909 sequencing Vintage Akai S1000 sampler + recycle - 90’s house music style - MikeSynth

video upload by Mikus Pilatus

"Watch me fumble one handed as I try to jam with the RE-909 sequencing the Akai S1000 over midi. Some samples I cut up in recycle (love you down)"

Erica Synths x Hexinverter Re-Issue Mutant Drums

video upload by Erica Synths

"Introducing four re-issues of classic Hexinverter drum modules – the Mutant Bass Drum, Mutant Snare, Mutant Clap and Mutant Hihats! These modules are perfect for anyone with a taste for classic TR808/909 sounds, but with a greatly expanded tonal range with voltage control over parameters and, of course, optional high distortion."

Timeline:

00:00 - Take 1 / Jam 1 with all Mutant drums, Hot Glue and BH DSP on the send
02:16 - Take 2 / Mutant Bassdrum sounds
03:11 - Take 3 / Jam 2 with all drums and Bassdrum sequenced with 1v/oct CV
04:55 - Take 4 / Mutant Snare sounds
06:55 - Take 5 / Jam 3 with Bassdrum and Snare processed with Nightverb
07:25 - Take 6 / Mutant Clap sounds
08:26 - Take 7 / Jam 4 with Mutant all drums, Hot Glue and BH DSP on the send
10:53 - Take 8 / Mutant Hihats sounds
11:45 - Take 9 / Jam 11 with all Mutant drums and Sample Drum

Check with dealers on the right for availability.

The SCREAMING Filter: How Herman Gillis Created the Sherman Filterbank

video upload by Anthony Marinelli Music

"Meet Herman Gillis, the inventor of the Sherman Filterbank, one of the most aggressive and unique filters in electronic music history! In this exclusive interview, Herman reveals how he employed Switched-Capacitor Filter (SCF) technology to create an analog powerhouse that shaped the sound of artists like The Orb, David Bowie, Human League, Ziggy Marley, and more...

What makes the Sherman Filterbank so special? Herman takes us through the evolution of his designs, from his teenage years building guitar pedals and drum machines to his legendary Filterbank 1, Quad Modular Filter, Filterbank Compact, and the latest 500 series module, the Rodec/Sherman Minirestyler.

I’ll be performing on a Minimoog and laying down grooves with a TR-909 drum machine throughout the video—bringing Herman’s filter madness to life with some face-melting musical examples! You won’t just hear us talk about this screaming filter—you’ll experience it in all its glorious, growling, and gut-punching sound!

If you’re into synths, sound design, and legendary instruments, this deep dive into one of the most extreme filters ever built is a must-watch!"

"Darth Vader 909" Black DinSync RE-909 (TR-909 Replica with v5!)

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"This is the Darth Vader 909. Addictive Instruments V5 mod featuring fully functional sequencer and mutes. PL cartridge mod with extended kick drum, clap verb and tunable hat. Snappy snare mod is accessible inside unit."

CLICK FOR MORE »

dc11 aka Lucas Marchal Guest on Transduction Signal hosted by Trovarsi & Orly Gal

video upload by Trovarsi (Trovarsi)

Music starts at 2:35. Din Sync RE-909, Elektron Octatrack, and eurorack system. OB-6 not used but interesting to see w/o the side panels.

https://linktr.ee/dc11

"dc11 Bio:
Parisian-based producer and live artist dc11 specializes in modular synthesis, crafting deep and organic techno with rich, looping textures.
Drawing inspiration from the hands-on manipulation of sound through toggling switches, as well as from artists like Mike Parker, Sandwell District, and Luke Slater, dc11 began his electronic music journey with the acquisition of a Teenage Engineering OP-1, where he first created ambient loops. Despite initially possessing limited knowledge of modular synthesis, his eagerness to explore has led to the development of a unique and atmospheric sound. dc11 is definitely an artist to watch!"

Machina Bristronica 2024

video uploads by sonicstate

Playlist:

1. Bristronica 24: MyVolts The Silent Alchemist Nears Shipping

We caught up with Caroline who gave us the latest update to the *Silent Alchemist*, a versatile power hub designed for musicians. Featuring five isolated USB-C outputs and a high-wattage sixth output capable of delivering 100 watts, the device can power a Mac with the remaining outputs providing 20 watts each. Its independent circuits ensure noise-free operation, catering to a variety of devices including the Dreadbox module and Sysmo slope generator.

The Silent Alchemist uses innovative step-up power tips to convert USB-C input to the correct voltage for various devices. There's also new feature: an uninterruptible power supply allowing seamless transition between wall and power bank sources. Also introduced were updated cables, such as silver candy cords and floating ring TRS to TS cables, expanding connection flexibility. The Silent Alchemist is expected to be available in December with a competitive pricing strategy.

More Info:
https://myvolts.com/

2. Bristronica 24: Circuit Happy ML2M Clock Sync module updates

At Bristronica 2024, we caught up with the creator of the *ML2M*, who introduced us to the latest version. The ML2M is a compact Eurorack module with Wi-Fi capabilities, allowing seamless synchronization with Ableton Live, Bitwig Studio, and iOS music apps using Ableton Link without the need for cables. It either connects to an existing network or creates its own, ensuring robust sync even in environments with unreliable Wi-Fi. The module, which retains its 2HP size, now features MIDI integration through TRS jacks. Users can access a web interface to configure each output for different clock divisions and reset triggers, making setup straightforward and flexible.

Alongside the ML2M, there's also the Missing Link Junior. This desktop version offers the same functionality but in a box format, complete with MIDI and CV clock outputs. Both products are now accessible, with a starting price of $250.

3. Bristronica 24: Archaea Exchange Patching Module

At Machina Bristronica 2024, we caught up with Arran from ‪@archaea_modular_synthesis‬ who presented the *Exchange Module*. This programmable patcher, a year in the making, evolved from its early prototype stage to a fully functional module. Arran explained how the Exchange can route synth voices via a beam controller and three exchange modules installed within the skiff, allowing for versatile patching. Operating like a matrix patchbay, it enables users to select inputs and outputs with the push of a button, create presets, and chain multiple modules for synchronized patching.

Communication between the modules occurs over the Eurorack power bus as well as over MIDI via the USB-C connection. The Exchange maintains analog integrity, ensuring there’s no conversion latency. The forthcoming release expected in late November 2024, includes a USB-driven editor for enhanced control capabilities.

CLICK FOR MORE »

Roland TR-909 Drum Machine w/ Original Styrofoam

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Rare, nearly pristine example of one of the most iconic drum machines ever made—perfect for collectors and serious musicians. While not technically brand new, it’s as close as you can get. The unit has no discoloration or significant wear, a rarity for TR-909s.

Included Accessories:

• Original styrofoam
• Manual
• Foot switch
• Power cable

(Note: The original box is not included.)

This is a rare opportunity to own a museum-worthy, legendary machine. Whether you’re looking to expand your collection or enhance your studio, this piece will make an incredible addition."

CLICK FOR MORE »

Roland TR-505 | Tight Drums & Synthpop - In depth tutorial

video upload by Espen Kraft

"The Roland TR-505 drum machine from 1986. Undervalued and underestimated. If you want to make a tight, slick drum pattern in 80s synthpop style, this has the perfect kick and snare for the job.

With a little bit of compression and EQ you will have a super tight and punchy back bone for the rest of your arrangement. The kick of the 505 is more suited to digital recording and streaming playback than the 707's kick or the Linndrum kick.

The TR-505 was released as an entry level drum machine and it was always overshadowed by the TR-707 popping up at around the same time, and the TR-909 released a little before, but people like Vince Clarke hailed the 505's kick as perfect for synthpop.

Since the TR-505 doesn't have individual outputs it's necessary to record the individual sounds and use them in the DAW for full control. In the 80s we did all of this in the sampler and used that's individual outputs routing the sounds to the mixer.

The rest of the instruments and sounds were not the focus of this video, but it's important to have some reference tracks against the drums.

On my Patreon page you can download all the individual drum sounds from the 505, from my personal recordings of it AND the kick and snare processed as you hear them in this video.

Find my music here:
Bandcamp: https://espenkraft.bandcamp.com/

00:00 Intro and history of the TR-505
00:38 Final sound and mix we're going for
02:13 Percussion and dotted delays
08:39 Hi-Hats and high pass filtering
09:52 Snare and compression
13:00 Snare EQ
14:35 Kick EQ
16:01 Toms
18:08 Crash
19:22 Getting the balance right
21:35 The TR-505 is underestimated / Final thoughts"

Live Dub Techno Workflow with Linked PLAYdifferently MODEL1 + 1.4 Mixers

video upload by Honeysmack

"In this video I link 2x PLAYdifferently mixers, the MODEL1 and MODEL1.4 for a 10 channel all hardware Dub Techno come Ambient improvisation. The first part of the video I walk through my workflow with this all hardware set up and how I perform in my studio. If you're familiar with how I make, you'll know that I consider my studio an "instrument', whereby I see each device within my studio is a module of my studio-instrument. Every device informs how I perform and compose "in the moment". There are no predetermined outcomes or painful rehearsal. In simple terms I choose several devices, ensure they are synchronised and away I go. Improvising through a process of construction and deconstruction layers of rhythms and sounds. Allowing happy accidents to inform the evolving performance. This jam was recorded in a single unedited improvised take.

The full live performance starts at 08:56. I've been a huge fan of the PLAYdifferently MODEL1 mixer for many years. It is at the heart of everything I do; performing live in front of an audience or in my studio. Recently I got the MODEL1.4 as it will be easier for taking out on the road... but then I thought it would also be highly useful in the studio when linked to the MODEL1.

Gear used in this video:
@playdifferently9439 MODEL1 and MODEL1.4 mixers.
@melbourneinstruments Nina, 12-voice poly synth providing the long ambient pads that transforms into a tinkle of melodic phrases.
Roland TR-909 is the solid rhythmic framework and anchor.
Roland TB-303 and TB-303 Devilfish adding the bubbling acid bass.
Roland TR-808 for some dirty outer-space electro drums running through a Korg Monotron Delay.
Elektron Octatrack is the master clock and resamples the small modular synth rack.
Elektron MachineDrum glitchy digital drum rhythms.
Elektron Syntakt provides a subtle layer of synth and drums.
Eventide Space and Time Factor - for reverb and dub delay echos.
Small modular synth rack, 62hp

00:00 Workflow walk through
08:56 Full Live Dub Techno Performance

📡 This channel is supported by my Patreon supporters who get a first look, join here: / honeysmack'

Quick tip: Roland M-64C compatible cartridges from Hakke

video upload by Espen Kraft

"If you're looking for Roland M-64C compatible cartridges for your old synth- or drum machine gear, but don't want to pay top dollar for vintage unreliable carts, OR over-expensive new ones, these might be interesting to you.

Check them out here:
https://taiwanrider.com/ocart/index.p...

A big thanks to Anders Jensen for the close-ups of some of his MKS modules."

"This M-64C Memory Cartridge is a great addition to your vintage musical instruments.

Compatible backup memory for these Roland products: Alpha Juno 2, GR-700, GR-77B, MKS-10, MKS-20, MKS-30, MKS-70, MKS-80, TR-707, TR-727, TR-909, JX-8P, JX-10.

It's a clone of the original Roland M-64C made from new components. Comes with a professionally 3D-printed casing and waterproof label.

The cartridge is made by me, designed and assembled by hand to order in Taiwan with all new PCB and components. It is perfect for those who are looking for a replacement or an additional memory cartridge. With this memory cartridge, you can ensure that you have enough storage space for your vintage instruments.

A version with switchable dual storage memory is available as well (M-64C-X2).

May be compatible with M-16C and M-32C Memory Cartridges as well."

CLICK FOR MORE »

L-1 Synthesizer plays 'Mysterious Galaxy'. Re-work.

video upload by Aleksei Laman

"L-1 Synthesizer plays 'Mysterious Galaxy'.

Recorded live 'as is' into stereo track. No additional processing.

This video I made mostly as a demo for L-1 Triple Discrete Midside/Stereo Equalizer/Resonator, L-1 Discrete Midside Microcopressor, L-1 Stereo Clipper.
This Combo: Midside Compressor - Midside EQ - Clipper, provides full control over dynamic, frequencies and loudness - separate for middle and sides. I used it at the master output of the whole mix, and at every instrument I played and sampled.
If I had more expirience in making tracks and better studio, I would record better.

I had only two cases, limited quantity of the modules and cables. So I preliminary sampled instruments. Only the bass synth and the Vocoder go live from the modules. Others - from samples.

Drums - 909 kit from Ableton.
Chord instruments - acoustic piano in the break, and background organ were sampled from Korg TR.
Other instruments were sampled from the modules.

Samples played from Ableton. Then mixed in the Stereo Mixer, then to the Midside Compressor, then to the Midside EQ, then to the Clipper, then to record in Soundforge.

L-1 Synthesizer website: http://L-1.su/

The man who wouldn't let Roland synths die: DINSYNC on the Why We Bleep podcast.

video upload by mylarmelodies

"Today we meet Paul Barker of DINSYNC - a man who made it possible to build a brand new and factory-accurate replica of the 303, 808, 909 and 101 - and talk acid house, those Roland classics, and much more besides. SUPPORT THE POD: https://www.patreon.com/mylarmelodies"

https://www.re-303.com/

http://signalsounds.com

5/29/24 (four cameras) Roland TR-909 Rhythm Composer & RE-301 + DBX 128 (x2) + Lexicon PCM 70

video upload by Cfpp0

"Some more video editing practice, this time with two full clips and two cutaways. The Roland TR-909 clap goes to the RE-301 tape echo. The kick is dry, the toms, hats, and snare get Lexicon PCM 70 (small room), and all of that gets crushed by two DBX 128 compressor expanders in series."

TR-909 Firmware Version 5 Demos

See this post for details.

Playlist:

1. TR-909 FIRMWARE VERSION 5 UPGRADE!!!

// The most wonderful thing that could have ever happened for Roland TR-909 owners and lovers has actually happened.

2. TR-909 FIRMWARE V.5 - Demonstration 1 - MIDI SYNC CORRECTION

// I’ve installed one of the first Revolution 909 firmware upgrades from Addictive Instruments into my own personal Roland TR-909 and I released a little enthusiastic clip about how delighted I am to have 33 year old serious problems resolved. This is the first of a few posts planned for today to show you why it’s so amazing to me.

3. TR-909 FIRMWARE VERSION 5 - Demonstration 2 - SWITCH BETWEEN PLAY AND WRITE MODE IN REAL TIME

// This is something that I’ve been thinking about since 1991 when I first got my own TR-909: The ability to switch between pattern play and pattern write without having to stop the sequencer.

WHY IS THIS IMPORTANT?
The TR-909 in pattern write mode allows us to do some clever things. We can change the length of the pattern using last step, and we can add and subtract notes and accents (internal and external) to develop our pattern. However, we can only do this in write mode.
So in order to do these things in performance we have to A ) stop, change modes, and start again B ) stay in write mode always (can’t change patterns in write mode) C ) program our drums from another device entirely D ) add all the chaos, and then use the level knobs to bring sounds in and out (the way maestro Jeff Mills makes magic!) or E ) make a ton of patterns ahead of time and switch between them as our performance.
We can do mutes on a mixer, use a midi controller. There are options, but when I’m playing live it’s just me. I have stuff happening. It’s a lot to navigate and keep track of. Changing mixer settings, dealing with midi controllers, or even flipping through preset patterns can be distracting and a bummer. Adding the ability to just get into write mode and change the length for a fill, or a sidetrack, or a totally new in the moment idea is fantastic!

4. TR-909 FIRMWARE VERSION 5- Demonstration 3 - MUTES

// This is something which I didn’t anticipate being so amazing. I use mutes on the mixer as a fundamental part of how I perform live, but I don’t tend to reach for instrument mute functions on the actual devices. This is not a personal bias, but rather a point of clarity. I’m doing like 25 things at once in any given performance (and singing) so it’s pretty easy to forget what I’ve muted or un muted unless it’s in central place (like on the mixer), but after all I just explored in demonstration clip 2 about ways to add and subtract sounds live, mutes are a marvelous and really powerful addition to this list of ways to address patten complexity in a live performance.

5. TR-909 FIRMWARE VERSION 5 - Demonstration 4 - INSTANT PATTERN CHANGES

// Ok, this is really simple, but it’s so super extra totally bad ass.

Fig.1 INSTANT PATTERN CHANGES
The thing about the TR-909 is that it doesn’t instantly change patterns. You have to wait for the end, and then it starts the next selected pattern. To get around this you can do some stuff:
• make some really complicated patterns
• make one big complex pattern and then use the mixer to bring things in and out (fun!)
But this is fantastic! Just hold down shift and start instantly jumping between patterns. Add a crash from a crashy pattern, start a fill, and switch to just a kick drum, mix and match patterns and really get something heavy going - THEN get involved with the mixer, and it’s a gorgeous avalanche of TR-909 awesome!

In my example here I’m just showing you that it’s possible now. The rest is up to you.

Addictive Instruments have released firmware version 5 for the Roland TR-909 and the RE-909. It’s a real upgrade which requires soldering and while it isn’t easily reversible, the upgrade also includes firmware v1 and v4 so you can revert by choosing another firmware and booting it that way (no one would ever know).

Find out more at revolution909.fr
This first batch is limited to 100 so if you’re as happy about this as I am, hurry up!
That said, I believe in these guys and totally hope that this all goes well, and this will continue to be available (and more!) until all the TR/RE-909’s have one inside.

This was demo 4, one more and I’ll leave the rest to you.

6. TR-909 FIRMWARE VERSION 5 - Demonstration 5 - EXTERNAL INSTRUMENT

// I’ve been using the EXT INST function of the Roland TR-909 since the day I got it. I love triggering samples, basslines, and other drum machines from the stately TR-909’s main panel. The hassle has always been that the notes it generates can’t be changed. So you get an octave or so of fixed notes and that’s all. I’ve spent a lot of time messing with samplers and getting the sounds I want to trigger from the notes I have to offer, and while it’s fun, and useful, it can be a drag. Fact is, a lot of people never even explored it.

Fig.1 CENTRAL CONTROL WITH TR-727
The TR-727 doesn’t allow us to control its midi notes either, but the Addictive Instruments firmware v.5 update has presets and it has a user mode (fig.2). So we can play any note we want on any channel we want at any velocity we want now.
My 727 is upgraded with Harry Axten‘s perfect sound rom upgrade, and this is my own custom rom, and here it is being beautifully programmed by my beloved TR-909!

Fig.3 BASSLINE
This is an example of using the user template to create a chromatic keyboard and programming a bassline which is saved with my drums, and subject to all the new and original functions of the 909.
So much fun!

Clearly I was already in love with my TR-909, but I’ve fallen all over again here.

The external instrument mode is expanded, and it much more powerful now, it’s also nicely documented (at last) in the manual. It is more complicated than plug it in and go if you want to make the most of it, and it’s worth it. This is something wonderful.

SUPERBOOTH 2024: Din Sync - X0X Instruments

video upload by sonicstate

"At Superbooth 2024, Sonic State caught up with Paul from Din Sync to check out the latest products on display. Paul showcased the RE-808, RE-303, and RE-909, along with the upcoming RE-101 which will be available for purchase in about six weeks. In addition to this, they have been working on a bender part for their products and also introduced a facelift for the Gillian synthesizer, featuring improved features and a refreshed aesthetic.

Apart from these updates, Din Sync is also working on a new prototype, the JP1, which wasn't ready for display at the show. This new prototype will feature full-size faders and big switches, enhancing the user experience. Although not fully revealed yet, the JP1 is set to include two oscillators, two envelopes, and innovative routing options that have already garnered interest from the community. For more information on Dynsync's products, make sure to check out their website for updates and announcements."

Révolution 909 Upgrade for the Roland TR-909

This one is in via Michael Geyre.

Details via Addictive Instruments:

"Memory and display upgrade including the new firmware version you've been waiting 40 years for!

Like you, we worship this machine and we have put all our passion and know-how into this project." Principle:
The Revolution 909 upgrade consists of two hardware modules which replace some integrated circuits on the 909’s Switch Board.
The first is a hardware memory expansion module including a new version 5 of the software.
The second is a small hardware enhancement to the 7-segment LED driver to display alphanumeric characters.
The new v5 firmware not only contains fixes and optimizations of the original versions 1 and 4, but new features have also been added!
The functionality and timing of the original sequencer has been preserved.
The spirit and philosophy of the machine has been respected. Remember, we always run on the same CPU!
Legacy versions 1 and 4 are also present in ROM and can be selected by a simple key combination.
This upgrade is fully compatible with the TR-909, the RE-909 and the SR-909.
The installation is totally non-destructive, no holes to drill, no traces to cut.
v5 main features:
Fixed Sync bugs.
32 Internal Banks.
Optimised and more instinctive workflow.
Mute function.
Full External Instruments Mapping.
Firmware Update via MIDI.
etc...
Select the v5 Firmware tab for more details about the new features.
The Owner Manual is available on the Downloads tab.

Kit contents:
Memory Board(PCBA) .
Digit Board(PCBA).
40 pin-strip headers(For Memory).
16 DIP lead-frames(For Digit).
1 diode.
1 resistor.
Some 30AWG wire.
Some shrinkable sleeve.
The new labels for front panel(non permanent sticker).

Powerful but Simple Eurorack Multichannel Sample Player // Samples 2 by SoundForce

video upload by DivKid

Video timeline below.

"Wow what an impressively powerful yet somehow simple use of 4HP! The new Samples 2 from SoundForce is a multichannel sample player with loads of features offering lots of musical approaches to working with samples, mono or stereo use, on board mixing, simple sample and settings file set up and more than I'm going to write out here. Watch the video, I hope you're as impressed with it as I am."

CLICK FOR MORE »

MAM ADX-1 // DRUM SYNTHESIZER with 5 VOICES // Internal Modulation

video upload by LESINDES

"I was asked about how fast the
internal random LFO is. Hard tell.
So I decided to make a demo on
the capacities of the internam
modulation of MAM ADX-1.

A technically 100% identical re-issue
is MODE MACHINES ADX-1.

Sorry for the dirty left thumb:
I had to fix my bike today. So bike
is fixed but grease is very persistent ;-)

MAM ADX-1 is a very handy 5 voice Analog Drum Expander with single and stereo outs. Affordable back in the day but quite rare right now with a corrisponding higher price.
It features the classic analog drum sounds like ROLAND TR-808, 909, KORG Mini Pops etc. Here it was triggered with LOGIC PRO via MIDI.

MAM or MUSIC AND MORE discontinued it. Their latest product was a 303 sound expander called MB-33 launched in 2015. There was a second edition of this dummer by MODE MACHINES in black an silver at about the same time."

Din Sync RE-909 ( + upgrades)

Note: Auction links are affiliate links for which the site may be compensated.
video upload by ikomlino

"RE 909 (Exact replica of TR 909) recorded directly from stereo out to mixing console. No processing (just limiter in daw to be sure no clips...), mixing or any kind of audio intervention."

via this auction

Note auction links are affiliate links. See the site's privacy policy for more info.

"Dyn Sync RE-909. Professionally built replica of Roland's rhythm machine TR-909.

Each board is interchangeable with the original boards. Rare parts (original transistors and chips from the 1980s + original BA662F VCA...).

The power supply is a transformer (in production about a hundred EUR more expensive than SAFE PSU),

220V/50 Hz.

Cosmetically refined to be even closer to the original (burgundy plexi on display, real rubber legs as in the original.

Diffused small switches, additionally ordered pot guides to make the potentiometers more tightly fixed...). Attached video demonstrates exact unit."

CLICK FOR MORE »

PlayFader PlayMates - Oberheim OB-X8 via MIDI 🔥

video upload by Play All Day

"What’s going on here then? MIDI baby, yeah!
The cv outs are connected but they’re not in the mix. This is just MIDI - 909 sending MIDI transport into PlayFader and the @Oberheim OB-X8 being sequenced by PlayFader. Channel A controls filter cutoff while Channel B sequences, all via MIDI (PlayFader features a 3.5mm Type A connection).

MIDI is here!!! Along with other new features like buffer contents visualisation, channel mute, patch storage allowing up to 8 patches to be saved (includes all settings and buffer contents), Buchla 1.2v/oct and Korg Hz/oct scaling, channel copy and loads more.

Firmware updates are way ahead of schedule, so much so that we are behind on updating the Play Data guides and manuals.

Btw, the LED screen refresh rate doesn’t always match the camera capture rate which is why the LEDs might not always be consistent... maybe, but I'm clearly not a video expert... we’re getting a better camera really soon :)"