SDC03 - Musique Concrète

video upload by FL3SHB4CK

"@MAKEN0ISEMUSIC #MORPHAGENE #HISS AND A ROAR

A new Sound Design Challenge from Hiss and a Roar? Great!
Let's make a morphagene reel from the sounds (as provided here: https://hissandaroar.com/v3/welcome/f... ) in one single splice.
It's a very simple patch (literally a 3 modules patch) Morphagene into Beads modulated by Dual S&H+. End of gene trigger the S&H, modulating Gene size and Slide, a slewed version modulating Varispeed for smooth pitch changes.
Beads density sparse random, reverse grains with slight auto random mod, pitch 2 octaves up and of course, a lot of reverb!
A dedication to Pierre Shaeffer, thanks to these great sounds."

New Moog Muse Pics & Details

This one is in via an anonymous reader.

Also see:

New MOOG MUSE - 1st Video & Audio Demo by Mike Dean

New Moog Muse 8 Voice Polyphonic Analog Synthesizer in the Works?

New Moog Keyboard Synth Spotted at Usher's Super Bowl Halftime Show?

Update: some details shared online follow. It appears to be a translation from an online shop that had it listed with an MSRP of 47380 Kroner which currently comes to $4,384.62 USD. Note I have no way of verifying the price or the following is legit, so take it all with a grain of salt. Also all but the 1st pic have been updated with slightly larger versions, but they are still pretty blurry.

That said, here's the info shared elsewhere online:

"Meet Muse, an eight-voice analog bi-timbral polyphonic synthesizer — the culmination of over 5 years of dreams, design, and passion. Muse is an intuitive and powerful instrument built on the rich history of Moog that simultaneously gazes boldly into the future. This studio or performance centerpiece is driven by eight analog voices, each with two VCOs, modulation VCO, dual VCFs, and a stereo VCA — all with that...

We've selected the very best of vintage Moog circuits to create Muse – inspired by Moog Voyager oscillators, MF-102 Ring Modulator, CP3 Mixer, 902 VCA module, and a 904A Filter. With 16 banks of 16 patches, you'll encounter beautiful pads, organic FM plucks, attention-grabbing leads, subterranean basses, stage-oriented key splits, as well as 2 banks reserved for your own sonic discoveries.

CP3-style saturating mixer per-voice with Ring Mod, Noise, and either clean or saturated mix; Dual discrete transistor ladder VCFs per-voice with switchable routing configurations; Stereo discrete transistor VCA per-voice per patch.

Dual discrete transistor ladder VCFs per-voice with switchable routing configurations; Stereo discrete transistor VCA per-voice based on the Moog 902 Module. Dual ADSR envelopes per-voice with variable curves, looping, velocity response, and assignable to any destination; Two LFOs with unique waveshapes, dedicated Pitch LFO, and 16 per-voice triggered Random Generators - all routed via 16 modulation slots per-timbre, per-patch

Bi-timbrality and Voice Control: two independent timbres per-patch can be stacked or split across the keyboard; Advanced arpeggiator with rhythmic programming, expanded patterns, and generative behavior; Chord Memory with programmable per-key chord shapes; 64-step sequencer with Clock Division, Transport controls, Sequence chaining, Step editing, Modulation capabilities, and memory capacity of 16 banks of 16 sequences...

61 key semi-weighted full size Fatar keybed with velocity and channel aftertouch.

Diffusion Delay™: a hypnotic stereo processor inspired by golden era vintage digital rack delays with a unique and powerful set of diffusion, multi-tap, and filter behaviors. Craft complex echoes and diffused tonal smears that add dimension and depth to any patch. In addition to Muse's creative immediacy, the powerful arpeggiator invites you to generate melodic ideas with compelling patterns and rhythms. With Muse's sequencer, you'll unravel unique patterns and gestures — further develop these discoveries with parameter recording, probabilistic editing, and much more; 16 banks of 16 patches for a total of 256 patch memory"

Composing with Chaos \\ Patch from scratch

video upload by Omri Cohen

"The patch from this video and from many other videos is available on my Patreon page - https://www.patreon.com/posts/patch-f...
Here is the Sapphire collection - https://library.vcvrack.com/CosineKit...

00:00 - Introduction
00:53 - Modulation source \ Drone voice
04:12 - Pitch information \ Sequence
10:05 - Polyphony \ Chords
13:13 - Pinging \ Texture
17:51 - Bass
19:34 - With a switch \ Stable sequence"

PlayFader Tutorial rev.3

video upload by pitch patch

"This is a tutorial video for the Play All Day Play Fader.

PlayFader is a 2-channel CV, gate, and MIDI performance looper designed for real-time manipulation and looping of CV signals."

DecadeBridge Prototypes 2024 (so far)

video upload by DecadeBridge

"Jump to the time stamps below to skip through.

A few things that have been on the Decadebridge prototyping bench the first half of this year.

I like to give these things names relatively early on in the process to remain focused on the idea itself. That doesn't mean it doesn't evolve through the process but it does help cut away any unnecessary functions and the heart of its meaning doesn't give in to the overwhelming options that could, potentially, take away from it's character.

00:00 Laconic running through a low pass filter and some stereo delay. pitch controlled with Turing machine and volts. Volume controlled using a EG triggered by the Turing machine pulse out.

00:53 Laconic. Disting Mk4 controlling pitch. Manually changing settings.

01:45 Laconic. Pitch controlled manually and with the Turing machine and volts.

02:59 Laconic. Pitch sequenced using SQ1 and Moog subharmonicon sequences. All sounds from Laconic. Subharmonicon envelopes controlling voice level.

03:58 Noria. Ongoing, analog style step sequencer project.

06:49 Untitled. Just playing around with a glitchy, Sid chip type sound. 4 step sequencer that quickly turns into erratic dronal stabs. Fun little project.

08:18 Quatrain. 4 in 4 out passive matrix mixer with a few extra bits. Creating drones with feedback paths. the only sound sources are a couple of cheap guitar pedals (reverb and delay).

11:42 Quatrain. Using the mixer in a Eurorack setup mix CV signals.

13:31 Quatrain. Pure feedback paths to generate drones and tones. Korg amp works, Behringer vintage delay and digital reverb all feedback into each other and themselves to generate drones.

16:13 Quatrain. More CV input mixing and playing on Quatrain's other qualities in this eurorack patch."

Rabid Elephant Portal Drum - Module Review

video upload by naturarum

Timestamps:
00:00 Sound demo
00:54 Introduction
01:37 Pitch and decay
03:14 Portal drive circuits and decay envelopes
05:41 Transient control and EQ
07:37 Meow
08:46 Attenuverters
10:28 Patch points with S&H
11:53 Dynacontrol
12:46 Dynactrl demo and jamming
15:00 Conclusion

Synclavier Voice implemented in Moselle Software Synthesizer (Michael Jackson "Beat It" Gong)

video upload by Lantertronics - Aaron Lanterman

Moselle Modular Synthesizer: http://moselle-synth.com

0:00 -- Musical introduction
0:44 -- Main introduction
1:32 -- The patch
1:45 -- Synclavier voice architecture
3:28 -- Moselle code
7:40 -- Envelopes
12:17 -- Scope
12:56 -- Decay scaling
16:15 -- User variables?
17:05 -- Listening to partials
21:48 -- Try it yourself!

CLICK FOR MORE »

Buchla 700 FM Ring implemented in Moselle Modular Synthesizer Software (Four Oscillator Algorithm)

video upload by Lantertronics - Aaron Lanterman

Moselle Software Synthesizer (free!): http://moselle-synth.com

0:00 -- Demo
0:48 -- Buchla's algorithm
3:01 -- FMAlgo block
5:32 -- Audio vs "Control" outputs
5:58 -- MakeBus for stereo output
6:41 -- Oscilloscope syncing
7:23 -- Resources to learn more

Support this channel via a special purpose donation to the Georgia Tech Foundation (GTF210000920), earmarked for my work: Support This Channel via a Special Pu...

Moselle patch:

[FMAlgo]
Freq1 = Pitch
Gain1 = BreathCtrl

Freq11 = 2*Pitch
Gain11 = CN3

Freq111 = 0.5*Pitch
Gain111 = FootCtrl

Freq1111 = 0.25*Pitch
Gain1111 = Balance
Plus1111 = Control1

[Voice]
PreGain = MakeBus( FMAlgo:PreGain1, FMAlgo:PreGain111)

[Osc]
Frequency = Pitch:Output * 0.25

[Scope]
SyncIn = Osc:SyncOut
Probe1 = FMAlgo:PreGain1
Probe2 = FMAlgo:PreGain111

Intellijel Atlantix & Metropolix With Roland TR 606 Analog Drum Machine

video upload by Nightlife Electronics

"The first patch/jam with the brand new Intellijel Atlantix - paired up with another Intellijel classic; Metropolix. Rhythm section courtesy of the always amazing Roland TR-606.

Two separate pitch sequences running, one for each oscillator then adding a sprinkle of audio rate modulation to various sections. Endless options and opportunities await!"

https://nightlife-electronics.com/

Chris Meyer’s trick WavPak for the ModBap Osiris digital wavetable VCO

video upload by

"need to writeThe ModBap Osiris is currently my favorite wavetable oscillator: it has high fidelity, built-in processing such as stack & detune, a suboctave, a VCA, and more. It also allows you to load your own waveforms into it.

This caused me to sample my favorite waves and tricks on my “Monster” Eurorack modular system and load them into the Osiris, so I could take some of my favorite sounds with me on the road in my travel case. I created four banks: East Coast, West Coast, Formants, and Harmonics.

I did not just sample, say, the sawtooth wave of all of my VCOs; I created patches like audio-rate waveform crossfading, processed them through tube VCAs, sent the fundamental plus second or third harmonics of a warm sine through Serge-based wavefolders and rectifiers, and dialed in my favorite sounds on the Livewire AFG, Verbos Harmonic Oscillator, and Xaoc Devices Odessa as well as different formant filters and filter banks.

As fun as the individual waveforms are, the real trick is what I did with the Y axis of the wavetables: Instead of just loading more waves, I filled them with the 2nd, 3rd, 4th, 5th, 6th, and 8th harmonic of the source waveforms. That means as you modulate the Y value, this WavPak smoothly crossfades between different consonant musical intervals to the root (octave, octave + fifth, two octaves, two octaves + third, two octaves + fifth, and three octaves). When layered with a second oscillator tuned to the root pitch - or with the Osiris’ own subharmonic - the result are musical intervals under voltage control. Used with the Osiris’ subharmonic plus its stack & detune algorithm, and now one VCO sounds like three - with custom waves!

This WavPak is currently available for free from ModBap: https://www.modbap.com/collections/wa...

And here is the index to the video above:
00:00 introduction
00:41 East Coast bank
02:00 West Coast bank
03:11 Formants bank
04:07 Harmonics bank
05:34 Y axis tuning tricks
07:00 patch ideas"

Sn (tin) lofi FM synth. Percussive patch.

video upload by DecadeBridge

"This is a quick patch demonstrating a range of sounds Sn can produce. Stereo delay added after.
Patch notes:-
Trigger from Pam's pro workout to Sn VCA in.
Fast decaying Envelope generator to Modulator Pitch 1/16 rate
Fast decaying envelope to Carrier pitch 1/4 rate
LFO to FM Amount"

See this post for additional details.

The RadioPhonic - Sounds inspired by vintage Sci-fi soundtracks (see description for more info)

video upload by AJH Synth Official

"The RadioPhonic - A short performance of some sounds inspired by the early work of the BBC Radiophonic Workshop, specifically the TV series Doctor Who (a particular nod here to the story 'The Sea Devils'), and other Sci-fi/horror TV or movies from the 1960's to early 1980's.

This is the third of a few example videos featuring The RadioPhonic - a synth commissioned by Hans Zimmer, recreations of which are now available to pre-order at https://ajhsynth.com/Radiophonic.html. The RadioPhonic features 48 AJH Synth modules, including 8 envelopes, 7 VCOs, 6 LFOs, 6 VCFs, up to 7 VCAs, random voltage generators, random gates, phaser, fixed filter bank, dedicated noise oscillator, wave-folder, wave multipliers, audio and CV mixers, ring modulators, sub-octave generator, glide/slew, octave/semitone switching, multiples... and in a beautiful hardwood, well-powered Eurorack case.

Patch notes:
The ring modulator sound at the beginning uses the Ring SM's 3-way ring mod, where inputs Y and Z are both modulators. A triangle from a VCO is used, along with two sine waves created with the Gemini 2412, by setting both filters to self-oscillate. The frequency/pitch of these are then controlled by random voltages created with the Dual RVG. The Dual RVG also generates random gates simultaneously, which are used to trigger the VCA. This means all events it generates are in time with each other.

Video by @DreamsOfWires

The AJH SYNTH Eurorack modular range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.
Official website page: https://ajhsynth.com"

Small Case Jam Sessions #15

video upload by FL3SHB4CK

"This jam is taking part of the Hiss and a Roar Sound Design Challenge 2
link: https://hissandaroar.com/v3/sound-des...
Patch notes: it's a kind of Sampler Krell patch.
Samples from H&R has been processed and edited into 10 new samples, and loaded as a bank into the 4ms sampler. Voltage Block is an 8 tracks, 16 steps sequencer, clocked by the "end of sample" of the 4ms Sampler. The 4 first tracks are modulating pitch, start position, length and sample of the sampler. The 4 last tracks are modulating time, desity, pitch and reverb of Beads, the real time granular effect, feeded by the sampler in stereo.
The sampler is set in loop mode, so each time a loop of sample ends the sequencer advance to the next step of the 8 tracks, each in random order.
It's rather chaotic but you can control it a bit with attenuators and knobs positions of the sampler. In addition, the Intellijel FSR 1U (top left corner) allow me to freeze the buffer of Beads, and to modulate the size parameter, from reverse long to short. And outside of the case, a simple passive switch can mute the "end of sample" gate to freeze the Voltage Block.
Quite FUN :)

esthetical note: focus on cables is totally intentional."

Background Modulars No.5 - Buchla 100 and EMS VCS3

video upload by Memetune Studio

"Don’t have a Buchla 100 and EMS VCS3 to hand? No worries! Just put this video on in the background (in full-screen mode), and have the next best thing 😁

Here is 10 minutes of self-playing modular synthesiser randomness. Why not put it on loop - then you can have it bubbling away in the background while you do other things

A note on the patch: The whole thing is being run by the EMS Random Voltage Generator, but that is being modulated by a divided down set of voltages from the Buchla 8-step sequencer, so it changes the randomness very slowly, which makes it seem like its evolving as it goes along. There are ring modulated VCOs, cross mod VCOs and pitch shifted VCOs, from both systems all being mixed on the 205 matrix mixer, which also has feedback paths set up to go to the WEM valve copycat and also the Buchla dual reverbs and dual compressors. So the whole patch is intermingling and feeding back on itself via the matrix mixer. Its a highly complex patch and is pretty much impossible to describe fully because I just kept patching it until I liked the result enough to let it run and film it for 10 minutes"

Poly6 Teensy 3.6 based Polysynth with patch memory

video upload by Craig Barnes

"Teensy-Poly6

This is a polyphonic synth forked from albnys/TeensyPoly6 converted into a 2U 19" rack.

https://github.com/craigyjp/TeensyPoly6

The analogue interface now uses 6 MUX chips to read the pots and switches so there is no need to connect top the top or underneath of the Teensy 3.6 for the extra analogue inputs required. It runs smoother now as well.

The schematics are upto date now with the latest mux changes.

The synth is built using a teensy 3.6 overclocked to 192Mhz and is programmed in Arduino IDE using the teensy audio library.

Easily upgrade to a T4.1 or even a T4.0 as very few connections are required now. Increase of polyphony is probably available with a T4.x.

How it sounds in the original keyboard form, this sound engine is unchanged.

• Homemade Polyphonic Synthesizer! [posted here]

Triple VCOs with octave +/- shift.

Osc A with SAW, PULSE (PWM) and TRIANGLE waves, plus SUB and Crossmod

Osc B with SAW, PULSE (PWM) and TRIANGLE waves, plus tuning, oct +/-

Osc C with 28 waves, plus tuning, oct +/-

LP/BP filter with resonance and env +/- for A/D/R

LFO with SAW, TRIANGLE and SAMPLE & HOLD waves

Modulation destinations for FM. TM and AM

LFO attack, decay and sustain with depth control

PWM LFO with rate and depth

Digital reverb with size and mix amount

Digital delay with time and mix amount

Programmable ranges for Pitch, Modulation and Aftertouch

Mono, Poly and Unison (two voices) modes, Unison detune ranges

Note priorities for Mono and Unison modes, Top, Bottom, Last.

MIDI modulation, aftertouch, CC messages for controls, channel change, pitchbend.

999 memories with storage of all front panel controls except volume.

MIDI In, Out, Thru"

Soundtrack vibes - Plinky with Meska Presets

video upload by Making Sound Machines

"Channeling #soundtrack vibes in this slow-building Sunday jam, recorded late last night!

This is our second clip in a small series showing off the new #Plinky sound bank created by by @Meska_Statik. The Bank is a free download at https://plinkysynth.com/presets/ and works for all generations of #Plinky.

It contains 32 presets exploring lush #delay, cavernous #reverb, pitch drift and gnarly #saturation. For Meska's overview of all sounds, and a number of awesome patch from scratch videos, check out [this video].

Plinky is synched via MIDI clock to our #Stolperbeats drum trigger sequencer for #Eurorack, playing back a recorded note sequence. Stolperbeats is in extra sloppy "Kabuki" mode, suggested by our friend and expert breakbeat researcher @beatsbykabuki: Kick and Snare are super laid back, Hihats are a bit rushed, except when they play at the same time- creating this awesome push-and-pull #groove. In this patch, Enrica tweaks the sensitivity on Plinky to slowly build up a wall of sound.

Plinky's pitch CV feeds the lovely-sounding @Befacosynth evenVCO through their A*B+C VCA for a low-frequency, subby bass line.

The drum sounds are played back using the Samples II module by @soundforce_nicolas and processed through our #Farbshaper and #Farbhighpass modules. The shaper adds some extra dirt, the transistor ladder highpass is used with the kick envelope to get a ducking effect by modulating its cutoff.

The metering tool at the top right is a @vaskiembedded 2HP Lights Stereo Visualizer, an incredibly handy audio visualisation module. Our friends Stijn and Priscilla of #TiNRS @thisisnotrocketscience3942 made the one-of-a-kind Eurorack case from a #FenixIV enclosure.

Plinky is an #expressive #polyphonic #touch #synthesizer, designed by mmalex and available as a #DIY kit from @ThonkSynthDIY"

Intellijel Cascadia: patching Ring Mod into FX loop with Chroma Console

video uploads by The Synth Shed

Playlist:

1. Intellijel Cascadia sound demo with Vector Five12 sequencer (no talking)

Sound demo showing how to set up a basic patch and modulations (based on some of the start-up examples in the manual) - with CV pitch/gate controlled through the amazing Five12 Vector Sequencer to give us a driving techno line with lots of dirt.

side-note: I don't know if I was hallucinating after too much coffee, but by the end I thought the melody had morphed into the Star Wars Imperial March. WELCOME TO THE DARK SIDE!

2. Intellijel Cascadia: patching Ring Mod into FX loop with Chroma Console

Fourth part of my initial Cascadia explorations, again using the Chroma on fx duties, but this time with the added textures created by patching the Cascadia's Ring Modulator into the FX loop. Tasty sounds!

3. Intellijel Cascadia x Chroma Console = 'Add N to (X)'

Building on the patch and sequence created for my first Cascadia sound demo, we take things further with the addition of the inspiring multi-fx unit Chroma Console from Hologram Electronics. The perfect pairing for creating experimental sounds - and if you slow the tempo you're in instant 'Add N to (X)' chunky synth groove territory. Once again driven by the Five12 Vector Sequencer.

4. Intellijel Cascadia x Chroma Console PART 2: Filthy fuzz bass!

Had so much fun experimenting with this killer combo in the first video, that I ended up recording another video just to show how dang low down and dirty the Cascadia can go with a little help from its friends (in this case, FX from the Chroma and sequencing via the Five12 Vector)

Intellijel Cascadia - Hidden Function: The Entropic Sequence Generator

video upload by Intellijel

"Did you know about Cascadia’s hidden function - the E.S.G?

It’s short for Entropic Sequence Generator, and it’s an alternative mode to the LFO on Envelope B. In this video, Matt explains what it is, how it works and the 2 methods to enable it. Get random, get weird!

Note: The E.S.G. was added in Firmware update 1.3+ - Please update your firmware version if older than this.

Chapters:
00:00 - Introduction
00:45 - Setting up the E.S.G.
01:15 - Method 1 - Enable on Hardware
01:45 - Method 2 - Enable with the Intellijel Config app
02:10 - Quick patch
02:15 - E.S.G. Controls - Rise
03:02 - E.S.G. Controls - Fall
03:30 - E.S.G. Controls - Shape
04:15 - Modulating the E.S.G.
05:36 - Summary

Latest Cascadia Firmware:
Mac: https://intellijel.com/downloads/firm...
Win: https://intellijel.com/downloads/firm...

Download the Intellijel Config App:
Mac: https://intellijel.com/downloads/firm...
Win: https://intellijel.com/downloads/firm...

Patch notes:
E.S.G Enabled
ENV B Out --- Mixuverter In (for range control)
Mixuverter Out --- VCO A Pitch In
ENV B EOF Out --- ENV A Gate In
ENV A Out --- VCF FM3 In
ENV A Out --- Normalled - VCA A Mod
LFO X Out --- ENV B Fall Mod In (to modulate seq length)
LFO Y Out --- ENV B Rise Mod In (to modulate seq rate)
LFO Z Out --- ENV B Shape Mod In (to modulate regen probability)"

Meska's 32 presets for Plinky

video upload by Meska

Here a sound demo of the 32 preset i have made for plinky, they are mostly on the 'noise' & 'wonky' side of plinky Plinky website : https://plinkysynth.com/
Linck to the preset : https://plinkysynth.com/presets/Meska... "

Explore the dark side of Plinky - 32 free presets by Meska

video upload by Making Sound Machines

"New sounds for your Plinky! This awesome new bank of 32 presets by @Meska_Statik draws focus to the "dark" side of #Plinky, exploring lush delay, cavernous reverb, pitch drift and gnarly saturation.

The bank includes the #preset file, 8 samples and individual links for the browser-based patch editor. It works for all generations of Plinky and is a #free download at https://plinkysynth.com/presets

We already gave a little sneak peek of these sounds at @superboothberlin, so for this little snippet we broke our #Superbooth setup back out to give you a little musical demo showcasing one of the sounds, Preset 4: Footstep. We recorded a couple of clips showing one sound each in musical context, as a companion to Meska's overview of all sounds at • My 32 presets for Plinky [Meska's video above]

In this patch, Plinky plays back a recorded sequence and is synched via MIDI clock to our Stolperbeats drum trigger sequencer for Eurorack. Enrica plays the touch surface to insert individual notes into the arpeggio, and tweaks the A knob to adjust sensitivity on the touch grid to get a grittier sound.

Plinky's pitch CV drives a @Befacosynth evenVCO through their clever A*B+C VCA for a warm, subdued bassline.

The drum sounds from the GRRL x Made of Oak Configuration sample pack on @splice - check out their EP GXM Inertia, and the 10 year @sylvanesso anniversary release for some amazing music.

The samples are played using the Samples II module by @soundforce_nicolas and processed through our Farbshaper and Farbhighpass modules. The shaper adds some extra dirt, the transistor ladder highpass is used with the kick envelope to get a ducking effect by modulating its cutoff.

The metering tool at the top right is the incredibly clever and beautiful @vaskiembedded 2HP Lights Stereo Visualizer #audio #visualisation module, engineered by our friend Lauri. The Eurorack case itself is a beautifully crafted FenixIV case made by our friends @thisisnotrocketscience3942 from Amsterdam.

Plinky is an #expressive #polyphonic #touch #synthesizer, designed by mmalex and available as a #DIY kit from @ThonkSynthDIY"

Erica Synths Introduces Nightverb and ResonantEQ

"We at Erica Synths in collaboration with 112dB have developed a unique new hardware reverb effects unit. We focused on the musical aspect of the effect – extremely long decay tails are possible without losing harmonic integrity and since multiple parameters can be adjusted at once, notes can be played individually and held in chords, pitch-shifted at a whim or used to create massive, ambient textures.

Introducing the Nightverb – a stereo reverb with a unique and musical custom algorithm, save/recall functions for all parameters, all in a sleek aluminum case to aesthetically match our lineup of desktop units."

GRAPHIC RESONANT EQUALIZER
We realized it’s about time to expand the Erica Synths Graphic series of Eurorack modules with a unique sound shaping module. Introducing the Graphic Resonant Equalizer – a 10-band resonant equalizer with a fully-analogue signal path and digital control over individual band levels.

This new architecture gives an unprecedented level of control for shaping sounds with the possibility of saving presets, randomizing band levels, applying clocked modulations and even allowing for the module to act as an unconventional multimode filter.

The CV inputs for all bands and the clock input allow for integrating the Graphic Resonant Equalizer into any Eurorack system. Whether you’re looking for a delicate sound design tool for balancing out the frequencies in your patch to sound just right or an experimental scream machine that can mangle any sound source into uncharted territory, the module does it all – a versatile secret weapon for your rack!

Features:

10 band analogue resonant equalizer
Digital control over band levels
CV control over each band level
Configurable resonance loops (one or several bands)
EQ, Lowpass, bandpass, highpass and notch filter modes
Patch memory
Clock input for clocked modulations or patch selection
Spectrum analyzer mode
An optional expander for hands-on control of each band’s boost/cut
Module width – 20 HP