MATRIXSYNTH: Search results for MIDI IN

Showing posts sorted by date for query MIDI IN. Sort by relevance Show all posts
Showing posts sorted by date for query MIDI IN. Sort by relevance Show all posts

Monday, October 05, 2026

Novation Bass Station 2 Editor with Sound Alchemy


video upload by Karl mller

"Home:
https://payhip.com/MomosEditors"



"Here are my Midi Editor for the Novation Bass Station 2 Synth.
The Bass Station 2 Editor gives you direct access from the DAW to the Novation Novation Bass Station 2 parameters,
allowing you to integrate it into the DAW project.
In the PlugIn version you can record the controller movements and so the sound change can be saved.

With the ‘Sound Alchemy’ editor, you can easily create new sounds or sound variations,
either deliberately or at random.
- RandomJoyStick: Can generate an endless variety of random sound effects, which you can control yourself.
- X-Y Multi Pad: You are free to choose which four parameters you wish to control with the mouse,
allowing you to make complex changes to the sound.

Introducing Core by Squarp Instruments


video upload by Squarp instruments

"Core is a MIDI to CV/Gate interface with onboard generative Engines. It bridges your computer, keyboards, hardware sequencers and Eurorack, all in perfect sync.

🔌 USB Host, USB Device and MIDI TRS inputs, intelligently merged
🎹 MIDI to CV Pitch, Gate, Velocity, Aftertouch, and CC0–CC119, with polyphony support
⏱️ Clock, Start, Stop and Reset, with internal BPM and Swing : lead your system or follow your gear
🌀 Generative Engines: ADSR, Euclidean gates, Arpeggiator, LFOs, DC offset and Logic operations
↗️ Up to 64 assignable CV/Gate outputs (32 per connected xp32)
🎚️ CC Learn: map any incoming MIDI CC to any Engine parameter, with custom min/max and inversion
💾 8 global presets and a crisp OLED screen for lightning-fast routing

A translator and a creative tool in one: run up to 64 LFOs, 64 clocks or 64 Euclidean generators, and generate ADSR envelopes on board. No extra modules needed."

Testing CORE by Squarp Instruments with Ableton Live

video upload by Stazma

"Today I'll show some fun ways to use the Core & XP32 from ‪@squarpinstruments‬ with Ableton Live."



YOLA MPE Test — 4-Voice Polyphonic Analog Synthesizer Control via CV


video upload by Gm Xe

"YOLA MPE Controller — Test Notes

In this test, YOLA is used as an MPE control terminal to play four analog oscillators polyphonically, with independent CV and Gate control for each voice.

The setup uses the magnetic CV expansion module, providing:

4 × polyphonic CV outputs
4 × Gate outputs
Buchla-format and Eurorack-format CV support
Demo 1 — 4-Voice Analog Polyphony

One YOLA demo unit sends four independent polyphonic CV signals to four analog oscillators, with four Gate outputs controlling four separate envelopes.

Each oscillator has its own character, while four individual LFOs modulate the dynamics of four LPGs.

The result is a fully polyphonic performance controlled directly from YOLA's multi-touch MPE interface.

Demo 2 — YOLA + GMXE 700 Voice

A second YOLA demo unit is connected to a GMXE 700 Voice via MIDI.

After approximately two minutes, the system switches into CV recording mode for another test.

About YOLA

Sunday, October 04, 2026

Roboto Singing Synthesizer Demo (Japanese)


video upload by discoDSP



"Rotobo is a singing voice synthesizer. Write a melody in the piano roll, type a word on each note, and Roboto sings it. The voice is synthesized with no samples, from a glottal pulse source, five formant resonators and shaped noise for consonants. Roboto is free and runs as a plugin or standalone on macOS, Windows, Linux, iPhone and iPad."

https://www.discodsp.com/roboto/

FEATURES

SONG EDITOR

Piano roll where every note carries a word. A note named + sings the next syllable of the previous word.

Text tab that holds the whole song as text (word:note:beats), so songs can be typed or pasted.

Automation curves along the song for volume, pitch bend, vibrato depth, breath, formant shift and chorus.

Built-in songs in every language to try.

Import MIDI, karaoke MIDI (.kar), UltraStar, LRC lyrics, SRT subtitles and song text, from the menu or by dropping the file on the window. MIDI notes without lyrics are sung on "ah".

Musicalize button: plain lyric lines get a pentatonic melody, one note per syllable.

VOICE

Synthesized voice with no samples: a glottal pulse source, five formant resonators and shaped noise for consonants.

Sings in English, German, French, Spanish, Japanese, Russian, Finnish and Swedish, with spelling rules for each language. Japanese kanji are read on macOS and iOS.

Fine Gear ModMix CV Control Analog Mixer

Note: links to listings are affiliate links for which the site may be compensated.


via this Reverb listing

You can find demos in addtional posts here.

"Excellent condition. Works perfectly. Amazing modulation source and CV / MiDI hub and high quality mixer.

Careful home studio use only.

Factory PSU and box included + manual

Modmix is a CV-controlled 4-channel, 4-sends mixing console with stereo returns, and multiple send-to-channel switchable routing options for no-input mixing and feedback techniques. If unusual in a mixing console, CV-modulation is here to allow extended sound generation and manipulation. Modmix has a pair of each: MIDI-syncable LFOs and envelope followers."

Nozoid Kagouyar - Polysynth w/ Updated Firmware

Note: links to listings are affiliate links for which the site may be compensated.


via this Reverb listing

You can find demos of the in the Kagouyar announcement post here.

"Updated with 2026 ver 2 OS.

Includes power adapter and quick guide. Full manual available on Nozoid site

Kagouyar Features

4 Voice polyphonic virtual analog synth

3 Oscillators per voice with 3 assignable modulation sources

Multimode filter with low pass, band pass, high pass

7 LFOs

Touchable modulation matrix

2 Audio effects

Cool patch randomize option

Dimensions: 13.78" x 9.84" x 2.17"

Weight: 3.09 lbs

Power: 9–12VDC 500mA PSU included

Audio Out: 1/4" Balanced Mono

Stereo 1/4" Headphone output

MIDI 5-pin input

2x CV inputs, 1x Gate input

Isla Electronics ASYX - Multi Timbral demo


video upload by Isla Electronics

"I keep getting asked what the 'MIX' button is for.
Well, the original Andromeda was 16 voices, but it was also 16 part multi-timbral, so you could either have upto 16 totally different sounds playing at once, or you could also use it to layer different patches to create very thick textures.
In this quick synth wank, I give a little tour of the UI while about 7 different programs are playing across different midi tracks from ableton. No additional fx or processing other than what's coming out of asyx. This is just 1 single instance of the plugin loaded.
Excuse my rough timing, I recorded this in on a KordBot.. lol"

Saturday, October 03, 2026

PLICATA — Patchable AUv3 Synth for iOS | Hands-On Demo


video upload by Utente Google Anonimo

"A hands-on demo of PLICATA, my first instrument in the Trambustissimo family.

PLICATA is a compact patchable monophonic synth for iOS, available as a standalone instrument and AUv3. It combines a morphing VCO, independent interval SUB oscillator, wavefolder, resonant filter, modulation, a 28-point patch system, microtonal XY keyboard, MIDI/MPE, complete-state presets, and a 32-step performance arpeggiator with probability, ratchets, HOLD/FILL, mutation, freeze and recallable scenes.

Trambustissimo instruments: https://alessandroguardascione.com/products/

Support:
support@alessandroguardascione.com

PLICATA is the first of six independently developed Trambustissimo instruments inspired by classic Moog instruments and workflows. The wider project also includes TACTA, a six-voice percussion instrument inspired by the Nord Drum 2's six-channel architecture and expanded around deeper synthesis, sequencing and performance.

These are independent instruments developed by Alessandro Guardascione. References to Moog and Nord products are descriptive only; there is no affiliation, endorsement, sponsorship or licensing relationship with those companies."

Friday, October 02, 2026

Machinedrum Plug-in Interpretation: MDSYN Presets – Not the ROM, the Other One


video upload by StigmaAudio

Also see:
Elektron Machinedrum & Monomachine Emulations Come to Software for the ROM versions/clones in software
Monomodule -1.0.1-Beta (Elektron Monomachine emulator) - for a non ROM clone software emulation

As for this video:

"It's not the ROM. It's the other one.

MDSYN is Stigma Audio's 16-track synthetic percussion sequencer: every sound is synthesized in real time. It is a reinterpretation, not an emulation — no firmware, no ROM, its own engine.

This video is a single live take: a run through twenty presets, pattern switching on the fly, a look at the FX, SYNTH and ROUT pages, track mutes, step pages, save and reload, and the delay and reverb sends. When the knobs move on their own, they are being played from an LPD8 controller over MIDI CC.

This plugin comes from my personal collection. Maybe I'll release it one day, but probably not in this design. It is a personal project, not affiliated with or endorsed by any hardware manufacturer; all trademarks belong to their respective owners.

Chapters:
0:00 Intro
0:10 Presets and patterns
3:25 The FX page
5:33 Save, synth page and reload
6:32 Track mutes
9:32 Step pages
10:57 Knob edits
12:33 Routing, delay and reverb sends
13:08 More presets
14:46 Outro"

Treeetone & Digitakt #synth #synthesizer #electronicmusic #digitakt #bass #eletron #music #sound


video upload by

"#treeetone - аналоговый синтезатор с тремя осциляторами, фильтром и двумя огибающими.
Так же имеет встроенный MIDI to CV converter.

Жирный бас под управлением Digitakt🤟
Лучше слушать в колонки или наушники🎧"

Googlish:

"#treeetone is an analog synthesizer featuring three oscillators, a filter, and two envelopes.
It also includes a built-in MIDI-to-CV converter.

Fat bass controlled by the Digitakt 🤟
Best heard through speakers or headphones 🎧"

Previously:

Низкочастотные пульсации синтезатора Treeetone

video upload by SynthCone

E-mu Emax II Rack: Why He Bought a Vintage Sampler


video upload by Ian Dixon

"The E-mu Emax II Rack is a 1990 vintage sampler with 16-bit sampling, digital resonant filters, 16 voices and that classic E-mu sample-library character.

In this video I explain why I bought an Emax II Rack, how it fits into the E-mu Emulator family, and what makes this 2MB version with a Gotek drive interesting today. I look at the history from the original Emulator through to the Emax II, load sounds from the Gotek/sample library, play through factory-style patches, explore the filter and envelope controls, and talk about why vintage samplers still feel different from modern software.

This is partly a first look, partly a vintage sampler demo, and partly the start of a new Emax II journey: building a usable sound library, tagging useful sounds, sampling my own material and finding out what this classic rack sampler can add to modern tracks.

Timestamps
00:00 Intro and music
00:15 E-mu Emax II Rack overview
00:39 Emax and Emulator history
01:03 Emax II specs and 16-bit sampling
02:06 Front panel and loading sounds
02:37 Gotek drive workflow
03:30 Sampling rates, filters, SCSI and MIDI
04:23 Exploring the sample library
05:08 Loading Grey Sounds Volume 1
06:45 Brass sounds and loading workflow
07:10 Emulator library sounds and synth-style editing
07:55 Digital resonant filter and Q
08:34 Filter envelope experiments
09:50 Synth-style modulation and envelopes
10:14 Sampling, looping and editing options
10:57 Piano, guitar, vocal and classic library sounds
14:26 Building a personal Emax library
15:08 Tagging sounds and using the library tool
15:48 Reflections on vintage digital samplers
16:26 Comments, resources and wrap-up"

Thursday, October 01, 2026

Norand Mono v3 from DenverSynthLabs


video upload by manmade madman

"Here's a quick demo of the new VST from DenverSynthLabs. Showing its wide capabilities as a dual oscillator bass synth, but also much much more. Using MOD notes-- single sounds-- you can even program drum tracks monophonically."



via DenverSynthLabs

"The Norand Mono mk1 and mk2 were left unfinished — firmware issues that never got solved, a company that went insolvent before it could fix them. MONOv³ finishes the job: updated firmware for your real hardware, plus a full digital twin with infinite patch storage, easier workflow, and near bit-perfect sound. Own a mk2? Load the firmware, run the hardware as a controller sending MIDI CC to the plugin, and pair it with the software for a NORAND DUAL."

AnalogFX Announces Availability of Limited-Run LARYNX



AnalogFX's LARYNX has arrived. You might remember the announcment post, and SUPERBOOTH demos here, and here. You can find additional AnalogFX posts here. And of course AnalogFX's official website here.

Press release follows:

AnalogFX announces availability of limited-run LARYNX, an expressive analogue formant synthesizer inspired by the seldom-seen Synton Syrinx

DEVENTER, THE NETHERLANDS: AnalogFX, a Dutch synthesizer manufacturer dedicated to creating expressive electronic instruments for musicians, producers, sound designers, and synthesizer enthusiasts, is pleased to announce availability of LARYNX — proudly presented as a performance-focused analogue synthesizer that combines the vocal character of classic formant synthesis with modern expressive control, Eurorack integration, hands-on playability, and an affectionate analogue nod towards a rare, highly-coveted 1982-vintage monophonic synthesizer built by fellow (defunct) Dutch company Synton — with its first production run limited to 50 units, as of October 1…

By being built upon the proven architecture of AnalogFX’s acclaimed SER-2020, its compact desktop synthesizer inspired by the rare Synton Syrinx, LARYNX evolves that concept into a performance-focused keyboard instrument. Thanks to its premium 37-key aftertouch keyboard, extensive real-time modulation capabilities, and unique triple-filter formant architecture, LARYNX duly delivers an organic and highly-expressive playing experience.

Ultimately — unlike many modern synthesizers that rely on presets and menu-driven workflows, LARYNX puts sound shaping directly under a musician’s fingertips. From subtle pressure-sensitive modulation to aggressive vocal-like filter sweeps, every aspect of the instrument in question has been designed to create a direct connection between performer and sound.

Beating beautifully at the heart of LARYNX’s performance-focused sound are two CEM3340-based voltage-controlled oscillators — VCO 1 and VCO 2; a sub oscillator — SUB 1; a ring modulator — RM; a NOISE generator; and a unique triple CEM3350-based filter architecture — PEAK 1, PEAK 2, and LPF (Low Pass Filter). All combine to enable a wide sonic range — from deep analogue basses and cutting leads to evolving textures and speech-like timbres rarely found in traditional subtractive synthesizers.

Above and beyond that, this latest evolution of the SER-2020 platform introduces Formant MODE, making 16 preprogrammed human voice formants immediately available. As such, musicians can quickly create vocal-inspired sounds, animated basses, and expressive textures — and all without requiring complex programming. It is appropriate to note here that LARYNX also features a digital five-voice oscillator Chord MODE, although analogue monophonic and duophonic operation is always possible.

Placing expression at the core of its design, LARYNX’s 37-key velocity-sensitive keyboard with channel aftertouch is paired with AnalogFX’s Touch’n’Bend controller, allowing performers to shape sound naturally. Needless to say, LARYNX has additional performance features up its sleeve, so to speak, including extensive realtime modulation throughout its VCO, VCF, and VCA architecture; MPE (MIDI Polyphonic Expression) support; a built-in arpeggiator (ARP); a 16-step pattern sequencer (SEQ) — designed for both studio and live use, permitting performers to store patterns and instantly recall variations during a performance; 16 pattern memories; eight scenes, with 16 slots each; and stereo delay effect — DELAY L and DELAY R.

Ready for the modular world, LARYNX is designed to seamlessly integrate into modern electronic music setups with multiple front panel-positioned CV (control voltage) inputs and outputs providing extensive Eurorack connectivity, while flexible routing options allow the synthesizer to function both as a powerful standalone instrument and an expressive modular voice. Arriving at the rear panel, further connectivity conveniently comprises MIDI IN/OUT — standard MIDI DIN-5; USB MIDI — standard USB type B; EXPRESSION/SUSTAIN/HOLD pedal input; stereo line OUTPUT; and HEADPHONE output.

On the face of it, then, LARYNX lives up to its Inspired by a Rare Voice and A voice you can play tag lines with the greatest of ease. Enter AnalogFX Founder and Lead Developer Marc Stroobach, someone suitably qualified to end promotional proceedings on a high note: “With LARYNX, we wanted to create an instrument that feels alive under your hands. It’s inspired by some of the most expressive synthesizers ever made, but designed for today’s musicians who want immediate control, deep sound shaping, and a genuine connection between performance and sound. Every AnalogFX instrument starts from a passion for music and a belief that synthesizers should inspire creativity, not get in the way of it.”

Being built in limited batches in The Netherlands, the first production run of LARYNX — limited to 50 units — is now available for purchase directly from AnalogFX’s online Shop (https://www.analogfx.com/shop/) and select specialist retailers worldwide (https://www.analogfx.com/about/where-to-buy/) at a SRP (Suggested Retail Price) of €1,249.00 EUR (inc. 19% VAT).

For more in-depth information, please visit the dedicated LARYNX webpage here: https://www.analogfx.com/products/larynx/

Miltone 4EXP - A Four Voice Clone


video upload by Alex Ball

"The Miltone 4EXP turned a lot of heads at Superbooth back in May and I was interested to cover it my channel, so they kindly let me borrow two of the prototypes to test them out.

The 4EXP is a component level clone of the legendary Oberheim Four Voice (FVS-1) done to a very high standard (and price) as either a stand alone synthesizer or as an expander to turn an original Four Voice into an Eight Voice.

Miltone are doing an initial batch of 50 of them, built to order. Their website is here: https://miltone.fr/

0:00 Intro Jam
1:13 What is the 4EXP?
2:42 Demo 1: Quatre Voix
3:58 A look at the electronics
4:29 Midi / CV & Gate Setup
5:55 Demo 2: Huit Voix
6:49 Splits
7:26 Demo 3: Deux Plus Deux Plus Deux
8:44 Comparison to an original Oberheim
9:04 The Riff Off
10:29 My Thoughts on the 4EXP
13:01 Patron Outro Jam"

See the Miltone label below for additional posts.

Side note: only KORG PS3200 on Google Maps?

BLOT - Experimental Modal Synthesizer


video upload by Laboratory 0

"BLOT is an experimental modal synthesizer played by shaping matter instead of turning knobs: the geometry of a lump on screen is the patch.

Every piece of the lump is a modal resonator, eight damped oscillators tuned by its size. Smaller pieces ring higher, and sizes settle on just-intonation ratios of the MIDI root. How far apart the modes spread, how bright they are and how long they ring follow the piece's shape and heat. They are excited by a slow breathing noise, by strikes, by friction as you sweep over the matter, and, when it runs hot, by droplets: short tones above the ringing that rise as they burst.

Pull out a tendril and it becomes a plucked waveguide string, pitched by its length. Press in a dent and it becomes a formant filter, a mouth whose position sets the vowel. Cut a piece and its modes split into two pitches. Pieces that come close ring-modulate each other, and pieces that meet fuse back into one.

Rubbing heats the matter: the modes stretch and each piece's drive saturates. Pushed harder, a 4× oversampled multiband saturator with a feedback comb tuned to the root takes over from clipping. Memory, an eight-line feedback delay network, holds what the matter has played. MIDI notes move the root and strike every piece. Two engines play the same matter: default stays clean until the matter is rubbed or overloaded, while intense heats and drives it with every cut and strike, and makes hot pieces crackle. “Pause" freezes the matter in place while it keeps sounding.

VST+AU, macOS only
Free Download: https://laboratory0.gumroad.com/"

Wednesday, September 30, 2026

Diosynth Live: A New Companion App for Diosynth


video upload by ASM Ashun Sound Machines

"Diosynth Live is now available for iOS and Android, bringing fast access to your favorite patches, system settings, and MIDI settings directly on your mobile phone.

Find the Diosynth Live app on the Apple App Store and Google Play Store.

0:00 intro
0:28 App organization
1:00 requirements
1:25 connecting to the app
1:40 USB connection
2:17 Bluetooth connection
3:00 Favorites
3:45 Setup tab

Learn more at ashunsoundmachines.com

#Windsynth #EWI #diosynthlive #diosynth #asm #Ashunsoundmachines"

Press release with additional details:

Tuesday, September 29, 2026

New Keys and MIDI Learn in Condukt 1.7 (with Waldorf Blofeld)


video upload by Condukt

Yamaha - EMT 10 AWM Sound Expander - Sound Demo


video upload by Runningonair

"In this video I demo sounds from the Yamaha EMt-10 AWM sound expander, released in 1989. The patterns vary in usefulness but the lofi digital sounds (8/12bit) could be good for sampling. The individual sounds can apparently be played via a midi utility, but I've not looked into that so far.

All patterns are at 120BPM, for those that would like to try them out."

Music/Support:

Bandcamp:https://runningonair.bandcamp.com/

Spotify: https://open.spotify.com/artist/5fNUf...

Merch: https://runningonair-shop.fourthwall.com/en-usd

Paypal: https://paypal.me/runningonair

E-MU Rackmount Sound Modules

Note: links to listings are affiliate links for which the site may be compensated.


E-MU PROTEUS 1 via this listing

E-MU VINTAGE KEYS via this listing

E-MU CLASSIC KEY via this listing

E-MU PRO/CUSSION DRUM & PERCUSSION MODULE via this listing

Additional Signal Sounds listings

"The Proteus 1 is a compact 1U rack module built around a 4MB ROM library of 16-bit samples drawn from the E-mu Emulator III, covering rock and pop sounds including pianos, organs, strings, horns, guitars, basses, drums, and Latin percussion. It offers 32-voice polyphony, 16-part MIDI multitimbrality, six individual polyphonic outputs, and an extensive modulation and editing system. The Proteus 1 could be expanded to a "Plus Orchestral" configuration using an additional 4MB orchestral ROM card."

Getting started with the T1: Track types


video upload by torso electronics

"In this tutorial, we guide you through the three track types on the T1: Note, CC and FX. You’ll learn how to create note patterns, use CC tracks to control and automate parameters on instruments like the S4, and use FX tracks to process incoming MIDI.

Along the way, we’ll explore random modulation, slew, step edits, scales and Hold Mode, and see how combining track types can bring movement to your setup.

Chapters
00:00 Intro
00:19 T1 structure
00:40 Track types
01:05 Note tracks
02:00 CC tracks
03:21 Randomness
04:14 CC step edit
04:43 CC presets
05:34 Changing the CC number
07:00 FX tracks
08:09 Hold mode"
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