GS Music e7 - Septenary Vol.1 OUT NOW!

video upload by Scott McAuley Sounds

GS Music e7 - Septenary Vol.1 (Demo 2 of 2) OUT NOW!
video upload by Scott McAuley Sounds

"Patches will be available at https://www.orano.co.uk/shop or http://www.synthsounds.co.uk

Reverb used on this demo is same settings Specular Tempus 70s plate.

This wasn't a planned custom pack, I originally ordered the @GSMusicArg e7 just to try it out. However, it is quite safe to say that this synth really has blown me away!!

The synth has so much character, it honestly sounds like "the good old days"! Very Memorymoog, but with some hints of OB Sizzle , it's Lovely!

Needless to say, the e7 is now firmly remaining in my collection, it has warmth, depth, low end, fizz, and just sings! I absolutely love it.

I thoroughly enjoyed programming this lovely synth, and I look forward to getting back on with Volume 2 in the future!

I hope you enjoy!
Cheers
Scott.

© Scott McAuley. All rights reserved.
#custom #sounds #gsmusic"

EMS TKS keyboard - sequencer with EMS VCS3 #emsvcs3 #emstks #wmssynthiaks

video upload by analogia pl

Machina Bristronica 25 Gear

video uploads by Sound On Sound magazine

Playlist:

1. Machina Bristronica 25: Sequential Fourm
2. Machina Bristronica 25: Enjoy Electronics ELFO
3. Machina Bristronica 25: UDO Audio DMNO
4. Machina Bristronica 25: PWM OSCar Rebirth
5. Machina Bristronica: Rides in the Storm New Modules
6. Machina Bristronica 25: AM Synths Diode-01

Novation Summit Live Cover of Radiohead - Everything In Its Right Place

video upload by Toco

"One of my favorite Radiohead songs, so ethereal. Was fun to recreate the sound on my Novation Summit.

For more music:
https://thebirdsandthebeaks.carrd.co/"

ASTROGENIC HALLUCINAUTING - late night noiz for late night fiends

video upload by thenoiztemple

"ASTROGENIC HALLUCINAUTING - late night noiz for late night fiends - for more noiz: https://itunes.apple.com/us/artist/as...

website: http://manipulate.net

This is a series of live noiz and video noiz performances. A continuation of improvisational noiz sessions during the persistence of The Human Plague and now war.

#isolation #electronicmusic #synthesizer #blackambient #drone #noiz #noisemusic #percussion #spike #ukraine #war #standwithukraine"

NoisyFruitsLab DCO - Dual Wavetable Oscillator for Eurorack Synthesizer

video upload by NoisyFruitsLab



"DCO stands for 'Detox Controlled Oscillator' and is a dual wavetable sound source for creating big things on a small footprint

Designed for stereo or duophonic fun as giant wavetable for each oscillator, containing 30 waveforms for each.

With an own output for each oscillator and an accurate frequency range from 0.01Hz to around 10KHz it´s an excellent audio source, LFO and reference as well.

CV control for each wavetable (-5V – +5V)
Shared 1V / octave input, covering 10 octaves (-5V – +5V), FM friendly

Bipolar LEDs as negative and positive indicators.

Frequency and wavetable control for each oscillator with smooth endless rotary encoders including buttons.

Covering fine or stepped frequency adjustments for detuning, harmonizing and chordifying.

Blend smoothly through a giant wavetable with 30 different waveforms for each oscillator with the encoders or over CV.

Switch between sync modes, so oscillator 2 get´s independant cv control over waveblending and frequency, or choose the “no CV” mode for highly accurate reference frequencies.

User friendly 11-point calibration mode.

Update friendly and designed as partially open source project and development platform."

CLICK FOR MORE »

Sinevibes Introduces Cluster v3 multi-filter sequencer plugin

video uploads by Sinevibes

Cluster "v3 is a multi-filter sequencer plugin designed and developed by Sinevibes. Available for Mac, Windows and Linux. Product page: https://www.sinevibes.com/cluster/"

Cluster is a multi-filter sequencer. The core concept is simple at first – a filter with a modulation envelope – but every single parameter is sequenced in a rhythmical fashion, even the filter type itself. At the foundation of the sound engine is a set of six filters which can be selected from many models like multi-mode state variable, comb, phaser and resampler; also, each of those filters can be configured with up to 4 stages in series. Based on this setup, Cluster builds up a sequencer matrix with 7 parameter lanes: three for the filters (type, frequency, resonance), and four for its highly flexible envelope generator with over 50 possible modulation shapes. The sequencer matrix holds up to 8 patterns at once and is driven by an elastic step sequencer algorithm with both polymetric and polyrhythmic abilities, and an extremely wide range of timing settings. All of this is presented via a single-screen, color-coded user interface with dozens of utility functions for pattern manipulation – which makes Cluster an extremely easy-to-use and fun tool for creating pretty much any animated filter effects you can dream of… and way beyond.

SOUND ENGINE

Six-track filter sequencer with type and slope selectable per track; independently variable cutoff frequency and resonance per step
9 available filter types: low-pass, high-pass, band-pass, notch, peaking, comb positive and negative, phaser, resampler; up to 4 filter stages with self-calibrating resonance
Multi-envelope generator for filter cutoff modulation with independently variable type, divisions, polarity and modulation level per step
Up to 8 separate sequences per preset
Step sequencer with up to 32 steps, rhythmically correct swing, polymetric and polyrhythmic abilities
Optional RMS limiter per each filter track
Variable per-step pan randomization
Two-pole analog-style lag filter for variable smoothing of all step transitions
One-pole lag filters on all continuous parameters for smooth, click-free adjustment
Supports mono › mono, mono › stereo, and stereo › stereo channel configurations
GRAPHIC INTERFACE

Color-coded graphic elements
Consistent name, mapping, value, and unit implemented for all parameters in both graphic user interface and host control/automation
Sequencer pattern macro editing functions: copy, paste, reset, trim, invert, shift, evolve, randomize, loop region
Built-in preset management functions
Supports window size scaling up to 200%
SUPPORTED FORMATS

Mac: AU/VST3/AAX for macOS 10.13 or newer (64-bit Apple Silicon and Intel)
Windows: VST3/AAX for Windows 8.1 or newer (64-bit Intel and AMD)
Linux: VST3 for Linux 2020 or newer (64-bit Intel and AMD)"

Korg Volca FM 2 - “Ambika” Soundset 32 Presets

video upload by LFOstore

"This soundset originally made for Volca FM2 cause its having 6 notes of polyphony, it still will work with original Volca FM but with only 3 notes of polyphony.

BUY: https://lfo.sellfy.store/p/korg-volca...

Also working with: Hardware DX7,DX7 2D,TX802 / Software Dexed,Arturia DX7 V

FM synthesis usually describing like digital,cold, glassy sounding.

We spent some time to dive deeper & get more analog & silky tones from 6 Operator synth family.

Thanks to DXCONVERT/TXCONVERT tool for conversion from 4OP to 6OP.

Introducing "Ambika" soundset with 32 ambient & analog-like tones!

DX7 from Yamaha is one of the most popular keyboard synths ever with all classic fm synthesis capabilities and classic sounds - it opened a sound universe in 80s!

But it can do much more & what is really missing in its internal presets are smooth and warm sounds.

We made smooth & creamy sounds for ambient & atmospheric music.

'Ambika' soundset contains 32 custom presets wide by categories & range:

CLICK FOR MORE »

Plinky+ patch 2

video upload by Meska (Meska)

"Another patch with Plinky +

'Spectral sound"recorded voice to ruina versio , to typhoon running spectral clouds
percusive elements
poly plinky +
Sub is Fm op with noise to vacium tube to centaor gate.
paralel procesing bass for "mid glitch" wich is bass to resonantFB to Ikary
ARP is FMop phase and fm modulated by carbon to LPG to warp delay
all this mixed with jumble henge to polydactil versio and bib for effect


Thank you for watching.
My name is Meska of the statik collective . I've been making mostly "dark and expérimental" music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with.

You can stream my albums and EPs at https://statikwave.bandcamp.com/

If you'd like to support the channel​ consider buying music from bandcamp ;)
Contact/booking: meskastatik@gmail.com"

Piano Roll modules in VCV Rack

video upload by Omri Cohen

Introduction - 00:00
Piano Roll - 00:15
SEQ++ - 07:28
Entrian Timeline - 11:09

Additional resources: https://www.patreon.com/omricohen

How simple can a drum sequencer get?

video upload by Moritz Klein

"This minimalist sequencer is the second-to-last module in my DIY drum machine series. If you want to build along, you can find the full build guide here: https://www.ericasynths.lv/media/DRUM...

Chapters
00:00 Intro & What is a drum beat?
02:10 Shift Register as a trigger sequencer
08:56 Metronome LED
10:32 Smart Accents (Triangle LFO)
15:44 Synced Accents (LFO sync)
19:29 Two channels & clear mode
22:22 Sequence length & half time mode
25:26 Digital to analog converter
28:19 Module assembly & demo"

GAMECHANGER Launches the MOTOR Pedal

You can find demos in previous posts here.

Check with dealers on the right on availability and price.

Press release follows:

"Gamechanger Audio Officially Releases the MOTOR Pedal

Electromechanical sound. A gas pedal for your guitar. The ultimate analog noise-machine.

Riga, Latvia – September 29, 2025

After years of development and anticipation, Gamechanger Audio is proud to announce that the MOTOR Pedal is finally available to the public. First teased as a wild experiment back in 2019 and reintroduced earlier this spring as a pre-order, the MOTOR Pedal is now shipping worldwide—bringing a completely new category in sound and performance machines to guitarists, producers, and sonic explorers everywhere.

At its core, the MOTOR Pedal is built on two groundbreaking technical achievements:
A fully controllable musical motor oscillator that transforms brushless DC motors into living, breathing sound sources.
An proprietary monophonic pitch-tracking engine that follows guitars and virtually any instrument with surgical accuracy.
These breakthroughs were forged over years of experimentation. From 2019 to 2022, Gamechanger Audio developed and released the MOTOR Synth MKI and MKII—the world’s first polyphonic synthesizers to use electric motors as vari-speed oscillators. More recently, the company perfected pitch tracking with its acclaimed AUTO Series pedals, released late 2024 The MOTOR Pedal builds directly on these innovations, fusing them into a compact stompbox—creating a powerful, unpredictable, and endlessly fun performance tool.

And in true Gamechanger style, it’s not just about the sound. The MOTOR Pedal introduces a completely new way to control it: a real acceleration foot pedal. This gas-pedal-style controller turns dynamics, pitch bends, and rhythmic sweeps into something you literally drive, delivering an adrenaline-fueled approach to expression that no other stompbox offers.

“Back in 2019, the original MOTOR Pedal was just a spark that set this whole journey in motion - what if we could play MOTORS as Oscillators!?” says Gamechanger Audio founder Ilya Krumins. “Since then, through the MOTOR Synth MKI and MKII and the AUTO Series, we’ve gone deeper and deeper into the world of electromechanical sound. At this point, we feel like we know pretty much everything there is to know about making music with motors and the MOTOR Pedal is the culmination of that knowledge, and the most fun, immediate and accessible way to experience it.”

Key Features:
● Real electromagnetic motor oscillator driven by precision pitch tracking
● Gas-pedal controller with five modes - for dynamic, physical expression
● Hybrid electromechanical + digital signal path for unique textures - five MOTOR engines - each with unique sound
● Compact form factor built for pedalboards, studios, and live rigs
● Replaceable motor block for extended lifetime and serviceability
● Powered by Gamechanger Audio’s MOTOR Synth (MKI & MKII) and AUTO Series technology

The MOTOR Pedal is now shipping worldwide from www.gamechangeraudio.com and with selected dealers world-wide.
The MOTOR Pedal is priced at 399 USD and 399 EUR (incl. VAT) respectively.
For more details, demos, and ordering information, visit www.gamechangeraudio.com."

LIQUIFI + IGNITA by BLINKSONIC

video uploads by BLINKSONIC°

"LIQUIFI+IGNITA: a unique synthesis station for modern sound design and liquid soundscapes.

LIQUIFI: A spectral effects processor for REAKTOR 6. Transform any sound into a malleable, fluid material. Featuring real-time spectral resynthesis and a powerful polyphonic autotune, LIQUIFI creates unique glitch, stutter, and harmonic textures. Sculpt sounds with real-time modulations and a virtual trackpad for dynamic, living audio.

IGNITA: A dedicated audio exciter and sample-based companion. A hybrid sampler synth with a "lottery of sounds" workflow. Its unique aleatory sample launching system and XY pad navigation generate constantly evolving, rich soundscapes and subliminal textures. Every result is pure serendipity.

THE COMBO: Together, they form a modern synthesis design station for GLITCH electronica, Botanica, Petalcore, Vaporwave, and Hyperpop. Unleash new sonic dimensions and bring an unconventional voice to your music.

70 tones/presets included.

Available at www.blinksonic.com. Price: 49€
Support: info@blinksonic.com"

Formant Filtering with MetaModule

video upload by 4ms Company

"Head to our MetaModule Forum to see the patch notes: https://forum.4ms.info/t/formant-filt..."

Check out The VODER (1939) - Early Speech Synthesizer

Future Sound Systems Cric

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Cool side panels. You can find demos of the Cric in previous posts here, including one with the side panels here.

CLICK FOR MORE »

Sequential Circuits PRO-8 SN 02022

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"An 8-voice analog synthesizer. Also known as the Split-8.
It features a 2-channel multi-timbre specification, allowing you to split or layer two different sounds to play simultaneously."

The synth with the built-in whiteboard.

CLICK FOR MORE »

Oxford Synthesizer Company OSCar 37-Key Analog Monophonic Programmable Music Synthesizer SN 0115

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"Serial number 0115 (written in blue Biro pen on the wooden underside of the instrument).

This is one of the first OSCar synthesizers made and it has great provenance. On 26 April 1984, I visited the designer of the instrument, Chris Huggett, at his apartment in Headington, Oxford. He demonstrated the synth and said, “Take it home and, if you like it, send me some money”. So I did … and this is the instrument that is being sold now. I took it back to him a few months later and he fitted the MIDI board.

The instrument has recently been restored by Andrew Jury (Synth Prof). All electrolytic capacitors have been replaced, ribbon cables and headers have been replaced, the battery is new, mains switch has been replaced, keyboard busbar and spring contacts cleaned and polished and much, much more. Consequently, the instrument is in full working order."

CLICK FOR MORE »

Kodamo Mask1 - getting into the unique sound of the bitmasks

video upload by j bowman ALL PROCEEDS TO MEDICAL AID FOR PALESTINE

Interesting not on visual feedback after 3:14.

"Unlock the unique sonic world of the Kodamo Mask1 in this deep-dive video, 'Kodamo Mask1 – Getting into the Unique Sound of the Bitmasks.' Whether you're a synth enthusiast, sound designer, or curious about the newly announced Kodamo Mask1EX, this is the video for you.

In this sound design synth tutorial, we explore how the Kodamo Mask1 uses bitmask synthesis to create rich, evolving textures unlike anything you've heard before. Learn how to shape tones, craft unusual patches, and dive deep into the Mask1’s groundbreaking engine. This isn’t your typical subtractive synth – it's a bitmask synthesizer with truly viral sound design potential.

Perfect for those looking to level up their synthesis skills, this video is packed with tips, patch examples, and insights into the Kodamo workflow. Whether you already own a Kodamo Mask1, are eyeing the Kodamo Mask1EX, or are just fascinated by cutting-edge synth design, this guide will open your ears to something truly new."

Seventh Summoner & Arp Of Darkness - Swarm Bending

video upload by FlatSix Modular

"Playing around today with the Seventh Summoner and Arp Of Darkness in the small case. I like where this is headed so I thought I’d share.

https://www.flatsixmodular.com

Patch Notes: Clock is handled by Pam’s Pro Workout.

Voice 1 is sequenced by the Seventh Summoner and consists of the supersaw patch on Braids through the 2051 Bit Corrupter patch on the MFX and then into the delay patch on a Noise Engineering Desmodus Versio with the “MultiVersio” firmware flashed to it.

Voice 2 is a saw wave oscillator from the Disting MK4 processed through a Pittsburgh Modular low pass filter, and being sequenced by Sequence X on an Ornament & Crime module with the Phaserville Suite firmware running. The filter is being modulated by the Shredder applet on the Ornament & Crime.

Voice 3 is being arpeggiated by the Arp Of Darkness, and is made up of a swarm & detune patch on the Neutron Sound Dust of Time running through a ping pong delay on another Disting MK4 by Expert Sleepers. I’m hand modulating the swarm to detune the swarmed notes giving it that dissonant contrast and the release of bring things back to unity.

In-Case Drums are being handled by an Erica Synths Pico Drums module running through A low pass filter on another Disting MK4 and into Data Bender by Qu-Bit for glitching duties.

All outputs run through a Kombucha by WGD for delay send duties and then into a Befaco STMIX for mix down to an Intellijel Headphones output in the 1U row.

Additional drums provided by the K.O. II by Teenage Engineering running my own personal samples."

Unexpected item: Tilde Elektriske Kretser Fjaerlett

video upload by Uncertain Music Corps

Also see: Tilde Elektriske Kretser - Fjærlett

"With my love of spring reverb feedback, the Fjaerlett was a complete no brainer for me and as soon as I heard about it I put my name on the wait list.

That was 4 years ago.

I completely forgot about it until last month when the invoice for instrument number 162 dropped.

It was delivered today.

This is the first run out for it recorded direct to camera. Reverb (offscreen) is provided via an instance of Galactic 3 running on the 4ms Metamodule. There is no eq or compression on the output.

First impressions? This is an elegant, delicate instrument that will take time to learn. The interrelationships between the three springs, the equaliser bands and the feedback level are complex and varied. They are not necessarily repeatable during a session - what looks like the same slider settings will not always provide the same outcomes. At least not at first.

As ever with spring reverb feedback, it's not hard to drive it into standing, sine wave like oscillation. But the more interesting stuff happens on the edges when you can find them. My sense is that there are many edges to be discovered.

I was monitoring this at a fairly low level. High on my to do list is monitor a session at much higher levels to encourage feedback on my feedback.

Let the games begin...."

From the Deep // Moog Matriach - FM Synthesis | HWJ Challenge | #synthjam

video upload by SOUNDS OF SYNTH

"Hi

This upload is inspired by the HWJ Challenge which is to make a track using FM synthesis.

The patch in this track is created on the Moog Matriach and I'm routing OSC 2 to OSC 1 and OSC 4 to OSC 3. I've got some additional modulation happening on the mod-wheel which is subttly affecting OSC 4 and therefore the sound of OSC 3.

For the massive reverb/delay in the middle and the end I'm using a Soma Cosmos.

PEACE ALL

#fmsynthesis #moogsynthesizers #moogmatriarch"

Minimal Electronic w/ CS01, OP-1 field, volca fm2 : Neutrality 2025-09-29 by atnr

video upload by atnr

"A piece created with YAMAHA CS01, ‪@teenageengineering‬ OP-1 field, and ‪@KORG_INC‬ volca fm2. Minimal electronica where lo-fi processed FM synth tones overlap with evolving sequences.

The CS01 is processed through ‪@ChaseBlissAudio‬ LOSSY with reverb and EQ, shaping it into a lo-fi sound. The patch is set with long attack and release times.

On the OP-1 field, sequences are played using the ENDLESS sequencer, with pattern changes made mid-performance. The sound is based on the DIMENSION preset CELESTA, modified for this piece.

The volca fm2 produces synth pad tones with extended attack and release, processed through ‪@ChaseBlissAudio‬ GENERATION LOSS MKII to create a lo-fi texture."

Thoughts on the Juno-X in 2025

video upload by MR TUNA Music

"I have had the Roland Juno-X since it's release and it may seem almost redundant in my studio, especially with the big bad Jupiter-X looming behind me in the main shot, but despite being it's medium sized brother, the Juno-X has so much to appreciate and even some improvements on the aforementioned flagship.
Here's a few reasons I still really love my Juno-X:

0:00 - Intro
0:45 - Connectivity
1:25 - Turning the Juno-X on
1:54 - Original Juno series vs. Juno-X
2:45 - Getting started making sounds
3:00 - Pulse Wave Modulation
3:22 - Filter envelope settings
3:55 - Layering in oscillators
4:20 - Adding in classic Juno chorus
4:34 - Effects
4:59 - Layering sounds
5:40 - Inverted filter envelope pad
5:59 - Together
6:36 - Part 3: Arpeggiated pluck
6:47 - Assigning arpeggios
7:48 - A big arpeggiated sound
8:34 - Part 4: Piano
9:04 - Everything Everywhere All At Once
9:40 - Bonus USB MIDI control
9:53 - Part 5: The Rhythm Section
10:13 - Playing with drum beats
11:35 - Thanks for watching"

9/28/25 (bird) ElectroComp EML 400/401 + Paia 6740 + DeltaLab Effectron II + MIDIVERB II + CXM 1978

video upload by Cfpp0

"Some stringy flutes. The 16 steps on the right side of the ElectroComp EML 400 are producing V4, which is controlling the envelope decay on the EML 401. I’m resetting that loop throughout the video, to change the accents and envelope. The 16 steps on the left side of the 400 are producing V3, which is controlling the 401 filter (in high pass mode). The 400 sequence is being clocked by ALM Pamela’s New Workout, with a division of 140bpm. The 401 output hits the DeltaLab Effectron II delay hard and overloads the limiter. The delay goes from the Effectron II to the Mackie Onyx 1640, with spring reverb from the Paia 6740, gated stereo reverb from the Alesis MIDIVERB II, and pitchy downsampled stereo reverb blended on the CXM 1978. The bird was racing our ferry and won."

Hitchcock