The “Thing” The Great Seal Bug.

video upload by Behind Designs

This one is in via John L Rice.

"WW2 & Cold war weapons and spy gadgets were truly amazing! Have you ever wondered about the history of RFID and how it works? It was originally developed and first used as a Soviet cold war spying device. The Thing or The Great Seal bug as it was known, sat on the wall of a US ambassadors office for 7 years completely undetected listening into American secrets. The technology behind this revolutionary device now resides in your pocket in the form of Radio Frequency Identification. or RFID. Thank you so much to everyone who has subscribed and supported the channel so far.

Music Credits Lord of the dawn - Jesse Gallagher
Maestro Tlakaelel - Jesse Gallagher

Research, Script, Voice Over, Animations, 3D Modelling, Rendering, Editing. - Me"

The Master of Synthesizer Design : Axel Hartmann : From Inspiration to Iconic !

"Apr 11, 2025

The Master of Synthesizer Design : Axel Hartmann : From Inspiration to Iconic !

Hosted by Vin Curigliano of AAVIM Technology, I am joined by guest co-host Pete Brown of Microsoft, and special guest Axel Hartmann who has been the go to designer for some of the most iconic synthesizers of the last 35 years, and continues to be one of the leading designers in the field. Chances are, you have seen or played one of his designs.

We discuss Axel's history in music and technology, what lead him to follow the path to Industrial Design, and what motivated and inspired him to focus his attention and creativity, primarily in the area of musical instruments.

Starting with his early career at Waldorf that was initially in graphic design but expanded into the area of industrial design and the eventual design and development of the iconic Waldorf Wave synthesizer, as well as many other well-known and much-loved synthesizer designs for numerous other manufacturers.

We then cover a large number of his better-known designs, and get first-hand insights and behind the scenes details of what is actually involved in bringing these instruments to market.

Throughout, we dive into Axel's design philosophy and how he works in collaboration with the clients to bring the designs to life and to market. We navigate the highs, lows, hits, and misses over his career, and much, much more, with some great stories and laughs along the way."

Only 400 to 500 Hartmann Neurons built.

This one was sent my way via Soviet Space Child

Instruō - tràigh [Signature Edition]

video upload by Instruō

Update: DivKid video added below.

"Hello!
Jason here.
Thank you for watching this video :)

This Signature Edition limited re-release of the tràigh low-pass filter module is available for purchase direct from Etsy:
https://www.etsy.com/uk/listing/18233...

I am producing a limited batch which will be available for purchase while stock lasts.

This revised module was developed as a creative side project over the past month or two as a means of dealing with the unfortunate situation of having a very large pet greyhound with a relatively large diagnosis of cancer.
Winston was confirmed to have a stage 2 soft cell sarcoma earlier this year. He underwent a surgery on September 24th during which the tumour was successfully removed. (He has recovered very well and quickly!)
Due to the location of the sarcoma there is a high likelihood of cancer cells remaining at a microscopic level. If left unchecked they will likely return as a tumour with a chance of metastasising.
Winston began a 4 week treatment of radiotherapy on November 4th.
As of writing this we are now past the half way point and he is responding very well with no significant side effects presenting.
Each treatment requires full general anaesthetic, so I have a very dopey boy every Monday, Wednesday and Friday for the entire month of November.
The vets do provide him with some roast chicken each session when he wakes up. So he seems quite happy with his current unusual routine.

CLICK FOR MORE »

SERGE Medusa Comes to Eurorack

video upload by Serge Modular | Random*Source

"Teo takes the Medusa for Eurorack for a (long) spin, here's the full recording used for the IG teaser ... #sergemodular"

Press release follows:

Introducing the Serge MEDUSA Subharmonic Oscillator for Eurorack: Unleashing New Depths in Modular Synthesis

Frankfurt, 1 November 2024 — Serge Modular proudly announces the launch of the Serge Medusa Subharmonic Oscillator for the Eurorack modular synthesizer format. This groundbreaking module designed by Serge Tcherepnin brings orchestral clusters, coveted undertones and rich harmonic complexity to the Eurorack format.

A Revolution in Sound Design

The Subharmonic Oscillator is one of Serge’s latest inventions and one of his most extraordinary designs. 7 accurate analog VCOs tied at the waist—in unison, yet their frequencies can open like a fan, creating complex clusters. Each voice generates a pulse wave. It is temperature compensated and follows exceptional 1V/Octave tracking. 
In addition, each voice provides (voltage controlled) pulse width modulation or subharmonic division as well as an individual output. By producing mathematically related lower frequencies, it enables the creation of complex and evolving soundscapes that were previously difficult to achieve within the Eurorack environment.
The precision of these voices in combination with a global Spread control and various FM inputs opens an enormous sonic range from massive unisono sounds to dissonant, orchestra-style textures. The ODD and EVEN outputs enable the use as a stereo oscillator.

Key Features:

• Original Serge 2023 design
• 100% analog
• Seven simultaneous subharmonic VCOs with individual Outputs, PWM and variable divisions
• Wide Range Frequency Control: Precisely dial in frequencies from deep bass to soaring highs, all synchronized to the master oscillator.
• Voltage-Controlled Parameters: Extensive CV inputs allow for modulation of pulse width and frequency divisions, enabling expressive performance potential.
• Odd and Even outputs for independent processing / Stereo use.
• Global Spread Control (manual and VC)
• Linear and Exponential FM
• Eurorack format (3U), 42 hp
• Power consumption: 220mA @ +12V, 200mA @ -12V
• Skiff-friendly: depth less than 25mm (1")

“This is my version of a cluster generator. Clusters are part of the contemporary music arsenal of effects. The Subharmonic Oscillator has a total, tracking, V/octave range that is the same as all our VCOs, however, it outputs only pulse waves. Pulse-width operates from instantaneous -> square wave > 1st sub-harmonic > 2nd sub-harmonic ...> Nth sub-harmonic. You guessed it, this is one VCO that sounds like a symphony orchestra playing Atmosphères by György Ligeti.”
Serge Tcherepnin, 18 October 2023

Unmatched Versatility

Designed for both traditional musicians and experimental artists, the Serge Subharmonic Oscillator excels in a variety of applications:

• Bass Enhancement: Generate powerful sub-bass frequencies to add weight to your mixes.
• Polyphonic Textures: Create rich, chord-like structures from a single note input.
• Rhythmic Modulation: Utilize subharmonics to produce complex rhythmic patterns and sequences.
• Sound Exploration: Dive into uncharted sonic territories with modulations and cross-patching.

Availability

The Serge Subharmonic Oscillator will be available starting November 1st, 2024 through Serge Modular / Random*Source and authorized dealers worldwide.

The Story behind Medusa

“I was sitting on a bench recovering from a bike ride at the edge of Fontainebleau forest, when a swarm of crows - some 30-40 of them, suddenly erupted in the sky above the large forest trees facing me.  They swirled in a large arc, emitting a few caws-caws, disappearing and reappearing wildly in the sky in front of me.  
And here is what this made me realize about my electronics: Drones have been part of my musical consciousness from the very beginning, thanks to LaMonte Young and the many examples of drones in Indian classical music.  One of my first electronic circuits was a 3 oscillator 9V operated shruti box. Maryanne Amacher, Eliane Radigue, Charlemagne Palestine, are drone masters I helped and fostered.  Charlemagne still uses the console of ultra stable drone oscillators that I designed for him more than 50 years ago.   
Drones and clusters, in fact.  Clusters, thanks to the marvelous composer Henry Cowell who coined the word for music. The fruit of all this, was me deciding on designing electronics for the creation of drones and clusters.   MEDUSA is the result of this project.

But what do a swarm of crows swirling in the sky above a forest have to do with drones and clusters??

EVERYTHING

MEDUSA is the perfect module for letting fly a swarm of semi independent musical notes, swirling in and out of unison, clusters, or chords, capable to scaling the entire range of frequencies, from sub-sonic to inaudible. MEDUSA gives wings to drones :)”

About Serge Modular
Serge Tcherepnin is an American composer, musician and electronic mastermind of Russian and Chinese descent who grew up in France and in Chicago. In 1970 he joined the music faculty at Cal-Arts where he developed the idea and design of the first “Serge” modules. He founded his company, Serge Modular Music Systems, in Hollywood, in 1975.
Random*Source was founded by Ralf Hoffmann in 2015 with a mission to carry on and extend the work of synth pioneers Serge Tcherepnin and Jürgen Haible. Since the beginning Random*Source has been working in close cooperation with Serge on a new generation of the Serge system. In 2018 Serge became Chief Innovation Officer and is leading the development under the Serge Modular brand.

Roland Announces SP-404MKII KDJ Records Limited Edition

Press release follows:

"Special Collector’s Edition of the SP-404MKII Sampler with a Custom Faceplate, Exclusive Sample Banks, and Curated Music from Moodymann and the KDJ Records’ Roster

Los Angeles, CA, October 15, 2024 — Roland announces the SP-404MKII KDJ Records Limited Edition, a signature version of the world’s favorite portable sampler. This unique collaboration celebrates the continuing legacy of Kenny Dixon Jr., aka Moodymann, the Detroit music maverick whose influence spans three decades of trailblazing music released on his KDJ Records imprint. Limited to 600 units worldwide, this exclusive drop features an SP-404MKII with a custom aluminum faceplate, new sound banks crafted by the label’s roster, and a seven-inch vinyl record and mixtape filled with key selections from the KDJ discography.

Founded in 1994, KDJ Records is a sonic testament to Moodymann’s enigmatic musical vision, collaborative spirit, and deep-rooted love for Detroit. Blending soulful electronic sounds with Motor City swagger, KDJ’s steady stream of groundbreaking Moodymann albums, 12-inches, and limited-edition pressings have cultivated a global fanbase and influenced a generation of new music makers. Moodymann’s creative community—including legends like the late great Amp Fiddler, Juan Atkins, “Mad” Mike Banks, and label mates Andrés, Rick Wilhite, and Theo Parrish—provides much of the inspiration behind the releases of KDJ and sister label Mahogani Music.

Moodymann beams with pride about the positive opportunities that KDJ Records has created for his local Detroit music community. “30 years of KDJ provided me, personally, a way out. But it also provided a way out for a few other people, for me to turn around and help them as well. The best part of that is I could bring my whole team with me that I grew up with."

The SP-404MKII KDJ Records Limited Edition comes loaded with ten banks of exclusive samples and patterns, including six new tracks and four modern KDJ classics. From producing and remixing to performing live, these rare pockets allow fans to hitch a ride on Moodymann's musical express.

The sampler features a high-shine aluminum faceplate that radiates the artistic spirit of KDJ Records, making it a visually striking addition to any collection. Along with the SP-404MKII hardware, fans get a seven-inch vinyl record with never-before-heard edits of “I Think of Saturday” and “Hold It Down,” plus a 60-minute mixtape curated by Moodymann himself.

About the SP-404MKII
Roland SP samplers are the bona fide kings of performance-based beatmaking, with deep features and portable designs that fuel the engines of creators on the move. The SP-404MKII is the latest generation model in the long-running series, delivering ultimate performance with the latest tech advancements and updates inspired by the global SP community. Key features include a vivid OLED display, 17 velocity-sensitive RGB pads, extensive onboard effects, versatile power options, and more.

Availability & Pricing

The Roland SP-404MKII KDJ Records Limited Edition is available now in the U.S. for $599.99."

Check with dealers on the right for availability.

Machina Bristronica 2024

video uploads by sonicstate

Playlist:

1. Bristronica 24: MyVolts The Silent Alchemist Nears Shipping

We caught up with Caroline who gave us the latest update to the *Silent Alchemist*, a versatile power hub designed for musicians. Featuring five isolated USB-C outputs and a high-wattage sixth output capable of delivering 100 watts, the device can power a Mac with the remaining outputs providing 20 watts each. Its independent circuits ensure noise-free operation, catering to a variety of devices including the Dreadbox module and Sysmo slope generator.

The Silent Alchemist uses innovative step-up power tips to convert USB-C input to the correct voltage for various devices. There's also new feature: an uninterruptible power supply allowing seamless transition between wall and power bank sources. Also introduced were updated cables, such as silver candy cords and floating ring TRS to TS cables, expanding connection flexibility. The Silent Alchemist is expected to be available in December with a competitive pricing strategy.

More Info:
https://myvolts.com/

2. Bristronica 24: Circuit Happy ML2M Clock Sync module updates

At Bristronica 2024, we caught up with the creator of the *ML2M*, who introduced us to the latest version. The ML2M is a compact Eurorack module with Wi-Fi capabilities, allowing seamless synchronization with Ableton Live, Bitwig Studio, and iOS music apps using Ableton Link without the need for cables. It either connects to an existing network or creates its own, ensuring robust sync even in environments with unreliable Wi-Fi. The module, which retains its 2HP size, now features MIDI integration through TRS jacks. Users can access a web interface to configure each output for different clock divisions and reset triggers, making setup straightforward and flexible.

Alongside the ML2M, there's also the Missing Link Junior. This desktop version offers the same functionality but in a box format, complete with MIDI and CV clock outputs. Both products are now accessible, with a starting price of $250.

3. Bristronica 24: Archaea Exchange Patching Module

At Machina Bristronica 2024, we caught up with Arran from ‪@archaea_modular_synthesis‬ who presented the *Exchange Module*. This programmable patcher, a year in the making, evolved from its early prototype stage to a fully functional module. Arran explained how the Exchange can route synth voices via a beam controller and three exchange modules installed within the skiff, allowing for versatile patching. Operating like a matrix patchbay, it enables users to select inputs and outputs with the push of a button, create presets, and chain multiple modules for synchronized patching.

Communication between the modules occurs over the Eurorack power bus as well as over MIDI via the USB-C connection. The Exchange maintains analog integrity, ensuring there’s no conversion latency. The forthcoming release expected in late November 2024, includes a USB-driven editor for enhanced control capabilities.

CLICK FOR MORE »

The Plantasia Synth 💎 Crown Jewel of Analog with Mark Barton

video upload by Anthony Marinelli Music

You can find Alex Ball's The "Plantasia Moog" Modular Synth - An Untold Story here.

"Dive into the captivating story of Mark Barton, the genius behind groundbreaking inventions like SynDrums, his pioneering system called Speech Assisted Music (SAM) designed to convert text into speech, his work with Steve Job on the first Apple computer release and his award-winning plugin designs with Cherry Audio. Discover how Mark's love for sound led him to meeting Mort Garson and subsequently owning the legendary Moog "The Plantasia Synth" that Mort played on his best -selling album Plantasia, and how it eventually found a new home with Anthony! You'll also hear untold stories about Mort's Moog, Mort's Music and Mort's Genius. Join us as we explore the intersection of innovation and music, showcasing incredible creations and the stories behind them. Subscribe for more inside looks at the magic of synthesis!"

Keith McMillen Has Passed Away

Some sad news in via Keith McMillen Instruments

"It is with heavy hearts that we announce the passing of Keith McMillen.

Keith McMillen, a pioneering force in audio and music technology, passed away this week leaving behind a legacy of innovation and a profound impact on the music industry. Born July 10, 1957 in Bermuda, Keith dedicated his life to revolutionizing how live interactive music is played and experienced.

A passionate advocate for the intersection of technology and music, Keith’s academic foundation was laid at the University of Illinois, where he earned a BS in Acoustics under the mentorship of James Beauchamp. He further honed his skills in classical guitar and composition under the guidance of Herbert Brun, Scott Wyatt, and Sal Martirano. Over the years, Keith developed MAPPS, an integrated computer composition, notation, and performance system that became the bedrock of his group TrioMetrik.

Keith’s professional journey began in 1979 when he founded Zeta Music, a company that would become synonymous with the modern violin. His revolutionary electronic instrument designs set new standards in the music industry, creating a market that continues to influence musicians today.

In 1992, as Vice President at Gibson Guitars, Keith founded G-WIZ, an R&D lab where he developed ZIPI, a groundbreaking musical instrument control language that evolved into the Open Sound Control (OSC) protocol and lay the foundation for MPE and MIDI 2.0.

In 2005, Keith founded Keith McMillen Instruments, a company that quickly became known for its cutting-edge approach to musical technology using patented Smart Fabric sensors. Keith established the company to bring his innovative vision to life, and under his leadership KMI introduced groundbreaking products that combined Smart Fabric with musical artistry, including the K-Bow, QuNeo, QuNexus and K-Board Pro. These instruments, recognized for their versatility and advanced capabilities, reflected Keith’s dedication to pushing the boundaries of what was possible in music technology. His work through the company solidified his reputation as a pioneer in the field and left a lasting impact on the music industry.

In 2014, Keith founded BeBop Sensors with a mission to expand Smart Fabric applications into the fields of wearable sensors and haptics. This led to the development of several products and patents, including virtual reality gloves and insole sensors. This work inspired Keith to form Sensible Robotics, a new company where Keith focused his full attention on Making Robots Feel Better™ by using Smart Fabric to develop robotic skin.

Keith McMillen’s work exemplified a lifelong commitment to exploring how computer intelligence and user interface can enhance and expand musical performance. His passing is a great loss to the world of music and technology, but his innovations and achievements will continue to inspire and shape the future of both fields."

His instruments have been featured throughout numerous posts here on MATRIXSYNTH (271 posts to date including this one). You can find a handful of posts featuring Zeta here.

Tiptop Buchla Performance

video upload by Todd Barton

"My performance for the Modular World Tiptop Buchla Spotlight this past Sunday. [video below]

One of many amazing performances featuring the range of Tiptop Buchla modules. This performance features all the currently available modules including the external preamp input of the 207t mixer with my shakuhachi. Enjoy!

My Patreon: / synthtodd"

Ep43 - Spotlight: TIPTOP/BUCHLA

video upload by Modular World

"BUCHLA FOR THE PEOPLE!
Gur Milstein (TipTop), is working with Buchla under the consultation of Todd Barton to reissue the legendary 200 system from the early 70's. The best part--the modules are affordable.
I know Don Buchla would be very proud to see the kind of legacy that he has left behind if it means that more people could afford to touch his creations.

Modular World will always stand with stories about people, and the passions that push them to stand out. Gur Milstein (TipTop) told me that working with Don's old schematics to recreate these designs has been the greatest honor of his professional life. Yes.

Grab your popcorn and have a seat. With 18 performances and two amazing interviews, this is going to be good."

CLICK FOR MORE »

Exploring the 1st Buchla 100 Modular Synthesizer

video upload by Sarah Belle Reid

"This video is a historical, technical, and musical deep dive into the Buchla 100 Series Modular System at the Mills College Center for Contemporary Music. This instrument was the first voltage controllable modular synthesizer built by Don Buchla—it was delivered to the San Francisco Tape Music Center in the mid-1960s.

In this video we’ll start with a brief historical overview of the Buchla 100 Series Modular System and the San Francisco Tape Music Center. Then, we’ll unpack everything that’s inside the instrument module by module. Finally, I’ll share some of the quirks of this particular instrument, and lots of patch examples to illustrate its unique voice and character.

As I was getting to know this instrument, I tried to keep in mind the circumstances surrounding its development—the people who contributed to it, the time in which it emerged, and the state of electronic music at the time of its invention. These thoughts greatly inspired my approach to working with the instrument and are present throughout this video.

It’s a rare opportunity to be able to work with a historical instrument like this one. I have always been super inspired by Buchla’s work in general, but like many people have had few opportunities to work with his original instruments. Instead, much of my experience has been through newer instruments inspired by his designs. Being able to work closely with this instrument was an incredibly inspiring and clarifying experience that allowed me to gain a deeper understanding of Buchla’s own creative and technical development, as well as the multitude of music, modern modules, and instruments that have been inspired by his work.

Special thank you to Mills College for letting us spend a week in the electronic music studio working with the Buchla 100; to The Buchla Archives and Ryan Gaston for helping to put this video together; and also to all of the amazing folks in my Patreon community for your support in helping to bring educational projects like this one to life!

Learn more / join the waitlist for Learning Sound and Synthesis, my online modular synthesis and sound design class: https://www.soundandsynthesis.com

Join my Patreon community for behind-the-scenes content, unreleased music, and extended tutorials: sarahbellereid

Thank you to:
Mills College Center for Contemporary Music https://www.performingarts.mills.edu
The Buchla Archives https://www.buchlaarchives.com
Ryan Gaston (co-producing + filming) https://gastonsounds.com
Hainbach (tape slicing footage)

TIMESTAMPS:
00:00 Historical Overview: Buchla 100 + the San Francisco Tape Music Center
7:38 Mills Buchla 100 System Overview
14:27 Timbre in the Mills Buchla 100
18:29 Chaos in the Mills Buchla 100
21:52 Voltage Control Quirks
25:00 Sequencing Tactics: Triggered Segments
30:40 Sequencing Tactics: Extended Sequences
32:06 More Patches + Sounds
32:36 Ring Modulated Reverb Patch
34:40 Keyboard Chaos Patch
36:55 Gated Voice Patch
38:29 Wonky Drum Machine Patch
38:57 Triggered Gestures Patch
39:14 Transposed FM Sequence Patch
39:48 Bell Tones Patch
40:27 Touch Controlled Ratchet Patch
41:00 Sequenced Melodic Patch

Sarah Belle Reid is a performer-composer, active in the fields of electroacoustic trumpet performance, intermedia arts, music technology, and improvisation.

www.sarahbellereid.com"



"In the Spring of 2024, Reid spent a week at the Center for Contemporary Music at Mills College, where she worked closely with their original Buchla 100 modular synthesizer system. This specific instrument’s historical significance can’t be overstated. It was the very first voltage controllable modular synthesizer that the now-famous artist, inventor, and electronic musical instrument designer Donald Buchla built in the mid 1960s—indeed, one of the very first modular synthesizers altogether. In its time, this specific system has been used by countless inspiring and influential musicians, such as Pauline Oliveros, Morton Subotnick, Suzanne Ciani, Warner Jepson, and others.

The video begins with a brief historical overview of the Buchla 100 Series Modular System and the San Francisco Tape Music Center. Then, Reid unpacks everything that’s inside the instrument module by module, with sound demos and examples. Finally, she shares some of the unique quirks of the Mills Buchla 100 instrument, and patch examples of how the instrument can be used to create a wide range of music and sounds."

Bob Moog (didn't invent the synthesiser)?

video upload by Zoë Blade

A mini historical timeline of key events by Zoë Blade. It's interesting in that it gives you some of driving forces behind the designs. For an in depth list of electronic music instruments see https://120years.net. If you want read a couple of books on Bob Moog check out Analog Days: The Invention and Impact of the Moog Synthesizer, and Switched On: Bob Moog and the Synthesizer Revolution (Amazon affiliate links). Note: memories can be fuzzy. There are some critiques for Analog Days not being 100% accurate. I haven't heard any on Switched On. That said, both books are interesting reads and will get you closer to some of that history.

Video description:

"After researching a bit about where Bob Moog got his ideas (and rewatching It's Always Sunny in Philadelphia), I finally got around to making my 'crazy board' red wool video (over a year and a half after buying the wool for this specific purpose), before I inevitably forget it all again.

This is my latest attempt at making a 'quick and easy' video, where I ramble on at the camera for three takes then edit the best bits together into something vaguely coherent.

I spent a good while typing out the subtitles for those who need it, which, given how I talk, is probably everyone. 😅

I hope you like it!"

Luminous Trilogy & A CATALOGUE OF FM MATERIALS by Element433 ( a.k.a. Pere Villez)

via Element433 (Pere Villez)

"When I made the popular YouTube series 'FM Catalogue of Materials', many viewers commented that they would love to see some more of the 'music tech as cinema' style created in the videos.

My new project 'Luminous Trilogy' release, does exactly that. In part 1 'WTD', synths and synth technical diagrams, together with Pure Data/Max patches, become casual parts of the film's environment, which is set in an alt near future. Part 1 was realised with analogue modular, whereas Part 2 "Breath" was scored using binaural audio, VCV rack and live Indian tablas. Part 3 'Contrails' uses physical models, Samplicity's Berlin Studios and vintage FM hardware."

Update: Element433 has made the VCV patch and assets used in the film "Breath" below a free download. You can find instructions on downloading the patch and setting it up here: http://tinyurl.com/e433WpBrvcv.

Luminous Trilogy

video uploads by Element433 ( a.k.a. Pere Villez)

"Three music shorts around the theme of light, from incandescent urban folklore set in the near future, electric neon glowing medussae to impossible skies, all to the sound of dark ambient and techno-world music"

Playlist:

Walking The Dulzaina - Luminous Trilogy - Part 1

Walking The Dulzaina is an edited one-shot music film which details the manic walkthrough time-lapse of an imaginary synthesised dulzaina (Spanish folkloric instrument) being taken for a walk through the "Las Vegas" like dressed streets of a small village festive celebration set somewhere in the near future.

The visuals are nods to the Bladerunner, Lynch, Weirdcore and Kubrick where the glow of transparent neon CRTs, display technical diagrams with a music technology theme. Some suddenly slide up from the ground, while others cross from one side of the street to another.

The music is inspired by minimalism, industrial techno synth-folk where Steve Reich and Techno meet Raymond Scott and 1960's BBC radiophonic.

Musical Equipment Detail:

Intro: Moog Subharmonicon through Fairfield Randy's Revenge ring modular - into two crunchy Elby Systems stereo valve preamps and out into a stereo pair of Doepfer A-199 spring tanks).

Dulzainas: Buchla Easel Command sometimes untreated and sometimes solo through a J.H. 'Son of a Storm Tide' stereo analogue studio flanger (built by Van Daal Electronics (second dulzainas and very low transition whoooses). Buchla and Subharmonicon sync locked and clock divided by Ornaments and Crime clock divider.

Final wormhole sequence: Subharmonicon through stereo A-199 Doepfer spring reverbs and Paulstretched.

This work is not sponsored by any the manufacturers mentioned. They are personally purchased pieces of equipment.

Album:
https://distrokid.com/hyperfollow/ele...

CLICK FOR MORE »

Cherry Audio Releases Pro Soloist Synthesizer

video upload by Cherry Audio

The British Stereo Collective - "Ghosts in the Machine," featuring Cherry Audio's Pro Soloist

video upload by Cherry Audio

""Ghosts in the Machine" by The British Stereo Collective. ALL sounds (including percussion) were played by hand exclusively on Cherry Audio's Pro Soloist virtual instrument. No other synths were used in this recording.

Composer, artist, and producer Phil Heeks of The British Stereo Collective draws his inspiration from classic 70s/80s TV theme compilations, film soundtracks, and sound effects LPs of the era. Read more about Phil's various projects and links to his work at https://cherryaudio.com/videos/excerp..."

Introduction to Cherry Audio's Pro Soloist - Hosted by Tim Shoebridge

video upload by Cherry Audio

"To get users up and running with Pro Soloist, Cherry Audio and Tim Shoebridge of Sound Mangling have again teamed up to create an introductory tutorial video walking users through the extensive features of this iconic virtual synthesizer instrument."

Cherry Audio Pro Soloist: A detailed demo/tutorial of a prog rock and 1970s classic

video upload by CatSynth TV

"We take a detailed look at the new Pro Soloist from Cherry Audio, a recreation of the ARP Pro Soloist that became in mainstay in 1970s prog rock as well as a featured instrument in funk, electronic music, and more. We look at the features from the original, including the front-panel "paddle" presets and the unique touch sensor effects. We then take a deep dive below the hood into the enhanced features for directly editing the individual modules and parameters of the underlying synthesizer architecture (including the resonators) and explore the onboard effects section. Finally, we look at a few of the factory presets, including banks from INHALT and Vintage Vibes by James Dyson.

This instrument was developed in collaboration with Mark Barton, who was also behind the Novochord and Solovox instruments that we at CatSynth have enjoyed.

To find out more, please visit cherryaudio.com

"Pro Soloist is the latest in Cherry Audio's roster of ultimate 'what if?'
virtual instruments. Featuring the precision crafted and circuit-modeled DSP designs of award-winning developer Mark Barton, Cherry Audio's Pro Soloist goes beyond emulating the treasured, preset-based monophonic analog synth originally released by ARP in 1972. Pro Soloist not only exactingly reproduces the expressive controls, 30 infamous presets, and the unique underlying architecture of this prog rock classic, it breaks it out of its cage by making it fully programmable and expanding it with full polyphony, splits and layers, a mod matrix, integrated studio-quality effects, and more."

00:00 Introduction
00:25 History of the Arp Pro Soloist
01:23 Overview of the Cherry Audio Pro Soloist
02:21 Original front-panel presets
08:35 Global controls
09:35 Touch Sensor Effects
16:00 Edit Mode
16:59 VCO
18:59 VCF
21:53 Resonator bank
23:53 Modulating the resonator bank with the mod matrix
26:45 Effects panel
34:46 Multi-layer mode
38:08 Factory Presets
42:18 Vintage Vibe expansion bank
43:44 Conclusion"

Press release follows.

"Cherry Audio releases the highly anticipated Pro Soloist, the latest in its growing line of authentic classic synth emulations. This Pro Soloist breaks out of its cage with fully programmability, expanded polyphony and dual layers, an arpeggiator, a mod matrix, studio-quality effects, and more.

PRESS RELEASE - November 21, 2023: Cherry Audio is thrilled to release the highly anticipated Pro Soloist, the latest in its growing line of authentic emulations of classic synthesizers. Featuring the precision-crafted and circuit-modeled DSP designs of esteemed developer Mark Barton, Pro Soloist goes far beyond reproducing the expressive controls, 30 presets, and the unique architecture of this 1972 classic. Most significantly, Cherry Audio breaks Pro Soloist out of its cage by making it fully programmable and expanding it with full polyphony, splits and layers, an arpeggiator, a mod matrix, integrated studio-quality effects, and more.

Early analog synthesizers were a mystery to most working musicians. In 1972, ARP Instruments released the Pro Soloist, one of the first commercially successful preset-based synthesizers. Pro Soloist featured a revolutionary electronic design and feature set, most notably its innovative "touch sensor" keyboard (now commonly known as aftertouch), where pressing a note harder introduces changes to the sound, allowing highly expressive playing. The Pro Soloist was a hit with acts as varied as Tangerine Dream, Gary Numan, Herbie Hancock, Styx, Prince, Parliament, and Vangelis. Perhaps best remembered was Tony Banks, who amplified the Pro Soloist's legendary presets in epic keyboard solos for the legendary band Genesis.

Cherry Audio has received countless requests to reproduce this oft-forgotten gem — one of those came from frequent collaborator Mark Barton (GX-80, Novachord + Solovox, Miniverse, and others). With unparalleled attention to detail, Mark has created an authentic reproduction of the analog signal path along with the 30 original presets, and together we have substantially expanded the Pro Soloist's capabilities. Cherry Audio has added a dual-layer voicing architecture, with 16 polyphonic voices per layer, that enables two different presets simultaneously, with independent panning for rich stereo timbres and complex sounds. Pro Soloist also includes a split keyboard mode and a brilliant “Last Note” option that effectively simulates polyphonic aftertouch using monophonic-aftertouch controllers.

Pro Soloist's distinctive three-panel interface makes clear that this is far more than a preset synth. Cherry Audio has precisely recreated the look and sounds of the original paddle presets in its main Performance mode panel. In Edit mode, we've exposed all of its unique analog synthesis architecture parameters, most notably, the fully-variable, five parallel bandpass filter "Resonator Bank," key to the Pro Soloist's realistic acoustic orchestra timbres. Additionally, we've revealed the LFO and ADSR/AR envelopes and elevated the sound design possibilities with a "Super Wave" oscillator and a robust six-slot modulation matrix. The Arp/FX panel rounds it out with a syncable arpeggiator and a dozen studio-quality effects for distortion, phaser, flanger/chorus, echo, and reverb.

In short, Cherry Audio has elevated the Pro Soloist from a bare-bones monophonic lead synth into a massive, polyphonic powerhouse beyond anything imagined 50 years ago.

Pro Soloist also features 450 presets created by an extraordinarily talented team of sound design veterans, including James Terris, INHALT, Drew Schlesinger, Huston Singletary, and Mark Barton. More captivating sounds are available in the Vintage Vibes Preset Pack (sold separately) by James Dyson. With additional touches such as Cherry Audio's acclaimed MIDI mapping functions, highly optimized DSP for optimal performance, and a visually immersive interface, Pro Soloist will satisfy both vintage synth aficionados and today's music producers.

A mint condition and serviced Pro Soloist can easily fetch $2,500 or more these days, and its unique architecture makes MIDI retrofits impossible. Cherry Audio is thrilled to introduce this virtual and expanded Pro Soloist at the jaw-dropping price of only $49 (list $69), obtainable now from cherryaudio.com and authorized resellers worldwide. Pro Soloist is also available as part of Cherry Audio's new and comprehensive Synth Stack 4 collection. This ultimate sonic package includes all 22 of Cherry Audio's virtual instruments to date at an unbelievably affordable price, on sale for a limited time.

Pro Soloist is available in AU, VST, VST3, AAX, and standalone formats for Windows (7 or above, including Windows 11) and macOS (10.13 and above), including native support for Apple Silicon. A free 30-day demo is available. Visit cherryaudio.com for additional product details, system requirements, videos, and an extensive collection of awe-inspiring sound demos."

Roland Launches Stones Throw Limited Edition of SP-404MKII

video upload by Stones Throw

"We teamed up with Roland to launch the SP-404MKII Stones Throw Limited Edition.

Available now: https://sthrow.com/404
More details: https://sthrow.com/roland

J. Rocc joined us in The Dungeon to cook up something special using sounds that can only be found as part of the collaboration - and to unveil that custom metallic faceplate for the first time.

This one-of-a-kind Roland SP-404MKII comes equipped with pre-loaded music by Stones Throw artists J. Rocc, Sudan Archives, Mndsgn, Kiefer, and DJ Harrison - 16 patterns and 16 samples in each bank. A collectable 7-inch and cassette mixtape are also included."



Press release follows:

Special Collector’s Version of the SP-404MKII Sampler with Custom Panel Artwork, Exclusive Sample Banks, and New Music Created by the Stones Throw Records’ Roster

Los Angeles, CA, Oct. 19 — Roland announces the SP-404MKII Stones Throw Limited Edition, an exclusive version of the world’s favorite portable sampler. Co-curated with Stones Throw Records, this unique SP model collaboration is more than just a tool—it’s a work of art. Featuring a high-shine aluminum faceplate with custom artwork, new sound banks crafted by the label’s roster, and a collector’s package with a seven-inch vinyl record and mixtape, the SP-404MKII Stones Throw Limited Edition celebrates the creative spirit of independent music artists everywhere.

Founded by producer and DJ Peanut Butter Wolf in 1996, Stones Throw Records has built an indie music empire by supporting diverse, cutting-edge artists and spreading the word through vinyl, merch, and events. Touchstone releases include albums by Madvillain, J Dilla, Madlib, NxWorries, Knxwledge, Sudan Archives, Mayer Hawthorne, Dâm-Funk, and Aloe Blacc, all widely considered modern musical masterpieces.

Stones Throw and its artists helped create the blueprint for contemporary independent music culture, and the label’s massive influence was spotlighted in the 2014 feature-length documentary Our Vinyl Weighs a Ton. Roland SP instruments have been key creative catalysts for the label's roster and fans, who continue to unlock new musical frontiers using the portable samplers’ fluid workflow and go-everywhere design.

The SP-404MKII Stones Throw Limited Edition includes ten full banks of brand-new samples and patterns from Kiefer, Sudan Archives, Mndsgn, J.Rocc, and DJ Harrison. This special model also features a custom Stones Throw aluminum faceplate and special packaging designed by Jeff Jank, the legendary art director and illustrator behind the label’s most quintessential releases.

The SP-404MKII Stones Throw Limited Edition comes with additional collector’s content that’s not available anywhere else. There’s a seven-inch vinyl record with two certified burners from Kiefer and Mndsgn—constructed using their custom SP sound banks—plus a cassette mixtape by DJ icon J.Rocc with an exclusive 30-minute remix of music from the SP-404MKII x Stones Throw artists.

About the SP-404MKII
Roland SP samplers are the bona fide kings of performance-based beatmaking, with deep features and portable designs that fuel the engines of creators on the move. The SP-404MKII is the latest generation model in the long-running series, delivering ultimate performance with the latest tech advancements and updates inspired by the global SP community. Key features include a vivid OLED display, 17 velocity-sensitive RGB pads, extensive onboard effects, versatile power options, and more.

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Designing Joy: an Interview with Korg.Berlin CEO Tatsuya Takahashi

via Perfect Circuit

"Tatsuya Takahashi, widely known as 'Tats', is a name that resonates loudly among sound synthesis enthusiasts and professionals. Over the last decade, his innovative mindset has been instrumental in resurrecting the popularity of analog synthesis, crafting a unique sonic landscape that blends tradition with novelty. Takahashi was been the creative engine behind some of Korg's most celebrated modern instruments, including the Monotron, the Volca series, and the Monologue and Minilogue synthesizers."

You can find the full interview at Perfect Circuit.

The following a few excerpts.

"I do have a guiding philosophy. I need to talk about the values that are present now, and how different they are from when I started. Obviously, I was naturally drawn to music tech, I have always loved circuits, instruments, and synthesizers. So initially, when I started working at Korg, which was my first "real" job after working in restaurants and bars, I was entirely focused on doing my job well.

As you mention, this period coincided with the revival of analog synthesizers, and I like to think that I played a role in that amongst other members of the industry. However, back then, it was more about doing well in my job and fulfilling my passion. The vision or the philosophy wasn't as defined then as it is today.

Now, at 40, I have a different perspective. I look back at the 23 products I worked on while in Tokyo and try to understand what made my job fulfilling. Apart from my affinity for design, art, music, and the very act of creating—of being and doing, I realized that there was also an important external element that stimulated me, and that was the joy that the users derived from my designs." "If you look at the MS-20, there were very few people involved in that project. The people responsible for the specs, the electrical design, the mechanical design, and the manual were probably the same two or three people. They just operated using general design principles.

Such an approach brings a certain consistency and purity to the product. Of course, if you are working on a complex product like a workstation keyboard, you need a large team to cover all the layers. However, I romanticize this early era of hardware design where everything was unified. If you look at an old Siemens mic pre, everything from the latch that takes it out of the rack to a three-dimensional puzzle of transformers and vacuum tubes to electrical, mechanical industrial design—all these considerations combined together. It is the same idea here, we try to break the boundaries between different disciplines and just see it as one thing."

"Korg.Berlin is nearly three years old, and we are a subsidiary of Korg Inc. Our function is to conduct R&D for new musical instruments. We diverge from the main office in that we have a different product planning procedure. We work directly with things, and we try in physical form what ideas might work. By the nature of that, we are a bit more explorative.

Our operation specifically aims to do things differently from the way it is currently done in Tokyo and Asia as a whole, including the manufacturing infrastructure. Having spent a wonderful decade building mainly analog synthesizers, it was important for me personally to do something different here. The team in Tokyo carry on with that work, and they are super good at it. So there is no point in us doing the same thing. That is why we need a different approach, a different technology, a different appeal, and consequently, we need a different branding. That is why we have our own logo, and we identify ourselves as Korg.Berlin. These are some of the things that make us different.

Looking into the future, we feel that some form of this acoustic synthesis that we unveiled at Superbooth this year will be at the core of our forthcoming products, or even multiple product lines."

Sequential Introduces New Trigon-6 Desktop Module

Following Sequential's desktop adaptations of their classic keyboard line-up, the Trigon-6 is now available in desktop form.

Press release follows:

Introducing the New Trigon-6 Desktop Module

Ultimate Polyphonic Power
San Francisco, CA — Today, Sequential announced the desktop module of the powerhouse Trigon-6 polyphonic synthesizer, their modern take on a true-classic analog design. The desktop version is a compact and portable instrument that still packs in all the sound generation capabilities of its formidable keyboard sibling. It features three oscillators per voice and a ladder filter that has been updated with a dedicated drive and feedback control, making it easy to go from silky and smooth to bold and crunchy with the twist of a knob. This versatility makes Trigon-6 the perfect companion for your studio or live performance.

The desktop module is more than just a smaller version of the keyboard Trigon-6. It’s an expressive and potent instrument that delivers warm, organic, analog sound in its own right. “Desktop module designs continue to be a popular choice with our players,” said CEO David Gibbons. “We spent a little extra time on MIDI polyphonic expression capabilities as we finalized this one, in anticipation of people pairing it up with some of the awesome MPE-capable controllers on the market. We’re looking forward to hearing what people will do with it!”

Three is a Magic Number
The Trigon-6 desktop module offers a classic three-oscillator synth architecture with an enhanced ladder filter, inspired by some of the most iconic analog synths of all time. The three oscillators provide a rich and flexible sound source, with familiar waveforms from triangle to more complex saws, and variable-width pulse. You can mix and match the oscillators to create intricate harmonics, detune them for thick chorusing effects, or sync oscillator 2 for hard-edged growls.
Meanwhile, the ladder filter completes the heart and soul of the Trigon-6, providing a smooth and musical response that can shape your sound from creamy and mellow to mangled and aggressive. The filter has a 2/4-pole switchable slope and adjustable resonance that can add a distinctive peak or even self-oscillate for screaming leads and sci-fi effects. And with Drive and Feedback engaged, get ready to melt some faces!

Greater Expression Through MPE
Now Trigon-6 lets you shape every note with MPE. MIDI Polyphonic Expression (MPE) is an extension of MIDI that allows compatible devices to control multiple parameters of individual notes within MPE-enabled synths. This provides for more expressive instrumental performances, as each note can have its own pitch bend, filter cutoff, amplitude, and other modulations. You will be able to bend, slide, vibrato, swell and morph your sounds with unprecedented feeling and subtlety. Experience the classic 3-oscillator, ladder filter sound like never before with Trigon-6, the groundbreaking polyphonic analog synth that lets you truly perform every nuance of your music with MPE.
The Trigon-6 synthesizer is a testament to Dave Smith’s legacy and innovation. It has all the best qualities of Sequential’s acclaimed Prophet-6 and OB-6 synths — 6-voice polyphony, unrivaled playability, and easy programmability. It
also features a global LFO, a polyphonic step sequencer, an arpeggiator, and a dual effect processor with chorus, ring modulation, flanger, phaser, delay, and reverb effects. Don’t miss this opportunity to get your hands on the Trigon-6 desktop module, the polyphonic power-synth that fits your studio, your music, and your life.

Specifications
Trigon-6 desktop module weighs approximately 10.9 lbs. (4.95 kg) and measures 22.00” L x 8.45” W x 4.54” H (55.88 cm x 21.46 cm x 11.53 cm).

Trigon-6 desktop module is available for pre-order now, with a US MAP price of $2,499. Shipping worldwide in August. For more information about the Trigon-6 desktop module, visit us at: https://www.sequential.com/product/trigon-6-desktop-module/

About Sequential
Originally launched in 2002 as Dave Smith Instruments, Sequential was founded by legendary electronic instrument designer Dave Smith. His many accomplishments included the creation of the Prophet-5 — the world’s first fully programmable polyphonic synthesizer — and his legacy as the primary driving force behind MIDI (Musical Instrument Digital Interface). Now helmed by CEO David Gibbons, an audio and music industry veteran, Sequential creates innovative synthesizers with the highest level of craftsmanship and care for discerning musicians around the world.

Click on the pics to zoom in.

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Paul T Schreiber of Synthtech / MOTM Retires From The Synth Business

View this post on Instagram

A post shared by Paul T Schreiber (@synthesistechnology)

"After 27 years, I have retired from the synthesizer business. I still have a #day_job which will last until Dec 1st. The last set of 16 modules shipped to Patchwerks in Seattle, including the last E520 Hyperions.

Is there a chance someone will buy my IP and continue the product like? I keep hoping. Thanks to everyone who were friends and customers."

---

The man behind MOTM and Synthtech/Synthesis Technology retires. Paul Schrieber was making modular synths in the MOTM 5U format before eurorack took off. He essentiall started his own format, 5U in height like Moog's MU 5U but different. See this old post for a pic of different modular formats. He made his modules available in both DIY and finished form. You all should be familiar with MOTM and Synthech if you are regulars of the site. If not, see the MOTM and Synthech labels for posts over the years.

Since the launch of this version of MATRIXSYNTH back in 2005, there have been a total of 831 MOTM posts, and roughly 367 Synthtech posts, including this one. I say roughly as there was another Synthtech that made the Chroma Cult - Rhodes Chroma MIDI Interface, that shares the Synthtech label I used to get the count. The first post to mention MOTM dates back to This EAR post on July 30, 2005, the second to MOTM Madness - Featuring Yamaha GX1 Filter clone on August 4, 2005. Sadly the mp3 linked there is gone. People let their sites go unfortunately. The first post to mention Synthtech is the Epic Son video by John L Rice from back on August 2, 2011. His designs also made it into non modular synths like this Studio Electronics Omega 8 w/ MOTM CS80 & 440 Filters.

7/31/23 Metasonix RK8 Filterwall + SSL 1660 + MooSonics Vanilla VCA/Envelope + PCM 70 (gated plate)

video upload by Cfpp0

"A maiden voyage into the latest glory hole from Metasonix."

via Metasonix

"The RK8 contains six bandpass filters, which use vacuum tubes. They are simple 'twin T' designs. Each filter is about one octave lower in range than the one to the left—treble on the left, bass on the right.

Each filter may be manually swept with its own separate tuning knob, over approximately one and one-half octaves. Or ALL the filters may be swept together, using either the 'MANUAL TUNE' knob, or the CV input, which overrides the knob when a patch cable is inserted. Although it is capable of some conventional swept-filter effects, the RK8 is more useful as a complex equalization system or for unique special effects.

Resonance is separately adjustable for each filter. Usually the treble filters will resonate strongly and oscillate under some settings. The bass filters might not. It’s a strange monster.

Inputs and outputs are compatible with all Eurorack and other modular synthesizer equipment. The output peak voltage is limited to the supply rails and can’t damage other modules.

Don’t assume you know what you are getting here—the RK8 is unlike anything else ever marketed. Also don’t expect it to track VCOs. Its voltage-to-frequency curve is 'more or less' hertz-per-volt but can’t really be guaranteed. The six vactrols in each RK8 were hand-matched, but can’t be expected to remain matched, or to track together perfectly.

Again, everything about the RK8 is abnormal. It is not perfectly 'clean' and perfectly 'distortionless', and it cannot be made so. Because it uses vacuum tubes.

It is something you have NEVER seen before. It can NOT be compared to any other product, ever made, PERIOD. Do not walk into this with 'preconceptions'.

Specs: 32HP width Eurorack module, with circuits protruding about 1.5″ or 38mm behind panel. The RK8 uses six 5702 subminiature pentodes, all Raytheon US military surplus from the 1980s. Power supply required is about 600 mA after warmup and 1.4 amps when started cold from +12v, and 10 mA from -12v. Low-cost power supplies are NOT recommended. A spare tube is included, although soldering equipment is needed to replace any of the tubes. They are run very conservatively and will last many, many years."

Metasonix RK8 Filterwall Demonstration 1 SD 480p

video upload by Endmusik Records

"Metasonix RK8 Filterwall prototype demo - video 1.

Modules used: Hexinverter Mutant BD9, Mutant Snare, WMD Crater and Kraken, Moog DFAM, and some live percussion samples from the 1010 music Bitbox.

This is an un-edited 13 minute session of experimentation with direct audio recording to showcase the tonality of the prototype as it processes these sounds. When audio stops and comes back in that is me bringing up a separate mixer channel of the raw audio unfiltered as a comparison, which is then muted out and the RK8 direct channel is brought back in."

Metasonix RK8

video upload by The Mephitif

"Some examples of the Metasonix RK8 Filterwall. First clip is of the Industrial Music Electronics Hertz Donut MK3 running through the Filterwall. Second clip is the Filterwall acting as a sine bank. Third clip is some bad drumbeat being processed through the Filterwall."

1 Hour of Ambient Modular Music - Perfect for Relaxation, Meditation, and Sleep

video upload by Piotr Garbaczonek

"Thanks for watching!
Hope this new series I am starting will help in your everyday life. This can be used for meditation, studying, or even to help you sleep. I got a new computer which is able to handle longer videos, so this is the first one like that.

Now that school has kicked in pretty hard, I will start posting once a week for the foreseeable future. I will keep uploading videos in HD until I save up for a new camera that records in 4K60UHD. so maybe by early next year, the quality will be impeccable. I also switched my video editing software from Adobe Premiere Pro to Black Magic Designs DaVinci Resolve 18, for that great color grading, and overall interface.
Cheers!
- P.G.
#ambientmusic

Here are some links of mine:
https://linktr.ee/pgarbaczonek
Go follow my Patreon here:
https://www.patreon.com/pgarbaczonek?...

Perks of being a member include Patch from scratch videos, behind-the-scenes, HD pictures of gear and such, unreleased music, sample packs, and many more :)"

THE OBERHEIM OB-X8 HAS ARRIVED

video upload by Oberheim Official

"For the first time in over 40 years, a legendary analog synth sound returns.

The OB-X8 combines the three different voice architectures of the classic OB-X, OB-Xa, and OB-8 synths into a single incredible instrument. The individual filter types and other unique characteristics of each model have been faithfully reproduced, along with an uncompromising 100% analog signal path, giving you the most authentic and satisfying OB experience possible.

Oberheim is BACK!"

Oberheim OB-X8 INHALT Sound Design Demo No Talking

video upload by INHALTVIDEO

https://inhalt.bigcartel.com

"My history with Oberheim runs deep. Probably the most important synthesizer for me was the Oberheim OB-8. I connected deeply with its melancholic and midnight music sounding tone which matched very well what I was doing with INHALT at the time. But never to be beguiled by softer emotions, the flick of the unison switch instantly took the OB-8 into an aggressive "body" music. It was the perfect writing tool due to the even tone across all octaves and the fact that its intrinsic musicality was unavoidable. Around the time I got the OB-8 I also got a vintage 2 Voice (thanks for restoring that one Chok) and both were heavily used on many records that I made. Those were my MVP's for many years.

When I received the call from my colleagues at Sequential that not only was a new Oberheim in the works, but that it was to be THE Oberheim, I couldn't wait for the beta testing and sound design to start. And when the prepro unit arrived, I knew that the newly reborn and official Oberheim company, in tandem with the team at Sequential, created something incredible. Something so comprehensive, deep, detailed, featured and yet immediate and simple, with no possibility of making a bad sound. Every sound I made sounded exactly as it should, and they ALL embodied that unmistakable Oberheim sound. That magic that is often imitated but never accomplished. Until now.

I'm not going to get into specs, those have been already covered everywhere, but I will say this: as someone that has used all of the "big" Oberheims, and that has made many records in commercial studios with the OB-8 and a vintage 2 Voice, I can definitively say that this Oberheim does all of those sounds and more. Its charisma changes from filter to filter and it seamlessly traverses from X, Xa to 8 with the Page 2 voice offset and vintage knob, but it ALWAYS sounds like the genuine Oberheim that it is. This incredible team, that I've had the pleasure of working with, has created something that might possibly be the ultimate polyphonic analog synthesizer. And I can't wait to use it on the many upcoming projects at Infinite Power Studios.

This is a recording I made of many of the patches I created for Oberheim and the shipping factory library that will come with the synth.

Please note, the OB-X8 in the video is a prototype unit and I recorded this with a beta firmware. As such, while the synth was largely done there were some changes both to the panel and to the OS that are in the final shipping version (obviously). The OB-X8 was recorded straight into Pro Tools HD and no post processing or fx were added. What you're hearing is the raw synth."

The Sound of the Oberheim OB-X8 - Julian "J3PO" Pollack [custom knobs on this one]

video upload by J3PO

"Oberheim has released a new synthesizer--the first in many decades--the OB-X8. It is a faithful recreation of all three of the classic OB-series synthesizers in one: the OB-X, the OB-Xa, and OB-8. It is an incredible synth.

In this video, you will hear a bunch of presets I created for the OB-X8. Some of my sounds will be included factory with the OB-X8 while most of these presets will appear in a presets pack I will release soon (check www.j3po.net for the release of my official sound bank). This particular unit is an early prototype with non-production knobs. The final production units will look slightly different.

It is important to note that the OB-X8, like the original OB's from back in the day, does NOT contain any onboard effects. In this video, I used some external reverbs and delays to give certain presets the ambience and resonance they deserve. Light compression and limiting was applied for the purpose of uploading to YouTube and balancing the sounds."

Update: Oberheim OB-X8 Preset Demos

video upload by james terris

"I'm always reluctant to post something in prototype form. When I had this unit it was sonically pretty close. Obvious at a glance are the knobs and 3D printed bender box levers. The synth itself sounds great and such a dream to play with a nice modern key bed."

And the press release:

Oberheim Returns to Operations and Releases Its First New Synth in 35 Years

San Francisco, CA – May 9, 2022 – In a momentous industry development, Oberheim Electronics, one of the most venerated names in synthesizer design, has announced its return to operation to meet the rising global demand for its instruments.

Today, the company is launching its first new product, the OB-X8: an eight-voice polyphonic analog synth that combines all of the key features of the legendary OB-X, OB-Xa, and OB-8 products from the 1980s – including all the original presets that gave them their signature sounds.

“I wanted to come back strong with a new design that brings together the sounds of the greatest instruments from across the OB range, together with the distinctive sound and styling of those synths,” said Tom Oberheim. “But we took it even further. You can now combine the various OB voice architectures in ways that produce unique and interesting new sounds and capabilities.”

Originally founded by Tom Oberheim in 1969, Oberheim Electronics created ground-breaking products that fueled the electronic music revolution throughout the 1970’s and early 1980’s. After ceasing operations in 1985, these instruments attained near-mythical status, with highly prized vintage models selling for many times their original price on the secondhand market.

Since that time, Tom Oberheim had created a handful of limited-production instruments and co-designs with various partners under other names. But in a recent significant development, he regained control of the Oberheim trademarks and IP, and now, in partnership with Focusrite PLC, has decided to once again introduce new products under the Oberheim brand name for first time in more than 35 years.

“I’ve always had a very optimistic outlook on our industry and the future in general. I felt that one day, when the time was right, Oberheim would return. A big part of this was the fact that so many musicians have contacted me over the years to ask how to get hold of an original Oberheim. So when I finally reacquired the Oberheim name, it was clear that the time was finally here,” said Oberheim.

The catalog of artists associated with the original products is long, and includes innovators like Prince, Van Halen, and Herbie Hancock. For many, it was much more than just an instrument. A handful of A-list artists such as Trent Reznor, creative force behind Nine Inch Nails, and Golden Globe, Academy Award, and Primetime Emmy-winning composer got pre-release previews. “When I was shown the new OB-X8, I was immediately impressed with the forensic level of detail that went into its design and the respect for its lineage,” remarked Trent. I will be making room in my studio for one and I’m excited more people will be able to experience this classic instrument.”

Creating a new company out of thin air was no small feat. “I’m excited to work with my old friend and audio industry innovator Marcus Ryle, along with some other members of the original Oberheim team again,” said Tom. “And thanks to an exclusive partnership with Focusrite group company Sequential LLC, we have the ability to design, manufacture, distribute, and support new instruments on a global scale.”

For Marcus Ryle, one of the inventors behind the ADAT, the QuadraSynth, and Line 6 guitar amps and effects, this represents closure of sorts: “Synths were my first love and the reason I entered this industry. Tom hired me when I was 19, and I feel lucky to have been a part of the Oberheim design team during its glory days. Now, a whole new chapter in the story of analog synthesizer-based music is about to get written.” Dave Smith, founder of Sequential and himself a legendary figure in synth history, also collaborated with Marcus (an Oberheim team member from the 1980s) and Tom to create the new product. “We’ve already developed other interesting design ideas with Tom for follow-up products that will allow us to take Oberheim into the future as a synth brand,” commented Smith. “It’s a very exciting time to be a musician.”

The OB-X8 eight-voice analog synthesizer will be available at the end of June with a US MAP of $4,995.

For more details visit www.oberheim.com.

About Oberheim
Oberheim is the 21st century return of the legendary company that helped fuel the electronic music revolution. Now, just as then, Oberheim is guided by the vision of engineer and inventor, Tom Oberheim. Tom’s genius for innovation introduced the world to the first commercially available poly synth and other groundbreaking electronic instruments that literally changed the sound of music. Today, Oberheim reawakens this legacy by bringing the famed Oberheim sound to a new generation of instruments and artists. The company’s passion remains unchanged by time or technology — to once again provide the world with the finest-sounding analog synthesizers ever made. Oberheim brings its products to market with the help of the Focusrite organization and renowned synth maker, Sequential."

OBERHEIM OB-X8 SPECIFICATIONS

• 8-voice, pure-analog polyphony with saw, square/pulse, triangle, and noise
• Two discrete SEM/OB-X-lineage VCOs per voice deliver classic punchy Oberheim tone
• Discrete SEM-lineage VCFs deliver authentic OB-X-style tone and presence
• Genuine Curtis filters add bold OB-Xa/OB-8 character
• Meticulously modeled envelope responses match each OB model: OB-X, OB-Xa, and OB-8
• The 61-key FATAR velocity- and touch-sensitive keyboard allows unparalleled expression and responsiveness
• Bi-timbral capability allows two presets simultaneously for splits and doubles
• 400-plus factory programs, including the full set of factory sounds for the OB-X, OB-SX, OB-Xa, and OB-8
• Integral, fanless, heatsink-free power supply
• Real walnut end cheeks
• High-resolution OLED display enables patch management and easy access to advanced features
• Classic Oberheim Pitch and Mod levers allow expressive note bending, vibrato, and access to arpeggiator functions

ENHANCEMENTS
• Additional SEM filter modes add high-pass, band-pass, and notch functions to the classic OB-X filter
• Vintage knob allows variable amounts of voice-to-voice variability to emulate the behavior of vintage instruments 
• Velocity sensitivity adds expressiveness to volume and filter 
• Channel Aftertouch adds real-time performance-based modulation
• Enhanced unison allows variable voice stacking from 1-8 voices
• Variable triangle wave cross-modulation
• Over 600 user-programmable preset locations
• Programmable per-program pan allows wider stereo presence
• Variable oscillator and noise levels

INS & OUTS
• Stereo and Mono outputs
• Volume, Sustain, and Filter inputs
• Arpeggiator clock input
• MIDI In, Out, Thru
• USB
• Dimensions:
• Weight: 32.5 lbs
• Dimensions: 40.5” L x 16.67” W x 5.87” H

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