SUPERBOOTH 2024: Mad Sound Factory - Drop Analogue Groovebox

video upload by sonicstate

"At Superbooth 2024, a new and innovative instrument called the Drop was announced by Art from Mad Sound Factory*. Described as an Analog Groove Box, this machine offers a wide range of sounds including kicks, basses, hi-hats, and weird noises. With features such as tone generator, mixer section, noise generator, and two LFOs, the *Drop allows for creative patching and modulation possibilities. The instrument also offers a unique Drop button that can trigger sounds and add a fun element to performance.

Scheduled to be ready for shipping in three months, Drop can be controlled through analog clock signals or MIDI sync. Designed for both live performances and studio use, this instrument offers a wide range of sonic possibilities for musicians looking to experiment with rhythm and sound design.

Drop Price: around 750 Euros"

See the Mad Sound Factory label below for more.

Cherry Audio Introduces Virtual CR-78 Drum Machine

video upload by Cherry Audio

Introduction to Cherry Audio's CR-78 Drum Machine

video upload by Cherry Audio

"'I’ve had absolutely tons and tons of fun with this particular plug-in. I didn’t think I was going to enjoy it as much as I have. I’m not making it up. This is the most fun I’ve had with any plug-in I’ve ever played.'

Cherry Audio and Tim Shoebridge have again teamed up to create an extensive and entertaining video that introduces users to the classic CR-78 sounds and the new features of this tremendous virtual drum machine.

Get CR-78 today at https://cherryaudio.com/products/cr-78 for only $49!

Cherry Audio's CR-78 accurately recreates the punchy analog sounds and 34 onboard preset rhythms of the first true classic drum machine and takes it much further. We've done away with the complex beat programming, replaced it with a familiar X0X-style button-per-step interface, and added an easy-to-use song mode for pattern chaining. Unlike sample-based emulations, Cherry Audio's CR-78 uses modeled synthesis to recreate the classic tones of the original and makes a quantum leap forward by making these sounds fully editable. Four studio-quality effects are provided, with a uniquely fast and fun "send button" for each individual tone in the effects and mixer section, which also includes a complete mixer, compressor, and a six-band graphic EQ.

For more details on how to get the most out of CR-78, try the free demo and check out the User Guide at https://docs.cherryaudio.com/cherry-a...

00:00 - Introduction
01:14 - Overview - The Panels
02:50 - The Main Panel: Factory Preset Buttons and Variations
05:10 - Other Variation Options
09:55 - "Pop Quiz 1!"
12:34 - Programming Patterns
16:58 - Programming Songs
18:59 - "Pop Quiz 2!"
21:46 - Voice Edit Panel
26:26 - "Pop Quiz 3!"
27:15 - DAW Tools and Drag-Export
29:08 - Multi-Outs DAW Option
31:08 - Mixer/Effects Panel
33:18 - Melodic Tones
35:28 - "Pop Quiz Final!"
37:41 - Final Thoughts
40:20 - Outro Track"

Cherry Audio CR 78: A demo and tutorial of a class rhythm machine
video upload by CatSynth TV

"We take a detailed look at the new CR-78 from Cherry Audio, a recreation of the legendary Roland CR-78 "CompuRhythm". With its distinctive analog drum sounds and ability to program one's own rhythms in addition to the 34 presets, the CR-78 made the jump from the top shelf of home electric organs to mainstream pop music in the late 1970s and early 1980s, and set the stage for Roland's later drum machine line. Cherry Audio's version faithfully reproduces the sounds and rhythms of the original, along with some new features to expand it's possibilities an integrate into modern digital studios.


00:00 Introduction
00:23 History of the CR-78
00:57 Overview and preset rhythms
05:11 Additional rhythm controls (fade, cancel, variation, swing)
10:52 Mixer panel
12:35 Voice Edit panel (modify drum sounds)
15:19 Creating user patterns
19:54 Song mode
22:00 Effects
26:17 Factory Presets
30:20 Conclusion"

Please consider supporting this channel to help us bring you more synthesizer tutorials and other content.
Merch: https://shop.catsynth.com
Patreon: https://www.patreon.com/catsynth
Ko-Fi: https://ko-fi.com/catsynth



via Cherry Audio

CR-78 -- Cherry Audio's first virtual drum machine -- accurately recreates the punchy analog sounds and 34 onboard preset rhythms of the first true classic drum machine and takes it much further. We've done away with the complex beat programming, replaced it with a familiar X0X-style button-per-step interface, and added an easy-to-use song mode for pattern chaining. Unlike sample-based emulations, Cherry Audio's CR-78 uses modeled synthesis to recreate the classic tones of the original and makes a quantum leap forward by making these sounds fully editable. Four studio-quality effects are provided, with a uniquely fast and fun "send button" for each individual tone in the effects and mixer section, which also includes a complete mixer, compressor, and a six-band graphic EQ.

In 1978, following the success of their AceTone electronic rhythm products, Roland introduced a not-so-little box that made a massive impact. Coming from a legacy of preset-based devices intended to sit atop an organ, the CompuRhythm CR-78 was entirely new: the first programmable, microprocessor-controlled, analog beatbox.

With its colorful buttons for pattern presets, distinctive analog tones, and basic pattern programming, the CR-78 was the first drum machine as we know it. Pro musicians such as Blondie, Ultravox, Phil Collins and Genesis, Orchestral Manoeuvres in the Dark, Roxy Music, The Cars, Hall and Oates, and many others immediately embraced and immortalized this revolutionary gear.

Waiting for this Moment

For years, musicians have requested a virtual drum machine such as this, and in Cherry Audio fashion, we've delivered it with so much more.

Cherry Audio's CR-78 is a visionary virtual drum machine that re-envisions the original by meticulously recreating and extending its distinctive sounds and beats with new programmability features, and adds over 250 additional presets that take it from mild to wild.

Pattern creation has been simplified with X0X-style 16- or 24-step sequencing, copy-and-paste, and real-time entry using trigger, keyboard, or MIDI device. CR-78 also includes an expansive song mode for chaining up to 99 patterns. All of the original variations for fills, accents, voice cancel, and fades are present, along with new swing and velocity options.

Cherry Audio's CR-78 can be played standalone and includes versatile plug-in options loaded with such DAW-friendly features as auto-sync, drag-and-drop MIDI export, individual outs, and complete automation.

Unlike sample-based instruments, Cherry Audio has emulated the original's tones through modeled synthesis, and a Voice Edit panel allows extensive instrument parameter editing, enabling a range of sonic and melodic possibilities far surpassing the original.

The innovative Effects/Mixer panel delivers discrete level, pan, mute/solo; studio-quality effects, including overdrive, flanger, delay, gated reverb with effects send buttons; and a master compressor and a six-band graphic EQ.

In short, Cherry Audio's CR-78 goes deep inside the box to provide the ultimate outside-of-the-box experience.

Cherry Audio and Tim Shoebridge have again teamed up to create an extensive and entertaining video that introduces users to the classic CR-78 sounds and the features of this tremendous virtual drum machine."

Background Modulars No.3 - Serge Paperface

video upload by Memetune Studio

"Can't find a Serge Modular system to create a self-generating Cybersynthesis patch on? No worries! Just put this video on in the background (in full-screen mode), and have the next best thing 😁

In this background piece, I’m using a 1970s Paperface system with some Loudest Warning Serge clone modules to help with the AI composition process (top panel)

The usual VCO / VCF / ENV things are set up, being triggered from a combination of Positive Slew, 73 EG and the mysterious Fenetre module (a Window Comparator designed by Charlie at Loudest Warning, inspired by a tiny bit of the Destiny+ Czochralski Cells thing - Google it), which takes a CV-variable input and sends out staggered pulses, all CV-able. Some of these go to a 4-input AND module which is combined with the other clocks to give varying rhythm to the piece. The pitches are being generated from the Gated Comparator (Ken Stone design, Mk2) which is being altered as the piece develops by various interrelated CVs from the other modules and the vintage Programmer, set to 4 steps on a very slow clock, again related to the main clock via an 8-way divider, then into a 2HP Tune quantiser, which I supplanted into a spare hole in the cab. The Programmer also has its other outputs slowly changing things, such as timbre and LFO of the main oscillator. The reverb is from the Serge spring units (stereo) and there is a tiny bit of Boss SE70 delay in there (all being mixed via one of the Serge Universal Audio Processors)

The general idea is that its one great big interrelated cybersynthesis patch, and the sequence changes slightly each rotation. I think if you listen through to the end, you will hear a very satisfying melodic development, one that I was not expecting to happen. I had no idea how the melody would evolve, and for the first time in my patching life I was genuinely surprised by the melodic resolution this self-generating Serge patch produced"

Moog Sound Studio Generative Patches: DFAM + Subharmonicon

video upload by Anton Anru

"Welcome to the soundset for the semi-modular system, Moog Sound Studio: DFAM + Subharmonicon. DS Generative is a collection of 25 patches. This genre of sound design is very popular inside modular culture, and Moog Sound Studio suggests a good set of features to enter this club.
The bank covers a wide range of tones: warm, deep, bright, metallic, soft, expressive, dreamy, dark, evolving, detuned, inharmonic, noisy, distorted and others.

🧊 Get the soundset: https://antonanru.sellfy.store/p/moog...

Controlled chaos and randomness, probability, non-repetitiveness, tempo break, pattern uniqueness, short and long sounds alternation, unexpected changes, silence and density, harmonic and fx-like tones, freaky splashes during a sequence - all these things are included in the soundset.

Generative timbre may be a good addition to (or a lead part of) ambient or techno tracks, jams and performances. You may also record fragments into your DAW or sampler, slice it to one-shots or make loops - you’ll get a unique material for further processing.
The main point of the soundset is the high level of interconnection. In this patchbook, the timbres of the synths are soldered and can’t exist separately:
🔸 they modulate each other with Envelopes
🔸 a sequence from one synth may change parameters on the other one
🔸 triggers interaction, clock/rhythm, run/stop modulations break predictable patterns
🔸 audio signals from VCOs may be used as modulation sources to create harmonies/intervals or crazy experimental inharmonic tones.

The soundset is presented in PDF format. Each page contains notes that explain how the patch works, what parameters are worth tweaking during playback, and how to develop the timbre during a performance. If you make all the settings consciously and try the things mentioned in the notes, you will learn a lot about the synths and discover their true depth.

To recreate these patches, you need up to 13 patch cords.

There are audio examples of all patches inside the folder with the soundset. Audio examples for a patch are presented in three variants: DFAM only, Subharmonicon only, and both together.

CLICK FOR MORE »

марк1 Maestro Rhythm King MRK-1 - Drum Machine Replica

Note: Auction links are affiliate links for which the site may be compensated.
video upload by ДМИТРИЙ Р

via this auction

Note auction links are affiliate links. See the site's privacy policy for more info.

CLICK FOR MORE »

Circuit Rhythm with Sequential Take 5 - Trovarsi Connects

video upload by Novation

"We've partnered with our sibling brands, @SequentialLLC and @FocusriteTV, to give you the chance to refresh your studio set up. We’ve put together a powerful synth recording bundle, that includes a Circuit Rhythm and the Sequential Take 5 - that'll have you creating unique beats, striking leads and warm pads, in a hassle-free workflow.

Sign up here before Nov 7th for your chance to win! - https://www.sequential.com/win-a-synt...

In this video, @Trovarsi demonstrates how the Circuit Rhythm and the Take 5 can be used together to make a complete musical arrangement and performance. She's sending MIDI from the Circuit Rhythm to the Take 5 to sync their clocks. Trovarsi records a chord progression into the step sequencer, using ties and timed steps to lengthen the progression to 8 bars. The audio from the Take 5 is running into the Circuit Rhythm, allowing end of chain effects to be utilized for all the audio, as well freeing up her hands to perform and experiment with the filters, distortion, and delays on both machines.

Circuit Rhythm's stereo/mono inputs make it easy to sample sounds directly to the groovebox for quick sequencing and sample mangling fun. After sampling, you can quickly get into creative mode and make a sequence out of the samples as well as use some of the Grid Fxs for performance fun!

It's easy to create packs and download your samples from Circuit Rhythm too. Simply connect your Circuit Rhythm to the computer and go to Components. https://components.novationmusic.com/"

New Batch of Synthfest UK 23 Videos

video uploads by sonicstate

Playlist: (you can use the player controls to skip around)

1. Synthfest UK 23: Sequential - Trigon 6 Desktop

At SynthFest UK 2023, we had the opportunity to chat with Chris from Sequential, a part of the Focusrite group. Chris introduced us to the Trigon 6 Desktop, the latest addition to Sequential's synthesizer lineup. This compact desktop version of the Trigon 6 packs a powerful punch, offering three oscillators and a distinctive Dave Smith ladder filter. Designed for those seeking a space-saving solution without compromising on sound quality, the Trigon 6 Desktop retains all the features of its larger sibling, including patch recall, a versatile effects section with various modulation possibilities, and the distinctive feedback control that allows you to sculpt sub-harmonic richness.

Trigon 6 Desktop Price: $2,499

https://www.sequential.com/

2. Synthfest UK 2023: Calc And the Prophet X

At Synthfest UK 2023, we caught up with Calc from Sequential, and he gave us the lowdown on the Prophet X. Now, you might be thinking, Prophet X? Haven't we seen that before? Well, you're right, but this hybrid instrument has been quietly making waves in the music world. It combines digital and analog elements, with digital oscillators and a unique twist in the form of multi-sample-based instruments. Yes, you heard that right, it's not just your run-of-the-mill synth; it's a full-on sampler too, boasting an impressive 50 gigabytes of memory for your custom samples. You can treat it like a rompler, a sample player, or even use those samples as oscillators, creating a whole new realm of sonic possibilities.

Plus, it's packed with stereo goodness, allowing you to explore a wide soundstage with ease. It's not your typical synth, and that's what makes its a favourute of Calc's

Looking for some more info on the Prophet X? Check out Sequential's official page: www.sequential.com/prophet-x/

CLICK FOR MORE »

Introducing the Woovebox micro music workstation; pocket groovebox, synth, sequencer, sampler

video upload by Woovebox

"Discover the Woovebox; the smallest all-in-one micro music workstation on the planet."

via Woovebox

"The Woovebox is a workstation/ groovebox that does more with less. It aims to make music production simpler, cheaper and more portable by condensing a powerful music workstation/studio into a small pocket-sized device - all through aggressive hardware and software optimization. Pocketable, powerful and economical

The Woovebox was designed for those who love creating tunes away from a desk or studio; whether it's on a couch, on a bus, in a coffee shop, or in bed. No space, no hassle, no cables. Just plug in your headphones and go! And when you are ready, the Woovebox plays nice with DAW and other gear; physical MIDI and sync out, wireless MIDI in/out over Bluetooth, audio in, .WAV song and dry/wet stem export - it's all here. Featuring a variety of synthesis algorithms, filters and effects, the optimized engine - quite literally - punches far above its weight; despite weighing only 68g/2.4oz/0.15lbs, the Woovebox offers deep sound design, real-time synthesis, sonic abilities and advanced features that are absent from grooveboxes many times its size and cost.

A fast workflow that inspires

The Woovebox workflow is a rethink of song building; it is fast, it fits a compact device, and it avoids "empty DAW project" paralysis. It was built to reduce friction and make the time from 0-to-head-bobbing to your own track as short as possible. You do not have to memorize endless obscure button combinations, and menu-diving is kept to a minimum.

The workflow centers on quickly setting up and filling out distinct building blocks, where each block quickly combines to create a whole that is more than the sum of its parts. Tempo, rhythm and chord info is re-used throughout the song, interface, playback options and even the synthesis engine. This is combined with conditional triggering and conditional modification of elements and tracks. The results are complex, intricate compositions that sound refined, intentional and planned. If you wish, even just a single 16-step pattern for each of the 16 tracks, is entirely enough to make a complex song that keeps the listener's attention.

Built from scratch using close-to-the-metal programming

In hardware engineering, size restrictions mean power limitations. And power limitations mean DSP (Digital Signal Processing) limitations. Starting off as a personal challenge during the days of lockdowns by a veteran signal processing engineer, the Woovebox' DSP engine was built from scratch to be as "close to the metal" and optimized as possible.

It is a style of programming that focuses on extracting every last drop of raw performance from the hardware, at the cost of easy development. The hardware, firmware and DSP code were hand-crafted in assembly and optimized over the course of three years, to perfectly balance frugality with power, audio quality and features. As a result, your Woovebox synthesizes full, complex tracks and effects in real-time, yet the small built-in battery still lasts 10h+ on one charge. In all aspects the Woovebox project embodies doing more with less."

CLICK FOR MORE »

Boredbrain Patchulator Pro: Experiments with Analog Drums, FM Synth, and Guitar Pedal Effects

video upload by Boredbrain Music

"Three musical experiments are improvised using a static setup of instruments and effects connected to PATCHULATOR PRO, an evolution of Boredbrain’s iconic desktop and pedalboard patchbay. Thanks to our friend and electronic musician, Galen Bundy, for creating these unique demonstrations.

Patch #1 'Astroknot' features an upbeat pattern from the Arturia Drumbrute patched into the Meris Ottobit for glitch-style effects, while a dreamy bell-like vibe from the Volca FM is patched through three effects: Dr. Scientist Atmosphere Reverb, Demedash T-120 Echo, and Dr. Scientist Dusk Analog Filter. As the drums are using Patchulator Pro's dedicated instrument channel, it is then switched to an alternate effects chain consisting of the Alexander Marshmallow Pitched Octave and onto the Defender Overdrive for a tonal distorted rhythm.

Patch #2 'Mobius Strings' is a bit different. Starting with some string-like chords from the FM synth, the signal makes its way through the Mojo Swim Team Chorus, then the aforementioned Octave, Echo, and Reverb for a modulated and total washed effect. The rhythmically contrasting "spastic" drum pattern is patched out of the Drum machine and through the Defender Overdrive, the Rainger FX EchoX, the Ottobit and ultimately the Dusk filter. This creates a complimentary lo-fi tone to the somewhat ominous strings.

Patch #3 'Bored of Canada' is a down-tempo improvisation directed by a simple delayed synth melody from Volca FM. The far-out tone is created by sending the signal through the T-120 Echo, Marshmallow Octave, Atmosphere Reverb, then finally the Swim Team Chorus at the end of the chain. The Analog Drums continue with their routing from the previous patch, with some fun tweaking of the EchoX.

Thanks for watching, now get patching!

PRODUCT PAGE:
http://www.boredbrainmusic.com/produc..."

Patchulator Pro is an evolution of Boredbrain’s iconic desktop and pedalboard patchbay, purpose-built for experimental signal routing of guitar pedals, effects, synths and more. The patchbay has ten individual effects channels, plus a main instrument channel capable of switching between two parallel effects chains or bypassing them entirely.

Effects on Patch
Patchulator Pro’s ten numbered channels are primarily used for pedals or effects processors, and allow chains of effects to be created on-the-fly using a few mini patch cables. First, the inputs and outputs of pedals and effects are connected to the send (gray) and return (black) 1/4-inch jacks on the rear of the patchbay. Then using the top 3.5 mm jacks labeled SND and RCV, signals can be routed freely through the effects channels to make a chain.

Alternatively, instrument sources (and destinations) can also connect to any of these ten channels for direct patch access if the dedicated MAIN I/O instrument channel is not enough.

Selectable FX Chain
A new and useful feature of Patchulator Pro is its dedicated instrument channel, which allows for quick access to one of two effects chains.

The 1/4-inch jacks labeled MAIN I/O are the instrument channel’s external input (black) and output (gray). Once connected, the input signal is available on top at both RCV patch points (multiples) within the instrument channel section. These copies can be used to create separate effects chains. Using the included patch cables, each chain is routed through any combination of the ten effects channels, then returned to its respective SND patch point.

The OUTPUT SOURCE switch is used to select which chain is sent to the instrument channel’s main output. Simply slide it all the way to the left or right. With the 3-way switch in the center BYPASS position, the instrument input is sent directly to the output, effectively bypassing both effects chains. This selection is useful to A/B an affected signal against the “dry” signal, and is a foolproof way to avoid pops while patching.

NOTE: Pops can also be avoided while patching by selecting the other chain, as long as the internal jumpers remain in their default OFF state (see Circuit Configuration).

Expert Interconnection
Patchulator Pro is purposefully configured with TRS (Tip, Ring, Sleeve) connections throughout to maximize compatibility with a range of gear and setups. All of the connections, circuitry, and the included patch cables are capable of carrying unbalanced mono, stereo, and/or balanced audio signals.

A single patch cable can carry two signals, thus eliminating the need to use two channels for a stereo patch. A single patch cable can also carry balanced audio signals like those typical of rack compressors, equalizers, and studio effects processors.

Each Patchulator Pro comes ready-to-patch with twelve premium Boredbrain patch cables, enough to use every patch point. The 10-inch cables of two colors (green and black) are customized to reach the full width of the patchbay and to differentiate between the two effects chains.

Ten discrete send and return channels for effects and instruments
Additional main instrument channel switchable between two effects chains
TRS connections support stereo, mono, and balanced audio signals
Includes twelve custom 10-inch mini patch cables (TRS)
Passive design for routing all types of signals

RiHa Orchestra Organ and analog mono synth from 1978

video upload by

RiHa Orchestra Organ Part 2 Harp and ARC Rhythm and Drum machine explained

video upload by

RiHa Orchestra Organ Part 3 bonus clip - Deep Diving in the RiHa!




"Filmed and Edited by Louisa Revolta
Recorded and Mixed by Steve Christie at Vintage Keys Studio

Music by Steve Christie."

https://vintagekeysstudio.com

Note this is the first post to feature the RiHa Orchestra. There have been two previous posts featuring RiHa as a brand.

Dub Techno Live mix / Librazik / Roland Mc 909

video upload by Olive DuB

"Hi this is my new live mix made under Librazik.
There are things that are done under librazik:
arpeggio synth made with obxd, lead synth with Nekobi, copper rhythm with Claf Fluid Synth, lofi rhythm with Cardinal, Pad with zynhaddsubfx.
There are also some effects: delay with tall dub 3, reverb with dragon fly reverb, ..
Recording with Ardor, video with Webcamoid, and editing with Kdenlive.
The Mc 909 does rhythm synths with delay, bass, kick, hitthat, snare drum.
The mix on a table tascam m 208 8 tracks."

via https://librazik.tuxfamily.org/base-site-LZK/english.php:

"LibraZiK is digital audio-software studio and related documentation, designed for music production that allows you to install and use all the software tools you need to work with sound. The aim is to provide a robust, ready-to-use system for free software users wishing to make Computer Assisted Music.

LibraZiK version #4 is made of free-software and is based on Debian GNU/Linux Stable codename 'Bullseye'."

BOSS Launches NEW GM-800 Guitar Synth & GK Series

BOSS GM-800 Guitar Synthesizer | Sound Examples by Alex Hutchings

video uploads by BOSSchannel

Press release follows:

Next-Generation Serial GK Digital Interface and Powerful New Guitar and Bass Synthesizer with the Roland ZEN-Core Sound Engine

Los Angeles, CA, July 20, 2023 — BOSS announces the new Serial GK system and the GM-800 Guitar Synthesizer, a powerful and versatile product that elevates guitar and bass synthesis into a new age of natural playability and boundless creative range. Driven by the newly developed Serial GK digital interface, the advanced ZEN-Core engine in the GM-800 unlocks any sound imaginable—from acoustic instruments to classic and modern synths—while high-performance DSP delivers tracking stability and expressive scope never before possible. Users can also expand the GM-800 experience with a growing selection of ZEN-Core content on Roland Cloud. In addition, BOSS has released a variety of complementary products for the GM-800 and Serial GK system, including GK-5 and GK-5B Divided Pickups for guitar and bass, BGK-15 and BGK-30 connection cables, and GKC-AD and GKC-DA GK Converters for interfacing with classic 13-pin GK products.

GM-800 Guitar Synthesizer
BOSS and its parent company Roland have been the worldwide leaders in guitar synthesizer innovation for nearly five decades, beginning with the revolutionary GR-500 system in 1977. Expanding and elevating the concepts behind many historic Roland GR products, the GM-800 provides guitar and bass players with cutting-edge creative tools and access to sounds typically only available with keyboard-based instruments.

The GM-800 is built around the expandable ZEN-Core Synthesis System, the sound source found in professional Roland products like the JUPITER-X and FANTOM keyboards and ZENOLOGY software synthesizer. ZEN-Core combines modern PCM synthesis and advanced modeling to provide an infinite playground for sonic discovery. With over 1200 Tones, GM-800 users can play everything from pianos, organs, and orchestral instruments to classic Roland synth sounds like the JUPITER-8, JUNO-106, and many others.

CLICK FOR MORE »

InstaComposer 2 - Evolved AI MIDI Tool (VST / AU / AAX)

video upload by W. A. Production

Press release follows:

W.A. Production introduces InstaComposer 2 as advanced AI MIDI Tool taking popular MIDI creation station plug-in predecessor to another level

PRAGUE, CZECH REPUBLIC: W.A. Production, producers crafting creative plug-ins to help anyone achieve studio-quality processing speedily and easily, is proud to introduce InstaComposer 2 as an advanced AI MIDI Tool taking its popular InstaComposer MIDI (Musical Instrument Digital Interface) creation station plug-in predecessor to another level — launching new features and improvements that enhance the user experience with more MIDI tracks, scenes, new scales, and new modes married with enhanced generative coding and superior performance to make practicable new ideas flow more quickly than ever before by producing a wide variety of musical elements, including melodies, phrases, riffs, and chord progressions to provide both beginners and professional musicians with endless possibilities for creating unique and engaging music in any genre or style while working with an intuitive interface and advanced algorithms allowing them to focus on the creative aspect of music production without having to think about composing every note — as of July 6…

Ever experienced those testing moments when creativity runs dry? Do not fear, for InstaComposer 2 is the ultimate musical muse. Indeed, infinite inspiration is at the creative core of the thinking behind making InstaComposer 2 what it is — an advanced MIDI generation plug-in designed to revolutionise music creation. By building upon the solid foundation of W.A. Production’s popular InstaComposer — itself released to widespread critical acclaim in its original incarnation in October 2021, InstaComposer 2 truly represents an even more attractive proposition, with exciting new features and improvements to enhance the user experience. Example highlights include an ability to organise ideas and song parts with eight new so-called ‘scenes’ — Scene 1 through to Scene 8 — that provide a convenient way to store different variations within a single preset; upgraded Scale support, with 22 additional scales ranging from Arabic and Spanish through to Miyako Bushi, Ryukyu, and more; a new virtual keyboard and highlighted chord menus to help with scale and chord selection; and melodies that can be generated in different modes and paired with unique chord progressions for each scale. Speaking of which, InstaComposer 2 adds two new-generation modes to its notable name — namely, Drums, enabling effortless generation of drum lines (supporting a wide variety of complexity levels, styles, and time signatures), and Pad 2, facilitating creation of a fuller, richer sound (by combining Pad and Chord modes). AI algorithms have been further improved for rhythm, phrase, and melody generation, conjuring more refined results, while new additions like the Sustain parameter — provides control over the length of the notes that are going to be generated — and a Chord Helper — highlights the notes for the selected chord on the virtual keyboard — help take things to another level entirely.

Each new starting point for InstaComposer 2 generates a unique result to ensure that users never run out of fresh ideas and possibilities for their compositions, ultimately. Unlike random note generation, InstaComposer 2 employs meticulously crafted algorithms and databases to produce musical ideas. Indeed, it constructs rhythmic and melodic structures that sound correct by mimicking human creativity — selecting notes that fit the given scale and context, and creating cohesive phrases that complement underlying chords. Clearly, InstaComposer 2 ‘understands’ the human brain’s affinity for pattern recognition. After all, AI (Artificial Intelligence) is involved in making InstaComposer 2 do what it does — different shapes and formats are used to build captivating combinations of beats and bars, adding rhythmic and melodic consistency often found in chart-topping music. Moreover, by using smaller musical chunks that repeat or occur in various forms throughout the melody, InstaComposer 2 builds larger blocks, creating a sense of unity throughout its user’s music-making interactions. It even harmonises notes to enrich the sonics (depending on selected mode and settings), resulting in a more cohesive composition as it aligns melody to chords. Adjustable AI controls — Generate Chords generates harmonious sequences of chords inspired by the most commonly used chord progressions, for instance — and a convenient Chaos control — ensures everything remains under control by preventing unwanted chaotic situations such as notes repeating excessively, jumping erratically, or climbing too far in one direction — mean that users can comfortably remain in charge of how InstaComposer 2 develops ideas (and how far it strays from any set rules), while fine-tuning of chord complexity, note population, beat and bar structuring, pattern generation, harmonisation, velocity randomisation, and more are always available.

As an advanced AI MIDI Tool, InstaComposer 2 includes complex algorithms for generating Melody (generates a wide variety of melodies and phrases), Riff (similar to Melody, but with shorter phrases, more repeating patterns, and more restricted structures), Ostinato (generates short melodic phrases that keep repeating, often ignoring chord changes underneath), Rhythm (generates more harmonies, focusing on rhythmic patterns and chord notes), Bass (generates bass lines that compliment chords and melodies being played), Chord (focuses on the chord notes with options to inverse chords and add bass notes), and Pad (emphasises longer notes often focusing on harmonies based on underlying chords). Creatively exploring the potential of these modes means users are always uncovering unique and compelling music. Moreover, with those eight scenes available alongside six tracks — Track 1 through to Track 6, InstaComposer 2 offers flexibility and organisation for multiple layers, alternative variations, and different song parts within a single preset.

Put it this way: with a user-friendly piano-roll interface at their fingertips, users can effortlessly manoeuvre, duplicate, and remove notes, and even change velocity to effectively breathe life into their riffs, while the onboard MIDI editor can be used to tweak the output of InstaComposer 2, meaning music can be manipulated before it even leaves the plug-in. Personalised style and creativity can be easily added to the AI-generated phrases, in other words.

Modifying MIDI playback directly within the InstaComposer 2 interface itself is also on offer — simply save the output as a MIDI file or conveniently drag and drop it into a DAW (Digital Audio Workstation). It is also worth noting here that each track can be saved separately. Setting up multi-channel instruments as an alternative workflow also allows for routing MIDI from InstaComposer 2 into virtual instruments to preview all six tracks simultaneously — and all without ever having to leave the plug-in environment.

It is fair to say, then, that by taking its popular plug-in predecessor to another level as InstaComposer 2, W.A. Production has surely succeeded in creating the only MIDI creation station anyone could conceivably wish for... today, tomorrow, and into the foreseeable future!

InstaComposer 2 is available to purchase at an attractive 70%-discounted introductory promo price of $32.70 USD until August 17, 2023 — rising thereafter to its regular price of $109.00 USD — as a 64-bit AU-, VST-, and VST3-compatible plug-in for macOS (10.15 or later) and 32- or 64-bit VST-, and VST3-compatible plug-in for Windows (8 or later), as well as an AAX-compatible plug-in for Pro Tools (11 or higher), directly from W.A. Production via its dedicated webpage, which also includes some superb audio previews, here: https://www.waproduction.com/plugins/view/instacomposer-2

Owners of the original InstaComposer can upgrade to InstaComposer 2 for only $10.00 USD.

14-day, fully-functional trial versions of all W.A. Production plug-ins — including InstaComposer 2 — are available by signing up for an account for free from here: https://www.waproduction.com/users/login

Alexander Rubenstein: Why 5U

video upload by synthesizersdotcom

Alexander Rubenstein: How the most basic patch ever saved my recording session
"Welcome to the captivating world of synthesizer compositions!

Today, we're thrilled to present an inspiring entry in the Synthesizers.com composition contest, featuring the incredible talents of Alexander Rubenstein. Dive into his stunning creation, aptly titled "Why 5U?" and get ready to be transported into a realm of sonic magic and unique melodies.

Alexander's brilliant performance showcases the use of three Q106 Oscillators expertly played by hand, navigating through filters and VCAs to create a rich, mesmerizing soundscape. As the symphony unfolds, you'll also notice the inclusion of two more oscillators, cleverly routed into a DIY lowpass gate to offer a tantalizing percussive structure that breathes life and rhythm into the piece.

Alexander stays true to his personal preference by working with a carefully curated selection of simpler modules from Synthesizers.com. In this enticing performance, he includes the Q106, Q107, Q108, Q110, and Q157 modules, each bringing a unique layer of depth to the mix. The creative arrangement and impeccable execution of this electro-sonic ensemble are sure to leave you awestruck!"



"Today, we're excited to share Alexander Rubenstein's inspiring creation titled "How the most basic patch ever saved my recording session." Alexander's innovative and alluring performance began with a modest patch that had the power to spark a symphony of synth sounds.

At its core, Alexander's composition started with a single oscillator patch, a testament to the concept that sometimes, simple is better. As if by serendipity, this 1-osc patch in the background of the studio one night unlocked a world of creativity, paving the way for arpeggios, a thunderous 3-oscillator bass, solo, and lead sounds that transformed into an astonishing and immense song. 🎶"

STG Dub Massive vs Kenny's Westside Pub - May 5 2023

video upload by suitandtieguy

"My opening set for electronic jam band Chachuba at Kenny's Westside Pub in Peoria IL May 5 2023.

Since I was opening for a high energy (not to be confused with Hi-NRG) electronic jam band, I decided to keep my set as low-key as possible. My personal gravity is extremely strong with ambient dub, so I went with that. I would really like to explore this dynamic more in these circles. Hopefully this gig wasn't the end of it.

Something that has bothered me about my live music over the past 15 years or so is that I have wanted an extemporaneous approach, but the tools I chose were more suited to improvisation than composition, because flexibility is more important to me than structure.

What this means is that with very specific exceptions, I've been playing electronic free jazz for 15 years and the stress level hit a point where I just didn't even enjoy playing any more. I would spend my entire gig having a slow-motion panic attack, terrified that what I was doing was boring and made no sense whatsoever.

I started using a tool called The Force by a brand which used to be a division of a legendary Japanese home audio company but is now in the brand basket of an MI corporation that has many faces. I spent years working with it as a sound design tool but never live, and late last year I threw up my hands in frustration with a Very Complicated live rig I spent years building and chucked it all in favour of this thing ... and I can now do TUNES again. This silly looking, horribly typecast box lets me finally interact with an electronic composition in a way that I could do as a bandleading organist with tight relationships with a drummer and a guitarist.

I have some plans to re-incorporate "electronic free jazz" into my sets but I have to build a new (smaller) live rhythm section and it will require that I design and engineer at least three new products.

In the meantime, I'm pretty happy. I had no music-related anxiety about this gig. All of my visible stress was because my Suburban suffered a transmission failure right after leaving my studio, which delayed me 2 hours, but I still started on time. I also had forgotten how to use the Pigtronix Infinity 3 loopers, because their UX sucks, and they should be ashamed of themselves. I'll be designing my own MIDI controller for them soon which will solve some of its problems but those clowns need to get their act together. I think I wasted the first five minutes of my timeslot trying to figure out why they weren't doing what they were supposed to do. (I cut that part out. It was embarassing.)

Like all of my sets, there is an intro, incidents, and interstitials. This is a tracklist:

0:00 - Intro - Suitscape in Abm
4:00 - National Suicide: Military Aid to the Soviet Union (Ebm 70 BPM)
23:00 - Suitscape in Bbm
24:53 - Dub Force Rising (70 BPM Fm)
37:55 - Suitscape in Cm
40:33 - Summertime: Temporary Love (80 BPM Gm)
50:58 - Outro - Suitscape in Dm

I'd like to thank Chachuba for insisting that I open for them, and Kenny's Westside Pub staff for being so hospitable and their owner for being gracious and generous to me. Kenny's also shot and recorded this gig, and livestreamed it. That is so damn cool.

Also, I am contractually obligated to mention periodically, but not constantly, that I am a Hammond USA company artist. They make great stuff like the XK-1c I'm playing at this gig and if you're using anyone else's products for digital Hammond sounds you should probably re-evaluate your choices. I have been playing vintage Hammond consoles since 1998 and ever since I got the XK-1c I haven't felt that hole in my electronic music that existed before, where I had no connection to my roots. I could write paragraphs about this but I need to go to bed.

http://chachuba.bandcamp.com/
http://kennyswestside.com/
http://hammondorganco.com/
http://suitandtieguy.com/"

SynthFest France 2023 #SFF_EDITION_10 Set for 21/22/23 April 2023 in NANTES / FRANCE

SYNTHFEST FRANCE 2023 #SFF_EDITION_10

IN BRIEF
The coolest French festival entirely dedicated to synthesizers. The annual meeting of synth addicts in Nantes with exhibitions, concerts, workshops, demos, and the biggest synthesizer raffle ever made in the world.

FOCUS
. 10th edition of the festival.
. Concert Joachim Garraud.
. Concerts Olivier Delevingne / Marco Caro / Maman Küsters
. More than 50 exhibitors.
. Showcases Moonya / Alaskam / Nairod.
. First official tribute to Vangelis organized by Frederick Rousseau.
. UNAC / SynthFest Awards.
. Demonstrations / DIY workshops.
. Immersive 3D music experience.
. Huge synth raffle.


RAFFLE
The SynthFest France offers this year a particularly exceptional raffle. With more than 12000€ of prizes, this contest is simply the biggest synthesizer giveaway ever organized.

Tickets at 10€ and number of tickets limited to 2000.
Raffle open online until April 19th 2023, and on site until April 23rd 2023.
Drawing on Sunday April 23, 2023 at 4pm, French time.
It is not necessary to be present at the draw to win a prize.

Tickets: https://www.synthfestfrance.com

1 - Expressive E - Osmose
2 - Kodamo - Mask1
3 - Paire d’enceintes Adam Audio - A7V
4 - La Voix du Luthier - La Voile
5 - Arturia - MiniFreak
6 - Korg - Drumlogue
7 - Paire d’enceintes Nord - Monitor V2
8 - Aodyo - Anyma Phi SE
9 - Ina-GRM Tools Complete II
10 - Dreadbox Erebus Reissue
11 - Novation - Circuit Rhythm
12 - Joranalogue - Eurorack Step 8
13 - Faselunare 4 - Vega Eurorack drum module
14 - MOK - Pack VST - Waverazor / MiniRaze / Filtryg
15 - Bastl Instruments - Microgranny
16 - Yamaha Audio card / mixer AG06mk2 BK
17 - Yamaha Audio card / mixer AG06mk2 WH
18 - Erica Synths - Eurorack module surprise
19 - Bastl Instruments - Kastle Drum
20 - Bastl Instruments - Kastle 1.5
21 - La Touche Musicale - Licence logicielle


JOACHIM GARRAUD
The 10th edition of SynthFest France strikes hard, with Joachim Garraud in concert, Saturday, April 22, 2023 from 9 pm. The French producer and artist will be back in Nantes, his hometown, for this exceptional evening. Joachim Garraud will present a preview of the film "Modular California Vibes", a documentary on electronic music creation on board his solar mobile studio where 4 producers will record 4 original tracks in 4 unusual places during 4 days, thanks to the sun. A debate will follow the unique screening of this film in France, to then give way to a concert. Joachim Garraud at SynthFest France, the musical event in Nantes not to be missed.


EXHIBITORS / PARTICIPANTS / PARTNERS
Alaskam, Alexis Faucomprez, Algam, Aodyo, Arturia, Christophe Martin-de Montagu, Baloran, Bastl Instruments, Berhnard Rasinger, BVR instruments, Dreadbox, Eric Mouquet / Deep Forest, Erica Synths, Euterpe Synthesizer Laboratories, Expressive E, Faselunare /, Alphalab, FCpro.Audio, Francis Rimbert, Frédéric Rible, Frederik Rousseau, Fulgur audio, Ina-GRM, IRCAM, Joachim Garraud, PModular / Jérôme Bridonneau, Joranalogue, KR, Home Studio, Kiviak technologies, Kodamo, Korg, La touche musicale, La Voix du Luthier, Larix Elektro, Laurent Evain, Laurent Juillet, Les Sondiers, Matthias Puech, Marc Caro, MOK / Media Overkill, Michael Geyre, Michel Geiss, Moonya, Muse Ovations, Nairod, NRSynth, Oberheim, Olivier Delevingne, SyntheGrall / Olivier Grall, Officina del Malista, oZoé, PH Modular / Christian Foucaud, PWM, Sifasile, SynthR / Jean-Luc Briançon, Sequential, SoundMIT, Studio Playtronica, SynthFood, TouellSkouarn, Thierry Rochebois, Tinhu, Tony T-Steel / Tony Quedeville, SACEM, Vacuum – 3D project / Eliane Blaise / Emmanuelle de Héricourt, Vkgoeswild / Vika Yermolyeva, Vintage Synth @ Co, UNAC / Union Nationale des Auteurs et Compositeurs, Willow Whisper / Dalai Lama, Xodes, Yamaha, Yusynth / Yves Usson.

Roland Introduces the SH-4d Desktop Synthesizer

Update: two more user videos (Alex Bell's & Starsky Carr's) added to the user playlist below.

video uploads by RolandChannel

"Lose yourself in a world of sound with the Roland SH-4d Synthesizer, a powerful desktop instrument featuring hands-on workflow and deep synthesis tools for in-the-moment magic. Watch as Detroit techno legend Carl Craig takes the SH-4d for a spin, bringing you on a sonic odyssey and diving headfirst into the unit’s array of sonic capabilities.

What’s inside the SH-4d? Command eleven OSC Models for a diverse range of sound-design possibilities, from vintage analog synths and PCM-based sounds to cutting-edge digital tones. Create custom kits with the rhythm part’s rich tone-shaping capabilities containing 26 unique drum instruments that can each be designed from scratch.

Spur spontaneous musical moments with the multitimbral sequencer, extensive effects, and plenty of polyphony. And with the loaded front panel, dynamic controls, motion recording, and more, you can transform ideas into short loops or complete songs as quickly as your ideas come."

User videos (ordered by shortest videos first - use the player controls to skip around):



Playlist:
Roland SH-4d : First jam - Freaky Tweaky
The Roland SH-4d In a Nutshell - Alex Ball
Roland SH-4d：基本機能・VISUAL ARPEGGIO・D-MOTIONの説明 - Freaky Tweaky
Roland SH-4D 1st Look - Sonic LAB - sonicstate
Roland SH-4d Demo & Review - musictrackjp
ROLAND SH-4d REVIEW // Rolands best synthesizer groovebox yet?! - BoBeats
Roland Synthesizer SH-4d Review // A Synth Groovebox with Vintage Vibes - Starsky Carr
Roland SH-4d Review: The multi-engine synth battle heats up! // Full SH4d tutorial - loopop
Roland SH-4d Mega Tutorial - True Cuckoo

And the press release:

Future Retro Desktop Synth with 11 OSC Models, Pro Sound Design Tools, Hands-On Workflow, and Multitimbral Pattern Sequencer

Los Angeles, CA, February 23, 2023 — Roland announces the SH-4d Synthesizer, a powerful new desktop instrument focused on synthesis and sound design. With 11 OSC Models and a hands-on panel filled with knobs, buttons and sliders, the SH-4d fuels on-the-spot creation and endless sonic discoveries. It also features a multitimbral sequencer with four synth parts and a customizable rhythm part, allowing users to compose intricate patterns with motion recording, extensive effects and more. Equally suited for studio, stage and traveling, the SH-4d is a fun and versatile instrument that will appeal to both modern electronic music creators and synth collectors everywhere.

Fifty years ago, Roland launched its first synthesizer, the groundbreaking SH-1000. The SH name has represented the company’s core synthesizer instruments ever since, merging innovative new technologies with tactile interfaces for quickly designing sounds in the moment. The SH-4d opens the next chapter in the long-running series, offering Roland’s latest analog modeling advancements and a deep-yet-inviting panel that catalyzes creativity and rewards exploration at every turn.

Detroit techno legend Carl Craig was so impressed with the SH-4d that he agreed to be the face of the launch video, delivering a spirited performance featuring new music composed solely on the unit. "That machine is a little monster,” he said after spending just a short time with the SH-4d. “So many options to not only shape sound but to shape the musical composition too."

Eleven OSC Models offer diverse sound-crafting possibilities, from vintage analog tones with SH-4d, SH-3D, Chord, Ring and Sync Models to cutting-edge digital textures with Cross FM, Wavetable and Drawing Models. Influential voices from Roland’s historic past include SH-101 and JUNO-106 Models and a PCM Model with a large selection of sample-based sounds. The SH-4d also features a flexible drum synthesizer with rich tone-shaping capabilities for creating custom kits from scratch.

The SH-4d puts everything creators need for pro sound design at their fingertips, with 32 knobs, four sliders and a massive array of multi-function buttons. The LCD, sliders and buttons automatically reconfigure their functions to follow the selected mode, eliminating menu-dive roadblocks that slow the creative flow. Dedicated Filter, Amp and LFO sections are always ready to shape any tone or pattern. And with the powerful Matrix section, users can create an even wider range of sounds by routing the output of the LFO or envelope generator to parameters in a Model.

Among its many tricks, the SH-4d features built-in motion sensors that allow the user to pick up the synth and adjust sounds with physical movements. D-Motion mode provides X/Y control for two parameters, while the unique Visual Arpeggio shapes note patterns via fun interactive displays.

The SH-4d sequencer is always a button press away, ready to transform sound ideas into compact loops or extended compositions. Up to 60 notes of total polyphony provide ample resources to develop complete musical ideas in the box. There’s also a versatile selection of renowned Roland effects to frost, finesse, rough up or mangle tones and patterns.

The SH-4d runs on a standard USB-C phone charger or AA batteries for up to four hours. There’s a two-plus octave button keyboard for self-contained composition, plus MIDI I/O for use as a sound module and controller in an expanded hardware setup. The SH-4d also functions as a USB-C audio/MIDI interface with 12 discrete audio channels for computer music production.

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ELKA DRUMMER ONE COMPARISON CHAPTER II

video upload by Vintage Audio Institute Italia

Part 1 here

"Once again we have the unique pleasure and privilege to own two Elka Drummer Ones.
These two units are very close in sound - and sound amazing to our ears.
The snare is powerful and punchy, the kick deep as a river in a valley :)
These machines have a unique internal architecture - they're literally crammed with circuitry compared to similar drum machines of the era.
The secret to its sound is the routing of each drum sounds signal path before being summed by the master volume amp.
We've had quite a few of these units by now and have noticed that they vary in sound and in circuitry.
The circuit boards don't always mount the same components.
The rhythms themselves differ - if you take a look and listen to our first Elka Drummer One Comparison video you can hear that the patterns are different from one unit to the other.

The lower shelf unit is for now sale on our Instagram page and Reverb shop. It's our beloved studio puppy and it needs to go while we're keeping the golden rimmed one because of it being a bit more rare than the silver version.

Watch the end of the video for a quick run through of the machine sitting in the middle, the rhythm box that succeded the Elka Drummer One :
The Elka Rhythm Machine.

Some of the magic is missing here - the sounds are flatter and more generic - not bad at all but definitely not as amazing. The front panel is very similar to the Elka Drummer One - the amount of rhythms correspond except for Afro being added and Rhumba spelled with an H."

Bandmaster Ltd. Scotland, BMI Powerhouse 8 Track Tape Based Rhythm Machine

video upload by Audio Animals Studio

Note: this post started with the pics below spotted and sent in via M Me. This is the first post to feature one.

Video description:

"Download all audio recordings and VST of Bandmaster Powerhouse here : http://www.audioanimals.co.uk/shop/sa...

We originally purchased the Bandmaster Powerhouse in order to sample it and create a VST and wav sample pack. Now we have completed doing so we are looking to sell the unit as the VST we have created is essentially an identical emulation of the hardware. The tapes include the following recordings. If you are interested in purchasing the Bandmaster Powerhouse drum machine in physical for you can do so via our website here : http://www.audioanimals.co.uk/shop/st...

Tape 1 - Quickstep / Shuffle / Twist / Funky Beat
Tape 2 - Old Time Waltz / Jazz Waltz / 12/8 Rhythm / Modern Waltz
Tape 3 - Slow Foxtrot / Tango / Pasadoble / Bolero
Tape 4 - Samba / Mambo / Meringue / Calypso
Tape 5 - Rhumba / Cha-Cha / Bossa Nova / Beguine
Tape 6 - March / Polka / 6/8 Rhythm / Jig
Tape 7 - Motown Slowbeat / Latin Slowbeat
Tape 8 - Latin Rock / Rock Rhythm / Cuban Rock / Glitter Rock"

Controls:
4 Modes per tape
Balance
Mains On
Volume
Mute
Mon.
Comp.
Basic
Mode Tempo
Footswitch jack on back

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Moog Sound Studio: 50 Patches for DFAM, Mother-32, Subharmonicon. + Samples. Presets Demo. No talk

video upload by Anton Anru

"Welcome to the soundset for a semi-modular system Moog Sound Studio: DFAM + Mother-32 + Subharmonicon. It is a collection of 50 patches that include basses, drums/percussion, leads, plucks, textures, FXs. There is a wide range of sound colors inside the pack: massive and gentle, aggressive and soft, bright and dull, melodic and inharmonic tones, straight and polymetric patterns.

🔮 Get the soundset: https://antonanru.sellfy.store/moog/

Highlights:
✅ high level of interconnection of the synths
✅ thoroughly set parameters
✅ detailed notes for patches full of tips and tricks
✅ audio examples in 4 versions: DFAM only, M-32 only, Subharmonicon only, all together
✅ to recreate these patches, you need up to 17 patch cables + splitter/multiplier («star») or a stackable cable.
✅ one of my hardest work ever, I spent up to 2,5 hours for each patch
✅ FREE BONUS: 200 samples with Scale and BPM (95-128 BPM), Wav 24/44100

The main point of the soundset is the high level of interconnection, not just syncing the synths with independent timbres (individual patches for DFAM, Mother-32, and Subharmonicon are also available on my website). In this patchbook, the timbres of the synths are soldered and can’t exist separately:
🔸 they modulate each other with LFO and Envelopes
🔸 a sequence from one synth may change parameters on others
🔸 triggers interaction, clock/rhythm, run/stop modulations break predictable patterns
🔸 audio signals from VCOs may be used as modulation sources to create harmonies/intervals or crazy experimental inharmonic tones
🔸 or they may be used just as audio sources that go to another synth to be processed with its (different) filter and envelope and get the «second life».
DFAM, M32, and SUBH play different and clear roles, it’s not a sound mess, but the synths working in close cooperation.

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