Craig Padilla - JOURNEYS THROUGH SPACE - Live June 1990 FULL CONCERT SHASTA COLLEGE THEATRE

video upload by Craig Padilla

From below:

This music was created without the use of sequencers; all of the background music was recorded in real-time on reel-to-reel tapes. I used a Kawai K1 synthesizer, a Siel DK-80 synthesizer, and a Roland TR-505 drum machine. A Peavey AddVerb II was also used for effects. For this show, I was loaned a portable Casio Midi Controller, which I connected to the Kawaii synth to use for the song "Destiny's Flight."

"Please consider donating a much appreciated monetary tip to:
PayPal.me/CraigPadillaMusic

Notes from Craig Padilla:
This was my first public performance on June 8, 1990. It was at the Shasta College Theatre in Redding, CA, and it was my college final project for my Creative Sound Design class. Many people involved with the theater department helped out with this project.

I came from a theatrical background, and I had been used to facing the audience, which is why I performed while facing the audience during this show. My Uncle Joe saw this video and suggested that I should perform sideways so that the audience can see what I'm playing. Thanks to that advice, I've been performing that way ever since. This concert is the only time that I've performed while facing the audience.

This music was created without the use of sequencers; all of the background music was recorded in real-time on reel-to-reel tapes. I used a Kawaii K1 synthesizer, a Siel DK-80 synthesizer, and a Roland TR-505 drum machine. A Peavey AddVerb II was also used for effects. For this show, I was loaned a portable Casio Midi Controller, which I connected to the Kawaii synth to use for the song "Destiny's Flight."

Please be mindful of the visual quality of this video. It has been remastered from standard definition and upscaled to 1080p HD with audio remastered from a chrome stereo cassette tape. I am fortunate that it looks and sounds as good as it does.

The original broadcast video aired on Redding Community Access TV in 1990 and 1991. It was shot on VHS tapes from two camera angles and edited on a Super VHS tape. Unfortunately, the audio on the broadcast video was recorded from the main onboard camera microphone, which had a muddy sound. (At the time, I thought that it was better to use that audio than to have no publicity for my music.) 35 years later, thanks to current technology, the stereo audio from the master cassette tape has replaced the original audio track. It has been pitch-corrected to sync up with the video, which is something I never thought would be possible! The video was also enhanced to brighten some of the shots.

There is a small black bar on the second camera angle, and that was to cover up a graphic date that was imbedded in the video of that camera. I had decided that the black bar was less distracting than a graphic on the screen whenever I switched to that camera.

I am fortunate that I knew people who would loan me their cameras for this performance, and equally thankful to my friends who offered their time to operate the cameras!

Matt Denton, a long time friend from high school, was the main camera operator. I met Bryan Arnold while attending college. Bryan loaned me his Kawaii synthesizer for the music, and was the second cameraman who had to briefly step away to perform a song. T. Owen Smith designed the light show, and he suggested that I throw a flame out of my hand at the end of the last song. I had known Dwight Husted since high school, and he was the lighting operator who ran the light-show. My college friends, Jeff Yarnell, Karen Wodsack, and Dale Gipp, were the stage crew who also contributed the idea to use actors in body bags and dress as aliens for a song. And Dale Kilpatric helped me produce the show, and he performed with his amazing classical guitar for a song. (More people helped, and their names are listed in the end-credits of the video.)

Over 100 people attended the performance which was a benefit for the Shasta Summer Theatre Festival. I give many thanks to DJ Ron Dare for hugely promoting my music on his radio show, "KCHO's Music for A New Age" in 1989 and 1990 (and years beyond that). Also, thanks to Robert Soffian, the head of the theater department, for allowing me to not only act in his plays, but to also have me record many songs for the various theatrical productions during that time. And many thanks to everybody who helped to make this concert possible so many years ago.

Extra big thanks to everybody who supported my music then and continues to support it now.

Song list:
00:00 - KCHO DJ Ron Dare Announcement
02:30 - Shanda's Song
08:05 - Waltz of the Planets (dedicated to my friend Derrick Guderian)
14:15 - Spanish Journey (featuring Dale Kilpatric on guitar)
19:50 - Destiny's Flight (dedicated to my Grandmother)
30:43 - Path of the Falling Stars (featuring Bryan Arnold)
36:00 - UFO Theme
42:05 - Other Beings (featuring many theater friends)
47:45 - Journeys through Space

A 24-bit download of this performance will be available at www.CraigPadilla.com [https://craigpadilla.bandcamp.com] in November 2025."

Ruina Versio x BIA distortion performance on small NE case by POB

video upload by Noise Engineering and Patrick POB OBrien

"POB takes us on a distortion journey into ruin with this dark and cinematic performance with Noise Engineering modules. Patch inspired by my recent firmware video for Librae Legio. Librae is mostly a set-and-forget module for me, and I hardly ever use the CV inputs. I showed an example on the short video by throwing a gate signal into the Ceiling input, and the result was this pumping effect that occurs throughout the whole mix. Just left it activated. I'm really glad that CV input put the hook I needed.

Notes:
0:00 BIA into Ruina Versio
1:29 Introducing Debel Iteritas Alia with wide open attack, using Quantus Trajecta to create a more vocally shaped envelope in place of its own envelope.
2:13 Introducing Sinc Legio, pitched by Opp Ned's arepeggios, then distorting it through Roucha Legio.
3:07 Introducing Virt Iter Legio as the wobbly bassline using Mimetic Digitwolis' randomizing melody, being switched at times by Muta Jovis.
5:07 Switching the bypass on Roucha's filter while adjusting its frequency.
9:35 Using Desmodus Versio's built-in LFO to affect its reverb tail.
12:55 MOAR Distortion on the BIA using Ruina Versio, toggling in and out of gated Smoosh.
14:08 Using Desmodus Versio's Tone controls to filter the reverb tail.

Clocked by Horologic Solum. Mixed on Xer Dualis, then sent through Librae Legio with its Ceiling being CV-controlled by an LFO from Pons Asinorum.

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Superlative SB01 (Roland SH 101 Clone) w/ Original Box

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

This one was spotted and sent in via
M Me. "This is the Superlative SB01, a clone of Roland's SH101 80's mono synth. I backed this on Kickstarter many years ago, it has just arrived and I no longer have a need for it. it comes in original packaging, it's just the Synth, no cables as it does not come with any. Use any charging USB C cable to power/charge as it has a built in battery."

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Büromaschinen | What a single pattern can do | X.12 Firmware exploration

video upload by buromaschinen

"A bit late to the party.

Not a proper song, it's a single pattern first exploration to test the new sound design and manipulation possibilities of the Elektron Machinedrum unofficial Firmware ver. X.12.

It's unbelievably good.
I'm totally shocked/in awe and I think I will go MD X.12 only for a while.
It really feels like that Monomachine/Machinedrum hybrid I have been dreaming about for such a long time.

Next thing I want to do is a pure data midi2CC script that allows me to input notes and chords with a midi keyboard.

A special thank you goes to the developers, you really did an incredible job.
If I could make a little wish for a future addition: I would love to have tonal mode for the ROM machines as well, I have a huge sample library from the Amiga era that is waiting to be loaded in the UW :)

In this exploration I mainly used GND-PU and GND-SW for the melodies, all synthesis, no samples. The pulse bass/pad thing is sidechained with a NFX-CO machine and the main pads use a NFX-EV to achieve long attack/release and double stage filtering.

All the audio is coming from the main AB out, no additional audio outputs were used.

You can find my music on buromaschinen.bandcamp.com
Buromaschinen is part of the Distant Future association, distantfuture.org"

New England Digital Synclavier Brochures

Note: links to listings are affiliate links for which the site may be compensated.

New England Digital Synclavier 9600 Polyphonic Sampling System Brochure

via this eBay listing

"RARE! New England Digital Synclavier 9600 Polyphonic Sampling System Brochure

Yes, this is the 9600, and yes, this is in English.

This is THE RAREST and MOST SOUGHT AFTER of the 1989 new system brochures that that fake foreign website scanned the photos from 25+ years ago to show fake systems on the website (instead of real ones like Synclav com has shown for 20+ years). This is the original source of the scan, at least for the Synclavier 9600 model. Those photos show empty boxes. Uhm, what's holding that beige door closed (no locks)? And exactly what software generates that screen image?

This incredibly rare brochure gives all the information, and shows all the specs of the Synclavier 9600. And surprise! The maximum polyphonic sampling memory is not "1.5GB", lulz.

And, lastly, Synhouse has the Synclavier 9600 in stock (two kinds, actually). Nobody else does."

New England Digital Synclavier Brochure VPK Sample-to-Disk VT640

via this eBay listing

"This is an incredibly rare brochure from the summer of 1984 (when NED was working on polyphonic sampling Synclavier to be shown October 1984 and there was no actual system in production, the few shipped were hybrids of the Synclavier V/PK retrofitted to a Synclavier II Control Unit) that shows things that NED didn't exactly make, ever.

This was their first---and last---mention of "The Tapeless Studio" meaning the sequencer (later that meant the Direct-to-Disk system). It describes the SMPTE Reader Option without using that term because it wasn't yet available and they hadn't figured out how it would be done yet (similar to the 1987 discussion of the not-yet-released 3rd party SMPTE reader for the Linn 9000, saying they weren't sure whether or not it would require additional hardware to be added to the Linn 9000....that's the sound of someone who hasn't ever used SMPTE and doesn't know what it is), and it shows a graphical flow chart showing polyphonic sampling and multi-channel outputs (neither available then as building blocks), and is intentionally vague about the "floppy disk system" and "Winchester disks", as they didn't really have the set offering for that (high density Superfloppy, not out until 1985, and 5mb and 10mb IMI MFM Winchester drives being common, neither with SCSI until 9/1985).

It describes the Stereo Option, Sample-to-Disk, SCRIPT/MAX, and different Control Unit enclosures.

Most strangely, it shows a V/PK that never existed, with a back panel that wasn't made, with Synclavier II connectors that were never used and, sadly, an on/off power switch that they never put on this $11,000 machine.

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The Florian Schneider Collection to Be Auctioned at JULIEN*S November 19

Note: links to listings are affiliate links for which the site may be compensated.

via JULIEN*S

"THE FLORIAN SCHNEIDER COLLECTION

Auction to be held at Musician's Hall of Fame & Museum, Nashville, on November 19

An incredible collection of more than 450 artifacts from the life and career of Florian Schneider, co-founder of the pioneer electronic band Kraftwerk."

Pics and videos featuring some of the gear below, and his Lederhosen for good measure (thanks greg!).

Update: the post has been fully updated with all the synth related gear. This may just well be the longest post to be featured on the site. I wanted to capture all the pics for all of the details including notes, scuffs, and of course serial numbers. It's an interesting look into what he used, the condition he keped his gear, in some cases, how he actually used his gear. Note the phonetics on the keys of the Casio CZ-101 and DX-100. Note the Midi Switch Box with a built-in speaker? What's that about? Note the camouflage key strap on the Korg RK-100 Remote Keyboard. Did he pick it out himself or did the keytar just come with it? Note the repeat midi controllers and the MIDI saxaphones. Wind was his primary instrument. You'll find a ton of the acoustic gear he used in the other listings. This is a fascinating insight into both what and how he used his gear.

Side note: there is no affiliate compensation for this post. The note at the top automatically shows for all posts with the Auction label.


Rack Mount Sennheiser VSM-201 Vocoder

Starting Bid $5,000

Estimate $20,000 - $40,000 USD

A late 1970s Sennheiser VSM 201 Vocoder with no serial number from the personal studio and collection of Florian Schneider of Kraftwerk (see images). While it’s said that only a few dozen of these Vocoders were produced, a few examples made it into the hands of forward-thinking musical artists including Herbie Hancock, Daft Punk, and of course, Kraftwerk, who used a VSM-201 like this on their albums Man Machine (1978) and Computerworld (1981). The VSM-201 has an intelligible sound that has not yet been bested by modern gear. Includes power cable. This VSM-201 has been removed from its wooden enclosure (which bears the serial number plate) and modified with a metal rack mount casing, presumably for live use. Requires 240v, IEC power cable not included.

Dimensions: 19 x 9 x 9 inches

Category: Kraftwerk, Equipment

Provenance: PROVENANCE From the Estate of Florian Schneider

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Omnisphere 3: Overview, Review, Synth Architecture, and History

video upload by Keith Crosley

"Spectrasonics Omnisphere 3 is here, and I'm taking a deep dive into the architecture of the latest version of this legendary synth! Join me for a talky takly exploration of the sound, features, and origin of Omnisphere, and details on the newest capabilities that other synth-tubers ignore. If you're unsure if Omnisphere 3 is "worth it in 2025", I hope you'll learn something from my deep (or at least as deep as I can get in 90 minutes) dive! And, if you're an old hand at Omnisphere, I might remind you about some of the deep features that make Omnisphere a classic... So grab your rusty spoke and get ready for a POWER-SYNTH-A-GO-GO episode of your favorite talky synthesizer content show!"

You can find additional resources by Keith Crosley available at https://www.wavetables.lol.

This Synth Has Soul – Sequential Fourm Ambient Performance

video upload by Sineway

"I didn’t expect a dry, mono analog synth to sound alive. But the Sequential Fourm has something different - I'd go as far as saying it has a soul.

This performance is completely free-form: no tempo, no MIDI. I built a flute-like patch that reacts to touch in unpredictable, musical ways and just recorded it in one take. It's using polyphonic aftertouch, but there's something else going on that seems to come from the filter feedback and envelope.

Reverb and delay were added in Ableton to bring it all to life. I then recorded a couple of other layers in the same way, all from the Fourm.

❤️ Support my work and download the flute patch used in this jam by joining the Patreon community: / sineway

► Synth: Sequential Fourm
► Reverb and Delay: Ableton's Hybrid Reverb and Air Delay Pro
► Recorded live, no quantization, no midi
► Genre: Ambient? (Let me know if I'm off here - it's my first in this genre!)"

Brussels School Diaries, Day 6 : "Draco" | original electronic music jam

video upload by No Lake

"'The Universe is under no obligation to make sense to you'. (Neil deGrasse Tyson)

As far as I'm concerned, 2025 will have been marked by the rise of a musical movement that defines me, that suits me. A movement that I arbitrarily named Brussels School, in a very unmodest homage to the Berlin School movement.

For me, electronic music must above all be a piece that takes you on a journey, a piece with a soul that tells a story, not a technical sound demo or some random AI soup...

So, let me remind you how I define this movement. And again, I'm not claiming it's new or exceptional; it's simply the style of electronic music I like to produce and listen to. The album in early 2026 will simply be the conclusion of all my work in 2025.

'Brussels School' can be defined in this way: "haunting and captivating electronic music. A fusion between trance music and electro-ambient. Hypnotic vibrations that transport you. A paradoxically warm and cold magnetism, a refined sound that lulls the listener into a long, minimalist, repetitive and yet captivating and trippy rhythm"

Headphones 🎧 recommended

My Spotify : https://open.spotify.com/artist/3MAeb...
My Bandcamp : https://nolake.bandcamp.com/"

NEW Doepfer A-155-2 Mini Analog Sequencer & Friends - First Try of the 12HP #Eurorack Module

video upload by DreamsOfWires

"First play with the new Doepfer A-155-2 Mini Analog Sequencer, with A-111-5 Mini Synthesizer Voice, AJH Synth Tap Tempo VC-LFO and Chance Delay, along with a MiniMod voice for backing drone. The Mini Sequencer is a real 8-stage analogue step-sequencer, but with a few digital tricks up it's sleeve. For example, whilst it doesn't feature an internal clock or quantizer, it does allow you to save and recall step settings (except frequency), so you can switch between multiple behaviours simultaneously - very useful for live use. I've not tried this yet, but maybe in a follow-up video. Aside from that, there's step mute buttons, multiple play directions, 1-8 step pattern lengths, x2/x3/x4 ratcheting on each step, 1V/2V/4V CV range selector, and manual or CV reset. Not bad for 12hp. Here I'm using the Tap Tempo VC-LFO as the master clock, but also to produce random stepped voltages (like sample & hold) to modulate the Mini Synth's filter per step. This clock is then passed to the Chance Delay module, which restricts the probability of a gate or clock pulse passing through it, either manually controlled or by CV - more often this might be placed after the sequencer, so that steps (in this case notes) can be randomly skipped, whilst retaining the length of the sequence. However, I'm using it before the sequencer, so that all steps will be played in order (apart from when the sequencer is in random mode), but will do so across random steps - an effect I find quite satisfying sometimes. The rest of the patch is pretty self-explanatory if you have subtitles enabled. It was just an initial experiment really. More to come.

DISCLAIMER: This is NOT a paid video, I purchased the module myself, and no brand used in this video had any prior involvement or knowledge of me making it.

Find my music at https://tomorrowthecure.bandcamp.com"



The Doepfer A-155-2 is a Miniature Analog Sequencer module that packs huge creative potential in a compact package. Using the A-155-2 is simple, yet a deep set of functionalities make it perfect for all things from basic repeating patterns to unique ratcheting and evolving sequences. Eight step positions each feature a knob for setting CV value, as well as an illuminated button to manually set gates on each step. At the bottom of the panel, outputs for a single pair of CV and gate signals are available, as well as clock and reset inputs. Along with a simple three-position switch for CV range, the A-155-2 offers a streamlined way to create driving patterns in any patch.

Beyond simple and unidirectional patterns, the A-155-2 enables plenty of creative options for crafting unique and lively sequences. Using the programming switch in combination with the step buttons, you can easily set up ratcheting rhythms for multiple gates per step, perfect for extending a melodic idea with stuttering syncopations. Additionally, sequence length and direction can be adjusted, allowing you to create longer patterns, evoke odd-time signatures, and experiment with random step playback. Finally, an eight-slot preset system is onboard, giving you the capability to store and recall your patterns between sessions and shows. Whether implemented as the brain of a small system or ticking along in a grand chorus of clocked control, the Doepfer A-155-2 Mini Analog Sequencer is a small triumph of modulatory movement for any case.

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SEQUENTIAL CIRCUITS SCI MODEL 64 SEQUENCER Interface Cartridge für COMMODORE 64

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

This one was spotted and sent in via
M Me.

From the listing (Google translated):

"The case shows virtually no signs of wear.
As far as I can tell, nothing appears to be damaged.
This is an absolute rarity!

Please note - Unfortunately, I cannot technically test the device, as I don't own a Commodore 64.

For this reason, I must sell the SEQUENTIAL CIRCUITS Model 64 as 'untested' or 'unreviewed'! This sale is non-returnable!

There is some information about this device online - for example - https://www.muzines.co.uk/articles/sci-model-64-sequencer/7891"

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Quasimidi Gigacard 512 Styles für Roland E-35/E-36/E-56/E-70

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

This one was spotted and sent in via
M Me.

Rare Quasimidi Gigacard, 512 Styles for Roland E-35/E-36/E-56/E-70.

This is the first one to be featured on the site.

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Designing a Eurorack Module interface | Instruō - ceithir

video upload by Instruō

"Hello!
Welcome to a video I’ve been wanting to make for a long time.

Instruō actually began as a video project. Specifically a time-lapse of me designing the original troika module. Ten years later, I’ve returned to that idea with ceithir, a winter holiday project I designed with video documentation in mind.

This video explores the initial design stages: sketching, layout, and concept development. There are vlog sections and time-lapse sequences with new voiceover commentary.
If you’ve ever wondered how an Instruō module design begins, this video captures that process in full.

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Ambient performance on Arturia Minifreak and Linnstrument

video upload by Fedir Tkachov Music

"A friend and colleague surprised me today by bringing his Minifreak to me to play for a week or so. I tried different engines and patch ideas, and eventually this simple idea emerged - I have the hold button on, and the cycling envelope opens up the filter, forming this beautiful fake arpeggio-sequence. On the Linnstrument side of things I use one of my own patches for alpha-beta version of OB-XF by Surge Synth team."

Linnstrument + Bass Station 2

video upload by Fedir Tkachov Music

"The plan for today was to check up on my cello, but I got consumed by this."

Arturia Minifreak with Novation Bass Station 2 and Linnstrument

video upload by Fedir Tkachov Music

"At this point I'm only curious how the things would end. Pressure is mounting, the world is an interesting place right now. Check out my second album 'No Overthinking' on bandcamp, if you're into that kind of thing."

Mnemonic Devices Juniper quick demo / review

video upload by Meska (Meska)

"Here a quick demo review of juniper by mnemonic devices
this moduls have optional expendeur
Product page: https://mnemonicdevices.io/products/m...
RTFM : https://docs.mnemonicdevices.io/md001/

Thank you for watching.
My name is Meska of the statik collective . I've been making mostly 'dark and expérimental' music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with.

You can stream my albums and EPs at https://statikwave.bandcamp.com/

If you'd like to support the channel​ consider buying music from bandcamp ;)
Contact/booking: meskastatik@gmail.com"

Buchla & Tiptop Audio 200t Essential System

video upload by Stazma

"Today we are going to check out a selection of three modules from the 200t lines by Tiptop Audio & Buchla that to me are the three essential building block to form a small and portable system:
The 259t, 281t and 292t.

I'm going to explore different setup with these three modules, different ways to control & play them."

KORG UK Synth Vids

video uploads by KORG UK



"From legendary analogue synthesizers to genre-defining digital powerhouses, Korg has sat at the heart of synth innovation for generations."

This one comes up via a KORG newsletter I just recieved with a video for "a deep dive into the multi/poly with Luke from Korg." I was about to post it and then realized it was from 11 months ago. I checked to see if I posted it before and couldn't find it. I've been posting the US videos. So... Here's KORG UK's synth playlist in case you missed any like me. You can use the player controls to skip around. It's a fun and interesting look back in time. You'll find Korg's Tatsuya Takahashi, aka Tat's, showcasing the Volca series.

As always, check with dealers on the right for availability.

Playlist:

1. Discover Opsix mkII with Luke from Korg
2. Getting started with the Opsix mkII - your first five minutes
3. Opsix mkII - redefine your sound
4. Getting started with the Modwave mkII - your first five minutes
5. Discover Modwave mkII with Luke from Korg
6. Modwave mkII - a modern monster synth
7. Explore the Volca Modular - overview
8. Volca Modular - Modular meets Volca
9. Meet the NTS-1 Digital mkII - Build your sound
10. Get started with the Korg Minilogue XD - your first five minutes
11. Explore the Korg Minilogue XD - overview
12. Korg Minilogue XD performance - Analogue Evolved
13. Get started with the Korg Wavestate mkII - your first five minutes
14. Explore the Korg Wavestate mkII
15. Korg Wavestate mkII - Synthesize the Extraordinary
16. Discover the Korg Volca Beats - overview
17. Volca Bass overview - Analogue bass in the palm of your hand
18. Explore the Korg Volca Keys - overview
19. MS-20 Mini overview - all the power, 86% the size!
20. Opsix SE overview - six-in-one synthesis through altered FM
21. Korg Opsix SE - a digital synth like no other
22. Korg Wavestate SE - performance unleashed
23. Getting started with the ARP 2600 M - your first five minutes
24. Introducing the Korg Wavestate mkII 🎹
25. Introducing the Korg Wavestate SE - Organic, inspirational, and mind-blowingly powerful 🎹
26. miniKORG 700FS overview - go back to the future!
27. Getting started with miniKORG 700FS - your first five minutes
28. ARP 2600 M - overview of the icon 🎹 all of the sound, 60% the size
29. Korg Volca Keys overview with Tatsuya Takahashi
30. Korg Volca Beats overview with Tatsuya Takahashi
31. Korg Volca Bass overview with Tatsuya Takahashi
32. Introducing the Korg microKORG Crystal
33. You asked, we listened. The ARP 2600 FS is back in the UK & Ireland!
34. Introducing Korg Minilogue Bass

Mixing it up w/ Zeptocore, AudCalc & Dirtywave M8

video upload by Arman Bohn

"Chill generative beats...

Using the M8 to randomly sound off drone-ish sine waves with some of the new 'shimmer' reverb in the latest firmware.

Zeptocore is synced to M8 via MIDI clock and providing some chopped samples I fed it.

AudCal is running three different sounds that I'm triggering by hand. I created a pattern of notes on each of the sound/channels to help me differentiate which one was selected."

The Analog Eclipse | KORG minilogue xd | Dark to Rock One-Synth-Jam

video upload by Lo-fi Pask

"Even though I’ve got dozens of unfinished projects on my trusty Teenage Engineering OP-XY (some of them almost ready) I felt the need to break the cycle. I had the sense I was starting to repeat myself. So I turned to one of my favorite analog synths, the KORG minilogue xd, looking for a patch that could spark something new. And from that came this track… though I’m still not sure what exactly it is.

As usual, the atmosphere is dark, but halfway through it unexpectedly takes on a rock-inspired twist before returning to its original mood. I even tried reworking the idea on the OP-XY to make it more polished (and complex), but in the end I decided to record it raw—exactly as it came to me.

Hope you enjoy it. I plan to explore this same process on other synths as well. Let me know in the comments if this journey through analog synth sound design intrigues you.

Gears/Sounds Used:
KORG minilogue xd
Teenage Engineering TX-6 (used for recording )
'Dystopia Extended' soundset [ • KORG MINILOGUE XD: "Dystopia Extended" sou... ] [video below]

🎧 For the full experience headphones are highly recommended.

Into darkwave, synthwave, ambient vibes, and experimental grooves? Hit subscribe for more KORK Minilogue XD sessions, live jams, and sound design experiments."

KORG MINILOGUE XD: "Dystopia Extended" soundset - NO TALKING DEMO

video upload by ADL-MusicLab

"SYNTH SQUAD PRESENTS: 'DYSTOPIA EXTENDED', A COLLECTION OF 40 HANDCRAFTED AND HYPER-DETAILED PATCHES FOR YOUR KORG MINILOGUE XD PROVIDED IN STUNNING QUALITY.

'DYSTOPIA EXTENDED' is the sequel of our 'Dystopia' sound library, originally made for the Korg Prologue.

Now we have expanded the collection of sounds and made it compatible for the Korg Minilogue XD.

These brand-new sounds bring to life the truly hybrid nature of the Korg Minilogue XD, unlocking his full potential both in the analogue and in the digital/fx sections.

An amount of 40 brand-new sounds: 12 keys, 11 polysynths, 4 synth basses, 6 pads, 3 arps, 4 leads.

These sounds are perfect for ambient, futuristic, lo-fi, synthwave, retrowave, Sci-Fi, electronica, atmospheric, dark, cyberpunk and any cinematic genres, and many other styles too.

Take advantage of the launch promotion, only €15.00 instead of €30.00, available only for a limited time.

BUY HERE: https://payhip.com/b/kJxNi

There are not any dependencies on user oscillators or effects, everything is programmed with the factory features. In this video you listen to the sounds that you will get, without any external effect or processing. The sounds are played on the keyboard and using the mod joystick, without any knob tweaking.

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Instruõ - ceithir | Project Overview

video upload by

"Welcome to the instruōduction of the ceithir.
This is the largest module I have designed to date. Measuring in at 58HP!
It’s been a design project I’ve been tapping away at in the background since Christmas Eve 2024. (It was my holiday entertainment)

I’ve been keen for a while to do a design project reminiscent of my approach ~10 years ago when I was designing the troika.
That was the original Instruō module and came about entirely because I wanted more oscillators in my rack! I actively Timelapse recorded the troika design process and scored it using that original troika to be an extremely nerdy music video!
I did a similar video document project when I designed the tràigh filter later that year.
I did actually record the harmonàig PCB design as well… but that never made a cut because I ended up getting too busy focussing more on the module development side of things more so than the documenting.

For ceithir I have gone a little bit further… I ran timelapse recording for the majority of the process, but also “vlogged” the process and did my best to record key milestones stages.
Over the coming weeks I am going to be publishing these as focussed mini documentaries that focus in on particular design stages.
Some of these include:
• sketching the interface layout/hardware components and then designing the interface graphics
• hardware layout considerations
• troubleshooting initial prototypes
• first power up and then calibration/testing of the first full hardware iterations

As Instruō has grown over the years I have enjoyed collaborating with this team of designers. Sharing ideas and learning from each other is a big part of how we create. I hope some of this series might serve as some form of reference to anyone interested in module design. I feel like it’s becoming more and more common for bands/artists to produce some behind the scenes content surrounding writing and production of new albums. I’m hoping the format translates to some module design bts content. It is perhaps not a step by step tutorial, but I have tried to capture the process quite comprehensively.

This module is a ridiculous one! I don’t know what the current next step is beyond a handful of them existing for my own personal rack(s).
If there is interest, please let me know and I can see what’s possible. This thing is definitely not suited for large scale production! But I am very excited to see what people do with it.

Thanks for reading.
Please feel free to join us on Discord and say hi!
~ Jason"