MATRIXSYNTH: Search results for MIDI IN

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Showing posts sorted by date for query MIDI IN. Sort by relevance Show all posts

Thursday, October 01, 2026

AnalogFX Announces Availability of Limited-Run LARYNX



AnalogFX's LARYNX has arrived. You might remember the announcment post, and SUPERBOOTH demos here, and here. You can find additional AnalogFX posts here. And of course AnalogFX's official website here.

Press release follows:

AnalogFX announces availability of limited-run LARYNX, an expressive analogue formant synthesizer inspired by the seldom-seen Synton Syrinx

DEVENTER, THE NETHERLANDS: AnalogFX, a Dutch synthesizer manufacturer dedicated to creating expressive electronic instruments for musicians, producers, sound designers, and synthesizer enthusiasts, is pleased to announce availability of LARYNX — proudly presented as a performance-focused analogue synthesizer that combines the vocal character of classic formant synthesis with modern expressive control, Eurorack integration, hands-on playability, and an affectionate analogue nod towards a rare, highly-coveted 1982-vintage monophonic synthesizer built by fellow (defunct) Dutch company Synton — with its first production run limited to 50 units, as of October 1…

By being built upon the proven architecture of AnalogFX’s acclaimed SER-2020, its compact desktop synthesizer inspired by the rare Synton Syrinx, LARYNX evolves that concept into a performance-focused keyboard instrument. Thanks to its premium 37-key aftertouch keyboard, extensive real-time modulation capabilities, and unique triple-filter formant architecture, LARYNX duly delivers an organic and highly-expressive playing experience.

Ultimately — unlike many modern synthesizers that rely on presets and menu-driven workflows, LARYNX puts sound shaping directly under a musician’s fingertips. From subtle pressure-sensitive modulation to aggressive vocal-like filter sweeps, every aspect of the instrument in question has been designed to create a direct connection between performer and sound.

Beating beautifully at the heart of LARYNX’s performance-focused sound are two CEM3340-based voltage-controlled oscillators — VCO 1 and VCO 2; a sub oscillator — SUB 1; a ring modulator — RM; a NOISE generator; and a unique triple CEM3350-based filter architecture — PEAK 1, PEAK 2, and LPF (Low Pass Filter). All combine to enable a wide sonic range — from deep analogue basses and cutting leads to evolving textures and speech-like timbres rarely found in traditional subtractive synthesizers.

Above and beyond that, this latest evolution of the SER-2020 platform introduces Formant MODE, making 16 preprogrammed human voice formants immediately available. As such, musicians can quickly create vocal-inspired sounds, animated basses, and expressive textures — and all without requiring complex programming. It is appropriate to note here that LARYNX also features a digital five-voice oscillator Chord MODE, although analogue monophonic and duophonic operation is always possible.

Placing expression at the core of its design, LARYNX’s 37-key velocity-sensitive keyboard with channel aftertouch is paired with AnalogFX’s Touch’n’Bend controller, allowing performers to shape sound naturally. Needless to say, LARYNX has additional performance features up its sleeve, so to speak, including extensive realtime modulation throughout its VCO, VCF, and VCA architecture; MPE (MIDI Polyphonic Expression) support; a built-in arpeggiator (ARP); a 16-step pattern sequencer (SEQ) — designed for both studio and live use, permitting performers to store patterns and instantly recall variations during a performance; 16 pattern memories; eight scenes, with 16 slots each; and stereo delay effect — DELAY L and DELAY R.

Ready for the modular world, LARYNX is designed to seamlessly integrate into modern electronic music setups with multiple front panel-positioned CV (control voltage) inputs and outputs providing extensive Eurorack connectivity, while flexible routing options allow the synthesizer to function both as a powerful standalone instrument and an expressive modular voice. Arriving at the rear panel, further connectivity conveniently comprises MIDI IN/OUT — standard MIDI DIN-5; USB MIDI — standard USB type B; EXPRESSION/SUSTAIN/HOLD pedal input; stereo line OUTPUT; and HEADPHONE output.

On the face of it, then, LARYNX lives up to its Inspired by a Rare Voice and A voice you can play tag lines with the greatest of ease. Enter AnalogFX Founder and Lead Developer Marc Stroobach, someone suitably qualified to end promotional proceedings on a high note: “With LARYNX, we wanted to create an instrument that feels alive under your hands. It’s inspired by some of the most expressive synthesizers ever made, but designed for today’s musicians who want immediate control, deep sound shaping, and a genuine connection between performance and sound. Every AnalogFX instrument starts from a passion for music and a belief that synthesizers should inspire creativity, not get in the way of it.”

Being built in limited batches in The Netherlands, the first production run of LARYNX — limited to 50 units — is now available for purchase directly from AnalogFX’s online Shop (https://www.analogfx.com/shop/) and select specialist retailers worldwide (https://www.analogfx.com/about/where-to-buy/) at a SRP (Suggested Retail Price) of €1,249.00 EUR (inc. 19% VAT).

For more in-depth information, please visit the dedicated LARYNX webpage here: https://www.analogfx.com/products/larynx/

Miltone 4EXP - A Four Voice Clone


video upload by Alex Ball

"The Miltone 4EXP turned a lot of heads at Superbooth back in May and I was interested to cover it my channel, so they kindly let me borrow two of the prototypes to test them out.

The 4EXP is a component level clone of the legendary Oberheim Four Voice (FVS-1) done to a very high standard (and price) as either a stand alone synthesizer or as an expander to turn an original Four Voice into an Eight Voice.

Miltone are doing an initial batch of 50 of them, built to order. Their website is here: https://miltone.fr/

0:00 Intro Jam
1:13 What is the 4EXP?
2:42 Demo 1: Quatre Voix
3:58 A look at the electronics
4:29 Midi / CV & Gate Setup
5:55 Demo 2: Huit Voix
6:49 Splits
7:26 Demo 3: Deux Plus Deux Plus Deux
8:44 Comparison to an original Oberheim
9:04 The Riff Off
10:29 My Thoughts on the 4EXP
13:01 Patron Outro Jam"

See the Miltone label below for additional posts.

Side note: only KORG PS3200 on Google Maps?

BLOT - Experimental Modal Synthesizer


video upload by Laboratory 0

"BLOT is an experimental modal synthesizer played by shaping matter instead of turning knobs: the geometry of a lump on screen is the patch.

Every piece of the lump is a modal resonator, eight damped oscillators tuned by its size. Smaller pieces ring higher, and sizes settle on just-intonation ratios of the MIDI root. How far apart the modes spread, how bright they are and how long they ring follow the piece's shape and heat. They are excited by a slow breathing noise, by strikes, by friction as you sweep over the matter, and, when it runs hot, by droplets: short tones above the ringing that rise as they burst.

Pull out a tendril and it becomes a plucked waveguide string, pitched by its length. Press in a dent and it becomes a formant filter, a mouth whose position sets the vowel. Cut a piece and its modes split into two pitches. Pieces that come close ring-modulate each other, and pieces that meet fuse back into one.

Rubbing heats the matter: the modes stretch and each piece's drive saturates. Pushed harder, a 4× oversampled multiband saturator with a feedback comb tuned to the root takes over from clipping. Memory, an eight-line feedback delay network, holds what the matter has played. MIDI notes move the root and strike every piece. Two engines play the same matter: default stays clean until the matter is rubbed or overloaded, while intense heats and drives it with every cut and strike, and makes hot pieces crackle. “Pause" freezes the matter in place while it keeps sounding.

VST+AU, macOS only
Free Download: https://laboratory0.gumroad.com/"

Wednesday, September 30, 2026

Diosynth Live: A New Companion App for Diosynth


video upload by ASM Ashun Sound Machines

"Diosynth Live is now available for iOS and Android, bringing fast access to your favorite patches, system settings, and MIDI settings directly on your mobile phone.

Find the Diosynth Live app on the Apple App Store and Google Play Store.

0:00 intro
0:28 App organization
1:00 requirements
1:25 connecting to the app
1:40 USB connection
2:17 Bluetooth connection
3:00 Favorites
3:45 Setup tab

Learn more at ashunsoundmachines.com

#Windsynth #EWI #diosynthlive #diosynth #asm #Ashunsoundmachines"

Press release with additional details:

Tuesday, September 29, 2026

New Keys and MIDI Learn in Condukt 1.7 (with Waldorf Blofeld)


video upload by Condukt

Yamaha - EMT 10 AWM Sound Expander - Sound Demo


video upload by Runningonair

"In this video I demo sounds from the Yamaha EMt-10 AWM sound expander, released in 1989. The patterns vary in usefulness but the lofi digital sounds (8/12bit) could be good for sampling. The individual sounds can apparently be played via a midi utility, but I've not looked into that so far.

All patterns are at 120BPM, for those that would like to try them out."

Music/Support:

Bandcamp:https://runningonair.bandcamp.com/

Spotify: https://open.spotify.com/artist/5fNUf...

Merch: https://runningonair-shop.fourthwall.com/en-usd

Paypal: https://paypal.me/runningonair

E-MU Rackmount Sound Modules

Note: links to listings are affiliate links for which the site may be compensated.


E-MU PROTEUS 1 via this listing

E-MU VINTAGE KEYS via this listing

E-MU CLASSIC KEY via this listing

E-MU PRO/CUSSION DRUM & PERCUSSION MODULE via this listing

Additional Signal Sounds listings

"The Proteus 1 is a compact 1U rack module built around a 4MB ROM library of 16-bit samples drawn from the E-mu Emulator III, covering rock and pop sounds including pianos, organs, strings, horns, guitars, basses, drums, and Latin percussion. It offers 32-voice polyphony, 16-part MIDI multitimbrality, six individual polyphonic outputs, and an extensive modulation and editing system. The Proteus 1 could be expanded to a "Plus Orchestral" configuration using an additional 4MB orchestral ROM card."

Getting started with the T1: Track types


video upload by torso electronics

"In this tutorial, we guide you through the three track types on the T1: Note, CC and FX. You’ll learn how to create note patterns, use CC tracks to control and automate parameters on instruments like the S4, and use FX tracks to process incoming MIDI.

Along the way, we’ll explore random modulation, slew, step edits, scales and Hold Mode, and see how combining track types can bring movement to your setup.

Chapters
00:00 Intro
00:19 T1 structure
00:40 Track types
01:05 Note tracks
02:00 CC tracks
03:21 Randomness
04:14 CC step edit
04:43 CC presets
05:34 Changing the CC number
07:00 FX tracks
08:09 Hold mode"

Dirtywave M8 Syntax 2025 one track challenge compo entry


video upload by Avrilcadabra

"Syntax is an Australian demoscene party, While it mostly is a celebration of coding and tracking for 8 and 16 bit computers they do have some M8 tracking competitions.

You can even enter some of the compos internationally. https://www.syntaxparty.org/

One such compo is the one track challenge inspired by Ess's wertstoffe track.

Rules are simple, only use 1 track, no samples, no midi, no nxt.

I think my entry came 3rd, Dustsucker won and Laamaa came second if I recall correctly.
Nevertheless I was quite proud of this.

I used a variety of techniques here, starting with fm synthesis of DTMF to make actually DTMF compliant dial tones, a DTMF decoder will understand these and it works via a table in the m8. if you want to dial an 8 and you THO (table hop) to 08 and so on, then a ring tone made in macro synth.

The speech synthesis is done by creating phonemes, it's flipping instruments and using vosim , wavemap and wavetables in wavesynth then arranged and sequenced to create words.

Monday, September 28, 2026

Waldorf Protein – “Klaus Schulze Tribute” 40 Performances


video upload by LFOstore

"With all passion & inspiration we are continuing legacy – a chapter of Tribute to grandfather of Electronic music & Berlin School – dear Klaus Schulze!

BUY: https://lfo.sellfy.store/p/waldorf-pr...

Introducing 'Tribute' soundset with 40 melodic & atmospheric performances for Waldorf Protein splitted on:

Classic & modern Berlin sequences
Complex arpeggios & rhythmica
Warmy Moogy leads & solos
Beautiful big Polys & strings
Atmospheric Pads

we adding midi files for every sound category to learn/experiment with harmonies of classic Berlin School

All you are need to make a classic Berlin music track & touch the legacy of Klaus Schulze.

Waldorf Protein's sequencer is perfect for Berlin Style melodies & we re-create 25 melodic sequences for your inspiration!

We was inspired by 'Crystal Lake', 'Are You Sequenced' 'Mirage' 'Body Love' 'Velvet Voyage' and other classic works.

By Nick Klimenko aka Chronos, a creator of 'Organica' for Waldorf Blofeld & 'WS Universe' for Korg Wavestation

Instructions of how to are included - it will not overwtire factory sounds, our sounds are in 225-265 locations!"

Updates on my New Plugin "DEGAUSS"


video upload by kleemannbeats

https://synthskool.com/degauss/

0:00 – What's Coming: Bug Fixes, Own Samples, Sequencer & Arp
0:33 – A Screen-Only Version Is Coming
0:59 – DEGAUSS in 60 Seconds (For New Viewers)
2:03 – Customization: Colors, 3D Mode & Hidden Games
2:53 – The Real CRT Setup (~€100 Screen + Adapter)
3:23 – MIDI Mapping: Playing It Like a Real Instrument
4:11 – The Stretching Problem I Have to Solve
4:44 – Got a CRT Screen? Help Me Test (Comment Below)
5:16 – Screen-Only Version: Coming for Everyone

Free Roland D-110 Editor Librarian | Web MIDI Patch Manager


video upload by Ian Dixon

"A hands-on walkthrough of my free Roland D-110 Editor Librarian, a browser-based Web MIDI tool I developed to make the D-110 much easier to manage and edit from a modern computer.
https://thedigitallifestyle.com/w/TDL...

In the video I show how the editor reads the D-110's tones, patches, rhythm setup and system settings, then saves everything into a reusable library. I also go through tone editing, partial mute/solo style workflow, PCM sample selection, synthesis partials, envelopes, filters, patch editing, multi-timbral setups, SysEx import and why the D-110 can be more flexible than a D-50 when you want layered parts and MIDI-channel based arrangements.

The editor runs locally in the browser, uses Web MIDI, and does not send your synth data to the cloud. It is part of my free editor/librarian tools for bringing classic synths back into a modern workflow.

Timestamps
00:00 Why I am building modern editors for vintage synths
00:47 Introducing the free Roland D-110 editor
01:17 Web MIDI setup and reading tones
01:48 Reading patches, rhythm and system settings
02:23 Saving and reopening a master library
02:47 Loading presets and sending sounds to the buffer
03:14 D-110 architecture, partials and PCM/synthesis structures
04:17 Editing PCM samples and synthesis partials
05:09 Filters, envelopes and shaping the sound
06:16 Saving edited tones back to the synth
06:39 Editing multi-timbral patches and MIDI channels
07:39 Layering D-110 sounds in a way the D-50 cannot
08:25 Why editing from the front panel is fiddly
09:21 Importing SysEx and expanding the library
10:06 Managing patches, running locally and wrap-up"

The Absolute Sequencer Powerhouse. Introducing Behringer BCR32


video upload by Behringer

"The Behringer BCR32 is much more than a MIDI controller with 32 rotary encoders. Join Bartek as he runs us through its powerful hands on sequencing features and shows how the built in Zaquencer can create melodies chords basslines and drums with multiple synthesizers. We really like how immediate the BCR32 feels and how easily it can become the brain of a MIDI or modular synthesizer setup. Let us know what you think about the BCR32 and share your ideas feature requests or bugs at ideas.behringer.com. Check out our other Behringer demos and synthesizer videos to see more gear in action."



USB/MIDI Controller/Sequencer with 32 Multi-Purpose Encoders and Polyphonic 32-Step / 4-Track Zaquencer

BCR32 — THE ZAQUENCER SEQUENCER, NOW WITH 32 KNOBS UNDER YOUR FINGERTIPS

Hardware controllers either give you knobs OR a sequencer. The BCR32 gives you both, in one of the most powerful USB/MIDI control surfaces ever built at this price. Thirty-two multi-purpose encoders. Twenty programmable buttons. A 32-step, 4-track sequencer powered by the legendary ZAQ Audio Zaquencer — the firmware that turned the original BCR2000 into a cult favourite among electronic music producers worldwide.

Every panel element is freely assignable, manually or through an intuitive learn mode. Eight of the 32 encoders are dual-mode with push function. Buttons can act as note on/off, control change, program change, MMC commands or system-exclusive triggers — meaning you can map this thing to literally anything your studio throws at it. Trigger audio clips, drive MIDI instruments, ride DAW automation, or build the entire performance from scratch.

The Zaquencer takes things into another dimension. Mono or polyphonic drum and note tracks, 192 stored patterns each made of 4 tracks, plus 2 independent MIDI controls per track for program change, aftertouch, pitch bend and CCs. Four CV/Gate and Sync connectors lock the BCR32 to modular rigs, drum machines and the analog world. Two assignable footswitch inputs free your hands. A multi-function OLED display, high-visibility multi-colour LED feedback and 4 virtual groups keep complex setups crystal-clear. One MIDI input, two MIDI outputs and a merge function let it double as a USB-to-MIDI interface and cascade with other control units. USB powered, Apple iPad compatible (via Camera Adapter, sold separately), class-compliant for plug-and-play operation. Pure performance power.

Sunday, September 27, 2026

Amiteque FM-01 – Hardware FM Synthesizer with Original Yamaha YM2164 Chip


video upload by Amiteque Electronics

"Amiteque FM-01 — Hardware FM Synthesizer Module

The Amiteque FM-01 is a modern hardware FM synthesizer module built around the original Yamaha YM2164 (OPP) FM synthesis chip, the same sound engine used in the Yamaha FB-01.

Unlike software emulations, the FM-01 generates its sound using a genuine Yamaha hardware FM chip.

The FM-01 combines the characteristic sound of classic 4-operator Yamaha FM synthesis with a modern standalone design and straightforward front-panel operation.

Main features:
• Original Yamaha YM2164 (OPP) hardware FM synthesis chip
• 4-operator FM synthesis
• 8-voice polyphony
• Multitimbral operation planned
• Front-panel voice and setup controls
• 16×1 LCD display
• MIDI IN / OUT / THRU
• SysEx support
• Stereo 6.3 mm audio outputs
• External 9 V DC power supply
• Designed and developed in Canada

This demo features the Amiteque FM-01 together with the Amiteque AR-110 analog drum synthesizer and other studio instruments.

FM-01 is currently under development.

More information:
www.amiteque.com"

New EMW S-8000 Sample Synthesizer

TEST SOUNDS - O SINTETIZADOR MAIS COMPLETO QUE JÁ TOQUEI.S-8000. BY TIAGO MALLEN ‪@emwsynthesizers‬
video upload by Tiago Mallen

"The EMW S-8000 is an 8-voice polyphonic sample-based synthesizer with stereo audio, multimode filtering, envelopes, modulation, effects, and extensive sound-shaping capabilities. It also comes with a large built-in sample library, ready to explore right out of the box."



via EMW

Explore a new world of sampling with the power and flexibility of modern technology.

The S-8000 combines a compact sample player, synthesizer and effects processor in a single instrument, allowing you to create complete instruments from WAV files using single samples or multi-samples. With pitch, gain, Root Key, start point and loop controls, the S-8000 gives you everything you need to shape and play your own samples.

Its powerful synthesis section features a resonant VCF with dedicated envelope, VCA with ADSR and LFO with multiple waveforms, along with Velocity, Mod Wheel and Aftertouch modulation. A wide range of effects, including Chorus, Phaser, Delay, Reverb, Bloom and Stereo Spread, further expands its sonic possibilities.

Samples are stored on a microSD card, making it easy to build and organize large sound libraries. The S-8000 also includes MIDI IN/THRU, a color graphic display and high-quality stereo audio output, with many synthesis, performance and effects parameters available for external control via MIDI CC.

The S-8000 also comes with a growing library of samples organized by instrument and equipment. EMW regularly expands this collection with new sounds and updates, allowing the S-8000 to continuously grow with new instruments and sonic possibilities.

S-8000 — powerful sampling and synthesis in a compact instrument.

Yamaha EMR-1 Digital Drummer Sound Demo


video upload by Runningonair

Note: this appears to be the first demo featuring the EMR-1 on the site. There was one previous post featuring the EMR-1 in Yamaha's half rack series here.

"In this video I demo patterns from the Yamaha EMR-1 Digital Drummer, released in 1988. The patterns vary in usefulness but the lofi digital sounds (8/12bit) could be good for sampling. The individual sounds can apparently be played via a midi utility, but I've not looked into that so far.

All patterns are at 120BPM, for those that would like to try them out."

Music/Support:

https://runningonair.bandcamp.com/

https://open.spotify.com/artist/5fNUf...

https://paypal.me/runningonair?

Grooving with B.A.C.H.


video upload by Kaona Modular Music

"A short example of B.A.C.H. in use, featuring its Groove mode."

Playing a Fugue with B.A.C.H.

video upload by Kaona Modular Music

"A short musical example with B.A.C.H., a generative Eurorack module.

Here, B.A.C.H. is used to build a polyphonic fugue, with several voices developing and interacting over time.

B.A.C.H. was designed to explore generative composition, counterpoint, repetition and evolution (without trying to replace the musician!)."




B.A.C.H. generates melodic, harmonic and rhythmic structures in real time. At each clock pulse, it determines the activity of the four tracks, along with their pitches, durations and dynamics. The result is shaped by the selected compositional language and the constraints defined by the musician.

The module controls a modular system directly through its Gate, Pitch and Mod outputs. It can also control MIDI synthesizers and sound modules. Each voice has its own configurable MIDI channel.

Twelve compositional languages
FUGUE constructs a multi-voice exposition from a subject, answers, a countersubject and episodes.

CANON develops a leading line through imitation, transposition, delay, contrary motion, retrograde or augmentation.

PROBA uses Markov chains and several transition vocabularies to produce directed randomness.

TINTINNABULI combines a melodic voice with voices whose notes are drawn from a triad or the current chord.

MINIMAL applies gradual processes of phase shifting, addition, substitution and hocketing.

NUX NTK-61/Z review: a 61 keys and channel aftertouch MIDI controller keyboard


video upload by Floyd Steinberg

"The NUX NTK-61Z MIDI controller has a lot of functionality for the asking price, channel aftertouch and DAW integration via Mackie or HUI protocol being among them. Table of contents:

00:00 demo
00:40 Hi, what's this?
01:18 in the box
02:02 hardware overview
04:58 firmware features: arpeggiator
06:10 channel select
06:25 scale
06:45 note repeat
07:00 modes
07:28 controller setup
07:39 DAW setup
08:11 scenes
08:44 app
08:52 conclusion"

HÄLP ZIS CHANNEL
https://www.patreon.com/floyd_steinberg
https://floydsteinberg.gumroad.com/
https://floydsteinberg.bandcamp.com/"

Saturday, September 26, 2026

Nikolator - Musical Tesla Coil simulator (demo)


video upload by Hügelton Instruments

"Nikolator is a physical modeling synthesizer based on a musical Tesla coil.
Instead of using conventional oscillators or samples, it generates sound by modeling the resonant circuit, discharge and resulting sound in the air.
We have made the Tesla coil itself into a playable software instrument.

Features
・Physical modeling of a musical Tesla coil
・Monophonic and polyphonic modes
・Voltage, current and discharge controls
・Adjustable arc length, branching and channel behavior
・Drive envelope
・4 × 6 modulation matrix
・Paraphonic valve low pass filter
・Twenty-two factory presets and user presets
・MIDI velocity, pitch bend, modulation wheel and sustain pedal with assignable modulation routing

Available for macOS (AU / VST3 / Standalone) and Windows (VST3).
https://hugelton.itch.io/nikolator"

follow-up to this post

Diatonic Diamond – Generative Harmonic Sequencer


video upload by Mute State

"Find the generative harmonic sequencer here: https://www.mutestate.com/diatonicseq...
The generative harmonic sequencer creates af diatonic field of chords from a scale, moves around between the derived chords (or intervals and triads) after a set number of bars (in this case 4) a portal into another scale and key is created ... by either reinterpreting the active chord, mutating on of the notes by a semitone, or converting it into its negative counterpart using negative harmony. In this demo the sequencer controlled an Elektron digitone, a teensy based bass synth (digitaur) and an Elektron digitakt. The sequencer has seven tracks in total, a bass track, a harmony track and a melody track and finally four drum tracks. Besides midi it also has an internal sound engine."
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