MATRIXSYNTH: Search results for MIDI IN

Showing posts sorted by date for query MIDI IN. Sort by relevance Show all posts
Showing posts sorted by date for query MIDI IN. Sort by relevance Show all posts

Thursday, March 26, 2026

Birds by Aylesim -- Generative Melody Sequencer for Ableton Live (MaxforLive Demo)


video upload by Isotonik Studios

"Birds by Aylesim is a MaxforLive instrument that generates and evolves 16-step melodic sequences in real time -- no note programming required.

Get Birds here: https://isotonikstudios.com/product/b...

In this demo we walk through everything Birds offers: four generative styles (Stormo, Ostinato, Cantabile, and Puntillista), eight pitch mutation algorithms, and independent gate evolution controls that keep both the melody and the rhythm moving as the sequence plays.

The core idea is straightforward. Generate a sequence, set your Difference Limit, and Birds will drift away from that original reference and back toward it -- creating variation that stays musical. The bird-on-wire interface shows you exactly which notes are original, which have evolved, and which are inactive, so you always know where the sequence stands.

Whether you're building evolving loop beds, generating melodic material for a live set, or just breaking out of patterns you've played a hundred times, Birds gives you a sequence that works with you rather than sitting still.

Birds reads Ableton Live's scale and root key directly. Use it diatonic for in-key lines or switch scale mode off for chromatic and atonal results. Drive it from Ableton's transport or use MIDI Trigger mode to sync it to external hardware."



BIRDS BY ALESSANDRO AYLESIM MIRACAPILLO

WHAT IF YOUR MELODY COULD WRITE ITSELF?
MAKE YOUR OWN TRIPLE PACK: Buy any three or more Aylesim products at the same time and get a 20% Discount (automatically applied at checkout)

Static sequences repeat. Birds evolves. This MaxforLive instrument generates 16-step melodic sequences and mutates them in real time -- drifting away from the original idea and back again, creating melodies that breathe, shift, and surprise without losing their thread.

Inside you'll find:

Four generative styles -- Stormo, Ostinato, Cantabile, and Puntillista -- each producing distinct melodic character

Eight pitch evolution algorithms including Chromatic, Gravity, Smooth, Drift, Interval, and Rotate

Difference Limit control to set how far the sequence drifts from the original reference

Independent gate evolution with Shuffle, Density, and Chaos controls for rhythmic mutation

Generation tab with full control over density, note range, velocity range, and motif length

Introducing BLEASS Peaks: The Playable Polyphonic Filter Is Here (MIDI Performance Revolution)


video upload by BLEASS

"Meet BLEASS Peaks, a new generation audio filter that turns traditional filtering into a fully playable performance instrument.

➡️ In Internal mode, you can shape the sound using up to 32 resonant peaks/notches.
➡️ In MIDI mode, the plug-in becomes a playable polyphonic filter, where MIDI notes control the filter frequency. You can run up to 8 filter voices at the same time.

This lets you play filter movement using MIDI notes or chords, shaping drum loops and synths in real time. You can create evolving filter patterns, rhythmic effects, and perform filtering like a musical instrument.

🎨 Additional tools include 5 FX slots (distortion, delay, compression, bitcrush, and filters), plus LFOs, envelopes, and macros.

Discover its full features right now: http://bleass.com/peaks/"





BLEASS Peaks unites classic audio filtering with the spontaneous spirit of performance to deliver an entirely new class of creative filtering effects.

The plugin is built around BLEASS’ advanced multi-peak polyphonic filter design. When set to Internal control mode, this creates a single bell-filter curve containing up to 32 resonant peaks/notches. Details of the filter curve, such as the quantity, root frequency, and spread of the peaks/notches, are set parametrically, making it easy to shape the filter’s response and bring it to life via the plugin’s synth-style modulation sources.

BLEASS Peaks truly comes into its own when operating in MIDI mode. In this configuration, the filter’s root frequency is controlled via MIDI coming from live-played notes or a recorded track. Better still, BLEASS Peaks can generate up to eight such filters simultaneously, making this a true polyphonic filter.

MIDI control makes the filter fully playable and performable, opening up a whole new constellation of original and compelling filtering effects. Drum loops can be tuned to follow chord progressions, rhythmic harmonic pulses can be added to pads, arpeggios can be brought to life with complex frequency-shifting chorus effects… the creative possibilities are endless.

Additional colour and detail can be added to Peaks’ filtering via a set of five assignable Effects slots. These allow you to enhance the filtered sound with distortions, dynamics processors, delay, and even conventional low- and high-pass filters.

As with the filter itself, Peaks’ effects can be brought to life by the plugin’s various modulation sources, with each modulator mappable to up to four destination parameters. There are three LFOs, three envelopes triggered by the incoming audio plus a fourth triggered via MIDI, and four Macro controls. Alongside these internal modulators, the plugin also recognises various realtime MIDI CC and MPE sources.

Used as a conventional single-voice filter, BLEASS Peaks is at the top of its game, allowing easy-yet-deep control over the spectrum of your audio, and offering many ways to inject life and movement into the effect. Enabling MIDI control makes that advanced filter behave as a playable instrument, unshackling you from the limitations of conventional filtering and giving you direct hands-on control over the effect.

However you choose to use it, BLEASS Peaks is a uniquely creative, intuitive and fun tool for shaping, colouring, and injecting originality into your music.

Making a Tonverk Techno Rumble + other things


video upload by Abre Ojos

"The first thing I like to do on a new box is make a techno rumble. I learn a lot about a machine like this as I have a goal in mind and I can explore all the options. Here is one way to do it. I also live route the Pulsar 23 Bass channel through the TOnverk and apply a bunch of effects. And then sample the Pulsar and feed the Grainer. Finally add a Pulsar snare sample and make some weird hi hats. The video starts with the final result and then the making journey. And yeah yeah, OS 1.30 but in Australia I woke up to that so this is the final video that will ever be on OS 1.21.

00:00 Intro is the final track sketch
01:08 Intro ramble - oops I bought a Tonverk
05:02 Making the rumble
14:48 Sidechaining options
20:49 Testing at a faster BPM
22:26 Routing an external synth (Pulsar 23) MIDI control and using effects
26:20 Quick techno drone test
28:41 Sampling the Pulsar and feeding the Grainer Machine
42:02 Subtracks & adding some percussion
44:33 Weird hi-hats and a random sequence
46:24 Bringing it all together - the start is the end"

Dark ambient audiovisual stuff: https://abreojos.net

Ableton Live: 50 Dreamy Ambient Presets + Clips. Sound Demo


video upload by Anton Anru

🌅 Dreamscape Clouds is a collection of 50 presets + clips for Ableton Live that includes 10 Arps, 10 Pads, 10 Plucks, 10 Strings and 10 Synths.
🎆 The bank is inspired by cosmic, dub and dreamlike moods, giving it a sweet, atmospheric and dreamy, lo-fi sound.

📦 Get these sounds: https://antonanru.sellfy.store/p/able...
👤 The author of the soundset is skendi (Arseniy Pushkov).

The timbres have a wide spectrum: from warm and cold, noisy and detuned, soft and punchy, dark and bright, clean and distorted, deep and airy.
Perfect for genres such as ambient, ID, downtempo, pop, cinematic, trance, deep, progressive, techno, breaks, jungle, drum and bass, dub and others.

🪐 Clips include additional motion, adding expressiveness. You can use them as a starting point and change notes, or use presets separately.
The presets are presented in the Instrument Rack format, which combines synths and effects in a single device.
Each Instrument Rack has 8 Macros that make it easy to develop timbre and adjust key parameters.

🎛️ The macros are a significant part of the soundset. They can change tone, LFO, distortion, space, effects mix, envelope parameters, add extra OSCs and others.
You may control them via MIDI controller like Push, use them for automation, or map the macros to Ableton modulators like LFO, Shaper, and others.
Modwheel makes the timbre brighter. Velocity affects volume and brightness.

Magnificent 5U / MU modular

Note: links to listings are affiliate links for which the site may be compensated.


via this Vemia listing

Click the auction link on top when you get there for additional listings.

"All modules are in basically good working condition. On a few of them you can slowly notice that they have not been used for a long time, but this should easily disappear again with regular use. One or two jacks are a bit stiff.
I am the first owner. Listed from top to bottom and then the rack on the right (not in the main photo, but full of amazing modules).

ModularGrid Rack 1: https://modulargrid.net/d/racks/view/3056577 Dimensions (W × H × D) approx.: 143.5 × 25 × 22 cm Dedicated power supply (from MoonModular), completely independent. Synthesizers.com Q118 Instrument Interface Synthesizers.com Q125 Signal Processor Synthesizers.com Q105 Slew Limiter Club of the Knobs C 994 Multiples Synthesizers.com Q106 Oscillator (VCO) Synthesizers.com Q106 Oscillator (VCO) Synthesizers.com Q113 8-Channel Mixer Synthesizers.com Q106A Oscillator (VCO) Synthetic Sound Labs The Matrix Algorithmic Composer – Model 1660 Corsynth C103 Frequency Divider Multiplier Synthetic Sound Labs VC Envelope Generator – Model 1230 Synthesizers.com Q107 State Variable Filter (VCF) Synthesizers.com Q162 Filter Mixer for Q107 Synthesizers.com Q109 Envelope Generator Club of the Knobs C 905A Voltage Controlled Low Pass Filter Club of the Knobs C 911 Envelope Generator Club of the Knobs C 902 Voltage Controlled Amplifier Club of the Knobs C 905 Reverberation Unit

ModularGrid Rack 2: https://modulargrid.net/d/racks/view/3056596 Dimensions (W × H × D) approx.: 143.5 × 25 × 22 cm Dedicated power supply (from MoonModular), completely independent. Synthesizers.com Q124 Multiples Moon Modular 563 v1 4-Track/8-Step Trigger Sequencer Moon Modular 528 Sample and Hold Moon Modular 524 Quad Low Frequency Oscillator Moon Modular 524A Quad Low Frequency Oscillator Assistant Synthetic Sound Labs 5-Pulser / Dual Analog XOR – Model 1710 Club of the Knobs C 962B Sequential Switch (bidirectional) Club of the Knobs C 995 Attenuators Synthetic Sound Labs Double Deka VCO - Model 1130 Synthesizers.com Q115 Spring Reverb (Modified with 2 Tanks) Club of the Knobs C 911P v1 Pentaphonic VC Polyphonic Envelope Generator STG Soundlabs Digital Attenuators Synthesizers.com Q109 Envelope Generator Club of the Knobs C 906A Low Pass Gate Club of the Knobs C 906A Low Pass Gate Club of the Knobs C 911 Envelope Generator Club of the Knobs C 902 Voltage Controlled Amplifier Club of the Knobs C 994 Multiples

ELEKTRON DIGITONE MKII FM SYNTHESIZER SEQUENCER GROOVEBOX

Note: links to listings are affiliate links for which the site may be compensated.


via this listing

Additional Signal Sounds listings

"We say...
A pre-owned Elektron Digitone MKII in excellent condition. It comes with all original packaging and accessories.

Manufacturer's description
Step into a new realm of sound with the Digitone II, an evolution of Elektron’s original FM synthesiser, now offering expanded polyphony and enhanced creative control. With 16 tracks (versus the original’s 8) and a flexible 16-voice polyphony, you can unleash complex soundscapes across synth or MIDI tracks. Digitone II introduces four selectable synth machines (Wavetone, Swarmer, FM Tone, and FM Drum) and six dynamic filter machines, providing far more sonic variety than its predecessor. The improved 128-step sequencer, along with Euclidean sequencing and advanced modulation options, invites you to explore limitless creative possibilities. Packed with powerful effects, deeper sound-shaping tools, and a modular workflow.

Expanded Polyphony and Synth Machines:
While the original Digitone offered 8 voices and 4 synth tracks, the Digitone II doubles the polyphony to 16 voices and expands the tracks to 16, allowing for far more layered compositions. In addition, the four new synthesis machines (Wavetone, Swarmer, FM Tone, FM Drum) go beyond standard FM synthesis, offering greater creative potential for crafting rich melodic, rhythmic, and percussive sounds.

Enhanced Sequencing and Performance Features:
Digitone II features a 128-step sequencer—twice the length of the original Digitone's—enabling more complex patterns and compositions. The addition of Euclidean mode per track offers a fresh approach to sequencing, making it easier to generate evolving rhythms. With individual pattern length, time scale multipliers, and enhanced trig conditions, the Digitone II’s sequencing features are a leap forward from the original, giving you deeper control over your compositions.

Advanced Modulation and Effects:
The Digitone II builds on its predecessor’s modulation and effects capabilities, with three assignable LFOs per voice (up from two in the original) and added effects like digital overdrive, bit reduction, and sample rate reduction per voice. The inclusion of master effects like the stereo compressor and overdrive means you can fine-tune your final mix, while send effects like Saturator Delay and Supervoid Reverb add depth and dimension to your sounds."

Processing Synths, Drums, and Vocals w/ The Herbs & Stones Soft Memo


video upload by Duskmos

"In this Signal Colors episode, I'm taking a much closer look at the Herbs & Stones Soft Memo - a semi-modular stereo patchable effects workstation that can help craft some WILD sounds. Hang out while I check it out with a stereo synth (OP-1F), vocals (TP-7), and a mono synth (Critter & Guitari Pocket Piano MIDI).

Soft Memo Manual: https://herbs---stones.com/wp-content..."

00:00 Intro
01:02 Layout and Control Overview
08:30 All Algorithms w/ OP-1F
01:03:17 On Vocals w/ TP-7
01:14:49 On Mono Sources w/ Pocket Piano
01:21:24 Final Thoughts

Wednesday, March 25, 2026

Make Noise Introdues GTE (Gestural Time Extractor) Module


video upload by MAKEN0ISE

Playlist:

1. GTE (Gestural Time Extractor) | Make Noise
2. GTE module overview
3. Channel Index Translation with GTE

Press release follows:


Make Noise is very excited to announce the latest module for the New Universal Synthesizer System, the Gestural Time Extractor (GTE)!

The Gestural Time Extractor (GTE) is an analog pulse extractor and Channel Index Translator for the New Universal Synthesizer System or any Eurorack modular system.

From the motion of the signal at the Span input, GTE derives up to eight individual channel pulses, as well as a GTE pulse stream representing the speed of motion of the input signal, and two gate outputs representing activity at the even and odd channels.

The Space parameter determines the threshold proximity of the channels to each other and thereby also the sensitivity and reactivity of the GTE and other outputs.

When the Clock input is in use, the GTE’s output channel will only change upon reception of a trigger or gate, allowing for changes to easily be synchronized with other existing events in the system.

With all controls set to starter min-max positions, the GTE also operates as a Channel Index Translator for PoliMATHS and other New Universal Synthesizer System modules that generate Channel Index signals, allowing the accurate derivation of individual channel gates from activity at the respective channels of the source module.

The GTE can be used to generate repeatable and controllable rhythm and timing information from any analog synthesizer signal, whether arbitrary or targeted, and is also useful for individual voice timing signal generation within a multi-voice N.U.S.S. system.

Extract rhythms, clocks and pulse streams from any control voltage source
Opens up the patch programmability of the N.U.S.S.
Synchronize GTE to any clock source with the Clock input
Use GTE to synchronize any event in your system with Activations from PoliMATHS and MultiWAVE - regardless of Span mode
Compact and powerful analog module
Pairs well with MATHS, PoliMATHS or Jumbler

Width: 8 hp
Max Depth
(incl. power cable): 29 mm
Power:
25 mA @+12V
2 mA @-12V
MSRP: $179

More information can be found on our website: https://www.makenoisemusic.com/modules/gte/

Additionally, we are happy to report that our New Universal Skiff System, N.U.S.S. Bundle, and MultiWAVE MIDI Inlet are all shipping now!

MIDISID enhancements and a Mimijam using MIDIPan with MIDISID


video upload by MIDI IN

"There are some MIDISID enhancements that I'd like to tell you about and demonstrate - improvements to pulse width modulation (PWM) and a visualiser for general MIDI mode. It's an excuse to have a jam using MIDIPan's looper and MIDI output plugged into MIDISID for those sweet sweet SID chip sounds.

More about MIDISID:
https://peacockmedia.software/midisid/

More about MIDIPan:
https://peacockmedia.software/drum/"

OBERHEIM OB-X8 POLYPHONIC ANALOGUE SYNTHESISER (DESKTOP)

Note: links to listings are affiliate links for which the site may be compensated.


via this listing

Additional Signal Sounds listings

"We say...
A pre-owned Oberheim OB-X8 (Desktop) in very good condition. It comes with original packaging and power cable.

Manufacturer's description
NEW functionality now available with OB-X8 OS v2.0 featuring:

Instant binaural mode pans individual voices hard left and right for true stereo operation
Simultaneously selectable waveshapes for each oscillator extends timbral variety
New 4-Pole low pass filter type with fuller bass at high resonance
New VCO 1 and 2 level LFO modulation destinations for independent timbral mixing
Arpeggiator clock sync now has selectable note division values for expanded rhythmic control
Twice the Split and Double memory locations, including program storage directly in the new banks for 512 more stored sounds
Separate MIDI channels for lower/upper split bi-timbral operation
Poly chain for up to 32 voices with 4 connected instruments
MPE for new levels of expressiveness

Tuesday, March 24, 2026

FREE SYNTH: ENSONIQ SD-1 Emulator (by Sojus Records) - No talking demo


video upload by ADL-MusicLab

"Hello everyone!

Here's to you my 'No talking demo' of this FREE emulation of the Ensoniq SD-1 developed by Sojus Records, which brings back to life this iconic synthesizers!


This VST3 plugin is a faithful, hardware-level emulation of one of the most unique digital synthesizers of the early ’90s.

Originally released in 1990, the Ensoniq SD-1 comes from a lineage of evolving Transwave wavetable synthesizers, following the ESQ-1, SQ-80, and VFX series. It combines additive-style waveform layering with powerful modulation, placing it alongside classics like the PPG Wave and Waldorf Microwave in the world of hybrid digital synthesis.

This "MAME-based" VST3 plugin brings the SD-1/32 to life inside your DAW for the first time. Despite being a proof-of-concept, it is already fully functional and incredibly deep.

The demo showcases some of the presets created directly from the engine – from lush pads and evolving textures to digital timbres and analog-style patches. Each patch can layer up to 6 waveforms from the original ROM, shaped by dual multi-mode filters, complex envelopes, LFOs, and an extensive modulation matrix. The built-in effects processor adds classic reverb, chorus, flanging, and delay.

Key features of the plugin include:
• Full VST3 support (Windows & macOS, Intel + ARM)
• Complete MIDI implementation including polyphonic aftertouch
• Full VST automation (all controls)
• Import of original VFX / VFX-SD / SD-1 SysEx files
• Resizable GUI with multiple panel layouts
• Support for original disk images and cartridges
• Optional multi-output routing (main + aux)
• Built-in sequencer support (with original OS disk)
• And much more...

⚠️ Important: This plugin requires original Ensoniq SD-1 ROM files (not included for copyright reasons). Please check the documentation for setup instructions.

⚠️ Note: Due to the nature of the emulation, CPU usage can be high and only one instance can run per DAW session.

More info here:
https://www.sojusrecords.com/news/ens...

GitHub page:
https://github.com/sojusrecords/Enson...

This project is an exciting step toward preserving and reimagining classic digital synthesizers in modern workflows. If you’re into vintage gear, wavetable synthesis, or rare digital textures, this is definitely worth exploring.

#ensoniq #synth #vst"

$200 JUNO-6 Sound Module


video upload by Woody Piano Shack

"Exploring the sounds of the ROLAND AIRA COMPACT J-6 Chord Synthesizer, featuring emulation of the ROLAND JUNO-6 synth. How well does it work as a sound module when conneted to a MIDI keyboard to get some classic vintage sounds in a tiny and cheap instrument?"

MORE WOODY PIANO SHACK
https://woodypianoshack.com

SEQUENTIAL OB-6 SYNTHESIZER

Note: links to listings are affiliate links for which the site may be compensated.


via this listing

Additional Signal Sounds listings

We say...
A pre-owned Sequential OB-6 Desktop in very good condition. It has a few dings to the wooden side cheeks. The outer packaging is slightly worn but original and it comes with the power supply and manual

Manufacturer's description
Classic Oberheim Sound — Made Portable
The OB-6® desktop module is just as powerful and easy to use as its counterpart, the OB-6 Keyboard. The module has all of the same controls as the keyboard version and provides the same immediacy and ease of use. As with the OB-6 Keyboard, all parameters are at your fingertips, with full-sized knobs and switches and a comfortable, intuitive layout.

How does it sound? Massive — just like the keyboard, because on the inside, it’s exactly the same. The same analog signal path with discrete VCOs and VCFs. The same high-quality digital effects. The same classic Oberheim sound that has been earning raves from musicians around the world.

ELEKTRON OCTATRACK MK2 SEQUENCER & SAMPLER

Note: links to listings are affiliate links for which the site may be compensated.


via this listing

Additional Signal Sounds listings

We say...
A pre-owned Elektron Octatrack MK2 in very good condition. It appears to have been originally sold as a b-stock unit. It has all original packaging and accessories.

Manufacturer's description
With the Octatrack MKII, discovering the perfect sample is only the beginning. Twist it, distort it, and carve it into something that is truly yours. Dynamic in name and nature: this is the ultimate sampler for recording sessions, creative kick-starts, and improvisational performances. A stereo sampler, looper, arranger, mixing and effects hub, workstation, performance instrument: you name it. Its power scales and evolves with you during your musical journey.

The Octatrack MKII redefines how you transform your sounds, as well as how you interact and play with them. It is a stereo sampler, processor, and live looper with a powerful sequencer and workstation workflow on top. Choose between several custom machines – static, flex, thru, neighbor, pickup – to suit your sample recording, manipulation, and effects processing needs for each of the eight tracks.

Monday, March 23, 2026

Introducing Aline - Compositional Hardware Step Sequencer by TATO Audio


video upload by TATO


via Perfect Circuit

"Combine real-time performance with compositional polish using Aline from Tato Audio, a flexible sixteen-channel sequencer with a variety of different controls for crafting interesting sequences in moments. It uses what's called "Engines" to create these sequences; there are a variety of different Engines, but each one can be divided into two types: Imperative and Parametric. These Engines can be sequenced in tandem with each other using sequencer channels to create new and interesting kinds of sequences, which can be crafted manually by inputting values, or performed using the onboard keyboard. Imperative Engines functions akin to more standard forms of sequencing, directly defining notes, their length, velocity, etc. On the other hand, Parametric Engines center around generative forms of sequencing, allowing you to define a set of parameters and generate phrases based on those values. These sequences can be edited after-the-fact to affect their parameters and structure, or even adjust a note's pitch in real-time along with the scale your sequence is in—this gives you a lot of freedom for evolving your sequences on the fly.

Unlike most sequencers, each of the sixteen channels can be used to sequence a variety of different parameters using Engines, and those individually sequenced parameters can directly interact with each other in groups to create complex phrases that evolve and change over time. Each sequencer channel can be set to different lengths, giving you instant access to complex polyrhythmic parameter modulation for intriguing results. Bring Euclidean rhythms into your sequences, arpeggiate your chords, generate lead lines and chord progressions in an instant, and more using the variety of available Engines.

Blend external MIDI data directly into your sequences using the spectrum of available inputs and outputs; receive clock directly from a host computer using the onboard USB-C port, or integrate your external gear using the TRS 3.5mm MIDI I/O jacks. Bring the flexibility of the Aline right to your Eurorack system using the provided 3.5mm CV jacks, including a clock I/O, and two channels of Pitch, Gate, and Velocity outputs. If you're looking for a new method of creating sequences for your performance or compositions, Aline from Tato Audio is a versatile toolbox full of features for helping you craft novel and exciting sequences.

ALINE FEATURES

16-channel performance sequencer
8 different Engines for generative and standard forms of sequencing
Engines are interactable with each other for complex results
Sequence Saving and Recall
Onboard keyboard for real-time note input
Modular connectivity via 3.5mm CV
MIDI via USB-C and 3.5mm TRS I/O"

Previously:

ARA - Attack Drum Sequencer

video upload by TATO

Strumming on ATRIUM: Keyboarder wants to be Guitarist #whimsicalraps


video upload by Pete Midi

"Whimsical Raps Atrium implements a very special way to play a synthesizer. In combination with the special sound engine it's fun to discover a new world behind the classical synthesizer universe. In this jam I explore the possibilities of the strum touch plate and the chord/scale settings with a distorted guitar like sound. Note that no dedicated guitar effects like overdrive or distortion were used, just a reverb (Eventide Blackhole) and a standard delay (Ableton). The backing track I made with the IK Multimedia Modo Bass and Drum plugins."

Korg Volca performance Yarnbay Quartet


video upload by Veli-Matti Rautio

"Today Volca session with four Volcas. There were Bass, Beats, FM2 and Modular. Bass 16 steps self-made sequence, Beats also 16 steps self-made drum pattern and Modular 96 steps self-made sequence. FM2 lead playing with sound called Yarnbay with chorus and reverb. Korg microKONTROL midi keys to FM2. Roland Go: Mixer Pro analog mixing desk and Sony FDR-AX43A video camera. Composed, played, arranged and improvised by me in Studio Tupos upstairs livinroom's glass table 23.3.2026.Nr. 1539.

Sessio alkoi Volca Modularilla, tein siihen ensin kuusi 16 stepin sekvenssiä ja yhdistin ne. Sitten mukaan tuli Volca Bass, siihen tein simppelin 16 steppisen bassosekvenssin ja kolmantena tuli Beats, johon tein 16 steppisen rumpukuvion. Ajattelin ensin soittaa soolon Bassilla, mutta päätin ottaa mukaan neljänneksi FM2:n, se hoiteli soolon. Soolosoundina Yarnbay choruksen ja reverbin kera. Volca kvartetti oli kasassa ja eikun tekemään videota : ) Midikiippariksi FM2:lle otin Korg microKONTROL-kiipparin. Mukana myös Roland Go: Mixer Pro ja Sony FDR-AX43A. Yläkerran olkkarin lasipöydällä tämäkin esitys valmistui."

Sunday, March 22, 2026

Make Noise 0-Coast Semi-Modular Synthesizer w/ Hosa patch cables

Note: links to listings are affiliate links for which the site may be compensated.


via this eBay listing

"The Make Noise 0-Coast is one of the most beloved entry points into patchable synthesis — a single-voice semi-modular desktop synth that draws from both East Coast and West Coast synthesis traditions without committing to either. Hands-on, deeply expressive, and surprisingly deep once you start patching.

This unit is in excellent condition and comes as a complete, ready-to-play bundle:

What's included:

Make Noise 0-Coast synthesizer

Original Make Noise power supply with all 4 international plug adapters (US, UK, EU, AU)

Original packaging

Hosa 3.5mm patch cables (assorted colors)

3.5mm TRS to DIN-5 MIDI adapter

3.5mm to 1/4" audio adapter

About the 0-Coast:

Single-voice patchable analog/digital hybrid synthesizer

West Coast-inspired waveshaping and dynamics (Multiply, Slope, Contour, LPG)
13 patch points — compatible with Eurorack CV standards

MIDI in via 3.5mm TRS (adapter included)

Works standalone or fully integrated into a modular system"

Not Just an Update… JE-8086 Keeps Getting Better


video upload by Autodafe

"JE 8086 by The Usual Suspects just received a new update… and this is not your typical 'couple of presets and done' kind of release.

In this video I take a closer look at version 2.2.2, focusing not only on the obvious new features, but also on the many improvements happening behind the scenes — the kind of work that really makes a difference when you actually use a plugin every day.

From the new centralized Settings panel to the redesigned MIDI Learn system, this update brings meaningful workflow improvements, including:
🔹 A new centralized Settings panel (MIDI, DSP, Audio, GUI)
🔹 A completely reworked MIDI Learn system with auto-detection (absolute/relative)
🔹 A visual MIDI Learn overlay mode for faster mapping
🔹 New high-quality and lo-fi resampler modes
🔹 DSP optimizations for better performance and efficiency
🔹 Improved parameter linking with safer behavior
🔹 Enhanced patch management and MIDI integration
🔹 A wide range of bug fixes improving stability and usability

If you had issues with previous versions, this might be a good time to give it another try.

Also worth keeping an eye on the bigger picture: many of these improvements are happening at the framework level, which means we’ll likely see them extended to other instruments from the same project in the future.

What I like about The Usual Suspects approach is the steady, continuous development — not just adding features, but refining the instrument over time.

Download: https://theusualsuspects.io/downloads..."

Saturday, March 21, 2026

monophreak EMMY1OH1 Software Editor for the Roland EM-101 Preset Desktop Synthesizer



via Monophreak

"With the right firmware mod (that’s right – no mysterious hacky soldered in dials) for old board Roland EM-101 machines, the EM-101 is no longer a preset machine. Often billed as a cutdown Juno 106 restricted to just 24 presets, this box previously had some interesting uses but didn’t really deliver as an anlogue beast in my arsenal. It was too restricted. Until now. Due to the amazing work by Ryan (Plutoniq), the EM-101 has been give a new lease of life and transformed into a strong addition to my music making and since the parameters can now be controlled over midi CC, I have written an editor to load in presets from the Juno 106 and MKS-7, extended to a new Roland EM-101 format with naming and created a preset saving system and librarian for patch recall. It’s not a Juno 106 but it is a very nice sounding a machine with it’s own character sharing a lot of parallels. If I have understood correctly (there could be inaccuracies!), it has a M5232RS tone generator chip with 36 (I think) waveforms that are beautifully shaped by Roland analogue fitters. A good example is the IR3109 VCF filter, found in a the Jupiter 8 or M5241L VCA found in the MKS-70. If you look at the chip list, there are lots of shared electronics that overlap between Junos, Juipter and other quality Roland gear of it’s time, giving it character. Notably, the MN3009 and MN3101 chorus chips shared by the Juno 106 chorus. It has interesting analogue effects on board but the chorus particularly shines due to the much greater CC control (as you can see from the screenshot). That chorus is gorgous, adds that analogue sheen and processing. I spent last night building up a preset bank for the EM-101 to release with the editor (and check bank functionality) and got lost inside this little beauty."

If you forget the EM-101 you can find some pics and demos in previous posts.

This one is in via monophreak in the comments of this post and this post.
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