GS Music e7 - 7 minutes with the GS-E7

video upload by Raw Synthesizer Demos

https://www.gsmusic.com/

"The e7 is a polyphonic analog desktop synthesizer from Argentina by GS Music that sounds lively and rich and looks beautiful. Easy to use, expressively to play.

It reminds me of some of the best synths ever built but has its own character.

Everything was directly recorded from the outs of the synth into the audio interface. No internal effects nor any additional effects, equalizers, compressors or limiters were used to give you a genuine impression of its raw sound. Let me know your thoughts.

© 2023 Blue Lake Music"

GS-E7 Demo Part 2: Overdubs

video upload by Raw Synthesizer Demos

"What happens when you overdub a rich sounding analog synth like the e7 again and again? And with automation of some parameters like filter cutoff and OSC pitch? How does it sound?
No internal effects nor any additional effects, equalizers, compressors or limiters were used.

Let me know your thoughts.

© 2023 Blue Lake Music"

Rob Papen edges EDM community closer to the cutting edge by releasing RAW soft synth

Published on Dec 19, 2014 Rob Papen

"ECHT, THE NETHERLANDS: virtual instrument and effects plug-in developer Rob Papen Soundware is proud to announce availability of RAW — an easy-to-use, all-new Mac (32- and 64-bit, AAX, AU, and VST for Mac OS X 10.6 or higher) and PC (32- and 64-bit, AAX and VST for Windows Vista, 7, and 8) compatible soft synth specialising in ‘distorted’ sounds specifically suited to electronic dance music production (and beyond) — as of December 19...

When namesake company founder and sought-after sound designer Rob Papen attended the Dutch Dancefair earlier this year on his home turf to demonstrate his sought-after (soft)wares, little did he know that he would come away with an almost fully-formed idea for an all-new soft synth. So how, exactly, did that happen? Haphazardly, as it happened. Here producers Sebastian Hoff and Freek Vergoossen (a.k.a. DJ Promo and DJ Free-K, respectively) made an approach to propose a synthesizer that focused more on ‘distorted’ sounds with an easy-to-use layout. Always open to the idea of delivering fresh, cutting-edge, and — moreover — musical plug-ins for producers, whatever their musical leanings, Rob responded favourably by inviting the two DJs to his well-stocked studio for a brainstorming session. Said session resulted in a list of ‘must-have’ features and tools, sowing the seeds for RAW.

Reason has it that might just as easily not have happened, had Rob Papen not had the foresight and wherewithal to see the curious concept through to its cutting-edge completion. “While I’m always seeking new directions, I noticed that I also have roadblocks to my way of thinking,” he states in a moment of refreshingly raw honesty. “Maybe this is because of my long-lasting association with classic analogue hardware synthesizers like the Minimoog and Roland Jupiter-8 that don’t have onboard effects or EQ. I can clearly remember the first synthesizers that came complete with EQ, which was weird. ‘EQ is for mixing desks,’ I thought! On the other hand, I enjoyed effects like chorus, phaser, delays, and so on when they started showing up on synths. So the moment that DJ Promo and DJ Free-K discussed this idea of synthesizers having more ‘distortion’ and EQ, my immediate thought was, ‘EQ in a synth? Mmm...’ Then I said to myself, ‘Rob, you must get past this roadblock and look into this with an open mind.”

Mindful of those ideas, the Rob Papen development team truly thought outside of the box and now — within a matter of months of that fateful first meeting — RAW is here for all to see and hear. How does it differ from other developers’ soft synth offerings — as well as those musical must-haves from Rob Papen, of course — currently out there, then? Its co-creator comes clean about its inherent idiosyncrasies: “RAW has a focus on ‘distorted’ sounds, so this means that it has a different signal setup, synthesizer-wise. We have two oscillators and a FILTER, but what is new when compared to our other synthesizers is that you have an EQ that can be pre- or post-distortion. After that, there is also a WAVESHAPER and dedicated DISTORTION module with several types of distortion, as well as a LOW FI control. This is new to this synthesizer, and it’s part of the concept that the distortions are on the voice level, so it’s not just a case of a total signal going into the distortions, but rather each voice has its own WAVESHAPER, DISTORTION, and LOW FI — plenty of options to shape the sound here!”

However, in typical Rob Papen style, that’s not all. Far from it, in fact. In addition to the flexible X/Y fields found in the feature-packed OSC 1 and OSC 2 sections (which will already be familiar to refined Rob Papen Predator and BLUE-II soft synth users), RAW users can effectively draw their own ‘waveforms’ to be used as LFO waveforms, enabling the creation of unique ‘wobble’ sound movements — perfect for dubstep and other EDM styles. Other effects such as CHORUS, FLANGER, PHASER, and STEREO DELAY — not forgetting Rob Papen’s proprietary high-quality REVERB — all add to the superlative sound sculpting possibilities on offer, as does the super-cool step sequencer/ arpeggiator, and many more fanciful features above and beyond. But mindful of that original easy-to-use layout request, a self- explanatory Easypage makes things even easier to understand and use — grab and go, so-to-speak!

Speaking of which, user presets are arguably always where it’s at when it comes to true originality, of course, but by enlisting the tuned-in talents of world-class DJs and producers — such as Deathmachine, DJ Hidden, DJ Promo, DJ Thera, D-Passion, Ophidian, Mad Dog, Rob Fabrie, N-Vitral, The Playah, The Viper, Warface, and many more besides — to create crowd-pleasing presets galore for RAW alongside the numerous creative contributions from Rob Papen himself instant inspiration is truly guaranteed. Just add tunes, turn up the distortion, and mix to taste... you’ll soon be sounding really RAW! All in the best possible taste, of course.


RAW can be purchased as a boxed version from authorised Rob Papen dealers worldwide or downloaded directly from Rob Papen for an attractive introductory price of €119.00 EUR (including VAT/tax)/$143.00 USD until the end of 2014 — thereafter rising to €149.00 EUR (including VAT/tax)/$179.00 USD — from here: http://www.robpapen.com/buy-raw.html

Note that eXplorer-III, Rob Papen’s all-encompassing software bundle, now includes RAW as standard, bringing its total product count to 13; competitively priced at €585.00 EUR (including VAT/tax)/$699.00 USD, this represents a significant cost saving of around 50% when compared to separately purchasing each and every Rob Papen virtual instrument and effects plug-in included!

For more in-depth information, please visit the dedicated RAW product webpage here: http://www.robpapen.com/raw.html

Watch Rob Papen’s riveting RAW promo video here: http://youtu.be/jbu9JkTZ4lM

Several awe-inspiring audio demos showcasing RAW from the likes of Noisia can be heard here: http://www.robpapen.com/raw-mp3.html"

Introducing Model 84 Polyphonic Synthesizer by Softube

video by SoftubeStudios

"The resurrection of a polyphonic icon. Softube Model 84 Polyphonic Synthesizer is a circuit-modeled emulation of a 1984 six-voice synth featuring the influential sound of the 1980s original. Use it as an instrument, in our official Eurorack platform, Modular, or our pro audio guitar & bass platform, Amp Room. The retro-future is here. ✮"

Priced at $99

CLICK FOR MORE »

Exclusive: the bluebox synthesizer

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Roland Juno-DS Ambient Soundscapes 2017 Synthesizer Demo Rik Marston DS61 Synth

Published on Mar 16, 2017 SynthgodXXX

"Roland Juno-DS Ambient Soundscapes 2017
Synthesizer Demo by Rik Marston 100% No Talking!
**Watch in HD** Turn it up!! Pure Juno-DS Power!

This synth is so fun to use. It sounds great out of the box.
Worth the price you pay & more. Can't believe I waited...
Happy I got one now. A keeper? Possibly!! We'll see.... ;)
The Juno-DS is a GREAT tool to use for recording, playing
& tweaking... getting that idea down & making it sound A+!
I haven't used the sample feature or vocoder yet, but I've hit just about everything else! I love the price, good for everyone's budget!
If you have seen my videos & the types of synthesizers I've
used, you will know this is something if I go off on a synth...

Here are the Patch names & location in the video:

1. Aerial Choir @ 00:04
2. Analog Dream @ 03:17
3. Chorus LS @ 05:31
4. Film Cue @ 07:45
5. Magic Wave @ 10:42
6. Paradise @ 12:21
7. Space Flute @ 13:55
8. House Clav @ 15:15
9. Syn-Orch/Mod @ 17:18

CLICK FOR MORE »

Introducing the LAB:1 Synthesizer by Artificial Noise

Published on Feb 2, 2016 Artificial Noise
"The first Demo video of the Artificial Noise LAB:1 Synthesizer."

Artificial Noise has introduced the LAB:1 Synthesizer. What might initially appear to be a drone synthesizer, is actually capable of a bit more. Be sure to listen to the SoundCloud demos above. Note this is the first Artificial Noise post on the site.

The following are the details on the LAB:1 Synthesizer (you'll find a link further below):

"100% Analog 6 Oscillator Experimental Synthesizer

3 Audio Frequency Oscillators with Triangle, Sawtooth and Square waveforms

3 Low Frequency Oscillators with Triangle and Square waveforms

Switches to X-Mod Oscillator One with Oscillator Two, and X-Mod Oscillator Two with Oscillator Three

Switches to Modulate LFO One with LFO Two, and Modulate LFO Two with LFO Three

Audio Oscillators can be free running or can be triggered via Buttons on the front of the unit.

Level/Depth and Frequency Pots for each Oscillator

Solid Oak End caps and metal case.

Designed to sound thick and raw with little regard for stability and "clean" waveforms, expect to explore strange audio territories with the LAB:1.

Powerful modulating drones to melodic rhythm sequences to spacey sound effects to total audio chaos.

Easy to use with with all controls available at hand but hard to restrain by nature, the LAB:1 is for those who welcome the unexpected.

Works great as a stand alone composition tool or used to generate new sounds for a sampler.

List price $300 (plus shipping).

Available for presale at www.artificialnoise.ca

Artificial Noise is a maker of strange sound makers. A small company based in Winnipeg Canada, it exists to design weird gear for synth-heads and experimenters."

THE OBERHEIM OB-X8 HAS ARRIVED

video upload by Oberheim Official

"For the first time in over 40 years, a legendary analog synth sound returns.

The OB-X8 combines the three different voice architectures of the classic OB-X, OB-Xa, and OB-8 synths into a single incredible instrument. The individual filter types and other unique characteristics of each model have been faithfully reproduced, along with an uncompromising 100% analog signal path, giving you the most authentic and satisfying OB experience possible.

Oberheim is BACK!"

Oberheim OB-X8 INHALT Sound Design Demo No Talking

video upload by INHALTVIDEO

https://inhalt.bigcartel.com

"My history with Oberheim runs deep. Probably the most important synthesizer for me was the Oberheim OB-8. I connected deeply with its melancholic and midnight music sounding tone which matched very well what I was doing with INHALT at the time. But never to be beguiled by softer emotions, the flick of the unison switch instantly took the OB-8 into an aggressive "body" music. It was the perfect writing tool due to the even tone across all octaves and the fact that its intrinsic musicality was unavoidable. Around the time I got the OB-8 I also got a vintage 2 Voice (thanks for restoring that one Chok) and both were heavily used on many records that I made. Those were my MVP's for many years.

When I received the call from my colleagues at Sequential that not only was a new Oberheim in the works, but that it was to be THE Oberheim, I couldn't wait for the beta testing and sound design to start. And when the prepro unit arrived, I knew that the newly reborn and official Oberheim company, in tandem with the team at Sequential, created something incredible. Something so comprehensive, deep, detailed, featured and yet immediate and simple, with no possibility of making a bad sound. Every sound I made sounded exactly as it should, and they ALL embodied that unmistakable Oberheim sound. That magic that is often imitated but never accomplished. Until now.

I'm not going to get into specs, those have been already covered everywhere, but I will say this: as someone that has used all of the "big" Oberheims, and that has made many records in commercial studios with the OB-8 and a vintage 2 Voice, I can definitively say that this Oberheim does all of those sounds and more. Its charisma changes from filter to filter and it seamlessly traverses from X, Xa to 8 with the Page 2 voice offset and vintage knob, but it ALWAYS sounds like the genuine Oberheim that it is. This incredible team, that I've had the pleasure of working with, has created something that might possibly be the ultimate polyphonic analog synthesizer. And I can't wait to use it on the many upcoming projects at Infinite Power Studios.

This is a recording I made of many of the patches I created for Oberheim and the shipping factory library that will come with the synth.

Please note, the OB-X8 in the video is a prototype unit and I recorded this with a beta firmware. As such, while the synth was largely done there were some changes both to the panel and to the OS that are in the final shipping version (obviously). The OB-X8 was recorded straight into Pro Tools HD and no post processing or fx were added. What you're hearing is the raw synth."

The Sound of the Oberheim OB-X8 - Julian "J3PO" Pollack [custom knobs on this one]

video upload by J3PO

"Oberheim has released a new synthesizer--the first in many decades--the OB-X8. It is a faithful recreation of all three of the classic OB-series synthesizers in one: the OB-X, the OB-Xa, and OB-8. It is an incredible synth.

In this video, you will hear a bunch of presets I created for the OB-X8. Some of my sounds will be included factory with the OB-X8 while most of these presets will appear in a presets pack I will release soon (check www.j3po.net for the release of my official sound bank). This particular unit is an early prototype with non-production knobs. The final production units will look slightly different.

It is important to note that the OB-X8, like the original OB's from back in the day, does NOT contain any onboard effects. In this video, I used some external reverbs and delays to give certain presets the ambience and resonance they deserve. Light compression and limiting was applied for the purpose of uploading to YouTube and balancing the sounds."

Update: Oberheim OB-X8 Preset Demos

video upload by james terris

"I'm always reluctant to post something in prototype form. When I had this unit it was sonically pretty close. Obvious at a glance are the knobs and 3D printed bender box levers. The synth itself sounds great and such a dream to play with a nice modern key bed."

And the press release:

Oberheim Returns to Operations and Releases Its First New Synth in 35 Years

San Francisco, CA – May 9, 2022 – In a momentous industry development, Oberheim Electronics, one of the most venerated names in synthesizer design, has announced its return to operation to meet the rising global demand for its instruments.

Today, the company is launching its first new product, the OB-X8: an eight-voice polyphonic analog synth that combines all of the key features of the legendary OB-X, OB-Xa, and OB-8 products from the 1980s – including all the original presets that gave them their signature sounds.

“I wanted to come back strong with a new design that brings together the sounds of the greatest instruments from across the OB range, together with the distinctive sound and styling of those synths,” said Tom Oberheim. “But we took it even further. You can now combine the various OB voice architectures in ways that produce unique and interesting new sounds and capabilities.”

Originally founded by Tom Oberheim in 1969, Oberheim Electronics created ground-breaking products that fueled the electronic music revolution throughout the 1970’s and early 1980’s. After ceasing operations in 1985, these instruments attained near-mythical status, with highly prized vintage models selling for many times their original price on the secondhand market.

Since that time, Tom Oberheim had created a handful of limited-production instruments and co-designs with various partners under other names. But in a recent significant development, he regained control of the Oberheim trademarks and IP, and now, in partnership with Focusrite PLC, has decided to once again introduce new products under the Oberheim brand name for first time in more than 35 years.

“I’ve always had a very optimistic outlook on our industry and the future in general. I felt that one day, when the time was right, Oberheim would return. A big part of this was the fact that so many musicians have contacted me over the years to ask how to get hold of an original Oberheim. So when I finally reacquired the Oberheim name, it was clear that the time was finally here,” said Oberheim.

The catalog of artists associated with the original products is long, and includes innovators like Prince, Van Halen, and Herbie Hancock. For many, it was much more than just an instrument. A handful of A-list artists such as Trent Reznor, creative force behind Nine Inch Nails, and Golden Globe, Academy Award, and Primetime Emmy-winning composer got pre-release previews. “When I was shown the new OB-X8, I was immediately impressed with the forensic level of detail that went into its design and the respect for its lineage,” remarked Trent. I will be making room in my studio for one and I’m excited more people will be able to experience this classic instrument.”

Creating a new company out of thin air was no small feat. “I’m excited to work with my old friend and audio industry innovator Marcus Ryle, along with some other members of the original Oberheim team again,” said Tom. “And thanks to an exclusive partnership with Focusrite group company Sequential LLC, we have the ability to design, manufacture, distribute, and support new instruments on a global scale.”

For Marcus Ryle, one of the inventors behind the ADAT, the QuadraSynth, and Line 6 guitar amps and effects, this represents closure of sorts: “Synths were my first love and the reason I entered this industry. Tom hired me when I was 19, and I feel lucky to have been a part of the Oberheim design team during its glory days. Now, a whole new chapter in the story of analog synthesizer-based music is about to get written.” Dave Smith, founder of Sequential and himself a legendary figure in synth history, also collaborated with Marcus (an Oberheim team member from the 1980s) and Tom to create the new product. “We’ve already developed other interesting design ideas with Tom for follow-up products that will allow us to take Oberheim into the future as a synth brand,” commented Smith. “It’s a very exciting time to be a musician.”

The OB-X8 eight-voice analog synthesizer will be available at the end of June with a US MAP of $4,995.

For more details visit www.oberheim.com.

About Oberheim
Oberheim is the 21st century return of the legendary company that helped fuel the electronic music revolution. Now, just as then, Oberheim is guided by the vision of engineer and inventor, Tom Oberheim. Tom’s genius for innovation introduced the world to the first commercially available poly synth and other groundbreaking electronic instruments that literally changed the sound of music. Today, Oberheim reawakens this legacy by bringing the famed Oberheim sound to a new generation of instruments and artists. The company’s passion remains unchanged by time or technology — to once again provide the world with the finest-sounding analog synthesizers ever made. Oberheim brings its products to market with the help of the Focusrite organization and renowned synth maker, Sequential."

OBERHEIM OB-X8 SPECIFICATIONS

• 8-voice, pure-analog polyphony with saw, square/pulse, triangle, and noise
• Two discrete SEM/OB-X-lineage VCOs per voice deliver classic punchy Oberheim tone
• Discrete SEM-lineage VCFs deliver authentic OB-X-style tone and presence
• Genuine Curtis filters add bold OB-Xa/OB-8 character
• Meticulously modeled envelope responses match each OB model: OB-X, OB-Xa, and OB-8
• The 61-key FATAR velocity- and touch-sensitive keyboard allows unparalleled expression and responsiveness
• Bi-timbral capability allows two presets simultaneously for splits and doubles
• 400-plus factory programs, including the full set of factory sounds for the OB-X, OB-SX, OB-Xa, and OB-8
• Integral, fanless, heatsink-free power supply
• Real walnut end cheeks
• High-resolution OLED display enables patch management and easy access to advanced features
• Classic Oberheim Pitch and Mod levers allow expressive note bending, vibrato, and access to arpeggiator functions

ENHANCEMENTS
• Additional SEM filter modes add high-pass, band-pass, and notch functions to the classic OB-X filter
• Vintage knob allows variable amounts of voice-to-voice variability to emulate the behavior of vintage instruments 
• Velocity sensitivity adds expressiveness to volume and filter 
• Channel Aftertouch adds real-time performance-based modulation
• Enhanced unison allows variable voice stacking from 1-8 voices
• Variable triangle wave cross-modulation
• Over 600 user-programmable preset locations
• Programmable per-program pan allows wider stereo presence
• Variable oscillator and noise levels

INS & OUTS
• Stereo and Mono outputs
• Volume, Sustain, and Filter inputs
• Arpeggiator clock input
• MIDI In, Out, Thru
• USB
• Dimensions:
• Weight: 32.5 lbs
• Dimensions: 40.5” L x 16.67” W x 5.87” H

CLICK FOR MORE »

SoundSpot Union Software Wavetable Synthesizer Plugin VST, AU, AAX - Sound Demo and Tutorial

Published on May 12, 2020 Runningonair

"In this video I take a close look at the SoundSpot Union Wavetable Synth Plugin. The first half deals with sound demo of the factory patch set. The second half deals with how it works and how to programme it."

This one is in via Runningonair who did the video above. The following are some demos and details via the maker, SoundSpot:

"Union is SoundSpot’s next-generation wavetable synthesizer audio plugin, featuring a unique wavetable generator that lets you create harmonically rich wavetable sets from the output of Union’s main oscillators: a technique frequently used by the world’s best sound designers to create rich and deep sounds. Union allows you to utilize this synthesis technique with a single click of a button.

The Union plugin comes with unique features such as independent filters per oscillator, which allows a deeper control over the shaping of your sound, and a unison engine that can run up to 96 voices in a single note play.

Innovative Modulation System

Union features an innovative click through modulation system that allows you to quickly create rich and compelling sounds.

Oscillator 1, 2 and 3 include their own dedicated ADSR, MOD ADSR and LFO envelopes and Oscillator 3 includes an additional wavetable window that allows you to scrub through stereo wavetable sets to create organic movement in your sounds.

In addition, the master FX chain features 4 LFOs that can be assigned to any master FX control, and includes a trigger mode so they can be used more like a conventional ADSR envelope further increasing the creative possibilities.

The Best Of Analog And Digital In One Audio Plugin

Everyone loves the rich, dense sound of hardware, but most find it’s limitations frustrating. With this in mind, we set out to build a synthesizer that provided all of features of analog equipment with the precision and convenience of the digital realm.

Union has been modelled from some of the best sounding synths in music history, and combines this raw power with unique features such as wavetable generation that simply wouldn’t be possible in purely analog form. This results in a synthesizer that truly rivals hardware, but lives inside your computer.

Do All Your Post-Processing Inside The Union Audio Plugin

Once you’ve made your sound, it’s time to give it that final polish. However there’s no need to go adding multiple audio plugin to your channel strip as the Union plugin features an FX rack that contains 9 professional quality post processing effects.

These include: Compressor, 4 Band Parametric EQ, Distrortion, Delay, Phaser, Chorus, Filter & Flanger. Furthermore a brand new Reverb modelled on analog hardware has been included.

All of the FX use the best algorithms from SoundSpot’s post processing audio plugins range. This means you can acheive a professional polished sound inside of Union.

CLICK FOR MORE »

Sequential Debuts the Pro 3 - Multi-Filter Mono Synth

Sequential Pro 3 INHALT Sound Design Demo Published on Jan 14, 2020 INHALTVIDEO

Update: some audio demos added below.

"Some time ago, I put together a video demonstrating the remarkable ability of the AS-1 synthesizer to mimic the classic Sequential Circuits Pro One. I sent the video to my friends at Sequential and expressed a great desire for a fully fledged, keyboard version of the synth. Flash forward to the tail end of 2019, and I’m sitting in front of the Sequential Pro 3. While the inspiration might have come from some aspects of the AS-1, the Pro 3 is so far and above, it truly deserves the title of FLAGSHIP.

To me, the central point of the Pro 3 isn’t necessarily the feature set, which is VAST, but the raw sound. This synth is a production workhorse that sounds proper. It has a kind of aggression, bigness, and elegance that is typically associated with some of the finest vintage synthesizers; the low end is massive and the top end can cut through but it’s that all important midrange that is the most impressive. That midrange synthesizer bass sound, that many other synths fail at (by over compensating lows and highs) isn’t an issue here and it’s that aspect that allows the Pro 3 to link the vintage to the modern. Simply put, any working producer looking for a flagship mono that can handle the rigor of modern production and can make as many classic vintage sounds as futuristic ones should not sleep on this.

The three filters on offer here all have their unique personalities and allow you to cover a vast array of sounds. The OB6 filter in particular is a favorite and combined with the sheer physicality of the analog vco’s used here, allowed me to get into a kind of Xpander territory. The ladder filter pounds and moves like a vintage synth. And the Prophet 6/AS1 filter is exactly what you expect.

No external sequencing or multitracking was used on this recording. Everything was made 100 percent on the Pro 3. This is a recording of all of the patches I submitted to Sequential for the Pro 3’s factory bank. A big thanks to the whole Sequential family and a massive congratulations from INHALT on this stunning new synth!"

Update: audio demos by Paul Dither:




And the press release: (side note: I believe this is the first solely Sequential branded synth after rebranding from DSI)

"Sequential Debuts Pro 3, Multi-filter Mono Synth Featuring VCOs, Wavetables

San Francisco, CA—January 14, 2020—Sequential today announced the Pro 3, a new flagship mono/paraphonic synthesizer. A hybrid instrument, the Pro 3 features three classic analog filters (Prophet-6, OB-6, and ladder) and three oscillators (two VCOs and one wavetable oscillator) along with a powerful new 16-track sequencer, and the ability to connect with modular synths through its four control voltage ins/outs.

“In many ways the Pro 3 is the evolution of a concept that started with the classic Sequential Circuits Pro-One,” said Sequential founder Dave Smith: “Pack as much power as possible into a compact footprint and make it sound awesome. To do that, we built on the strengths of its modern-day counterpart, the Pro 2, and created a worthy successor to both that sets a new benchmark for raw power and versatility.”

Part of this sonic versatility comes from the Pro 3’s oscillators: Two voltage controlled oscillators provide traditional triangle, saw, and pulse waves with waveshaping, while a third digital wavetable oscillator provides 32 tables of 16 waves each with wave morphing. Three vintage-style filters shape the sound of these oscillators. Filter 1 is a 4-pole low-pass design based on the Prophet-6 filter. Filter 2 is a classic transistor ladder filter with optional resonance compensation to preserve its low-end punch. Filter 3 is a classic 2-pole, state-variable design based on the OB-6 filter that can be continuously varied between low-pass, notch, and high-pass operation, with an optional band-pass mode. A Drive control provides additional punch to all three filters.

The feature set of the Pro 3 is rounded out with a multimode arpeggiator, three LFOs, four loopable ADSR+delay envelopes, dual digital effects (delays, reverbs, and various time-based effects), tuned feedback, analog distortion, and extensive modulation possibilities. The LFOs, delay, and arpeggiator can be synced to either the internal clock or an external MIDI clock. A programmable position-sensitive touch slider and pitch and mod wheels provide nuanced control over live performance. The synth is also capable of 3-voice paraphonic operation. This makes it possible to play 3-note chords where the three individual oscillators share a common filter and envelopes.

The full-featured sequencer provides 16-track sequences of up to 64 steps, with ratcheting, variable gate and sequence lengths, multiple playback modes, and paraphonic operation. It also syncs to MIDI clock and external audio input, and inputs/outputs control voltages. In addition to notes, sequence tracks can control any parameter in the 32-slot, 171-destination modulation matrix.

Another key feature of the Pro 3 is its four scalable rear-panel control voltage inputs and outputs, which allow compatibility with modular synths. Control voltages are routed from within the modulation matrix and run at audio rates for extreme modulation effects. “We wanted to make the Pro 3 as flexible as possible,” said Smith. “The CVs and deep mod matrix make it a mini modular in its own right — without all the patch cables.”

Sequential is also offering the Pro 3 SE, a special edition version of the synthesizer that puts the same synthesis power into a collector-worthy design that features a tilt-up control panel and full, premium-grade walnut trim.

The Pro 3 standard edition will be available at the end of January with a US MAP of $1,599.

The Pro 3 SE will be available in February with a US MAP of $2,099."

https://www.sequential.com/product/pro-3/

CLICK FOR MORE »

New ARTURIA POLYBRUTE Videos & Details

PolyBrute | Morphing Analog PolySynth | ARTURIA

Arturia

"#PolyBrute is more than a #synthesizer - it's a 6-voice analog powerhouse, with unprecedented expressivity and sound #morphing capabilities, built to let you perform fearlessly, compose with fluidity, and explore sound in perpetual motion."

ARTURIA POLYBRUTE — the BEST Arturia synthesizer yet!

BoBeats

"Arturia Polybrute is finally here! I have spent about a week with it and here are my first first impressions & walkthrough of what this synth offers. I'm making videos & music full time now and you can support here: http://www.patreon.com/bobeats and you can get the shirt I wear at http://merch.bobeats.tv

Contents
00:00 Introduction
03:50 Overview of the Polybrute & Sound Demos
14:12 Patch from scratch
26:36 Making a beat with MASCHINE+ and Polybrute"

Arturia PolyBrute - First Look Preview

sonicstate

"We have the PolyBrute in for review, but we couldnt quite get the full review finished in time for the release deadline, so here's a quick look to keep you going until we're done."

POLYBRUTE Review // +70 Presets // Full morph tutorial for Arturia's flagship synth

loopop

TIMELINE:
0:00 Intro
1:00 Overview
4:05 Connectivity
4:40 Morph
10:00 Morphee
12:10 Ribbon
13:45 Stereo
15:25 Motion recording
16:10 Split/layer
17:10 Unison
17:50 Oscillators
21:00 Filters
24:40 Envelopes
26:15 LFOs
27:40 Mod matrix
28:55 Effects
31:45 Arp
32:30 Sequencer
33:45 Matrix arp
34:35 Snapshots
35:20 Generate
36:00 Pros & cons
39:40 Playing 70 select presets

Update: and the mini press release (new SynthFest France video below as well):

"Arturia unveils their expansive new flagship synthesizer, PolyBrute
Fusing the raw power of Brute oscillators with digital Matrix precision, the innovative three-dimensional Morphée performance touchpad, and pristine stereo effects, PolyBrute represents a new era of polyphony. Available November 2020.

_Analog morphing polysynth
Polyphonic power fused with unrivalled modulation capabilities. Infinite positions on an elusive spectrum of sound, instantly accessible. An instrument that responds to your every command for ultimate performance control. This is PolyBrute.

The Brute factor
6 pure analog voices driven by 2 Brute oscillators, complete with distortion, wavefolding, and FM control, shaped by dual enhanced filters for massive timbral variety.

Morphing
Seamless three-dimensional morphing between two completely different states within a single patch. An infinite continuum of sound, immediately accessible expression.

Express yourself
A new dimension of performance control, with a dynamic ribbon strip, an assignable mod wheel, and finally, the innovative Morphée 3-axis performance touchpad.

Modulation
No more static patches. 3 envelope generators, 3 LFOs, and modulation flexibility normally reserved for modular systems - with the immediacy and precision of digital control.

The Matrix
The digital brain to PolyBrute’s analog heart - control presets, the sequencer, morph state editing, and of course, PolyBrute’s expansive modulation routing.

Studio-grade effects
Pristine stereo digital effects incorporated into every patch, with parameters that can be modulated to no end - including algorithms from our acclaimed FX Collection.

_The full lowdown
The new Brute flagship has landed. Raw, powerful, organic - the Brute range is all about the tactile immediacy of analog synthesis. Explore it for yourself…

_Wooden legs
PolyBrute is designed to be fully compatible with our Wooden Legs companion. The Wooden legs offer a professional ergonomic solution, with a timeless beechwood construction, built for studio and stage that’s as reliable as it is stylish - enjoy an unhindered performing experience with class."

See the dealers on the right for availability.

Check out additional Arturia PolyBrute posts here.

Arturia Polybrute - Philippe Brodu | SynthFest

KNIFONIUM SteampunkSpaceSpies - 25 Tube Monophonic Synthesizer

Published on Apr 5, 2016 darkenergymedia

"25 tube monophonic synthesizer.

This piece of music is done entirely (including percussion and sound effects) with the Knifonium Tube synthesizer, made by Jonte Knif. For purchase information contact Geoff Farr at GSF Agency (http://www.gsfagency.com).

---

This was recorded and edited using MOTU's Digital Performer. I started working on this back in November, capturing some wild performances, effects, and percussion sounds.
Native Instruments Kontakt was used for building up and temping the tracks, then many were augmented or replaced by doing repeated multitrack passes directly from the Knifonium.
A pair of Lexicon MPX500s were used for pingpong delays during tracking on a few parts, but all other FX were within Digital Performer.
Final mix was captured to an Apogee Ensemble.

I felt that there were plenty of demos of the instrument in its raw state (not multi tracked) so I had to see how far I could take this. The tune had been hanging in my brain for about 3 weeks, and the Knifonium seemed like a very Steampunk Sci-Fi instrument, so this is what I had to do...
Enjoy!

Drew Neumann

Knifonium SteampunkSpaceSpies Copyright 2016 Drew Neumann, Droomusic (ASCAP) www.droomusic.com

---

directed by chris morgan | darkenergymedia
http://www.darkenergymedia.com

produced by GSF Agency
http://www.gsfagency.com"

See the Knifonium channel below for more.

The Kagouyar by nozoïd

Note the above demos are from two years ago, which means the Kagouyar has been over two years in the making.

Press release from today follows:

"The kagouyar is a semi modular polyphonic virtual analogue synthesizer. It combines ease of use with endless sonic possibilities. Featuring cutting-edge technology, it delivers an analog feel while offering features never seen in vintage synthesizers.

Its intuitive design means no menus, no hassle – just pure, hands-on sound exploration. Patch, tweak, and create effortlessly with tactile switches and a powerful modulation matrix.

With 3 oscillators per voice and 4-voice polyphony, the Kagouyar offers an endless palette of textures – from lush, ambient layers to raw, glitchy soundscapes. The 7 LFOs let you dive deep into complex rhythms and evolving soundscapes, making your music feel alive and constantly evolving.

Compact and versatile, the Kagouyar is perfect for drone performances, ambient music, or hard-hitting techno. Take it to your next gig or keep it in the heart of your studio. Unleash your creativity with this unique synthesizer!

Demos and more informations here : http://nozoid.com/kagouyar"

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Interview with Hexfix93 of VAC

The following is an interview I just wrapped up with hexfix93 of Velvet Acid Christ. As you know, this site is about the gear, namely synths, and the gear that helps drive and enhance synths, but ultimately the focus is on synths.

I was chatting a bit with hexfix93 and asked him if he would be interested in a slightly different take on an interview, one focused on synths and their impact to his world. We all have our story regarding how our obsession with synths first started, how we see and approach synths and what they mean to us. I thought it would be interesting to hear his story. The following is the interview.

Before it begins, I want to thank hexfix93 for taking the time out for this. We all have a different approach and a different story when it comes to our synths. This is his. For more of his music check out VAC and don't miss Toxic Coma. Cheers, matrix.


1. What was your first synthesizer, how old were you when you picked it up, and why did you pick it up?

"It was some kind of old yamaha cheap thing. i got it for my atari st, so when i played games like leisure suit larry that the music wouldn't come from the wimpy fm built in sound, but a general midi synth instead. it really didn't sound all that great. i wasn’t really a keyboard player at this point.

The first synth i got as a keyboard player was a roland w30 sampler workstation. And we made like 3 records with that keyboard. i remember gary slaughter an x vac member, spilled orange vodka drink on it. and i had to take it apart and clean every part of it by hand slowly, it took weeks. it was a pure nightmare.

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New AtomoSynth Asterion Modular Synthesizer - Pics & Details

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

You can find some demos here.

"The new AtomoSynth Asterion is a full modular synthesizer it means all modules are independent and has none internal connection, it needs to be patched to produce any sound.

All sound generation and control signals are 100% analog. Very beautifull raw, organic, "electrical" sound!!

Very rugged, all metal construction, all potentiometers and jacks fixed to the metal pannel.

High quality full sized and well spaced bakelite knobs.

High quality double sided PCB board. all componets set and soldered by hand by humans!!

High quality components, all potentiometers with dust seal.

Patchbay separated from the knobs to avoid messing with the cables.

104 patch points!! 1/4 inch jacks.

It is an old school style instrument, you need an cv/gate keyborad or cv/gate sequencer to control the Asterion.

Specifications.

3 VCO each one with Tune (10 turn precision potentiometer) and pulse width controls. Pulse and saw waveform. 2 CV inputs and PWM cv input.

2 LFO with square, triangle and saw waveforms.

1 White noise generator.

1 Glide module.

2 audio mixers with 4 inputs and 2 outputs each.

2 VCF each one with Low pass input and High pass input, peak/ressonance control, 2 cv inputs, 2 audio outputs.

3 Envelope generators ADSR type.

2 Audio VCA with output level (volume) control and cv control input.

3 Voltage mixers each one with 2X gain and 2 inputs (input 2 with offset function), mix output and inverted mix output.

2 Voltage/audio attenuators.

6 signal splitters.

Internal power supply (110V -240V AC)

Dimensions: 635mm (W), 335mm (H), 150mm (D)"

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Knif Audio Knifonium Tube Mono Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.
Published on Oct 5, 2017 Olli Virtaperko

"Olli Virtaperko: Ambrosian Delights, concerto for Knifonium and chamber orchestra
Part I, Fat & Filth, the Knifonium Cadenza
Jonte Knif, Knifonium
Recorded 31 March 2017 at Hannikaissali, Jyväskylä, Finland.
Released by Ondine in CD Romer's Gap/three concertos (ODE-13052)"

O. Virtaperko: Ambrosian Delights for Knifonium & Baroque orchestra

Published on Oct 9, 2017 Olli Virtaperko

"Olli Virtaperko: Ambrosian Delights
Concerto for Knifonium & Baroque orchestra (original version)
Jonte Knif, Knifonium soloist
Finnish Baroque Orchestra FIBO, conducted by Ville Matvejeff

I Fat & Filth – Cadenza (0’00-7’30)
II Ambrosian Delights (7’30-12’41)
III Passacaglia (12’41-17’08)
IV More is More (17’08- 27’25)

Recorded 6 September 2014 at Vaasa Church, Vaasa, Finland
Full orchestral score: http://www.virtaperko.fi/ambrosian-de..."

via this auction

See this post for additional demos.

"Jonte Knif is a genius designer of top-top-top-notch audio equipment. He makes some of the best mastering gear in the world, notably the unparalleled Soma equalizer. A few years ago he decided to put his mastery of electrical engineering and tube topology to the test by building an all-tube analog synthesizer, the Knifonium. The first batch of 6 saw two bought by Hans Zimmer (they are used subtly in the Interstellar soundtrack, and less subtly as a guest synth in the Blade Runner soundtrack). The second batch of 6 brought improvements to the routing and performance-based usability. This is from the second batch, and is currently one of 12 in the world - and the only one in this colour! (all the others are reddish wood, as opposed to this dark stain).

Simply put, this is the biggest sounding raw-sound I've ever heard from an instrument. The all-tube build allows you to overdrive various tube types at various points in the signal chain, layering nonlinearities into complex tones that react to your performance. And it's not just the core sound: there's a ton of performance tools, such as a buttery-smooth XY joystick that's assignable to tons of parameters, velocity sensitivity, aftertouch (also assignable to various things), a very shapeable LFO, and a second full assignable envelope besides the standard VCA. It's honestly absurd. The best instrument I've ever played.

This is a unique, rare piece that will add real tonal power and texture to your work. Take advantage of my momentary lapse in judgement and need for funds and grab this. Jonte will be building more, but the wait time is very long.

Includes the huge power supply, solid flight case, and a full set of extra tubes!"

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Modal Electronics Introduces New 8-Voice Extended Virtual-Analogue Synthesiser

And the blue synth is revealed. Meet Model Electronics new Cobalt 8. Priced at $749.99 USD, £579.99 GBP, and €649.99 Euro. See the dealers on the right for availibility.

Playlist:
1. Modal COBALT8 Intro Video
2. COBALT8 Overview
3. COBALT8 Preset Sound Demos

User demos:



Playlist:
1. Modal Cobalt 8 Sound Demo (no talking) - Limbic Bits
2. Modal Electronics Cobalt 8 Sound Demo (no talking) - Bonedo Synthesizers
3. COBALT8 review & comparison with Argon8 // Which synthesizer is right for you?! - BoBeats
4. Cobalt8 Modal Electronics - 1st Look - sonicstate


And the press release (hi-res pics below):

"Modal Electronics creatively kickstarts new synthesiser series with COBALT8

– 8-Voice Extended Virtual-Analogue Synthesiser –

Bristol, UK: leading British synthesiser manufacturer Modal Electronics is proud to announce availability of COBALT8 — an immensely powerful, eight-voice extended VA (Virtual-Analogue) synthesiser that brings traditional and entirely new analogue-style sound textures to modern music creation and production as an innovative, sophisticated synthesis concept comprising two oscillator groups with selectable algorithms in self-contained elements enabling multiple oscillator modulations, an all-new 4-pole morphable ladder filter with switchable configurations, an unparalleled modulation engine, and much more besides, extending far beyond the limits of its analogue forefathers — as of October 29…

Creatively kickstarting a new synthesiser series by building on the tradition of warm and punchy analogue-style synth sounds seeded by bygone legendary synthesisers, COBALT8 creatively unlocks the full potential of analogue waveforms with up to 64 high-resolution VA oscillators with extended drift — up to eight for each of its eight true polyphonic voices. The two independent and self-contained Osc (oscillator) groups include sine, pulse, triangle, and sawtooth waveforms alongside 34 unique algorithms allowing for complex analogue synthesis techniques, built-in cross-modulation (sync, ring modulation, and more), PWM (Pulse Width Modulation), smooth morphing between VA waves, bit crushing, and filtered noise — unlike any other VA synthesiser before it, increasing creative options for new-generation synth sounds. Speaking of which, Algorithm1 and Algorithm2 each have an associated simple-to- use pair of controls — A1 and B1, A2 and B2 — chosen to suit the particular algorithm or character, providing musicians with the power of traditionally complex oscillator modulations or processes spontaneously.

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Knifonium Tube Syntheszier Demos

Published on Jan 19, 2014

"In this video I try to demonstrate the Knifonium tube synthesizer. I start with the basic oscillator sounds and then add various "extras" such as changing the amplifier modes and boost, oscillator sync, FM, filter and amp feedback controls, the amazing ring modulator, and the sample and hold modification of the filter cutoff. Along the way I play with filter cutoff and some resonance stuff and basically have fun with it. The joystick controls filter cutoff in the Y direction and pitch in the X direction.

Most of the video is recorded with the Knifonium sound raw into my DAW (Sonar X3 Producer) with absolutely no processing or EQ. I wanted to give people an idea of what it sounds like as you are playing. Towards the end of the video I introduce effects from my Strymon Mobius, Timeline, and Big Sky. It's pretty obvious when they kick in."

Run Away Sound Track

Published on Jan 18, 2014

"This is a first video made with two new pieces of gear. The background sequences are done with my Juno 106 that has been modified with the Kiwi 106 board. This gives it a lot of new features including a sequencer. At the very beginning I use the editor to start the sequencer remotely. The synth you see me playing is the Knifonium which is an all tube synthesizer developed by Jonte Knif of Knif Audio. Everything was recorded live without any overdubbing at all. The only effects are the Juno 106 is going through a Lexicon PCM-80 and the Knifonium is going through an Eventide H3000 D/SE.

The original inspiration for this was me fooling with the Knifonium which I have just had for a day and putting it through the H3000 D/SE and feeling like it had a movie sound track feel. Like if you were walking into a bad situation. On the same day I finished installing the Kiwi 106 upgrade and when I used the sequencer they just seemed to mesh into some sound track like feeling. So...it was snowing all day and I just put it all together for fun.

The Knifonium has a HUGE sound to it. This video doesn't really show it off much but it was just a lot of fun to make so I figured why not since there is not much out there on the Knifonium yet. More to come on that!"

SE Boomstar 3003 synthesizer demo (no talking, no effects)

Single Use

"There aren't a lot of bare bones tweaking demos of the Boomstar 3003 monosynth by Studio Electronics so figured I would post one. No effects or compression applied. Mostly using saw but some square in there too. The synthesizer has decent range though I would definitely say it leans towards rambunctiousness over precision. The filter being low pass and raw means it tends towards thick, wide spectrum sounds so can be a bit greedy in the mix. This is the original model so the legending and visibility is a bit jank. I definitely plan to add some colour to the knobs to make it easier to navigate quickly.

Been playing with it incessantly since I got it though which is a good sign - often just holding down a key and drooling. =)"

Sequential Prophet 5/10 rev 4 | Sound Bank Demos

video uploads by Synth Universe

"In this video I play original sounds created for the Prophet 5/10 rev 4 synthesizer. I demo patches 1 - 20 from the Synth Universe Prophet 5/10 rev 4 Sound bank: a bank of 80 patches containing a wide range of pads, strings, brass, poly synths, keys, bass, leads, tuned percussion and sines.

Each patch is demonstrated first raw in mono, as output straight from the synth. For the majority of the patches I then repeat the demo but with stereo and reverb or delay applied, so you can hear the sounds more like they would be in a musical context. Please refer to the other three videos for demos of sounds 21 - 80. The time stamps below mean you can easily access specific sounds in this video and compare MONO with STEREO.

Buy this sound bank here: https://synthuniverse.sellfy.store/pr...

In the making of this video no chorus, modulation or thickening effects were used (software or hardware). The only effects used were reverb (mainly the Valhalla Vintage Verb plugin) or delay (Logic native delay plugin). No EQ was used to enhance either the low end or the high end.

The Prophet 5/10 has a single mono audio output, so to create a stereo image I used old-school layering in my DAW. When I recorded each audio take, I also captured MIDI data and used this to record new tracks of the original take. Using the Vintage knob on the Prophet set at 3 means that each MIDI take has subtle differences in pitch, envelopes and filter. Panning and slight detuning of the tracks creates, to my ears, a nice rich stereo image and retains the core sound.

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NAMM: New Eowave Koma Demos

Eowave Koma - Demo - Keyboard 03 (Can you Drive ?) by Modularsquare
"Download if you want a better sound, soundcloud compression is awfull

The Eowave Koma is an analogue synthesizer with sequencer and memory.

A master keyboard was used for this demo.

- Pure raw Koma sounds, no FX used.
- Recorded live without editing

More info here : http://www.eowave.com/instruments.php?prod=77"

Eowave Koma - Demo - Keyboard 04 by Modularsquare