"Hi everybody this time we bring you the kenton electronics interview at Superbooth 26. Website https://kentonuk.com/
Coming Soon – Kenton Interchanger
The Interchanger is a very flexible, programmable MIDI patch bay – something many of our users have been asking us to make for a long time! Its feature set makes it just as useful on stage as it is in the studio, while retaining the ease of use that our products are known for; not to mention build quality and reliability you can depend on.
12x DIN MIDI inputs and outputs – 8 pairs of IN/OUT on the back, plus 4 pairs of IN/OUT on the front.
1 x 3.5mm TRS MIDI input and 4x 3.5mm TRS MIDI Outputs.
"The Yamaha FX-1 Vintage full size Dual 61-Key is a rare and sought-after synthesizer with a unique feature: two 61-key boards plus a 32 mini-key third board. This semi-weighted keyboard offers a full pedal organ synth experience with MIDI input/output ports for connectivity. Made in Japan by Yamaha, this hybrid analog/digital instrument has a display screen for easy navigation. With only one owner and in good condition, this vintage gem is sure to delight any musician looking to add a piece of musical history to their collection. Includes stool and pedals. Not used in many years. Has been in dry storage."
"MIDI EXPANDER, HARMONY COMPUTER, AND PRESET SYNTH FOR AMP DEVICES. www.melodyoracle.com
HARMONICONSTELLATION is a 3 channel AMP LINK to MIDI expander and harmony computer, with built-in three channel preset synthesizer. Converts AMP Obliquencer, Melody Oracle, Touch Tones, and Star Song to 3 channels (or up to three voices on one channel) of MIDI control signal.
Master settings control root note and mode, to format the incoming AMP control stream to a set of MIDI note values within a specified scale (9 harmonic modes over the full chromatic range). Each channel has Octave and Harmony Offset settings, creating spontaneous harmony to the incoming note stream, within the scale set by the master settings. CV inputs (0-3.3v, diode protected) for Octave and Harmony Offset on each channel allow modulation from Obliquencer CV outputs or other CV sources. Octave and Harmony Offset selectors become CV attenuators when jacks have been patched.
HARMONICONSTELLATION outputs MIDI master clock if connected to Obliquencer or Melody Oracle, allowing MIDI sequencers and drum machines to sync.
Each TRS MIDI output carries all three internal channels over MIDI, and each channel can be routed to any of the 16 MIDI channels using the recessed touch controls.
Built-in polyphonic, multi-timbral synthesizer output creates an audio preview of your sequences without needing to connect an external MIDI synthesizer. 16 preset sounds, with a variety of waveform and envelope profiles, correspond to the MIDI channel settings.
Multiple HARMONICONSTELLATIONs can be chained to control additional synthesizers. Can also be chained with AMP Expandoor and Wave Expander.
SPECIFICATIONS: Connection: Shielded connector RJ45, ethernet cable. Dimensions: 8.66” x 5.25” x 3” Power: Bus power, no additional power supply required MIDI Output 3.5” TRS Type A CV inputs: 3.5mm 0-3.3V unipolar diode protected."
"I was gonna call this "Lords of O'Brien No. 1", as a tribute to the greatest ambient guitar Youtuber, @chordsoforion But I opted for a less facetious and more utilitarian name. That way I can shamelessly shove the highlighted gear list in the title.
I got a TC Electronic Flashback Triple Delay recently and holy crap, instant inspiration. A bit of fiddling with the Toneprint editor and I had my 3 stacked delays for the main simulated Frippertronics tape loop. Then I said, well hell, I already have a TC Flashback II, might as well Toneprint a Frippertronics tape loop delay in that box too. So the OB-6 gets the Flashback II, and the guitar gets the Flashback Triple. I made a 4 step polyphonic sequence for the OB-6. The little Roland DP-2 switch cycles through each step. The Tonex hosts a capture of my own Peavey 6505 amp, clean channel with pre-gain at 6. There's a little (ok a lot) of Strymon Cloudburst at the end for the final chef's kiss.
Too much gear and too many parallel signal chains to list, but deep breath here we go...
Guitar: Ibanez M80M (8-string), IK Multimedia Tonex, Guptech Honker overdrive, Morley Little Alligator volume pedal, TRex Replicator tape delay eurorack module (somehow works fine at instrument level), Two Notes Torpedo Captor M+ with Ownhammer 412 Rect Balanced Cab IR, TC Electronic Flashback Triple Delay (delay 2 is the tape loop), Strymon Cloudburst Reverb
Synth: Oberheim OB-6, TC Electronic Flashback 2 (tape loop), Audiothingies Doctor A (stereo delay and reverb)
Guitar Synth: Boss SY-300, Strymon Cloudburst Reverb (plugin)
MIDI Mod for iOS adds random delay time shifts to the TRex Replicator via a Kenton MIDI to CV box.
Recorded live, first take! (can't f'ing believe it)
No post processing other than a little bit of the Strymon Cloudburst plugin for the final "glue"
"Introducing bassline engine: integrated, stereo-linked 303-style sequencing for zetaSID. Two modules on bass, two on percussion, some external FX in the chain.
What's in the patch:
two zetaSIDs linked via phybus carry the stereo bassline
patterns are switched live from the user interface. Sync To Measure stays active, so every pattern change lands cleanly on the next bar. The zetaSIDs stay step-locked across the polychain throughout
the joystick is spliced into LFO1 for hands-on modulation in real time
the fader is spliced into filter cutoff and forwarded to all zetaSIDs: live SID filter sweeps, no menus
two more zetaSIDs run the drums, triggered by gates from the modular, no MIDI used
What's new in firmware v1.5:
zetaSID bassline engine: 303-style 16-step sequencer, eight patterns per channel, per-step note / octave / gate / slide / accent / one freely assignable parameter, two LFOs and an additional envelope with curvature
three new input sockets per module: SEQ STEP, SEQ RESET, SEQ PATTERN. Splice them through phybus and your modular drives the sequencer directly with clocks, sequence reset triggers and pattern select CVs
pair two zetaSIDs over phybus for a true stereo bassline patch that stays step-locked
non-bassline feature: individual instrument attenuation for drum engine
non-bassline feature: 180° screen rotation support (mount your zetas upside-down, if you want :-))
"If you want to see how the Oberheim DX looks from the inside, how to clean the buttons, how to upgrade the RAM, and how to add MIDI to this classic drum machine, you're in the right place.
This machine came to me in pretty bad shape. Dirty on the outside, with some faulty buttons, and in serious need of some love. But honestly? It's not that hard to bring one of these back to life if you're careful and you enjoy working with vintage gear. And if you don't — stick around anyway, because it's super interesting to see these machines from the inside.
I'm walking you through the full process: deep cleaning, how to remove and clean the button contacts the right way (spoiler: cleaning the surface does nothing — you need to go under them), installing the Electrongate MIDI board and RAM upgrade so you don't need a battery anymore, and swapping the plastic panels for the beautiful wooden ones from Electrongate.
Big shoutout to Paul White, whose Electrongate videos were a huge reference for this build. I'm just a student passing the knowledge forward — go check his page, I'll leave the links below.
Once everything was back together and fully working, I put on a jacket — because if I'm performing original music for you, you deserve some respect — and played a live jam using the restored Oberheim DX, the Oberheim DMX, Moog Voyager, Rhodes Mark I, Oberheim Matrix 6R, Elektron Digitakt, and the Roland Space Echo RE-201."
I am Thierry Gerardeaux from 16 Music Lab, and I want to announce that my custom MIDI interfaces for the Yamaha CS series (covering everything from the CS-15 up to the legendary CS-80) are currently available.
To maintain the highest standard of quality and ensure these kits end up in the right hands (rather than with speculators), I operate strictly on a small-batch, built-to-order basis. I limit production to a maximum of 5 units per CS model at any given time. This is true boutique hardware designed for purists and demanding technicians.
The CS-80 Flagship Interface & MIDI OUT Capabilities
While I proudly cater to the entire CS line, I want to specifically highlight the interface designed for the Yamaha CS-80. Given the immense complexity and uncompromising architecture of this legendary synthesizer, retrofitting it requires absolute precision.
Crucially, this specific MIDI kit goes beyond basic connectivity by featuring a comprehensive and highly responsive MIDI OUT. It flawlessly transmits all 8 voices of polyphony, including velocity and the CS-80's signature polyphonic aftertouch, alongside real-time data from the iconic ribbon controller. This allows you to harness the CS-80's legendary expressive keyboard to control your modern DAW or other hardware seamlessly.
How it works:
Technical Validation: Before any transaction, I require a few macro photos of your synthesizer’s internals (connectors, board revisions). I personally evaluate these remotely to guarantee 100% compatibility with your specific machine.
Shipping / DIY Install: If you or your trusted local tech are handling the installation, a dedicated and highly trusted partner of mine takes care of the ultra-secure packing and worldwide shipping.
Custom Installation: For those who want absolute peace of mind, I also offer a complete, personalized installation service myself (for an additional fee).
These kits are built with uncompromising attention to detail to respect the original circuitry of these vintage masterpieces.
If you are looking to bring your Yamaha CS into the modern studio environment with a reliable, high-end MIDI retrofit, please feel free to reach out to me directly at: 16musiclab@gmail.com or visit www.16musiclab.fr
"Bought this 27 years ago from the keyboardist, Gary Hull, who played keyboard on 2 Montrose albums and also toured with him 1990-94. Gary also modified this Oberheim Four voice for Montrose to add sequencer functions. This Oberheim has 4 great sounding late 70's SEM Units and 2 later model Sequencer modules that are quantized, and output 4 channels to the 4 SEMs. A remote keyboard controlled by the Keyboard Module allows spilts and 4 note polyphony and many options for control. A programmed Expressionist MIDI to CV interface is included so the four voice is also controllable polyphonically over MIDI. -- The Four SEMs have been calibrated tuned and checked for complete noise free operation in 2026. The keyboard has been leveled and bushings replaced and plays perfectly. In 2026 the power module and output module were restored by Synth Smith, an analog repair specialist with over 30 years working on analog synths. I did not change much from what Montrose had done to this synthesizer. He was well known for his customization skills. I did add VCF controls and pots for all the SEMs so you can control from remote LFO's. The Programmer has never been connected in the Oberheim since I have owned it. In 2026 the Programmer battery was replaced and testing revealed it does work, but is not wired, and wiring it would be a lot of new wiring.
INCLUDES: Oberheim FVS-1 in Custom Metal Case 27.5 wide, 23.75 High, 5 deep(inches) 49 Key Keyboard in Custom Metal Case 2 keyboard cables, power cable, Manual and Notes MIDI to CV Rack Convertor Expressionist Programmed ($650 refund if not needed) Hard Shell Pro Road Case for Main Unit
SHIPPING: Only for Sale in North America due to size and weight $500 Flat Fee for Shipping 3 Boxes, refund if less Shipped Freight fully insured with tracking Freight company will schedule delivery to your house Box 1 - Main Unit 68 pounds 33 X 30 X 13 (Inches) — 2 smaller boxes Shipped Fed Ex Ground Box 2 - Keyboard 19 pounds 36 X 16 X 8 Box 3 - 18 pounds MIDI to CV, Manuals, Cables, Misc. 24 X 17 X 8"
"Demonstrating how to sync a DFAM's sequencer with MIDI Notes and MIDI Clock using the DFFMAFD. Also, see here how to sync a DFAM to a live drummer (our friend Amir Ziv):"
Amir Ziv's custom Moog DFAM rig w/Sonoclast, Keith McMillen Instruments, Avi Ziv, and Bome Software
"Composer/Drummer/Educator Amir Ziv demos his custom Moog DFAM rig. This system was created for remotely controlling and manipulating the Moog DFAM sequencer and for remotely modulating the synthesizer's sounds while playing the drum-set. Rather than play along to a loop or a recording, the goal was to be able to get the synth (in real-time) to "lead-in/follow/respond to" whatever phrasing is played on the drum-set in an improvisation or in a through-composed composition.
The live performance at the end of this video as well as the intro/outro music are improvised compositions performed live in real-time on this custom DFAM rig and the acoustic drum-set.. There are no overdubs or edits in any of the music.
00:00 Custom DFAM rig description and demo
24:45 Live performance"
"Introducing the new FLkey, the go-to controller for FL Studio. This video gives you a quick glimpse of what our new FLkey can do and how it integrates with FL Studio.
The next generation of FLkey is here, and this new iteration has been upgraded and refined to offer an even more seamless connection to your essential beatmaking workflows.
The new hardware introduces an array of upgrades including better-feeling keys and pads, continuous encoders, and a crisp OLED display that shows essential information about your project. In addition, FLkey now features inspiring built-in creative tools in the form of Scale and Chord Modes and a powerful arpeggiator.
We’ve also deepened FLkey’s connection to many of the most important FL Studio tools, including the Channel Rack, Mixer, and plugins. We’ve also added useful new workflow shortcuts and upgraded the pads’ sequencing capabilities.
From bedroom to studio, there’s an FLkey for every setup with four sizes to choose from:
FLkey Mini 25
FLkey 37
FLkey 49
FLkey 61"
New FL Studio Keyboards - Novation FL KEY MK2 First Look and Review
video upload by
"Today, Novation have released the FLkey 2 MIDI keyboards for FL Studio. It's a brilliant update to the incredibly popular FLkey range released in 2022. These new keyboards have now taken the top spot as the best MIDI device for FL Studio.
In this video, I share the important updates and give you a feel for the workflow and build quality of the new FLkey 2 in all sizes.
This video is supported by Novation. I want to be transparent about this but I am genuinely glad to be showcasing the update to these keyboards. These MIDI keyboards are a brilliant pairing with FL Studio and are a joy to use.
0:00 - Intro
0:45 - 60 Second overview
1:45 - Build Quality
3:00 - Channel Rack Control
4:30 - Faders Controlling the Mixer
6:18 - My favourite features
9:40 - Don't make this mistake!
Prices (Rest of world excluding tax. Prices vary by location):
I don't mention the price during the video because it varies so much by location and I don't like to mislead anyone who expects a simple dollar conversion to their own currency!"
Novation's new FL KEY MK2 for FL Studio // Pros, cons & full tutorial for FLkey 2
"Introducing KeyLab mk3 Update 1.5 — a free update for Arturia’s premium MIDI controller series, designed to make performance and production feel smoother, clearer and more controller-led. Featuring new Apple MainStage integration, enhanced Analog Lab control and focused workflow refinements, KeyLab mk3 continues to evolve in ways that make everyday music-making more seamless and intuitive."
"Join Matt for a look at KeyLab mk3 Update 1.5, a free performance-focused upgrade for Arturia’s flagship MIDI controller. Explore new Apple MainStage integration, redesigned Analog Lab Multi visuals, improved display navigation, updated icons, Arp randomization and a smoother hands-on workflow built for studio sessions, live performance and everything in between.
_CHAPTERS
00:00 Intro
00:27 Sound Demo
02:07 Controlling Analog Lab
02:50 Controlling your DAW
03:44 Controlling Arturia Instruments
04:16 Chord Mode & Arpeggiator
05:48 MainStage Integration
08:05 New Analog Lab Multi-Workflow
09:27 Improved Display & Navigation
10:08 Build To Last"
"As there are quite a lot of Reviews for the Waldorf Protein out there, I decided to make a complete Track, only using the Protein. I'd made a few Patches when I first got it and while it is very well thought out, I decided to make an Editor using Google Gemini to help with my workflow. It doesn't cover all Parameters, as it uses CC's which are limited to 128, some of which are reserved.
First thing I did was to make the Drum Sounds and then Sample them into Native Instruments Maschine and made a Kit (Which will be available on my Patreon for download) and then I put them through Logic Pro, I use Maschine as a Sound Module in Logic, so I can still change MIDI notes and route each sound to a dedicated fader.
Next, I tracked each Sound, all of which are Custom made and use the internal FX of the Protein. In the mix I added a touch of Room Reverb for the Drums and the Lead has some extra Delay, everything else is from the Protein."
Click CC in the player once started for subtitles.
"Interview mit Tobias Münzer von Tubbutec zur Entstehungsgeschichte der Firma, zum utune-Modul, dem Brainstep und neuen Custom Controllern - geführt am Samstagabend und am Ende der Superbooth 26.
00:00-02:00 Intro und wie es bei Tobias anfing
02:00-04:50 Microtonale Stimmungen mit tune
04:50-09:32 Brainstep und 606
09:32-10:12 Neue Custrom MIDI Controller mit Configurator
10:12-11:46 Superbooth Lobpreisung und Ausblick"
Googlish:
"Interview with Tobias Münzer of Tubbutec covering the company's origins, the utune module, the Brainstep, and new custom controllers—conducted on Saturday evening at the conclusion of Superbooth 26.
00:00-02:00 Intro and how it all started for Tobias
02:00-04:50 Microtonal tunings with utune
04:50-09:32 Brainstep and the 606
09:32-10:12 New custom MIDI controllers with the Configurator
10:12-11:46 Praise for Superbooth and a look ahead"
"Das ist ein Interview mit Manuel Rodriguez auf der Superbooth 26, dem Gründer von Oxi Instruments. Oxi Instruments entwickelt Eurorack-Module und den bekannten Oxi One Sequencer, der inzwischen in einer mk2-Version erhältlich ist. Manuel spricht über persönliche Themen, den Oxi Coral sowie neue Funktionen des Oxi One mk2.
This is an interview with Manuel Rodriguez at superbooth 26, the founder of Oxi Instruments. Oxi Instruments provides modules and the famous Oxi One sequencer, which is now out as an .mk2 version. Manuel talks about personal things, Oxi Coral and new Oxi One mk2 features.
Timestamps
00:00-02:00 Introduction
02:00-05:18 Oxi Coral
05:18-06:12 Oxi One mk2
06:28-08:20 Manuel’s history and Oxi's philosophy
08:20-10:36 New chord mode in Oxi One mk2
10:43-13:15 Oxi One mk2 update:Domino, Saga, MIDI player
13:15-14:01 Oxi future plans"
"Today, we’re launching a new music hardware platform! Meet the AMYboard, a 10HP modular-sized synthesizer brimming with inputs and outputs for digital and analog audio, MIDI, and two CV channels. The AMYboard firmware runs Micropython, and can be controlled and programmed over the web, where you can share your own creations with others. You can also use AMYboard in Arduino to create music devices of your own design. It’s only US$29.90 - a very inexpensive way to get started making your own modular-capable synths. It can be powered over USB or a 10-pin modular power cable, and comes with a 10HP laser-cut faceplate. You can buy one today!
AMYboard is powered by AMY, the synthesis and effects toolkit that DAn Ellis and I have been working on for the past few years. AMY is a beautiful-sounding, efficient re-creation of classic analog synths – like the Juno-6 – and FM synths – like the DX-7. It can also act as a sampler, play WAV files, or let you make your own synthesizer setups in code from bare oscillators, effects, and filters. AMY is open-source and runs on all sorts of hardware. It already powers some neat synths like the Diapasonix, the Spark, and our own Tulip Creative Computer. AMYboard is our “reference hardware” for AMY - running the same ESP32-S3 as Tulip with 8MB of RAM, but with new features including both analog and S/PDIF (digital) audio input and output, enabling live effects, sampling, and filters. We’ve also added an SD card for sample storage, and an I2C host port for connecting your own displays and knobs!"
AMYboard launches with AMYboard online – a web based simulator and control surface for the AMYboard. You can experience AMYboard online before even buying an AMYboard. AMYboard online runs the same core engine as the AMYboard hardware (ported to WebAssembly) so you can set up and interact with the synthesizer over the web. When you’re ready, you plug in your AMYboard, download your patch, or control it in real time over the web, including the capability to edit and store code on your hardware that will boot up the next time you turn it on. AMYboard’s default firmware allows anyone to code their synth creations in MicroPython running on the hardware; the AMY synthesis engine itself runs in bare-metal C, but you can load your own “sketches” onto the board to build complex environments. For example, here’s a generative house track with a Derrick May custom “WOODPIANO” FM patch. Or here’s a TB303 + 808 acid setup. Or add a filter and reverb to a DX7 patch. AMYboard online also comes with AMYboard World, an online community for AMYboard users to share sketches with each other. We’re really excited to see your cool creations, please do share them!
"The Erica Synths Bullfrog Drums looks lie a toy but has hidden depths. In this video I give you a complete hands-on review, a live demo built from scratch, and a full manual walkthrough so you know exactly what this drum machine can do before you buy.
The Bullfrog Drums is the follow-up to the Bullfrog Synth — a collaboration between Erica Synths and Richie Hawtin, designed to be approachable for beginners but deep enough for professionals. Spoiler: it absolutely delivers on both fronts."
"This was an element of my first project with Don Buchla. The graphics and MIDI sequencing was programmed in HMSL-Forth. (Heirarchical Music Specification Language) and J-Forth that controlled two graphic sprites on an Amiga 3000 computer. The sprites act like two computer mouses, but they are controlled by two independent Buchla Lightning wands. This was installed at the Exploratorium Museum in San Francisco in 1993-1994 for two participants to drag instruments onto the phrases as they appear."
"At Superbooth I had to stop at the Oxi Instruments booth to say hello to Manu and his team and to check out the latest updates for the Oxi One sequencer. I got a closer look at the new sequencer modes Domino and Saga. The decoupling of trigger events from note events is a great idea.
The Oxi One has become the central sequencing hub in my studio. It allows me to combine CV and gate sequencing for modular synths with MIDI gear like the Prophet 6, Jomox Alphabase and the Access Virus A. A great surprise was discovering that someone from the Oxi community created a custom MIDI CC mapping for my very first synth — the Acces Virus A — which I bought more than 25 years ago."
