

Music, Soundpack and thanks: https://www.patreon.com/hainbach

Watch my buddy Dave's video:"

Magical Musical Thing: A vintage analog synthesizer for kids

video upload by David Hilowitz Music

"In this video, I explore the strange toy that is the Magical Musical Thing (Mattel 1979). I speak to Franklin Eventoff, the toy's inventor, and learn about the other instruments he created as well. I also learn the secret to tuning these darn things.

You can download the sample library of the Magical Musical Thing here: https://www.decentsamples.com/product... This sample is meant to be used in conjunction with Decent Sampler, a plugin which can be downloaded here: https://www.decentsamples.com/product...

This sample is meant to be used in conjunction with Decent Sampler, a plugin which can be downloaded here: https://www.decentsamples.com/product..."

Those left behind | Spectralis 2 and Sequential Prophet 10

video upload by MIDERA

"I received the email - I got to the top of the queue for the Cirklon. Why did I even sign up for it? I spent 3 years not preparing for it, just assuming some day I would have to make a decision, and now I'm here. What would it do for me I can't already do? My Spectralis does all I need, albeit, in maybe not the best way possible - but is there a best way? Sure, I can see the Cirklon does more, better, faster, but also maybe does things I don't care about.

I actually hate having a lot of gear hooked up. Slows me down. 3-4 pieces is good enough for me. If you can't make a song with only a few instruments, then I question whether you can make music at all (Ok, that's just me talking to myself about my own capacities - huge orchestras are built off of tons of instruments, I get it). What I make is simple, sad, and that's it. My music only speaks to me saying: some day - you will not be among the living and this music is being made to haunt those left behind.

I know the Cirklon is the 'best sequencer' out there... so maybe I just need to buy it and see for myself. I do know the Spectralis does stuff I really enjoy, like sequencing itself and other gear, using it as an FX processor to manipulate all sorts of things to the beat. Just a unique piece... I also know it so well.

Radikal Technologies Spectralis 2: Sequencing, Drums, Strings, Piano
Sequential Prophet 10: First sound you hear.
Eventide Blackhole VST: Reverb"

Here We Are by ThorF

"So, here we are. Me and you, together in this very moment.Thank you for reaching this point. You make it all worth while. The music on this album, was written/recorded in the last 4 years. Everything ,except mastering, was done in my home studio in LA. To sculpt the atmosphere you are listening to I used various synths and efx. All hardware. Clicks & pops, mis-timed midi messages, live mistakes and other things :) It’s all on it. For few good reasons. It’s how the hardware I own, sounds. It’s how I play my instruments, sounds. From the computer that records the audio to the end of the FX chain.

The machines have character.
I hope their character gets delivered to your ears with these recordings.

Instruments: Novation Summit, BC Deckards Dream MKII, Roland Juno 106, Roland JX-3P, Yamaha DX7, Jomox Alphabase Drum Synthesizer, Custom Eurorack System, Coffee. FX: Strymon Big Sky/Timeline, OTO Machines BIM/BAM/BOUM, Hologram Electronics Microcosm, TC Electronics Hall Of Fame 2/Helix Phaser, Coffee. Recording Hardware: PC Desktop/Windows 64 bit, Quad Core 4.0 MHZ, 32 GB RAM, 5TB SSD Combined, MOTU 828es/16A/Midi Express, Furman Power Conditioner, Roland Gold Instruments Cables, Coffee. Recording Software: Reason 12, Coffee."

https://moatun7.bandcamp.com/album/here-we-are

Vostok Instruments Interview + Atlas Filter Design & Demo // Machina Bristronica 2023

video upload by DivKid

"With Machina Bristronica 2024 not that far around the corner and with it having a whole DivKid stage again with several discussions lets take a look at the talks from 2023.

In this video Jose from Vostok Instruments joins me to discuss his origins, getting into Eurorack personally, building up the company and modules before getting into his latest module Atlas. There's a lot of filter love, design chat and sound demos.

Thanks to Jose and the whole team at Machina Bristronica for a fantastic time, can't wait for the next one, tickets and info for that here // https://machinabristronica.uk

**TIMING INDEX // CHAPTERS**
00:00 Intro
00:40 Personal Eurorack journey
03:21 Vostok origins
04:40 Multi channel design philosophy
06:04 Atlas & a love of filters
07:46 The sound of Atlas
09:00 Choosing filter slopes and poles
10:33 Normalling inputs across channels
12:28 Choosing secondary CV inputs
14:33 Interpolating scanner
16:49 Quad filter modulated drones
17:25 Filter pings
18:53 Adding click and punch to pings
19:29 Clean click free low end booms
21:40 Playful spacing and needing multiple filters
21:43 Complex patches from simple things + needing “more of the same”

Dave Smith Instruments Pro-2 soundscape - What is upon us

video upload by MIDERA

"It's sort of a response to the Moog Matriarch soundscape I posted yesterday. They're fairly similar synths - and I have a lot of things to say about that, but I'll save it for another time."

Update: MIDERA initially reported an issue with the cutoff knob: "After playing around with the Pro-2 more, I discovered that Filter 2 wouldn't close properly (it actually went down then back up again as I went counterclockwise, and I know it shouldn't do that in LP mode). I contacted Sequential and they just said to send it in."

The video has been updated with: "I had an issue with my Pro-2. Sequential reached out and it was resolved."

Roland SVC-350 Vocoder Plus

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"SVC-350 in great condition with original rack ears and front grab/protection rails.

In fantastic condition, the slider caps are cracked but original (not often you see that, most units replaced them for new types which are very slightly different profile) and the only "fault" is the output level slider has lost its clicks between L M H (still switches between the 3 modes so no loss of functionality). I have 2x spare 3-way switches for this unit I will include with the sale - I meant to get round to replacing this but other things took over in life! If you absolutely have to have this changed for the sale I can replace this part for you (I run an electronics company Myrk- Instruments, and over 20 years experience fixing musical equipment)."

CLICK FOR MORE »

KORG BERLIN - Gesprächskonzert at SUPERBOOTH24

video upload by Superbooth Berlin

"The KORG Berlin team talking all things Acoustic Synthesis.

KORG Berlin is back at the Bauwagen this year for another instalment of Acoustic Synthesis. Looking to bring a little more joy into your life, come check out our latest prototype while sipping on a cool glass of our classic lemonade. We are giving a Gesprächskonzert on May 17th from 17:50-18:20 where you can catch the KORG Berlin team talking all things Acoustic Synthesis. KORG Berlin is a transdisciplinary team of ten individuals designing new musical instruments. We strive to release products with a positive societal, economical and environmental impact."

TR-909 Firmware Version 5 Demos

See this post for details.

Playlist:

1. TR-909 FIRMWARE VERSION 5 UPGRADE!!!

// The most wonderful thing that could have ever happened for Roland TR-909 owners and lovers has actually happened.

2. TR-909 FIRMWARE V.5 - Demonstration 1 - MIDI SYNC CORRECTION

// I’ve installed one of the first Revolution 909 firmware upgrades from Addictive Instruments into my own personal Roland TR-909 and I released a little enthusiastic clip about how delighted I am to have 33 year old serious problems resolved. This is the first of a few posts planned for today to show you why it’s so amazing to me.

3. TR-909 FIRMWARE VERSION 5 - Demonstration 2 - SWITCH BETWEEN PLAY AND WRITE MODE IN REAL TIME

// This is something that I’ve been thinking about since 1991 when I first got my own TR-909: The ability to switch between pattern play and pattern write without having to stop the sequencer.

WHY IS THIS IMPORTANT?
The TR-909 in pattern write mode allows us to do some clever things. We can change the length of the pattern using last step, and we can add and subtract notes and accents (internal and external) to develop our pattern. However, we can only do this in write mode.
So in order to do these things in performance we have to A ) stop, change modes, and start again B ) stay in write mode always (can’t change patterns in write mode) C ) program our drums from another device entirely D ) add all the chaos, and then use the level knobs to bring sounds in and out (the way maestro Jeff Mills makes magic!) or E ) make a ton of patterns ahead of time and switch between them as our performance.
We can do mutes on a mixer, use a midi controller. There are options, but when I’m playing live it’s just me. I have stuff happening. It’s a lot to navigate and keep track of. Changing mixer settings, dealing with midi controllers, or even flipping through preset patterns can be distracting and a bummer. Adding the ability to just get into write mode and change the length for a fill, or a sidetrack, or a totally new in the moment idea is fantastic!

4. TR-909 FIRMWARE VERSION 5- Demonstration 3 - MUTES

// This is something which I didn’t anticipate being so amazing. I use mutes on the mixer as a fundamental part of how I perform live, but I don’t tend to reach for instrument mute functions on the actual devices. This is not a personal bias, but rather a point of clarity. I’m doing like 25 things at once in any given performance (and singing) so it’s pretty easy to forget what I’ve muted or un muted unless it’s in central place (like on the mixer), but after all I just explored in demonstration clip 2 about ways to add and subtract sounds live, mutes are a marvelous and really powerful addition to this list of ways to address patten complexity in a live performance.

5. TR-909 FIRMWARE VERSION 5 - Demonstration 4 - INSTANT PATTERN CHANGES

// Ok, this is really simple, but it’s so super extra totally bad ass.

Fig.1 INSTANT PATTERN CHANGES
The thing about the TR-909 is that it doesn’t instantly change patterns. You have to wait for the end, and then it starts the next selected pattern. To get around this you can do some stuff:
• make some really complicated patterns
• make one big complex pattern and then use the mixer to bring things in and out (fun!)
But this is fantastic! Just hold down shift and start instantly jumping between patterns. Add a crash from a crashy pattern, start a fill, and switch to just a kick drum, mix and match patterns and really get something heavy going - THEN get involved with the mixer, and it’s a gorgeous avalanche of TR-909 awesome!

In my example here I’m just showing you that it’s possible now. The rest is up to you.

Addictive Instruments have released firmware version 5 for the Roland TR-909 and the RE-909. It’s a real upgrade which requires soldering and while it isn’t easily reversible, the upgrade also includes firmware v1 and v4 so you can revert by choosing another firmware and booting it that way (no one would ever know).

Find out more at revolution909.fr
This first batch is limited to 100 so if you’re as happy about this as I am, hurry up!
That said, I believe in these guys and totally hope that this all goes well, and this will continue to be available (and more!) until all the TR/RE-909’s have one inside.

This was demo 4, one more and I’ll leave the rest to you.

6. TR-909 FIRMWARE VERSION 5 - Demonstration 5 - EXTERNAL INSTRUMENT

// I’ve been using the EXT INST function of the Roland TR-909 since the day I got it. I love triggering samples, basslines, and other drum machines from the stately TR-909’s main panel. The hassle has always been that the notes it generates can’t be changed. So you get an octave or so of fixed notes and that’s all. I’ve spent a lot of time messing with samplers and getting the sounds I want to trigger from the notes I have to offer, and while it’s fun, and useful, it can be a drag. Fact is, a lot of people never even explored it.

Fig.1 CENTRAL CONTROL WITH TR-727
The TR-727 doesn’t allow us to control its midi notes either, but the Addictive Instruments firmware v.5 update has presets and it has a user mode (fig.2). So we can play any note we want on any channel we want at any velocity we want now.
My 727 is upgraded with Harry Axten‘s perfect sound rom upgrade, and this is my own custom rom, and here it is being beautifully programmed by my beloved TR-909!

Fig.3 BASSLINE
This is an example of using the user template to create a chromatic keyboard and programming a bassline which is saved with my drums, and subject to all the new and original functions of the 909.
So much fun!

Clearly I was already in love with my TR-909, but I’ve fallen all over again here.

The external instrument mode is expanded, and it much more powerful now, it’s also nicely documented (at last) in the manual. It is more complicated than plug it in and go if you want to make the most of it, and it’s worth it. This is something wonderful.

Stranger Things main theme: how to sound design the main arp sound with the OB-6

video upload by EthanJamesMusic

EthanJamesMusic OB-6 videos

"This sound design tutorial will teach you how to approach the main theme of Stanger Things. The sound is a simple combination of a pulse wave with a sub oscillator to create the arpeggio.

The Sequential Circuits OB-6 can do a respectable job of coming close to the sound, because of the SEM filter that is borrowed from the original Oberheim that was used in the main theme.

Analog synthesizers have found a way back into film music, which has led to a lot of rich experimentation of what these instruments are capable of. I think my main takeaway is the heavy use of envelope, and setting the filter modulation much lower than a normal synth pluck would require. Also, having a really dry sound mixed in with lots of ambience really cuts through in a way that creates a strong effect.

I hope you learn something from this tutorial, and it gives you some ideas to try out! Please let me know if there are any questions, or if anyone knows what instrument was used on the film. I would guess a Minimoog or similar."

Stranger Things Theme: OB-6 sound design tutorial: How to make the synth bass

video upload by EthanJamesMusic

EthanJamesMusic OB-6 videos

"This is a sound design tutorial for how to approach the main theme of Stanger Things. The sound is a dirty chorus synth bass that is achieved by detuning the oscillators, as opposed to using a chorus effect..

The Sequential Circuits OB-6 can do a respectable job of coming close to the sound, because of the SEM filter that is borrowed from the original Oberheim that was used in the main theme.

Analog synthesizers have found a way back into film music, which has led to a lot of rich experimentation of what these instruments are capable of. I think my main takeaway is the heavy use of envelope, and setting the filter modulation much lower than a normal synth pluck would require. Also, having a really dry sound mixed in with lots of ambience really cuts through in a way that creates a strong effect.

I hope you learn something from this tutorial, and it gives you some ideas to try out! Please let me know if there are any questions, or if anyone knows what instrument was used on the film. I would guess a Minimoog or similar."

Introducing Ohmicide — Stereo Distortion Eurorack Module from Ohm Force

video upload by OhmForceSoftware

Press release follows:

CLICK FOR MORE »

NanoSeq-9 Sequencer Synth

video upload by

"A four frequency/note sequencer/rhythm synthesizer.
Four frequency adjustment controls, note pattern changer, Low Pass Filter effect, tempo control.
You can get many different sounds and pulsing beats from the NanoSeq-9.
Standard 1/4" audio output jack, 2.1mm power adapter jack for external 7-9V power supply or 9V battery.

Please see more info at Tronicraft.com"

Another Demo of the NanoSeq-9:

Synthium in Solarium. NanoSeq-9 is a Sequencer Synthesizer in Blue Light Theremin

video upload by TroniCraft Instruments

"This is an improvised demo of some of the things the NanoSeq-9 can do. It has two photo sensors that modify the frequencies.

The NanoSeq-9 is a digital sequencer inspired by LoFi, chip music, circuit-bending and retro video game sounds."

Update: pics via this listing on eBay.

CLICK FOR MORE »

Hans Zimmer 'RadioPhonic' Synth @ Superbooth 24 w/ AJH Synth

video upload by AJH Synth Official

"Hans Zimmer's 'RadioPhonic' Synth from AJH Synth @ Superbooth 24 - This monster MiniMod Eurorack modular system was commissioned by Hans himself, and he was kind enough to allow us to build a limited number of exact replicas which will be individually built to order by AJHSynth. Full details of the system, along with an interview with Hans Zimmer about his use of the MiniMod system, can be found at https://ajhsynth.com.
We will have one such RadioPhonic system on display in our bungalow at Superbooth 24, along with a MinMod Keyz, a 9U full system, and a huge monster case full of AJH modules.
Richard Quirk, and Wayne Taylor (DreamsOfWires/Tomorrow the cure) will also be there representing AJH with Allan J Hall himself. We'd be glad to chat about the modules and demonstrate some in action, so feel free to pop by.

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.
Official website page: https://ajhsynth.com"

Update: press release and pics follow:

CLICK FOR MORE »

Roland Jupiter-8 SN 110836

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Additional Tone Tweakers Listings

"Roland Jupiter-8 for sale. Meticulously serviced over way too many hours to be better than the rest. We don't cut corners here - the reliability of our instruments is our top priority, so we invest all the time love and money it takes to get things right. As a result, this instrument works like new and sounds incredible! This one's pre-MIDI, but we can install an Encore Electronics MIDI retrofit at an additional cost. This is an earlier 12 bit unit. Tuning was improved in later 14 bit units. If you'd like this unit converted to a 14 bit one for an additional fee, please contact us to discuss."

CLICK FOR MORE »

Neuzeit Instruments brings AI to Eurorack

Neuzeit Instruments WARP: AI-powered wavetables, stereo spread, knobs saved in presets: NEW firmware video upload by Neuzeit

https://www.neuzeit-instruments.com/warp

Details from the video:

- New: AI powered wavetable/spectrum generator
- New: stereo spread parameter
- New: knobs saved into presets
- And many more cool features that firmware v2.00 brings!

0:00 Intro
1:25 AI wavetable generator
7:22 AI knowledge
10:07 WT export for other synths
11:19 Stereo widening
12:27 Recall pot positions
16:09 Other new features

Press release:

Neuzeit Instruments has released new firmware for its synthesizer “Warp”. Among other things, it contains a wavetable editor that works with artificial intelligence. A neural network generates overtone spectra that are translated into wavetables by Warp. Three parameters are available to the user, with which he can playfully and fluently morph through the creations of the neural network.
The generated wavetables can not only be used within Warp, but can also be exported as a wav file for use in other synthesizers.

Warp is a four-voice synthesizer in Eurorack format whose sophisticated engine is a hybrid of additive and wavetable synthesis. The core features:

- Wavetable morphing in two dimensions (XY)
- complex spectral filters
- Wavetable FX (Fold, Bend, Drive, Redux)
- Oscillator FX (AM, FM, PM, Sync, Noise, Detune)
- 2 ADSRs, 2 LFOs
- Extensive modulation matrix
- Classic high and low pass filters per voice
- 4 wavetable editors onboard, also supporting import of wavetable files from SD card
- 7 potentiometers as expressive hands-on macro controls
- Workflow focussed on detailed work in the studio, easy handling on stage

The WarpEx expander adds:
- MIDI support and extensive CC control
- MIDI MPE
- 4-voice polyphony

The new firmware v2.00 is now available to download for free from the manufacturer's website.
More information at www.neuzeit-instruments.com/warp

If you want to get an impression of what Warp sounds like, you should watch this video with an hour of pure sound demos:

video upload by Neuzeit

Sound design tutorial from Stranger Things Eleven using OB-6 part 2

video upload by EthanJamesMusic

EthanJamesMusic OB-6 videos

"This is a sound design tutorial for how to approach a specific sound that was used in the first season of Stranger Things. I was requested to show how I would make the chord sound that happens in the track "Eleven". The sound is a wobbly synth sound, with some wrinkles about modulated the filter.

The Sequential Circuits OB-6 can do a respectable job of coming close to the sound. This track has polyphony, so a multi-oscillator synth with separate envelopes is required.

Analog synthesizers have found a way back into film music, which has led to a lot of rich experimentation of what these instruments are capable of. I think my main takeaway is the heavy use of filter modulation using an LFO assignment. Also, having a really dry sound mixed in with lots of ambience really cuts through in a way that creates a strong effect."

Sound design tutorial from Stranger Things Eleven using OB-6 and Moog Grandmother

video upload by EthanJamesMusic

"This is a sound design tutorial for how to approach a specific sound that was used in the first season of Stranger Things. I was requested to show how I would make the lead sound that happens in the track "Eleven". The sound is a wet electric piano type of sound, with some wrinkles around the use of filter modulation and reverb..

The Sequential Circuits OB-6 can do a respectable job of coming close to the sound, and I tried to get a Grandmother version to come close. This track does require polyphony, so the Grandmother would have to be multitracked to get the same result.

Analog synthesizers have found a way back into film music, which has led to a lot of rich experimentation of what these instruments are capable of. I think my main takeaway is the heavy use of envelope, and setting the filter modulation much lower than a normal synth pluck would require. Also, having a really dry sound mixed in with lots of ambience really cuts through in a way that creates a strong effect."