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Showing posts sorted by date for query pitch patch. Sort by relevance Show all posts

Thursday, May 16, 2024

Erica Synths Introduces Nightverb and ResonantEQ



"We at Erica Synths in collaboration with 112dB have developed a unique new hardware reverb effects unit. We focused on the musical aspect of the effect – extremely long decay tails are possible without losing harmonic integrity and since multiple parameters can be adjusted at once, notes can be played individually and held in chords, pitch-shifted at a whim or used to create massive, ambient textures.

Introducing the Nightverb – a stereo reverb with a unique and musical custom algorithm, save/recall functions for all parameters, all in a sleek aluminum case to aesthetically match our lineup of desktop units."




GRAPHIC RESONANT EQUALIZER
We realized it’s about time to expand the Erica Synths Graphic series of Eurorack modules with a unique sound shaping module. Introducing the Graphic Resonant Equalizer – a 10-band resonant equalizer with a fully-analogue signal path and digital control over individual band levels.

This new architecture gives an unprecedented level of control for shaping sounds with the possibility of saving presets, randomizing band levels, applying clocked modulations and even allowing for the module to act as an unconventional multimode filter.

The CV inputs for all bands and the clock input allow for integrating the Graphic Resonant Equalizer into any Eurorack system. Whether you’re looking for a delicate sound design tool for balancing out the frequencies in your patch to sound just right or an experimental scream machine that can mangle any sound source into uncharted territory, the module does it all – a versatile secret weapon for your rack!

Features:

10 band analogue resonant equalizer
Digital control over band levels
CV control over each band level
Configurable resonance loops (one or several bands)
EQ, Lowpass, bandpass, highpass and notch filter modes
Patch memory
Clock input for clocked modulations or patch selection
Spectrum analyzer mode
An optional expander for hands-on control of each band’s boost/cut
Module width – 20 HP

Wednesday, May 15, 2024

The future of EXPRESSIVE analog synths is HERE


video upload by Anthony Marinelli Music

https://www.anthonymarinellimusic.com

"I've been waiting 50 years to experience analog synthesizers responding intuitively and immediately to pitch, timbre and volume changes from the slightest movements of my fingers on a keyboard! In this video, you'll see and hear unprecedented control of one of the most extreme patches I've ever made. It incudes (4) Vintage ARP 2600's synthesizers and (1) Vintage 1969 Moog IIIc modular synthesizer playing all at once in unison mode or where each modular synth is playing a separate voice in the chord. I've never heard my favorite all-time analog synths sounding so musical, so different and just so good!

To accomplish this task, we are using 5 channels of Haken Audio CVC (Control Voltage Converter) to receive MPE messages from an Expressive E Osmose and also from a Haken Audio Continuum. These state of the art MIDI controllers are able to understand the players most subtle finger movements and immediately translate those messages to the CVC. Without any perceivable latency, the CVC can then send 4 independent control voltages to alter any parameter in real-time on any one of the synths being used as a voice.

My special guest, Osmose and Continuum expert performer Josh Madoff demonstrates all the features on both of these keyboards by playing musical examples. I'll be explaining what's going on, playing some duets with Josh and also providing an in-depth breakdown of the patches on each synth. I'm optimistic that we'l be seeing controllers n the near future delivering higher and higher levels of artistic experiences for performers. Please enjoy the this presentation and let us know what you think in the comments section. Thank you for your support, it means everything to us!

00:00 Anthony's Intro
00:41 Osmose Musical Example
01:11 Set Up (4) ARP 2600s (1) Moog IIIc
01:43 About the Osmose
03:05 About the Continuum
05:25 Musical Examples playing (4) ARP 2600s (1) Moog IIIc from Osmose
10:04 Our Experience Performing with Continuous Control Voltage
13:22 Sostenuto Pedal
15:22 Anthony Plays with a lot of Resonance
16:35 Musical Example - Osmose MPE Arpeggiator
18:23 Musical Example - EaganMatrix Sound Engine & Vintage Analog Modular
22:30 The Control Signals Osmose, Continuum & Haken CVC
25:17 Type of Control & Articulations
27:50 The Synth Patch on the Moog Modular IIIc
31:55 The Synth Patch on the ARP 2600s
34:36 RECAP of Control Voltage Signals Going to the Analog Synths
36:35 Controlling Each Synth Voice from the Keyboard
38:00 Anthony's Summary
38:25 CTA, Thank you
38:49 Logo (theme music)"

Monday, May 13, 2024

The last Eurorack sequencer you might ever buy: DROID Moto Kit Demo


video upload by mylarmelodies

"Imagine you could buy an uber-hands-on 4-track performance sequencer with haptic motorised faders, but you could modify or totally redesign how it works - as your interests change? The "DROID Moto Kit" (running the included Motor Fader Performer Sequencer patch) is that thing. It's 'done', and powerful...AND it can be changed. In this video I'll introduce the DROID system, explain basic track creation 5:41, and then jam from 14:57 onwards.

Thanks for Der Mann mit Der Maschine for hiring me to demo the Moto Kit. Given that this was designed by someone who actually plays live, you might expect that my next step is to try this as my live case sequencer."

00:00 What is Droid & The Moto Kit?!
03:12 Sequencer Intro/Overview
05:41 Let's Make a Track!
14:57 Jams: Meet the Quartet
18:27 Electro Aceed O'Clock
20:41 Electro Variation
23:26 Forlorn Acid
26:49 Stinson Acid
33:54 Endless Noodles
35:02 AFX Bass
36:17 Accumulator Jam
39:33 Arpeggiator Explained
43:06 Compose Mode Jam
45:30 Octave Shifting Melodies
49:04 Divided and Multiplied Melodies
51:33 Reprise Funk
53:36 Kosmiche Arpeggiator Jam

Update: press release and pics follow.

Wednesday, May 01, 2024

Custom Korg R3 synthesizer plays almost alone


video upload by Jake

"In this small track, I used a combination of modulations generating multiple random arpeggios. The 4 LFOs are used to vary the pitch of the sequences played by the 2 motion sequencers. Finally, timbre #1 plays an arpeggio in ALT mode. This results in a semi-random evolution of sequences as well as sounds.At 2mn 20s, I put in the video a photo of the sketch explaining in general the architecture of this patch in order to help those who wish to program this fabulous instrument a little more in depth

The KORG R3 was used extensively for the production of my new album
Compact Music volume 2
74 minutes of ambient synthesizer music - 2020-2021
Copyright Moloski productions, Angel Freddy"

RYK Introduces ALGO - Complex Oscillator Eurorack Module

RYK ALGO Demo - eurorack Complex Oscillator module
video upload by RYK Modular

User videos below.

"All knobs and no menus, an FM synth engine with hands-on control

Introducing ALGO, from RYK Modular

ALGO's four oscillators can be configured in series or parallel combinations, to create Complex FM or additive sound textures.
A unique Algorithm Display indicates the signal flow from one oscillator to another - easy to understand FM with pretty twinkly lights !

CHAPTERS:

00:00 -- ALGO !

00:04 – The Algorithms of ALGO

00:11 – Drone with FM and Global Detune

00:36 – M185 Sequencing ALGO. Tweaking the Harmonic Frequency of the oscillators for various levels of wildness !

01:16 – Drone demo showcasing built in Chorus effect

01:30 – Alien Torture sounds ! Batumi modulating oscillator harmonics, and cross modulation amount

01:53 – Dual ALGO Dub action. RHS playing the chords with various tweaks to the amount of cross-mod and harmonics. LHS used for the bassline. Sequenced by split seq on M185, 3xFEG envelopes modulating the internal VCAs of the ALGOs

02:45 – String/Pad chord setup on ALGO. Batumi modulating Wave Warp. Gliss used for modulating cross modulation amount

03:17 – Dual ALGO Pam's sequence. Pam sequencing pitch and harmonic offsets on RHS ALGO, also slower melody notes from LHS ALGO. 3xFEG envelopes modulating the internal VCAs of the ALGOs

04:14 – Conclusion Drone !!"



"ALGO's four oscillators can be configured in series or parallel combinations, to create Complex FM or additive sound textures.

A unique Algorithm Display indicates the signal flow from one oscillator to another - easy to understand FM with pretty twinkly lights !

Each oscillator has controls for Level and Frequency, allowing easy adjustment of FM timbres, no menu diving snorkels needed.

Modulation inputs for Frequency or Level for each oscillator - patch in a couple of Envelopes, and you have an instant FM synth voice.

Bored of Sine waves ? A generous Wave Warp control bends things through Triangle to Pulse wave and back again.
Wave Warp can be applied to Carrier, Modulator or both types of oscillator.

For the more discerning mangler, Wave Folding is also available in three delicious flavours; Symmetric, Asymmetric and Soft Clip !

A Global Detune spread control with CV input is great for creating Netflix apocalypse drones that descend into the abys.

Lastly an onboard Stereo Chorus can add a vivacious 1980's shimmer to all your FM creations.

Oh, nearly forgot. It's Stereo !"

FM synths can be easy and fun: RYK ALGO Eurorack Module Demo

video upload by mylarmelodies

"This is a demo of the RYK ALGO: A 4-oscillator stereo FM eurorack synth module with waveshaping and wavefolding, stereo chorus, and with a bunch of algorithms to interconnect the VCOs with. FM & PANEL EXPLANATION: 1:55 / SOUND DEMOS: 14:06 Onwards."

CHAPTERS
00:00 A taste of what's to come
00:43 What is this?!
01:55 Algo (and FM) Explained
14:06 Jams: Fast Footwork
17:35 Aphex Bass
19:35 Plinktown
20:44 Low n Slow
23:49 Woof!
25:18 The Righteous Chord
29:13 Hellscape Acid

RYK Modular Algo improvised play with friends

video upload by Molten Music Technology

"My first play with the RYK Algo FM module. Using an 8-step loop from the Oct Tone, a bit of delay from the Milky Way, some reverb and cassette saturation from the Chroma Console. I then foolishly threw in a VCO from the Batumi II through the Sqwk Dirty filter and sequenced from the meloDICER, all of which I'm using for the first time. I'm not sure it gels all the time, but I was having a lovely time exploring."

Tuesday, April 30, 2024

Modular Synthesis 101 | Part 2 | Oscillators


video upload by gstormelectro

"Audio + Video by G-Storm Electro c. 2024

Continuing my introductory series of videos on Modular Synthesis 101. Let's dive into the world of Oscillators, what they do, how to patch them, and a few tips and tricks.

0:00 | Intro and VCO Quick Recap
0:30 | Analog VCO - Typical Waveforms
1:36 | Pulse Wave and Pulse Width
2:35 | VCO Warm-up, Pitch CV and Oscillator Tuning
3:46 | Sub Octave Generator and V/Oct
5:04 | PWM - Pulse Width Modulation
6:52 | FM - Frequency Modulation
7:56 | Digital Oscillator

*BLOG* http://gstormelectronica.blogspot.com/
*LISTEN/DOWNLOAD* http://soundcloud.com/gstormelectro
**REVERB** http://reverb.com/shop/gstormelectro"

TUTORIAL / STEP 8 and SELECT 2 for a sequence with 1 random step


video upload by Joranalogue Audio Design

"In a previous patch walkthrough video I said that there's a way to create a sequnce with STEP 8 but use SELECT 2 (and COMPARE 2) to make one (or more) of those steps random. This is the tutorial video to watch if you want to find out how to do exactly that.

I hope you find it inspiring.

Tip: combined with the technique explained in the following video you can really create interesting harmonic changes for one or several voices in a patch, with a touch of random so you can easily afk without anyone ever knowing:"

PATCH WALKTHROUGH / STEP 8 / doing a lot of 'sequency' things with just one sequencer

video upload by Joranalogue Audio Design

"It's something that I find myself doing often: making a short sequcence, then transposing it every x amount of steps while using the cv that's transposing the lot as a pitch source for a bassline (works great for a chord generator as well). STEP 8 is a wonderful tool for this as it gives us both a sequence and cv for transposing and a way to randomize the progression within set boundaries. That - amongst other things - is what this video is about."

Saturday, April 27, 2024

Moog Source Magic


video upload by Bata

"Patch on a Moog Source with assistance from Synthesizers.com 106 Oscillator. Patch makes use of a couple strange bugs my Source has. Glide makes the pitch drop very low at a certain amount and lfo rate is effected by the buttons when it's at higher rates."

Friday, April 19, 2024

Sequential Circuits Split-Eight SN 02917 w/ Custom White Side Panels

Note: Auction links are affiliate links for which the site may be compensated.


via this listing

"Relatively uncommon but a fantastic sounding analogue synth capable of some extremely rich sounds when compared to modern digital offerings.

This unit is completely restored and fully operational.

This unit has seen the following service:

Completely refurbished keybed
All button contacts (Keybed and front panel buttons) have been refurbished
ALL electrolytic caps replaced including those on the audio board.
New memory battery installed
New voltage regulators installed
New led matrix chips installed
Full factory sysex installation with original factory sounds restored.
Fully tested and working great!
The Split-8 makes for a very nice programmable polyphonic analog synthesizer with complete MIDI implementation. With 8 voices and 8 oscillators (Curtis 3394 SENTE chips) the Split-8 is a heavy contender against the Roland Juno-106.

The keyboard features splits and layers, all of which can be saved with patch data. Choose between 8 voice polyphony with 1 oscillator per voice, 4 voice polyphony with dual oscillators per voice, 2 voice polyphony with a mega 4 oscillators per voice, or the unison mode which is just a fat 8-voice solo mode for trance bass and lead heaven! Similar to the Juno-106, the Split-8 uses a Chorus effect to liven up the sounds.

Split-8 features:

One voltage-controlled oscillator (VCO) for each of the eight voices. Switches are used to set any combination of triangular, sawtooth and square wave. Pulse width modulation (PWM) is available.
For each voice, the coarse tuning is available within four octaves as well as the fine tuning.
Programmable "poly mod" allows the audio output of one voice to feed another's VCF. In this case, the polyphony is reduced to four voices.
The voltage-controlled low-pass filter (LP VCF) has a four-stage structure with a slope of 24 dB per octave. Cutoff, resonance and modulation depth adjustments are available. A keyboard tracking mode is also provided (higher notes have a higher cutoff frequency).
The low-frequency oscillator (LFO) produces a triangular or rectangular waveform in the range from 0.25 to 20 Hz. It can be used to modulate the cutoff frequency of VCF, the pitch of the VCO and the pulse-width modulation.
ADSR envelope generators for VCF and VCA.
Keyboard "split" and "layer" functions are available.
Programmable chorus effect.
Full MIDI support, including downloading presets via the sysex protocol."

Tela – Modal Synthesizer


video upload by Fors

Tela – Walkthrough

video upload by Fors



https://fors.fm/tela

"Tela orchestrates a vast array of resonant peaks, intertwined to form a critical mass of sound. It models nothing – it's a synthesizer for the here and now, to discover and create anew.

In a careful balance of depth and immediacy, Tela explores the inherent character and capabilities of modal synthesis. Like a practical joke, Tela bends a myriad of partials into perfect symmetrical waveforms only for them to dissolve into otherworldly timbres and textures mere seconds later. There are no rules.

Modal synthesis
Imagine hitting a thin piece of metal, a piece of glass or the membrane of a drum– the material vibrates and rings out with its inherent timbre, affected by the motion of the impact and the strength of the hit. This is the basis of what modal synthesis recreates.

Thursday, April 18, 2024

Roland Juno 106

Note: Auction links are affiliate links for which the site may be compensated.
video upload by ohm_studi_ohm

"First part I demo a few presets and most of the controls.
On the second part I enter test mode and let you listen to the 6 voices filter calibration.
This is a good test to check if your Juno 106 needs calibration. Most of the calibration procedure is dedicated to the filter setting, since oscillators are DCO they won't drift, but the filters can. By entering test mode and selecting bank 3 you basically recall a patch that has filter in self oscillation with keyboard tracking, thus you can easily hear if any of the 6 voices is off. Just play notes in the high and low notes and listen to the pitch (and amplitude). The 6 voices should sound the same, like on this unit. If one or more is way off it's time for calibration."



via this listing

Tuesday, April 09, 2024

PATCH / ROUTE 4 / arps & melodies / sounddesign exploration


video upload by Joranalogue Audio Design

"The 1V normalized routing inputs on ROUTE 4 make a lot of sense when you start using ROUTE 4 to change up an existing sequence, by either precision mixing the 1V/oct pitch cv with ROUTE 4s output or by using an additional V/oct input on your vcos (luckily GENERATE 3 Exp. FM inputs are nearly perfectly calibrated to accept V/oct signals). Using ORBIT 3 as a master control for all the switching on ROUTE 4 makes for a chaotic but controlled course of pitches."

Thursday, April 04, 2024

TMP-2-06 Vintage Synth TV Series from Benge


video upload by Memetune Studio

00:00 Opening Titles
00:31 Introduction
01:20 Little Black Boxes
04:37 Switched On Cybersynths
17:46 Synthesiser Club
21:23 Commercial Break
23:05 Patching Today
37:53 Video Lab
40:26 Outro

"Episode six of the second series of the TV program from Benge, made at his Memetune Electronic Music Studio, and the final episode of the season

The series explores his passion for vintage synthesiser instruments and studio gear and how he uses it on his productions and collaborations

////////////////////////////////////////////////////////

It is divided into the following sections:

LITTLE BLACK BOXES - A look at some classic rack mount synths of the 80s and 90s

SWITCHED ON - This second series looks at a type of synthesis based around the ideas of Cybernetics, which Benge calls CYBERSYNTHESIS

SYNTHESISER CLUB - A short musical demonstration of a synthesiser classic or three

COMMERCIAL BREAK - Some shameless Memetune shilling

PATCHING TODAY - A deep-dive into vintage modular systems and how to set up a patch on them, starting from scratch

VIDEO LAB - A look at old video equipment and how to create experimental visuals

////////////////////////////////////////////////////////

In THIS episode:

LITTLE BLACK BOXES - The Kawai k1m was a small desktop version of the K1 layer synth, introduced in 1988. Today I sequence it from an Atari ST running C-Lab Notator

SWITCHED ON CYBERSYNTHS - Patching it all together: after a brief section on quantising both pitch and time, I attempt to patch together all of the Memetune modulars (12 vintage systems!) in a giant Cybersynthesis monster patch

SYNTHESISER CLUB - Today, its more Yamahas, including a QX1 sequencer, RX5 drum machine, TQ5 FM synth module, REX50 multi FX, SY85 layer synth and a MT1X 4-multi-track cassette recorder

COMMERCIAL BREAK - Some adverts for Memetune related goodies, including the new Memetune Annual 2024 (sort of๐Ÿ˜)

PATCHING TODAY - Taking the wonky Roland System 100 for a ride

VIDEO LAB - In this episode we take the meme-mobile for a spin!


////////////////////////////////////////////////////////

LINKS:

Benge's Studio Blog: http://myblogitsfullofstars.blogspot.com

Memetune Studio Instagram: @memetunestudio

Benge & Memetune Merch on Bandcamp: https://zackdagoba.bandcamp.com"

Behringer Edge Modular Patches/Patterns/Samples No Talk Demo


video upload by Anton Anru

"Behringer Edge «Modular Grooves» is a collection of 50 patches + patterns: 17 Percs/Drums, 16 Basses, 17 Synths. It is dedicated to the modular vibe, loved for its analog warm sound, experimental attitude, rich opportunities, unique features and tones, and inspirational workflow.

๐Ÿ’Ž The presets feature various colors: warm, noisy, detuned, distorted, as well as mild, clean, soft, punchy, dark, bright, deep, and airy.
Some timbres are great to play the first role in tracks or jams, while others will work perfectly as additional parts.
You may use the patches as they are, but I strongly recommend tweaking the knobs to develop the timbre during your performance and get an exciting experience.

๐Ÿ“ฅ Get the soundset: https://antonanru.sellfy.store/p/edge...

๐Ÿ’ฝ The soundset also includes 24/41000 WAV samples, accompanied by BPM and scale information. You can use them as they are, or you're free to resample, edit, and apply effects. These samples offer a versatile material for your experimentation.

๐Ÿ“š The soundset is presented in PDF format. Each page contains notes that explain how the patch works, what parameters are worth tweaking during playback, and how to develop the timbre during a performance. If you make all the settings consciously and try the things mentioned in the notes, you will learn a lot about the synth and discover its true depth.

๐ŸŽง There are audio examples of all patches inside the folder with the soundset.
To recreate these patches, you need up to 3 patch cords.

Tuning is an important part of the final result, but it’s quite difficult to depict the settings of oscillators frequencies and sequencer knobs as they are quite small, and even a tiny movement may shift the pitch. I tried to be as accurate as possible to draw these settings (the way they play in the audio examples), but don’t be upset if you can’t recreate the same melody. You may spend some time to catch the same melody, or you may use the settings as a starting point for your own melodic or percussive lines.

I used an external USB clock from Ableton Live. When external clock is used, TEMPO knob has no effect, so I left its value on some default position. Only tempo division (SCALE) changes the playback. If you use EDGE as a master clock device, change TEMPO to your taste.

๐Ÿ”” The video contains demo tracks featuring these presets. I've added other samples, drums and pads, to create a complete musical context. The EDGE sequences can be quite complex, producing various timbres at once, like bass and percussion. To help you distinguish, I've marked the EDGE and ADDITIONAL SOUNDS with different colors.
These ADDITIONAL SOUNDS are not included in the soundset.

Modal Electronics CraftSynth 1.0 Monophonic Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.


via this listing

Thursday, March 28, 2024

Nostalgia Unwound / Reel to Reel + Beads / Ensemble Oscillator Rings Echoz Mob of Emus


video upload by Wac- Lounge

"Thank you for watching!
Here are the simple patch notes, a list of the gear, and more information.

https://wac-lounge.bandcamp.com

Instagram

/ wac_lounge

Reverse piano voice = Reel to reel(SONY TC-4860)
Echoed Piano voice = Reel to reel processed by Beads
Synth lead voice = Ensemble Oscillator modulation & sequenced by Flame C-3mk2
Sine wave lead voice = Mob of Emus CH1 sequenced by Mob of Emus CH3 triggered by Steppy slew limiter = MATHS
Sine wave voice loop = Mob of Emus CH2 processed by Disting(delay clocked by Steppy) sequenced by Mob of Emus CH4 triggered by Steppy
Echoed pitch bending voice = Rings processed by A-120VCF1 & Echoz sequenced by 2hp Arp triggered by Steppy modulation & enveloped by MATHS & Mob of Emus CH5
Master clock = Mob of Emus CH6 (divided by Steppy)

Monday, March 25, 2024

The Roland System 100 Synthesizer - Semi Generative Patch #modularsynth #synth #ambient #drone #100


video upload by S R DHAIN

"Modular & Semi Modular synths can be set to self-generate all kinds of effects, noises, and music. It can be both challenging and fun to program the synths to do this.

Here , the 104 sequencer is running at a very low clock speed and has a sequence of notes that are consistently chiming in on the 101 keyboard, which itself has the VCF & the VCA being slowly modulated by it's LFO.

The 102 expander has the sample & hold switched on to both pulse out a note trigger & slowly modulate its the VCF. My occasional interjections are to change the key of the sequence on the 101 keyboard & the 102's drone note; the 102's pitch is affected by the CV input from the 101's keyboard."

Gimme Some (Kick) Drum by Blue Lantern Modules || Full Walkthrough and Sound Demo


video upload by Robots Are Red

"GSDrum, or Gimme Some Drum, or Gimme Some Kick Drum is a 10 hp drum synthesizer module. It really shines as a kick module, but can do other drum sounds such as toms or something out of the syncussion, or act as a bass synth tracking it 1v/oct. This is not a typical kick oscillator using the 'Twin T' approach, GSDrum uses a v/oct tracking triangle core VCO with an OTA based VCA. There is CV control for the trigger of course, along with v/oct tracking, Linear FM, and VCA accent inputs. The Timbre knob shapes the oscillator starting at a sine wave, to a triangle wave, all the way to an overdriven square wave. Influenced by the Korg ER-1 drum synthesizer. The accent input can simulate midi velocity or drive your sound even more. You can jump to any section of the video here: 00:00 Opening 01:03 Introduction 01:42 Walkthrough Begins 01:50 Pop 02:07 VCA Envelope 02:58 Pitch Envelope 04:05 Tune Knob 04:15 VCA Knob 05:07 Timbre Knob (Waveform morphing) 06:16 Accent Input 06:57 v/Oct Input 07:10 Linear FM Input 07:40 Feedback Patching 08:43 Kick and Drum Sounds (Minimal Talking) 10:11 v/Oct Bass Line Demo (Minimal Talking) 11:17 Accenting with Sequenced Gates (Minimal Talking) 14:25 Frequency Modulation with Sequenced Gates (Minimal Talking) Special thanks to Blue Lantern Modules for providing the modules for this video."



via Blue Lantern Reverb

"Part of the 'Gimme Some' series. Gimme Some Drum....

What does this module do?

This module is a complete mini synthesizer that specializes in making analog kick drum sounds.

This product does not use a "Twin T" approach to make it's drum kick sound. This is using an actual 1v/octave

triangle core vco, and ota based vca. The shaper circuit that converts a triangle wave into a sine wave was brought to the front panel. The shaper knob was calibrated to start its shaping at the beginning of a sine wave, and end with an overdriven square wave.

This parameter is called 'Timbre'.

This product can produce a wide variety of ultra generic analog kick drum sounds.

Influenced by the Korg ER-1 drum synthesiszer, but laid out in an analog fashion.

-toggle switches are connected to 'timing' capacitors. You can select decay legnths on the fly.

-Depth Knobs let you precisely dial in how much punch, and loudness you want.

-Accent input lets you simulate 'Midi' velocity but with a positive CV input signal. This makes the Amplifier go louder in volume.

This is basically a CV input for the VCA circuit.

-POP parameter creates a clicky sounding, short audible pulse.

All the internal circuitry was optimized for drum kick. You really can't goof up and not make a percussive sound.

All you need is a triggering signal.

Internally Pre-Patch Products: OTA Triangle Core VCO + Sine Wave Shaper + Assist Percussion Utility

Big time savings!"

Tuesday, March 19, 2024

Poly sequence without sequencer on KORG R3 synthesizer


video upload by Jake

"A song combining several sequences on a KORG R3 synthesizer without sequencer thanks to the Motion Sequencer

The R3 is a bi-timbral synthesizer.

Although it does not have a sequencer per se, it has the "motion sequence" function.

If motion sequencing allows you to automate a parameter over 16 steps, it can be dedicated to the pitch of the notes.

We thus have 2 sequences for the same patch, each controlling its own tone.

On timbre 1, in order to make the sequence more complex, I allocated each of the 2 filters to its own oscillator. Thus on timbre 1 the slow variations of LFO 1 control filter 1 in positive and 2 in negative.

LFO 2 is synchronized to the motion sequencer in the form of a sawtooth wave to simulate a filter envelope trigged to the note

On tone 2, LFO 1 in the form of a square wave at slow speed allows the sequence to be transposed to the seventh at 0.75 hZ.

LFO 2 has the same function as on timbre 1

Recorded in one take without any external effects"

Korg MS-50 Autoplay #1: part 5/5 | sequential patch #korgms50


video upload by Dr. Kunz

Korg MS-50 Autoplay

"Fifth and last part of a sequential patch with VCO and VCF cross-modulation, combined modulation voltages, rhythmic pulses and two independent audio outputs. Different level settings in the Adding Amplifier can produce a variety of patterns from the combination of two envelope curves and a pulse, displayed on the voltmeter. The remaining free modules can be integrated to further expand the patch complexity.
This video is a fraction of an hour long experiment around this patch, I've shortened and divided it in five parts to make it more accessible. The wiring is presented at the beginning of each video.
Thanks to @IppeiTambata for his inspirational looping machines.

Effects: Yamaha SPX-90II stereo echo, Korg SDD-3000 short modulated delay, some level and eq adjusting on the Mackie 1402.

Recorded with Tascam DR-60 MKII

00:00 start
00:07 movement #5
00:19 wiring list
01:48 pattern variation
02:56 pattern perturbation
04:10 pitch and pattern alteration
05:13 timbre dissolution
05:44 Pac-Man resurrection
06:05 final obsession"

All parts:

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