Thursday, December 05, 2013
HG Fortune's Arracis Gold Pro is now Free
via H.g. Fortune on Facebook
"HG Fortune's Santa Claus Surprise:
Arracis Gold Pro is now Free NFG for all
plus there is a Super Deal on Avatar ST Pro (from Dec. 6th to Dec. 31st)
and a deal on the Backlist bundle (from Dec. 6th to Dec. 12th)
Download for Arracis Gold Pro NFG:
https://tinyurl.com/omex6nr
Spread the news and enjoy
HGF"
Red Sound "Dark Star" Demo (Custom patches)
Published on Dec 5, 2013 geerefamilyusa·39 videos
"Synth veteran Richard Geere demos the rather unsung synth 'Dark Star'"
Two Moog Slim Phatty in daisy chain - Duophonic - Tetris C
Published on Dec 5, 2013 MrCaliforniaD·33 videos
"Here is a track with all the factory presets of the Slim Phatty going from 100 to 1.
I've randomly moved to mod wheel on every preset to see the available modulation available on each of them.
I've skipped the inharmonic sounds.
This is NOT art.
FX.: Reverb and Stereo Delay."
Moog Little Phatty Stage II Analog Synthesizer w/ Custom Walnut Wood Sides
Oberheim Xpander Synthesizer XP-1 USA Made SN Y55202
Original OBERHEIM SEM
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The SEM is Oberheim's first official analog synthesizer. SEM stands for Synthesizer Expander Module. It is conceived with the notion of being used as a backup synth connected to a sequencer for layering or beefing up your existing monophonic analog synths. The SEM itself is a keyboard-less module with two analog oscillators, a 2-pole multimode filter, ADR envelopes, and an LFO. Each of the two oscillators offer triangle or rectangular waveforms. But unlike the Moog and ARP counterparts of the time, the SEM's 2-pole (12dB/oct) filter is a little thin. The others used a 4-pole (24dB/oct) filter which has a steeper roll-off and so it sounds much better. But the SEM's filter offered many modes in addition to low-pass, including high-pass, band-pass and band-reject."
via this auction
"The SEM is Oberheim's first official analog synthesizer. SEM stands for Synthesizer Expander Module. It is conceived with the notion of being used as a backup synth connected to a sequencer for layering or beefing up your existing monophonic analog synths. The SEM itself is a keyboard-less module with two analog oscillators, a 2-pole multimode filter, ADR envelopes, and an LFO. Each of the two oscillators offer triangle or rectangular waveforms. But unlike the Moog and ARP counterparts of the time, the SEM's 2-pole (12dB/oct) filter is a little thin. The others used a 4-pole (24dB/oct) filter which has a steeper roll-off and so it sounds much better. But the SEM's filter offered many modes in addition to low-pass, including high-pass, band-pass and band-reject."
CASIO CZ-1 with Extras
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"1 lovely CZ-1 SYNTH
1 RA-3 RAM cartridge
1 CD Library of new synth presets for you to experiment with
1 BOOK- THE CASIO CZ BOOK aprox 80 pages shows you how to program the PHASE DISTORTION
1 POWER CORD"
via this auction
"1 lovely CZ-1 SYNTH
1 RA-3 RAM cartridge
1 CD Library of new synth presets for you to experiment with
1 BOOK- THE CASIO CZ BOOK aprox 80 pages shows you how to program the PHASE DISTORTION
1 POWER CORD"
Modular Wild Presents 12 days of Modular 2013-Day 5-Triggers and Gates
Published on Dec 5, 2013 Modular Wild·83 videos
"Fifth in a series of 12 videos during the month of December. Each video's music started with a different foundation of Modular Sounds. This video began as an exploration of Triggers and Gates. Sound and Video by Raul Pena."
All parts here.
"Fifth in a series of 12 videos during the month of December. Each video's music started with a different foundation of Modular Sounds. This video began as an exploration of Triggers and Gates. Sound and Video by Raul Pena."
All parts here.
Raul's World of Synths Presents PATCH IT-" Intermission Patch" Part Two
Published on Dec 5, 2013 Raul's World of Synths·242 videos
"New segment of PATCH IT for Raul's World of Synths. A continued exploration of 'The Intermission Patch'. Part Two of Three. Sound and Video by Raul Pena.
Note: A144 Morph controller series will continue after part 3."
Part 1 here.
"New segment of PATCH IT for Raul's World of Synths. A continued exploration of 'The Intermission Patch'. Part Two of Three. Sound and Video by Raul Pena.
Note: A144 Morph controller series will continue after part 3."
Part 1 here.
Twin Figure Shorts
Twin Figure (Short #1) - DSI Mopho X4 + Moog Sub Phatty
Published on Dec 5, 2013 Twin Figure·3 videos
Twin Figure (Short #2) - Moog Sub Phatty x monome 128
Published on Dec 5, 2013
via Twin Figure on Facebook: "Monome 128 in Sentinel enclosure."
http://twinfigure.com
http://soundcloud.com/twinfigure
booking@twinfigure.com
(C) 2013 Twin Figure
Connect with Twin Figure on:
http://facebook.com/twinfigure
http://twitter.com/twinfigure
Twin Figure (Short #3)
Published on Dec 5, 2013 Twin Figure·3 videos
Twin Figure (Short #2) - Moog Sub Phatty x monome 128
Published on Dec 5, 2013
via Twin Figure on Facebook: "Monome 128 in Sentinel enclosure."
http://twinfigure.com
http://soundcloud.com/twinfigure
booking@twinfigure.com
(C) 2013 Twin Figure
Connect with Twin Figure on:
http://facebook.com/twinfigure
http://twitter.com/twinfigure
Twin Figure (Short #3)
MFB / MF Berlin Synth Lite II SN 07368
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"2 oscillators (sawtooth, square)
1 square suboscillator, audio input
ringmodulator, oscillator sync
2 adsr-envelope generators
voltage controlled 24 db/oct lowpassfilter (vcf)
83 user memory locations
step sequencer with up to 32 steps (20 memory locations)
the synth lite ii is the programable successor of mfb´s popular synth lite. this monophonic synthesizer offers three digital oscillators, external audio input, analogue lowpass filtering with 24db/oct and an analogue voltage controlled amplifier. the synth lite ii is equipped with midi and offers 83 memory locations. mfb has even integrated a programable step sequencer. here are the details: two main oscillators each offer sawtooth and square. in addition, osc 2 can be set to generate an impulse waveform. ring modulation is possible, as well as syncing osc 2 to osc 1.each oscillator´s octave range can be set to 4', 8' or 16'. osc 2 can be further detuned over a range of plus or minus one octave. the voltage controlled filter (vcf) offers 24 db/oct lowpass filtering. emphasis (resonance) can be set up to self-oscillation. an external audio input is also routed directly to the filter. both the voltage controlled filter and the following voltage controlled amplifier have dedicated envelope generators with attack, decay, release and sustain parameters. decay and release share a control and are selected by a switch. the synth lite ii´s lfo can modulate the oscillators´ pitch or the filter cutoff frequency. pulse width modulation for osc 2 is also possible by setting its waveform to impulse. a glide function can be activated with different speeds to achieve popular portamento effects.
midi data is received as note on/off, pitch wheel (+/- 2 semitones) and mod wheel. velocity can be routed to vcf and/or vca, alternately it can be disabled. the sequencer is programed from a midi-keyboard. its resolution is 16th notes with up to 32 steps. pause notes can be set as well as external synchronization.
the mfb-synth lite ii measures 175 x 125 x 35 mm. the power supply unit is included.
below is a link to the manual:
http://www.mfberlin.de/Manual/Manual_e/synth_l2be.pdf"
via this auction
"2 oscillators (sawtooth, square)
1 square suboscillator, audio input
ringmodulator, oscillator sync
2 adsr-envelope generators
voltage controlled 24 db/oct lowpassfilter (vcf)
83 user memory locations
step sequencer with up to 32 steps (20 memory locations)
the synth lite ii is the programable successor of mfb´s popular synth lite. this monophonic synthesizer offers three digital oscillators, external audio input, analogue lowpass filtering with 24db/oct and an analogue voltage controlled amplifier. the synth lite ii is equipped with midi and offers 83 memory locations. mfb has even integrated a programable step sequencer. here are the details: two main oscillators each offer sawtooth and square. in addition, osc 2 can be set to generate an impulse waveform. ring modulation is possible, as well as syncing osc 2 to osc 1.each oscillator´s octave range can be set to 4', 8' or 16'. osc 2 can be further detuned over a range of plus or minus one octave. the voltage controlled filter (vcf) offers 24 db/oct lowpass filtering. emphasis (resonance) can be set up to self-oscillation. an external audio input is also routed directly to the filter. both the voltage controlled filter and the following voltage controlled amplifier have dedicated envelope generators with attack, decay, release and sustain parameters. decay and release share a control and are selected by a switch. the synth lite ii´s lfo can modulate the oscillators´ pitch or the filter cutoff frequency. pulse width modulation for osc 2 is also possible by setting its waveform to impulse. a glide function can be activated with different speeds to achieve popular portamento effects.
midi data is received as note on/off, pitch wheel (+/- 2 semitones) and mod wheel. velocity can be routed to vcf and/or vca, alternately it can be disabled. the sequencer is programed from a midi-keyboard. its resolution is 16th notes with up to 32 steps. pause notes can be set as well as external synchronization.
the mfb-synth lite ii measures 175 x 125 x 35 mm. the power supply unit is included.
below is a link to the manual:
http://www.mfberlin.de/Manual/Manual_e/synth_l2be.pdf"
DR.MOONSTIEN Big 5step Noise Thing Pics & Details
Moog Memorymoog Plus Synthesizer SN 3075
Nord Lead 4 Sound Bank by Richard Devine
"Sound demo by Richard Devine with sounds from his new sound bank for the Nord Lead 4/4R Performance Synthesizer.
Multitrack recording.
Download the Richard Devine Bank here:
bit.ly/nl4programlibrary
Read all about the Nord Lead 4 here: www.nordlead4.com"
via Richard Devine on The MATRIXSYNTH Lounge
E2600 [LIVE ACT SERIES] Progressive Red - DivX
Published on Nov 25, 2013 officialE2600·17 videos
"E2600 - Each twenty six at midnight
Progressive Red - DivX -
Actual gears list :
- 3 ASR-10 (Ensoniq) 2 Keyb [Bass] + 1 Rack [44 Hz Reverb effect]
- 2 Virus TI (Access) Desktop + Snow [Pad and Atmo only from Desktop]
- 2 Launchpad (Novation) [Arranging and layering controlers]
- 2 Launch Control (Novation) [Filtering synths and Tweeking TB-303 from ABL2]
- 2 Mackie Mixers 1202 + 402 [For pumping Bass ; Drums and Ipad]
- 2 Mastercontrol Mixers (Alesis) [Make each sounds levels]
- Tempest (Dave Smith Instrument) [My baby analog for all drums]
- Minitaur (Moog) [Bass]
- Dark Time (Doepfer) [Not used for this track]
- Ddj Wego (Pioneer) [Used for Intro]
- Ipad (Apple) Running Animoog (Moog) [Hell voice]
- Unitor 8 (Emagic) [Control midi from hard synths]
- Iconnectmidi (Iconnectivity) [Core midi sync]
- Mpk mini (Akai) [Controling Pad ; Atmo ; FX sounds]
- Live 9 (Ableton) For controling everything
- Artist (Adam) + AKG K271 MK2 For hearing everything
More Videos on my Channel : http://www.youtube.com/user/officialE2600"
Using ChucK to control a Eurorack Modular Synthesizer
Using ChucK to control a Eurorack modular synthesizer. from Icaro Ferre on Vimeo.
"I love integrating software and hardware so, even since I've started learning ChucK, one of my main goals was to write a program that I could use to control my modular synth.
This video shows one of my experiments using both technologies to create some very interesting glitchy patterns.
Here's a super nerdy explanation of what's going on in this video:
The ChucK program basically sends, per note, 2 triggers and 4 random CV offsets based on an auto-generated pattern. It generates these patterns by dividing a 1 bar measure by a random number (which you can define the maximum amount) and sending a trigger for each division. In other words: if it randomly selects to divide it by 8, you'll get a bar of eight notes/triggers.
The 2 triggers are being used to generate AD envelopes using the MakeNoise Maths MK2 and the 4 CV offsets control the Z3000 pitch (via Linear FM), the WMD Geiger Counter WaveTable (via the WaveTable CV input), the uVCA CV A (pre-Geiger Counter) and the Maths CH. 1 decay. By using these random CV offsets, you can get a different sound for each note/hit.
Icaro Ferre - http://icaroferre.com
Spektro Audio - http://spektroaudio.com/"
via Icaro Ferre on The MATRIXSYNTH Lounge
Matthew Azevedo (excerpt) - Live at Cheap Seats (12/1/13)
Published on Dec 3, 2013 inalandscape·95 videos
"Barely-visible man makes highly audible sounds.
matthewazevedo.com/"
Some pics of the setup via Matthew Azevedo on The MATRIXSYNTH Lounge:
Update via Matthew Azevedo in the comments: "Most of my music is posted under my 'band' name, Retribution Body. Lots more to hear at my Bandcamp page: http://retributionbody.bandcamp.com"
This place is mine on the Micromac-R
via Sacha Ketterlin on The MATRIXSYNTH Lounge
"New track made with the Macbeth Micromac-R (synth, bass and noise)"
PAIA FATMAN ANALOG SYNTHESIZER (Rack Mount version)
Published on May 2, 2013 trukxelf·3 videos
"This is a recording of the actual Fatman pictured in this slideshow. It is the main synth sound you hear throughout the track. The back of the unit has no enclosure.
You can also hear some Korg ESX hi-hat and percussion in the background. I add Alesis Ion bass-line, a Korg ES-1 drum track, and a little Novation X-station later on. The Fatman is triggered via midi by the ESX-1.
This is an affordable analogue synth, still available as a kit from the PAIA site. It's also a midi to cv converter (linear, not exponential)"
Octave-Plateau Voyetra 8 Eight Polyphonic Synthesizer Video Demo
Note: Auction links are affiliate links for which the site may be compensated.
Octave-Plateau VPK-5 Voyetra 8 Eight Polyphonic Keyboard Synthesizer Module Testing with Audio
Published on Oct 16, 2013 Sales Baron·1 video
via this auction
"This a test to show the functionality of the Octave-Plateau VPK-5 Keyboard and the Voyetra 8 Synthesizer Module working.
We used a XLR cable as needed for the keyboard controller input. For audio output we used a dual mono TS to single TRS cable going through a mixer and amplifier. And also used the mono output through a powered monitor."
Published on Oct 16, 2013 Sales Baron·1 video
via this auction
"This a test to show the functionality of the Octave-Plateau VPK-5 Keyboard and the Voyetra 8 Synthesizer Module working.
We used a XLR cable as needed for the keyboard controller input. For audio output we used a dual mono TS to single TRS cable going through a mixer and amplifier. And also used the mono output through a powered monitor."
FAT Freebass FB383
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The Freeform Analogue Technologies (FAT) Freebass FB383 (also sold as the MAM MB33) is a 1U 19-inch rack-mounting MIDI synthesizer module dedicated to doing just one thing - imitating the sounds of the Roland TB-303 Bassline. It uses genuine analogue technology to produce the familiar 'acid' sounds, but adds MIDI control, so you don't have to cope with the Roland's quirky programming system - just hook up the Freebass to your MIDI sequencer, and play away. Dispensing with fripperies such as patch memories and continuous controllers, the Freebass is all about live performance - once you start twiddling those knobs in real time, you'll be lost in a world of acid madness.
Features include MIDI input, selectable MIDI channel using DIP switches, an audio input for routing eternal sources through the Freebass filter, a single mono output, Auto-tune function, and controls for Tune, Wave (variable between square and sawtooth, so actually capable of a wider range of sounds than the Bassline), Filter Cutoff, Filter Resonance, Envelope Modulation Amount, VCA/VCF Accent (triggered when MIDI velocity signal is above a certain level), Envelope Decay and Master Volume."
via this auction
"The Freeform Analogue Technologies (FAT) Freebass FB383 (also sold as the MAM MB33) is a 1U 19-inch rack-mounting MIDI synthesizer module dedicated to doing just one thing - imitating the sounds of the Roland TB-303 Bassline. It uses genuine analogue technology to produce the familiar 'acid' sounds, but adds MIDI control, so you don't have to cope with the Roland's quirky programming system - just hook up the Freebass to your MIDI sequencer, and play away. Dispensing with fripperies such as patch memories and continuous controllers, the Freebass is all about live performance - once you start twiddling those knobs in real time, you'll be lost in a world of acid madness.
Features include MIDI input, selectable MIDI channel using DIP switches, an audio input for routing eternal sources through the Freebass filter, a single mono output, Auto-tune function, and controls for Tune, Wave (variable between square and sawtooth, so actually capable of a wider range of sounds than the Bassline), Filter Cutoff, Filter Resonance, Envelope Modulation Amount, VCA/VCF Accent (triggered when MIDI velocity signal is above a certain level), Envelope Decay and Master Volume."
Teenage Engineering OP-1
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"The cassette tape, $5 bill, and 9V battery in the pictures are just for scale. You won't need them: the OP-1 has its own built-in 4-track recorder and runs on rechargeable batteries (charged via USB). I guess if you really want the $5 bill, just throw me an extra $5 when you pay..."
via this auction
"The cassette tape, $5 bill, and 9V battery in the pictures are just for scale. You won't need them: the OP-1 has its own built-in 4-track recorder and runs on rechargeable batteries (charged via USB). I guess if you really want the $5 bill, just throw me an extra $5 when you pay..."
ROLAND SH-2 Vintage Analog Synthesizer w/ Hard Case
Doepfer MS-404 Analog Monophonic Synthesizer SN 971367
Dave Smith Prophet 12 SN 00069
Fender Rhodes Chroma Polaris
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"This particular unit has been refurbished and cleaned thoroughly. Work done to this synth includes:
~ Replacement of faulty Membrane panels with new, upgraded panels.
~ Replacement of dying batteries.
~ Full disassembly and cleaning of key bed, control panel, bender case, and main body.
~ Full service re-calibration by qualified tech
The only issues with this model are completely cosmetic and they are:
~ Missing a single slider knob [cap] for bender lever (see photos). A replacement can easily be purchased online for a few bucks if you want.
~ A few light scratches on the aluminum case.
~ A small chip on one of the wooden end pieces."
via this auction
"This particular unit has been refurbished and cleaned thoroughly. Work done to this synth includes:
~ Replacement of faulty Membrane panels with new, upgraded panels.
~ Replacement of dying batteries.
~ Full disassembly and cleaning of key bed, control panel, bender case, and main body.
~ Full service re-calibration by qualified tech
The only issues with this model are completely cosmetic and they are:
~ Missing a single slider knob [cap] for bender lever (see photos). A replacement can easily be purchased online for a few bucks if you want.
~ A few light scratches on the aluminum case.
~ A small chip on one of the wooden end pieces."
Oberheim Xpander SN G42602
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Notes:
Main Processor Software Version 1.2
Voice Version 1.4
Cassette 1.0
Serial #G42602"
via this auction
"Notes:
Main Processor Software Version 1.2
Voice Version 1.4
Cassette 1.0
Serial #G42602"
New Black & Green Moog Minitaur Toxic Bass Synthesizer
Finkey DS-2 Analog Synthesizer Drum Module
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
This is the first Finkey post on the site.
Googlish translation from the listing:
"There are two analog drum sound modules from the earlier 80s.
The duo offers four independent drum sounds that can be coaxed by connecting the devices of e-drums.
Are per drum sound four-Volatile settings that can be selected by turning the program select switch.
Pro Sound following functions for sound control are available:
- Input Level
- Osc. pitch
- Osc. Bend
- Noise Pitch
- Noise Bend
- Decay
- Click
- Balance (Osc - Noise Ratio)
The device can produce from properly tight, deep basses to realischtischen snares to very good, really useful, brachial Tomsound
in the electric current, - can be used very well and techno productions - Rave!"
via this auction
This is the first Finkey post on the site.
Googlish translation from the listing:
"There are two analog drum sound modules from the earlier 80s.
The duo offers four independent drum sounds that can be coaxed by connecting the devices of e-drums.
Are per drum sound four-Volatile settings that can be selected by turning the program select switch.
Pro Sound following functions for sound control are available:
- Input Level
- Osc. pitch
- Osc. Bend
- Noise Pitch
- Noise Bend
- Decay
- Click
- Balance (Osc - Noise Ratio)
The device can produce from properly tight, deep basses to realischtischen snares to very good, really useful, brachial Tomsound
in the electric current, - can be used very well and techno productions - Rave!"
Gotharman Little deFormer Granular Workstation
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Granular workstation with sampler, synth, effects processor and sequencer
Gotharman's Little deFormer combines a granular effects processor with special effects like TimeStretcher, StepGranulator and PitchShaper and more usual effects like Reverb, delay, distortion, compressor, filters and bit manipulation, with some special parameters, with a 100 minutes sampler, a synth and a step sequencer. A MIDI Note Randomizer is also included.
Both the samplings and external gear, connected to it's 2 audio input can be effected. A complete list of effects can be found in the specs section below. Watch and hear Little deFormer in action, in the video's section. I have planned to use the Little deFormer as a platform for engineering new effects, so additional effects will be added now and then, which will be available as free downloads on this site. These updates will be available as MIDI sysex files in".syx" format, and you will need a program like MidiOx to download these to Little deFormer.
The 4note polyphonic sampler makes it possible to record your own samplings directly from the 2 audio inputs, or resample it's audio output. Samplings are stored in FLASH RAM for instant recall, without any loading times. Up to 100 minutes/999 samplings can be kept. Start and end points can be changed in realtime and modulated, and it also has functions like AutoChop, for a conveniant and easy way to cut up long samplings. Each sampling has it's own Phaze effect and filter with LPF, LFP2, BPF, BPF8, HPF, ADD, BEF, BASS, LOFI and SHAPER modes, and a filter mix parameter. It is also possible to adjust the filter response, to create filter types, that have never been heard before. The Little deFormer comes loaded with samplings of other Gotharman gear. Instead of samplings, it is also possible to use Little deFormers buildin oscillators for sound generation. They can morph from sinewave to triangle to sawtooth to squarewave to noise. Pulsewidth modulation is possible on all waveforms.
via this auction
"Granular workstation with sampler, synth, effects processor and sequencer
Gotharman's Little deFormer combines a granular effects processor with special effects like TimeStretcher, StepGranulator and PitchShaper and more usual effects like Reverb, delay, distortion, compressor, filters and bit manipulation, with some special parameters, with a 100 minutes sampler, a synth and a step sequencer. A MIDI Note Randomizer is also included.
Both the samplings and external gear, connected to it's 2 audio input can be effected. A complete list of effects can be found in the specs section below. Watch and hear Little deFormer in action, in the video's section. I have planned to use the Little deFormer as a platform for engineering new effects, so additional effects will be added now and then, which will be available as free downloads on this site. These updates will be available as MIDI sysex files in".syx" format, and you will need a program like MidiOx to download these to Little deFormer.
The 4note polyphonic sampler makes it possible to record your own samplings directly from the 2 audio inputs, or resample it's audio output. Samplings are stored in FLASH RAM for instant recall, without any loading times. Up to 100 minutes/999 samplings can be kept. Start and end points can be changed in realtime and modulated, and it also has functions like AutoChop, for a conveniant and easy way to cut up long samplings. Each sampling has it's own Phaze effect and filter with LPF, LFP2, BPF, BPF8, HPF, ADD, BEF, BASS, LOFI and SHAPER modes, and a filter mix parameter. It is also possible to adjust the filter response, to create filter types, that have never been heard before. The Little deFormer comes loaded with samplings of other Gotharman gear. Instead of samplings, it is also possible to use Little deFormers buildin oscillators for sound generation. They can morph from sinewave to triangle to sawtooth to squarewave to noise. Pulsewidth modulation is possible on all waveforms.
Gotharman AnaX Little deFormer Expander - Eurorack & Stand Alone
Note: Auction links are affiliate links for which the site may be compensated.
Eurorack vis this auction
Stand alone via this auction.
"The AnaX makes it possible to interface your Little deFormer with other gear, in other ways than MIDI and audio can provide. You can now modulate almost any parameter in Little deFormer, using an analogue source, trigger Little deFormers samplings with non-MIDI gear, trigger non-MIDI gear with Little deFormer’s buttons and sequencer, modulate and control non-MIDI gear from the Little deFormer, or get 2 extra audio outputs.
Features
4 Assignable 0-5 V CV inputs for modulation of most parameters
2 CV outputs that can output the sequencer controller tracks
Audio BUS 1 to 4 in 12 bit
2 to 20 KHz adjustable format
LFO 3 to 10
Random Generator 1 to 16
Can be note quantized to 1V/oct
4 trigger inputs and 4 outputs
Triggers the Little deFormer
Triggers other analog gear w/ the Little deFormer
Outputs: 5V, Inputs: up to 15 V
Cable for connecting to Little deFormer are included
Gets its power from Little deFormer, not your Eurorack"
Eurorack vis this auction
Stand alone via this auction.
"The AnaX makes it possible to interface your Little deFormer with other gear, in other ways than MIDI and audio can provide. You can now modulate almost any parameter in Little deFormer, using an analogue source, trigger Little deFormers samplings with non-MIDI gear, trigger non-MIDI gear with Little deFormer’s buttons and sequencer, modulate and control non-MIDI gear from the Little deFormer, or get 2 extra audio outputs.
Features
4 Assignable 0-5 V CV inputs for modulation of most parameters
2 CV outputs that can output the sequencer controller tracks
Audio BUS 1 to 4 in 12 bit
2 to 20 KHz adjustable format
LFO 3 to 10
Random Generator 1 to 16
Can be note quantized to 1V/oct
4 trigger inputs and 4 outputs
Triggers the Little deFormer
Triggers other analog gear w/ the Little deFormer
Outputs: 5V, Inputs: up to 15 V
Cable for connecting to Little deFormer are included
Gets its power from Little deFormer, not your Eurorack"
Gotharman Music CS Filter Module w/ Chip
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Yamaha CS analogue filter, built with original Yamaha chips, in a 12 hp module for Eurorack.
Gotharman's CS filter is the original Yamaha CS analog filter, built with original Yamaha chips, in a 12HP Eurorack module.
Features
Built with original Yamaha IG00156 filter chip, as used in CS80, CS60, CS50 a.o.
The input is very sensitive, so it will need a mixer stage between the sound source and it's input, where you can adjust the input level."
via this auction
"Yamaha CS analogue filter, built with original Yamaha chips, in a 12 hp module for Eurorack.
Gotharman's CS filter is the original Yamaha CS analog filter, built with original Yamaha chips, in a 12HP Eurorack module.
Features
Built with original Yamaha IG00156 filter chip, as used in CS80, CS60, CS50 a.o.
The input is very sensitive, so it will need a mixer stage between the sound source and it's input, where you can adjust the input level."
ALM Busy Circuits Beast's Chalkboard Dual Octave Switcher
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Beast’s Chalkboard is dual channel stepped voltage source and adder for your eurorack modular synthesizer system. It primarily is intended as a dual octave switcher for VCO’s but has many other uses including sequence transposition, FM ratio creation, buffered CV distribution and VCO calibration.
Features
Dual channel voltage adder and source with 1V stepped range of -2 to +2 volts (i.e 5 Octaves)
Two Buffered outputs and through output per channel
Top input normalized to bottom. Allows input to be varied across both channel outputs
Bottom octave switcher can be chained to top extending range to 9 octaves
Also functions as 1->6 or dual 1->3 buffered mult.
Skiff friendly
Designed and built in England"
via this auction
"Beast’s Chalkboard is dual channel stepped voltage source and adder for your eurorack modular synthesizer system. It primarily is intended as a dual octave switcher for VCO’s but has many other uses including sequence transposition, FM ratio creation, buffered CV distribution and VCO calibration.
Features
Dual channel voltage adder and source with 1V stepped range of -2 to +2 volts (i.e 5 Octaves)
Two Buffered outputs and through output per channel
Top input normalized to bottom. Allows input to be varied across both channel outputs
Bottom octave switcher can be chained to top extending range to 9 octaves
Also functions as 1->6 or dual 1->3 buffered mult.
Skiff friendly
Designed and built in England"
Hexinverter vcNoiz Voltage Controlled Noise Oscillator
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"vcNOIZ is a unique sounding voltage controlled digital noise source. The frequency of the noise is both linearly and exponentially controllable by analogue control voltage signals. It creates positively raunchy C64-esque digital noise and sounds great for hihats and other sounds as well!
There are no microcontrollers used in this design. It is comprised entirely of CMOS logic and analog opamps, so does not suffer from aliasing or any other issues present in a microcontroller-based design.
Features
Expo CV Input
Linear CV Input
Audio Input
Pitch Control
Base frequency noise output
Sub octave /4 output
Sub octave /8 output
Base frequency DC coupled gate output
Internal clock Output"
via this auction
"vcNOIZ is a unique sounding voltage controlled digital noise source. The frequency of the noise is both linearly and exponentially controllable by analogue control voltage signals. It creates positively raunchy C64-esque digital noise and sounds great for hihats and other sounds as well!
There are no microcontrollers used in this design. It is comprised entirely of CMOS logic and analog opamps, so does not suffer from aliasing or any other issues present in a microcontroller-based design.
Features
Expo CV Input
Linear CV Input
Audio Input
Pitch Control
Base frequency noise output
Sub octave /4 output
Sub octave /8 output
Base frequency DC coupled gate output
Internal clock Output"
Hexinverter Jupiter Storm Cosmic Noise Oscillator
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Jupiter Storm is a cosmic noise oscillator. It creates sounds that can only be described as out of this world! Where it differs entirely from other pure noise generators (such as vcNOIZ) is in the algorithm used to produce the sound. Jupiter Storm has a tonal character very much of its own.
Jupiter Storm does not create pure white noise like the vcNOIZ noise oscillator module from hexinverter.net. Rather, it derives what is similar to noise (but not quite) from three square wave oscillators in a unique algorithm. Some of the sounds possible are reminiscent of the sound of a broken radio being blasted with noise from the cosmos, hence, the name "cosmic noise oscillator". This creates noise with significant harmonic content and other such interesting timbres you will not hear anywhere else!
Engage the Noise Core Disruptor to create horrific sounds. In this mode, part of the noise core is creatively abused in order to generate insane sonic textures.
Voltage control inputs for all three square wave VCOs in the noise core are available as well as a control voltage input that addresses all three oscillators at once. In this way, very dynamic sounds can be achieved with complex modulation routing. For example, you can apply a taste of LFO modulation to all three oscillators, while modulating a select oscillator simultaneously on its own with something more drastic.
This module is based entirely around analogue opamps and discrete logic gates. No microcontrollers are used in the design of this module.
Features
Unique square wave noise core creates everything from pitched square wave ringmod-esque textures to hissing and screeching noise tones
Noise core square wave VCOs (not v/oct, but close) each have an output so drones can be created simultaneously alongside noise
Noise Core Disruptor mode creatively abuses the noise algorithm into creating very interesting noise timbres
Four noise outputs, each with their own unique sound in Noise Core Disruption mode
Control voltage input for each oscillator as well as ALL oscillators at once. This allows the creation of complex modulation easily
Planned expansion module adds percussion-specific features that turn Jupiter
Storm into a very capable percussion/sound FX synthesis machine"
via this auction
"Jupiter Storm is a cosmic noise oscillator. It creates sounds that can only be described as out of this world! Where it differs entirely from other pure noise generators (such as vcNOIZ) is in the algorithm used to produce the sound. Jupiter Storm has a tonal character very much of its own.
Jupiter Storm does not create pure white noise like the vcNOIZ noise oscillator module from hexinverter.net. Rather, it derives what is similar to noise (but not quite) from three square wave oscillators in a unique algorithm. Some of the sounds possible are reminiscent of the sound of a broken radio being blasted with noise from the cosmos, hence, the name "cosmic noise oscillator". This creates noise with significant harmonic content and other such interesting timbres you will not hear anywhere else!
Engage the Noise Core Disruptor to create horrific sounds. In this mode, part of the noise core is creatively abused in order to generate insane sonic textures.
Voltage control inputs for all three square wave VCOs in the noise core are available as well as a control voltage input that addresses all three oscillators at once. In this way, very dynamic sounds can be achieved with complex modulation routing. For example, you can apply a taste of LFO modulation to all three oscillators, while modulating a select oscillator simultaneously on its own with something more drastic.
This module is based entirely around analogue opamps and discrete logic gates. No microcontrollers are used in the design of this module.
Features
Unique square wave noise core creates everything from pitched square wave ringmod-esque textures to hissing and screeching noise tones
Noise core square wave VCOs (not v/oct, but close) each have an output so drones can be created simultaneously alongside noise
Noise Core Disruptor mode creatively abuses the noise algorithm into creating very interesting noise timbres
Four noise outputs, each with their own unique sound in Noise Core Disruption mode
Control voltage input for each oscillator as well as ALL oscillators at once. This allows the creation of complex modulation easily
Planned expansion module adds percussion-specific features that turn Jupiter
Storm into a very capable percussion/sound FX synthesis machine"
Bleep Labs Bleep Drum MIDI Lo-Fi Drum Machine
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
The Bleep Drum is an Arduino based lo-fi drum machine designed by Dr. Bleep. It includes a sequencer and pitch adjustable samples. A MIDI input allows for external sequencing and control.
Features
Four sounds, two with pitch control
Four selectable sequences
Record patterns just by playing them
Tap tempo
Reverse mode
Hyper Noise 30XX mode
MIDI input
Stereo 1/8″ output
Operation
The left knob controls the pitch of the red pad, the snare.
Right knob controls the blue, tom pad.
Play – Stop and start playback of selected sequence. Light will blink white on the beat.
Record – Start and stop additive recording. Any pad played will be added to the sequence.
Light blinks red.
Tap – Tap tempo
Shift + pad = Change to that color sequence. Light will change to that color.
Shift + Tap + right knob = Change tempo with knob.
Shift + Play = Reverses samples
Play + Record = Erase current sequence.
Blue and yellow sequences start with kick on the 1 and 3.
NOISE MODE 30XX: Hold shift while turning on the device. The light will turn green. Hitting shift again will turn it pink and blinky
In 30XX mode: Green Pots control the pitch just like normal, Pink Pots control noise, All other controls are the same."
via this auction
The Bleep Drum is an Arduino based lo-fi drum machine designed by Dr. Bleep. It includes a sequencer and pitch adjustable samples. A MIDI input allows for external sequencing and control.
Features
Four sounds, two with pitch control
Four selectable sequences
Record patterns just by playing them
Tap tempo
Reverse mode
Hyper Noise 30XX mode
MIDI input
Stereo 1/8″ output
Operation
The left knob controls the pitch of the red pad, the snare.
Right knob controls the blue, tom pad.
Play – Stop and start playback of selected sequence. Light will blink white on the beat.
Record – Start and stop additive recording. Any pad played will be added to the sequence.
Light blinks red.
Tap – Tap tempo
Shift + pad = Change to that color sequence. Light will change to that color.
Shift + Tap + right knob = Change tempo with knob.
Shift + Play = Reverses samples
Play + Record = Erase current sequence.
Blue and yellow sequences start with kick on the 1 and 3.
NOISE MODE 30XX: Hold shift while turning on the device. The light will turn green. Hitting shift again will turn it pink and blinky
In 30XX mode: Green Pots control the pitch just like normal, Pink Pots control noise, All other controls are the same."
Steady State Fate SSF Propogate Eurorack Module
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Propagate is a pimped out analog gate/trigger delay with a dual personality. Propagate works as both a traditional gate delay (LO mode) and an audio rate delay (HI mode), permitting Propagate to behave as a quad PWM tone generator. Just drive the input with a VCO or self patch to create wild PWM tones and glitch noise!
Gate, trigger and other fast attack signals are delayed before converting into a smoothly variable pulse width. The delay and gate length (SPACE) are both voltage controllable – greatly enhancing the power and capability of the device through automation.
Propagate consists of four independent delay stages that provide an input, DELAY control w/CV jack, Speed Mode switch, SPACE control w/CV jack and an output with LED indicator. The delays can be used individually or cascaded if a patch cable is not inserted into the input jacks. The output from the previous stage is normaled to the following stage – permitting the signals to propagate through each delay, from top to bottom. This feature allows creation of longer delays, longer gate lengths, timed/multi-tiered events, sequences, trills and in audio mode a slew of quad PWM tones. All individually or collectively voltage controlled.
All VC parameters of the delay stages can be controlled by the relevant MASTER CV simultaneously, eliminating the need for using multiple patch cables. The Master CV sums with the individual CV, therefore all of the individual DELAY and SPACE parameters can be separately voltage controlled at the same time as MASTER CV via the individual CV inputs.
In addition to the individual outputs, Propagate features a novel SUM jack that is used to output the pulse train of delayed signals. Always connected to the delay stages, SUM can be used alone or in conjunction with the individual outputs for a number of functions. These include gating envelopes while controlling other synched events, combining gates for longer pulse durations, sequences and trills, as a quad PWM output and more. A blue LED indicator flashes with every pulse.
The Manual Trigger is hardwired to the #1 delay stage input. The trigger signal is combined with whatever is present at the input with a discrete OR gate. Use the trigger to initiate a sequence or other event like a self patched feedback loop, or as a general purpose trigger for your modular system.
Propagate is enabled ON by default. A gate signal can be used to turn Propagate's delay engines on or off when a gate signal is applied to the Enable jack. A Hi gate is on, low is off. An LED is provided for visual feedback.
Another novel feature, this input is used to pass or combine an external signal like a clock, random gate or other gate related signal with the SUM output. If Propagate is inactive or not producing a signal, SUM will simply pass whatever is going though the MIX IN. Otherwise the MIX IN signal is logically OR'd with Propagate's SUM output. Logical OR simply outputs a gate hi when both or either signals is high and a gate low when both signals are low. An LED is provided for visual feedback of the input signal.
This is a completely new concept that extends the traditional gate delay into the audio range. The output is a series of high speed pulses that can be shifted with the delay controls to affect pitch and PWM tones with the space controls. Each stage can output a single pulse or they can be combined via the SUM output or externally to produce up to to a quad pulsed waveform with independent PWM for each pulse. This allows for a huge variety of glitch and harmonic rich tones and very complex waveforms when the signals are mixed externally with the ability to invert and attenuate some of the outputs. That being said, the SUM output alone is already capable of a rich array of tones. Add voltage control and you're in serious business! The bandwidth of each delay is roughly 10Hz – 5kHz. Higher and lower pitched waveforms are possible when the pulses are combined and manipulated.
Using the included expansion cable, an indefinite number of Propagate modules can be chained together for huge delays, sequences and ridiculously complex pulsed waveform generation. Every subsequent Propagate in the chain connects a normal (that can be broken) to the last delay of the previous module. Expanding also combines the previous SUM pulse train with the following module's SUM output. Huge matrix delays and complex rhythmic events are possible without the restrictions of quantized divisions.
Features
Gate/Trigger Delay
4 Independent Delay Stages
4 Inputs
4 Delay Controls w/ CV
4 Speed Mode Switches
4 Space Controls w/ CV"
"Propagate is a pimped out analog gate/trigger delay with a dual personality. Propagate works as both a traditional gate delay (LO mode) and an audio rate delay (HI mode), permitting Propagate to behave as a quad PWM tone generator. Just drive the input with a VCO or self patch to create wild PWM tones and glitch noise!
Gate, trigger and other fast attack signals are delayed before converting into a smoothly variable pulse width. The delay and gate length (SPACE) are both voltage controllable – greatly enhancing the power and capability of the device through automation.
Propagate consists of four independent delay stages that provide an input, DELAY control w/CV jack, Speed Mode switch, SPACE control w/CV jack and an output with LED indicator. The delays can be used individually or cascaded if a patch cable is not inserted into the input jacks. The output from the previous stage is normaled to the following stage – permitting the signals to propagate through each delay, from top to bottom. This feature allows creation of longer delays, longer gate lengths, timed/multi-tiered events, sequences, trills and in audio mode a slew of quad PWM tones. All individually or collectively voltage controlled.
All VC parameters of the delay stages can be controlled by the relevant MASTER CV simultaneously, eliminating the need for using multiple patch cables. The Master CV sums with the individual CV, therefore all of the individual DELAY and SPACE parameters can be separately voltage controlled at the same time as MASTER CV via the individual CV inputs.
In addition to the individual outputs, Propagate features a novel SUM jack that is used to output the pulse train of delayed signals. Always connected to the delay stages, SUM can be used alone or in conjunction with the individual outputs for a number of functions. These include gating envelopes while controlling other synched events, combining gates for longer pulse durations, sequences and trills, as a quad PWM output and more. A blue LED indicator flashes with every pulse.
The Manual Trigger is hardwired to the #1 delay stage input. The trigger signal is combined with whatever is present at the input with a discrete OR gate. Use the trigger to initiate a sequence or other event like a self patched feedback loop, or as a general purpose trigger for your modular system.
Propagate is enabled ON by default. A gate signal can be used to turn Propagate's delay engines on or off when a gate signal is applied to the Enable jack. A Hi gate is on, low is off. An LED is provided for visual feedback.
Another novel feature, this input is used to pass or combine an external signal like a clock, random gate or other gate related signal with the SUM output. If Propagate is inactive or not producing a signal, SUM will simply pass whatever is going though the MIX IN. Otherwise the MIX IN signal is logically OR'd with Propagate's SUM output. Logical OR simply outputs a gate hi when both or either signals is high and a gate low when both signals are low. An LED is provided for visual feedback of the input signal.
This is a completely new concept that extends the traditional gate delay into the audio range. The output is a series of high speed pulses that can be shifted with the delay controls to affect pitch and PWM tones with the space controls. Each stage can output a single pulse or they can be combined via the SUM output or externally to produce up to to a quad pulsed waveform with independent PWM for each pulse. This allows for a huge variety of glitch and harmonic rich tones and very complex waveforms when the signals are mixed externally with the ability to invert and attenuate some of the outputs. That being said, the SUM output alone is already capable of a rich array of tones. Add voltage control and you're in serious business! The bandwidth of each delay is roughly 10Hz – 5kHz. Higher and lower pitched waveforms are possible when the pulses are combined and manipulated.
Using the included expansion cable, an indefinite number of Propagate modules can be chained together for huge delays, sequences and ridiculously complex pulsed waveform generation. Every subsequent Propagate in the chain connects a normal (that can be broken) to the last delay of the previous module. Expanding also combines the previous SUM pulse train with the following module's SUM output. Huge matrix delays and complex rhythmic events are possible without the restrictions of quantized divisions.
Features
Gate/Trigger Delay
4 Independent Delay Stages
4 Inputs
4 Delay Controls w/ CV
4 Speed Mode Switches
4 Space Controls w/ CV"
Carl Oliver - Experiment Thirty Four
Published on Dec 5, 2013 Carl Oliver·35 videos
"A Video Series of Short Eurorack Modular Impromptu Experiments and Improvisations."
"A Video Series of Short Eurorack Modular Impromptu Experiments and Improvisations."
"Sleep in Heavenly Peace"- NI Absynth- Silent Night
Published on Dec 5, 2013 Anthony Distefano·274 videos
"I added my Absynth version of Silent Night to a clip from The Haunting .Happy Holidays!"
"I added my Absynth version of Silent Night to a clip from The Haunting .Happy Holidays!"
Jasuto 1.5 Now Available
Video posted here.
"What's New in Version 1.5.0
New in v1.5
- Added Audiobus support (input, effect & output source)
- Completely compatible with iOS7
- Updated UI graphics
- Universal device and Retina support
- Zillions of bugs squashed
- A shinny new manual
- Added background audio support- Low latency audio (256 samples)
- Sample sharing through SoundCloud
- Dropbox syncing of samples/scenes
- New ADSR2, AP, Brick, EXP, Mix, Power, ZeroX, Tanh, Gain Node Modules
In-App purchases
- High Fidelity (Hi-Fi) Audio
- New Nodes:
-- Chorus Module
-- Detuned Module
-- Dirty Module
-- Morph Module
-- Space Module"
KIWI-106 Upgrade for the Roland Juno-106 Now Available
via Kiwitechnics
"It's been a long two years to keep things quiet, but it's time for Kiwitechnics and Psicraft Designs to let everyone in on the big big secret: Kiwi-106 is now shipping! Guided by such gear luminaries as Dave Lovelace (the creator/author of Keyboard magazine's Packrat comic) and the YouTube channel Juno-106 expert Syntegrator, Kiwitechnics and Psicraft have brought this beloved synth classic out of the 80s and put it where it belongs: The heart of your 21st century studio. An expanded synthesis architecture with dual envelopes and multi-waveform LFOs is only the tip of the creative possibilities that any Juno-106 can now possess. Comprehensive routing of controls, high resolution parameters, and eight groups of 64 patches expand the Juno-106's synthesis capability many times over, but this we're not done yet. Add in a six voice polyphonic 124 step sequencer and a pattern generator to the mix and Juno-106 becomes a new class of instrument. Now design and implement a totally modern MIDI implementation suited for modern stage and studios and provide a free Vyzex professional instrument Mac/Windows editor/librarian along with the price of admission and what do you have? Modern Brains and Vintage Brawn, baby. The Kiwi-106!"
"The Kiwi106 Upgrade features:-
•512 Patches can be stored and edited. 128 Factory Patches are preloaded
•Patches are stored in Flash memory so no battery is required.
•Bend Controls (DCO, VCF Bend, LFO Mod Level & Portamento) are stored with the Patch
•MidiCC & Sysex support for all parameters and Midi Sysex support for Patch Dump & Load
•NRPN & Sysex variable parameter control supports 12 bit for 4096 parameter steps
•Patch Editor Control of Parameters (PE firmware v5.2 or higher). Free PC/MAC editor is available from Kiwi-106.com
•Key Assign Modes are Poly I&II, Unison Legato & Staccato, Mono Legato & Staccato
•Pedal & Front Panel Button Note Hold modes
•Portamento in Unison, Arp & Chord modes
•DCO Key Assign Detune available in all key modes except mono
•Internal Clock that can be used to clock the Arp, Sequence and/or Pattern and can optionally generate a midi clock
•Two independent envelope generators. Each ENV Mod can select from ENV 1 or 2 and be Inverted or Normal
•Two independent Low Frequency Oscillators with 6 waveforms each. LFO2 random2 wave can be clocked from the Internal clock. Each LFO Mod can select from LFO 1 or 2. LFOs can be plus and minus base note or plus base note only. Each LFO Mod can be inverted.
•Aftertouch, Modulation Level and Dynamics via midi. Dynamics can optionally control the VCA and/or VCF. The Dynamics have been modeled on the Juno-2 with both the VCF & VCA mod turned on by default for a more natural and expressive play. This brings new life to every patch in the Kiwi-106.
•Arp/Seq/Pattern Clocks can optionally display on the KeyT LED and LFO 1 and LFO 2 clocks can optionally display on the Group lights
•Key transpose allows transposition to any key with a range of plus 2 or minus 1 octaves. Sequencer key can be shifted while playing
•Compatible midiCC control set for all Kiwitechnics products
•Comes with metal LabelCHORD MODE
•Any chord with up to 6 notes can be set and played from any keyARPEGGIATOR
•The Arpeggiator can be independently clocked from the Internal or External Clocks, LFO2, Pattern Output or midi clock divided by 3,4,6,9,12,18,24,36,48,72,96,128,144,168 or 192.
•Arp modes are Up, Down, Up and Down, Random, 0 to 3 octaves
•Arp can be Started, Stopped & Continued using Midi Commands
•Arp state is saved with a Patch. This allows the Arp to play automatically when a Patch is loaded
•Appeggiator will Output Midi DataSEQUENCER
•8 separate 124 Max step Polyphonic sequences can be created and stored
•Sequences can be edited
•Sequencer can be Started, Stopped & Continued using Midi Commands
•The Sequencer can be independently clocked from the Internal or External clocks, LFO2, Pattern output or midi clock divided by 3,4,6,9,12,18,24,36,48,72,96,128,144,168 or 192.
•Sequence state is saved with a Patch. This allows the Sequencer to load and play automatically when a Patch is loaded
•Sequencer will Output Midi Data and can have an independent midi channelPATTERN GENERATOR
•8 Pattern Generator patterns can be saved and edited. The pattern can be any length between 2 and 16 steps
•The Pattern Generator can be independently clocked from the Internal or External clocks, LFO2 or midi clock divided by 3,4,6,9,12,18,24,36,48,72,96,128,144,168 or 192.
•Pattern Generator can be Started, Stopped & Continued using Midi Commands
•Pattern Effect can be faded from no effect to full effect.
•Pattern state is saved with a Patch. This allows the Pattern Generator to load and play automatically when a Patch is loadedEDITOR
•A comprehensive editor (PC & Mac) is supplied with the upgrade and can be downloaded here. This has been developed by Psicraft under the Vyzex brand
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
