Omphalos

video upload by Ebotronix

Embodme Erea 2,( Minor Scale),
Waldorf Iridium,
Haken Audio ContinuuMini,
Access Virus TI, (Frequency Shifter),
Roland Aira S1,
Line 6 DL 4 MK 2,
Hologram Electronics Microcosm Special Edition 2024,
Strymon Big Sky MX, in Dual Mono Mode controlled with
Midi CC by, 16n Faderbank, AtoVproject ,
Bastl Bestie,
Yamaha MCS 2,FC7,
24.12.2025
video# 2590

Ambient jam | NDLR, Artemis, Deckard's Dream, Peak, Prophet Rev2, Polymoon, Slöer

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
A song performed live on the table with four great polysynths.

It felt like the right time of year to get a bunch of nice synths on the table and just explore. To that end, I connected the Dreadbox Artemis (bass), Sequential Prophet Rev2 (square arp motif), Novation Peak (pad), and Black Corporation Deckard's Dream (melodic motif) to the Conductive Labs NDLR and just had fun. The Artemis and Peak have pretty great built-in effects, but the Deckard's and Rev2 needed some help, so I added the Meris Polymoon to the Rev2 and the Walrus Slöer to the Deckard's.

This was my first time using the new hardware iteration of the NDLR — to be transparent, Conductive Labs sent it over for free — but it was a real step up in terms of the quality of the encoders. And it had been a couple of years since I had played with the Peak, but Novation had offered to send it over to explore, so I said yes to that as well. I previously had a Peak and had missed its effects (especially reverb) and filter.

Once the NDLR is connected and routed to the right MIDI channels, the musical exploration process is extremely fast. I will admit that I usually produce a certain kind of result with the NDLR, and I don't always want that kind of song. But as a palate cleanser, as a way to tap into very fast inspiration, I love putting it on the table and just getting musical results.

Overall, a nice way to end a good year. Thanks for listening.

Performed and recorded live, with EQ, compression, and limiting on the master.

https://jayhosking.bandcamp.com"

Making of Pērkons LE

video upload by Erica Synths

"Short movie showing the process of crafting the limited edition Pērkons side panels.

All sounds from Pērkons by ‪@KODEK4444‬
Edit by ‪@tvmaskava‬

Order yours: http://www.ericasynths.lv"



"The final and most unique PĒRKONS HD-01 Limited Edition run of 100 units features a sophisticated industrial grey enclosure, signature lighting strike engraved panels and a special touch – each unit is signed by our self-proclaimed visionary, Ģirts. The side panels are made from a selection of woods, handpicked by our friend - an artisan craftsman named Sandis Vāgners. Cherry, walnut, ash, teak, sapele, maple and padouk are featured in various combinations, creating a unique infusion of character for each pair of panels with a premium lacquer finish to bring out the characteristic grain of each wood. The engraved pattern is achieved with the Lichtenburg burning method that ensures a truly unique pattern on each panel.
Features
4 hybrid voices (digital sound engine and analogue multimode filter with overdrive)
8 controls per voice
External trigger inputs for each voice
Individual voice outputs
Individual FX sends and returns
Master FX send and return
64 kit and 64 pattern memory + additional memory on the SD card
Built-in BBD emulation and a compressor
Modulation LFO with morphing waveforms; up to 8 modulation destinations per voice
4 track sequencer, 4 time divisions and 4 time multiplications per track
Per-step ratchets and probabilities
Shuffle & groove settings for each track
MIDI IN and MIDI OUT
Dimensions: 315mm x 454mm x 90mm (including knob height)
Weight: 3.7 kg
PĒRKONS features four sonically versatile hybrid voices (digital sound engine + analogue multimode filter with overdrive) and a sequencer with simultaneous control over all four percussion tracks.

Each voice has 3 sound engine modes, an HP/BP/LP filter and 8 controls for nuanced sound design, including an internal BBD FX send. All voice parameter settings can be saved as KITS. To add dynamics to the performance, parameter automation is implemented and a modulation LFO can be assigned to all parameters.

For a real thunderstorm, integration with external gear is considered - each voice has a dedicated trigger input, individual output, and FX send and return with 6.3mm jack sockets, along with extensive MIDI implementation. All voices are summed and run through a built-in compressor.

Time to ride the skies!"

Tangible Instruments Arpeggio Unboxing Review

video upload by Super Kleen

https://www.tangibleinstruments.com/

"In this video, I unbox the Tangible Instruments Arpeggio, a unique hands-on arpeggiator designed for musicians, producers, and live performers. We take a close look at what’s inside the box, the build quality, layout, and first impressions of how this device feels right out of the package.

The Arpeggio is all about tactile control and creative sequencing, and this video focuses on the physical design and initial setup before diving deeper in future videos.

📦 What’s covered in this video:
Unboxing the Tangible Instruments Arpeggio
Build quality & hardware overview
Buttons, knobs, and interface layout
Initial thoughts & expectations
🎶 Who this is for:
Hardware synth & MIDI users
Live performers & electronic musicians
Producers looking for hands-on sequencing tools"

Introducing ADDAC System Servo Controller

video upload by ADDAC System

"At ADDAC we always admired the geniality of Neil Young’s Whizzer, way ahead of its time, a great example of how great ingenuity and engineering can come together to make something great.

Inspired by its motor controlled method we created a standalone solution featuring 8 Servo outputs to control any knob on any amplifier, guitar pedal, rack gear, etc. Bottom line any hardware that has a knob that needs to be controlled/sequenced/automated externally.

The idea behind it was to create a device that would open the possibility to control any knob, any physical knob, be it from a musical device or any other tech appliance that “needs” to be controlled, for musical, artistic or automation purposes.

Our solution comes with a Servo Connector that screws into any compatible physical potentiometer, a coupler connects the motor shaft to the target knob which will turn as the Servo turns.
We use servo motors which can be digitally controlled and move to a precise angle. The motors are controlled by a microcontroller that receives MIDI signals or the internal Expression Pedals and converts these signals to the 270 degree Servo motor range.
Each expression pedal input features 2 knobs: MINimum and MAXimum. These are used to set the range of action of the expression pedal, allowing to dial the range to any sweet spot desired. Raising the MINimum knob above the MAXimum knob inverts the Servo range.

It features MIDI over USB-C, Bluetooth MIDI, and a 3.5mm MIDI IN jack. MIDI can come from any of the 3 sources at the same time as long as they don’t overlap the servos channels being controlled."

Fred's Lab Tooro TouchOSC Bidirectional Editor v5.0

GENERIC FEATURES:
- Display parameter Name and Value
- Double click a slider or button to reset it to a default value
- MIDI data rate efficient: only sends a MIDI message if the parameter value is incremented or decremented by 1

SPECIFIC FEATURES (FW 1.60):
- 119 Program parameters implemented in the editor. Program parameters are bidirectional using CC and SYSEX
- 22 Multi parameters implemented in the editor. Multi parameters are bidirectional using CC and SYSEX
- DCO 1/2 User Wavetable Waves (1-4) selection (only available via SYSEX)
- Program Name (1-32) selection (only available via SYSEX)
- Multi (1-4) Channel, Multi (1-4) Preset, Multi (2-4) Volume, Multi (2-4) Balance (only available via SYSEX)
- MIDI Channel selection slider
- Part (select) + Program (change) selection sliders + buttons
- Program / Multi Buffer Request, Buffer Init and Buffer Write buttons using SYSEX

CLICK FOR MORE »

Rhodes Chroma Synthesizer, Restored & Upgraded

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Video in the listing previously posted here.

"This Rhodes Chromas is in perfect working order, sounds absolutely great, and has been thoroughly updated & reconditioned:

• CC+ Kit Installed – The original CPU board has been removed and replaced with the fabulous CC+ kit. The Chroma CC+ Kit (CPU Plus) significantly upgrades the original Rhodes Chroma synthesizer by adding essential modern features like integrated MIDI, much more program storage (200 programs in 4 banks) instead of the original's limited space, better control over parameters, and expanded MIDI functionality. It essentially modernizes the vintage keyboard, making it fully controllable via MIDI and allowing for complex patch management. It also replaces the original battery-backed memory with non-volatile RAM, eliminating the need to replace the batteries, and removing the danger of battery acid damage.

• MIDI Adapter Included – The Chroma can now send and receive MIDI. With its wooden, velocity-sensitive keyboard, it becomes a fantastic MIDI controller.

• New Power Supply Installed – The original power supply included a large, heavy transformer, and generated a lot of heat. The new switching power supply, designed in Italy specifically for the Chroma, is energy-efficient, reliable, and regulated, ensuring that the Chroma will be stable and noise-free.

• Serviced – All voice cards have had new capacitors installed. All faulty 4000-series logic chips have been replaced, along with several faulty op-amps. Faulty traces and connectors have been replaced.


All voices pass auto-tune test and play perfectly. We’ve burned in the Chroma for 8+ hours and it works perfectly and stays in tune. All keys have been removed and cleaned, and the action feels great. All key contacts have been cleaned and work correctly, with good velocity response.

Cosmetically, the Chroma has some scratches and marks from its 40+ years of use, but overall it’s quite presentable as you can see in the photos.

The Chroma includes the original flight case – however, the foam has gone bad, and has been removed. The flight case would need to be re-foamed to be used to transport the instrument.

The Chroma is available for pickup in Las Vegas, Nevada. We can also personally deliver the Chroma to the Los Angeles, Phoenix, or St. George areas for $150.

The attached video demonstrates the Chroma playing three of the factory preset sounds.

I also have a video showing all 8 voice cards (16 oscillators, 16 filters, 16 VCAs) passing auto-tune without any errors that I can send upon request."

CLICK FOR MORE »

Gyroresonant Scattering - Groove Synthesis 3rd Wave - Self Playing Patch w/ Artmatic Designer

video upload by Tumeni Knobs

"This is a "self playing" or "generative" patch programmed on the Groove Synthesis 3rd Wave. There is no sequencer or arpeggiator or midi used, just a lot of patch programming of the synth. This recording is actually two tracks layered together, each one slightly different. One is a fully hands-off version of the patch, and the other is performance recording where I was turning knobs as it played (mostly saturation, cutoff and resonance). This recording of the patch is in Bm, and each track uses different notes in the scale, with some overlap.

The dynamic range this patch produced was amazing, and in the end it required some heavy EQing to cut the lows out so as not to blow speakers when played at volume. Low cut and high cut filters were applied as well as a standard master bus compressor. It still gets pretty glitchy and grungy at times, but it doesn't clip.

There is a little bit of the 3rd Wave's delay effect that goes in and out, but much of what may sound like a delay effect isn't - it's just the way the patch plays. Valhalla Supermassive, applied in the DAW, totally sends this patch into space. Each track has a different reverb applied.

The animation was created in Artmatic Designer in my usual style, but this time, because I used two audio tracks, I used two video tracks layered as well. The base layer is the "as rendered" version right out of Designer, and the second layer is a copy processed in DaVinci Resolve with the Edge Detect effect. That processed layer is manually programmed to fade in an out on top of the base layer which dramatically changes the visuals.

I have a bunch of works like this, but this one seems next level to me. I've watched it a bunch of times now and always with eyes wide open, ears tingling and mouth agape. Hopefully someone else enjoys it as much as I do. ;-)

Cheers!

P.S. Gyroresonant scattering is a process where charged particles, like electrons, interact with electromagnetic waves in a magnetic field, causing changes in their energy and motion. This interaction can occur in environments such as planetary magnetospheres, affecting the behavior of particles within those regions."

White Roland MKS-7 Super Quartet Synthesizer Module (Juno 106, TR-707)

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Additional SYNTH CITY Listings

"The Roland MKS-7, also known as the "Super Quartet" is a vintage, multi-timbral rackmount synthesizer module from the '80s that packs a lot into one unit: combines sounds and architecture from the Juno-106 (for melody, chord, bass parts) with drum sounds from the Roland TR-707, all in a single 2U box.

Features four separate MIDI-controllable sections (Melody, Chord, Bass, Rhythm), allowing you to play drums, bass, pads, and leads simultaneously, making it a versatile, all-in-one vintage sound source for MIDI setups.

This unit has been serviced and voice chips have been refurbished. Includes AC power cable."

CLICK FOR MORE »

New low | Dark ambient | Dreadbox Erebus

video upload by Treenote

"New low

A dark ambient song recorded with a Dreadbox Lil' Erebus and a guitar. The Korg Radias is acting as a midi controller.

Recorded in July 2025.

Support me on Bandcamp:
Bandcamp: https://treenote.bandcamp.com

My Website: https://treenotemusic.ca

Gear Used:
Korg Radias (midi keyboard)
Dreadbox Lil' Erebus (synth)
Fender Telecaster
Logic Pro X (DAW)"

Eventide H90 Granular Update ~ Cosmic Web ~ Glitch ~ GrainMod ~ Stutter

video upload by Ebotronix

"Eventide H 90 ,controlled by 2x Boss EV 30 and Yamaha MCS 2 with 2x FC7,( Midi CC),
Haken Audio ContinuuMini, controlled by Embodme Erae 2 ,
Korg Drumlogue,
Arturia Minifreak,
Roland Aira S1,
Conductive Labs NDLR,
Strymon Big Sky MX, in Dual Mono Mode controlled with
Midi CC by, 16n Faderbank, AtoVproject ,
Bastl Bestie,
Dorian Scale,
iconnectivity MioXL,
19.12.2025
video# 2587"

Novation Mininova Ambient with loop station

video upload by Blossom Bisquits

"The Novation MiniNova is a powerful, compact synthesizer known for its surprisingly deep sound engine—the same one found in the larger UltraNova. It is particularly famous for its vocal processing and "Animate" performance buttons.

Here is a breakdown of its key features in English:

Core Sound Engine
Powerful Synth Engine: A versatile engine capable of up to 18-note polyphony and 5 effects per patch.

Oscillators: Features 3 oscillators per voice, including classic analog waveforms, 36 wavetables, and 20 digital waveforms.

Filters: 14 different filter types, including low-pass, high-pass, and band-pass, with various slope settings.

Modulation: 20 modulation slots to link synth modules together, plus 3 LFOs and 6 envelope generators.

Vocal Processing (VocalTune & Vocoder)
VocalTune: Includes a built-in pitch correction effect to achieve that "auto-tuned" vocal sound.

12-band Vocoder: Comes with a dedicated gooseneck microphone to create classic robotic voice effects.

Voice Processor: You can also run external instruments through its filters and effects via the audio input.

Performance Controls
Animate Buttons: 8 backlit "Animate" buttons that allow you to "warp" and trigger modulation in real-time.

Pitch & Mod Wheels: Tactile wheels for expressive playing.

Large Filter Knob: A dedicated, oversized cutoff knob for instant sonic control.

Arpeggiator: A built-in 33-pattern arpeggiator with real-time editing.

Hardware & Connectivity
Mini-Keys: 37 velocity-sensitive mini-keys for a compact footprint.

Patch Storage: Space for 384 onboard patches (256 factory sounds included) and additional storage via computer software.

I/O Ports: * 1/4" Jack output (Stereo)

1/4" Mono input (to process external gear)

Headphone output

MIDI In/Out

USB port (for MIDI and patch management)

XLR input (for the gooseneck mic)"

Fors Introduces Junior 4-bit Wavetable Synth 【 VST + AU + CLAP 】

video upload by Fors

"Get Junior: https://fors.fm/junior

VST3 + CLAP + AUv2 for macOS, Windows & Linux

Junior is a 4-bit wavetable synthesizer based on the soundchip of our favorite vintage handheld video game console, bringing the raw and primitive tones of the original into present day.

All sounds in this video are 100% made with Junior without effects."

Junior – Walkthrough

video upload by Fors

"Junior is a 4-bit wavetable synthesizer based on the soundchip of our favorite vintage handheld video game console, bringing the raw and primitive tones of the original into present day.

Not only is Junior the perfect lo-bit playground but also a completely unapologetic synthesizer with a unique palette that holds a very special place in many of our hearts. Perhaps it can find its way into yours too.

Based on the limitations and characteristics of the Nintendo Game Boy™ soundchip, Junior emits raw and harmonically rich 4-bit values that will cut through anything. From 0 to 15, there is nothing more and nothing less.

The tone generator in Junior plays back a custom wave buffer of 32 4-bit values which gets transformed by different sound shaping controls. Paired with a 7-bit LFSR noise generator, they form the perfect lo-bit palette.

Junior has four flexible modulators inspired by modulation sequencers often used in trackers (LSDj, Defmon, M8 ..) called Tables. The 16-step modulation table in Junior can be configured as an LFO, envelope, arpeggiator, MIDI input mapper and more.

While Junior simulates the Game Boy™ sound, it's not a strict emulation by design. It expands upon the original capabilities with a modern feature-set and control while staying true to the original. The balance between accuracy and fun is just right.

CLICK FOR MORE »

Ambient Drift Demo - Ableton Move/Live Sound Pack by A Force Truly Evil

video upload by A Force Truly Evil

"Available here: https://sci-fiaudio.com/?product=ambi...
AMBIENT IN ITS MOST BEAUTIFUL EXPRESSION: DRIFT AT ITS MOST EXPRESSIVE, ORGANIC AND LIVING

Ambient Drift showcases Drift in its most beautiful and organic expression. A complete two-in-one sound pack for Ableton Move and Ableton Live, it features 79 living, expressive patches with deep velocity response, 15 polished demo sets, and a fully installable Ableton Live Pack Project that includes the same instruments, samples, and drum kits, plus the demo sets specifically arranged for Ableton Live, offering a more in-depth production workflow. With 264 versatile samples, 17 flexible drum kits, and patches designed to feel alive and responsive to your touch, Ambient Drift is ideal for ambient, electronica downtempo, chill out, and beyond — delivering expressive depth and expanded creative flexibility across Move, Live, Push, and Ableton Note.

LONG DESCRIPTION

Ambient Drift is a sound pack that brings Drift to life in its most beautiful, organic, and expressive form. Every patch has been carefully crafted to feel alive, dynamic, and responsive, making each performance unique and full of movement. Thanks to its extreme velocity sensitivity and expressive modulation assignments, each preset reacts naturally to your playing in real time.

By enabling or disabling Full Velocity, you can instantly access two distinctly different sound characters within a single patch, greatly expanding expressive and performance possibilities without changing presets.

This pack is ideal for ambient, chill out, cinematic textures, and electronica downtempo music, but its versatility goes much further. Thanks to the depth of the drum kits, rhythmic possibilities, and the ability to tweak Drift parameters directly inside Ableton Move or Live, Ambient Drift can be adapted to virtually any genre.

WHAT’S INCLUDED — ABLETON MOVE VERSION

79 highly expressive Drift patches
Pads, polys, basses, arps, drones, and leads — all designed to feel organic, evolving, and deeply musical.

8 arps
16 basses
35 pads / atmospheres
18 polys
2 leads
1 drone

CLICK FOR MORE »

Monolit + Aelita //

video upload by Sasha DZA

"Aelita is a Soviet analog monophonic synthesizer from the late 1980s. Simple in architecture, it is known for its raw, unstable tone and distinctive analog drift, valued for character rather than precision.

Paired with Monolit, Aelita gains entirely new possibilities. Precise MIDI automation, sequencing, LFOs, and probability-based control extend far beyond its original interface, transforming a classic Soviet instrument into a flexible and contemporary sound source for studio and live performance."

MFB Nanozwerg 2010s Yellow SN 13811

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

Demo in the listing previously posted here.

"In perfect working condition. Includes original power supply and box.

The MFB Nanozwerg is a compact monophonic analogue synthesizer that packs serious versatility into a tiny footprint. It features a true analogue VCO with selectable triangle, sawtooth, square, and pulse waveforms, a sub-oscillator or noise generator for added depth, a multimode 12 dB/oct analogue filter (lowpass, highpass, bandpass, notch), and full modulation capabilities with an LFO (including “one-shot” mode), ADSR envelope, and CV/Gate or MIDI control. Despite its modest size, the Nanozwerg handles basses, leads, sequences, or noise/FX sounds, and thanks to its VCF and VCA routing plus audio input, it can even be used as an external filter box or effects processor when processing other sources."

CLICK FOR MORE »

Cherry Audio | Mercury-8 Synthesizer with SoundForce SFC-8 MIDI Controller

video upload by Cherry Audio

"Cherry Audio's Robert Saint John shares a brief overview and demo of Mercury-8 synthesizer with the SoundForce SFC-8 MIDI controller. The SFC-8 is specifically designed for JP-8 plugins, bridging the tactile feel of hardware with the capabilities of software instruments. With the latest updates to both Mercury-8 and SFC-8, they are a powerful and satisfying combination.

SFC-8 features a solid build and updated firmware already mapped to various JP-8 emulations like Mercury-8. With its full set of pots, sliders, and switches, SFC-8 utilizes Mercury-8's key features, including layered split and dual modes, drift/detune, the arp, and up to five user settings.

More details and the latest firmware update for SFC-8 are available on the SoundForce website at https://sound-force.nl/?page_id=4789, which also offers step-by-step documentation, a Mercury-8 template preset, and a Web MIDI Control Panel for loading the software-specific MIDI CCs and configuration.

SoundForce started in 2014 with a simple idea: "Wouldn’t it be cool to control software synthesizers with dedicated controllers?" Check out their website for more controllers, such as the newly updated SFC-Mini (for Minimoog emulations), SFC-60 for Juno-style plugins, and more."

Oxi One MkII Modulation Tutorial

video upload by Alec Sea

"This tutorial video will teach you how to use the modulation features in the Oxi One MkII. LFOs, Mod Lanes and the External mod matrix demystified!

00:00 - Start
00:50 - Waveshapes
01:13 - Rate
01:46 - Amount
02:00 - Retrigger
02:18 - Phase
03:05 - Offset
03:37 - Destinations
08:37 - Mod lanes
09:33 - Muting and unmuting mod lanes
10:51 - Navigating the Mod Lane menus
11:56 - How to enter modulation values on the lane
12:34 - Mod lane settings
16:24 - Division, init, end and seq link
18:24 - Randomizing the mod lane
19:23 - Recording modulation
20:13 - External mod matrix
20:41 - CV in
21:36 - About voltages
22:37 - Assigning CV in to MIDI and internal destinations
25:41 - MIDI mappings
26:28 - MIDI learn
27:39 - MIDI map settings"

Timing doesn't get tighter than this // Gridlock II interface for CV, MIDI, USB & DIN Sync

video upload by Starsky Carr

"If you’ve ever struggled with MIDI jitter, sloppy DAW clocking, or keeping vintage synths and drum machines locked in time, the Innerclock Systems Gridlock II might be the ultimate solution.

https://innerclocksystems.com/gridloc...

In this video I take an in-depth look at Gridlock II, a professional MIDI, DIN Sync, USB and CV/Gate timing hub from Australian company Innerclock Systems, designed to deliver rock-solid timing with jitter as low as 20 microseconds. Rather than relying on unreliable DAW MIDI clock, Gridlock II generates its own ultra-accurate timing using an audio-based plugin approach — and the results are immediately audible.

I demonstrate how Gridlock II integrates vintage non-MIDI synths like the ARP Odyssey, Minimoog, Prodigy, Promars, Juno-60, alongside modern USB and MIDI gear, all appearing cleanly inside Logic as named instruments. You’ll see how MIDI, DIN Sync, USB MIDI and CV/Gate can coexist in one system, with every device locked tightly to the beat.

Key topics covered:

Why DAW MIDI clock drifts — and how Gridlock II fixes it
Audio-based clock generation for near-zero jitter timing
Syncing MIDI, DIN Sync, USB MIDI, CV & Gate together
Using vintage synths like modern MIDI instruments
TR-909 timing comparison: DAW vs Gridlock II
MIDI filtering, clock offsets, PPQN and transport control
CV pitch scaling, volt-per-octave & gate voltage options
Standalone operation for live performance reliability
Who Gridlock II is really for (and who it isn’t)"

0:00 Introducing the Gridlock II
4:39 The Hardware
7:04 Gridlock II Control Overview
9:02 Creating a Connection
11:12 MIDI Configuration Setting s
11:56 USB Hubs
12:31 CV Synths played as MIDI
13:21 MIDI Filters
14:06 CV Settings
15:12 Multiple Session
s 17:48 Any Limitations?

How to humanise your drum beats with the Launchpad Pro

video upload by Novation

"In this video, Dylan shows you five different ways to elevate the sound of your drum beats and get your drums feeling less robotic and more human with our Launchpad Pro.

MIDI drums offer music makers lots of flexibility to change the sounds of drum elements on the fly and make minor adjustments at any point, even after your track is recorded. But this can leave them sounding a bit robotic, with every hit at the same velocity, strictly on the grid, and generally not capturing the nuances of a real drummer. But here's how to fix that!
Watch the video to find out five distinct ways to make your beat sequences sound and feel real whilst adding life to your drum grooves.

Find out more about our Launchpad Range: https://bit.ly/Full_Launch_Range

Chapters:
00:00 - How to elevate your drum beats with Launchpad Pro
00:30 - Adding swing to your drums with Launchpad Pro
03:26 - Building drum layers with Launchpad Pro
06:29 - Creating velocity variations on drums with Launchpad Pro
09:30 - Scene chaining with drums on the Launchpad Pro
12:21 - Subtracting from your drum beat with Launchpad Pro
14:55 - Recap"