MATRIXSYNTH: Search results for MIDI IN

Showing posts sorted by date for query MIDI IN. Sort by relevance Show all posts
Showing posts sorted by date for query MIDI IN. Sort by relevance Show all posts

Monday, June 29, 2026

Erica Synths Introduces x 112db RAZORNATOR Stereo Effects Unit


video upload by Erica Synths

"Razornator is a unique stereo effects unit developed in collaboration with 112dB, featuring five chromatically tuned resonating delay lines that emulate the resonance of physical objects, spaces, and instruments.

Timeline:
00:02 - Take 1 / Bassline DB-01 through the Razornator with root note transposed via MIDI
00:50 - Take 2 / Error Instruments Ritual processed with Razornator
01:55 - Take 3 / TR-707 through the Razornator with root note transposed via MIDI
03:09 - Take 4 / Lapsteel processed with the Razornator
04:16 - Take 5 / Monotribe through the Razornator with MIDI set to Chord mode
05:27 - Take 6 / Pocket Operator processes with the Razornator with extreme envelope follower settings
06:24 - Take 7 / Sound FX toy making beautiful sounds with Razornator
07:38 - Take 8 / Jam with Razornator ar TR-909"

Erica Synths Razornator: Review and Demo

video upload by Starsky Carr

"Erica Synths Razornator is the 4th 112dB collaboration FX unit and it's a resonator like no other. In this hands-on walkthrough I build an entire track (strings, dubby stabs and thunderous bass) from nothing but short pulses of noise fed into its Karplus-Strong like resonators. If you want to know what the Razornator actually sounds like before you buy, this deep-dive demo is for you.

The Razornator packs 10 resonators (five stereo pairs), a resonant low-pass filter, +24dB of input gain, a built-in compressor and an envelope follower — all fully MIDI controllable. Originally a 1983 Karplus & Strong algorithm for plucked-string and percussive tones, Erica Synths and 112dB have turned it into a wildly flexible tone-generation and sound-mangling machine. I run through the signal path, the root/offset tuning, the gorgeous presets by Eraldo Bernocchi, and push it hard with synths, hi-hats and kicks. Resonator, but not as we know it."

⏱ CHAPTERS
0:00 Intro — all synths made with the Razornator
1:14 How it works: Karplus-Strong resonators explained
2:36 Playing the resonator via MIDI
5:01 Recreating the intro tones — dubby stab & octave bass
9:10 Eraldo Bernocchi presets — the range of sounds
12:35 Percussion: enhancing hi-hats
16:45 Putting kicks through the resonator
19:39 Synth tones, shimmer & spring-reverb textures
23:00 Final Thoughts



"A unique stereo FX unit with an algorithm developed by Dutch company 112dB, the Razornator features 5 chromatically tuned resonating delay lines that can emulate the resonance of physical objects - bodies of instruments, rooms, structures. Chromatic tuning of the resonating delay lines makes the effect particularly musical, because it allows for aligning them in chord-like intervals, while the built-in envelope follower adds dynamics to the processed signal. Featuring 12 parameters for detailed sound design, save/recall functions for all parameters, MIDI control over all parameters and a sleek aluminium case to match our lineup of compact desktop units, the Razornator will let your setup take flight in any live show, studio or sonic experiment.

The Razornator combines several well considered and tuned “modules” for stereo audio processing with the aim of altering the harmonic content of the incoming signal. The signal path starts with an audio GAIN STAGE that boosts signals up to +24dB (it can effectively act as an analogue overdrive), then the signal is fed through the lowpass FILTER with a RESONANCE control and after filter treatment it passes through five chromatically tuned DELAY-BASED RESONATORS that can be manually tuned or controlled by the ENVELOPE FOLLOWER. After the resonators, the signal is summed and limited by the COMPRESSOR, then mixed with the dry signal and passed through the EQUALIZER and finally is sent to BALANCED OUTPUT stage.
PRODUCT HIGHLIGHTS
Product Features
5 chromatically tuned resonating delay lines
Chromatic tuning
Built-in envelope follower
Save/recall functions for all 12 parameters
Preset morphing
Resonators tunings playable via MIDI
Configurable footswitch input
True stereo signal path
Premium aluminum enclosure"

Kevin Parker Built a Synth and It's Actually Incredible: Telepathic Orchid Reviewed (Plugged In)


video upload by Splice

"What happens when you plug the Telepathic Orchid into Splice INSTRUMENT and let it run? In this Plugged In Splice's Devon Johnson ‪@dontgodcj‬ finds out — and the results speak for themselves.

The Telepathic Orchid, co-created by Tame Impala's Kevin Parker, is a chord-generating synthesizer designed to help producers and songwriters find musical ideas fast — without needing deep music theory knowledge or traditional keyboard technique. Paired with Splice INSTRUMENT, it becomes something even more powerful: a way to explore sounds and progressions at the same time, in the same session.

In this video, Devon unboxes and demos the Telepathic Orchid and its various creative uses and incredibly chord generating technology. He then uses the Orchid's chord logic system as a MIDI controller to trigger sounds inside Splice INSTRUMENT, building a full beat from scratch and showing exactly how the two tools work together in a real production workflow. From dialing in chord voicings and inversions on the Orchid to flipping through Splice's instrument sounds in real time, this is hands-on and unfiltered — no templates, no pre-built loops, just the tools doing what they're built to do.

Whether you're already a Splice user curious about the Orchid, an Orchid owner wondering how to integrate it into your DAW setup, or just a producer looking for a new way to create new chord patterns — this one's worth watching all the way through.

#telepathic #synth #hardwaresynth #gearreview #pluginreview #plugintutorial #chords #chordprogressions #musictheory #musicproducer #musicproduction #splice #piano #chordvoicing"

The MONK Project Hardware Sequencer - Updates - GearExpo UK 2026


video upload by sonicstate

"Great to catch up with Nick Monk who was showing the Monk Project again after its success at the London Synth & Pedal Expo.What sets this sequencer apart is its combination of 16 customizable channels and a unique theory engine. While it features traditional step sequencing it also incorporates a wide range of generative models using its music theory engine to ensure musical coherence. This allows you to control melody outputs, toggle randomness, or block non-conforming notes.

The sequencer includes a phraser using Markov chains for recording and manipulating musical phrases and a new feature Nick calls HI (Human Intelligence). HI enables the machine to learn and create statistical tables based on your playing style. Nick elaborated that these features are on top of its basic step-sequencing capability.

Aimed for niche and professional composers, prospective uses span from simple MIDI creations to algorithmic music generation. The sequencer is aimed for production with pre-orders starting after summer, requiring a minimum of 20 orders to initiate a prototype run. CV and gate connectivity is also planned and in the works."

https://themonkproject.com

Plinky 12 or Plinky+ | Which Plinky is Right for You?


video upload by Nathan Plante Synths Making Sound Machines Alex Evans (mmalex)

"A lot of folks have been asking me about the difference between the new Plinky12 and the Plinky+. In this video I go through all the details to help you decide which Plinky sibling is right for your set up. Check out the chapter links below to skip straight to the subjects that interest you most!

https://www.subvert.fm/nathan-plante
https://nathanplante.bandcamp.com/
/ nathanplantesynths

Wanna support my work? Join me on Ko-fi!
https://ko-fi.com/nathanplantesynths

https://www.plinky12.com/

00:00 Intro
00:43 Hardware
01:30 Plinky + (Hardware)
02:11 Plinky 12 (Hardware)
03:42 Ease of Transport / Deskspace
04:24 Audio Ins/Outs (Plinky+)
05:05 Audio Ins/Outs (Plinky 12)
05:41 CV & MIDI (Plinky+)
07:05 CV & MIDI (Plinky 12)
08:14 Sound Design
08:34 Plinky+ Sound Design
10:41 Plinky 12 Sound Design
11:56 Plinky 12 Internal Mod Matrix
13:52 Play Feel (Plinky+)
14:56 Play Feel (Plinky 12)
16:01 Pros and Cons
16:31 Plinky+ Pros/Cons
17:23 Plinky 12 Pros/Cons
18:48 Conclusion"

Sunday, June 28, 2026

DELTA DP-900 (1985) - the synth no one knew existed - HD


video upload by Vintage Audio Institute Italia

This appears to be the first post to feature the DELTA DP-900.

00:00 Pre - Introduction
00:38 Introduction
01:14 Flutes and Strings
02:05 Auto Accompaniment
04:42 MUSICAL INTERLUDE 1
06:00 Poly Voices
08:36 The Mystery
09:02 Synth Voices (Monophonic Synth)
12:02 Drum Machine
14:12 Outro

"DELTA DP-900 - 1985?

It happens that an instrument surfaces that no one's heard about or even seen before.
But it rarely happens that no one hasn't even heard of the manufacturer of that instrument.

Delta - what kind of brand was this?
Where were they?
Is this the only thing they developed?

Saturday, June 27, 2026

knob.monster: A Browser-Native Cloud SysEx Librarian for Vintage Synths



via https://knob.monster

"knob.monster is a modern, zero-driver web application designed to backup, edit, and organize patches on vintage hardware synthesizers directly from a web browser. Leveraging the Web MIDI API, the platform eliminates the need for legacy desktop software, custom USB-MIDI drivers, or manual command-line SysEx utilities.

Key Features:

Zero Installation: Runs directly in any Chromium-based browser (Chrome, Edge, Opera).

Instant Cloud Backup: Safely store your custom patch banks in a secure cloud vault.

Automatic Parsing: Upload SysEx files to instantly view, rename, and sort individual patches inside the bank.

Supported Hardware: Launching with full support for the Yamaha DX7, Roland Juno-106, and Korg M1, with Casio CZ, Prophet-5, and Matrix-1000 in active beta."

New M‑VAVE FM‑1 Mini FM Synthesizer


video uploads by M-VAVE

Playlist:

1. M-VAVE New Product Release--FM-1
2. M-VAVE FM-1 Sound Import Tutorial
3. M-VAVE FM-1 Firmware (V09) Feature Overview & Upgrade Installation Tutorial Synthesizer: FM-1

FM-1 Features:
● Built-in speaker: No external speakers needed, turn on and play instantly, your stage anytime, anywhere.
● Built-in arpeggio: Rich rhythmic layers, giving you endless possibilities for musical performance.
● Built-in sequencer: Supports saving 16 preset sequences.
● Built-in 6-band integrated effects chain.
● Built-in rechargeable lithium battery with power indicator: Ready to use anytime, anywhere – on the street, in a cafe, or in your bedroom.
● Built-in 145-parameter FM tone editing system: Supports importing original DX7 SysEx tone files, and batch loading of single tones and entire tone sets.
● Built-in sound source: This device features a built-in sound source (FM synthesizer engine) that emulates the classic Yamaha DX-7 FM synthesizer, fully replicating 6 operators and 32 algorithms.
● BT audio function: Wirelessly stream backing tracks from your mobile phone to the FM-1 for improvisation using the built-in speakers or headphones.
● 27-key silicone keyboard, covering two octaves, offering a supple touch and rapid rebound for a comfortable playing experience.
● 1.54-inch color display screen, providing real-time display of tone, parameters, and spectrum information.
● Backlit silicone buttons for silent operation and sensitive feedback.
● 7 sets of 360-degree rotary encoders for precise and intuitive control.
● 12 function keys for one-touch access to core functions.
● OCT± octave/transposition switch, covering the full range even on narrow keys.
● 3.5mm headphone jack with automatic speaker mute when headphones are plugged in, ensuring undisturbed creative work and immersive monitoring of every detail of the tone.
● 3.5mm MIDI input jack for supporting external MIDI device control.
● USB-C interface: USB Audio + USB MIDI composite device, automatically recognized upon connection to a computer.

user video:

M‑VAVE FM‑1 Review & Sound Demo – Fun Pocket FM Synth

video upload by dongchannel

"How does this under‑$70 FM synthesizer perform? Check out this video for a full feature walkthrough, sound demos, and my honest thoughts.

I first spotted the M‑VAVE FM‑1 at this year's Guangzhou Musical Instrument Fair, and picked one up shortly after for about 300 RMB (around $60). The packaging is minimal, the unit itself is compact (16×9 cm), yet it packs everything you'd need. Connectivity is surprisingly generous, with both wired and wireless MIDI and audio support – really well‑equipped for its size.

Inside, you get a 6‑operator FM engine, essentially a recreation of a classic 1980s Japanese synth. It comes with 128 preset sounds, plus an effects chain, a 16‑step sequencer, an arpeggiator, and deeper editing tools. Pair it with an external MIDI keyboard and the playability expands even further.

Are there minor software quirks? Sure. But at this price, they're hardly worth mentioning. Compared to other portable sound gadgets in its class, the FM‑1 is just plain fun. And for the money, the build quality and feature set far exceeded my expectations."

Polyphonic Moog Grandmother with MidiVolts Desktop


video upload by Space Brain Circuits

"The MidiVolts Desktop is a MIDI based 5 octave CV controller. The device contains 4 separate CV outputs with an associated Gate output. These CV outputs are called voices, and are named V0, V1, V2, V3. Each voice operates on the 1 volt per octave standard for eurorack and most hardware synthesizers. The device uses 6 different modes (MONO, DUO, UNISON, POLY3, POLY4, CC) to control each voice in different ways. See below for descriptions of each Mode. The device also contains a Midi to Clock output conversion and further customizations with SysEx midi messaging."

Oberheim Xpander 6-Voice Synthesizer [US Version] w/ Flight Case SN G43214

Note: links to listings are affiliate links for which the site may be compensated.


via this Reverb listing

"Legendary Oberheim Xpander 6-Voice Synthesizer desktop module. This is the highly sought-after US Version (with jack labels printed ABOVE the jacks).

[Condition & Operation]

* Operation: Great working condition via MIDI. I have confirmed that the unit receives MIDI and plays audio correctly from both the main outputs and the individual voice outputs (tested and confirmed working via DIR mode).

* Tuning / Calibration: All 6 voices successfully pass the auto-tuning (ALL PASS) without requiring a long warm-up period. As with many vintage Xpanders, the tuning can be sensitive to temperature and may occasionally show a minor FAIL, but it clears and passes successfully once warmed up.

* Buttons & Knobs: All buttons and knobs respond and work. Please note that due to its vintage age, a few buttons may occasionally have a slightly slow response or require a firm press, but they all register properly.

* Display: The VFD display is clear and fully readable. There might be minor cosmetic or pixel imperfections due to age, but it does not affect readability at all during operation.


Unsync - 3 Semi-Modular Analog Synths (0-Coast, Taiga & DFAM) sequenced by Hapax


video upload by 2-Minute Warning

"This time I wanted to experiment with a rather unusual setup: 3 semi-modular analog monosynths playing together. My goal wasn't to make the melody complex, but rather the rhythm. I tried to build a piece that sounds fairly simple on the surface, while hiding polymeters and polyrhythms underneath 😎

On paper, it doesn't sound like the most obvious setup: one synth for plucks, one for bass, one for percussion... and somehow convincing them to play nicely together!

The Hapax is sequencing the whole performance. At one point I activate its MIDI Euclid effect on the bass sequence to introduce a bit of rhythmic tension before bringing everything back to the original groove.

The DFAM is also receiving CV from the Hapax to transpose Oscillator 1 so that its pitch follows the bass line. Since the DFAM is usually thought of as a percussion synth, I always enjoy pushing it a little outside of its comfort zone 😉

Another thing I wanted to highlight was the Shape control on the Pittsburgh Modular Taiga. Throughout the jam, I gradually morph the bass timbre simply by playing with the oscillator shapes. It's one of my favourite aspects of the Taiga: even a simple bass line can evolve dramatically without touching the sequence itself. The same approach works beautifully for leads and other melodic parts too.

As always, this was performed in a single take. I do the mixing and mastering afterwards in Ableton Live, but I didn't edit or 'fix' the performance itself. What you hear is what was played."

Thursday, June 25, 2026

Ultrarare Soviet synthesizer Unost" 33 PSMIDI | ЮНОСТЬ 33 PSMIDI


video upload by Futulyric

"Manufactured at the Murom plant in the early 1990s, it was released in a small run of about 200 units. It contains 128 standard MIDI instruments."

You might recall the Roland Juno-106 inspired Unost' 21. This is the first post to feature the 33.

Macbeth Elements EL2 Analog Synth By Ken Macbeth SN 015

Note: links to listings are affiliate links for which the site may be compensated.


via this Reverb listing

"Up for sale is a super rare Macbeth Elements EL2 analog synth, hand-built by Ken MacBeth back in 2019 in extremely limited run of only 30 units, as said by himself - the best ever analog synth he ever built in his life… Described by him as “Elements on steroids, circuit wise”. Please do not mislead this with a regular silvers Elements - EL2 is one of a kind the way different unit. It features a striking black aluminium chassis, gold plated touch up keyboard and a very deep vintage style circuitry using through-hole components and 70’s vintage new old stock semiconductors and metal ICs. Three highly versatile discrete voltage controlled oscillators with individual audio outputs and advanced sync capabilities, classic architecture with subtractive signal path featuring unconventional filter slopes, a built-in spring reverb and a tape echo simulator. All this mixed up with a wide-ranging modulators and large tactile potentiometers for deep sound sculpting. Also, Ken decided to completely remove MIDI support making the priority to CV: he noted that most musicians use the instrument with Control Voltage and modular setups anyway. Removing MIDI parts freed up physical space and optimised the pure analog circuitry. VCO1 and VCO2 now get their own knobs instead of sharing just one. New spring reverberation circuit in EL2 provides a much deeper, different sound than the first model. Cross-modulation expanded as well: VCO3 syncs to VCO2 and VCO2 can now syncs to VCO1 directly. Of course, inspired of the legendary EMS Synthi, but ones you came across both in one room - you will definitely can’t choose which one is better here. EL2 will be never produced again and it’s already a holy grail in the world of analog synths. This exact one is number 15 of 30. Comes with the original power supply. Everything you can see in the pics is included in that sale. Was a beloved studio toy, but now it’s time to go! In excellent overall and technical condition. Please see all pics cause they are a part of description. Free shipping within the US from Brooklyn, NY. International shipping from Brooklyn, NY to any place in the world with a tax free service."

Minimoog & Ableton SOLFA – A Generative MIDI Sequencer for Minimal and Experimental Music


video upload by Akihiko Matsumoto

"SOLFA – A Generative MIDI Sequencer for Minimal and Experimental Music

https://akihikomatsumoto.sellfy.store...


Inspired by Arvo Pärt, Designed for Creative Exploration

SOLFA is a generative MIDI sequencer for Ableton Max for Live, built for electronic music producers, experimental composers, ambient sound designers, and those interested in algorithmic composition. Inspired by the works of Arvo Pärt, this tool allows you to create evolving, hypnotic patterns that seamlessly blend tonal minimalism with rhythmic complexity.

Minimal Pitch, Infinite Possibilities

At the core of SOLFA is a simple seven-note sequence. These notes are randomized across octaves, generating organic melodic shifts. This structured yet fluid approach results in endlessly varying musical textures that maintain a coherent harmonic identity.

Independent Rhythmic Structures

SOLFA employs isorhythmic principles, where the pitch sequence operates independently from the rhythm pattern. This allows for intricate, evolving interactions between melody and rhythm, giving rise to unexpected yet deeply musical results.

Ideal for Generative and Experimental Music

Whether you're composing ambient soundscapes, intricate polyrhythmic pieces, or avant-garde electronic music, SOLFA provides a unique method for crafting evolving compositions with minimal input. By embracing randomness within defined constraints, it encourages exploration while maintaining musical cohesion.

Unlock New Creative Dimensions

Transform simple ideas into dynamic, evolving sequences with SOLFA. Experiment with chance, structure, and unpredictability to discover new musical possibilities. Now available for Max for Live."

Wednesday, June 24, 2026

Novation Peak on Drums — How to Turn a Peak (or Summit) into a Drum Machine (with free soundbank)


video upload by TheGuacamoleXplosion

"This no-talking video explores 7 different methods of using the Novation Peak as a drum synthesizer, a drum machine or even a groovebox.

A soundbank for the Novation Peak (should also be mostly compatible with the Novation Summit) with all stuff from this video and some more, as well as the individual Peak patches, can be downloaded here:
https://drive.google.com/drive/folder...

00:00 - Intro
01:06 - Peak Drum Jam #1: Fake Trance for Drake Fans
03:13 - Kraftwerk — Autobahn throwback
03:36 - How to turn your Peak into a drum machine? The Autobahn beats
05:10 - Peak as a Groovebox: The Streets — Blinded By The Lights
06:22 - 'What if?' break: AFX mode for the Peak now!
07:02 - Simulating AFX mode by sending MIDI PCs to the Peak
08:32 - Surrogate Multitimbrality: Marvin Gaye — Sexual Healing
09:15 - 6 Methods for Peak beatmaking — Drummer from yet another Mother
09:55 - JMJ — Oxygène IV throwback
10:38 - 'Played' drums
11:28 - Arpeggiator 'played' mode — how it works
11:59 - Pink Floyd — On The Run throwback
12:08 - Feeding 'played' mode from an external sequencer
12:18 - Testing the limits of 'played' mode: Elbow — Grace Under Pressure
13:05 - Patch from scratch: Four-to-the-floor beat with rumble
19:24 - Changing the master tempo (impact on LFOs vs. Envelopes)
20:12 - Peak Drum Jam #2 (with the patch just made from Scratch)
22:39 - Making a drum template patch (with random Peak Spa Meditation background music)
26:02 - LFOs vs. Envelopes: Creating an early 80s beat from our drum template patch
36:14 - Final Peak Drum Jam #3 (1983/84 throwback)

All Peak Patches in this video were created from scratch. All Peak tracks were recorded through RME audio interfaces (Babyface Pro and Fireface UC) directly into Cubase stereo tracks. There are absolutely no effects on the individual Peak stereo tracks, not even panning, and levels are set to unity gain, to give an as-clear-as-possible impression of the Peak’s sonic potential and limits. On most parts (except intro), there is brickwall limiting on the stereo master, and on most multitrack parts also additional compression and EQ on the stereo master. Guitar parts recorded D.I. into the Fireface UC with a 1973 Stratocaster, several track and send FX on those.

Disclaimer:
I bought the Peak at regular price in 2020. Nobody paid me to make this video or compensated me in any other way, and it’s not monetized. No generative AI was used in the making of this video.
All songs © by their original writers and publishing companies; covered here in the framework of fair use for educational purposes.

Autobahn — written by Ralf Hütter, Florian Schneider and Emil Schult
Blinded by the Lights — written by Mike Skinner
Sexual Healing — written by Marvin Gaye, Odell Brown and possibly David Ritz
Oxygène (Part IV) — written by Jean-Michel Jarre
On The Run — written by David Gilmour and Roger Waters
Grace Under Pressure — written by Guy Garvey, Craig Potter, Mark Potter, Pete Turner and Richard Jupp

Everything else © 2026 TheGuacamoleXplosion"

PatchRig FX Music-effects app for iPhone, iPad, and Mac


PatchRig FX Demo: Build, Audition, and Play Guitar Effects Rigs video upload by codefarmerRob



"PatchRig FX is a free music-effects app for iPhone, iPad, and Mac. It lets musicians start from curated boards, describe a sound, type a song-title-inspired request, or import a local reference, then create an editable playable rig from built-in DSP blocks.

Free users get curated boards, built-in audition sounds, prompt-based board creation/preview, and basic reference analysis. PatchRig Pro is optional and unlocks the full 500-board and 500-pedal library, 60 super-pedal style designs, pedal/amp/preamp/DSP designers, MIDI and instrument voices, unlimited saved boards/pedals/amps, export, sharing, and community publishing.

Current U.S. Pro launch price is $39.99 through July 9, 2026, then scheduled to move to $59.99.

The app includes synth/electronic-friendly workflows such as MIDI and instrument voices, DSP block design, stereo effects, spectral/experimental design surfaces, A/B comparison, and export. It does not claim exact artist, song, amp, cabinet, IR, recording, or preset cloning."

App Store links:

- iPhone/iPad

- Mac

Wildwood Lightning by Wildwood Soundworks


video uploads by Wildwood Soundworks


"Wildwood Lightning is a handmade digital sampler, sequencer and synthesizer designed and produced by Wildwood Soundworks in Penn Valley, California. It provides the following features:

Sampler - record your own samples or use standard WAVE files.

Sequencer - compose on up to 16 channels with channel mute and solo.

Synthesizer - produce polyphonic audio with a sample based synthesizer.

Touch Pads - play notes, select chord and drum patterns and strum with touch sensitive pads.

Display - view notes and channels or navigate menus to select from numerous features.

Multiple Views - create and update your songs using piano roll, song or step views.

Multiple Menus - discover features and create or edit your song with 14 menus.

Wildwood Express by Wildwood Soundworks


video uploads by Wildwood Soundworks

Note the Wildwood Express is now on v3 with v3.2 coming. The videos above are from 2 years ago, but have not been featured on the site before now.

"Wildwood Express is a handmade digital sequencer and synthesizer designed and produced in Penn Valley, California.

It features:

Color LCD Display
1 Octave Keyboard
8 Octave Range
24 Touch Pads
12 Function Keys
16 Channels (w/Mute + Solo)
128 Instruments
18 Full Color LEDs
Rotary Encoder
USB MIDI Input + Output
Pattern Generator
Strum / Autochord
Song Editing + Overdub
microSD Card Storage
USB Storage"

Playlist:

1. Express v02 MIDI File 01
This video shows you how to open and play a MIDI file:

1. Navigate menus
2. Select a MIDI file
3. Play the MIDI file
4. Select note view (piano roll)
5. Select song view (all channels)
6. Select step view
7. Navigate through song a note (MIDI message) at a time
8. Use Channel Display setting to control which channels are displayed

Full MPE Firmware Test: 700 VOICE MPE Architecture with iPad Bluetooth MIDI


video upload by Gm Xe

"This video showcases the full MPE system firmware test for the 700 VOICE synthesizer.
All audio in this recording is generated directly from the 700FM VOICE module. We put the device’s MPE control system and native 700 VOICE MPE architecture through a comprehensive functional test.
We use an iPad as our controller, sending MIDI data wirelessly via Bluetooth MIDI for this evaluation.
Tested features cover all 4 dimensions of MPE expression, note quantization, key tracking playability, as well as MIDI CC mapping functionality.
The 700 VOICE MPE implementation supports slider modulation mapping for all available parameters, enabling independent modulation control for every polyphonic voice assigned to each individual touch gesture.
In this demo, we use slider controls to modulate Filter Cutoff (Index 3, Index 2, Index 1) and Oscillator 4 parameters.
#700VOICE #MPE #MIDIController #BluetoothMIDI #iPadMIDI #Synthesizer #Eurorack #MPEController #SoundDesign #hardwaresynth

gmxe.org
ins: wuxiaoen1984"

Tuesday, June 23, 2026

Voidcontrol MIDI Releases e7 Unofficial Editor: DAW Integration for the GS Music e7


e7 Unofficial Editor - VST3 Demo video upload by Voidcontrol MIDI

"VST3 editor for the GS e7. Real DAW automation, easily build multitimbral patches, patch library, A/B snapshots, morph, and resizable UI. Windows 10/11. Available at voidcontrolmidi.com."

Press release follows:


Voidcontrol MIDI has released the e7 Unofficial Editor, a Windows VST3 plugin that lets you control and automate the GS Music e7 from within a DAW, just like a software instrument.

The e7 is a remarkable analog polysynth with a passionate community and a genuinely unique sound, but editing it properly from a DAW has often meant menu diving on the hardware. This editor was designed to make that seamless. All 88 of the e7's parameters are on screen, laid out to mirror the front panel, with real DAW automation on every control rather than just MIDI learn.

Features include:

Full parameter control: every one of the e7's 88 parameters on one screen, with authentic readouts for oscillator tune, tempo-synced LFO rates, and waveform shapes.

Real DAW automation lanes for every parameter.

A patch librarian: browse, audition, load, rename, import and export single presets, whole banks, or full instrument backups as standard .syx files.

Multi-mode support: edit 4-part multitimbral patches with per-part level, MIDI channel, voice allocation, and key/velocity zones.

A/B snapshots with an automatable morph slider.

Two-way hardware sync: pull the synth's current edit buffer into the editor in one click, with the editor recalling its state on project load.

Init and a musical randomizer for fresh starting points.

A resizable interface with onboard help.

A standalone version is also included for use without a DAW, working as a pure hardware controller that needs no audio interface.

The editor has been tested in Ableton Live, Bitwig, Cubase, Reaper, and Studio One, with USB and 5-pin DIN MIDI, MPE support, and a one-click All Notes Off panic.

"The e7 sounds incredible. I just wanted to see all of it at once, especially the multitimbral side," said Dave of Voidcontrol MIDI.

Voidcontrol MIDI is a small US-based developer making editors for boutique and classic hardware synths. The e7 Unofficial Editor is its third release, after editors for the Roland SE-02 and Oberheim OB-6. A macOS version is under consideration.

The e7 Unofficial Editor is available now at voidcontrolmidi.com for an introductory $30 USD through July 7, 2026, after which it returns to its regular price of $40 USD.

The e7 Unofficial Editor is a third-party tool and is not affiliated with or endorsed by GS Music. "e7" is a trademark of its respective owner.

The most powerful performance MUTE modules for Eurorack: NO BPM Mute Performer Demo


video upload by mylarmelodies

"The great NO BPM hired me to make a demo to explain their Mute Performer system - Mute Performer is arguably the most feature-complete muting system in Eurorack, as it can mute AND mix triggers, audio (clicklessly) and CV, and it can send MIDI to mute external devices too. And you can have up to 72 channels, and you can CLOCK the mutes, so they happen on the beat (or at the start of bars...). And it has scenes, so you can prepare and recall mute groups. And it has several ways of muting and cueing mutes. It's quite a thing."

CHAPTERS:
00:00 What it is and can do
02:21 Clocked Mutes!
03:10 Cueing Mutes
05:00 Mixing Signals
07:10 Mute Scenes
10:13 Solo Mutes



The Mute Performer takes the humble mute function into new and exciting territory.

8 channels of Mutes can be cued, locked, inverted, switched, mixed, stereo-paired, expanded, and arranged into scenes. Scenes can be saved, loaded, banked, clocked, triggered and modulated.

The Mute Performer also supports MIDI, which can be transmitted using a provided 5-pin MIDI Type A to 3.5mm cable.

This allows you to connect external MIDI devices to the Mute Performer, enabling performative control of mutes both inside and out your case.

The Mute Performer alone has 8 channels, but can be expanded up to 72 channels with the Mute Expanders.

NEXT PAGE HOME




© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH