"Here's the #seeed 'XIAO MIDI' #synthesizer, a $20 box based on the #SAM2695
synth-on-a-chip and the XIAO ESP32-C3 MCU. You can get it here:
https://www.seeedstudio.com/XIAO-MIDI...
Table of contents:
00:00 quick sound impression 00:12 hi 00:38
hardware overview 00:57 default firmware 01:50 creating a firmware
that actually supports MIDI (shoutout to @SimpleDIYElectroMusicProjects ) 03:12
build a 5 pin MIDI in plug 05:23 some sounds: piano 06:20 saw wave
pad 06:34 "crystal ep" 07:13 analog pad 07:27 'glass pad' 08:05
synth brass 08:23 drum kit 08:33 on NRPNs and SYSEX using
@intechstudio 's GRID controllers 09:13 NRPN explained (Filter cutoff
frequency control) 10:54 SYSEX explained (Reverb time control) 11:38
calculating the checksum 12:20 live tweaking demo 13:01 same, but
using multiple tracks 14:25 conclusion; some feedback to SEEED
Features 1: Zero-Barrier Creation, Perfect for Music Beginners
With three preset modes and plug-and-play functionality, you can dive straight into music creation—no complex setup required. Built-in speaker and four tactile buttons deliver an intuitive, self-contained experience that eliminates external dependencies. Start making music from the very first note, no prior expertise needed.
Features 2: All-in-One MIDI + Metronome – Smarter, Smoother Workflow
XIAO MIDI synthesizer comes with a pre-set Metronome Mode, where you can press the buttons to change your BPM and toggle the drum track to effortlessly sync rhythms and control your entire beats with one single device. No need for extra devices or apps.
Features 3: Pro-Grade Performance for Advanced Players
Open-source hardware/software architecture supports deep customization and advanced sound design. With 64-note polyphony and 128-note capacity, unlock limitless sonic possibilities—craft your own signature sound engine, whether you're a beginner or an audio hacker.
Features 4: Ultra-Portable & Fully Hackable
Pocket-sized design (71mm × 49mm × 28.5mm) lets you capture inspiration anytime, anywhere. The 3D printed enclosure is fully open-source for you to remix and customize—not just an instrument, but your personal music canvas.
It has come to my attention that Paul Schreiber has passed away.
Pictured: Paul Schreiber at the 2006 NAMM show. Top from this previous post (pic by fr1zz), and bottom from this post (pic by Synthtopia) - this is the first image of Paul on the site. There is one comment in that post: "He's a good guy." Indeed.
Readers of the site should be familiar with his work. He was the man behind MOTM and Synthesis Technology.
To say Paul was one of the greats to influence the synth community would be an understatement. He was pivital to the rebirth of modular synthesizers. He started when modular as we know it today was in its infancy, as one of a very small group of large format DIY modular manufacturers along with Blacet, Modcan, Cynthia, Wiard, Oakley, STG, Catgirl/CGS, Tellun/Lower West Side StudioYuSynth, Jurgen Haible, and of course DIY staples like Thomas Henry/ MFOS, Ray Wilson and PAiA (see this post for some modular formats back in 2007). I focused mainly on those offering DIY. There were other manufacturers including Synthesizers.com, Club of the Knobs, MOS-LAB, Moon Modular, MacBeth, CMS, and more. Feel free to mention others in the comments. This post is about Paul, but I think it's important to reflect on some of the large format modular manufactures he was amongst at the time.
Paul created the MOTM format of 5U modules in 1998. MOTM stood for Module of the Month offering monthly DIY kits. From Wikipedia: "MOTM was created by Paul Schreiber in 1998. The system was created in part due to the renewed interest in large-format analog modular systems that occurred in the late 1990s. Between 1998 and 2021, over 8000 modules were sold. The company, Synthesis Technology, also offered a limited number of modules in Eurorack[2] and Frac[3] format."
He was also helped design the Moog/Realistic MG-1. From Wikipedia: "In 1980, Moog Music was seeking to contract manufacture a mass-marketable synthesizer which could be sold via a large retailer. Moog representatives secured an appointment at the Radio Shack corporate offices for a 5-minute demonstration. Radio Shack approved the concept, and Paul Schreiber (then employed by Tandy Systems Development) worked together with Moog on the synthesizer's design to achieve Radio Shack's price requirements.[2][3]"
He later joined the eurorack scene with Synthesis Technology branded modules. FYI, his site for MOTM was always http://www.synthtech.com/, short for Synthesis Technology. The first post to mention Paul and MOTM was posted just under twenty years ago here on MATRIXSYNTH back on August 26, 2005. If you click through you will see it was a post announcing the MOTM/synthtech.com site was going down for the weekend. He announced he was retiring from the synthesizer business in August of 2023.
It's worth repeating, Paul Schreiber was one of the key figures that brought modular back to the masses. He was both respected and loved by the synth community. It's impossible to overstate his influence. He will be missed.
The following are the first the last video interviews with Paul to be featured on the site:
The SynthSummitShow Episode 2: Paul Schreiber (Synthesis Technology) and A.Dapt (music producer) ...
SysEx Dumpster - Episode 44 - a conversation with Paul Schreiber
video upload by Sysex Dumpster on Jul 30, 2023. Details previously posted here.
The first videos to feature Paul presenting a module was back on January 3, 2010, and the first interview on SoundCloud in 2013, and he was of course featured in the modular documentary film I Dream of Wires.
"Welcome to Bad Gear, the show about the world’s most-hated audio tools. If sound synthesis in general was a family, granular synthesis would be the basement-dwelling and terminally online distant music producer cousin who listens to the sounds of humpback whales and lives off a diet of - depending on the moon phase - stone age keto or vegan MREs.
Today we are going to talk about Liven Texture Lab. This 2023 Sonicware synth and sibling of the Sonicware Liven Ambient takes granular synthesizer out of its natural software synthesizer habitat, its UI is devoid of any proper visual cues to make the technique somewhat controllable for music production and comes with two goldfish brains of sample memory."
Chapters:
00:00 Intro tune
00:59 Overview Liven Texture Lab
01:46 Short Granular Synthesis Tutorial
03:12 LFOs, Envelopes
03:24 Resonant Filter
03:33 Reverb Effect ( Shimmer Reverb )
03:52 Lack of USB
04:08 Processing of External Audio, Freeze Effect
04:17 What else? ( Sequencer , Internal Speaker , Arpeggiator , Thanks!!!)
04:52 Hate Screen
05:18 Jam 1 ( Downtempo Weirdness )
06:07 Jam 2 ( More Downtempo Weirdness )
07:05 Finale ( 128 BPM Weirdness )
07:35 Verdict
06:46 Patreon Granular Shoutout
"Dive into the depths of gritty sound design with Grime Lab, a collection of 50 presets crafted for the Korg Wavestate. This soundset is dedicated to the raw, unpolished, and menacing side of music production, blending analog and digital grit, and infused with noise, detune, and distortion.
🦠 Inspired by industrial, darkwave, garage, techno, and breakbeat artists known for their heavy, dark atmospheres, Grime Lab delivers a palette of sounds that reject sweetness and embrace imperfection. Expect dirty, powerful, and noisy timbres that bring a bold edge to your productions. Perfect for any genre that demands weight, power, and a touch of sonic chaos.
💾 Each sound is designed to stand out, adding raw energy and dark atmosphere to your music. No clean tones—only noise, grit, and distortion for those who dare to push boundaries.
🧿 These performances are perfect for genres such as Techno, Industrial, Garage, Breakbeat, Cinematic, Experimental, Synthwave, Retrowave, Ambient, New Age, Electronica, Pop, and others. They also work well for movie soundtracks, games, apps, digital art, sound art live performances, and VR landscapes, providing the retro atmosphere that many projects require.
"Korg has announced with great fanfare the release of four new microKORG2 sound packs, featuring completely exclusive programming for this versatile and popular best-selling synthesizer…
[ESP] Korg anuncia a bombo y platillo el lanzamiento de cuatro paquetes de sonidos microKORG2, con programaciones totalmente exclusivas para este versátil y popular sintetizador superventas…
We are creating the Ambient Ø Beginner’s Guide series with the collaboration of Daniel Beck Rose, also known as @SonicCartography . This is the first video, titled 'Basic Operations & Playing Techniques', which compiles essential information for playing Ambient Ø without using the sequencer.
The second video, Sound Design, will explore deeper aspects of sound creation.
Daniel is one of the world's top experts in using Texture Lab, and his series of Tips & Tricks videos are incredibly helpful, so we highly recommend checking them out. [playlist below]
Ambient Ø Beginner's Guide : #1 Basic Operations & Playing Techniques
00:00: Introduction
00:31: Selecting Pattern Palettes
00:47: Four Layers Overview
01:46: Octave Settings
03:03: Secondary Functions with the func button
03:45: Filter Settings
06:34: Secondary Parameters with the shift button
07:20: Amp Envelope Settings
09:15: Level & Pan Settings
09:58: Send Amount to Reverb & Shimmer
11:40: Reverb Settings
14:15: Effects Settings
16:16: About Playing Techniques
16:52: Notes Hold Operations
18:19: Voice Mode Settings
19:01: Arpeggiator Settings
20:46: Various Techniques for the Arpeggiator
23:20: Demo without using the sequencer"
Sonicware Liven Texture Lab Tutorials by Sonic Cartography
"Introducing Synthx V, a masterpiece of analog sound design that captures multitimbral magnificence and dual-layer architecture of the fabled Elka Synthex in unprecedented detail. Elevated with advanced drag-and-drop modulation, effects and expressive keyboard controls - discover the ultimate tool for rich, symphonic analog sounds."
User videos:
Arturia Synthx V: A detailed demo/tutorial of an elusive synth reborn
"We present Synthx V, a new instrument from our friends at Arturia that recreates the sound and experience of the legendary and elusive Elka Synthex. The Synthex was a polyphonic analog synthesizer that had a few relatively unique features including pusle-width modulation and ring modulation and both oscillators. It had a particularly lush and vibrant sound.
We go over all the main features of the Synthx V as well as a few of the factory presets."
00:00 Introduction 00:28 History of the Elka Synthex 01:23 Overview of the Synthx V 02:03 Oscillators 09:46 Filter 14:12 Chorus 15:49 Unison Mode 17:11 Layers 19:46 Multi-Arp 25:35 Modulators 29:31 Effects 34:29 Factory Presets 40:18 Conclusion
Update: moving this post up once as new videos have been added. Bookmark this post for updates.
Use the player controls to skip around.
Playlist:
1.SynthfestUK 24: Knobula - Synth Modules and Toy Pianos
At SynthfestUK 2024, we met up again with Jason, who gaves us the updates in the world of Knobula. On display was the new 'dark mode' Poly Cinematic module, for more monochrome rigs ;-]
2. SynthFestUK 24: PWM - More Mantis News
At the show we made a beeline for the PWM stand, where Paul gave us the latest Mantis news.
And yes, it's out there in the world now!
3. SynthfestUK 24: Roland Unveils the Juno-D Series with Zen-Core Sound
We caught up with Andrew and Ludwig who showed us around the new updated Juno-D series: Juno-D6, D7, and D8. They have the same keyboard action as the Fantom-O series and a new colour screen, making it easier for performers to navigate on stage. And they can be powered by a USB-C mobile battery, perfect for buskers ;-)
Running Roland's Zen-Core sound engine, they also incorporates features like a 64-step sequencer and a phrase pad for live sample triggering.
Prices range approximately from £949 to £1199.
From patch 25, each patch name and sound file name has the PPG Transient name embedded in it; e.g. Sumu 34 T864 is using PPG Transient T864. I invite the audience to listen to both the PPG original sample and Sumu patch I created from it to assess the transformation (the objective is to create something new and different, not a 1:1 replica).
Starting from Patch Sumu 17 Clouds (and almost exclusively used till Patch 50), I’ve discovered an another way (compared to Default patch / most factory patches and user manual recommendations) to patch the Sumu Partials module. This opens up Sumu to ultra innovative sounds; you can use Sumu as a granular synthesizer with each grain harmonic having a different envelope / amplitude…
Sumu has become one of my all time favorite digital synthesizer along with Waldorf Iridium, Fred’s Lab Manatee and Korg modwave native.
I hope you’ll enjoy the sound bank as much as I enjoyed programming it."
Meet SY-4X
SY-4X is not only a perfect re-creation of the SY-1's inner circuit, but it also offers significantly more options. These include four units in one, trigger-controlled 'mode scanning,' CMOS circuit 'defect' control to enhance harmonics beyond the original, real-time VCF integrator cap offset for dynamic pole movement, fine-tuning envelope response to match your playing style, and additional features like Drum Kit and Keyboard Modes.
4 Times the fun
SY-4X provides four Syncussion SY-1 modules in one neat package, with some modules featuring additional modifications like noise direct injection or a Custom Mode A. The four modules allow for creating an 8-voice drum kit, four mono synths (coupled voices = 4 oscillators per module), or a four-voice poly synth (4 x 4 oscillators). You can also mix modes, such as three modules in Drum Kit mode and one in mono synth mode (keyboard controlled). In any play mode, you have full control over every voice parameter—sky's the limit!"
"TTSH Mini Meanie Arp 2600 Clone Analog Synthesizer
This is one of the very few examples of a Synth today being built as it was in the 1970s - authentic analog technology.
The TTSH Mini Meanie Arp 2600 clone was released in 2015 by The Human Comparator. The synth is designed to be built at home – although a lot of synth enthusiasts have them built by a Synth tech – which considering how complicated it is & how many soldering points there are – is probably safer. The original Arp 2600 came out in the early 1970s to compete with Moog – amongst others. Its goal was to take synthesis out of the lab & into the hands of the musicians.
The TTSH or Two Thousand Six Hundred Mini Meanie is a Modern version of the Original Arp 2600 at about 73% of the original size making it the "mini meanie".In terms of electronics the TTSH is pretty much identical to the early 70s grey faced model 2600P, which includes the built-in speakers (although these speakers are way better than the original speakers). Additionally it has awesome orange LED sliders as standard. (nerdaudio.com)This particular TTSH v3 was built by Margo in November 2023 at her workshop in North London. Extras include Midi Osc sync mod – sync osc 3 to either osc Dc removal mod Dc off set – gets massive thump open vca Envelope range mode. Adsr - otherwise the release has no sustain (as per the original 2600) – now the sustain goes up to triple time. Small mod on reverb amp – less hummy Clock mod allows you to pole sync – clock sample & hold This Mini Meanie cost £3000.
In this video – I explore the synth & show you some of the sounds it is capable of. Thanks for watching."
"Introducing MiniBrute V: a softsynth that not only recreates the distinctive analog grit of its hardware predecessor, but elevates it with modern flexibility, expanded polyphony and a built-in FX rack. Add the Brute spirit to your production."
"Join Lena as she takes us through a detailed exploration of MiniBrute V: a software emulation of the original MiniBrute hardware. Learn how to create rich and dynamic sounds with a no-nonsense interface and discover MiniBrute V's expanded FX options and polyphonic voicing - that go far beyond its monosynth DNA.
"We take a detailed look at the new MiniBrute V from Arturia. A recreation of their very own MiniBrute monophonic analog synthesizer. We go over all the features emulated from the original, as well as the addition features introduced for this software version. We also do a brief comparison with our MiniBrute 2 here at CatSynth HQ.
"Standalone Modern Analog Synthesis Laboratory Pittsburgh Modular Synthesizers’ long-anticipated successor to the Voltage Research Laboratory is filled to the brim with interesting new inventions, such as several new wave-shaping technologies, an addictive tactile performance controller, and more…"
The New, Experimental Synthesis of the Voltage Lab 2
"Dusting the cobwebs from my vintage 1950's lab coat - it was all the rage once honest.
Going into lab rat research mode and seeing where the maze takes me..
... and here's the results.
Just a little taster while I open the lab book to record apparatus, method, results, discussion and conclusion.
0:00 Bunsen Burner Big Beats 2:15 Plucking Pipettes (no pipettes were harmed) 3:06 Test Tube Techno (it's not techno) 5:59 She's Alive 7:44 Naked Flame 10:00 Medical Skeleton (its the Bare Bones)"
"Fascinating new modular system from Pittsburgh with a decidedly West Coast bent. Too soon for a review, but here's half an hour of playing with the rather remarkable sequencer, the timbre of the oscillators and other bits and pieces. I added some reverb via the Chroma Console but otherwise it's all the VL2."
The Sweet Spot: Voltage Lab 2 Semi-Modular Synthesizer
video upload by HAINBACH
"As anyone who has ever tried to assemble a modular synthesizer, it is not easy to create a cohesive instrument, especially if you try to narrow it down to a portable case. In comes The Voltage Lab 2 that Pittsburgh Modular send me to play with (thanks for that!) - it is a semi-modular self contained synthesizer, and to me it hits the sweet spot between functionality and musicality."
May 14th, 2024 - Pittsburgh, PA Pittsburgh Modular Synthesizers today announced Voltage Lab 2, a standalone dual oscillator analog synthesizer synthesis laboratory with a unique integrated touch-sensitive performance controller.
Roland FANTOM EX Synthesizer | Performance featuring LZARUS
video upload by RolandChannel
"FANTOM EX is the latest chapter of the FANTOM legacy. Watch producer and session keyboardist Laurence Jepson, aka LZARUS, perform with the most advanced creative synthesizer ever. Check out an array of FANTOM EX features in action, including German Grand V-Piano Expansion, JUPITER-8 ACB Expansion, live bass recording with JX-8P Model Expansion, TR-REC step sequencing, vocoder, n/zyme Model Expansion, and Shimmer Reverb.
About FANTOM EX
FANTOM EX provides a complete creative ecosystem for professional sound design, sequencing, and performance.
Explore the most advanced Roland sound engines—ACB, ZEN-Core, V-Piano, SuperNATURAL, Virtual ToneWheel, and other Roland technologies. Plus, SH-101, JUPITER-8, and JX-3P* ACB Model Expansions and six additional pre-loaded ZEN-Core Model Expansions, including n/zyme for advanced wave design, vintage-inspired instruments, premium pianos, essential organs, and more.
Integrate seamlessly with any computer-based setup with dedicated modes for Ableton Live, Logic Pro, MainStage, Cubase, and Studio One. Sample directly into the synth and trigger, loop, program, create new tones from partials, or use multi-track sampling to stack sources into complex sounds. Then, refine your sound with Master FX and preset templates.
Developed in collaboration with renowned synth designer Axel Hartmann, the FANTOM EX hardware and user interface is built to support your creativity with intuitive operation and world-class playability."
"Roland's latest iteration of the Fantom is now the Fantom EX which is essentially the same Fantom you could buy yesterday, but now with the EX software expansion.
David aka @superfrogsavestokyo has a look at the new EX features, but with the regular Fantom hardware. He builds some musical sketches to demonstrate the new ACB models and the n/zyme Wavetable synthesizer."
Roland press announcement follows:
The Acclaimed FANTOM Synthesizer Series, Supercharged with the Latest Roland Sound Technologies and Updated Creative Tools
Los Angeles, CA, April 25, 2024 — Roland announces FANTOM EX, a new flagship synthesizer series for professional musicians and producers. Updating and expanding the popular FANTOM platform with the latest Roland technologies, the next-generation FANTOM EX delivers a complete creative ecosystem for sound design, sequencing, and performance. In addition to the FANTOM 6 EX, FANTOM 7 EX, and FANTOM 8 EX models available to new purchasers, current FANTOM owners can expand their instruments with all EX sounds and features through the FANTOM EX Upgrade for sale on Roland Cloud.
Introduced in 2019, the Roland FANTOM has received worldwide acclaim for its diverse range of high-quality sounds, powerful synthesis tools, premium playability, and free-flowing user interface. FANTOM EX builds on the original’s foundation, supplementing the core feature set with Roland’s Analog Circuit Behavior (ACB) engine and numerous sound expansion titles, including the recently developed JX-3P ACB Expansion. New effects and a host of fresh workflow enhancements are also included.
Each FANTOM EX model provides the most expansive collection of premium sound engines available in a hardware instrument. Roland’s ACB, ZEN-Core, V-Piano, SuperNATURAL, and Virtual ToneWheel technologies spark inspiration at every turn, providing expressive and inspiring sounds for every musical style.
With FANTOM EX, users can compose and perform with over 7000 genre-defining Roland sounds and go further with premium sound content on Roland Cloud. Eleven sound expansion titles come as standard, including JUPITER-8, SH-101, and JX-3P ACB Expansions; n/zyme, JD-800, JUNO-106, JUPITER-8, JX-8P, and SH-101 Model Expansions; the German Concert V-Piano Expansion 01; and the SuperNATURAL Acoustic Piano 3 Expansion.
The powerful custom processors in FANTOM EX provide smooth and precise operation with plenty of overhead, enabling loads of polyphony and full patch remain for seamless transitions. There are dozens of simultaneous effects, including new studio-grade reverbs and updated Master FX for shaping the overall sound. A characterful analog filter is also available, perfect for infusing tones with extra warmth and grit.
FANTOM EX is primed to be the center of any production universe. Users can directly shape sounds and develop musical ideas with a friendly, ergonomic panel filled with buttons, knobs, and sliders. The color touchscreen dynamically changes to support the task at hand, and it’s now possible to personalize the look by importing custom images for the screensaver and startup view.
The deep onboard sampling and composition tools in FANTOM EX support fast sound creation and quick arrangement of song ideas. Multiple workflow options include the classic Roland TR-REC step sequencer, real-time recording with piano roll editing, and 16 RGB pads for triggering sounds, samples, and clips.
FANTOM EX flows effortlessly into any computer-based production setup. There are dedicated modes for popular software platforms, including Ableton Live, Logic Pro, MainStage, Cubase, and Studio One. With the built-in 16x3 audio/MIDI USB interface, users can mix and layer soft synths with hardware sounds, send sequencer parts to computer tracks, route DAW sources through FANTOM EX effects, and more.
The loaded FANTOM EX rear panel supports connections with a wide range of gear. There are XLR combo connectors for mics and instruments and eight 1/4-inch outputs to route sounds to external destinations. MIDI I/O is also available, along with dual CV/Gate outputs for driving modular and analog synths.
Each FANTOM EX model comes equipped with a premium keyboard and aftertouch support. The FANTOM 8 EX offers the ultimate weighted experience with 88 hammer-action keys, while the 61-note FANTOM 6 EX and 76-note FANTOM 7 EX feature semi-weighted synth action. Precision-crafted with decades of Roland development knowledge, these inspiring keyboards deliver the most expressive playability available.
Released in November 2023, the FANTOM EX Upgrade on Roland Cloud allows owners of the original FANTOM 6/7/8 models to outfit their instruments with the newly added EX features, including JUPITER-8, SH-101, and JX-3P ACB Expansions, n/zyme and JD-800 Model Expansions, two new grand pianos, and all other EX enhancements.
Availability & Pricing
The Roland FANTOM 6 EX, FANTOM 7 EX, and FANTOM 8 EX will be available in the U.S. in April for $3,199.99, $3,699.99, and $4,199.99 respectively."
Fascinating bit at 1:50. Paul McGowan actually created his own synthesizer, The Infinitizer. Curious if there are any images of it out there. He almost sold one to Wendy Carlos. It gets a mention in his book 99% True: Almost a National Bestseller which you can find on Amazon here (note this is an affiliate link - see the site's privacy policy for more info).
Update: I asked Paul if he had any pics of The Infinitizer. Unfortantely he didn't, and he no longer has any of the parts, but he did send over the following additional info:
"I don’t have any photos of the Infinitizer, unfortunately. I remember a very sad day back in 1995 or so when I was cleaning out my lab and had to own up to hauling it off to the dump (it was a mere skeleton of PCBs, a keyboard, and lots of wires and didn’t work)."
"The idea was to make 10 synthesizers into one unit that was easy to use. This meant it would be the world’s first polyphonic synth, since musicians only have 10 fingers.
I designed a complete analog chain of 10 modules (the usual: VC filters, oscillators, envelope generators, amplifiers, etc.). Then, I hired an engineer out of Vandenburg Air Force Base who was a whiz at this new thing called “digital”. He designed for me a multiplexed keyboard that constantly scanned all the keys looking for ones that were pressed. The keys were all internally numbered and when pressed, the multiplexer would find an available VC oscillator and assign that number to the oscillator. Because we know the number of the key, the appropriate voltage was sent to that oscillator and it produced the appropriate frequency for that key. In order to have the entire keyboard voltage move up and down (like if you wanted to bend the notes or modulate the frequency with a LF oscillator) the master voltage (that got divided by the individual keys assigned to it) could be accessed as one might normally do through the patch bay.
I also wanted to have the keys pressure sensitive so for that, I invented the use of conductive foam under each key (and that too could manipulate the master voltage to the oscillator banks) and could be assigned to modulate any of the other modifiers too. My patch bay was a switch matrix and pots kind of like ARP used to do.
It was a very cool device which I wrote about extensively in my memoirs, 99% True."
-------
As for the first non organ based poly synth, currently that honor likely goes to one of the following depending how you define it:
1975 - Buchla 502 - six voice polyphonic with minicomputer and ability to save patches to tape drive. Development on the 500 series began in 1969.
1975 - Oberheim FVS - four voice polyphonic with Polyphonic Synthesizer Programmer. Not sure if the 502 or FVS was released first.
1977 - Yamaha - CS50/CS60/CS80 - first single enclosure polyphonic keyboard synthesizers, with the CS80 to be the first synth with poly aftertouch
1978 - Sequential Circuits - microprocessor control the SCI prophet 10 (briefly) and the P-5 --- again based on existing E-mu tech stuff
"Daniel Rose demonstrates an electric guitar connected to LIVEN Texture Lab.
The Texture Lab is a Granular synthesizer and effector with a majestic Shimmer Reverb. https://sonicware.jp/pages/liven-text...
Check out his instruction video:"
How to Use the Sonicware Texture Lab as a Live Granular Effects Processor
Part 1: the non-granular side of the blend 1:35 - intro 1:57 - first synth sound and default effects mode sound 2:32 - notes on blend, reverb, and filter 5:56 - tip #1
Part 2: the granular side of the blend 6:44 - intro 7:51 - notes on playback direction (❗important❗)
"Check out this explosive music track spontaneously created by Anthony Marinelli and Dr. Mix while jamming on some of the monster synthesizers that live in the Rosen Sound Cabin. including: CS80, 73 Moog Modular, FVS, ARP 2600!!!!!"
"Today I get exclusive access to The Synth Cabin room at @RosenSound, L.A.'s leading sythesizer repair and customization lab. @anthonymarinellimusic and I join the legendary Rob Rosen for a in depth studio tour and a dense all-synthesizer jam session."
