"Cakewalk® Now Shipping New Line of Portable Cable-Based Interface Products
—New Audio Interface and Three New MIDI Interfaces Now Available, Allow Musicians of All Levels to Easily Connect Instruments to their Computer Via USB—
Frankfurt, Germany, Musikmesse (Hall 5.1, Walkway B, Stand 56) (1 April, 2009) - Cakewalk, the world's leading developer of powerful and easy to use products for music creation and recording, announces the UA-1G USB audio interface, and UM-1G, UM-2G, and UM-3G MIDI interfaces are now shipping worldwide.
These cable-interface products are designed to easily connect musical instruments and other components to a computer. Compact and affordable, the interfaces are ideal for a wide range of digital music creators — from hobbyists to professionals — who need to connect instruments, MIDI devices, or other equipment to either a Mac or PC. All interfaces are USB-bus powered, requiring no AC adaptor, and afford users enhanced mobility for recording on the go.
Audio Interface The UA-1G audio interface is a compact 1 stereo in/1 stereo out USB Audio Interface that offers excellent-quality sound via multiple connection options and a simple, user-friendly design. The UA-1G is a perfect solution for use with a laptop in mobile or portable environments, whether it's the tour bus, hotel lobby, rehearsal studio or and even at home. Hobbyists can use the UA-1G to record tapes or vinyl to a computer, or for a higher-quality audio connection from their computer to their home entertainment system.
Highlights include:
* 24-bit/96kHz audio quality * Low latency ASIO 2.0 performance (PC); UA-1G is also WDM (Windows Vista, Windows XP) and Core Audio (Mac OS X) compatible * Large Input Level knob for easy control while recording * Includes Cakewalk's SONAR LE digital audio workstation for high-quality music recording, mixing, editing, and publishing * Contains high-end A/D and D/A converters for accurate recording and playback * An electret condenser microphone input, similar to, but higher quality than the "MIC-IN" on most internal soundcards * Headphone output with volume control to quickly and easily listen to audio from your computer * A 1/4" jack with Hi-Z option which is ideal for recording high-impedance instruments like electric guitar or bass * S/PDIF optical I/O
MIDI Interfaces
The new UM-1G, UM-2G, and UM-3G MIDI interfaces all feature:
* Compact, cable-style interface with a sleek form factor * Mac and PC compatibility * Independent MIDI OUT/THRU hardware selection switch for each output, providing convenient functionality even if your computer is turned off * FPT (Fast Processing Technology) for fast, stable MIDI data transmission, as well as lower latency performance through FPT's Advance Driver mode * Standard OS-based driver mode for instant connection to computers even when drivers are not available
Specific highlights of each MIDI Interface include:
UM-1G:
The UM-1G is Perfect for hobbyists who want to connect a MIDI keyboard to a computer, or musicians who need MIDI connectivity to control or record music with a computer. Its MIDI interface is ideal for small studios or academic settings where only one MIDI device will be connected in close proximity to the computer. In live performance settings, customers can use the UM-1G to control a synth, drum machine, MIDI light set-up, or master recording console.
* 1-In/1-Out MIDI port (male), with LED indicators for MIDI I/O signal monitoring * MIDI Check switch for quick troubleshooting of MIDI connections * MIDI cables are engraved with "Connect to MIDI In" and "Connect to MIDI Out" labels for no confusion when connecting devices
UM-2G:
The UM-2G is the ideal MIDI interface for musicians, producers or recording engineers with more than one MIDI device in a small studio or portable MIDI configuration.
* Features 2-In/2-Out MIDI ports (female), 32 channels of MIDI to control hardware and software * Provides ability to connect multiple MIDI keyboards, sound modules, control surfaces, and other devices to a computer
UM-3G:
The UM-3G was designed with the mid- to larger-sized studio in mind. It's a great solution for live settings using multiple MIDI applications, including traditional instruments, synths, sequencers and live sound, lighting, and special effects.
* 3-In/3-Out MIDI Ports (female) * Controls up to 48 channels of MIDI equipment * Expandable design allows you to daisy-chain up to three UM-3G interfaces providing nine total MIDI inputs and outputs without the need for additional USB Ports * Advanced Driver mode uses FPT (Fast Processing Technology) to ensure low-latency, even with three UM-3G interfaces daisy-chained together * Up to 3 units can be rack mounted via Roland RAF-70 kit, available separately * Out or Thru selectable switches built-in; select between MIDI Out and MIDI Thru for each output port
Availability
Cakewalk's cable-based interface products are now shipping and available through Cakewalk, Roland, and Edirol distribution partners and select retailers worldwide. Local prices may vary, please check with your local Roland or Edirol distributor."
Audio d-touch is a collection of applications for real-time musical composition and performance, with very special user interfaces. The collection includes a drum machine and a sampling sequencer, both are controlled by spatially arranging physical objects on
an interactive table surface. Each object represents a sound, and its position with respect to the surface is mapped to certain playback parameters. For example, the horizontal position of an object represents the timing of the sound. The system is extremely low cost
and now it can be freely and fully downloaded from http://www.d-touch.org/audio. All is needed to get audio d-touch to work is a standard computer (PC or Mac) with a webcam and a printer.
The audio d-touch interactive surface consists of a simple printed piece of paper. The movable physical objects are marked using labels, also printed on normal paper. The computer observes the blocks and the paper through a low cost web-cam, and thanks to the d-touch marker recognition algorithm it can localize them precisely. The information about the position and orientation of each block is used to control a digital audio synthesis process. The system was designed to be extremely low cost, robust and easy to set up, which makes it possible to fully and freely release it for download.
In the research field of computer interfaces the audio d-touch interface is known as a tangible user interface: physical objects are used for the control and representation of digital information. While tangible interfaces have been well known in academic research circles for some 15 years, audio d-touch is the first attempt to make them accessible to a larger audience, requiring only products that are available in any local computer store. Audio d-touch allows people to set up and to use tangible interfaces in their own home, office, recording studio, or wherever else they like.
The release of audio d-touch is itself part of a research project about novel computer interfaces. Our aim is to advance the field by gaining insight on how tangible interfaces may be used in the real world. Please help us by trying out the applications, letting us know what you think and spreading the word about audio d-touch! To inform our research we remotely record usage data from the system, in the respect of our users' privacy: we do not record images, but only the positions of the objects in the interface and the sounds recorded on them (all details are available on the download page on d-touch.org).
The design of audio d-touch was inspired and motivated by a passion for electronic music (electronica) and minimalism shared by Enrico Costanza and Simon Shelley: the
collaboration resulted in the incredibly fast production of a number of prototypes in 2003, thanks also to the great encouragement that they received from the Media Engineering Group at the University of York. In the following years Enrico continued to develop audio d- touch as a side activity, while his day job as researcher at Media Lab Europe and MIT Media lab focused on mobile devices. Part of the original d-touch recognition system was adopted by the colleagues and friends developing Reactable at UPF in Barcelona. In 2006 the Italian composer and cellist Giovanni Sollima became interested in the sequencer and has used it in a number of public performances right up until the present day. In early 2009 Matteo Giaccone and Olivier Küng joined Enrico, who in the meantime had moved to the Media and Design lab at EPFL, and their enthusiasm and technical contribution was key for making audio d-touch truly multi-platform and available for download.
For more information, high resolution photos, videos, and to download the full working
system please visit http://www.d-touch.org/audio.
August 17 2009"
some videos previously posted:
d-touch drum machine and sequencer
YouTube via audiodtouch. more vids
"2 low cost tangible interfaces for music fully and freely available for download. More info and installers at: http://d-touch.org/audio"
d-touch Drum Machine with walnuts
YouTube via audiodtouch. follow-up to this post.
"Build a drum machine using walnuts and d-touch drum machine
More info at: http://d-touch.org/audio"
d-touch Drum Machine
YouTube via audiodtouch
"Promo video of d-touch Drum Machine, a low cost tangible drum machine!
Symbolic Sound Unveils “Pacamara Ristretto” Audio Processing Unit (APU)
2.5 times performance boost, 20% lower price, expanded connectivity, and inter-application audio
CHAMPAIGN, ILLINOIS — Symbolic Sound announces a new Audio Processing Unit (APU) representing a giant leap forward in performance, energy efficiency, and connectivity over previous generation APUs. At less than half the size, the new Pacamara “Ristretto” delivers, on average, a 2.5 times jump in performance, a 20% reduction in cost, cooler operating temperature, expanded connectivity options, and seamless inter-application routing of audio and MIDI to/from applications running on a host computer.
Performance Pacamara Ristretto’s compute-cycles and memory are solely dedicated to sound computation, delivering unprecedented levels of performance capabilities to sound designers for film and games, live electronic music performers, sound artists, educators, researchers, and audio professionals who require the highest-quality real-time audio, responsive live interaction, and unbounded creative flexibility from their tools.
“The Pacamara Ristretto represents a radical transformation, not just because it’s Symbolic Sound’s most powerful external APU yet, but because of the ease with which it communicates with the rest of the world,” said Symbolic Sound’s president Carla Scaletti. “Audio, MIDI, and OSC streams can be freely routed between Kyma and other audio applications on your computer and audio devices in your studio, including across LANs and out onto the Internet, creating a combinatorial explosion of sound creation possibilities.”
According to game/film sound design consultant and Pacamara field tester, Alan M. Jackson, “It’s the latest, most powerful revision of the most important audio DSP environment of the last 30 years.”
Powered by Kyma Audio professionals can leverage the full Kyma 7 accelerated sound design environment for rapid prototyping, testing, creative exploration, and refinement of production-quality sound synthesis and processing algorithms to run in real time on the Pacamara Ristretto.
Kyma, described as a “recombinant sound design environment,” gives sound designers access to extensive libraries of unique audio synthesis and processing modules, along with tools for creating limitless combinations of those algorithms. Galleries of automatically-generated signal flow graphs help speed development, spark the imagination and boost the creative flow — providing creators with the advanced models needed to solve sound design challenges for games, film, live music, data sonification, voice processing, multi-sensor controllers, and more.
Deep integration between hardware and software has always been central to the Symbolic Sound approach. Hardware design is continually informed by software development and vice versa. As a result, the Kyma 7 sound development environment is optimally tuned to take full advantage of the huge increases in processing and memory bandwidth made available by the new Pacamara APU.
Sound designer and musician Cristian Vogel describes the Kyma software environment as “the best for innovating, prototyping and designing innovative digital sound processes… frictionless for ideation and research. Then, reliable and consistent at the outcome stage.”
The Pacamara Ristretto is as comprehensive in its connectivity as it is diminutive in size. The back panel of the rugged, roadworthy enclosure includes:
• USB-C port for audio and MIDI transfer to/from host computer • Two USB 2.0 ports for connecting audio interfaces and MIDI controllers • 3.5 mm jack sockets for mic input and stereo headphone output • RJ-45 network port to connect via a gigabit Ethernet cable to a host computer • Wi-Fi antenna jack • USB-C power input port
An APU does for Real-time Audio what a GPU does for Real-time Graphics Audio professionals require high quality, low latency, reliable real-time audio synthesis and processing. That’s what an APU can deliver.
“The question is not whether a CPU is capable of real-time graphics generation and processing. Everyone understands the advantages of offloading real-time graphics computation onto one or more GPU(s) running in parallel with your main CPU. Not only does it free up memory and computing resources on your CPU, a GPU guarantees the highest-quality, glitch-free interactive real-time graphic performance. The same is true for audio!”
“With the Pacamara you have high quality, configurable algorithms running on dedicated, uncontended hardware,” explains Jackson, “The result is that it sounds great and it’s reliable.”
Soft Hardware Unlike traditional audio hardware, which has a fixed functionality that never changes, the Pacamara Ristretto can adapt to the evolving needs of users. Regular, significant software updates ensure that Symbolic Sound APUs continue to gain features and functionality so that they actually improve with time.
Jackson adds, “there’s a subtle and important difference between hardware that is upgradeable… and hardware that DOES get upgraded continuously and significantly. Kyma is [Symbolic Sound’s] only product and [they’ve] been working on it, passionately, for decades. [They] have a proven history of constant and significant upgrades.”
What’s in a Name? The name, Pacamara, comes from a hybrid coffee plant bred to produce larger beans on smaller trees planted closer together — evoking both the ‘recombinant sound’ design philosophy of Kyma and the smaller size, higher-yield of the Pacamara APUs. According to Scaletti, “Coffee aficionados know that a ristretto shot delivers twice the caffeine per milliliter as a standard shot of espresso. The Pacamara Ristretto is actually 2.5 times more powerful and less than half (44%) the volume of previous generations, meaning that the computational performance by volume has increased 5.7-fold.”
Summary The Pacamara Ristretto is an APU, designed from the ground up for real-time sound synthesis and processing; it works in parallel with your main computer to deliver high-quality real-time audio signal computation, freeing up resources on the CPU for managing your overall studio workflow.
Audio professionals can leverage the full Kyma 7 accelerated sound design environment for rapid prototyping, testing, creative exploration, and refinement of production-quality sound synthesis and processing algorithms to run in real time on the Pacamara Ristretto.
The Pacamara Ristretto APU is the most recent development in a consistent flow of innovation from Symbolic Sound — from Capybara, to Capybara 33, Capybara 66, Capybara 320, Paca(rana) — the sixth generation Pacamara Ristretto APU is groundbreaking in terms of raw compute power, delivering a 2.5-fold leap forward in performance, connectivity, and dependability backed by extensive field testing in real world performance environments.
Pricing and Availability
The Pacamara Ristretto is available today at https://kyma.symbolicsound.com/order-now Initial supplies are limited due to ongoing (and inexplicable) global electronic component shortages.
The price for a 4-processor Pacamara Ristretto is $3,818 (US) An entry level, 2-processor system is available for $3,302 (US)
The Kyma 7 software for macOS or Windows is included with the APU.
"Synth Stack 4 assembles 22 of Cherry Audio's virtual instruments at a stunning price, only $299 or less for a very limited time! This astounding collection features 19 emulations of classic vintage synthesizers, three original synthesizers, one massive modular synthesizer platform, and nearly 8,000 presets.
PRESS RELEASE - November 21, 2023: Cherry Audio has announced Synth Stack 4, the 2023 update to their complete collection of 22 virtual instruments at an astoundingly affordable price. Synth Stack 4 includes 19 emulations of classic vintage synthesizers, three original synthesizers, one massive modular synthesizer platform, and nearly 8,000 presets.
In total, Synth Stack 4 is packed with nearly $1,000 worth of products and is available for a limited time at the stunningly low introductory price of only $299 - that's less than $14 per instrument! This introductory price is available until December 5th, after which Synth Stack 4 returns to its regular price of $399. Already own a previous version of Synth Stack or other individual Cherry Audio instruments? Sign in to see your personalized and discounted price at checkout!
Synth Stack 4 includes:
Voltage Modular Core + Electro Drums, a powerhouse collection of modular madness including 120 modules and over 600 presets.
DCO-106, a stunning recreation of the much-loved Juno-106 polysynth of the 80's.
CA2600, a powerful, self-contained duophonic synthesizer inspired by the groundbreaking ARP 2600 synthesizer.
Surrealistic MG-1 Plus Synthesizer, a super authentic recreation of the fun and funky Moog MG-1 synthesizer sold in Radio Shack stores in 80s.
Polymode, inspired by the groundbreaking Moog Polymoog synthesizer, one of the world’s first polyphonic synthesizers.
"A short introduction to the OPUS MAX BOARD music computer and development board for making music gear with the STM32H750 micro controller. https://digitalsoundchips.com It will come with a profession grade synthesizer and audio effects unit to loop sounds through the board externally. And with information on how to make your own music gear like synthesizers and audio effect units."
"Back in 2011 the worlds smallest synthesizer DSC Bluebox was made, but vent by unnoticed. This time Digital Soundchips that made the synthesizer is back, and want to solve the problems that they once went through for you and others.
Now we a ready to present a single-board computer for audio plugins and music gear. And with one profession grade synthesizer plugin, and a multi effects unit to loop audio through. That uses a open plugin standard with plugins on microSD card.
Imagine making professional music hardware gear, based on a super simple audio plugin format. And develop music gear that can use several plugins simultaneously.
We want to make a pre-configured scalable solution, so you can start writing your audio code and run ready-made plugins. And lower the development time for new music gear from years or month's, to weeks.
Lets make it faster and fun to develop commercially viable professional music gear.
Modular Wild Presents SOUNDS-Livewire Chaos Computer-Random Voltages
Published on Jul 14, 2013 Modular Wild·51 videos
"A brief look at the different Random outs of the Livewire Chaos Computer. Sound and Video by Raul Pena."
Modular Wild Presents SOUNDS-Livewire Chaos Computer-Random Voltages in Basic Patches
Published on Jul 14, 2013
"A short look at implementing the Livewire Chaos Computer's Random Voltages in a basic patch.Using Y outputs to modulate Pulsewidth and FM of Audio Frequency Generator. Sound and Video by Raul Pena."
Modular Wild Presents SOUNDS- Livewire Chaos Computer Clocking at Audio Rate
Published on Jul 14, 2013
"This is a brief look at the ability of the Livewire Chaos Computer to Clock with Audio Rate signals.Sound and Video by Raul Pena."
Modular Wild Presents SOUNDS-Livewire Chaos Computer-Audio Rate Clocking Patch 2
Published on Aug 11, 2013 Modular Wild·56 videos
"A second patch with the Livewire Chaos Computer clocked at audio rate. Sound and Video by Raul Pena."
Trigger Finger Pro USB Controller with Step Sequencer
Includes the M-Audio Arsenal; 8+ GB of instruments, one-shots, loops & more
Built-in step sequencer for building jaw-dropping grooves
16 ultra-responsive pads with illuminated RGB feedback
Customizable, backlit controls with instant automapping
High-resolution display lets you focus on the music, not the computer
Slimline design travels from studio to stage with ease
Detachable, 3-position rugged metal stand for angled use
Extensive expression controls; pitch bend, modulation & more
USB-MIDI connection to a Mac or PC
Arsenal includes Hybrid 3 High Definition Synth by AIR Music Tech
16 custom drum kits from Black Anomaly (Timbaland, Justin Timberlake, Chris Brown)
Arsenal also includes 10 Prime Loops Expansion Packs:
TrapTranceProgressiveNudiscoMinimalHard DanceElectroDubstepDrum N BassDeep House
Includes 5 ToolRoom Records artist sound packs from:
Mark KnightReve AmeszTocadiscoMacro LysD Ramirez
Over 2000 combined artist patches and presets for Hybrid 3 and Prime Loops content
Press release:
"M-Audio Introduces the Trigger Finger Pro
Legendary computer interface and studio integration manufacturer debuts an advanced performance pad controller with onboard sequencing and software integration.
Cumberland, RI, USA – January 22, 2014. M-Audio (www.m-audio.com), industry-leading manufacturer of award-winning computer interface and studio integration solutions, announces the debut of Trigger Finger Pro, an advanced performance pad controller with onboard sequencing and software integration.
Trigger Finger Pro is a fully encompassed performance instrument and software control station in the form of a portable, 16-pad (4x4 configured) instrument with onboard sequencing. Nearly a decade ago, M-Audio revolutionized the industry by introducing the first performance pad controller and effectively set the stage for the MIDI controller market with the Trigger Finger. The Trigger Finger Pro draws from its predecessor’s performance pad roots but features an entirely new hardware design, user experience, and creative functionality to serve both the live performer as well as the music producer. It’s modern design features 16 ultra-responsive RGB illuminated pads, 16 backlit step sequencer key controls, a road-ready chassis with brushed aluminum faceplate, and a high resolution screen.
The all-new Arsenal software integrates with popular DAWs, hosts VSTs and includes automatic mapping, providing seamless integration between the hardware and software. Along with AIR Drums and Hybrid 3 plug-ins, Trigger Finger Pro includes 8 GB of ready-to-play sounds, loops, one-shots with exclusive content from Black Anomaly, Prime Loops, Toolroom Records, and more.
Highlights:
• 16 Ultra-Responsive Pads – velocity sensitive, illuminated pads with RGB feedback
• Onboard Step Sequencer – accompanied by 16 backlit keys, and high-res screen
• Extensive Expression Controls – 48 assignable controls are offered between 4 faders, 4
knobs, and 4 buttons with 4 banks each, and includes pitch bend, modulation and more
• Arsenal Software – allows for instant DAW/VST integration with full tactile control
parameters; or operates as a standalone program with powerful presets & VI’s
• AIR Drums and Hybrid 3 – includes two dynamic VST instrument programs, a drum
sample player/editor compatible with REX files and a high definition analog synth suite
• Built-in Instruments – 8 GB of sounds, one-shots, loops, and exclusive content
• Customizable Controls – backlit controls instantly map to popular DAWs on the market
• Road Ready Chassis – brushed aluminum faceplate with detachable 3-position stand
'We’re excited with the Trigger Finger Pro because it offers true hands-on control for today’s multi-talented musicians who require software integration as part of their live performances – and we’re equally thrilled with its place in the studio environment providing seamless DAW integration,” said M-Audio Product Manager JC Sutherland. “The addition of the new onboard M-Audio Arsenal software makes for a powerful package onstage or in the studio.'
Trigger Finger Pro will be available Spring 2014, distributed worldwide with a $399 USD street.

M-Audio will unveil Trigger Finger Pro in Hall A, Booth 6700, at the 2014 NAMM Show, January 23-26 in Anaheim, California. For more information, visit: www.m-audio.com/wnamm2014"
"This is the Receptor PRO Jr., meaning it has the upgraded CPU and RAM but origanlly had 400 gb smaller hard drive and was upgraded to a 750 gb drive which was the largest in this series of units, so you have more than enough space.
It is mounted within a 2"foam re-inforced Anvil road with removable front and back case.
Also included are the following software programs (worth hundreds of dollars): Spectrasonics Atmosphere, Native Instruments B4II, Kompakt Nostalgia, Bosendorfer Ivory, MTron, and SampleTank 2. Look them up. You would pay over $800 in software to buy these package programs. I have never toured with this rig and it has limited hours on the machine. I used it in 2008 for a recording session. The strings/mellotrons on Rocco Deluca's "Mercy" album, recorded with Daniel Lanois were from this Muse Receptor.
Also incuded is a 17" Envision Monitor, a full sized typing keyboard and a mouse.
Other soft-synth programs that come inside this machine ( I am picking out the better ones... ) include: 4 Front Bass Module, 4 Front EPiano Module, 4 Front Piano Module, 4 Front Rhode Module, A Sine, Cheese Machine, Claw, ComboSister, CosmoGirl, Crystal, daAlfa2k, daHornet, Delay Lama, Drawbar, Drum Kid 4, DX10, E-Flex, EMM Knagalis, Enigmatron, ePiano, EVE, Express 3, Free Alpha, GTG 7, GTG Micro, JG-3, LogSynth, MPS.1, Mysteron, OnePingOnly, Pandemonium, PDPoly, Piano, PQNCooly, PQN Mopar, sf2, Synger
namm17 kazoosynth Published on Jan 24, 2017 sonicstate
Note the ACO rather than VCO. ACO stands for Audio Controlled Oscillator. Square and Sawtooth waves that play in unison with input frequency provided. Includes a VCA and VCF, all analog.
"Semi-modular, audio controlled analog synthesizer.
Using our proprietary chip the Audio Controlled Oscillator already grants you many benefits, but when you add PWM, VCF, expression pedal input and foot-switches this analog synth turns into a performance craze.
Published on Jan 14, 2014 RolandChannel·828 videos
"Featuring a huge selection of Roland's best sounds, a 16-track sequencer, seamless DAW integration, an easy-to-use sampler, and much more, the new FA series completely reimagines the music workstation for effortless real-time power, ultra-fast workflow, and maximum versatility."
Description via Roland:
"Roland’s new FA series completely reimagines the music workstation, streamlining it for effortless real-time power, ultra-fast workflow, and maximum versatility. Ready to support any type of music you play, the FA-06 and FA-08 come packed with a massive sound collection inherited from the flagship INTEGRA-7, a ton of studio-quality effects, and expressive real-time controls, plus onboard sampling with zero load time for instant audio playback from the 16 backlit pads. The sequencer features simple operation and non-stop loop recording, letting you capture songs and ideas as they come and export them as multitrack data to use with your DAW. Flowing seamlessly into every part of your creative world, the FA series morphs instantly from standalone use to become the command center of your computer music studio, with USB audio/MIDI interfacing, powerful real-time controllers, DAW transport controls, and much more.
Reimagined music workstation designed to maximize your creative flow
Light, mobile body with 61-note velocity-sensitive keyboard (FA-06) or 88-note Ivory Feel-G Keyboard (FA-08)
Over 2000 sounds from the flagship INTEGRA-7 sound module, including SuperNATURAL synth and acoustic tones and drums; add even more tones via internal wave sound expansion slots
SuperNATURAL synth engine is fully compatible with the expansive collection of free INTEGRA-7 synth tones available from Roland’s Axial sound library site
16-track sequencer with non-stop loop recording makes it easy to build songs quickly; export your sequencer tracks to an SDHC card as a complete stereo mix, or as multitrack audio or MIDI data for use in your DAW
Onboard sampler based on the SP-404SX features 16 pads x 4 banks and direct recording/playback via SDHC cards
Polish your sounds with a multitude of studio-quality effects, including 16 independent MFX engines, six COMP+EQ processors for drums, unique TFX (total effects), and global EQ, chorus, and reverb
Tweak tones, effects, and external MIDI devices in real time with six user-assignable Sound Modify knobs
Intuitive, streamlined interface with large color LCD
Press one button to instantly configure the FA-06/FA-08 for use with your DAW via USB
D-Beam, Rhythm Pattern, Arpeggiator, and Chord Memory functions to expand your creative palette
Guitar/Mic and Line input jacks for performing, sampling, and DAW audio recording; dedicated input reverb provides ambience for performing/recording
USB ports for sound expansion data, updates, and audio/MIDI interfacing with a computer; MIDI communication with the iPad is possible when using Apple’s iPad Camera Connection Kit
No Work, All Play
Music workstations play an important role for keyboardists in a wide range of creative activities, from live performance to song development to production in the studio. However, they can often be complicated and difficult to use to their full potential, bogging down the creative process and inhibiting the flow of ideas. In developing the FA series, Roland has completely reimagined the music workstation to provide musicians an inspiring platform that’s extremely powerful and versatile, yet simple and intuitive at the same time. With a streamlined interface and focused, practical features that maximize your creative flow, the FA series allows you to experience newfound freedom to deeply explore and develop your musical ideas with less effort than ever before.
Perform and Record with a Massive Selection of Roland’s Very Best Sounds
The true measure of any music workstation lies with the quality and diversity of its sounds. Filled with over 2000 tones directly inherited from the INTEGRA-7, Roland’s flagship pro sound module, the FA series truly delivers in this area and then some. All of the INTEGRA-7’s SuperNATURAL synth and XV-5080 PCM tones are onboard, plus an essential collection of ultra-expressive SuperNATURAL acoustic tones that includes pianos, organs, drums, bass, strings, and more. The sound engine in the FA-06/FA-08 is fully compatible with the large, growing collection of INTEGRA-7 synth tones available as free downloads from Roland’s Axial sound library site, and it’s also possible to expand the onboard sound set with FA-series wave sound expansion collections.
Capture Ideas and Create Songs Without Interruption
Simple yet powerful, the intuitive 16-track sequencer in the FA series has been designed to let you capture your inspiration as it happens—recording is always just a simple button press away, ensuring that you’ll never lose an idea. In a flash, you can build a full arrangement with the workstation’s huge array of sounds, and with continuous recording in loop mode, you’re able to fill up all 16 tracks without ever stopping! In addition to real-time capture, step recording is also possible, and you have complete control to edit and mix your tracks as you go and save your song to an SDHC card as a stereo audio file. It’s also possible to export your tracks as individual WAV audio files and/or MIDI data for further development in your DAW, making the FA-06/FA-08 a powerful sketchpad for capturing initial sparks that will form the basis for your full-scale computer music productions.
Seamless Hardware Integration with Your DAW
In addition to standalone use as a performance instrument and composing workstation, the FA-06/FA-08 transitions into your computer-based music production world with ease. A simple press of the dedicated DAW Control button instantly sets up the workstation to communicate with your computer via USB*, letting you use the keyboard and knobs to send MIDI data to your DAW for playing software synths, controlling plug-in effects, and more. The FA series also includes control maps for popular DAWs, providing a quick and easy setup to control transport functions and more in your specific software. You can even use the FA-06/FA-08 as a USB audio interface to record a variety of different sources directly into your DAW, including a mic, guitar, or stereo line level device connected to the rear-panel input jacks, and you can capture the workstation’s internal sounds and sampler playback as well. Sound output is also supported, allowing you to monitor the DAW output through the stereo output and headphones jacks on the FA-06/FA-08.
* USB communication requires installation of the FA-series USB driver on your computer.
Instant-Access Performance Sampler Onboard
Based on Roland’s mega-popular SP-404SX, the sampler in the FA series features fun, fast, hands-on operation and sampling/playback via convenient SDHC cards. You can play audio samples directly from the 16 pads on the panel, making it easy to expand your performances with loops, backing tracks, one-shots, vocal phrases, sound FX, and more. Thanks to SDHC flash memory, your samples load instantly with no wait time, and you can use the four pad banks and clipboard function to rearrange your samples as needed for any performance. It’s super-easy to sample the workstation’s own sounds or external sources via the Mic/Guitar and Line inputs, and you can even play WAV, AIFF, or MP3 samples that you’ve transferred from your computer. A variety of editing features allow you to tweak your samples to taste, including quick adjustment of playback position and level. In addition to sample triggering, the pads can be used for numerous functions such as muting parts, entering numeric values in the display, and more.
Enhance Your Sounds with a Wide Range of Simultaneous Effects
With its large selection of pro effects, the FA series provides numerous options for polishing your sounds and sequencer tracks to studio-level perfection. Independent MFX engines are available for all 16 parts of a Studio Set, giving you an enormous level of sound shaping for both live playing and song mixing. Each MFX engine contains 67 different effects types to choose from, with an additional option of a vocoder when MFX are used with Part 1. Six separate COMP+EQ processors are dedicated for individual drum sounds, while global EQ, chorus, and reverb are on tap to add a finishing touch to any of your parts as needed. With the unique TFX (total effects), you also have the ability to process the entire output of the workstation with dramatic effects such as DJ FX Looper, Isolator, and many others. All the effects can be tweaked in real time via the Sound Modify knobs, making it simple to enhance your keyboard playing, sampling, and sequencer tracks with dynamic sonic textures.
Fast Workflow and Intuitive Real-Time Control
You can feel the speed of this new breed of instrument the moment you hit the power switch—unlike many workstations that can take a minute or more to boot, the FA series is ready to play in seconds. The panel is logically organized into dedicated sections, and the large color LCD presents a gorgeous look with inviting hi-res graphics for selecting tones, working with the sequencer, and adjusting various settings. It’s easy to navigate through the workstation’s large sound selection by category and assign favorites for fast recall, while dedicated buttons deliver instant access to often-used functions such as transpose, octave range, and many others. With six knobs and a powerful yet easy-to-use assignment matrix, the Sound Modify section lets you control a wide range of parameters in real time for maximum expression while performing live and working in the studio."
"Roland popped down a couple of days ago to give us the skinny on a new product which was released today. Taking the legacy of the Fantom workstations and combining the pallette of the sonically stuffed Integra-7 sound module, and performance chops from the recent Junos and Jupiters,plus a large colour display, the FA06 and FA08 (88 weighted keys) are Roland's new take on the keyboard workstation.
With 128 voice polyphony, 16 part sequencer (each with dedicated FX plus a total FX), it's got enough voices to handle some complex productions.
The all new (ground up design) sequencer integrates with the on-board sampler to create a flexible workflow as far as we can see."
Roland FA-08 Workstation First Look - Keyboard Magazine
Published on Jan 15, 2014 keyboardmag1·330 videos
"Dave Bryce checks out Roland's first new workstation since the Fantom-G, the FA series."
"iConnectivity's PlayAUDIO1U is designed to support live performances at the professional level. It is a deeply-thought-out, bulletproof, fail-proof, and made-to-tour interface that provides pristine audio output as well as comprehensive MIDI connectivity to your whole stage. It’s perfect for control and playback of backing tracks, virtual instruments, or almost anything else you can think of that requires computers in a live environment."
Press Release follows:
Calgary, Alberta, September 12, 2023 – iConnectivity announced PlayAUDIO1U, a revolutionary audio and MIDI interface designed specifically for live musicians. PlayAUDIO1U builds on iConnectivity’s reputation for developing bullet-proof, fail-proof solutions for live music performance. Much like its direct predecessor PlayAUDIO12, PlayAUDIO1U integrates numerous redundancy fail-safes for control and playback of backing tracks, virtual instruments, and MIDI devices.
Imagine never having to worry about your computer playback failing, ever again. Imagine an interface where not just the big things, but even all of the little things that are important to your performance were thought of… Things like seamless failover protection of audio and MIDI, XLR outs you can just plug into without direct boxes, control ports that allow you to control all of your connected computers and other hardware, onboard power that works in any part of the world with standard IEC connection, and it all fits in a tiny 1U rack! Imagine no longer…
PlayAUDIO1U by iConnectivity is here!
PlayAUDIO1U allows every working musician access to an easy, seamless, simple & straightforward failover solution.
PlayAUDIO1U fuses iConnectivity’s vast engineering knowledge of the live arena, passion for performance, and decades of experience into one product. PlayAUDIO1U ensures working musicians never suffer the embarrassment of a silent show, ever again.
PlayAUDIO1U’s secret in part is integrating two computers connected directly to the interface, forming an incredible redundancy / failover protection system. Should your main computer fail, PlayAUDIO1U switches to the backup computer in a heartbeat; so fast that you and your audience won’t even notice. Backing tracks keep playing in time and your MIDI gear stays connected. It does this all in a package that is completely designed from the ground up made-to-tour.
PlayAUDIO1U also ships with iConnectivity’s new and improved Auracle 2.0. Auracle 2.0 is fast, flexible and intelligent, allowing performers to create a sophisticated live integration of all audio and MIDI connections, inputs and outputs; Auracle lets you do it in minutes, not hours. 'PlayAUDIO1U builds on everything we learned in creating and then supporting users of our PlayAUDIO12, an interface that quickly became the industry standard,” says Al Joelson, VP of Sales and Marketing. 'This interface is designed to be an even more ready-to-gig, comprehensive solution. It’s a crazy powerhouse of audio and MIDI capability for live performance.
Key Features:
12 Balanced panel reinforced XLR outputs Integrated +48v phantom power protection on outputs protects your interface from accidental damage when plugging directly into consoles or stage boxes 1x 1/4” TRS stereo headphone output with dedicated control for convenient headphone monitoring 2x USB C type ports for connecting computing devices Automatic and manual computer switching modes, for lightning-fast switching between connected computers 2x two-button “Control” footswitch selectable input/outputs can be mapped to MIDI functions, control over numerous functions on the interface and/or sending control messages to compatible devices Audio Protection helps stop unwanted noise from corrupt audio sources/files from making it into the audience USB MIDI host port, offering up to 8 ports worth of USB MIDI for Class Compliant controllers and/or modules DIN-MIDI port built-in (1 in 1 out) Ethernet MIDI with 22 ports of connectivity for rugged long-distance MIDI connections Auracle 2.0 software enables you to tailor the PlayAUDIO1U’s settings to your exact needs “MIDI learn” from external MIDI devices to control key functions on the interface High-resolution audio - Studio sound quality for the live arena - up to 24-bit/96kHz AD/DA conversion Comprehensive audio mixing and routing between connected USB computing devices and analog outputs Easy-to-use capacitive touch control and 2 rotary encoders provide software-less control over PlayAUDIO1U’s key features from the front panel OLED screen for instantaneous status information and precise control 100-240v switching power built-in with Industry-Standard IEC Power Connection 1U ready-to-tour rack-mountable chassis
PlayAUDIO1U™ US MSRP $1399.99 Estimated street price $1199.99, and will be available for pre-order immediately and shipping immediately from www.iConnectivity.com and iConnectivity resellers worldwide. Full product information can be found at iConnectivity.com/playaudio1u
Playlist: (you can use the player controls to skip around)
1. Synthfest UK 23: Sequential - Trigon 6 Desktop
At SynthFest UK 2023, we had the opportunity to chat with Chris from Sequential, a part of the Focusrite group. Chris introduced us to the Trigon 6 Desktop, the latest addition to Sequential's synthesizer lineup. This compact desktop version of the Trigon 6 packs a powerful punch, offering three oscillators and a distinctive Dave Smith ladder filter. Designed for those seeking a space-saving solution without compromising on sound quality, the Trigon 6 Desktop retains all the features of its larger sibling, including patch recall, a versatile effects section with various modulation possibilities, and the distinctive feedback control that allows you to sculpt sub-harmonic richness.
At Synthfest UK 2023, we caught up with Calc from Sequential, and he gave us the lowdown on the Prophet X. Now, you might be thinking, Prophet X? Haven't we seen that before? Well, you're right, but this hybrid instrument has been quietly making waves in the music world. It combines digital and analog elements, with digital oscillators and a unique twist in the form of multi-sample-based instruments. Yes, you heard that right, it's not just your run-of-the-mill synth; it's a full-on sampler too, boasting an impressive 50 gigabytes of memory for your custom samples. You can treat it like a rompler, a sample player, or even use those samples as oscillators, creating a whole new realm of sonic possibilities.
Plus, it's packed with stereo goodness, allowing you to explore a wide soundstage with ease. It's not your typical synth, and that's what makes its a favourute of Calc's
"G2500 is the virtual version of the classic ARP 2500 first created and released in 1970 by Alan R. Pearlman.
The G2500 is made from in-house developed proprietary and optimized virtual analog modules to reproduce the unique and fat analog sound of the original bringing it to your desktop. All the original control features from the ARP 2500 are there, and because you can now save your carefully programmed patches, the G2500 is even better than the real thing!
Features
Ten different virtual modules also found in the original:
1002 Power Control
1004-T Oscillator
1005 Modulator Amplifier
1006 Filter Amplifier
1016 Dual Noise / Random
1027 Ten-Position Sequencer
1033 Dual Envelope Generator
1036 Sample & Hold / Random Voltage
1047 Multimode Filter / Resonator
1050 Sequential Mixer
A new 1102 I/O Control virtual module not found in the original
A virtual version of the 3001 Keyboard also found in the original
Play notes using 16 keys on the computer keyboard and selecting octave with two additional keys
Audio input from any system sound input device selected in the Preferences
Audio output to any system sound output device selected in the Preferences
Playlist:
Introducing the Next Generation of MPC: X and Live
Standalone Challenge: Bryan Michael-Cox
MPC Lounge: Clip Launch
MPC Lounge: Audio Tracks
Standalone Challenge: Zaytoven
Sound on Sound Akai Pro — MPC X Overview & Demo
Sound on Sound Akai Pro — MPC Live Overview & Demo
"The next generation of MPC is here. Introducing the MPC X and MPC Live, brand new standalone Music Production Centers powered by MPC 2.0 software. Separate from the Pack. Standalone.
MPC X Features:
• Standalone MPC – no computer required
• 10.1” full-color multi-touch display
• Also acts as a control surface for MPC 2.0 software
• 16 Touch-capacitive Q-Link controls with OLED displays
• Turntable (RCA) inputs with ground peg
• 16GB of on-board storage (over 10GB of sound content included)
• User-expandable 2.5” SATA drive connector (SSD or HDD)
• 2 MIDI inputs, 4 MIDI Outputs
• 8 configurable CV/Gate outputs for the analog control of modular gear, such as classic synths
• 2 USB-A 3.0 slots for thumb drives or MIDI controllers
• Ableton Link and WiFi will be supported in future updates
MPC Live Features:
• Standalone MPC – no computer required
• 7-inch full-color multi-touch display
• Also acts as a control surface for MPC 2.0 software
• Internal, rechargeable lithium-ion battery
• Turntable (RCA) inputs with ground peg
• 16GB of on-board storage (over 10GB of sound content included)
• User-expandable 2.5” SATA drive connector (SSD or HDD)
• 2 pairs of MIDI inputs and outputs
• 2GB of RAM
• SD Card slot
• 2 USB-A 3.0 slots for thumb drives or MIDI controllers
• Ableton Link and WiFi will be supported in future updates
MPC 2.0 Software Features
• New graphical interface
• Audio track recording
• Real-time time-stretching and pitch-shifting
• Clip Program mode for clip launching workflow
• Reimagined mixer layout – resizable faders, an adaptive channel strip, a dedicated audio track
editing window, resizable waveform view
• Advanced signal routing capability - submixes, FX returns, multi-output plugin support
• More efficient and streamlined MPC workflow
• Audio and MIDI drag and drop
• Enhanced QLink Control"
And the press releases:
"AKAI® PROFESSIONAL REIGNS SUPREME WITH NEW MPC® XTM, THE ULTIMATE STANDALONE BEAT PRODUCTION EXPERIENCE
Standalone Music Production Center goes back to the future to deliver the most powerful beat production machine to date
Cumberland, RI USA (January 9, 2017) — Akai Professional, a leading manufacturer of music equipment for performers and producers, today announced the newest addition to the iconic MPC line, the MPC X. In creating the X, Akai Professional has taken the lessons from every MPC that preceded it to engineer a production centerpiece truly fit to be the flagship Music Production Center of the future.
The new MPC X is a standalone MPC featuring a beautiful, full-color 10.1” multi-touch screen and 16 amazingly responsive, velocity- and pressure-sensitive RGB pads. Rounding out the controls are dedicated menu buttons, a large master encoder knob and 16 touch-sensitive 360o assignable pots (Q- Links) with OLED displays, perfect for precisely automating individual parameters and delivering expressively nuanced recordings.
Powering the mighty X is MPC 2.0TM, Akai Professional’s new update to the MPC software. Capable of running natively on the MPC X in standalone mode, MPC 2.0 can also be run from a Mac or PC with the X tethered to a computer. Among the new features added to 2.0 are: audio track recording, an improved time warp algorithm, enhanced Q-Link control, drag and drop audio/MIDI – all appearing on a new graphical interface.
Features
• Also acts as a control surface for MPC 2.0 software
• 16 Touch-capacitive Q-Link controls with OLED displays
• Turntable (RCA) inputs with ground peg
• 16GB of on-board storage (over 10GB of sound content included)
• User-expandable 2.5” SATA drive connector (SSD or HDD)
• 2 full-size MIDI inputs, 4 full-size MIDI Outputs
• 8 configurable CV/Gate outputs for the analog control of modular gear, such as classic synths
“In creating the concept for the MPC X we wanted to preserve the classic MPC feel and workflow that people love,” said Dan Gill, Product Manager for Akai Professional. “But we turned the idea on its head and incorporated the best of what a modern touch-screen interface can offer. What we have now is the most powerful MPC production experience ever.”
MPC Live will ship with an MSRP of $2999/$2199 MAP and will be available Q1 2017."
"AKAI® PROFESSIONAL ELECTRIFIES BOTH STUDIO AND STAGE WITH GAME-CHANGING MPC® LIVETM
Standalone Music Production Center combines power and portability to deliver pound-for-pound the best MPC to date
Cumberland, RI USA (January 9, 2017) — Akai Professional, a leading manufacturer of music equipment for performers and producers, today announced the newest addition to the iconic MPC line, the MPC Live. Starting with the immersive production workflow and game-altering performance breakthroughs introduced by the MPC Touch, Akai Professional ratchets up the stakes with MPC Live by adding standalone functionality.
At the heart of the new MPC Live is a beautiful, full-color 7-inch multi-touch screen and 16 amazingly responsive, velocity- and pressure-sensitive RGB pads, and a large, clickable master encoder knob. Featuring 2GB of RAM and 16GB of on-board storage, Live is as powerful as any MPC that has preceded it. But weighing in at just 5.5 lbs., MPC Live is compact enough to easily transport from studio to stage. The portability is taken even further with this MPC’s ability to run battery-powered via the internal, rechargeable lithium-ion battery.
Powering Live is MPC 2.0TM, Akai Professional’s new update to the MPC software. Capable of running natively on MPC Live in standalone mode, MPC 2.0 can also be run from a Mac or PC with the Live tethered to a computer. Among the new features added to 2.0 are: audio track recording, an improved time warp algorithm, enhanced Q-Link control, drag and drop audio/MIDI – all appearing on a new graphical interface.
Features
• Also acts as a control surface for MPC 2.0 software
• Internal, rechargeable lithium-ion battery
• Turntable (RCA) inputs with ground peg
• 16GB of on-board storage (over 10GB of sound content included)
• User-expandable 2.5” SATA drive connector (SSD or HDD)
• 2 pairs of MIDI inputs and outputs
• 2GB of RAM
• SD Card slot
'The MPC Live is an absolute beast. It truly represents a huge step forward in the product category,” said Dan Gill, Product Manager for Akai Professional. “MPC Live is the most powerful MPC we’ve made to date and yet it’s portable enough to take anywhere.'
MPC Live will ship with an MSRP of $1999/$1199 MAP and will be available Q1 2017."
---
"AKAI® PROFESSIONAL DRIVES CREATIVITY TO NEW HEIGHTS WITH MPC® 2.0 MUSIC PRODUCTION SOFTWARE
Latest version of acclaimed composition software features audio track recording, clip launching, real- time audio warping, Audio and MIDI drag-and-drop, along with enhanced QLinkTM control.
Cumberland, RI USA (January 9, 2017) — Akai Professional, a leading manufacturer of music equipment for performers and producers, is showing their MPC 2.0 at Winter NAMM, the latest version of their acclaimed music production software. Compatible with Mac and PC, MPC 2.0 works either alone as your main DAW or integrates seamlessly with your current DAW as a VST or AU plug-in. It’s available with Akai Professional’s MPC X, MPC Live, MPC Touch and MPC Studio Black.
Reimagined GUI:
MPC Software 2.0’s redesigned GUI offers a vastly improved creative experience that enhances MPC’s revered workflow. Combining a reimagined mixer layout outfitted with resizable faders, an adaptive channel strip, a dedicated audio track editing window, resizable waveform view and much more, MPC Software 2.0 presents the ultimate platform for unrestricted creative versatility alongside must-have tools that deliver unprecedented surgical control.
Audio Tracks:
Capture, edit and mix up to 8 studio-grade resolution audio tracks in standalone mode (MPC X and MPC Live), or expand your track limit to an immense 128 tracks in controller mode. Furnished with critical audio recording functionality - including multi-track capture, selectable monitoring options (Off, On & Auto), monitoring via effects, Punch In/Out Recording and Record Start options – MPC Software 2.0 empowers producers, musicians and performers with core audio-capture and the convenience of full-featured standalone operation.
Edit, Mix, Create:
Used in conjunction with an Akai Professional MPC unit, performers and producers will find that MPC 2.0 will Edit, Mix and Create in a manner unmatched by any other production software. There is a comprehensive suite of audio editing tools: Pointer, Eraser, Audition, Scissors, Fade In, Fade Out, Reverse, Mute, Pitch Adjust and BPM Adjust. For mixing, users can automate any effect, instrument or mixer parameter. With its advanced signal routing capability—submixes, FX returns, multi-output plugin support (up to 16 stereo outputs) and more—there is virtually no limit to the versatility on tap for the artist.
Manipulate Tempo or Pitch:
With MPC Software 2.0, total-command of user’s audio is possible courtesy of a new real-time time- stretching and pitch shifting algorithm. Change the duration of any audio region, drum/keygroup sample or clip to match the tempo of your project with MPC Software’s real-time time-stretching or, use real- time high-quality pitch shifting to change the pitch of any audio region, drum/keygroup sample or clip for creative manipulation or to change the key of the source material. MPC 2.0 makes it easy to manipulate the time and pitch of any source material: a chopped vocal in an audio track, a drum loop in a clip program or an orchestral phrase loaded into a chromatic sampler program.
Perform:
For performers, MPC 2.0 brings their presentation to the next level. MPC Software’s XYFX and a Phrase Looper now combines with an all-new Clip Program mode powered by MPC’s real-time warping algorithm, providing users with an intuitive clip launch workflow and the ultimate platform for creative versatility. Features like Enhanced Q-Link functionality for precision control mapping of MPCs editable functions and selectable hardware outputs providing seamless assimilation into multiple usage scenarios make MPC 2.0 a powerful creative tool.
Versatility:
MPC 2.0 is versatile and adaptable as well. It supports WAV, MP3, AIFF, REX and SND, as well as supporting samples and sequences from any MPC ever made. There is full 64-bit support in all versions: standalone, VST, AAX and AU.
MPC Software v2.0
• Completely new graphical interface
• Audio track recording
• Real-time time-stretching and pitch-shifting
• Clip Program mode for clip launching workflow
• Reimagined mixer layout – resizable faders, an adaptive channel strip, a dedicated audio track
editing window, resizable waveform view and more
• Advanced signal routing capability - submixes, FX returns, multi-output plugin support (up to 16
stereo outputs) and more
• More efficient and streamlined MPC workflow
• Audio and MIDI drag and drop
• Enhanced QLink Control
“MPC 2.0 is the next generation of Akai Professional music production software, perfected by over a year of intense R & D,” said Dan Gill, Product Manager for Akai Professional. “This software suite really energizes the creative process for performers and producers alike, and is an indispensable part of our MPC’s amazing capability.”
MPC 2.0 is bundled with Akai Professional MPC hardware, and is available in Q1 2017. It will be available separately as an update for existing MPC customers at a later date, price TBD.
For more information, visit akaipro.com."
"An introduction to Bela. This video accompanies our Kickstarter campaign which will be on until April 1st 2016."
This one is in via MATRIXSYNTH reader Giulio who is on the Bela team.
"The most important unique feature of Bela is that it has extremely low latency of less than 1 millisecond from action to sound. This is much lower than can be achieved on any laptop or embedded computer on the market. Low latency is critically important for making intuitive and responsive musical instruments.
Other notable features include 16-bit analog inputs and outputs (8 each), onboard speaker amplifiers and a browser-based IDE (complete with oscilloscope). The project is open source hardware and software. This is basically the platform we've always wanted for building interactive audio systems, and we're excited to share it with a broader community of musicians, engineers and makers!
Bela is currently on Kickstarter where we greatly exceeded our initial goal, so much that we added new features to the board. Extended blog posts, tech specs, faqs and more examples at our website http://bela.io"
Update: I originally thought the CTRL-49 had the ability to load VSTs onboard, minus the computer, much like the MUSE Recepter, but it appears you still need the computer connected to run the VSTs.
"M-AUDIO ADDS REVOLUTIONARY VIP SOFTWARE TO ITS LEGENDARY KEYBOARDS IN GROUNDBREAKING NEW CTRL 49 CONTROLLER
Producers can now load, play and control all their virtual instrument plugins directly from the CTRL 49 keyboard, for seamless hands-on performance and perfect VI software integration.
Cumberland RI, USA (January 21, 2016)— M-Audio (m-audio.com), synonymous with innovative music production technology, today announced the introduction of their revolutionary, premier controller, the CTRL 49. The new keyboard provides advanced control of virtual instruments and DAWs via a full-color, high-resolution 4.3-inch screen. It features a 49-key semi-weighted keybed, and the directional cluster of hardware controls has been meticulously thought out for effortless operation. Producers will find the CTRL 49 to be an inspiring and intuitive experience.
The CTRL 49 is powered by the included Virtual Instrument Player (VIP) software. VIP software enables users to access any VSTi virtual instrument or effect in their computer directly from the keyboard. Users can quickly filter and search through every patch in their plugin library by using the built-in tagging function, making it simple to find the sound they’re after quickly. VIP auto-maps the CTRL 49’s controls to the selected plugin, and displays the plugin parameters directly on the full-color display for a natural, familiar 1:1 workstation-style experience.
VIP software in the CTRL 49 also creates a multi directly from the keyboard. Using a multi, producers can combine up to 8 patches from 1 or more plugins, and have the option to layer, mix and pan these patches all at once. Users can even set keyboard splits and transpose individual patches within their multi. This advanced design feature means users can save all the new sounds they’ve created and easily recall them at any point.
For optimum live performance use, VIP software also creates 'setlists' that deliver fast on-demand access to virtual instruments and effects. With the press of a single button, users can switch to the next plugin they want—without ever reaching for a computer.
CTRL 49 Features:
• Integrated 4.3-inch high-resolution full-color screen with dedicated interface buttons
• Screen provides 1:1 real-time feedback of plugin parameters
• Includes Virtual Instrument Player software--- load, play and control any VST or effect plugin quickly
• Mackie/HUI for DAW control
• 49-key M-Audio semi-weighted keybed
• 9 faders and 8 buttons with Mackie Control® and HUI® for seamless control of the DAW
• Performance-ready 360-degree encoders
• FX button for future VIP updates
• 4 banks of 8 velocity- and pressure-sensitive drum pads with RGB illumination
• Roll mode, time division, transport, arpeggiator, and tap tempo buttons
• Functions as a standalone MIDI controller or controls your plugins and DAW simultaneously
• Includes software: Ableton Live Lite, AIR Creative Collection FX (20 World Class FX AU/VST
plugins as made famous by Pro Tools®), Vacuum Pro, Loom, Hybrid 3, Xpand!2, Velvet, Transfuser, Eighty Eight Ensemble
'The CTRL 49 is a game-changer for serious producers,' said JC Sutherland, Product Manager for M- Audio. 'Now they can access their entire virtual instrument library right from their keyboard, without ever being distracted by a computer, which makes the creative/performance process smoother than ever before. Working together, the CTRL 49 and VIP unlock your VSTs and enable them to function like actual instruments. Once you get used to this, there’s no going back.'
The M-Audio CTRL 49 has a U.S. retail price of $499
It will be available in the 2nd Quarter of 2016.
Please visit us in Hall A, Booth #6700 at Winter NAMM."
"Most Eurorack modules output very hot audio signal levels that can easily overload the inputs of effects pedals or computer audio interfaces. The audio inputs in a Eurorack system also need to receive very hot signals. AA.1 amplifies and attenuates the signals to the appropriate levels, allowing you to combine your guitar gear and Eurorack modules in just about any way you can imagine. Check out the video to see four common use cases with musical examples and signal routing explanations."
via this auction [Re-posted. This one was a casualty of the recent Blogger outage.] "This auction is for the legendary Yamaha SW1000XG soundcard which has served me faithfully for many years. WHen it was launched it was regarded as something special compared to anything else in the price range. It not only allowed to mix and record with professional quality sound, it also can with a fantastic soft synth with XG works - This is the best digital synth I've ever used -
Here's something i recorded almost completely with the soft synth - dig the hammond sounds!!"
Catch Your XG
Uploaded by monkeywithoutthee on May 12, 2011
The original press release from the auction:
"YAMAHA SW1000XG AUDIO AND MIDI PRODUCTION CARD BREAKS NEW GROUND
-PCI Board Delivers a Complete Production Studio on a Card-
BUENA PARK, CA - Yamaha Corporation of America, Pro Audio and Combo Division, has announced the SW1000XG Digital Audio and MIDI production card with XG Works Music Software. When installed in the PCI slot of a computer running Windows 95, the SW1000XG provides a totally integrated music production studio including a professional-quality 64-note polyphonic synthesizer, 12 tracks of digital audio playback, four tracks of simultaneous audio recording and seven independent 24-bit effects processors.
XG Works, included with the SW1000XG, is a complete suite of music software applications integrated into a single package, featuring: sequencing, sound editing, notation, built-in style libraries of music data and full mix control over effects processing, digital audio and MIDI tracks. This revolutionary collection of features is the first of its kind to be available in a single, affordable, computer-based package.
"The SW1000XG delivers on the age-old dream of the 'studio in a box,'" states Athan Billias, marketing manager, Digital Musical Instruments (DMI) Department. "With the SW1000XG and XG Works software, Yamaha has put an end to the chaos and confusion normally associated with assembling a studio by integrating all the components needed for professional-level music production into a single affordable product." The SW1000XG is currently shipping.
The synthesis section of the card features 64 voices of polyphony which can be divided among 32 timbral parts. Yamaha's Advanced Wave Memory 2 technology provides a selection of 1,267 different voices derived from 20 Megabytes of sample ROM.
Also on-board is the same expansion connector found on Yamaha's MU100 tone generator. This port allows for the quick connection of optional expansion plug-in cards that offer new synthesis technologies. Cards currently available include the PL100-VL Virtual Acoustic board, which delivers the sounds and features of Yamaha's VL70m physical modeling synthesizer.
The optional PLG100-VH Vocal Harmony Board can create up to three-part harmonies from any input signal. Complete control over pitch, gender, pan, vibrato and other parameters is provided for each individual harmony part. This allows for the quick creation of rich, expressive, natural-sounding harmonies.
By selecting from the SW1000XG's Input Presets, a stereo analog connector on the card can be used to directly connect microphones, guitars or line-level signals. Once a signal enters the SW1000XG, a high-powered, custom Yamaha DSP chip is used to shape and sculpt the sound. This custom chip translates into seven internal effects "blocks," each of which can be assigned to perform one or more independent effects from the SW1000XG's massive selection.
Available effects include everything from standards such as reverb and chorus to amp simulators, rotary speaker emulation and 70 types of "variation" effects. This powerful processing architecture allows for the production of completely finished works using only the SW1000XG card, eliminating the need for costly external effects processors.
Although the SW1000XG is shipped with XGWorks, it is also fully supported by most major sequencing packages including Steinberg's Cubase VST, Emagic's Logic Audio, The Cakewalk Company's Cakewalk Pro Audio, and Sonic Foundry's SoundForge. For more information on the SW1000XG PCI Audio card, visit www.xgfactory.com, a Web site that is completely packed with useful information on SW1000XG, including product information, FAQs, compatibility issues, latest news and more. Or write Yamaha Corporation of America, Pro Audio & Combo Division, Digital Musical Instruments, P.O. Box 6600, Buena Park, CA 90622; telephone (714) 522-9011; or e-mail info@yamaha.com. Yamaha Corporation of America manufactures a complete line of musical instruments, professional audio products, customer-driven support products and computer-based products targeted to both the amateur and professional markets."
"Cakewalk® Now Shipping New Line of Portable Cable-Based Interface Products
Audio Interface
