Signal Flow Podcast Ep3: Playing live with Serge & GRM Tools Atelier (in quad)

video upload by Signal Sounds and Tom Churchill

"In this episode, Luke breaks down his setup for a recent live performance at GLOSS (the Glasgow Library of Synthesised Sound), which involved GRM Tools Atelier, Max for Live, and a two-panel Serge Paperface system (hand-built by Tom). We also round up a few new arrivals in the showroom, including the UDO Audio DMNO, ASM Hydrasynth and Shakmat Modular Ballista Blast, and share a few recommendations.

Get in touch with questions, feedback and suggestions via signalflow@signalsounds.com

Some of the gear discussed:
https://www.signalsounds.com/udo-audi...
https://www.signalsounds.com/asm-levi...
https://www.signalsounds.com/shakmat-...

Recommendations
La Synthèse Humaine: / @lasynthesehumaine6932
Innis Chonnel & Loris S. Sarid: https://lorisssarid.bandcamp.com/albu...
Elori Saxl & Henry Solomon: https://elorisaxl.bandcamp.com/album/...

Chapters:
00:00 Intro
01:21 UDO Audio DMNO
03:22 ASM Leviasynth
04:44 Fairfield Circuitry Placeholder
10:11 Shakmat in-store & Ballista Blast
13:58 Luke on live performance
37:18 Tom on live performance
46:08 Recommendations & outro"

Ballista Blast by Shakmat, Six Sound Examples

video upload by Liminal Pulses

"In this showcase, I've created six different sound sources with the Ballista Blast by ‪@ShakmatModular‬ . It can do SO MANY THINGS, and do them AMAZINGLY, but I thought I'd focus on six sound design examples, so we can zoom in on a few core engines and all the various sounds you can get from those engines. Let me know what you think of each one in the comments!

Each sound example is 2.5 minutes long, save the last example, which is 4 minutes.

0:07 Sound Example One, Engine: WaveTable. Type: Basic. ENVLP Mode: ASR. ANLG VCF: Type 2. VCA Mode: Drone. Distortion type 2, level 3 out of 5. FM. Alt = ON

2:23 Sound Example Two, Engine: Classic. Mode: Width. ENVLP Mode: AR. ANLG VCF: Type 2. VCA Mode: Drone. FM. Alt = ON

4:46 Sound Example Three, Engine: FM. Algorithm Type: Magnet Claw Arms. VCA Mode: Drone. ENV Mode: AR. FM.

7:10 Sound Example Four, Engine: WaveTable. Type: Digi 08. VCF Type: 2p VCA Mode: Drone. ENV Mode: AR.

9:50 Sound Example Five, Engine: Classic. Mode: Sync. VCA Mode: Drone. ENV Mode: AR. ANLG VCF: Type 2. FM.

12:15 Sound Example Six Engine: WaveTable. Type: Harm 1. Distortion type 2, level 3 out of 5. ENVLP Mode: ASR. ANLG VCF: 4P. VCA Mode: ENV. Distortion type 2, level 3 out of 5. FM.

I'm using effects by the ‪@busycircuits‬ MFX and ‪@tiptop-audio‬ Z5000.
The first two sound examples feature a sequence by the Varigate 4+ by ‪@malekko1‬
The second two feature the Pseudos by Raw Yaw Media.
The last two feature the T12 by ‪@doboz.modular‬"

Introducing Cosmic Debris from WMD and Infrasonic Audio

video uploads by WMDevices

"Cosmic Debris is a powerful delay and reverb engine built for modular explorers who want more than just echoes. With 16 interactive delay lines, multiple performance modes, and a design tuned for live use, Cosmic Debris can move from precise rhythmic repeats to infinite atmospheric washes in an instant."

Playlist:
1. Introducing Cosmic Debris from WMD and Infrasonic Audio
2. 3 patches with WMD Cosmic Debris
3. WMD Cosmic Debris - In-depth overview and tutorial

See additional posts featuring Cosmic Debris here.


"A collaboration born in the Denver modular community

Cosmic Debris began as a design by Nick Donaldson of Infrasonic Audio, a fellow Denver modular enthusiast we met through our monthly Freq Boutique gatherings. Nick approached WMD for advice on manufacturing, and as soon as we heard the sounds he was creating, we knew there was something special.

From there, the collaboration took off. We worked closely with Nick to refine the design, bringing in ideas to expand the feature set, streamline performance controls, and ensure the module would be rock-solid for production. The process has been as rewarding as the results: not only has Cosmic Debris grown into a truly versatile delay and reverb processor, but we’ve had the joy of building a deeper friendship through the design journey.

Cosmic Debris is a powerful delay and reverb engine built for modular explorers who want more than just echoes. With 16 interactive delay lines, multiple performance modes, and a design tuned for live use, Cosmic Debris can move from precise rhythmic repeats to infinite atmospheric washes in an instant.

At the core, Spray transforms traditional delay taps into massive ambient reverbs, while Scatter reshapes the feedback paths and interactions between lines to create ever-changing textures. Time and it's shift function SLEW take traditional modulation and flip it on its head with huge risers, crossfading delay time changes, and hands on control over the energy of the sound caught in the buffers.

A built-in band-pass filter lets you carve space in the mix or push the signal into motion with CV modulation.

Cosmic Debris is designed with performance at its heart. Blast delivers a momentary boost into the delay input as well as 100% send level (in send mode) for explosive bursts of sound with natural tails, while Send Mode turns the Mix control into a CV-controllable send/return level, perfect for insert-style processing.

Flexible sync options include clock input, tap tempo, or free-running mode, keeping you locked in rhythm or drifting into uncharted time. A dedicated Freeze function captures audio into a timeless loop, letting you hold textures indefinitely.

Three unique processing modes, Blur, Ratio, and Warp, expand the palette even further, from smearing reverbs to pitch-shifted delays. Combined with its intuitive interface and deep modulation capabilities, Cosmic Debris is equally at home in a live performance rack or a studio sound-design system."

Marcus Dunn aka lonesoulsurfer DIY Modules

video uploads by Marcus Dunn

Playlist:

1. 7 Channel Mixer For My Modular Synth.
2. Medusa - Sound Effects for Modular Synths
3. Buffered Multi for Modular Synths. Powered by Arduino
4. Digital Delay Module - Powered by Arduino
5. Bleep - Modular Drum Synth - powered by Arduino
6. Solar - A Modular Synth, Powered by Arduino
7. Groove Box Modular Synth - Arduino Nano
8. Freaq FM Synth. My Take on the Awesome MeeBleeps Synth
9. Mutant Generative Synth - Powered by Arduino

Additional details on each:

CLICK FOR MORE »

PATCH / STEREO 4 VOICE GENERATIVE CHORDS / Joranalogue Audio Design system

video upload by Joranalogue Audio Design

"'I had a blast creating this patch on a giant Joranalogue eurorack system. I implemented a lot of small tricks, let me write out the main ones down here...'—Simon


Kickdrum
---------------
Filter 8 is getting pinged by a clock pulse (generated with a looping Contour 1), routed through Warp 1. A second Contour 1 is used to modulate the frequency of Filter 8. A Step 8 being clocked with the same pulse from Contour 1 is modulating the exponent parameter on Warp 1 (controlling the amount of distortion/waveshaping). The pattern is 7 steps long. By adjusting the exp knob manually I have additional control over the distortion.

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Ocean Swift releases Zebra Zen Bundle - 329 Dynamic Energy Presets for U-He Zebra

Zebra Zen Bundle for U-He Zebra 2 - Hard Hitting Leads and Arpeggios - Preset Demos
video upload by Ocean Swift / Faxi Nadu

Zebra Zen Bundle for U-He Zebra 2 - Cinematic Ambiences & Downtempo Atmospheres - Preset Demos

video upload by Ocean Swift / Faxi Nadu



Grab it here: https://oceanswift.net/product/zebra-zen-bundle/

Intro Offer 32% Off - €30 until October 17 2025

Zebra Zen Bundle features the complete series of "Zebra Zen", two volumes of obscure and psychedelic-like sounds for U-he Zebra 2 (also known as Zebra Legacy) and compatible with Zebra HZ.

Packed with 329 presets, this collection delivers a diverse mix of complex, engaging soundscapes, cinematic textures, with vibrant and hard hitting melodies, punchy basslines, and energetic arpeggios.

Out of the ordinary sounds that strike a balance between tranquility and dynamism – of stillness and energy.

Zebra Zen offers full NKS support, audio previews for Maschine & Komplete Kontrol, Aftertouch & modwheel support and full use of the Zebra Macro system ("Performance" mode) making it both easy and fun to control the best sonic aspects of each preset.

Contents
2 Soundbanks: Zebra Zen Vol I and Vol II.
329 Presets delivered in .h2p and .nksf.
For Zebra 2 (known as Zebra Legacy), compatible with ZebraHZ.
NKS support, including audio previews when hosted in Maschine or Komplete Kontrol.
Presets are properly organized and tagged for a better workflow.
Full use of Zebra macro system - performance friendly and easy tweaking.
Mod wheel and After Touch support.
Detailed macros and modulations in Performance mode
Full use of the macro system - Performance Mode
Making it easy to tweak the sweet spots of each preset. The support for after-touch & modwheel make these sounds even more dynamic and expressive – A blast to play and explore.

Obscure and alluring soundscapes
Obscure, alluring soundscapes and sonic environments that manifest a sense of mystery and intrigue. These intricate presets are exceptionally well-suited for sound design, chillout music, downtempo, and ambient genres - or to greatly enhance cinematic compositions. Complex arrangements, ambiences, pads and drones meticulously crafted to provoke introspection or tension... aiding your story and narratives with depth and sophistication.

Vibrant and energetic melodies
Besides obscure sonic landscapes that transcend traditional musical boundaries. Zebra Zen is jam-packed with hundreds of hard hitting mono and polyphonic melodies, punchy basslines, vibrant and energetic arpeggios – tailored towards EDM productions.

Full NKS support
NKS support, including audio previews when hosted in Maschine or Komplete Kontrol. The soundbank and presets are properly organized and tagged for a better workflow.

Knobcon 2025 with Jeremy Parker

video upload by Jeremy Parker

00:00 Intro
03:23 Welcome Reception
10:02 Entropy & Sons
12:10 Hive Mind Synthesis
13:56 Novation
15:57 Shrimp Tank Pt.1
18:54 TotoRobyn
20:07 Shrimp Tank Pt.2
21:17 Schedule
21:52 Big Room Saturday Night
22:51 Golden Shrimp Guild
25:31 Deft Audio
31:24 SISKworks
33:36 Dog Paw Music
36:30 Outro

"#knobcon #synthesizer @suitandtieguy

Here's my rundown of Knobcon 2025 'Synthmania XIII', with coverage of performances, new gear and the experience of actually getting to play there with Cowboy Ben Alman a.k.a @TheEntireRobot . Thanks to Suite And Tie Guy for letting us play on Friday, and Daniel Kushner for getting us on Saturday afternoon’s festivities with support from the whole Golden Shrimp Guild. What a blast! Here are some handy links:

CLICK FOR MORE »

Ocean Swift releases Zebra Motions Bundled Soundbanks for Zebra Legacy

video upload by Ocean Swift / Faxi Nadu

"Zebra Motions Bundle - +337 Immersive sounds for U-He Zebra Legacy and Zebra HZ - Preset Showcase 1"

https://oceanswift.net/product/zebra-motions-bundle/


via Ocean Swift

"Ocean Swift has announced the release of Zebra Motions Bundle, a bundled sound set made for Zebra 2 software synthesizer. The developer quotes:

A comprehensive set of 337 presets that are highly intricate, full of life, movement, motion and emotion. A Journey of sound that's a blast to play and explore.

Expect full NKS support, audio previews for Maschine & Komplete Kontrol, Aftertouch & modwheel support and full use of the Zebra Macro system ('Performance' mode) making it both easy and fun to control the best sonic aspects of each preset.

Featuring:

2 Soundbanks: Zebra Motions Vol I and Zebra Motions Vol II

337 Presets delivered in .h2p and .nksf.

Compatible with ZebraHZ

Basslines, Monophonic and Polyphonic Leads, Sequences, Arps, Pads, Drums and Sound Effects.

NKS support, including audio previews when hosted in Maschine or Komplete Kontrol.

Full use of Zebra macro system - performance friendly and easy tweaking.

Compatible with ZebraHZ

Price:
30€ for bundle with (reg. 44€).
18€ for singular sound banks (reg. 22€).
Intro offers available until 12th August."

Voodoo Ray/A Guy Called Gerald - Novation Circuit version

video upload by Guinan

"Time for the first British acid house hit and another Hacienda favourite. The Manchester act A Guy Called Gerald blew up the Manchester music scene with his 808 and 303 tour-de-force. He's still making excellent music ‪@AGuyCalledGeraldTV‬ #voodooray

Everything you hear was programmed into the Novation Circuit and played ‘live’ straight out of the headphone jack into my phone. No extra effects or outboard gear are used during playback.

The ‪@IsotonikStudios‬ sound pack RB 303 by Yves Big City got me thinking about how capable the Novation Circuit could be for a blast of acid house. I hope this attempt gets close to the flavour of the original. • DEMO - RB 303 - Novation Circuit Pack by Y... [posted here]

‪@GyuBeats‬ has done some great video breakdowns of the track and is obviously a fan. Big thanks as he helped me track down some of the original samples. • Why Does VOODOO RAY Still Sound Fresh Today?

I also found the following website which is a fantastic resource of patterns for 303-soundalikes. It just had to be called Acid Tabs….. https://acid-tabs.com/303_patterns.ph...

I hope you like the track – drop a comment if there is an 80’s or 90’s track you’d like to see a version of.

Synth nerd details;
The 808 sounds are a mix of samples from Isotonik and a pack that is sometimes free called 808 From Mars.

The vocal samples are from a surprising source of an old comedy routine from Peter Cook and Dudley Moore. The ‘voodoo ray’ sample is actually cut from a snatch of Peter Cook saying 'voodoo rage'.

A key part of the track is the excellent singing of Nicola Collier. I didn’t have a singer to hand and I wasn’t going to impose my dulcet tones on the world. The ‘singing’ is therefore played on the Arturia plug-in ‘Augmented Voices’.

I hope it fills the gap for now and doesn’t detract from the overall track.

All samples are edited and positioned on drum pads then sequenced/played on the Drum 4 track of the circuit."

Voodoo Ray/A Guy Called Gerald (Circuit Tracks & Rolands Version )

video upload by Guinan

"'Say Hello To My Little Friends'…..

Something a little different again. This is a reworking of one of my earlier videos but with an 'acidic' twist. At the time there were comments wondering how it would sound with Roland synths rather than my attempts at recreating the sound using the internal synth engine.

I couldn’t resist the challenge, so the Circuit Tracks has some company in the form of a Roland T-8 and S-1 Aira. The T-8 is a drum machine based on a selection of classic Roland sounds, but it has the added bonus of a very good TB303 emulation.

The Roland S-1 on the other hand is a 4-voice recreation of the classic 80’s synth, the SH-101. An awesome synth in it's own right it's a great partner for the Tracks to use with one of the external MIDI tracks.

Both of these Roland originals were an essential part of the classic Acid House sound and the track, ‘Voodoo Ray’ so this seemed a natural Circuit Tracks project to rework. I’ll keep a separate playlist of any tracks with external gear to keep my main playlist Tracks only.

For this video I’ve copied the patterns across to the Midi 1 & 2 tracks, hooked up both of the Roland individually to the MIDI Out and Thru (setup in Advanced Setup to be individual MIDI Outs). Each of the Roland boxes are then fed into each of the Audio Inputs so they can be panned, level altered and have effects applied individually. Each of the Roland boxes are not using their own sequencers but are just being used as slave MIDI synths playing the patterns sent via MIDI from the Circuit Tracks. T-8 bass was set to MIDI Ch3 and S-1 to Ch4 to match the default channels for these tracks."

X1L3 - AY 300 + YM 300 + GT 300 - comparison - eurorack modules

video upload by X1L3

"Side by side comparison of the three flavours of the '300' chip tune module.
👾👾👾👾👾👾👾👾

Busy chip tune composition to hit them hard with lots of micro note hopping, and the modulator running 1voct on channel 1 to generate the 'SIDvoice' on the bass line, and to create the drum/percussive sounds when hit with fast CV spikes instead of using the noise channel. Demoscene tricks that i wanted to include in the modules from the start through a sense of completeness in having them behave as close as possible to if they were tied to a CPU.

There's very little difference between the three. The YM is a superior chip and addresses the low level audio channel cross talk that the AY and it's direct clones exhibit. It makes little difference to the sound in a loaded 3 channel composition like this though. The YM is maybe ever so slightly cleaner than the AY and WF.

If you're a masochist like me then you basically get to relive turning your telly up full blast in the 80s to hear the same strident bit of chip tune three times, while pissing your parents off and being told to turn it down, for no other reason than becasue you can 🤣🤣

AY 300 - General instruments - AY-3-8910
YM 300 - Yamaha - YM2149F
GT 300 - Winbond - WF19054

The AY3 was released in 1978 and used in tons of home computers like the ZX Spectrum, Vectrex and Amstrad CPC.

The YM2149 some time in the mid 80s i believe. I remember it well from the Atari ST. And how disappointed i was with the sound of the ST compared to the SID chip in Commodore 64.

The Winbond AY clone is as far as i know still made today for use in slot and pinball machines."

Atomika // Cold War Chic is A Blast From The Past

video upload by Starsky Carr

"Can the Cherry Audio Atomika get close to Comrade Polivoks. A comparison of the Atomika vs Polivoks. The Polivoks was one of the more unpredictable and 'lively' synths to hit the market in the 80s, and being from behind the Iron Curtain in the height of the Cold War gives it a cool dystopian charisma and mystique that can't be matched by those week willed Westerners and their predictable and controllable instruments of capitalism :).

It was built using electronics not intended for audio use and as such has a unique character and a whole dollop of charm...

... and yes I recently watched Threads so the intro demo does have a faint whiff of post apocalyptic 1980's depression.

oh and I know it should be pronounced Makina Bristronica.. I've no idea why I said Masheena, but fully expecting to be pulled up on it!"

Machina Bristronica 2024

video uploads by sonicstate

Playlist:

1. Bristronica 24: MyVolts The Silent Alchemist Nears Shipping

We caught up with Caroline who gave us the latest update to the *Silent Alchemist*, a versatile power hub designed for musicians. Featuring five isolated USB-C outputs and a high-wattage sixth output capable of delivering 100 watts, the device can power a Mac with the remaining outputs providing 20 watts each. Its independent circuits ensure noise-free operation, catering to a variety of devices including the Dreadbox module and Sysmo slope generator.

The Silent Alchemist uses innovative step-up power tips to convert USB-C input to the correct voltage for various devices. There's also new feature: an uninterruptible power supply allowing seamless transition between wall and power bank sources. Also introduced were updated cables, such as silver candy cords and floating ring TRS to TS cables, expanding connection flexibility. The Silent Alchemist is expected to be available in December with a competitive pricing strategy.

More Info:
https://myvolts.com/

2. Bristronica 24: Circuit Happy ML2M Clock Sync module updates

At Bristronica 2024, we caught up with the creator of the *ML2M*, who introduced us to the latest version. The ML2M is a compact Eurorack module with Wi-Fi capabilities, allowing seamless synchronization with Ableton Live, Bitwig Studio, and iOS music apps using Ableton Link without the need for cables. It either connects to an existing network or creates its own, ensuring robust sync even in environments with unreliable Wi-Fi. The module, which retains its 2HP size, now features MIDI integration through TRS jacks. Users can access a web interface to configure each output for different clock divisions and reset triggers, making setup straightforward and flexible.

Alongside the ML2M, there's also the Missing Link Junior. This desktop version offers the same functionality but in a box format, complete with MIDI and CV clock outputs. Both products are now accessible, with a starting price of $250.

3. Bristronica 24: Archaea Exchange Patching Module

At Machina Bristronica 2024, we caught up with Arran from ‪@archaea_modular_synthesis‬ who presented the *Exchange Module*. This programmable patcher, a year in the making, evolved from its early prototype stage to a fully functional module. Arran explained how the Exchange can route synth voices via a beam controller and three exchange modules installed within the skiff, allowing for versatile patching. Operating like a matrix patchbay, it enables users to select inputs and outputs with the push of a button, create presets, and chain multiple modules for synchronized patching.

Communication between the modules occurs over the Eurorack power bus as well as over MIDI via the USB-C connection. The Exchange maintains analog integrity, ensuring there’s no conversion latency. The forthcoming release expected in late November 2024, includes a USB-driven editor for enhanced control capabilities.

CLICK FOR MORE »

Oberheim OB-X8 - FM Sound Bank

video upload by Polydata

"Pushing the classic Oberheim sound to new frontiers, the FM Sound Bank for the OB-X8 takes advantage of the expanded functionality of this synth to create complex and musical FM tones not previously possible in the OB series.

The key difference lies in the fact that you now have control over the FM index (amount). In the OB-X there was only an on/off button for X-Mod, which would engage FM at full blast. With exponential FM on an analog synth, this meant that the tuning of the voices wouldn't match, and there was no way to finely dial in the tuning of the oscillators. On the OB-X8 this fine tuning is possible, as well as precise control over the levels of the oscillators, for detailed timbrel blending.

A bank of 32 patches which all utilize the audio rate "X-Mod" functionality of the OB-X8. These patches place an emphasis on "digital" types of sounds, a new sonic frontier for an OB synth.

Store link: polydata.bigcartel.com

Patches load into the OB-SX Bank, groups 8-11. Requires firmware 2.0 or higher.

Recorded completely dry, with no effects or processing."

CLICK FOR MORE »

Cherry Audio CR-78 Make FUN Phat Beats Virtual Drum Machine Synthesizer

video upload by Rik Marston Official

See the announcement post here.

"'Cherry Audio CR-78 Make FUN Phat Beats'
The Cherry Audio CR-78 is super awesome & a BLAST to use!
Use the original patterns or make your own!
Chain patterns into songs! It's easy! And FUN!
This video I tweak preset patterns & explore the user interface.
I love the instant effects, too! Near the end I explore the FX section!
You can get lost creating variation after variation of beats! SWEET!
Rik's rating: A+++++!
**Watch in HD!** ** No Talking!** **Turn it up!**
My Etsy store: AhnyxianSoundDesign
https://www.etsy.com/shop/AhnyxianSou..."

EML ElectroComp 101 EML-101 w/ Seq Mod

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

CLICK FOR MORE »

1979 DSS Modes

video upload by Todd Barton

"Just got this 1979 Modular module, the Dual Sequential Switch and am having a blast! Here's just a simple yet effective fun patch to feature the Mode settings. Enjoy!

My Patreon: https://www.patreon.com/synthtodd"

Bidirectional sequential switches for audio and CV

The DSS is intended as a companion for the Buchla 245/246 sequencers and other "quad" modules in Buchla format such as the 281 and 292. New possibilities for performance and composition arise from the ability to dynamically route multiple sources to multiple destinations without repatching.

BUILD OPTIONS. Choose from one of three build options. See the images above for illustrations of each build type. On the standard build the main I/O uses Tinijax on the top half and banana jacks on the bottom half. Custom builds with all Tinijax or all banana jacks for the main I/O are also available. If you want a custom build, please send an email with your build preference after placing your order. If no preference is stated your module will be supplied as a standard build.

The main I/O is bidirectional, meaning that the module works as a 4:1 multiplexer or a 1:4 demultiplexer. Patch up to four signals to the inputs labeled 1-4 and they will be sequentially routed to the common I/O jack. Alternately, patch one signal source to the I/O jack and it will be sequentially distributed to the 1-4 jacks.

Each half of the module has its own independent loop length (from 1 to 4 steps) and sequencing mode: forwards, backwards, forwards and then backwards (pendulum), or random. The SC (Step Change) output generates a trigger whenever the sequence length is changed, which is useful for synchronizing the upper and lower halves of the module or communicating state changes to other modules. The analog CV addressing input (ADDR) bypasses pulse-based control and allows an external CV source to select which step is active, similar to the "analog" CV input on the Buchla 245/246.

These extensive control and sequencing options make the DSS one of the most fully-featured sequential switches available in any modular format. Every aspect of the switching schema is accessible, facilitating previously inaccessible patching opportunities.

Tech Specs

4:1 or 1:4 sequential switches for audio or CV

Variable sequence length (1-4 steps) with voltage control

Variable switching mode (forward, reverse, pendulum, random) with voltage control

VC step addressing via clock, direct selection, or external 0-10V CV

Extensive pulse I/O for synchronization with external modules

Extra Settings

RESET/TRIG switch toggle. By default, pressing the RESET switch returns the sequencer to step 1, but this switch can also be used as a manual trigger source. Press RESET for 5 seconds to toggle this setting. The SC LED will blink to confirm the change. Now when the switch is pressed the TRIG jack will be pulsed instead. The RESET and TRIG jacks still work independently. Press RESET again for 5 seconds to toggle the switch function back to a manual reset.

Manual step selection. Press the RESET switch and then turn the STEPS knob for manual channel selection. This works like the ADDR CV input but doesn't require external CV. Note that all trigger inputs (RESET, TRIG, and the four SELECT jacks) can still change which channel is active so this feature works best when those inputs are not being used.

Pendulum behavior. Press the RESET switch and then turn the MODE knob to change how the Pendulum mode behaves. There are four possible settings which correlate with the four F/B/P/R labels around the knob.

You can find additional details at https://1979.ws/dual-sequential-switch/

Sinister Cat Sound Design & More With Soundtoys Design Week Sale

video upload by soundtoys

Note Soundtoys is having a Sound Design Week sale with up to 80% off. You can find details on Soundtoys website here

Above: "Turn an adorable cat’s purr into a sinister, ominous monster. With a few simple turns of the knobs, you can use Soundtoys to pitch-shift, distort, reverberate, and radically transform your sound source.

Download the 'Sinister Reflections' preset: http://bit.ly/3RhfM8S
Drag, drop, and save it into Effect Rack to get started."

'Soundscapes' Preset Expansion Pack for Soundtoys Effect Rack (FREE)


"Hear examples of all the presets from the Soundscapes expansion pack of sound design drone presets for the Soundtoys Effect rack.

Artic Blast – A howling winter wind and bone-chilling swirls that batters you sonically
Auto Horror Soundtrack – A building-changing horror soundtrack that just does its thing
BrokeBot March – Rhythmic noisy machines
Computronical – Rhythmic computer noises from a lost time
Feedback Space – A sonic desolate evolving space
Into The Darkness – The darkness is alive and changing as it moves around you
It's Coming For You – Something is coming. Another creepy rhythm effect to live in
Laser Practice Range – Classic gameplay laser sounds that pew-pew all night long
Mechotron Speaks – If robots had a language, this preset would talk to them, and they'd be like, right on
SynDrone – A rhythmic pulse to create a vibe
Tesla Coil – Electric Zaps from the lab
The Birds – The original angry birds from Hitchcock are all around

Download the expansion pack at www.soundtoys.com/sound-design"

Game Audio Vocal Sound Design With Soundtoys


"Whether making subtle enhancements or radical transformations, watch how effects can alter the character of a voice and create a truly immersive experience. The presets you hear are:

Angry Stereo – A gritty and stereo-lizing fx that makes the vocal sound bigger than your speakers.
Fever Dream – A fast-paced distorted panning movement to disorient any vocal.
Waterpipe – A feedback-heavy metallic-sounding echo with a short delay time.
Angry Radio – A nostalgic sound that resembles old-school radio-filtered distortion.
Robot Laugh – A re-sampled and pitch-shifted quick slap robotic echo for any vocal sources.

Download the presets: http://bit.ly/3DrbbeR
Drag and drop on Effect Rack to get started."

Metasonix R-54

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"This is an impossible module to find and it was just luck that I was able to get it so I’m selling it with great reluctance. It kicks ass. Blast and blast, it’s got power and intensity. Grab it before I change my mind.

It uses a triode-pentode in a unique Wien-bridge circuit, to provide clean sine-wave oscillation. Using a Vactrol, the pitch of the R-54 is sweepable from less than 20 Hz to more than 5 kHz, continuously, via front-panel control or a CV input. By adjusting the waveshape/resonance control, the sinewave signal produced by the R-54 can be trimmed to less than 10% THD (depending on operating pitch)---with NONE of the problems inherent in solid-state oscillators and sine waveshapers. Because the Wien bridge contains no piecewise sine shaper or amplitude-control circuit or component. The tube itself performs that job. So the distortion products are entirely low-order, unlike the "sine waves" that solid-state VCOs or samplers produce.

Turn up the overdrive control, and the oscillator output clips the output amplifier pentode tube, for a unique soft-clipped square-wave sound. The simplicity of the R-54 will fool you--its behavior is odd and radical, and it will take you months or years to fully explore all of its quirks.

Now for the special trick. Plug an audio signal into the audio input. Instantly, the R-54 transforms from a VCO into a bandpass resonant voltage-controlled filter, with the same range as in VCO operation -- 20 Hz to 5 kHz. Its behavior and sound are unique. Again, you will be kept busy for years exploring all of its strangeness.

And now, it's got two new tricks. A VCA CV input allows you to control the output level of the R-54 as well as the amount of clipping in the output tube. Plus, a HARSH switch introduces a feedback loop into the CV control. Turn up the output level and the R-54 does very strange things.

CV response: Hz/v. Use a suitable MIDI/CV interface, or use our R-60 interface to obtain perfect equal-tempered tuning every time. Maximum output signal, 12 v p-p. Power requirement: +-12v dc, approx 150 mA. (All specifications are approximate and may vary from sample to sample.) Tubes used: 19KG8, 6AK5.

WARNING THIS MODULE USES 400mA FOR START UP!"

Hypnotic jam with Arturia MiniFreak, Dreadbox Erebus, Mystic Circuits IDUM, and other eurorack drums

video upload by Jay Hosking

"Please support my work on Patreon: https://www.patreon.com/jayhosking
A live, semi-improvised synth jam performed entirely on hardware.

I had the MiniFreak and Erebus set up for an exploratory livestream on my Patreon, and totally stumbled across this combination of MiniFreak drone and Erebus bass with fifths. I'd also been tinkering with modifications to my eurorack drum setup, so I decided to quickly integrate the two together and capture something loose and fun. This came together extremely fast and I love how easy it was to get into the flow.

The MiniFreak and new Erebus are both brand new to me, and early impressions with both have extremely positive. I try a lot of gear and expect that I won't connect with much of it, so I was pleasantly surprised when I found myself saying, "Oh, yeah, this is great" for both of them.

The MiniFreak shines in its oscillators (especially those from Noise Engineering!) and its robust effects section, with three effects slots and far better sound than most integrated effects on big fancy flagship synths. There are so many bread and butter sounds the MiniFreak can give you, but it can also give you some wonderfully weird and warbly unique sounds that I haven't been able to get from a hardware synth.

The Erebus is exactly what I want in a desktop mono synth: small profile, huge sound, what-you-see-is-what-you-get settings, flexibility in sound design, great bass, and fun to explore. This one seems like a no-brainer if you're on the market for a desktop mono synth for a hardware setup, especially if you need something to contrast against Moog monos. Thanks so much to Michael for building this Erebus for me! (They have/had both DIY and pre-built kits.)

And then there's my eurorack drum machine, which continues to be my favourite way to add drums to a track. Two recent additions include the Mystic Circuits IDUM (to add a lot of hectic variety to the drum sequence) and the WMD Fracture (which is my new favourite clap/perc module). Really liking where this drum machine is going, though I'm going to try at least one more configuration.

All in all, this one really captured a moment in time and was a blast to explore. I may leave this setup on the table for a little more exploration.

Thanks for listening.

Arturia MiniFreak - Drone pad
Dreadbox Erebus with Source Audio Ventris - bass
Eurorack drums:
- ALM Busy Circuits Pamela's New Workout - clock and many LFOs
- Prok drums (3) - kick, snare, hats
- WMD Fracture - clap/perc
- Mutable Instruments Grids - drum sequencing
- Mystic Circuits IDUM - drum sequencing spice/character/glitch
- Intellijel Mixup and Duatt - drum mixing
- Happy Nerding FX Aid XL - drum colour/compression
- Endorphin.es Golden Master 1U - compression & EQ
- Intellijel Mixer 1U - final drum mix out

Performed and recorded live, with EQ, compression, and limiting on the master.

https://jayhosking.bandcamp.com"

ANTOINE BARIL'S ONE MAN ELP: Backstage Pass @ EMEAPP

video upload by EMEAPP

"After over two years in the making, we are proud to be a part of the One Man ELP project; the brainchild of the amazingly talented Antoine Baril of Québec, Canada. As with his previous "One Man" videos that he has released over the last 7 years (Rush, Genesis, Yes), his attention to detail and accuracy is second to none and it was amazing to watch him at work within our walls for an intense week of keyboard craziness in July 2022. Along with his amazing videographer Paul DiGiacomo, they captured some stunning footage and audio to make this epic video project one for the ages. It was a blast to play a supporting role in this, we gave full access of our Keith Emerson keyboard rig (as well as our extensive collection of vintage analog synths) to Antoine and it was like turning a kid loose in a candy store, a cornucopia of awesomeness! Join us for an exclusive backstage peek at some of the recording processes and video shoots during this one week period. The ELP material he performed and recorded runs Then EMEAPP's executive director Drew Raison will take you on an up close and personal tour of all the keyboards and synthesizers that were used in this project.

Complete list below:

Yamaha GX1 (6:55)
Keith Emerson’s Hammond/Goff C3 w/dual Leslie 122s (7:13)
Keith Emerson’s Split Moog Minimoog Model D (7:51)
Keith Emerson's Hammond L100 (8:09)
Moog Minimoog Model D Pair (Bernie Worrell's Minimoog on right) (8:45)
Keith Emerson’s Moog Modular Synthesizer (9:16)
Mellotron M400 (9:39)
Oberheim Eight Voice (9:58)
Oberheim OB-X/OB-Xa (10:20)
ARP Quadra (10:55)
KORG PS-3300 (11:06)
Moog Taurus I (11:22)
Hohner Clavinet L (11:34)
KORG M1 (11:55)
Keith Emerson’s Steinway Model D (12:10)"