TitpTop Audio Art Octopus, ATX1 and Vortex, O/C module and Error Instruments White Rabbit

video upload by Luca Longobardi

"Another short session with the new TipTop Audio Art modules.
I was exploring the Poly Voice Management of the Octopus, the module that ‘conducts’ the three ART oscillators. In the first part, the simple arpeggio played on the Arturia Keystep is reproduced in order by the first ATX1 (Midi channel 1), the second ATX1 (Midi channel 2) and the Vortex (Midi channel 3). It is easy to follow the change by looking at the red LED that lights up on the modules or the ADSR that is activated on the O/C in the case of the first two oscillators. Things get interesting when you manually switch from Mono 8 mode (one midi channel for each oscillator) to Poly 3, Poly 4, etc. These modes are designed to use oscillators in polyphony, playing chords as you do on a polyphonic synth. By sending a sequence instead, the notes are distributed one after the other among the different oscillators which, with different settings, create an ever-changing melody. A very unique way to make a sequence more interesting I think.
P.s.
The drone you hear comes from the TX-6 while the delay is the White Rabbit by Error Instruments."

Machina Bristronica 2023 - Walkthrough and best new things

video upload by

"I attempted to capture the vibe of Machina Bristronica on a 360 camera, so here's a walkthrough of the entire thing. Plus I highlight some of the cool new things I saw and share my thoughts on how it all went."

https://machinabris.wpengine.com/

Index:
Intro - 0:00
The Grand Tour - 2:12
DivKid Stage - 2:29
Live Space - 3:15
Main Hall - 3:21
DIY Workshops - 3:58
All the synths and modular - 4:13
Data stage - 4:40
Synths! - 5:03
Discussion Stage 18:52
Live Space and bar again - 21:04
Highlights - 22:32
Tiptop Audio ART - 23:56
RYK new FM module - 27:03
Venus Instruments VENO-LOOPER - 28:10
Vostok Atlas - 28:55
Stochastic Instruments Strange-R-Things? - 30:10
PlayFader - 32:45
Befaco FX Boy - 33:50
Gaz cable thingies - 34:14
Julia Bondar live - 34:37
Conclusions - 35:43

See the Machina Bristronica label below for additional coverage of the event.

iConnectivity Introduces PlayAUDIO1U Revolutionary Audio and MIDI Interface

video upload by iConnectivity

"iConnectivity's PlayAUDIO1U is designed to support live performances at the professional level. It is a deeply-thought-out, bulletproof, fail-proof, and made-to-tour interface that provides pristine audio output as well as comprehensive MIDI connectivity to your whole stage. It’s perfect for control and playback of backing tracks, virtual instruments, or almost anything else you can think of that requires computers in a live environment."

Press Release follows:

Calgary, Alberta, September 12, 2023 – iConnectivity announced PlayAUDIO1U, a revolutionary audio and MIDI interface designed specifically for live musicians. PlayAUDIO1U builds on iConnectivity’s reputation for developing bullet-proof, fail-proof solutions for live music performance. Much like its direct predecessor PlayAUDIO12, PlayAUDIO1U integrates numerous redundancy fail-safes for control and playback of backing tracks, virtual instruments, and MIDI devices.

Imagine never having to worry about your computer playback failing, ever again. Imagine an interface where not just the big things, but even all of the little things that are important to your performance were thought of… Things like seamless failover protection of audio and MIDI, XLR outs you can just plug into without direct boxes, control ports that allow you to control all of your connected computers and other hardware, onboard power that works in any part of the world with standard IEC connection, and it all fits in a tiny 1U rack! Imagine no longer…

PlayAUDIO1U by iConnectivity is here!

PlayAUDIO1U allows every working musician access to an easy, seamless, simple & straightforward failover solution.

PlayAUDIO1U fuses iConnectivity’s vast engineering knowledge of the live arena, passion for performance, and decades of experience into one product. PlayAUDIO1U ensures working musicians never suffer the embarrassment of a silent show, ever again.

PlayAUDIO1U’s secret in part is integrating two computers connected directly to the interface, forming an incredible redundancy / failover protection system. Should your main computer fail, PlayAUDIO1U switches to the backup computer in a heartbeat; so fast that you and your audience won’t even notice. Backing tracks keep playing in time and your MIDI gear stays connected. It does this all in a package that is completely designed from the ground up made-to-tour.

PlayAUDIO1U also ships with iConnectivity’s new and improved Auracle 2.0. Auracle 2.0 is fast, flexible and intelligent, allowing performers to create a sophisticated live integration of all audio and MIDI connections, inputs and outputs; Auracle lets you do it in minutes, not hours. 'PlayAUDIO1U builds on everything we learned in creating and then supporting users of our PlayAUDIO12, an interface that quickly became the industry standard,” says Al Joelson, VP of Sales and Marketing. 'This interface is designed to be an even more ready-to-gig, comprehensive solution. It’s a crazy powerhouse of audio and MIDI capability for live performance.

Key Features:

12 Balanced panel reinforced XLR outputs
Integrated +48v phantom power protection on outputs protects your interface from accidental damage when plugging directly into consoles or stage boxes
1x 1/4” TRS stereo headphone output with dedicated control for convenient headphone monitoring
2x USB C type ports for connecting computing devices
Automatic and manual computer switching modes, for lightning-fast switching between connected computers
2x two-button “Control” footswitch selectable input/outputs can be mapped to MIDI functions, control over numerous functions on the interface and/or sending control messages to compatible devices
Audio Protection helps stop unwanted noise from corrupt audio sources/files from making it into the audience
USB MIDI host port, offering up to 8 ports worth of USB MIDI for Class Compliant controllers and/or modules
DIN-MIDI port built-in (1 in 1 out)
Ethernet MIDI with 22 ports of connectivity for rugged long-distance MIDI connections
Auracle 2.0 software enables you to tailor the PlayAUDIO1U’s settings to your exact needs
“MIDI learn” from external MIDI devices to control key functions on the interface
High-resolution audio - Studio sound quality for the live arena - up to 24-bit/96kHz AD/DA conversion
Comprehensive audio mixing and routing between connected USB computing devices and analog outputs
Easy-to-use capacitive touch control and 2 rotary encoders provide software-less control over PlayAUDIO1U’s key features from the front panel
OLED screen for instantaneous status information and precise control
100-240v switching power built-in with Industry-Standard IEC Power Connection
1U ready-to-tour rack-mountable chassis


PlayAUDIO1U™ US MSRP $1399.99 Estimated street price $1199.99, and will be available for pre-order immediately and shipping immediately from www.iConnectivity.com and iConnectivity resellers worldwide. Full product information can be found at iConnectivity.com/playaudio1u

Adastra Ensemble Strings - JRPG Score by GLASYS

video upload by 8Dio

"We were honored to have GLASYS take our Adastra Strings for a compositional tour de force. Adastra is a reimagination of our timeless 8Dio Adagio and Agitato String libraries but super-powered in Soundpaint, emphasizing playability and emotional realism.

Adastra Ensemble Strings is the culmination of 20 years of deep-sampling and building technology to facilitate hyper-realistic orchestral instruments.

Soundpaint makes the Adagio Strings come to life by offering both true polyphonic legato. 127 discrete velocity layers for things like non-vibrato to vibrato and an infinite amount of dynamics and round robin for short notes.

- - - - - -

Adastra Ensemble Strings will be available on September 19th 2023 (on www.soundpaint.com) - and there will be highly affordable crossgrades for all owners of our 8Dio Adagio, Agitato and Anthology String series.

Exclusively (and only possible) in Soundpaint."

Designing Joy: an Interview with Korg.Berlin CEO Tatsuya Takahashi

via Perfect Circuit

"Tatsuya Takahashi, widely known as 'Tats', is a name that resonates loudly among sound synthesis enthusiasts and professionals. Over the last decade, his innovative mindset has been instrumental in resurrecting the popularity of analog synthesis, crafting a unique sonic landscape that blends tradition with novelty. Takahashi was been the creative engine behind some of Korg's most celebrated modern instruments, including the Monotron, the Volca series, and the Monologue and Minilogue synthesizers."

You can find the full interview at Perfect Circuit.

The following a few excerpts.

"I do have a guiding philosophy. I need to talk about the values that are present now, and how different they are from when I started. Obviously, I was naturally drawn to music tech, I have always loved circuits, instruments, and synthesizers. So initially, when I started working at Korg, which was my first "real" job after working in restaurants and bars, I was entirely focused on doing my job well.

As you mention, this period coincided with the revival of analog synthesizers, and I like to think that I played a role in that amongst other members of the industry. However, back then, it was more about doing well in my job and fulfilling my passion. The vision or the philosophy wasn't as defined then as it is today.

Now, at 40, I have a different perspective. I look back at the 23 products I worked on while in Tokyo and try to understand what made my job fulfilling. Apart from my affinity for design, art, music, and the very act of creating—of being and doing, I realized that there was also an important external element that stimulated me, and that was the joy that the users derived from my designs." "If you look at the MS-20, there were very few people involved in that project. The people responsible for the specs, the electrical design, the mechanical design, and the manual were probably the same two or three people. They just operated using general design principles.

Such an approach brings a certain consistency and purity to the product. Of course, if you are working on a complex product like a workstation keyboard, you need a large team to cover all the layers. However, I romanticize this early era of hardware design where everything was unified. If you look at an old Siemens mic pre, everything from the latch that takes it out of the rack to a three-dimensional puzzle of transformers and vacuum tubes to electrical, mechanical industrial design—all these considerations combined together. It is the same idea here, we try to break the boundaries between different disciplines and just see it as one thing."

"Korg.Berlin is nearly three years old, and we are a subsidiary of Korg Inc. Our function is to conduct R&D for new musical instruments. We diverge from the main office in that we have a different product planning procedure. We work directly with things, and we try in physical form what ideas might work. By the nature of that, we are a bit more explorative.

Our operation specifically aims to do things differently from the way it is currently done in Tokyo and Asia as a whole, including the manufacturing infrastructure. Having spent a wonderful decade building mainly analog synthesizers, it was important for me personally to do something different here. The team in Tokyo carry on with that work, and they are super good at it. So there is no point in us doing the same thing. That is why we need a different approach, a different technology, a different appeal, and consequently, we need a different branding. That is why we have our own logo, and we identify ourselves as Korg.Berlin. These are some of the things that make us different.

Looking into the future, we feel that some form of this acoustic synthesis that we unveiled at Superbooth this year will be at the core of our forthcoming products, or even multiple product lines."

Analog synth heaven. Parallel Reality

video upload by WilliamSalmela

"The William Salmela Project: Subtle Moves / Parallel Reality

I got to play with a theremin! So, how to make something cool with it... without actually learning how to play... check it out :)

Lots of nice vintage stuff used in the piece:
Keio Donca Matic - Mini Pops
Korg EX-800
Korg Delta
Korg Sigma
Moog Etherwave Theremin
Micromoog
Yamaha CS-15D
(and a sampled 12-string acoustic guitar)

There's some outboard effects also, like EHX Deluxe Electric Mistress, Stereo Clone Theory, Small Clone and Roland SDE-2000 (the only digital unit here, but hey, it's vintage too).

For more information, please visit:
http://the-wsproject.com/

© 2010 W.T.Salmela"

Analog synth heaven, Veteran Jam

video upload by WilliamSalmela

"The William Salmela Project: Subtle Moves / Veteran Jam
People have been asking for new videos, which warms my soul. I know I haven’t been too active here nor in my studio lately. But I decided to publish this older piece because I had a couple of video clips from the recording sessions.
Sadly I don't have any of these instruments anymore...

Some very nice pieces of vintage kit was used in the piece (along with a few digital things):
Keio DoncaMatic MiniPops (Boss RPD-10, EHX Small Stone)
Korg Delta (Boss KM-60, Boss RPD-10, Joemeek mc2)
Korg MiniPops 7 sampled
Korg EX-800 (EHX Small Stone, Roland SDE-2000)
Korg Polysix – Legacy
Korg Trident (Boss RPD-10, Roland SDE-2000)
Roland RS-505 Paraphonic (EHX Small Stone rus)
Roland V-Synth-XT

© 2010 W.T.Salmela"

Instruō Superbooth23: THE MOVIE

video upload by Instruō

WARNING: This video contains flashing lights which may not be suitable for people with photosensitive epilepsy (There's also a wee bit of swearing!)

This is a movie that follows the creative crew that is Instruō.
In 2023 the company travelled to Berlin to present at the Superbooth trade show/festival.
At the time of these captured events, the expanded team at Instruō numbers 20+ personnel.
Pretty much the entire crew goes to Berlin as we show off who we are and what we make.
This is a look behind the scenes of a Eurorack modular synthesiser manufacturer as they present at the world's best Synth-show!

Directed by Mathew Pieraccini
Edited by Jasōn H. J. Lim

"This 'documentary' is the beginning of a new form of content that I'm (Jasōn) working on in parallel to the endless stream of new instruments that we're developing.
It's a long time since it was just myself working solo back in the early days of Instruō
(~2016).
I now have the privilege of working with some of the most fun and creative people I've ever met.
We collaborate now as a creative coop. My hope is to showcase more who we are, what we're doing and how things work at the workshop here in Glasgow.
I've always been a fan of behind the scenes content so my plan is to open thing up a bit to showcase my collaborators and what they do inside and outside of roles at Instruō"
~Jasōn

00:00:00 prologue
00:01:22 Instruōduction
00:02:05 THE TEAM ASSEMBLES, Glasgow 2023-05-08
00:03:02 BUS
00:03:40 Road Trip (UK)

CLICK FOR MORE »

The Caladan first prototype (and signs of life)

video upload by Isla Instruments

Caladan first prototype build stream


"This will be extremely boring to most, but to some, maybe not.
There might be bad language, burnt fingers, tears and breaking things.
If you like watching paint dry, you're gonna love this."

Instruō Superbooth23: THE MOVIE (TRAILER)

video upload by Instruō

"This is a movie that follows the creative crew that is Instruō.
In 2023 the company travelled to Berlin to present at the Superbooth trade show/festival.
At the time of these captured events, the expanded team at Instruō numbers 20+ personnel.
Pretty much the entire crew goes to Berlin as we show off who we are and what we make.
This is a look behind the scenes of a Eurorack modular synthesiser manufacturer as they present at the world's best Synth-show!

Directed by Mathew Pieraccini
Edited by Jasōn H. J. Lim

"This 'documentary' is the beginning of a new form of content that I'm working on in parallel to the endless stream of new instruments that we're developing.
It's a long time since it was just myself working solo back in the early days of Instruō
(~2016).
I now have the privilege of working with some of the most fun and creative people I've ever met.
We collaborate now as a creative coop. My hope is to showcase more who we are, what we're doing and how things work at the workshop here in Glasgow.
I've always been a fan of behind the scenes content so my plan is to open thing up a bit to showcase my collaborators and what they do inside and outside of roles at Instruō"
~Jasōn"

Eurorack cv presets - Traffic, Frames, Morphader, VC Transitions

video upload by John Schussler

"With the arrival of Traffic, a new module from Jasmine & Olive Trees, I find myself with several modules that do similar things around 'cv presets.'

The scenario I'm considering today is putting a single module (e.g. Basilimus Iteritas Alter from Noise Engineering) into different 'states' by simultaneously changing multiple cv inputs going to the module. This way you can get multiple 'instruments' out of a single module, in this case a variety of drums and percussion, which can then be sequenced.

There are other modules that do this as well (e.g. Endorphines Total Control), but these are the ones I happen to have. So, grain of salt and all that.

Sequencer is Pittsburgh Modular Micro Sequence. Clock source is Pam's Pro Workout.

00:00 Intro
00:20 Traffic
04:52 VC Transitions
09:08 Morphader
13:00 Plancks II"

MooSonics Vanilla Synthesizer First Encounter - Cory Flanigan vs Juggable Offense

video upload by suitandtieguy

"My good friend Cory Flanigan, a drummer who plays drums and electronics simultaneously, came over a few days after I finished the first properly and fully functional MooSonics Vanilla Synthesizer, a new basic American format modular synthesiser based on and restricted to the functions and timbre of 1970s Oberheim instruments, specifically the Two Voice, which Tom said was his favourite of everything he made. There is also an LFO module derived from the MS-20 and a control bus module that allows you to address all pitch and gate modules in the system from only one place, instead of having a dumb mess of cables and multiples. The Moog modular synthesisers worked this way, and I think it's the way things should be.

I got it set up and put it through a couple of IK Multimedia pedals, the X-Time and X-Space, because I can't stand listening to naked instruments. It was also nice to spend more time with the pedals, some of the tweaks are Cory and some are me poking around them.

Controlling the synth is a 2 octave MIDI controller with an internal arpeggiator driving a Roland SBX-1 as a MIDI-to-CV converter.

He played with it for a half hour and I decided to hit the record button, he finished at literally 4:20 AM, about an hour and a half later.

I wanted to post the audio because I thought listening to someone who was not a "modular synthesist" but did actually know synthesisers (Cory spent years making sounds with the Korg Wavestation and Radias, Currently has TWO Wavestates) would do with a thing upon first meeting it.

I didn't edit this except for fades at the beginning and end. I just wanted to present it as something you could listen to, in whole or part, as a reference for what my new instrument sounds like.

Bubba Ayoub AKA Juggable Offense made 90 minutes of video art while listening to it so I could merge them and put it on U-Toob. It beats paying Soundcloud nine bucks a month but you will have to skip through some text-to-speech ads for total snake oil products (YouTube is fine with misinformation if you pay them enough money, it seems.)

It would be cool to do this with more people, putting a new instrument in front of them and seeing what they do with it as a first encounter with new technology.

I know what this thing is supposed to do and what it should sound like from my own perspective, but I'm more interested in hearing what other people do with it.

Also leave a comment if you would be interested in a livestream where I just play with this thing and have the oscilloscope handy to answer questions or make certain kinds of patches."

See the MooSonics label below for more.

Patch of the Week: TRIPLE CROSS - Voltage Controlled Sound Switching with a Step Sequencer

video upload by AJH Synth Official

"The Triple Cross crossfader/panner module from AJH Synth & Tone Science makes a lot of things possible. Here it is being used as a voltage-controlled switch, to change between 4 incoming sounds, and send the chosen sound to its output. This means it can serve as a very convenient method of changing between multiple sounds, perhaps in a live performance, moving between different patches manually using the sturdy, tweaking-friendly controls. However, this behaviour can also be controlled by CV, so the process can be automated, and controlled by other modules, keyboards and sequencers.
In this patch a 4-channel/track step sequencer is being used - the excellent Erica Synths Black Sequencer. One sequencer track is used to send a melody to the VCOs and Gates to trigger the envelope generator. The other 3 tracks are controlling the 3 channels of the Triple Cross, to pan the Fade control hard left or right, like junctions on a railway track, so that the exact sound of our choosing arrives at the module's output, precisely when we want it.
Various combinations of the 3 VCOs, white noise, sub-octaves/sub-basses from the Ring SM, and animated sawtooths from the Wave Swarm are sent to 4 separate filters: The Transistor Ladder Filter, Sonic XV Diode filter, and both filters of the Gemini 2412 Dual VCF. A single Dual Contour Generator is controlling the VCA level, and the frequency of all 4 VCFs. The Sonic XV is also using its wave folder to generate a more unusual timbre from just a single triangle wave. The Triple Cross is a collaboration between AJH Synth and Ian Boddy of the Tone Science record label. It is an exceptionally useful module, being suitable for use with both audio, and control voltages, since it is DC-coupled. More videos featuring this, and other modules in the future.
Tone Science Label: https://dinrecords.bandcamp.com

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself."

InstaComposer 2 - Evolved AI MIDI Tool (VST / AU / AAX)

video upload by W. A. Production

Press release follows:

W.A. Production introduces InstaComposer 2 as advanced AI MIDI Tool taking popular MIDI creation station plug-in predecessor to another level

PRAGUE, CZECH REPUBLIC: W.A. Production, producers crafting creative plug-ins to help anyone achieve studio-quality processing speedily and easily, is proud to introduce InstaComposer 2 as an advanced AI MIDI Tool taking its popular InstaComposer MIDI (Musical Instrument Digital Interface) creation station plug-in predecessor to another level — launching new features and improvements that enhance the user experience with more MIDI tracks, scenes, new scales, and new modes married with enhanced generative coding and superior performance to make practicable new ideas flow more quickly than ever before by producing a wide variety of musical elements, including melodies, phrases, riffs, and chord progressions to provide both beginners and professional musicians with endless possibilities for creating unique and engaging music in any genre or style while working with an intuitive interface and advanced algorithms allowing them to focus on the creative aspect of music production without having to think about composing every note — as of July 6…

Ever experienced those testing moments when creativity runs dry? Do not fear, for InstaComposer 2 is the ultimate musical muse. Indeed, infinite inspiration is at the creative core of the thinking behind making InstaComposer 2 what it is — an advanced MIDI generation plug-in designed to revolutionise music creation. By building upon the solid foundation of W.A. Production’s popular InstaComposer — itself released to widespread critical acclaim in its original incarnation in October 2021, InstaComposer 2 truly represents an even more attractive proposition, with exciting new features and improvements to enhance the user experience. Example highlights include an ability to organise ideas and song parts with eight new so-called ‘scenes’ — Scene 1 through to Scene 8 — that provide a convenient way to store different variations within a single preset; upgraded Scale support, with 22 additional scales ranging from Arabic and Spanish through to Miyako Bushi, Ryukyu, and more; a new virtual keyboard and highlighted chord menus to help with scale and chord selection; and melodies that can be generated in different modes and paired with unique chord progressions for each scale. Speaking of which, InstaComposer 2 adds two new-generation modes to its notable name — namely, Drums, enabling effortless generation of drum lines (supporting a wide variety of complexity levels, styles, and time signatures), and Pad 2, facilitating creation of a fuller, richer sound (by combining Pad and Chord modes). AI algorithms have been further improved for rhythm, phrase, and melody generation, conjuring more refined results, while new additions like the Sustain parameter — provides control over the length of the notes that are going to be generated — and a Chord Helper — highlights the notes for the selected chord on the virtual keyboard — help take things to another level entirely.

Each new starting point for InstaComposer 2 generates a unique result to ensure that users never run out of fresh ideas and possibilities for their compositions, ultimately. Unlike random note generation, InstaComposer 2 employs meticulously crafted algorithms and databases to produce musical ideas. Indeed, it constructs rhythmic and melodic structures that sound correct by mimicking human creativity — selecting notes that fit the given scale and context, and creating cohesive phrases that complement underlying chords. Clearly, InstaComposer 2 ‘understands’ the human brain’s affinity for pattern recognition. After all, AI (Artificial Intelligence) is involved in making InstaComposer 2 do what it does — different shapes and formats are used to build captivating combinations of beats and bars, adding rhythmic and melodic consistency often found in chart-topping music. Moreover, by using smaller musical chunks that repeat or occur in various forms throughout the melody, InstaComposer 2 builds larger blocks, creating a sense of unity throughout its user’s music-making interactions. It even harmonises notes to enrich the sonics (depending on selected mode and settings), resulting in a more cohesive composition as it aligns melody to chords. Adjustable AI controls — Generate Chords generates harmonious sequences of chords inspired by the most commonly used chord progressions, for instance — and a convenient Chaos control — ensures everything remains under control by preventing unwanted chaotic situations such as notes repeating excessively, jumping erratically, or climbing too far in one direction — mean that users can comfortably remain in charge of how InstaComposer 2 develops ideas (and how far it strays from any set rules), while fine-tuning of chord complexity, note population, beat and bar structuring, pattern generation, harmonisation, velocity randomisation, and more are always available.

As an advanced AI MIDI Tool, InstaComposer 2 includes complex algorithms for generating Melody (generates a wide variety of melodies and phrases), Riff (similar to Melody, but with shorter phrases, more repeating patterns, and more restricted structures), Ostinato (generates short melodic phrases that keep repeating, often ignoring chord changes underneath), Rhythm (generates more harmonies, focusing on rhythmic patterns and chord notes), Bass (generates bass lines that compliment chords and melodies being played), Chord (focuses on the chord notes with options to inverse chords and add bass notes), and Pad (emphasises longer notes often focusing on harmonies based on underlying chords). Creatively exploring the potential of these modes means users are always uncovering unique and compelling music. Moreover, with those eight scenes available alongside six tracks — Track 1 through to Track 6, InstaComposer 2 offers flexibility and organisation for multiple layers, alternative variations, and different song parts within a single preset.

Put it this way: with a user-friendly piano-roll interface at their fingertips, users can effortlessly manoeuvre, duplicate, and remove notes, and even change velocity to effectively breathe life into their riffs, while the onboard MIDI editor can be used to tweak the output of InstaComposer 2, meaning music can be manipulated before it even leaves the plug-in. Personalised style and creativity can be easily added to the AI-generated phrases, in other words.

Modifying MIDI playback directly within the InstaComposer 2 interface itself is also on offer — simply save the output as a MIDI file or conveniently drag and drop it into a DAW (Digital Audio Workstation). It is also worth noting here that each track can be saved separately. Setting up multi-channel instruments as an alternative workflow also allows for routing MIDI from InstaComposer 2 into virtual instruments to preview all six tracks simultaneously — and all without ever having to leave the plug-in environment.

It is fair to say, then, that by taking its popular plug-in predecessor to another level as InstaComposer 2, W.A. Production has surely succeeded in creating the only MIDI creation station anyone could conceivably wish for... today, tomorrow, and into the foreseeable future!

InstaComposer 2 is available to purchase at an attractive 70%-discounted introductory promo price of $32.70 USD until August 17, 2023 — rising thereafter to its regular price of $109.00 USD — as a 64-bit AU-, VST-, and VST3-compatible plug-in for macOS (10.15 or later) and 32- or 64-bit VST-, and VST3-compatible plug-in for Windows (8 or later), as well as an AAX-compatible plug-in for Pro Tools (11 or higher), directly from W.A. Production via its dedicated webpage, which also includes some superb audio previews, here: https://www.waproduction.com/plugins/view/instacomposer-2

Owners of the original InstaComposer can upgrade to InstaComposer 2 for only $10.00 USD.

14-day, fully-functional trial versions of all W.A. Production plug-ins — including InstaComposer 2 — are available by signing up for an account for free from here: https://www.waproduction.com/users/login

VIVALDI - Summer Part 1 on SIX Arp ODYSSEYS

video upload by Richard Payne

"It's Summer! And I DO flipping love an Arp Odyssey ...

I ended up buying a couple after I sold my modular synth in 2020 and since then have been picking them up as and when I can afford them. Or when there has been a little space on a credit card for one.

I played the 3 that I rackmounted at a friends wedding a little while ago, under the guise of Richard Payne: Wedding Synthesist! I did half an hour of classical followed by the 'Here Comes The Bride' and the 'There Goes The Bride" classics. Sort of like what a church organist would do. But sounding a bit more like the Clockwork Orange soundtrack.

Anyway, it was a huge amount of fun and so when I'm not using them to make bleepy beats I've been fiddling with the classical stuff for my own amusement. Who knows, maybe the Wedding Synthesist will ride again!

So, to make these 'pieces' I downloaded a few different scores from t'interwebs and programmed the midi into Ableton. Had to compile and correct a few things and also choose my favourite handful of parts so I could cover the 24 or so instruments with my 6 Odysseys. I matched the tempo changes against a couple of recorded versions of the piece and then added a 'donk' on a spare Odyssey for good measure.

The synths are being controlled by Ableton but for the wedding gig I recorded the midi onto an old Yamaha MDF2 so I didn't have to use my laptop.

I'll get onto Part 2 next and sling it up on here ..." Update: you can find Part 2 here.

Cadence Demos

video upload by DecadeBridge

"Cadence consists of 4 square wave oscillators and can be used in a variety of ways.

https://www.etsy.com/uk/DecadeBridge/

This video demonstrates a few different things that can be achieved with Cadence. Jump to the timestamps below.

00:00 Pam's new workout is replacing oscillator A and B. All other oscillators are switched to cascade sync. Oscillators A, B and C are used as triggers to the Prok drum modules. Oscillator D is providing the tones while the filter is modulated by pam's pro workout.
01:19 Cadence creating drones and ronal rhythms using the internal oscillators.
03:04 Using all of Cadence's oscillators as gates to trigger samples in Square Instruments Sample.
04:03 Replacing oscillators A and B with external gates from Pam's pro workout then sending these through "COUNT" and out to trigger drum hits. Relaxing oscillator C with an external oscillator to then divide the signal with "COUNT". Cadence's filter being controlled by an envelope generator.
05:18 Oscillators A - C triggering drum samples in cascade sync with each other. Oscillator D clocking the Turing machine - Plaits' V/Oct
06:47 Oscillator A replaced with external gate. All sync switches on creating rhythmic tones within the beats.
07:42 More standalone drones
08:41 Cadence triggering Samples in Rample. Using the built in LDR and candles to change the rate of the gates."

JoMox Alpha Base Analog Drum Synthesizer SN 2021-728

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via SYNTH CITY Reverb

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"Super clean used condition, no issues. Includes original power supply.

Eleven instruments, sequencer, Midi/USB/SD-Card. Samples. Sampling inputs, balanced individual outputs.

Although it may appear similar to the classics XBASE 09, 999 and 888, the ALPHA BASE has an entirely new design under the hood. We have put in the concentrated know-how of the Jomox drum machines and of our synths of the past 20 years. We have simplified some things, but also added new components or have combined them new. The outcome is the best sounding and most versatile drum machine that Jomox has ever built."

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New CLANK Eurorack Modules Coming to SUPERBOOTH

PROTEO

Constantly evolving waveform stereo oscillator:

Two independent time-based acquiring paths transform incoming voltages into sounds, casting a mold for the oscillator waveform.

The sonic result is a constant evolving waveform which can be frozen and blended with a sine wave.

The two oscillators are tied together from the common pitch, the span control lets you set the pitch distance inbetween.

Dimensions: 12hp

Price and availability: tba

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A short Artiphon Orba 2 hacking guide

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"Artiphone's Orba Synth gadget is more versatile than you might think, but it could be even more so if the accompanying software came with more functions. In this video, I take a short look at Orba's config files, where to find them and how to edit them. WARNING: On the Orba forums, users warned that getting some of the pitch values in the chords template wrong might brick your Orba. I can't confirm this, for me, all that happened was a hard reset. But proceed with caution. Table of contents:

00:00 intro
00:25 hello
00:59 hardware overview
01:17 how to get the synth editor
01:26 editor overview
02:40 file locations, file transfer
03:27 your own chord progressions / keyboard shortcuts
05:36 drum patch setup
06:29 sampled instruments
07:33 conclusion
07:58 important things to consider
08:27 short demo using my own patches
09:30 what's wrong with my orba 2?
10:24 bye-bye

Links:
Orbasynth Editor https://artiphon.com/pages/orbasynth-...
Orba 2 hacking forum https://artiphon.freshdesk.com/suppor...
Orba 1 hacking forum https://artiphon.freshdesk.com/suppor...
Orba 1 chord editor: https://github.com/subskybox/Orba


HÄLP ZIS CHANNEL
https://www.patreon.com/floyd_steinberg
https://floydsteinberg.gumroad.com/
https://floydsteinberg.bandcamp.com/"

Renoise tracker on Raspberry PI

video upload by

"In this video, I briefly walk through Renoise running on Raspberry PI. Renoise is a tracker-style DAW which enables you to quickly create sample groups, tracks, and incorporate VST plugins. This video shows how to install Renoise, configure Linux for best audio performance, and how to create a song. Also answering some viewer questions, e.g. how to "ReWire" Renoise into Reaper so you can use Renoise like a plugin. Table of contents:

00:00 hello
00:14 hardware needed
00:31 download, installation and system setup
02:06 UI overview
02:44 creating a simple drum track
04:03 adding a bass track / using VST plugins
05:07 adding more tracks, sidechain compression
06:02 more effects plugins
06:11 assigning samples to the keyboard (multisamples)
06:31 arranging sequences into a song
06:50 "ReWire" Renoise to REAPER
08:23 script extensions
08:57 verdict
09.31 important things to consider!
09:54 demo track (8 tracks using multiple plugins and samples instruments)
11:50 bye-bye

Resources:
ZYNADDSUBFX on Raspberry PI Linux
Renoise https://www.renoise.com/
Reaper https://www.reaper.fm/

HÄLP ZIS CHANNEL
https://www.patreon.com/floyd_steinberg
https://floydsteinberg.gumroad.com/
https://floydsteinberg.bandcamp.com/"

Mutable Instruments Shruthi-1 Synth w SMR-Mk2 Filter

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via this auction

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