"Acid track using the AtomoSynth MochikaXL v2.2 with a toneworks delay pedal, drums with the electribe and all recorded in analog tape with a Tascam portastudio"
"Classic bit of 80s retro keynoard that is fondly remembered. Here's all about this wizardary machine on The One Show that was quite a revoultionary at the time in the 80s. Enjoy!"
"(c) 2012 vintage synthesizer demo track by RetroSound
"N°1"
all sounds: Sequential Circuits Pro-One Analog Synthesizer from the year 1981
drums: Roland TR-808 synced with the Pro-One Arpeggiator
recording: multi-track without midi
fx: a little bit delay and reverb
for me one of the best monophonic analog synths ever. perfect for basslines and fx sounds."
"This version has the MIDI interface, but not the extra outs of the SEMPro. Serial 0187. Bought May 2010.
The Synthesizer Expander Module is a remake of a 1970's product and retains most of the circuit designs of that unit.
It is most famous for its continuously variable filter state from lowpass through band reject to highpass. Bandpass is on a switch. All knobs are pots on the synth side."
"Roland 808 and 909 clone with 6 individual audio outputs! Excellent authentic sound for TRAP, Hip Hop, Rap, Electronic and Dance music, not many of these on Ebay, they go fast and not many people sell them, they sound awesome"
Note this is the updated Drumstation with the new design matching the A-Station. The original matched the BassStation rack. Both versions of the Drumstation were ASM (Analog Sound Modeling) based while the BassStation was analog.
Akai MAX25 USB/MIDI/CV Keyboard Controller Overview - Sweetwater Sound at Winter NAMM 2013
Published on Jan 24, 2013 SweetwaterSound·1,180 videos
"Drew Hollis from Akai Professional gives an overview of the MAX25 keyboard controller. See the MAX25 and other NAMM products at Sweetwater's Winter NAMM 2013 Show Report: http://www.sweetwater.com/publications/reports/?action=day&day=1&sid=48
Akai's MAX25 USB/MIDI/CV controller breaks new ground by giving you unprecedented control over any processor or sound module - MIDI gear, software instruments, or even analog synthesizers with CV and Gate connectivity. Innovative touch faders give you a new way to control parameters, whether you assign them to control faders in your DAW's mixer or use them to tweak effects during a DJ set.
Akai Professional MAX25 Keyboard Controller Features:
• Semi-weighted keys with aftertouch
• MPC pads, MPC Note Repeat, and MPC swing
• Step sequencer and expanded arpeggiator
• CV & Gate outputs"
Published on Jan 23, 2013 ModulatorSystems·1 video
"Demo for the Modulator Systems MS101-R(a) Dual Momentary/Attenuator Remote. This is a small remote control handset suitable for use with Doepfer, Analogue Solutions, Exclusively Analogue and other modular analog synthesizers. It offers two momentary buttons and one attenuator, around a metre of cable and three pairs of inline minijack sockets to be patched into your modular synthesizer. You can patch modulation through the attenuator and control its depth, patch a triggering LFO through a momentary to trigger an envelope in manually played patterns, create occasional ring modulation by patching a fast running LFO to the filter through a momentary, or anything else you can imagine.
The MS101 sells for 39 UK pounds plus mailing anywhere in the world.
"Strider Systems, Inc. DCS II "Get ready to change what you think..." modified full-page black and white advertisement from page 53 in the April 1979 issue of Contemporary Keyboard Magazine."
Be sure to see the post for some history direct from Jim Christensen, the president and co-owner of the company. From the previous post:
"The company began in 1976 and their first product was the DCS-1. I asked James if they realized at the time that Strider was at the forefront of digital technology for the synth masses.
'Yes, we did know we were pushing the boundaries. The one thing we didn't realize was that if you wanted to be successful as a start-up business you had to be where the expertise was. At the time, there were only three places that met that criterion: Nashville, LA and New York. The only advantage Oklahoma had was low cost of living. As one of our consulting musicians, Richard Bugg, said, "You can starve to death more slowly here than any place else.'"
"WNAMM13: 'King Korg Video Performace synth with a valve"
BTW, it looks like I missed the NAMM and KORG labels for my King KORG post earlier today. If you missed it you can find it here. I added one more official video from KORG to the post. It's the one titled "Korg KingKORG Modeling Synthesizer Product Overview".
"This is a fully composed track using solely the Korg ims-20 for ipad.
The Latin flavored Synth and Bass lines were played on drum tracks.
All build ups and effects were working a shed of knobs live.
All sounds were created using solely the Korg ims-20 for ipad."
"One more historic step of LunarExperience in 2013:
The Moon Modular audio modules dual VCO 501D with add-ons and the VC Modifier 506.
501D is a module that combines two VOLTAGE CONTROLLED
OSCILLATOR circuits and a noise source in one double-width unit.
The two oscillator halves enter a symbiosis in that they share some controls
which affect both while other functions are individual to each oscillator.
An addition to this module is the 501E Expander.
The OSCILLATOR EXPANDER adds more
inputs and outputs to the 501D dual oscillator.
The 501M OSCILLATOR MIXER
blends the combined outputs of oscillator 1 and 2,
plus three individual outputs of oscillator 1 (sine, sawtooth, pulse)
and white noise. The attenuators allow to invert the source signals, too.
The 506 Voltage Controlled MODIFIER is a combination of voltage controlled
low pass filter and voltage controlled amplifier connected in series.
The vcf is a ladder type lowpass filter featuring switchable slopes
(12/18/24 dB/oct) and voltage controllable regeneration.
For more info´s visit the Noisebug booth 6005 in Hall A @Winter NAMM 2013 and chat with Gert Jalass and John L. Rise or go2 our website. http://www.lunar-experience.com"
Published on Jan 24, 2013 FutureMusicMagazine·210 videos
"Livid show Future Music their new USB pad/touch fader control surface, Base. Take control of Ableton Live and more using its velocity sensitive pads and touch faders."
"MMG filter based on the QMMG. Single channel. Vactrols based. Voltage controlled mode fades continuously from LP to HP. Has Strike and Accent inputs. Voltage Controlled Resonance with automatic gain compensation. Input has compress and clamp circuit for overload."
A first for the new reign of modular synthesizers, the Make Noise Echophon won an Electronic Musician Editor's Choice award for 2013. It's great to see modulars edging their way into the broader electronic music market. Congrats to Tony Rolando and Make Noise Music! Update: I originally noted this was the first modular module to win an EM award. It turns out Cynthia won a 2007 award for the Zeroscillator. via @betterofted
"DIGITAL OR ANALOG? YES!
Make Noise SoundHack Echophon
Taking voltage-controllable delay to infinity and beyond
The modular synth scene has long embraced a hybrid approach where CVs control digital signal processors, and Make Noise took full advantage of this when it collaborated with DSP whiz Tom Erbe to create the most inspiring Eurorack module of the year. The Echophon provides patchable control over two octaves of pitch shifting, with multiple feedback paths, tempo sync, a freeze function, and more—resulting in a powerful new delay processor for your patching pleasure."
Other winners include:
MODERN MEETS RETRO
Arturia MiniBrute
ONCE AGAIN, BOB WOULD HAVE APPROVED
Moog Music 500 Series
"Some of you may remember a track that I had on myspace a few years back, it was called 'Down At The Gym'....it was by my alter-ego character- fUCkeTYbUCKety. This is in a similar vein- but times have changed! Featuring the MacBeth NEXUS1 synthesizer- all parts except for an analogue string machine. This was spontaneously done!....hope you enjoy!"
Dave Smith Instruments Prophet 12 Hybrid Digital Analog Synth Demo by INHALT
Published on Jan 24, 2013 INHALTVIDEO·11 videos
"When asked by Dave Smith Instruments if we would contribute to the sound design for the next Prophet synthesizer, of course, our response was a resounding yes. However we were not prepared for exactly what was in store for us. When first encountering the units 4 wavetable and wave generation oscillators coupled with Curtis Analog Filters and VCAs it became clear that the sound palette on offer was complex and wide.
As such, our intention with the sound design for the factory bank programs we produced was not only to showcase the expanded architecture but to make something that was reflective of the serious tonal integrity of the instrument before us.
This new Prophet, while firmly rooted to the legacy established by the 5, 600, VS, and 08, offers a sound that is characteristically dark and smooth and does not overlap with the sonics of the past. We discovered just how well the prototype model recorded and just how elegant the on-board delays sounded and matched the sonic identity of the raw synth engine.
Our hope with the sound design was that the user would be able to actually play and perform with the patches we've programmed. While some of these programs may sound somewhat standard in isolation, we hope you listen in stereo and hear the richness, detail, movement, and uniqueness of the raw sound palette inherent to the Prophet 12.
Please note that this is a prototype unit we have worked with and is what you are seeing and hearing in the video.
Published on Jan 24, 2013 KorgUSAVideos·321 videos
"Join Korg Inc.'s own Fumio Mieda and Hiroaki Nishijima - the engineers who brought us the legendary MS-20 back in 1978 - as we take a look at the new MS-20 Mini! Both personally oversaw the design of the modern-day MS-20, which features the exact same true-analog signal path as the legendary original. The incredibly powerful dual filters with peak/resonance, CV functionality, external signal processing, and unique hands-on patching system are all here - with 5-pin and USB MIDI to boot -- and all at 86% of the original size.
For More Info on MS-20 Mini head over to http://www.korg.com/ms20mini.
Like Us - https://www.facebook.com/KORGusa
Follow Us - https://www.twitter.com/KorgUSA"
MS-20 is reborn. - KORG MS-20 mini -
KORG MS-20 mini イントロダクション・ムービー
And the Press Release:
"Korg Announces MS-20 mini
-Korg's classic MS-20 is recreated in mini size-
WINTER NAMM, ANAHEIM, CALIFORNIA, January 24th, 2013 - Korg's MS-20 monophonic synthesizer, first introduced in 1978, is still coveted to this day for its thick, robust sound, powerful, iconic analog filter, and versatile patching options. It has now been reborn as the new MS-20 mini. The same engineers who developed the original MS-20 have perfectly reproduced it in a body that's been shrunk to 86% of the original size, yet retains the distinctive look of the original.
The MS-20 Mini offers the same distinctive synthesis that made the original MS-20 popular: two oscillators with ring modulation, and envelope generators with delay and hold. The VCA (Voltage Controlled Amp) maintains the original basic design, but it's been modified to produce less noise. Particular attention has also been paid to delivering smooth parameter adjustments, which are a distinctive feature of analog synthesizers. Special care was also taken to completely reproduce the original specifications of the MS-20, to deliver the same powerful sound, from deep, growling basses to crisp, rounded leads.
One of the most well-known - and still most sought after - characteristics of the original MS-20 was its powerful filters, which provided both high-pass and low-pass with peak/resonance. Maximizing the peak/resonance would cause the filter to self-oscillate; producing a distinctive and dramatic tonal change that was acclaimed as inimitable, and was used many years later on Korg's monotron and monotribe. The filter circuit was changed mid-way through the production lifecycle of the MS-20; the MS-20 mini uses the earlier filter, which was felt to be superior due to its more radical sound.
The ESP (External Signal Processor) functionality carries on the experimental spirit of MS-20, allowing users to utilize the pitch or volume of an external audio source to control the synthesizer. For example, an electric guitar can be used as an input signal, and the MS-20 mini can be used as a guitar synthesizer, or the mic input can allow it to be used it as a vocal synthesizer.
The patching system enables the creation of complex sounds by allowing the rerouting of both modulation and audio (both the internal oscillators and external audio). Different combinations of the modulation input/output and trigger, sample and hold, and noise generator can produce an incredible variety of sounds. By patching according to the MS-20 flow chart printed on the panel, musicians of all levels can take advantage of these possibilities right away.
To make it even more approachable, the MS-20 mini has been shrunk to 86% of the size of the original, with meticulous care taken to accurately reproduce the knob design and the printing. The patch cables have been changed from 1/4" phone plugs to mini-plugs, and the newly-designed keyboard is 86% of the original size as well.
The MS-20 mini is equipped with a MIDI IN jack for receiving note messages, and a USB-MIDI connector that can transmit and receive note messages. Users can also connect the MS20 mini to a computer and play it from an external sequencer.
For added authenticity, the MS-20 mini packaging replicates much of the original. Also included are the original MS-20 owner's manual and settings chart.
The Korg MS-20 Mini will be available April 2013 for a U.S. Street price of $599.00 Additional product information is available at Korg.com."
Published on Jan 24, 2013 KorgUSAVideos·321 videos
"Korg's new KingKORG modeling synthesizer delivers the sound and excitement of vintage analog synthesis, with next-generation power and flexibility that could only come from Korg. It's optimized for live performance, and its easy, knob-driven interface also makes deep sound creation a breeze. Learn more at http://www.korg.com/kingkorg.
Like Us - https://www.facebook.com/KORGusa
Follow Us - https://www.twitter.com/KorgUSA"
Published on Jan 24, 2013 KorgUSAVideos·321 videos
"Check out some of the awesome new effects on the Korg KP3+. The KP3+ features the same great finger-controlled effects from the KP3 and adds a host of new and updated effects, including favorites from the Kaoss Pad Quad and Mini KP 2
For more information head over to http://www.korg.com/kp3+.
Like Us - https://www.facebook.com/KORGusa
Follow Us - https://www.twitter.com/KorgUSA"
Published on Jan 24, 2013 KorgUSAVideos·321 videos
"Check out some of the sick new sounds on the Kaossilator Pro +. The Kaossilator Pro+ features the same great finger-controller sounds from the original Kaossialtor Pro, and adds a slew of new synths, sound effects and drum PCM to take your creativity to an even higher level.
For more information on Kaossilator Pro+ head over to http://www.korg.com/kaossilatorproplus.
Like Us - https://www.facebook.com/KORGusa
Follow Us - https://www.twitter.com/KorgUSA"
KORG KAOSSILATOR PRO+ ... New Demonstration : Pop Dance
KORG KAOSSILATOR PRO+ -New Sounds Performance-
KORG KAOSSILATOR PRO+ (1/3) New Sounds : Lead / Bass
KORG KAOSSILATOR PRO+ (2/3) New Sounds : Chord / SE
KORG KAOSSILATOR PRO+ (3/3) New Sounds : Drum Pattern
Published on Jan 24, 2013 KorgUSAVideos·321 videos
"Korg's "Best of Triton" Bonus Sound Collection is a free download for the Krome Music Workstation, available at www.korg.com/krome. It includes a full bank of 128 Programs converted from the classic Triton Music Workstation. Here, Korg's own Jack Hotop takes you through some of the sounds."
And the Press Release:
"Korg Offers Free "Best of Triton"
Sound Library for Krome Users
WINTER NAMM, ANAHEIM, CALIFORNIA, January 24th, 2013 - Korg announces the release of a free Bonus Sound Library for the Krome Music Workstation, called "Best of Triton." This is a collection of 128 Programs that were converted from the most popular pre-load programs in the original Korg Triton Music Workstation.
Originally launched in 1999, The Triton Music Workstation was the industry standard keyboard workstation for nearly a decade, seeing four design evolutions throughout the 2000s. It contained a plethora of signature sounds that are coveted to this day for a huge variety of musical genres, and now Korg is proud to offer some of these inimitable sounds to the next generation of musicians.
Program highlights include:
F000 Super Grand - A familiar and popular piano sound
F007 BX-3 Velo Switch - A great all-purpose tonewheel organ
F039 Burnin' Brass - A bright and vibrant brass section
F044 Spanish Guitar - A versatile and smooth acoustic guitar
F114 Orbiting Probes - A swirling, spacey sound effect
F079: Noisy Stabber - A synth sound used in countless dance tracks
"Best of Triton" is now available as a free download at www.korg.com/krome.
Note: Although great care was taken to preserve the original TRITON sound as closely as possible, due to the differences between the KROME and TRITON architectures, some TRITON Programs may differ slightly from the original.
About the Krome Music Workstation
The Krome Music Workstation offers a level of high quality sounds and advanced features never before seen in a keyboard of its class. It provides a carefully chosen selection of piano and drum sounds derived from the flagship Kronos, as well as new electric pianos for high quality sounds at users’ fingertips, plus a plethora of other sounds and powerful production tools like a piano-roll style sequencer and widescreen color TouchView display, all at a surprisingly light weight."
"Unique and phenomenal sounding synthesizer with lots of real-time control. Includes original manual as well as an advanced programming book/disk and additional sounds disk. The screen has dimmed a bit from age but as you can see in the photos it's still very readable."
BoomBox money shot with the hats. The second shot below almost looks like the painting is playing it.
"This new Moog Little Phatty Stage II synthesizer in limited edition red has been signed by over 50 artists that participated in Jam Cruise 11 (2013). All of the proceeds from the auction of this one of a kind instrument go to support the Bob Moog Foundation, and their hallmark project Dr. Bob's SoundSchool.
Some of the artists and bands that signed this Little Phatty include:
Steel Pulse
Rich Vogel of Galactic
Jeff Coffin of Dave Matthews Band
Femi Kuti and The Positive Force
Greensky Bluegrass
BoomBox
Wyllys & The NY Hustlers Ensemble
Ian Neville & Dumpstaphunk
Joel Cummins of Umphrey's McGee
Tea Leaf Green
Matt Butler of Everyone Orchestra
Nicki Bluhm & The Gramblers
ALO
Marchfourth Marching Band
Pimps of Joytime Brock Butler of Perpetual Groove
Adam Deitch (Pretty Lights, Lettuce, Break Science)
Robert Walter
LEBO
And others!
Dr. Bob’s SoundSchool, a 10-week nationally standardized curriculum, teaches children the science of sound through the magic of music. Using electronic musical instruments such as theremins, synthesizers and effect pedals, as well as oscilloscopes and other teaching aides, the innovative program engages children in the basic physics of sound through music. Dr. Bob's SoundSchool recently completed its pilot year with resounding success, and is currently in 32 classrooms reaching over 600 students in Buncombe County and Asheville City Schools. As part of Jam Cruise's Positive Legacy Program the Bob Moog Foundation brought Dr. Bob's Workshop to children in the Grand Turks along with Bernie Worell and Rich Vogel. The Bob Moog Foundation is looking forward to regional and national expansion in coming years.
The Little Phatty® synthesizer was donated to the Bob Moog Foundation by our friends at Moog Music, Inc. The Little Phatty Stage II is a monophonic analog synthesizer manufactured by Moog Music, Inc. since 2006. It puts the performer in control of 100% analog signal path, two Voltage Controlled Oscillators and the Voltage Controlled Filter. Other versatile features include external audio input, CV and KB gate input, full MIDI controller, MIDI over USB, MIDI Clock Sync, an arpeggiator and Tap Tempo. The Little Phatty Stage II brings true analog synthesis to contemporary performance and production, making it modern music powerhouse.
The red Little Phatty is a limited edition color, making it a collector's item. The retail price on the instrument is $1400. Enter your bid before it's too late!"
"Check out www.ju-x.com!
"*accuLAG* is a Master Midi Beat Clock Generator that equips highest preciseness and unique “Lag Slider” to dig your own Groove, designed accurately by Juno Ju-X
> Does One Thing: Sends Midi Beat Clock and lags each position backward or even forward.
> Even more: Lag Position Memory brings a new style of music performance!
> Typical Setup: Use accuLAG with a Sequencer that receives and syncs with incoming Midi Beat Clock.
Launch accuLAG. It displays a Virtual Midi Port which has been connected to. Launch your favorite Sequencer and set same Midi Port to receive Midi Beat Clock.
Start accuLAG then once you see them in sync, move Lag Siders to make it lagged. The positions can be memorized in 3 buttons. And you can quickly load and switch them even while playing. Press “H” for hints and Shortcuts.
> accuLAG is ideal: for professionals who aim to manipulate “Timing” accurately. Also ideal for Live performers. accuLAG is well designed for real time control as well as accuracy! Have fun with switching Groove rhythmically."
"Tomorrow NAMM :) If you are around Hall A booth 6825
Will show the Punch update 1.0.4 with solo/mute per pad, improved pad preset box and already some cool new presets/grooves by JoMal and Voltage Disciples! Next to that I will show Dock. Stand alone host for RP plug-ins :) I estimate that Dock will be available in March."
Uploaded on Jan 22, 2013 DaveSmithInstruments·19 videos
"Introducing the Prophet 12! At twelve voices, the Prophet 12 boasts the greatest polyphony of any instrument designed by Dave Smith. Each voice features four oscillators capable of generating classic and complex waveforms, a sub-oscillator, resonant analog low-pass and high-pass filters, and analog VCAs. The new Character section adds a variety of wave shaping and sound sculpting options, like Drive, Hack, Decimation, Girth, and Air. Additional features include a tuned feedback path, a four-tap stereo delay per voice, expanded arpeggiator functionality, deep modulation capabilities, and bi-timbral operation. The LFOs, delay, and arpeggiator can all be synced, either to the internal clock or an external MIDI clock. Two programmable position- and pressure-sensitive touch sliders take the performance controls beyond the standard pitch and mod wheels."
NAMM email:
"Just moments from now San Francisco’s Dave Smith Instruments will unveil the all new Prophet 12 Synthesizer at the 2013 NAMM Show held in Anaheim, California. The attached official press release can be used immediately and here’s a link to Dave’s video announcement: P12 Introduction. Visit www.davesmithinstruments.com later today for more information.
If you’re attending NAMM, stop by Booth 5400 and check out a demo. The Prophet 12 is expected to be available Q2 2013 and pre-orders can be placed starting today at NAMM. If you’re not attending NAMM and would like to place a pre-order, let me know and I’ll be happy to send an updated price sheet. The projected MAP is $2,999. Hi-res photos are available upon request.
We’re very excited about the Prophet 12 and hope you are, too!"
"Dave Smith Instruments Unveils Prophet 12 at NAMM
All New Polyphonic Synthesizer From Master Synth Designer
ANAHEIM, Calif.—January 24, 2013—Dave Smith Instruments today introduced a new polyphonic synthesizer, the Prophet 12, at the 2013 NAMM Show. “After 35 years of creating synths, this is simply my best synth yet,” said Smith. “We sort of started from scratch on this one rather than spinning off another product from our previous designs.”
At twelve voices, the Prophet 12 boasts the greatest polyphony of any instrument designed by Smith. Each voice features four oscillators capable of generating classic and complex waveforms, a sub-oscillator, resonant analog low- and high-pass filters, and analog VCAs. The new Character section adds a variety of wave shaping and sound sculpting options, like Drive, Hack, Decimation, Girth, and Air. Additional features include a tuned feedback path, a four-tap stereo delay per voice, expanded arpeggiator functionality, deep modulation capabilities, and bi-timbral operation. The LFOs, delay, and arpeggiator can all be synced, either to the internal clock or an external MIDI clock. Two programmable position- and pressure-sensitive touch sliders take the performance controls beyond the standard pitch and mod wheels (also included).
“We’re already blown away by the sonic breadth of this synthesizer’s new voice architecture,” Smith continued. “It doesn’t sound like anything else and I’m very excited for people to hear it.”
The Prophet 12 is expected to be available Q2 of 2013 with a projected MAP of $2,999."
"VCO light with both waveforms and some noise going into a 121 VCFand Phaser. Quint LFO modulating the Pulsewidth, Filter Cutoff and Phaser Shift.
No other effects used. recorded via Focusrite Interface into Reaper.
Mono WAV 44.1 and 16 can be downloaded here :
https://www.box.com/files/0/f/0/1/f_5755436356"
"A little demo of the Acidlab Bassline 3.
Both Waveforms featured.
I gave the machine no warmup time and recorded directly with a Focusrite Interface into Reaper. No effects used.
You can Download a mono WAV with 44.1 and 16 here :
https://www.box.com/files/0/f/0/1/f_5735529792"
Arturia’s MiniLab USB Controller marries the style you love with the hands-on control and portability you need to take your studio wherever you go.
Made for the musician on the go or the performer with limited space, the MiniLab gives you a great depth of features in a portable package that is sturdy and looks great.
Combined with the Analog Lab software, you get a real hybrid synthesizer that comes with a collection of 5000 sounds from the Modular V, CS-80V, Mini V, Arp 2600V, Jupiter 8V, Prophet V, Oberheim SEM V, and Wurlitzer V.
USD 129 / EURO 99
MAIN FEATURES:
25 note velocity sensitive mini keyboard.
16 encoders
16 pads (two banks of 8 pads/buttons)
Pitchbend/Modulation touch strip
Footswitch input
Recessed full sized USB jack
Bus powered, Class compliant
Works with iPAD (camera connection kit required)
Comes with Analog Lab software
5000 sounds from the best synths and keyboards
Control Freak
The MiniLab offers you more control options than any other compact USB/MIDI controller on the market.
Minilab features 25 velocity sensitive mini-keys alongside our brand new pitch and modulation touch controls, giving you maximum expression and playability in a highly portable package. 16 encoders make sure you have everything you need to program or perform wherever life takes you. Two banks of 8 backlit performance pads, for 16 total, can easily be assigned as pads, MIDI CC buttons or Program change switches. The recessed full sized MIDI jack will keep your connection safe and out of the way. Add to all this, an assignable pedal input jack and you have the premiere mobile keyboard solution.
Thanks for the memories
Having direct access to 8 user presets further expands all of this control.
MiniLab offers our free MIDI Control Center software that lets you map parameters in a simple and easy way directly from your computer. Those presets are then stored in the hardware for instant recall.
Take it on the run
The MiniLab keyboard is designed for maximum portability, flexibility and performance. It is small enough to fit in a laptop bag but big on features.
The 16 encoders and the ergonomic spacing of the knobs keep this small controller from feeling cramped.
The touch sensitive faders for Pitchbend and Modulation offer low profile controllers with ‘last position hold’ or ‘return to zero’ modes of operation.
Hybrid Synthesizer
The power of the features and visual styling are obvious but sound? Yes, sound, we also include our new Analog Lab software. This software gives you over 5000 of the best classic synth and keyboard sounds around. The interface also adapts to your MiniLab interface for a nice 1:1 user experience.
The front panel controls will automatically map to the most used parameters of each sound in Analog Lab. Functions like Cutoff, Resonance, Envelope controls, LFO rates, etc. all are mapped automatically to the knobs on the front panel.
You can browse and load your sounds from the hardware that gives you a true hardware synth feel.
The pads on the MiniLab give you two different performance features.
Pads 1-8 allow you to set up chords that you can recall. This is perfect for triggering arpeggiated sounds that you want have play a specific set of notes or set the pad to Toggle mode and allows you to hold ambient drones.
Pads 9-16 allow you access to snapshots. Snapshots are a way to choose a collection of your favorite SOUNDS or MULTIS for instant recall.
Hardware overview
25 note velocity sensitive mini keyboard.
User selectable velocity curves
16 encoders
Individual MIDI channel selection
Absolute mode
Three relative data modes
Minimum and maximum range settings
16 pads (two banks of 8 pads/buttons)
Pads can be set to send :
Note data
Program Change
MIDI CC
MMC Transport messages
PLAY, STOP, Rewind, Fast Forward, Record
Gate or Toggle mode for latched operation
Pitchbend/Modulation touch strip
Can be programmed for Pitchbend or any MIDI CC
Latched value or Return to Zero operation
Modulation touch strip
Can be programmed for any MIDI CC
Latched value or Return to Zero operation
Footswitch input
NOTE
MIDI CC
MMC Transport messages
PLAY, STOP, Rewind, Fast Forward, Record"
4 ms Peg RCD VCA Matrix
Analogue Systems RS 100 RS 110 RS 360
Doepfer A 134 pan by A 143-9 & Moog MP 201
Flame Chord Machine
foh choices
Grendel Formant Filter
Make Noise Maths Moddemix Optomix QMMG Wogglebug
Malekko 4x Anti 4x Unkle Jag
Moog 4x Freqbox CP251
Roland System 104 Sequencer
Toppobrillo Sportmodulator TWF
Arp Odyssey 2821 Noise to Modular
Logic Master clock to Kenton Pro 2000 II
FX Boss VF1 Line6 Echopro TC M3000
SparkLE is the newest hybrid instrument from Arturia that will take your beat creation to new levels. By combining the amazing sounds, work flow and creative tools of the Spark Engine software, with the high quality SparkLE controller, Arturia has created the ultimate beat creating powerhouse.
Main Features :
Full featured Spark Software
3 synthesis engines: Virtual analog, Physical Modeling, Sample playback
Works Standalone & as a plug-in (VST, VST3, AU, RTAS)
Backlit velocity and pressure sensitive Pads
Touch sensitive FX pad
Mode selector - Bank, Pattern, Seq, Tune
Bus powered, class compliant USB input
User assignable encoders
Advanced Looper Divide/Move function
Classic ‘TR style’ programming
Real-time programming from the pads
Protective travel sleeve
Small, Portable, Solid construction
MIDI mode for use as a controller with any software
Hardware overview :
Hardware shouldn't be hard
SparkLE gives you that classic ‘TR’ style workflow by inputting your patterns from the step sequencer buttons or letting you choose to lay down your beats in real time using the 8 velocity and pressure sensitive backlit pads.
Create stunning live performances with the advanced Looper and the XY pads beat slicer functions.
Quickly load projects, kits and instruments using the jog dial encoder.
Transform your beats with the touch sensitive FX pad that features 8 filter modes (including our Oberheim SEM filter) and 7 different Slicer modes.
Write automation and control your sounds in real-time with the 3 assignable encoders and the 3 Instrument modes on the XY pad.
Our TUNE mode allows you to choose an instrument and then play chromatic pitches across the 16 buttons or the 8 pads (depending on your preference settings). This allows you to have your kick drum follow the bass root note for deep lows, play a synth bass/lead sound or transform a percussion sound into a pitched instrument.
Software overview:
Software that is not soft on features
The Spark Engine features sample playback and layering, but then goes beyond any other drum software by adding a Virtual Analog engine, that is based on our famous TAE® analog modeling technology, as well as a Physical Modeling engine that allows you to create some amazing realism in your sounds.
The vast sound library, that is constantly expanding, gives you top notch, pro sounds that cover a variety of genres and styles designed to get the people up on the dance floor. You can further enhance all this within the Studio and Mixer pages that allow total control over your sound and final mix.
A wide range of excellent quality and unique effects allows you to create super basses, tight snares and wildly processed samples and synths.
Along with the Spark Engine's endless array of sonic possibilities, the Pattern view page shows a detailed view of your current beat and automation channels. You can go in with surgical precision using pencil and line tools to create or edit automation for each instrument, parameter, and effect.
Add to this a Song mode that allows you to chain your patterns to create full arrangements ready for mix down.
The Spark Engine has a 1:1 interface with your hardware that allows you to see what is going on and gives you an excellent user interface for those times when you aren’t using your hardware to control the software (yes, some other systems won’t work without the hardware attached).
In essence, SparkLE is a fun, straight forward and most importantly, musical experience that will inspire you every time you use it."