MATRIXSYNTH


Friday, April 06, 2007

Roland Jupiter-8a

This one in via Rod. Title link takes you to a 17M super sized strip of several shots via this auction. The link goes to the directory (pun intended) hosting the file, so you don't lock up your browser by clicking on the title link. The pun? The name of the directory. The starting bid on this one is $5k with a Buy It Now at $6500 and you'll be hard pressed to find one in this condition. It's a long shot.

Details:
"History: I bought this synth from a Russian ballet dancer who bought the synth in Japan in the 80's. He moved to Los Angeles in the early 90's and brought the synth with him. In the early 90's he had JL at Musictek in LA convert it to US power and install an Encore Electronics MIDI kit in it. When he decided to move back to Russia in 1996, I bought it from him and have owned it ever since. It has been used on pretty much every song I've ever done and has never needed repair or tuning the entire time I've owned it. I would have to say that out of my entire collection of synths, this one synth has been the most reliable, and sounds the prettiest of them all. I've owned 4 Jupiter-8's over the years, and this is my last and best one. You'd be hard pressed to find one in better condition at any price.

Version: This is actually a Roland Jupiter-8a, the later, more desirable model with a more reliable 14-bit processor for improved tuning. By the time this version was produced, all of the updates and bugs were addressed, the tuning was very stable, and the LED screen was brighter with no flicker. It has the DCB port as standard but the Encore MIDI kit installation disabled the DCB functionality.

Condition: Based on 15 years of owning literally dozens of vintage synths, I would rate it a 9.9/10. It is in near mint electronic and cosmetic condition. I know the word mint is overused on eBay, but take a look at the photos and judge for yourself. As you can see, the cosmetic condition of this synth is pristine. There is no wear whatsoever on the graphics, knobs, silver switches, or lettering. The colored orange paint reflects like a mirror and the Jupiter-8 logo is clean and clear. There is no sun damage and all of the parts retain their original coloring, including the white buttons and switches. The stainless steel end panels are in pristine condition. The stainless screws on the sides show no pitting or warping from screwdriver bits as found on most JP-8's. Most Roland synths from this era have pitted screws and the paint is worn off. Not on this synth. The painted screws have retained their glistening finish and look as new. The red LED screen is bright and clear, and the plastic lens has only extremely light scratches from dusting it...but they would not show up in the photos. A little plastic polish and the lens will shine as new. The vinyl-clad exterior is in pristine condition, and the matte finish is not rubbed as most are. The only obvious cosmetic issue on the synth is some minor scratches on the underbelly of the synth from being on an A-Frame stand in my non-smoking studio. There is some dust on the felt inside the air vents at the top of the synth which appeared to be a painstaking task to clean, so I'm leaving it up to the new owner to take care of this (you can see that I started to clean out the dust inside the two slots on the far right). There is one small mark in the vinyl clad metal on the back of the synth above the XLR jacks on the back of the synth. It's less than 1/8" long and nearly impossible to capture in a photo (but I tried). The keys are highly reflective with only the occasional mark here and there.The internal components are all present and accounted for, and the internals are clean and free of rust and debris. The synth is complete in every way, and even includes the small red plastic DCB plug on the back of the synth. This is the mintest example of a Jupiter-8 that I have ever owned or seen for sale anywhere on the net, eBay, or otherwise over the past 15 years of collecting synths. If you're picky about the condition of your gear, and you want the very best synth ever made, this is the synth for you. I realize I'm asking a lot for this synth and it may not be the synth for your price range. If so, please don't send me threatening e-mails. If you can find another in this shape at any price, then buy it at any price. It would be worth it. I'm the type of person that will pay additional $ for something that is the best of its kind, with no rust, and no issues. And this is the best example I have seen of a Jupiter-8 anywhere, at any price.

Functionality: Everything functions perfectly. It tunes up literally on start up, and never drifts. It's the most ultrastable synth with VCO's that I've owned! All sliders have that high-quality feel that the Jupiter-8 synths were famous for. All of the knobs and buttons function perfectly, with no scratchy pots. I have never had to clean the sliders or pots, and they all work as new. All keys trigger perfectly with no double-triggering. All inputs and outputs, MIDI, velocity (from MIDI), aftertouch (from MIDI), modulation, pitchbend, keys, buttons, and pitchbender - everything works perfectly. There is nothing functionally wrong with this synth. The Encore MIDI kit provides MIDI in and out (for exporting sysex data) and is considered to be the best MIDI kit available for the JP-8. It also doubles the memory of the Jupiter-8. For more info on everything that the Encore MIDI kit can do, please check out the Encore site at encoreelectronics.com"

Musicmesse Via Progsounds


Arturia Origin. This is the best demo I've seen of the interface. It's actually pretty slick. One thing I hate working with PC modulars is the clicking and dragging to edit. A giant analog push button knob just seems way more efficient. I also like how the focus goes to the module you are editing. The one thing I hope it comes with are the complete versions of the Arturia range of softsynths preconfigured and ready to go. I'd hate to have to recreate them on my own.

Click here for more Messe vids at Progsounds.

PSP RHYTHM 7.1 Released




"PSP Rhythm is a complete music workstation in the palm of your hand. Its features include sample playback, sample manipulation, wave synthesizers, audio effects, grid sequencer, and song arranger.

PSP Rhythm enables you to take audio samples, arrange them, effect them, and record your songs to CD quality audio files.

Major Improvements for version 7.1:
- Pattern Sample Playback (Loop)
- Export Song by Audio Track
- Improved Graphics
- Improved Audio Engine
- Improved Rendering to Wave File
- Bug fixes

The PSP Rhythm Development Team"

Website
Windows Installer
Manual Installer
Rhythm 7.1 Demo Song (song file and samples included with release)

Electronic Instruments - Electronic Modifications

Title link takes you to Fran Samshuijzen's Autophonic Instruments site with a number of modifications. The list includes the EMS Synth A, Twin Casio SK-1, a Sampler with the T.I. TMS 3477 IC, and this beauty, the Randrum.

"Originally a small analogue drumcomputer, consisting of a box with the three knobs, seen in the middle section with the dark inside.

One switch for six different patterns of 16 steps, with 3 sounds : basedrum, snare and hihat. Two potentiometerss for speed and volume."

via Dennis

1976 Wells Floor Bass

Note: Auction links are affiliate links for which the site may be compensated.


via this auction

"This bass pedal is not a effects pedal, it is actually plugged straight into the amp to create bass sounds. Each pedal create a different note. This item is mostly used for a guitar players to be able to play Rythem/ lead while using the bass pedal for the bass guitar sound. Only cord with item is the power cord. Approx size of board is 2 foot by 3 foot and about 7 inches tall. Weight is 45lbs."

Anyone know more about this unit?

via zolots.

Someting happens in the Dharma Labs


YouTube via zioaxiom

Emotion of Metropolis

Emotion of Metropolis

Add to My Profile | More Videos

Via Prototek of Hong Kong Counterfeit:
"I just found a song from my band on YouTube. A fan took the liberty of merging our song "Emotion" with the classic silent film "Metropolis". I think he did a pretty good job!

For the song I used an 808 for the BD. The snare zap sound is actually an Odyssey. The Odyssey also handles the harmonized lead lines in the beginning. For the chords I believe I used a Sequential Six Track through an old MXR 100. The bass line was done with a MonoPoly. I think I used one of the FX modes to get the grinding sync sound."

Note the video above is on MySpace. The YouTube vid had embedding disabled.

MOOG Voyager Jade


Title link takes you to some really nice shots via this auction

Note this one if from Novamusik.com. Great shop.

MOOG Sonic Six

Title link takes you to more shots.

via this auction.

Simmons Digital Clap Trap

via this auction.

"The designers of the Clap Trap analyzed rhythmical clapping, separated it into its sonic components in electronic terns and introduced variable pitch, spread and balance controls to make the effects adjustable within comparatively broad parameters. Subsequently they added a feature in which ‘humanizes’ the effect by introducing a random element.

'It’s a clever piece of gear'"

PPG Wave 2.3

Another PPG Wave up for auction. This one a 2.3. Title link takes you to the shots. Previous Wave posted here.

Yamaha Concertmate RSC-580


via this auction.

Details:
"RSC-580 Keyboard with 100 Voice Tones and Back-up Accompaniment Drum Machine!

This RSC-580 was the only Radio Shack Keyboard thought to be made by Yamaha DX Systems. The Back-up Analog Drum Machine is great for studio, church worship, or other professional play and gigs!

The awesome sounds, great drums, and fantastic features make it perfect for the home or professional studio. Also, the RSC-580 is a nice keyboard for creative compositions of worship, country, rock or jazz.

So, isn't it time for you to start making music on a REAL keyboard? PLUS - It is in fun!!


FEATURES & SPECIFICATIONS

* Nice! ~ Professional Design : Powerful DX-Type Synth with FM Digital Voices, Drum Accompaniment!
* Nice! ~ Sound Bank : 100 FM Digital DX-Type Voice Tones with Effects!
* Nice! ~ Effects Parameters : Transpose -12/+12, Octave Up, Sustain and Vibrato!
* Nice! ~ Beat Bank : Drum Rhythm Styles with Back-up Band Accompaniment!
* Nice! ~ Auto-Accompaniment : Back-up Settings - Chord Off, Single Finger & Fingered Chord!
* Nice! ~ Percussion Pads : Five Drum / Percussion Pads with Percussion Off Button!
* Nice! ~ Rhythm Control : Start/Stop, Sync Start, Intro/Fill-In with Tempo up/down!
* Nice! ~ Mixer Controls : Master Volume, Rhythm Volume and ABC Accompaniment Volume!
* Nice! ~ Versatile : Ac/Dc Power Adaptor (optional) or Slap Some Batteries in and Take it Anywhere You Go!
* Nice! ~ Portable : Great for parties, gigs, worship, etc... Are you ready to play?"


It's.... Nice! I bet you could get Supersonik on this one.

EMS Putney

Title link takes you to shots via this auction. Note they are the same from this previous auction.

Thursday, April 05, 2007

ARP Hexaphonic Guitar Pickup


Title link takes you to shots of what is in the box.

via this auction.

Details:
"In 1977 ARP pushed into designing a synth that could respond to in-coming guitar signals using pitch-to-voltage technology. This gave rise to the Avatar, which in turn, was such a dud it practically sank the whole company before ARP finally sold off it's last and would-be greatest project - the Chroma - to CBS Musical Instruments. The Avatar was too expesnive for its own good ($3,000). It did seem to work, however; you use a hex pickup for your guitar which allows the guitar to play the synth sounds. Today the Avatar is used more like an expander module (as pictured above) with other ARP and CV/Gate type synthesizers.
It has two oscillators and is very much like the ARP Odyssey in terms of its sounds, programming and interface. Many of the features that make the Odyssey great (oscillator sync, ring modulator, sample and hold, portamento, envelope follower and more) can be found on the Avatar. The Avatar makes a great and more affordable way to get Odyssey sounds. Use it to fatten up you're current Odyssey or incorporate it into you're synth studio as an analog synth module via CV/Gate."

via Dave.

Graziano Mandozzi - Bach Handel 300

Another one synth album. This one apparently is 100% PPG. A tribute to Bach. You can find it on Amazon (affiliate link), or you can search for it.

Bring Back Our Knobs: Analog vs. Digital

Title link takes you to an interesting article on Popular Mechanics that focuses on the dying trend of using analog knobs in automobile controls, by Glen Reynolds. What's interesting is the author makes references to synths! Bringing synths to mainstream. Woot!

"One of the most dramatic examples of the return-to-analog controls comes from the field of electronic music. I own a 1980s Roland Alpha Juno 1 synthesizer. It's a sleek machine, controlled with minimalist buttons — a classic. But most musicians will tell you that it's hard to perform while you're trying to squint at the Roland's LCD display and navigate its nested menus.

The synthesizer I'd like to own is the Alesis AG [A6] Androm­eda. Unlike the Roland, the Alesis puts many key functions on dedicated knobs — so many, in fact, that it looks like the cockpit of a B-17. And that's why musicians love it — knobs are easy to grab in the dark. Knobs also make it simpler to transfer knowledge from one device to another. Once you know what a low-frequency oscillator does, you can use it on any device. But with nonstandard menus, you have to spend precious time finding, and remembering, how to get to the function you need on every new device you use."

Hmm... I wonder if the author knows about Matrixsynth. :)

Nord Wave Videos on Gearwire

Three vids up:
Intro
Walk through
Sounds

Circuit Bent Roland TR-505 with Arcade Style Controls

via GetLoFi.

Koopasynth


Via SuperKooper on this electro-music.com thread:

"Months ago i've finished my sound lab now i've enough time to post some pictures
It's a classic sound lab plus a VC Vactrol delay and an integrated PAIA theremax as VC source.It has also the guitar trigger and a microphone trigger."

Click on the image for a much larger shot. Check out the thread for more. Images backed up here.

Muskmesse Superbooth Shots


Click here for a few sets on sequencer.de including the building of the Superbooth at this year's Musicmesse.

Roland SH-2

Title link takes you to more shots.

via this auction.

via this Matrixsynth forum post.

Schippmann Ebbe and Flut Audio Deomo

Title link takes you to the demo.

Details via this VSE post:
DO NOT USE HEADPHONES!!!

First one is processing a machinedrum.

2nd one is processing nothing but it's own internal distortion and compression circuits, being sequenced by a fat controller to help provide movement. The Fat Controller is only sequencing the Cutoff Freq....not the Reso. The rest is all knobbery.

Please post comments on my myspace page if you are already a friend. Not the best demo, and very very limited in specific application.

you should hear what this thing does to guitars!!!

I have a gazzillion mb movie of jaming with the MDUW / Ebbe setup ...but have no way to send it or share it, lol. Idiot.

This was requested at least 2 dozen times. Sorry I didn't capture more, but it's 4:15 am and I have to work in 2 hours.

Shag"

4x4 SM Programmable Sequencer


YouTube via synthmonger. Click for more videos.

"This is a new kind of programmable sequencer. Each step can drive other sequencers or clock sources. For instance, in this video I am running one clock source into Row 1 -not into the other Rows. Each of Row 1's step outputs 1, 2, 3, 4, are sending a clock signal to Rows 2-4. Steps on Rows 2-4 are sending signals out to each other. I forgot the exact patch ;C

The Rows are CV'ing 4 simple ghettofied vactrol oscillators.

Here is an example: if you want Row 2 to advance one count everytime Row 1 hits it's 3rd step, you would run a patch from Row 1's 3rd step to Row 2's clock input. You can also run a patch out from Row 2 to Row 1 to allow even more crazy complex sequences.

I used banana jacks because I did not want to use multiple strips. It's 42HP Eurorack.

This is a very SMALL sequencer and I do have one planned for bi-directional sequencing, reset, step amount, etc etc etc. Basically the super duper version is going to be freaking huge -probably 80HP in Eurorack.

If anyone wants to buy it or find out more info on it, hit me up at synthmonger[AT]gmail.com"

GOWNS

This came in on the AH list:

"The music band/group/entity Gowns are on tour right now. If you haven't heard of them, Gowns consist of Ezra Buchla, who has been known to use a 200e live, Erika Anderson, a fellow South Dakotan and therefore automatically a badass, and Corey Fogel, who I don't have anything clever to say about, but I'm sure is very nice.

They'll be in Chicago next friday the 13th (ooh, i'm so scared). I'll be there.

tour dates here: link

Go support somebody who actually tours with modular gear!"

Update via christian in the comments: "come see the fella with the ARP/cat tatoo play with gowns in phila. he's my bandmate, we play in br'rer."

tr-606+speak&spell=SYNC.mov


YouTube via cretin4321. Previous circuit bent sync.

Jupiter-8V at the Musikmesse 2007


YouTube via Arturiaweb.

Retrosynth PPG MiniROM for Blacet Wiard Miniwave


YouTube via therealretrosynth, aka Cary Roberts of Retrosynth.com.

"This is a demo of the Retrosynth MiniROM loaded with PPG wavetables courtesy of Jason Proctor. The Miniwave is being driven from the sawtooth output of a Serge PCO scaled and offset through an audio mixer and scaling buffer. The wave select on the Miniwave is modulated by a Universal Slope Generator with gain and offset from a CV mixer. The output of the Miniwave is patched directly into the dual channel stereo mixer module for final level adjustment and then it's off to a small Roland MA-8 monitor."

Update via retrosynth in the comments:
"There are 64 waves in each PPG wavetable bank and a stock Blacet Miniwave can only do 16 waves per bank. Plus there are only 16 banks in a stock Miniwave. The board I made allows for 32 banks of 64 waves each. That's 8X more samples per ROM. Jason Proctor provided me the wavetables. I'm just the hardware monkey that made them fit in a Miniwave socket. Some pictures here: [link]"

Kurzweil K250

Title link takes you to more shots.

via this auction.

Roland Jupiter-6

Title link takes you to more shots.

via this auction.

"A Brief Description:
The Jupiter 6 is a 6-voice polyphonic synthesizer with a 61-note (C-C) keyboard. Each voice consists of 2 VCOs. VCO1 is switchable between any combination of triangle, sawtooth, pulse, and square waves and can be switched between 4 octaves. VCO2 has the same options, except the square wave is replaced by a noise generator switch and it has a 6 octave range, with an octave above and below VCO1's range.

The Jupiter 6 also allows Oscillator Sync. VCO1 can be synced to VCO2 or vice-versa. Either or both VCOs can be modulated by either or both of the LFO and ENV1. The LFO features controls for rate, delay, and four waveforms, triangle, saw, square, and random (sample-and-hold). LFO2 is triggered by a big white button next to the pitchbend/modulation lever. There are two knobs, one for pitch (the level of LFO2 routed to the VCO) and the other for filter (the level of LFO2 routed to the VCF). In addition, there are also knobs that control the rise time (how fast LFO2 reaches full amplitude) and the rate of LFO2.

The VCF on the Jupiter 6 is unique amoung the Jupiter series in that it is a multimode filter, with either 4-pole lowpass, 4-pole highpass, or 2-pole bandpass. The filter is resonant in all modes allowing for some interesting resonant sweeps using the highpass and bandpass filter instead of the more common lowpass sweep. However, the Jupiter 6 does not have the separate fixed high-pass filter as do the other Jupiter models. The filter can be modulated by an envelope (either ENV1 or ENV2), the LFO, and keyboard tracking. There is a slider to determine the level of each of the three modulation sources. Both envelopes (ENV1 and ENV2) are ADSR (Attack Decay Sustain Release). A slider controls the amount the envelopes are modulated by key follow. ENV1 can be set to normal or negative polarity. ENV2 is hardwired to control the VCA, with a slider controlling the amount. The bender can affect pitch and/or filter cutoff, each of which has a slider for amount. VCO1 and VCO2 have separate on/off switches for bender modulation. There is also a "wide" bending option, which scales the bender to extreme ranges.

The Jupiter 6's memory can hold 48 patches, and 32 patch presets. Patch presets can store keyboard splits, along with the settings for the arpeggiator, voice assign mode, hold, portamento, as well as many of the modulation settings. The Jupiter 6 features keyboard split, allowing you to assign two voices to the upper split and four voices to the lower or vice-versa. The balance between both sides of the split is controlled by a slider. The arpeggiator is switchable between 1, 2, 3, and 4 octaves and three modes: up, down, or up and down. It can be assigned to work on either the lower or upper split or both. Portamento can be switched between Portamento and Glide. Glide quantizes the portamento into half-steps for a staircase effect. Portamento is separately programmable for both sides of a split."

Sequential Circuits Prophet 5

Title link takes you to more shots.

via this auction.

Steiner Parker Synthacon

Title link takes you to more shots.

via this auction.

A couple of vids showcasing the Synthacon:
one
two

Roland Jupiter Lapel Pin

via this auction.

Previous synth bling

Yamaha SK15 String Ensemble

Title link takes you to more shots. As always, click the image for a bigger shot.

via this auction.

KORG Polysix

Title link takes you to more shots.

via this auction.

Wednesday, April 04, 2007

Terratec Area 61 Close to Shipping

Remember the Terratec Area 61 I posted back in March of last year? Well it looks like it will finally be shipping this spring. Title link takes you to the press release.

Some details on the synthesis aspect of the Area 61:
"New sound generation options

In addition, keyboardists have access to the integrated KOMPLEXER DSP sound modules for use as a classic synthesizer, that is, also without a computer. To this end, TerraTec Producer now offers the KOMPLEXER VST, a synthesizer that runs as a VSTi plug-in and as a standalone DSP application. Comprising a real synthesizer based on the Waldorf MicroQ®, it provides more than 400 parameters for shaping the perfect sound. And if this complexity seems a bit overwhelming at first, keyboardists can go to the Easy Edit page, choose from the many presets and easily manipulate their selections using eight macro controls. Best of all, entire banks port from KOMPLEXER VST to AREA 61’s on-board KOMPLEXER DSP. This means KOMPLEXER VST goes wherever the keyboard goes, without having to carry a computer. The WAVE XTABLE module is a 128 voice, GM- and XG-compatible waveboard offering more than 500 top-drawer sounds. Further modules will be developed. Users can employ othe vendors’ compatible wavetable cards, making the AREA 61 a remarkably extendible instrument. The integrated sound generator’s analog output signal is routed to the output mixer and may be auditioned with the 2.0 audio system‘s playback signal as well as on the input monitor. Finally, recording the output signal via USB 2.0 is a further possible option. The AREA 61 is much more than another Controller keyboard.

Another optional Soundboard for the AREA 61 will be provided by MIDITEMP® with the new DoX1, a HI-Synthesis soundengine by KORG ® with 62-voice polyphony, 660 high quality sounds from the successful KORG-TRITON® series, 30 drumkits, two effect processors and GM/GM2 compatibility.

Priced at 899.00 euros, TerraTec PRODUCER´s AREA 61 including KOMPLEXER DSP board, KOMPLEXER VSTi and Steinberg´s Cubase LE will be available in spring 2007.

These following optional sound expansions are already available for the AREA 61 keyboard:

* KOMPLEXER DSP Board, virtual analog Hardware Synthesizer, Waldorf MicroQ® compatible . Price: EUR 199.00
* WAVE XTABLE waveboard, 128 voices, GM/XG compatible soundboard more than 500 top-drawer sounds und drumkits. Price: EUR 149.00
* DoX-1 Wavetable Daughterboard by MIDITEMP®, HI-Synthesis soundengine from the successful KORG-TRITON® series,
660 high quality sounds, 30 drumkits, two effect processors and GM/GM2 compatibility. Price EUR 499.00"

Previous Terratec posts

Arturia Jupiter-8V Videos on Gearwire

Two vids up.

layout - check out the LFO display
sounds

like a sunny day at the beach.

deadzonestudio

flickr by DeadZone. Title link takes you to the shot with mouseovers.

MusikMesse 2007: Waldorf Zarenbourg


YouTube via cm2magazine.

The DSP Programmer Behind the Solaris

I heard Antti Houvilainen, the man who brought us ASynth, Augur and the Taurus VST is the DSP programmer behind the Solaris. I checked with John Bowen and confirmed that this is the case. You can read a little more on the subject on the Planet Z forum. Title link takes you to Antti's web site.

Initial Filter Types of the John Bowen Synth Design Solaris

Via this thread on the gas-station:

"Yes, there's several different emulations for the filter section:

1) Moog-style 'ladder' filter, with all varible types 2) State Variable Filter - "Oberheim" style 12 dB slope 3) Prophet 5 Rev1 (SSM) and Rev3 (CEM) style 4) Comb/tube filter 5) Special sweeping EQ and FX type modes

In the future, I hope to have other filter types, as we can expand the types as needed (this applies to the Oscs and VCA models as well). One strong candidate for 3rd party module support is the Flexor 2 modular system by Adern, for example.

regards, john b."

John Bowen Synth Designs

Previous Solaris posts

Catsynth Tatoo

Title link takes you to the post on Catsynth.com.

Arturia Jupiter-8V Comparison Testing

Gavin sent the following into the AH list. I thought it was an interesting insight to how the test the accuracy of their models inside Arturia. I also thought it was an interesting challenge. So far no on on AH has taken him up on it. I asked him if I could put up a post here, and he gave the all clear. If you are up to the challenge, go for it and post back.

"Been a lurker on the list for a long time and am an analog synth fanatic also. In the day time, I work for Arturia and did the filter models for the Jupiter 8V. Since alot of people on the list have a Jupiter 8, I would be very interested if we could conduct some tests against the original, in the same way we do at Arturia to verify the circuit models accuracy. I can give you details of the procedure we use and do then you can do the same. Then it will be up to the list to decide."

followed by

"I have put up on the ftp at work some measures and audio files to show a small part of what we do pre-release or after each version build to make sure everything is working ok. I also included a read me file to show some tips on how to go about matching the Jupiter 8 and Jupiter-8V. These techniques would also be used for making the original preset banks. It would be great if some people could match up some presets as well."

Here is the link to a 7M zip of the files. I also mirrored them here.

fucketybuckety

Title link takes you there. Guess the artist.

Update also see this post.

Wendy Carlos Video Interview

Title link takes you to the interview on NewMusicBox.

via rp in the comments of this post.

Tuesday, April 03, 2007

Casio CZ-101

Title link takes you to more shots.

via this auction.

EZ-VZ and The Casio VZ-1

Title link takes you to EZ-VZ, a resource site for the Casio VZ line of synths. You'll find the user and service manuals, the Powerplay VZ Book (picutured) and more. I actually have a VZ-1. I got frustrated with it today and went searching for the manual, which I almost never do. That's how I found this site. The VZ-1 is a Phase Distortion synth, similar to Yamaha's FM synthesis. It has eight source oscillators (sine, saw, and noise - multiple types of saw and noise) that you can have either act as a modulator for one of the other oscillators or a sound source, but not both. I had some spare time today and decided to just experiment with it. I rarely programmed the VZ-1 as I did not have a manual and every time I picked it up the interface held me back. Today I finally decided to give it a try and found it has one of the most horrendous design implementations in a synth. If you know of a worse one than this, feel free to comment.

So... It has up down value buttons and up down cursor buttons. Makes sense. You know how in most menu driven synths you select the group or page you want to edit followed by the cursor button to get to the desired parameter you want to edit followed by the value buttons to change the value? Well for some bizarre reason, on the VZ1 when you select the menu for the page you want to edit the value buttons let you flip through pages, and the cursor button does... nothing. Well it skips from page 1 to page 9, but what's the point of that? There is no way to get to the parameters to edit at this point. I spent about 30 minutes frustratingly trying to intuitively figure it out and finally gave up. I actually thought I might have corrupted the memory when I tried to us a PC editor with it. I finally went online and searched for the manual. It turns out, if you really, really want to edit the parameters, you have to select the menu again. WTF? The way it works is you select it once and at that point you can flip through the pages. When you get to the page you want to edit, you hit the same Menu button again and then you can use the cursor to move about the parameters for that page. To flip to the next page you have to back out of cursor mode by clicking on the same Menu button. When you get to the next page you want to edit, you have to click the Menu button again. Absolutely horrid and the most unintuitive design I have ever come across on a synth.

Once you get past this it does get a little better. There are buttons you can select to turn on and off the individual oscillators - one for each and there are buttons to select each osc for editing - figuring this out was a little tricky as well, but once I learned this it actually was easy and intuitive. Like any synth you just have to learn the interface, and unfortunately in some cases you actually have to crack open the manual. BTW, the VZ1, hands down, makes one of the most beautiful sine wave electric piano sounds. It's a bit more like a muted electric piano than a typical one. There's a certain depth to it that I have not heard on other synths. The eight oscillators running at the same time probably has something to do with it. The funny thing is this sound is actually the init patch sound on the VZ-1. Just add a little release and you are good to go. I'll be keeping my VZ1. For now...

Sequential Circuits Prophet 600

Title link takes you to more shots.

via this auction.

Drumfire DF500


Click here for shots pulled via this auction.

Details:
"The Drumfire DF-500 is a 5 channel drum synth module. The 5 channels are identical, with their own Trigger-In and Audio Out sockets. Each channel is a mini analogue synth drum module, capable of producing a wide range of electronic drum sounds, and since every parameter is defined by a knob, it's highly tweakable. The 5 drum channels also have their own level and pan pots, and the signals are mixed to a pair of stereo outputs with Left/Right volume control.

Sequential Circuits Pr Fx Reverb

Title link takes you to more shots via this auction.
"This is a rare bird indeed. This is part of a modular effects system that Sequential Circuits developed in the 80's. This is a real reverb tank with springs inside."

via brian comnes.

Update via the comments:
"thats just the reverb tank.. you need the 518 MODULE to drive it... otherwise you just have a paperweight"

Update2:link
"The Model 518 Reverb includes a compact, rackmount six spring delay line, and a three-band equalizer which filters the input to and output from the reverb unit. The LP (lowpass) filter limits frequencies above its setting from 200Hz to 20 kHz. The HP (highpass) filter limits frequencies below its setting from 20Hz to 2 kHz. The MID (midrange) band filter has separate frequency (50 Hz to 5 kHz) and EQ boost/cut controls. For example a typical use would be to use the HP filter to prevent a bass drum from dominating the reverb. The module also features automatic limiting which reduces undesirable spring colorations. It contains a PEAK LED indicator for optimizing signal levels."

Arturia Origin Video on Gearwire

Title link takes you to the video. It's modular in design, in that you can build your synth by selecting filters, oscillators and other components from their various software. You can mix and match as you like.
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