Bhairav Sphere

video upload by Ebotronix

Moog DFAM,
Ferrofish B 4000+,
Waldorf Protein,
Doepfer R2m,
Mutable Instruments Midipal,Veils, Yarns, Peaks,
Ornament & Crime,Shades,
Hologram Electronics Microcosm Special Edition 2024,
Strymon Big Sky MX, in Dual Mono Mode controlled with
Midi CC by, 16n Faderbank, AtoVproject ,
Line6 DL 4 MK2,
Bode Frequency Shifter,
Lab4 Enjoy,
Bastl Bestie,
Bhairav Scale,
22.04.2026
video# 2631

Dreamy Moog Sessions | DFAM, Subharmonicon, Labyrinth

video upload by SΞQMØDΞ

"#moog #moogsoundstudio #dfam #subharmonicon #labyrinth

A late-night nostalgic session with the Moog trio. Warm, dusty textures and drifting melodies.
Hope you enjoy! 🤘🏻"

Moog Sound Studio - Mother-32 + DFAM + Subharmonicon Semi-Modular Synthesizer Bundle

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angine de poitrine - sarniezz (modular synth cover)

video upload by Jonathan MacKenzie

"angine de machine?

all sequenced from logic, lots and lots of pitch bend automation... midi cv mostly coming from expert sleepers fh-2, including one converter that's just velocity information for the hihats and one that's just a monophonic gate with no pitch (for the dfam). the configurability of the fh-2 is astounding

drums:
squid salmple with mostly linn samples, swapped in a 909 ride and 808 cowbell. gates from beatstep pro with aforementioned hihat velocity from the fh-2

bass:
mb2s all by itself (including midi conversion)

riff that mostly follows bass:
plaits (waveshaper algo) through tiptop forbidden planet though obne screen violence (disabled at first)

minor 2nd thing:
qu-bit surface in one of the e piano modes

riff 1:
qu-bit chord v2, a fair bit of malarky going on to get the right flavour of duophony. everything's kinda duplicated so at first it's just the first two oscillators then it gets doubled

riff 2 (first new riff in 4/4):
surface again, i switch it to monophonic during the stabs

riff 3:
qu-bit aurora running a dumb little oscillator firmware i wrote a few weeks ago (my first and so far only foray into writing dsp). ran it through after later stairs (stereo filter) with different lfos modulating left and right to move it around a bit. midi from beastep pro (this was the last voice i added and had used up all the outputs on the fh-2 and expander. still had the other sequencer on the bsp so i guess i could've added one more voice)

klek de machine:
dfam

--

the arrangement is slightly shorter, where everything's live rather than looped i can only add layers as long as i can add voices so i focused on what seemed like the more important ones. and while i spent a long time trying to figure out all the parts i'm still not quite sure what the bass (and guitar part that mostly doubles the bass) in the last section is doing. pretty sure i'm pretty close though.

--

#eurorack #modularsynth #microtonal #anginedepoitrine"

Lost Tides | Moog Subsequent 25, Moog Sound Studio (DFAM, Subharmonicon, Labyrinth)

video upload by SΞQMØDΞ

"#Jamuary2026 #Moog #MoogMusic #MoogSubsequent25 #MoogDFAM #MoogSubharmonicon #MoogLabyrinth #MoogSoundStudio

Late night jam! Hope you like it! 🤘🏻"

Moog DFAM Semi-Modular Analog Drum Synthesizer

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OKTAVISION - Discovering the Void

video upload by OktaVision

New video from supporting member OktaVision.

"Here's our new single Discovering the void, It's made with a DFAM and an Alpha Juno 2"

"Discovering the Void, a new track with a lyric video from Oktavision. In an era of immense activity but weakened meaning, the void should exist as a field of creation, not as a space that must be filled with stimuli."

Lyrics:

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Moog Subharmonicon + Make Noise Bruxa = MAGIC

video upload by Pipo Ferreira

"Plus some melodic piano from the Disting NT. Field recordings + FX all from the iPad. All sequenced by the Subharmonicon, except for percussions (DFAM).

Nice to be back after a long break. I hope you enjoy it!

#eurorack #ambientmusic #modularsynth"

Moog DFAM+Labyrinth 50 Combo Patches + Samples. Sound Demo

video upload by Anton Anru

"🥁 'Modular Impulse' is a collection of 50 combo patches for the semi-modular analog synthesizers Moog DFAM and Labyrinth.
The soundset focuses on rhythmic and dynamic sound design, as both synthesizers are naturally oriented toward punchy, percussive tones.
🧿 The collection includes basses, plucks, bleeps, drums, leads, and FXs.
There is a wide range of sound colors inside the pack: massive and gentle, aggressive and soft, bright and dull, melodic and inharmonic tones, as well as straight and polymetric patterns.

📦 The patches are available here: https://antonanru.sellfy.store/p/dfam...

🎛 The main idea behind the soundset is a high level of interconnection, rather than simply syncing the synths with independent timbres (individual patch collections for DFAM and Labyrinth are also available on my website).
In this patchbook, the timbres of the synths are tightly intertwined and cannot exist separately:

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SISTERS - Ambient session #29 // Mannequins Three Sisters, Arbhar, Panharmonium, Subharmonicon

video upload by David Falcon

"First sounds with the Mannequins Sisters, such an interesting little module. In its core is a triple filter (Hi, Low and Band Pass) but it works great as an spectral mixer. I am slowly modulating the frequency cutoff so that the different sounds come and go progressively. Very little resonance added, it can be very resonant!

// Patch Notes //
Voice 1- Arbhar recording of my voice and ambient sounds with the internal microphone. High input of Sisters.
Voice 2 - Maths Tom sound into Rings. Center of Sisters.
Voice 3 - Panharmonium with a Random sequence from Pams into the Low input of Sisters.
These 3 voices go into the Xaoc Praga mixer, with Mimeophon and FX Aid in the sends. I am modulating the volume and panof
Voice 2 from Øchd and Pams, and the panning of Arbhar from Pams too. The mix goes through Qubit Mojave for the occasional reversed granular bleep.
Voice 4 - Subharmonicon through Blooper as a delay and Mercury 7 as Reverb.
Voice 5 - Low kick from DFAM


Recorded in a single stereo mix and mastered in Ableton."

Rare Drum Electronic Synthesizer HOT ED-42 test

video upload by nagrzybydolasu

This appears to be the first post to feature the HOT ED-42.

"This is a little jam with very rare polish drum synthesizer HOT ED-42. Couple of takes (with Roland Tr6s and Moog Dfam)
Hot Ed has 4 mono trigger IN/OUT (gate or audio) + 2 mono audio IN channel.
All 4 channels sounds the same and has the same parameters (sensitive, decya, sweep, VCO, volume, panorama).
2 audio channels has Treble/Bass/Effect/Volume/Panorama
There is no NOISE knobs (for snare and hihats)
There is one AUX (for 2 audio channels).
4 mysterious knobs on front of the machine (i have no idea what they do)

** Polish**
bardzo rzadki perkusyjny syntezator HOT ED-42
Posiada 4 wejścia wyjścia Gate/Audio które wzbudzają VCO (nie brzmią perkusyjnie, bardziej basowo, melodyjnie - brak NOISE do snarów lub hihatów)
2 wejscią audio (audio może być z zewnątrz lub mogą wychodzić OUTami z ed42)
1 wejście AUX.
1 wyjście stereo(lub mono)
4 gałki na froncie, z przodu instrumentu - nie mam pojęcia co robią)

to chyba pierwszy filmik tego syntezatora na YT. Więc niech leci w świat.

zawsze możesz mnie wesprzeć :
https://patronite.pl/greenjesus"

Serendipity DFAM Thing DFAM Companion

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You can find a demo of one in this previous post.

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Ambient electronic Meditation 04 - winter sonata - #arturia #minifreak #moogsynthesizer #solina

video upload by RandomVoltage

"Instruments/ setup

Arturia Minifreak - pad sounds

Moog dfam - bass rhythm

Moog mother32 + Moog subharmonicon - brass lead Patched back and forth for filter modulation/ also used the mixer and lfo from Moog labyrinth

Moog spectravox - mainly using the lfo to modulate the solina vca/ noise rhythm to the end- triggered with Moog labyrinth

Behringer Solina- String Sound played with Arturia keystep (vca lfo modulation)

Arp2600 - self running percussion rhythm

Analogue Solutions Nyborg- noise fx

Effects

Eventide Blackhole, strymon bluesky and el capstain, Boss Space Echo

Recorded live with Zoom livetrak l6"

Serendipity L-Thing vs D-Thing+: Upgrades for Moog DFAM & Labyrinth

video upload by Noisegate and Sam Stosuur

"We patch both modules together, sync them via Mother-32, and explore how they interact with DFAM, Labyrinth, and Teenage Engineering Rhythm for a wild semi-modular jam.

The D-Thing+ transforms the Moog DFAM, adding reset, swing, step control, micro-timing, shuffle, reverse, random modes, and MIDI/CV clocking — turning a brilliant but limited sequencer into a powerful performance instrument.

The L-Thing is built to pair with Moog’s Labyrinth, providing dual clocks, polymeter and polyrhythm modes, Euclidean rhythm options, and generative sequencing that pushes Labyrinth far beyond its stock behavior — while still working with any CV-capable synth.

TIMESTAMPS

0:00 — Intro: Serendipity + what we’re testing
0:23 — Why DFAM needs this (no reset, studio workflow)
2:23 — D-Thing+ reset explained (DFAM’s biggest quirk)
2:52 — Step length control (1–8 steps)
3:43 — Multi menu: step loops beyond 8 steps
4:58 — Micro menu: per-step microtiming / swing feel
5:02 — Sequencer modes overview (normal, reverse, bounce, odd/even, shuffle)
6:34 — Random mode + MIDI/CV modes
8:35 — L-Thing intro + what it unlocks on Labyrinth
10:03 — Patching L-Thing to Labyrinth (clock + bit flip)
11:06 — Sync setup: D-Thing+ clocking L-Thing + reset in sync
11:34 — LFOs + using it with other Moog (Grandmother/Matriarch)
12:44 — Polymeter setup: beats/bar + length tricks
13:42 — Polyrhythm mode (firmware note + chaos)
14:59 — Fast performance tweaks / weirdness
17:56 — Wrap-up: who these are for + closing

👉 Check out Serendipity Synths for more: https://thewessens.net/Serendipity/ma..."

The D-Thing is a device that adds significant capabilities to the DFAM (or Edge) sequencer, such as:

MIDI integration — clocking and individual step play,
Reset — manual, via CV or via MIDI,
Variations in the step order — Forward, Reverse, Bounce, Odds & Evens, Shuffle, Random and Custom,
Changing the sequence length — 1 to 8 steps (up to 16 steps for a custom step order),
Step repeat — assign a play count of up to 8 times to any step,
Off-grid timing — swing beat as well as arbitrary shifts away from the beat.

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Moog Mother-32, DFAM, SubHarmonicon

video upload by Stellaterra

"An ambient composition using random-generated voltage settings, using Moog Mother-32, DFAM, and SubHarmonicon all synced together. Live recording, no overdubs or tweaking. Bigsky Reverb was used. Please see my Bandcamp page for all my music.
https://stellaterra.bandcamp.com/"

Moog DFAM Semi-Modular Analog Drum Synthesizer

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Moog Sound Studio 3 Mother-32 / DFAM / Subharmonicon w/ Original Box & Materials

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via this Reverb listing

Mother-32 SN 35763
DFAM SN 26738
Subharmonicon SN 14722
4-Channel Summing Mixer SN 4245

"This bundle of three of Moog's semi-modular synths, DFAM (Drummer From Another Mother), MOTHER32, SUBHARMONICON was specially packaged by the company as a great starter for beginners and professional musicians wanting to get into the modular synth world. This set is beautifully boxed, and shows the love that Moog puts into its products. I have used the synths, but never used or pinned up the posters, sticker or cut outs. They are all untouched. I did play with the patch exploration cards that helped me to learn modular patching to a better extent (Still a full deck).

Moog has discontinued this package, much to the disappointment of many Moog fans. You can still buy the modules separately, but without all the extras that make this set so much fun.

CONTENTS: Moog Sound Studio’s full bundle comes with a three tiered rack with a cable rack that can be attached to store patch cables, custom dust cover, audio mixer, patch book and cables. Other items in the package contain a synth exploration card game and custom artwork by Moog, a Moog screwdriver and Moog pouch for the cables, MIDI patch cable to patch to outboard midi keyboards. I'm adding extra patch cables that weren't in the original purchase" + "'skins' or layovers mimicking the original Moog Matriarch colors which I'm including in the package."

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MOOG MUSIC DFAM ANALOG SEMI-MODULAR DRUM SYNTH & SEQUENCER

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SAMHAIN /// Röntgen Mousse Pulsar23 DFAM

video upload by Somnambule




S̷̛̝͚̗̏̿̄̾͆̿͆̐̔̋̒̚͘Ã̴̛͕͍̆͒̑̈́͘͝M̷̛͈̫̫̺̌̇̍͊̈́͑̄̈́̈́̕Ḧ̵̺͈̲͔͎͋͂̋͑̓̏̚͝A̴̱͇̳̰̼̫͍̤̯̾̋̌̋̽̾̄̈͌͒ͅͅḮ̷̩̯͎͒̒̐̒́̈́̇̍̾̍͒̏̄̄̿͂̚͘N̶̪̟̿̑̍́̒̋̍̅̍̍̎̾̈́̋̓


– When the Veil Lifts…

On this night between the worlds,
the Earth calls us together.

Fire, wind, water, and heart
beat in the same rhythm —
a circle of sound, transformation, and connection.

Let us remember
that compassion is stronger than fear,
and every light we share
brightens the darkness.

My new jam for Samhain
A track for unity, change,
and the magic of togetherness.


Best sound with headphones!🎧

Generative Patches: DFAM+Mother-32+Subharmonicon. Jam Demo

video upload by Anton Anru

📚 DMS Generative is a collection of 25 patches for the semi-modular system Moog Sound Studio: DFAM + Mother-32 + Subharmonicon. This genre of sound design is highly popular within modular culture, and the Moog Sound Studio offers an excellent feature set to explore it.
🎛 Controlled chaos and randomness, probability, non-repetitiveness, tempo shifts, pattern uniqueness, the alternation of short and long sounds, unexpected changes, silence and density, harmonic and FX-like tones, and glitchy bursts throughout sequences — all of these elements are part of the soundset.
🎚 Generative timbres can serve as a strong addition to, or the main element of, ambient or techno tracks, jams, and performances. You can also record fragments into your DAW or sampler, slice them into one-shots or loops, and obtain unique material for further processing.

📦 Get these patches: https://antonanru.sellfy.store/p/moog...

🕹 The key idea behind the soundset is a high level of interconnection. In this patchbook, the timbres of the synths are intertwined — they cannot exist independently:
🔹 They modulate each other with LFOs and envelopes.
🔹 A sequence from one synth may change parameters on another.
🔹 Trigger interactions, clock/rhythm, and run/stop modulations break predictable patterns.
🔹 Audio signals from VCOs may be used as modulation sources to create harmonies, intervals, or wild experimental inharmonic tones.
🔹 Alternatively, they can be used as audio sources routed into another synth to be processed through its unique filter and envelope — giving the signal a “second life.”
DFAM, M32, and SUBH each play distinct and defined roles — it’s not a sound mess, but a tightly integrated system where the synths work in close cooperation.

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