The 4x4 pad grid gives you 16 playable pads, each with its own full sound, pattern, and groove setup.
Switch pads instantly to move between variations without stopping the flow.
The step sequencer gives you direct control over steps, velocity, and timing.
Each voice can use its own step count and rate for polyrhythms, uneven loops, and evolving patterns.
Swing, nudge, and humanize make it easy to dial in a tighter or looser feel.
- 6 synthesized drum voices (100% synth, not sample based)
- 16 pads where each pad has its own sequencer pattern and parameter locks
- Super flexible sequencer where each row can have 1-16 steps (polyrhythms!) and microtiming with swing+nudge+humanizer combo
- A sweet, algorithmic pattern generator
- Full MIDI compatibility (pad in, pad out, voice in, sequencer out)
- AUv3 multiout support per drum voice"
"The systems shown above are provided as examples of possible configurations. Thanks to the fully modular architecture, virtually any custom system can be designed to match your specific requirements.
Systems can be freely configured using the complete range of MOS-LAB modules. To receive a quotation for your custom system, simply send the list of desired modules to info@mos-lab.com, and we will provide a detailed quote."
"My patches come under the name 'WCOG + number' in a soundbank saved as a sysex file. You can use any midi manager (like the free MIDI-OX for example) to import my soundset into your TEO-5. I did not use any external FX in the demo; all the delays, reverbs, noises, crackles and other effects are part of the TEO-5 engine & mod matrix."
0:00 suckerpunch 0:12 altiplano 0:28 ugly swamp 0:47 microshrimp 1:02 typhoon 1:18 bat eaters 1:36 coil 1:54 sven von sidechain 2:04 atomic dynamo 2:21 cryptstatik 2:32 turbine paranoia 2:49 overglow 3:06 murmur of little wings 3:21 deaf blow 3:32 drift 3:49 widowmaker 4:02 ritual of the kinky serpent 4:16 one-legged cyclope 4:27 digital, banal, fecal! 4:42 mr. beaverfart 4:57 mutant gringo chupa cobra 5:13 tapestar ct-5 5:26 pixelatron 5:39 witch has diarrhea 5:51 kako the parrot 6:10 godsend 6:26 warlock's earwax 6:42 chasm 6:59 microbes 7:12 gut bass
I just bought this for myself for Xmas but I don't need it. I have over 20 other synths. I just never had this one and wanted to check it out. It's awesome. Stack multiple sounds at once, multiple filter cut offs, the MS20 low pass and high pass filters in an awesome joystick, aftertouch, and the best cross mod ever. Everything works great. Just got it from a shop from Japan. Comes with the original Japanese manual and a hard case. It works perfect with a Kenton Pro Solo too so you can easily use it with your midi gear if you want to do that. Tons of jacks on the back give it even more potential. One of the nicest ones you will find and now it's in the states. It uses Japanese power so you should use a power converter. They're very cheap. Do not use this synth in the US without a converter."
"Couldn't resist a custom Multi Patch for the marvelous Oberheim Matrix 12.
Each of the 12 voices can have a different single patch loaded and be controlled by a zone on the keyboard or a midi channel.
In this instance, I made three patches and layered two on the right of the keyboard with five voices assigned to each of those two patches. The final two voices are assigned to the left of the keyboard and the voices are then panned around the stereo field.
There's subtle amounts of FM, lag processing, noise modulation etc that add up to give a really big sound.
This is a really stunning synth, especially for 1985!"
"In this video, I take a closer look at the Novation Launch Control 3, a compact MIDI controller designed to give you hands-on control over your DAW, plugins, and mixes. With 16 endless encoders, an OLED display, and RGB LED feedback, it promises a more tactile workflow than using a mouse. I’ll walk through five ways this controller can improve your music production workflow, show how it works with popular DAWs like Ableton Live, and highlight a small detail that makes it surprisingly useful in real-world setups. I’ll also compare it to the Launch Control XL MK3 and talk about whether the smaller version is really the best value for your money."
Timestamps
00:00 Overview
01:33 Control
03:05 Standout feature
04:43 Mixing
05:33 Stage and Studio
06:51 VS the XL
07:52 Custom Modes
09:12 Missing features
10:21 Alternatives
11:09 Final thoughts
And one from Sweetwater:
Novation Launch Control 3 Demo: Great for Mixing, Plugins & MIDI Hardware
"Watch as we demonstrate the deep DAW integration inside Ableton Live, showing you how to seamlessly toggle between DAW Mixer mode for panning and sends and DAW Control mode for mapping third-party plugins!"
Chapters:
00:00 — Intro & What to Expect
00:30 — Physical Hardware, Layout & I/O Connections
01:15 — The 16 Endless Encoders & RGB LEDs
01:55 — The Crisp OLED Display Features
02:25 — DAW Mixer Mode (Ableton Live Panning & Sends Demo)
04:10 — DAW Control Mode (Controlling Third-party Plugins)
05:05 — Track Management Buttons (Arm, Mute, Solo, Select)
05:50 — 5-pin MIDI Connectivity & Hardware Control
06:25 — Custom Modes & Novation Components
06:45 — Included Software Bundle
07:05 — Final Thoughts & Sweetwater Info "
That was the first time I used five synth layers. Micromonsta 2 worked in bi-timbral Combi mode with two stacked layers because of limited sequencing resource of the Cirtcuit Tracks (only 4 MIDI tracks)-
Rig: Novation Peak, Korg Minilogue XD, MicroMonsta2 (bi-trimbral stacked), Waldorf Blofeld, Roland TR-6S, Novation Circuit Tracks (sequencing only), recorded raw to Tascam Model 12.
"The E-MU EMU MP-7 Command Station Synth Drum-Machine Groovebox is a high-quality keyboard synthesizer designed for musicians and producers. This analog unit features a sequencer, USB compatibility, and a variety of input/output ports including USB out, MIDI (DIN) in, and MIDI (DIN) out. With its sleek design and powerful features, this E-MU MP-7 model from the United States is perfect for creating dynamic and professional music compositions.
This is a 3-IN-ONE.
It comes with MROM1, XROM1 and PROM1 (MP7, XL7 and Proteus 2500).
Excellent cosmetic condition,
Perfect working condition.
Including manual and original desk lamp."
"I've been dabbling with MIDI controllers recently (as you will have seen if you've watched my recent stuff). Nothing has really hit the mark, until now. It's been a right pain in the ass to set up (the Mac app doesn't want to let me use it to configure settings) and have had to manually enter them on the device itself. But it's actually pretty easy once you know how. The OP-XY and Artemis have presets available to upload to import to it so you just need to know what you're doing and you're off. I've wanted a small but robust controller for ages and decided to give this a go. It's not cheap but it's impeccably made. The linking of encoders is amazing. There's no way you could perform a filter sweep on 2+ tracks on the OP-XY. This makes it easy peasy. Love it. Hope you enjoy!
"In this video, I keep exploring the Hapax sequencer’s capabilities even more:
Program changes to switch between different presets (TR-6S and Minifreak)
Automation (enabling and disabling MIDI LFOs controlling parameters on the SE-02)
MIDI effects: Arpeggiator, LFO, Randomizer, Output, Scaler, Swing, etc.
Modulation
Fill button used to make drum breaks, mute some tracks etc.
Conditions for notes to play when a certain condition is met...
All 5 instruments in this jam are being sequenced by the Hapax.
The little trick I used here is that, thanks to the Hapax' MIDI Output plugin, the BASS track or the ARP track can sequence the S1, depending on which MIDI Output plugin I've enabled.
⚠️ Heads up: I miswired the Minifreak, so it’s totally out of phase - if you listen in mono, it’ll disappear. 👻"
Where mathematics meets music: a unique synthesizer plugin that puts the power of mathematical expression directly at your fingertips. Instead of selecting from preset waveforms, you write your own equations to generate completely unique sounds.
Equation Synth is a unique synthesizer plugin that puts the power of mathematical expression directly at your fingertips. Instead of selecting from preset waveforms, you write your own equations to generate completely unique sounds. Whether you’re a sound designer seeking unprecedented sonic possibilities or a music producer looking for fresh, distinctive textures, Equation Synth opens up an infinite universe of waveforms limited only by your imagination.
Comprehensive Modulation System
Bring your equations to life with an extensive modulation matrix featuring:
Modulation Sources:
3 Envelopes (ADSR) with tempo sync options 3 LFOs with multiple waveform shapes (sine, square, saw), tempo sync, and delay Note Velocity for dynamic expression Modwheel for performance control MPE Support: Timbre and Pressure for expressive multi-dimensional control Modulation Destinations:
Route modulation to virtually any parameter including:
Volume, Pitch (Coarse/Fine) All Equation Parameters (A, B, C, D) Graph parameters (Scale X/Y, Offset X) Filter Cutoff and Resonance Noise Level Effect parameters (Chorus, Delay, Reverb, and more)
Effects Chain
Polish your equation-based sounds with a professional effects suite:
Delay: Stereo offset, feedback, tempo-synced timing Harmonic Reverb: Room size, damping, and mix controls Chorus: Modulation depth and rate Tape Simulator: Wow, Flutter, Saturation, as well as various tape player emulations Intuitive Interface Design
Inspired by classic calculator aesthetics, Equation Synth features:
LCD-style display showing equation input and real-time waveform visualization Tabbed interface organizing Equation, Synth, Modulation, Effects, and Note settings Integrated help system with context-sensitive guidance Virtual MIDI keyboard for quick auditioning Scalable, resizable window Preset management system for saving and recalling your creations Advanced MIDI & MPE Capabilities
"We are excited to announce that Melbourne Instruments’ Roto-Control now integrates natively with Max, giving you a powerful tactile interface for building and performing with your Max patches.
With Max supported directly in PLUGIN Mode, Roto-Control can control custom instruments, audio effects, MIDI processors, and performance tools created in Max. Motorized knobs, touch-and-learn mapping, and haptic feedback make it easy to map parameters, recall states, and interact physically with your patches.
This setup guide walks through how to install the Roto-Control package in the Max Package Manager and connect the hardware so you can start controlling your patches right away.
Iridium Desktop MK2 is a new generation of the highly acclaimed Iridium Desktop synthesizer introduced in 2020 by Waldorf Music, and since then used by countless artists and sound designers. After six years the time has come to advance the sonic success story even further.
Based on the legendary multi-engine design of the Quantum & Iridium product line, the MK2 innovates even further, thus fitting perfectly into Waldorf’s forward-looking synthesizer design philosophy.
The MK2 features a new and fresh design, and an improved CPU board with more RAM and flash storage allowing for more sample storage and opening a whole new world of synthesis capabilities.
Per-Note-Parameter-Locks
(ft. Aphex Twin)
Only on the MK2 you can enjoy a very special feature called Per-Note-Parameter-Locks which is the result of a collaboration with legendary Aphex Twin, a long-term Iridium Desktop user.
With this feature, each of the 128 notes can be assigned up to 16 individual parameter variations by simply holding a note and turning knobs. This system allows each note to have a different set of parameters. You can even change the synthesis mode of oscillators for each note or change effect parameters. It feels like adding a whole new dimension to your music. Per-Note-Parameter-Locks are saved with each patch and can be inspected and edited on a dedicated page.
Seeds – The Sixth Synthesis Sense
The added RAM further allows a new sixth synthesis method for each of the three oscillators. Inspired by wavetable synthesis, in which each wavetable represents a timbral journey, Waldorf has found a way to base these timbral journeys not only on static waveforms, but also to dynamically synthesize each waypoint from sub-oscillators we called “Seeds”. These can be controlled and recombined using techniques like ring modulation and frequency modulation, and enriched with noise and other non-pitched material. While we provide, similarly to wavetables, a set of predefined timbral journeys, you can also edit and create your own.
Protein’s “Flavour” Knob
The new knob called “Flavour” adds sonic liveliness using our new concept of micro-variations in timing, timbre, pitch, and a whole set of additional parameters we recently introduced with the Protein synthesizer.
More Memory, Layers & Sound
With the increased memory capacity, you can change the multi-timbral layer count from 2 to 4. In addition to layered and split modes, the new MK2 also features more advanced multi-timbral modes, such as round-robin and random-robin. These additions bring greater timbral richness and variety, letting you build deep and complex sonic landscapes. A dream come true for all sound designers, sonic explorers and cinematic artists!
Iridium & Quantum Update 4.0
A general update of the Iridium and Quantum operating system will be available soon.
Version 4.0 provides some of the new features for all existing Quantum and Iridium models like the Mutator patch randomizer introduced in the Microwave plugin, a new polyphonic arpeggiator, new microtonal features saved in patches and other features.
Connectivity Stereo Audio Out: 2x TS jacks Stereo Audio In: 2x TS jacks Headphones TRS output with level control DIN MIDI In, Out & Thru USB Type B (device) for MIDI connection to computer USB Type A (host) for storage media and MIDI devices MIDI 2.0 compatible MicroSD slot 4 high-resolution CV Inputs which can be used as modulation sources in the Mod-Matrix Analog clock In & Out with clock divider settings Analog gate and start inputs Kensington® compatible lock
"MERG-E is a sampler instrument for Reaktor 6.5, created for the exploration and transformation of audio through multiple simultaneous playheads (up to 8), loop memories, and a focused set of sound-shaping tools.
Thanks to its Dynamic LAYERS system, it’s easy to move quickly between very different sonic results from lo-fi, broken, and tape-like textures to hyper-digital, chaotic, cinematic or minimal looping structures, all within a minimal interface designed to keep the focus on sound.
MERG-E is the result of a long process of experimentation around multi-playhead playback and loop manipulation, refined into a tool meant for fast, intuitive exploration with samples.
If you enjoy pushing recordings beyond their original context, I hope MERG-E finds a place in your workflow.
FEATURES:
- Create up to 8 Loop Slots to store different start and end points for the loaded sample
- Play Loop Slots or transpose them via MIDI notes
- Modulate Volume and Pan according to the playheads position
- Layer pitch can be quantized to preset intervals like Octaves, Fifths or Semitones, or fully shaped per layer using the Manual mode
- Crush, Filter, Grain Delay with Pitch-shifting and Space effects
- VARIATE function to generate subtle sound variations or discover potential new sounds
- Includes 82 snapshots and 76 samples to explore and manipulate
- Optimized for real-time performance, allowing MIDI Learn and Automation on most parameters
"Surface32 is a groundbreaking, multitimbral control surface ecosystem that completely removes the friction between tactile hardware sound design and modern digital workflows. By seamlessly fusing a premium physical controller with a suite of synchronized software clients, Surface32 brings total bidirectional editing to the electronic musician's studio.
Surface32 is the system's brain. Featuring 36 continuous rotary encoders paired with 36 dedicated OLED screens, it holds up to 16 complete hardware synthesizer parameter sets (Instrument Definitions) in its memory at any given time. It bidirectionally updates your synthesizers and your software clients screens instantly, allowing you to work exactly how you want.
Surface32 operates on a dual-tier communication network. It talks to your hardware synthesizers using pure MIDI CC, NRPN, or SYSEX, while simultaneously communicating with the software clients using high-speed NRPN and SYSEX. If you turn a knob on the hardware, the software fader moves. If you move a software fader, the hardware OLED updates. All with zero feedback loops.
You can find the full technical specifications, architecture diagrams, and the different DAW/DAW-less workflows on synth_nyc here.
"Tubbutec Ju-66 upgrade is so much more than just MIDI. I’m doing a couple of thing in the video. For starters, internal sequencer (coming with the upgrade) plays a monophonic structure but since the notes have long release, final effect is polyphonic. Then I’m using the (available separately from Tubbutec) Juno-66 controller to introduce oscillator detune, additional filter LFO modulation and additional filter envelope. All of these features are available without the controller, of course.
With Tubbutec, any Juno 6 or 60 is such a beast now."
If only the Juno-66 label section was a lid that opened for two mini mini controllers like on the Yamaha CS80 & CS60. And if they had mini mini mini controller sections ad infinitum.
"We’re excited to unveil the latest generation of our most compact control surface, Launch Control 3 - available to order now. This video gives you an overview of everything our new Launch Control can do for you and your unique workflow.
Our new controller packs the most powerful features of Launch Control XL 3 into a smaller footprint and is perfect for adding an extra layer of tactile control to any studio or stage setup. Launch Control is a compact and highly portable MIDI control surface designed to integrate with all major DAWs, software synths, effects, and external hardware. Connect via USB or MIDI I/O and adjust parameters with 16 endless rotary encoders, eight assignable buttons, and a new OLED display.
Launch Control comes bundled with studio-grade software to get you started. Ableton Live Lite lets you record, launch and perform, while Cubase LE is ideal for songwriting and production projects. You also receive a selection of plugins from Klevgrand, Baby Audio and Output.
Chapters:
00:00 - Introducing the new Launch Control
00:24 - Launch Control Feature Overview
00:55 - Launch Control's DAW Integration
01:17 - Launch Control's DAW Control and Mixer Features
01:53 - Launch Control's Hardware Integration
02:08 - Launch Control's Custom Modes
02:19 - Launch Control: The DAW, Plugin, and Hardware Control Surface"
Launch Control | Everything you need to know | Livestream
"Launch Control is a compact and portable MIDI control surface designed to integrate with all major DAWs, software synths, effects, and external hardware. Connect via USB or MIDI I/O and adjust parameters with 16 endless rotary encoders, eight assignable buttons, and a crisp OLED display.
Key features
16 endless encoders
Eight assignable buttons
MIDI routing via USB and 5-pin DIN
Store up to seven Custom Modes
The Creative Control Surface
Get hands on with your DAW, plugins, and hardware from a portable-yet-powerful controller with 16 endless rotary encoders; eight assignable buttons; and a crisp OLED display for essential info. Mix and sculpt sounds right out the box, and create up to seven Custom Modes to fit your specific workflow in the studio or on stage.
16 endless encoders
Launch Control’s smooth-feeling endless rotary encoders each feature a dedicated RGB LED that indicates its relative value. Pan tracks, adjust sends, or do anything else you want via Custom Modes — all with adjustable response curves."
Check with dealers on the right on pricing and availability.
"This is your official introduction to the Neutral Labs Luna - a new lunetta-style “groovebox” desktop & eurorack compatible synth. It’s patch programmable, letting you both create tones and rhythms from 5 oscillators (2 with step sequencers inside), logic and pattern generators, all at the same time. Three 'LPG's take the raw tones and let you gate and filter them. 13 effects in 2 blocks effect and shape sounds further.
Enormous thanks to Martin at Neutral Labs for commissioning me to make a vid of this. The world needs more shift registers. Note: I used my own red Tiptop Audio Stackcables in the video, but the desktop module comes with 12 braided patch cables."
Neutral Labs Luna – the first serious Lunetta synthesizer
"Join us for an exploration of what Lunetta Synthesizers are, what the new Luna from Neutral Labs is and why you should care.
The short answer is that it’s an interesting series of raw digital building blocks from a sonic sculptor (Stanley Lunetta) with lots of modern quality of life features that allow you to approach timbre as rhythm, rhythm as timbre then round that out with low pass gates and FX.
More info at https://neutral-labs.com"
*TIMING INDEX // CHAPTERS*
INTRO 00:00 Hello & previews 02:13 What is a Lunetta synthesizer? 02:54 What is Luna? 04:07 Luna feature run down 06:14 How this video is a bit different
PATCHES & SOUNDS 07:05 Comb filter drones for dark industrial soundtracks 07:55 Hypnotic drones & dual oscillator lead lines 11:20 Bouncing bass & low end swells 11:55 New rhythms from AND & XOR logic 16:05 Fireside crackles & sputtering motorbike engines 16:35 Characterful lo fi LPGs & FX for modular synth voices 19:04 Ambient gritty echoes for happy synth blips 19:29 Shift register rhythms - gate delayed musical canons for your rhythms 23:25 Metallic bass hits & interactive rhythms 23:56 Modulation ‘hooks’ from binary counter clock dividing 26:39 Experimental expressive noise wrangling 27:05 Binary counter sub octaves & external modulation of filter FX 29:12 Alien critters clashing into ambient space 29:48 Monstrous sounds from multiplexing 33:13 Metallic synthesis & bell like tones & swells 33:49 Metallic synthesis for cymbals + dynamic LPG modulation
"Logic, Unbound. Meet Luna. The first serious Lunetta synthesizer.
Look beyond clean waveforms and predictable polyphony. Luna will take you back to a time when digital didn’t mean perfect. It meant raw. Inspired by the subterranean DIY culture of the 70s and 80s, Luna is a love letter to the Lunetta machines of old: Living, breathing organisms built from CMOS logic chips. But where those machines were fragile experiments, Luna is a weaponized instrument of sonic confusion.
The Nervous System Exposed. True to the Neutral Labs philosophy, we don’t believe in hiding the magic behind an opaque face plate. Luna features exposed CMOS inputs and outputs right on the front panel. You're not just patching cables, you are rewiring the brain of the synthesizer itself. Combine signals, bend logic, and physically intervene in the computation to create sounds that shouldn't exist.
Rhythm is Timbre. Timbre is Rhythm. In the world of Luna, there is no difference between a sequencer and an oscillator. The same digital pulse that drives a bass line can be accelerated into a screeching lead or folded into a metallic drone.
5 oscillators provide the raw material. A chaotic array of logic blocks (XOR, NOT, AND, shift registers, counters, multiplexer) will chew up those signals and spit out complex, evolving mathematical noise.
Taming the Digital Mess. Raw logic can be harsh. To turn this binary chaos into music, Luna feeds its digital soul through 3 organic low-pass gates. These analog circuits impart a natural decay and percussive punch to the madness, transforming mathematical errors into bongos, plucks, and thumping basslines.
Drench it in Atmosphere. Once you’ve constructed your signal, destroy it again. Luna comes equipped with a suite of effects — distortion, delay, reverb, chorus, bitcrusher, phaser and more — to smear your logic into a wash of ambient bliss or gritty industrial texture.
5 oscillators logic gates (2 XOR, 2 NOT, 2 AND) 5 logic blocks (5-step ring counter,4-bit binary counter, 2 shift registers, 4-channel multiplexer) 3 touchpads that generate logic signals 3 channels for audio manipulation (low-pass gates with adjustable decay and switchable trigger mode, gain, tilt EQ) 13 audio effects that can be freely assigned to 2 effect slots running in series (drive, delay, reverb, 6 filter types, bitcrusher, phaser, chorus, comb filter) CV control for effects and 2 oscillators MIDI control over 2 oscillators, all 3 low-pass gates, and 3 logic outputs (MIDI TRS A socket) 2 sequencers with up to 64 steps, syncable to clock or MIDI audio output is headphone compatible available as a desktop synth or 42 HP Eurorack module (desktop version comes with a 12-pack of black/gold braided patch cables) See more videos and photos on Instagram.
Note: For sustainability reasons, the desktop version does not come with a USB power supply, just a USB-A to USB-C cable. You will need a 5V supply, such as a phone charger, power bank or laptop.
Note: The desktop version has a Eurorack power header and can be placed into a Eurorack. The desktop case however has 5V USB power and no Eurorack rails, you cannot use it as a 42 HP rack without modifications."
"Build Rhythms Fast with Pads and Sequencing
