Oberheim OB-6 - Sound Demo

video upload by TheChrisVella

"A full sound demo of my favourite presets on the Oberheim OB-6 analog synthesizer.
I run through a wide variety of presets to showcase the lush pads, warm basses, sharp leads, and classic Oberheim textures this synth is known for. No talking, just pure sound so you can hear exactly what the OB-6 can do.

Perfect if you’re curious how this synth handles different tones, or if you’re considering adding it to your studio.

⏰ Timestamps ⏰
0:00 - Intro
0:39 - 00's
2:55 - 10's
5:25 - 20's
7:16 - 30's
8:13 - 40's
10:45 - 60's
12:19 - 70's
13:04 - 80's
14:21 - 90's
15:15 - Random 100's"

Impact Soundworks Releases Chro-Nyx, New Virtual Synth Based on Classic Hardware

video upload by Impact Soundworks LLC

FULTON, MD – Impact Soundworks has released Chro-Nyx, a virtual synth that faithfully recreates the beloved JP-8080 synthesizer as well as elements from other popular hardware such as the Access Virus, Nord Modular 2, Korg Mono/Poly, Roland Jupiter-8, and others. With extensive oscillators, filter models, effects, and modulation capabilities, this virtual synth (available in VST, AU, and AAX formats via Reaktor Player) allows producers to create a huge range of possible tones.

Developed over the course of 5 years, Chro-Nyx captures the look, feel, and sound of the JP-8080, an early analog modeling synth that revolutionized digital music in the 1990s (most notably by introducing the supersaw oscillator).

Chro-Nyx then goes far beyond their original capabilities, integrating components from other vintage analog and digital hardware, along with unique and custom DSP, resulting in a feature-packed virtual synth workstation suitable for many genres.

Highlights of Chro-Nyx beyond the complete feature set of the JP-8080 include:

Dual oscillators with 31 oscillator types, each with unique parameters, and many emulating specific hardware

Dual filters with multiple topologies, slopes, and 5 styles available, such as ‘Classic’, ‘Acid’, ‘Lush’, etc.

18 filter drive types and a unique ‘BOOST’ mode that allows for extreme distortion and circuit bending-style effects

Dual LFOs that can go from extremely slow to audio rate speeds

Combination step sequencer and arpeggiator with optional trance gate

16-slot modulation matrix with Eurorack-style math sources also available

Dual effects slots with 29 modules available including shimmer reverbs, choruses, waveshapers, etc.

External audio input for processing through the full signal chain

Analog-modeled Pre and Post-FX EQs

8080-style vocoder with expanded controls, as well as 12-band resonant filterbank

Chro-Nyx was developed in partnership with Jasper Broeks (Chrono), a DJ, hardcore artist, and programmer who has worked with numerous well-known artists and performed at many festivals around the world. He creates his own synths under the Pulsecraft name.

“As an EDM musician myself, I’ve been collecting both softsynths and hardware for over 20 years, which is how I know that it takes a lot for a new synth to stand out. But having spent over 50 hours producing with Chro-Nyx, I’m in love, and I can’t wait to hear how other musicians use it!” CEO and owner Andrew Aversa said.

Chro-Nyx is available at the Impact Soundworks store for a limited-time introductory price of $79 (MSRP $99). Crossgrades are available for some customers.

Learn more here: https://impactsoundworks.com/product/chro-nyx/

Learn how to use feedback loops and filter layerings to enhance your composition | Studio no. 6

video upload by Frap Tools

"Francesco Gennari shows us a fresh new way of using wave folders and filters! Instead of being 'usual' blocks of a synth voice, here they become structural part of the whole composition. Take your time and watch the full video, because the patching style isn't obvious at all!

Original track 'Studio No.6' composed by @francescogennarimusic
Instagram: / fncgennari
Linktree: https://linktr.ee/francesco.gennari
Bandcamp: https://francescogennari.bandcamp.com...
Soundcloud: / user-351738626
‘Studi’ takes its cue from the tradition of the Étude, treating each track as a focused investigation into sound, structure, and technique.

Artwork by Daniel Hicks
Instagram: / mrmrsir
Website: https://danielhicksart.com/

Time stamps:
00:00 Introduction
00:17 Modular performance
03:11 Track structure overview
03:36 Usta sequencer routing
04:13 Voice 1: Piston Honda oscillator A + LPG
05:24 Voice 2: Piston Honda oscillator B + LPG
06:59 Voice 3 / Bass: Cunsa in self oscillation
07:58 Feedback loop with Wave Multiplier + Intellijel Planar 2
09:32 Cunsa filters: layering and modulation
11:11 Stereo space and feedback with Verbos Multi-Delay Processor"

AMS RMX16 + ELKA SYNTHEX / LEXICON SUPER PRIMETIME 97 + OBERHEIM STRETCH DX DEMO

video upload by Synth Tailor Electronics

"Here's a demo video of some gear that left the shop for Ronnie Vannucci (Drummer of the Killers) !

We tried to pick the coolest synthesizers and drum machines to play with the AMS RMX16 and the LEXICON SUPER PRIMETIME MODEL 97, both units sound incredible with just about everything you use with these effects.

00:00-01:09 INTRO/AMS RMX16 + Elka Synthex
01:10-02:39 AMS RMX 16 ELKA Synthex #2 Demo
02:40-03:44 AMS RMX16 Elka Synthex #3 Demo
03:45-05:00 AMS RMX16 Delay/Echo Preset
05:01-10:57 Lexicon Super Primetime 97 + Oberheim Stretch DX
10:58-13:20 AMS RMX16 + Oberheim Stretch DX
13:21-13:49 AMS RMX 16 ROOMS Preset
13:50-14:13 AMS RMX16 REVERSE Preset
14:14-15:13 AMS RMX16 ECHO/DELAY Preset
15:14-15:53 AMS RMX 16 FREEZE Preset

In the middle of the video is a quick instructional section that is Cole talking about how to use both the RMX16 and the Super Primetime 97 functions.
If you have an AMS or Lexicon that needs repaired or restored, please reach out through our website contact form to send it in for repair!
Website contact form: www.synthtailorelectronics.com/contact"

Why Most People Use Sequencers Wrong (Do THIS Instead)

video upload by Anthony Marinelli Music

"Are you making this BIG sequencer mistake? Most people use sequencers to control pitch—but that’s not the only approach, especially if you want your synthesizer to sound alive and musical when spontaneously creating new music. In this video, I'll reveal one of my favorite sequencer tricks: using sequencers for accent and rhythm, while controlling pitch directly from the keyboard.

This technique lets you stay spontaneous with the notes and adds real-time surprises when creating songs or performing live (as opposed to working in a more controlled DAW enviornment). I'll wals you through the patch, gives step-by-step sequencer tips, and plays musical examples so you can hear exactly how it transforms a sequence into something dynamic and expressive.

✨ What you’ll learn in this video:
• How to use a sequencer for rhythm and accents instead of pitch
• Why controlling pitch on the keyboard in real-time can make your sequencer playing more musical
• Patch examples and live demonstrations on vintage synthesizers
• A mindset shift that will change how you think about sequencers forever"

🎛️ Think Like a Synth Learn the exact method I've used for decades on hit records & films
👉 https://anthonymarinellimusic.com/pro...

Antonus 2600 DIY - Test Drive

video upload by Tumeni Knobs

"This is my Antonus 2600 - I just completed building it from the synthCube.com full DIY kit. It is a huge project! Working on it in my free time, it took six months for me to complete. But I'm sure a full-time builder could do it in a couple of weeks. I actually love that it took me this long. :-)

Anyway, since I first powered it up I have been testing, calibrating and starting to understand how it works, and yes, it deserves it's reputation as an awesome sounding and very flexible synthesizer.

This video is just me noodling on it using the Arturia KeyStep Pro with a sound/patch I really like. This is actually just one of its three oscillators, but I have the saw and square waves patched in. The other two oscillators are in LFO mode. The oscillator is using the ADSR envelope and the filter is using the AR envelope plus an LFO to modulate it - makes some interesting accents.

Effects are courtesy of the Fractal Audio VP4, which is an incredible pedal.

I thought adding some drums would give this more of a musical context, so I force-fit some patterns from EZ Drummer.

The opening groove is definitely reminiscent of Bluetech's Laika, from the Spacehop Chronicles album. It's intentional. :-) I really like his stuff! Go buy some at Bandcamp.

This signal path for this recording goes like this: 2600 into VP4 into iRig into iPhone. I then applied a little EQ in Studio One, just to trim out the extreme highs and lows - I did not use any compression on this.

Can't wait to make some "proper" music with this amazing synth.

Cheers!"

Roger Linn: The King of Drum Machines

video upload by Jack Pearson

"This is the story of Roger Linn, a guitarist from Los Angeles whose innovative sample based drum machines changed the sound of music forever.

Special thanks to Roger himself for featuring my video in the September Linnstrument newsletter (https://myemail.constantcontact.com/L...) and on his website (https://www.rogerlinndesign.com).

I first learned about Roger a few years ago while making a film called “The History of Sampling in Music” [below]. While I didn’t know anything about Roger at the time, I was astounded to learn that he had created both the LinnDrum and the MPC, which shaped the punchy robotic drums of 80s pop music and the grungy experimental grooves of 90s hip-hop respectively. I did a quick bit of research about him for my video, but didn’t really dig much deeper than that… However, a few months ago I decided to rewatch my old project, which reignited my interest in Roger’s story and gave me the idea for this video.

Like my previous project, I’d initially planned to write a script and do a voice-over, but after discovering the assortment of recorded interviews that Roger has already appeared in, I realised that I could just chop them up and have Roger tell his own story. I thought 'hey that sounds pretty cool, how hard could it be?'

Well, let’s just say I’m probably never going to do something like this again. I did enjoy making this and I am proud of it, but if I had just done a voice-over not only would it have been easier to make, but I also could’ve included a lot information without it feeling incredibly clunky. The initial cut was about 26 minutes, but I cut out loads of stuff for the sake of pacing and trying to stick to narrative beats. Roger is a fascinating guy with a lot of great anecdotes though, so if you enjoyed this video then I highly recommend you seek out some of the podcasts/interviews he’s done over the years.

I planned on making all the music for this film myself, but decided it would be better to use music that relates to Roger in some way (for example, he co-wrote 'Promises' by Eric Clapton and 'Quittin’ Time' by Mary Chapin Carpenter, and first used the LM-1 Drum Computer on the Leon Russell album 'Life & Love' which featured the track 'One More Love Song'.) I salvaged one of these demo tracks for the credits, but you can listen it and a few more scrapped tracks here:

Jack Pearson · RL:TKODM (Credits Music + Demos)

Since you’ve read this far, here’s a few bonus Roger facts that got cut out of the video:

The LM-1 was featured on the best selling album of all time - 'Thriller' by Micheal Jackson, as well as other early 80s hits like 'Maneater' by Hall & Oates, 'Valerie' by Steve Winwood, and for some reason - the original 1983 Thomas the Tank Engine theme song.

Roger hired his friend, a professional session drummer called Art Wood, to record most of the sounds on the LM-1. They set up the kit in Roger’s closet, recording each of the drums one at a time… then called it a day. Given the popularity of the songs featuring these recordings - Art Wood is technically one of most prominently featured drummers of all time.

And here's two bonus facts about this video:

The title 'The King of Drum Machines' is a quote from the father of MIDI - Dave Smith, when he spoke about Roger and the Tempest drum machine (which they built together) on a Sweetwater panel in 2015. [below]

This video was released on Roger’s 70th birthday.

I hope you enjoy it!" The History of Sampling in Music (2022)

video upload by Jack Pearson

The Inventors of Synth (Roger Linn, Dave Smith & Tom Oberheim) - Sweetwater Gearfest 2015

video upload by Sweetwater

"Join Mitch Gallagher as he moderates 'The Inventors of Synth' panel discussion at Gearfest '15. Featuring industry icons Dave Smith, Tom Oberheim, and Roger Linn discussing their thoughts on the past, present, and future of analog synthesizers and controllers.

Legendary synth designer and Grammy-winner Dave Smith was the founder of Sequential Circuits in the mid-'70s. His Prophet-5, the world's first fully programmable polyphonic synth, was the first musical instrument with an embedded microprocessor. Dave is also known as the driving force behind the development of the MIDI specification. He has continued to innovate, and recently unveiled his latest synth creation, the Sequential Prophet-6.

A pioneer of the synth and MIDI world, Tom Oberheim co-designed the Synthesizer Expansion Module (SEM), a device that allowed musicians to simultaneously combine live playing and sequenced playback - a concept that pre-dated the MIDI revolution. In 1981, he, along with Roland's Ikutaro Kakehashi and Sequential's Dave Smith, developed the MIDI spec, which changed the course of modern music. Tom recently re-released his famed Two Voice synth.

Technical Grammy award-winner Roger Linn invented the LM-1 Drum Computer (the first sample-based drum machine) in 1979. He later designed the Akai MPC60, which combined a sampling drum machine with a real-time MIDI sequencer. His guitar effects unit, AdrenaLinn, has been used on hit recordings by John Mayer and Red Hot Chili Peppers. In 2014 he released the LinnStrument, an expressive MIDI performance controller."

Groove Synthesis 3rd Wave 8M Review & Demo | Compact Synth Powerhouse

video upload by Starsky Carr

0:00 All 3rd Wave intro (not drums or vocals!)
2:13 Doing that PPG Thing
4:07 It's SOOOO much more than a PPG
6:33 Creating the Different Styles of Tones
14:00 Putting Them All Together
16:15 Demo Track - Rain or Shine

"The Groove Synthesis 3rd Wave 8M is here – the compact desktop module with huge power. From classic PPG tones to modern wavetable magic, this demo shows why it could be your next dream synth.

In this video I put it through its paces with a full demo and review, showing how it stacks up against the bigger 3rd Wave keyboard and even the Behringer Wave – a clone of the classic PPG 2.2.

With 24 voices, wavetable creation, sample import, and a deep sequencer, the 8M delivers the lush PPG tones we know and love – but it also goes far beyond, opening up new creative possibilities for sound design and performance.

If you’ve seen my earlier videos on the 3rd Wave , you’ll know how close they get to that classic PPG sound. But the 8M adds serious flexibility: multi-timbrality, modern workflow, and the ability to create wavetables from audio. This isn’t just a clone – it’s a synth that pushes forward while staying true to the heritage.

Whether you’re a fan of vintage digital synths, wavetable synthesis, or just looking for an inspiring new instrument for your studio, the 8M is a fascinating option.

👉 Check out my 3rd Wave Playlist - everything you could ever want to know!"

Kodamo EssenceFM - Healing Sounds1

video upload by j bowman ALL PROCEEDS TO MEDICAL AID FOR PALESTINE

"Experience next-level FM synthesis in this live sound design session on the Kodamo EssenceFM! In this video, Healing Sounds1, we explore deep FM patching techniques and live creation of immersive, evolving textures using the powerful Kodamo EssenceFM — one of the most advanced and expressive FM synths on the market today.

Whether you're a seasoned synth enthusiast or new to the world of FM synthesis, this video gives you hands-on insight into real-time sound design using the EssenceFM’s intuitive interface and layered engine. Discover how to sculpt rich, dynamic tones perfect for ambient, cinematic, or experimental electronic music.

Looking to elevate your sound design synth skills? Want to unlock the potential of FM synth programming? This is the video for you. We’ll go through custom patch building, modulation routing, and tips for creating viral-worthy soundscapes with unique tonal depth."

How to Recreate the Iconic Underworld Born Slippy Intro on Novation Summit and Montage/MODX

video upload by Scott's Synth Stuff

"Underworld's intro to their huge hit Born Slippy is one of the best known intros, with an iconic stab and pad sound. Dance floors the world over go crazy when they hear that identifiable sound and chord sequence. In this video I show you first how to sound design these sounds, using my Novation Summit, and then again on the Montage. However, you can use my explanation to recreate the sound on most any synthesizer. I then show you how to play the chords."

Remaking Underworld's Dark and Long below.

0:00 Intro
0:45 Born Slippy
1:38 Deconstructing the Sound
3:49 Bitimbral Sound Construction
4:57 Creating the Stab Sound on Summit
6:38 Adding Filters
6:55 Envelopes
8:49 Effects
9:59 How to Play the Chords
11:11 Creating the Pad Sound on Summit
12:09 Envelope
12:29 LFO Modulating Filter
13:30 Effects
13:59 Putting It Together
15:19 On the Montage
15:50 Stab Sound in AN-X
17:24 Stab Sound in AWM2 (For MODX)
19:36 Pad Sound
20:36 Reverb

How to Remake Underworld's "Dark and Long (Dark Train)" on the Roland Fantom/Fantom-0

video upload by Scott's Synth Stuff

"In this video, I take one of the earliest songs "Dark and Long (Dark Train)" by my favorite band, Underworld, and remake it in my Fantom-6. If you have a Fantom or a Fantom-0, you can do this yourself! I show how I picked the sounds, then go through the various parts and create sequences in the pattern sequencer. Once I'm done, I put it all together and show how it can be performed! You could do this on any multitimbral synth with a sequencer (MODX or Montage), using a DAW like Abelton, or even using a looper!"

0:00 Intro
1:49 Picking the Sounds
2:36 Recording the Drums
5:45 The Bass Line
6:43 Adding Delay to the Bass Line
8:14 Recording the Synth Stabs
10:35 Recording the Vocal Ahhh
11:34 Recording the Pad Sound
12:14 Playing Back the End Result!
15:46 Summary

Solar42f Demos & Tutorials

video uploads by Saß

Playlist

1. Making of King's Respite - Patch Design (Elta Music Solar42f)
2. Get Some! - 128bpm DAWless Techno
3. Solar42f Tutorial - Papa Srapa Drone Oscillators
4. King's Respite - Medieval Elta Solar42f Synth Performance
5. Clang Island - Industrial Gamelan Solar42f & DFAM Jam
6. Making of Electric Gamelan - Patch Design (Elta Music Solar42f)
7. Electric Gamelan - Cinematic Elta Music Solar42f Performance
8. Stardance - DAWless Jam (Solar42 & MPCKey 37)
9. Making of Universal Equilibrium - Patch Design (Solar42f)
10. Universal Equilibrium - Cinematic Binaural Experimental Ambiance (Solar42f)
11. Junglebop - Funky DAWless Jam (MPCKey37 & Solar42)
12. Solar42f Tutorial - Dual Effector/FX Card Section
13. Ambient Sandstorm - Experimental Solar42f Drone Improv in Arabian
14. Aquarius - Experimental Ambient DnB Solar42f Improv
15. How to make Ambient Synth Music (No Talking - Solar42f Ambient Drone Machine) #synth #music #howto
16. Machina Meditation - Ambient Solar42 Improv
17. Between Sumatra and Bali - Experimental Ambient Improv in Gamelan
18. DnB Improv with the Solar42f

Buy me a coffee! 🫶 Thanks for your support
https://coff.ee/sass42

🎛️ Welcome to the sonic playground of Saß – where DAWless jams, boombap beats, and experimental ambient soundscapes collide. This channel is all about raw, hands-on music creation, driven by hardware and a deep love for texture, rhythm, and exploration.
Whether you're into electronic, techno, lo-fi hip hop, synthwave, IDM, EDM, Sound design, synth wizardry, and everything in between...
…you’re in the right place."

Tone Science Module No.10 The Final Patch (DiN:TS10)

"Now available as a double CD with an 8-page booklet & download

Tone Science sub-label, from DiN records, concludes it’s exploration of the world of modular synth music.

Since the first volume in the Tone Science series was released in 2018, seventy-two musicians in total have joined in with this celebration of the musical possibilities of modular synthesis. These artists have been from a huge range of backgrounds but have all shared the unifying purpose of showcasing the incredible variety of sonic possibilities these instruments can offer.

Tone Science sub-label, from DiN records, concludes its exploration of the world of modular synth music.

Since the first volume in the Tone Science series was released in 2018, seventy-two musicians in total have joined in with this celebration of the musical possibilities of modular synthesis. These artists have been from a huge range of backgrounds but have all shared the unifying purpose of showcasing the incredible variety of sonic possibilities these instruments can offer.

The intervening seven years have seen the modular synth world expanding at an exponential rate and whilst one wouldn’t go so far as to say these synths are mainstream, they are certainly far more prevalent than in the past. It’s especially gratifying to see so many musicians now either play solo sets with them or to include them in their onstage arsenal.

Thus we come to this, the final instalment in the Tone Science series. Nothing lasts forever and certainly stopping at this nice round number of ten seems like a good way to not only end the series but to release the Final Patch, a real celebration of what has gone before and perhaps to hint at what is possible for the future. A beautifully packaged double CD featuring twenty artists who have appeared on previous iterations of the series, it really is a who’s who of modular synth musicians. The release is accompanied by an eight-page booklet with an essay by Neil Mason and some final words from the guiding force behind the whole project, Ian Boddy, label boss at DiN. And as Boddy so succinctly puts it in his liner notes, “for me, despite the technological nature of the equipment, the emotional quality of the music is the single most important factor”. The Final Patch certainly delivers on that ethos.

CLICK FOR MORE »

Digitone 2 + Launch Control XL 3: One System for EVERY Jam

video upload by Sineway

"Learn how to connect the Digitone 2 with the Novation Launch Control XL 3 for a consistent synth workflow that works across all your live performances.

🎛 What you’ll see:
My 8 column layout for drums, bass, leads, and more
How I map faders to mod wheel macros and encoders to breath control
Why one fader for all drums (mapped across multiple tracks) is often enough
Extra spice: direct MIDI CC mappings for reverb decay + delay feedback
How to configure the Launch Control XL 3 in Novation Components
How to assign MIDI channels on Digitone 2 for a stress-free synth workflow
Why this system also works with Digitakt 2, Syntakt, Digitone and even other synths like Peak or MiniFreak

💡 I still have unused encoders — what would you map them to? Let me know in the comments.

The software used to configure the Launch Control XL 3 is called Components and can be downloaded from here: https://novationmusic.com/components"

Classic Jupiter 8 using the Novation SUMMIT

video upload by Starsky Carr

See How to Make Your Synth Sound Like a Roland Jupiter-8 (Summit & Peak Tutorial and patch bank)

Vintage 80’s Tama Techstar Analog Drum Synthesizer Synth Kit Pads & Original Boxes

Note: Auction links are affiliate links for which the site may be compensated.

via this eBay listing

"How is this even possible? The sounds of 80’s new wave, techno, dance and electronic in drum kit form all in their original boxes. 😱

Vintage 1980’s Tama Techstar analog drum synthesizer system.

Complete TS-500 drum kit/pads, TS-305 6 voice analog synthesizer, and I do have TDA-60 amplifier available but not included in this auction.

A rare opportunity to own a distinct analog sound that’s totally functional and complete. In most other cases, these would be highly used and abused.

Per the previous owner, these sat in the boxes for the past couple decades. In excellent condition and don’t look to have much heavy play time if any at all.

Check out the video but keep in mind I’m not a drummer! But you can be, with headphones too! 😎

These are vintage and like all vintage gear expect some wear and scuffs associated with age."

CLICK FOR MORE »

DSI Poly Evolver soundscape with emotive pads

video upload by MIDERA

"Just pulled this out to see what it can do for me. Sometimes I forget how interesting it can sound, and, maybe more to the point, how good a 4 voice synth can sound.

I’ve just been going back and forth between trading this for a Moog Muse. In the one hand, I haven’t played my Poly Evolver much, on the other hand, if I sell it, the prices are getting crazy and I’d probably never get one again.

Sigh… no idea.

NI Raum for reverb"

How to Make Your Synth Sound Like a Roland Jupiter-8 (Summit & Peak Tutorial and patch bank)

video upload by Starsky Carr

"Ever wished your synth could sound like the legendary *Roland Jupiter-8*? In this video, I’ll show you how I built over 80 authentic Jupiter-8 style patches—from lush pads to classic leads and basses —and how you can design your own vintage synth tones step by step.

In this I use the Novation Summit*, and my patches also work on the *Peak
Get the Patches here:
https://www.starskycarr.com/patches/p...

*What you’ll learn in this video*:
How to create Jupiter-8 inspired patches on Novation Summit & Peak
Tips for getting authentic vintage analog tones
Tricks to restrict modern features for a true retro sound
Ways to shape oscillators, LFOs & envelopes for classic synth vibes"

0:00 Intro - taking things a little futher
1:23 You don't need a clone clones
4:01 Cross Mod/FM - They're not the same Linear vs Exponential
5:25 PWM - Check the LFO range
7:54 Sync - The SUMMIT & Peak are unique here
9:59 LFO - Don't go too fast!
12:58 Don't worry about the Cross Mod
13:48 Keep the filter within limits and you'll be fine
20:50 A Patch Form Scratch
22:16 A Word on the Envelopes
24:32 Adding Performance Features
30:15 Some Thouhgts
31:54 A QUICK JAM

JoMox Alpha Base Analog Drum Synthesizer SN 2021-728

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"Jomox Alpha Base, tested in perfect working order. Includes SD card and original power supply.

It's true analogue. Eleven instruments, sequencer, Midi/USB/SD-Card. Samples. Sampling inputs, balanced individual outputs.

Although it may appear similar to the classics XBASE 09, 999 and 888, the ALPHA BASE has an entirely new design under the hood. We have put in the concentrated know-how of the Jomox drum machines and of our synths of the past 20 years. We have simplified some things, but also added new components or have combined them new. The outcome is the best sounding and most versatile drum machine that Jomox has ever built."

CLICK FOR MORE »

FM Patch Ideas - exploring custom sounds on the Kodamo EssenceFM

video upload by j bowman ALL PROCEEDS TO MEDICAL AID FOR PALESTINE

"Discover powerful FM patch ideas on the Kodamo EssenceFM in this sound design deep-dive! Whether you're an FM synthesis enthusiast, a Kodamo EssenceFM owner, or just passionate about creative sound design on FM synths, this video will inspire your next sonic exploration. We dive into custom patches, showcase unique modulation techniques, and explore the full potential of this powerful FM synth.

The Kodamo EssenceFM is a modern FM synthesizer packed with incredible features—and in this video, we unlock its hidden capabilities with experimental FM patch ideas that will elevate your music production, film scoring, or live performance setups.

If you're looking for FM synthesis tutorials, sound design tips, or want to explore how to create viral-worthy sounds using an FM synth, you're in the right place. We’re pushing the limits of FM sound design to craft evolving textures, dynamic pads, glitchy leads, and much more." Timestamps:

00:00 Intro
02:20 Looping envelopes
04:15 Random timbral variations
10:08 Stacks for overtones
12:20 One shot envelopes and noisy feedback
15:35 Wave sequencing
18:40 Wavetable
23:15 DX7 patch import
24:18 Virtual analogue VCO / VCF effect

Eurorack Industrial Techno Jam – Sovage Engineering Analog Drum System (Uncut 15min)

video upload by SOVAGE ENGINEERING

"Have a taste of a Sovage Engineering analog drum system. If you wonder how I make my videos, this is a 100% uncut 15 minute live stream session of me tweaking and searching for cool loops to keep, with both good and less good stuff lol.

Here I’m using only 4 tracks sequenced by the Erica Synths BLACK SEQUENCER:
Track 1 = Kick by LA REINE DU CHAOS
Track 2 = Synth Voice by LA REINE DU CHAOS x L’ECORCHEUR x FAILLE TEMPORELLE
Track 3 = Perc by BINOME channel 1
Track 4 = Perc by BINOME channel 2
Everything is going into one BAGARRE for its famous natural grit and mix glue! Direct out no post processing, RAW STUFF !"