Sounds From the Future in 1930

video upload by Production Zone

"At 1930 it Sounds from the Future | The Father of Synths nobody talks about 🎛️⚡

Meet the Trautonium, one of the first electronic instruments ever made — way before synthesizers became mainstream. 🎛️
⚡
Invented in 1930, this futuristic machine uses a resistor wire and metal plate to create wild sounds, with techniques like vibrato, glissando, and even quarter tones. Absolute music history right here. 🕰️🎶

The Trautonium, an early synthesizer that alongside the theremin and the ondes martenot is considered the pioneer of electronic instruments."

See the Trautonium label below for additional posts.

Void & Vista: FRAMES

video upload by VOID & VISTA

Press release follows:

LONDON, UK: VOID & VISTA is proud to announce availability of FRAMES as its latest bold virtual instrument for contemporary music creation — crafted for Native Instruments’ KONTAKT platform, pairing characterful, expressive, and unique sampling with powerful sound design features and an inspiring interface rendering it ideal for media composers, production music writers, and (obviously) sound designers, as well as also expanding the toolbox of artists and producers across multiple genres thanks to its variety of emotive sounds and textures — as of April 23…

Being built around 40 sound sources made from capturing unique, unrepeatable sonic moments, FRAMES readily represents a bespoke collection of specially curated samples created using prepared instruments, resonated sound objects, and aleatoric performances using experimental techniques. These are all recorded at 96kHz using specialist microphones to capture sound beyond the range of human hearing, ready to pitch down and explore.

Such sound sources are split into five categories: INSTRUMENTS — traditional instruments captured using extended techniques and aleatoric performances; OBJECTS — uniquely prepared objects and instruments played in experimental ways; EFFECTED — heavily effected, processed sounds, and resonated objects; TEXTURES — tonal, textural, and found sounds that are perfect for blending; and WAVES — sampled synth waveforms taken from an analogue hardware collection.

Above and beyond that, the new ZONE SHIFT feature vastly expands the timbres of each sound source, enabling immediate dynamic exploration of the movement and detail found within them. Thanks to shifting samples from different registers, sounds can shift from slow and muted to frantic and urgent with each key press.

But better still, those 40 sound sources can be layered, sculpted, and effected using the deep two-layer sound design engine, featuring multimode FILTERS; two MOTION LFOs (Low Frequency Oscillators) — LFO 1 and LFO 2; six envelopes; LOFI effects; an ENSEMBLE page for blending additional voices; parallel CHARACTER insert effects; and dedicated SPACE send effects. And all of this sound design power is available from an inspiring and intuitive interface, designed to keep users focused on making music.

Music-making or otherwise, users ultimately benefit from FRAMES coming complete with a colossal collection of preset snapshots organised logically for ease of use, with pre-assigned mod wheel modulation mappings for jaw-dropping sound manipulation.

FRAMES is initially available to purchase at a 20%-discounted price until June 4, 2025 — rising thereafter to its regular price of £129.00 GBP — as a KONTAKT PLAYER-compatible/NKS (NATIVE KONTROL STANDARD®)-ready AAX-, AU-, and VST-formatted virtual instrument plug-in featuring 16 GB of samples that works with all major DAWs (Digital Audio Workstations) running on macOS 12 or above — natively compatible with Apple Silicon — and Windows 10/11 directly from the dedicated product webpage here: https://www.voidandvista.com/products/frames

To function, FRAMES needs Native Instruments KONTAKT 7.10 or higher via the Native Access 2 administration tool for music creation software available from here: https://www.native-instruments.com/en/specials/native-access-2/

Bliss Sampler 2.8 released

video upload by discoDSP

https://www.discodsp.com/bliss/



Experience discoDSP Bliss, the ultimate sampler. Record VST and AU instruments as SFZ files without quality loss. Customize your sound with a scalable GUI, wave editor, 7 effects, and versatile modulation. Enjoy up to 64 voices, 4X oversampling, and full MIDI control. Bliss offers exceptional playback and creative possibilities for any production. Elevate your music with the powerful and intuitive Bliss sampler.

Native Apple Silicon compatibility (M1 or higher).
64-bit AAX / VST / VST3 / Audio Units / Standalone compatibility.
32-bit Windows Standalone for legacy plugin sampling.
The integrated VST / VST3 / AU host features a sampling functionality to record from your preferred virtual instrument.1
Built-in wave editor.
Scalable and themeable GUI.
Morphable scheme / automatable zone parameters.
128 Programs with unlimited zones.
32-bit floating point based wavetables.
Full MIDI Input triggering control.
1 Virtual instrument sampling does not encompass all third-party plugins, as some may include offline sampling protection, custom preset management, or other features that could affect compatibility with the Bliss host. It is recommended to test the trial version first to ensure compatibility. The trial version allows exporting SFZ files in 16-bit WAV format, while the registered version supports saving and sampling instruments in 24-bit.

CLICK FOR MORE »

Introducing Korg multi/poly native Software Edition

KORG · multi/poly native Demo Sounds

Details follow. Demo available here.

Amazing analog sounds that only digital can provide - now in your DAW.

Inspired by the legendary KORG Mono/Poly, the new KORG multi/poly analog modeling synthesizer delivers breathtaking analog sounds combined with extraordinary digital power and flexibility. It's already garnering acclaim as one of the best synths of the year.

CLICK FOR MORE »

Introducing the KORG multi/poly Synthesizer

video upload by Korg

Priced at $899.99 USD. Check with dealers on the right for availability.

"The KORG multi/poly synthesizer, inspired by the legendary Mono/Poly, blends the rich, classic warmth of analog sound with cutting-edge digital flexibility. Powered by KORG's next-generation analog modeling technology, it offers a unique mix-and-match multi-synthesis approach, allowing you to combine parameters from classic analog synths like oscillators, filters, envelopes, and portamentos, providing endless creative possibilities for sound designers and musicians alike.

Its Virtual Voice Cards recreate the nuanced characteristics of analog synths, such as Pitch Drift, while advanced modulation options like Layer Rotate (round-robin with Programs), Kaoss Physics (pad gestures for modulation), and Motion Sequencing 2.0 (complex per-voice motion with multi-lanes) enable deep, immersive sound design. Building on the legacy of the Mono/Poly, the multi/poly delivers big, dynamic sounds with modular-derived experimental features, offering an unmatched sound experience that bridges the best of vintage and modern synthesis, pushing the boundaries of sonic exploration.

Music track featured in this video was created using the multi/poly by Natalie Chami aka TALsounds www.talsounds.com"

KORG MULTIPOLY Review // vs modwave & more // 70 presets // multi/poly tutorial

video upload by loopop





Details follow.
(click the pics for full size shots).

"Amazing analog sounds that only digital can provide

Inspired by the legendary KORG Mono/Poly, the new KORG multi/poly analog modeling synthesizer delivers breathtaking analog sounds combined with extraordinary digital power and flexibility.

The original Mono/Poly boasted an unusually rich sound from its four stacked oscillators, as well as unique, experimental features like flexible x-mod and sync routing and round-robin oscillator triggering. Previously only attainable in large modular systems, the Mono/Poly delivered these features in a compact, user-friendly instrument.

CLICK FOR MORE »

Modbap Modular Osiris WavPak Volume 3 by Learning Modular’s Chris Meyer

Press release follows:

Modbap Modular announces availability of Osiris WavPak Volume 3, carefully crafted by Chris Meyer to integrate seamlessly with Eurorack module namesake

LOS ANGELES, CA, USA: Modbap Modular is proud to announce availability of Osiris WavPak Volume 3 — carefully crafted by Learning Modular’s Chris Meyer to integrate seamlessly with the black-owned electronic music instrument manufacturer’s own Osiris BI-FIDELITY WAVETABLE OSC (originally introduced to a captive audience at Knobcon Number Nine, Hyatt Regency Schaumburg, IL, USA, September 10-12, 2021), providing four banks of all-new custom 32 x 32 wavetables which have been meticulously curated and designed to expand anyone’s approach to wavetable synthesis using its Eurorack module namesake — as of November 2…

As the owner of Learning Modular, an online resource to help anyone master their modular synthesizer, Chris Meyer is perfectly positioned to help expand anyone’s approach to wavetable synthesis using Modbap Modular’s Osiris, operating powerfully in and of itself as a (frequency modulation- and phase modulation-including) seven-plus TIMBRE MODE 12HP BI-FIDELITYTM WAVETABLE OSC (oscillator) module, neatly-packed with an independent sub-oscillator, LOFI processing, extensive CV (control voltage) modulation capabilities, a PITCH quantiser, four banks of 32 x 32 wavetables, the ability to load user wavetables via Micro SD card (not included), and its own free open-source wavetable editor (OsirisEdit). After all, Chris Meyer is the talented individual responsible for creating the-then-trailblazing Vector Synthesis technology behind the 1986-vintage Prophet VS DIGITAL VECTOR SYNTHESIZER, supposedly intended to revive the flagging fortunes of US synth ‘giant’ Sequential for whom he worked in an engineering role. Subsequent stints at Digidesign, Music Maker Publications, and Tom Oberheim’s Marion Systems soon ensued, before becoming the Chief Engineer at the now-defunct Roland R&D US while serving also as Technical Chairman of the MIDI Manufacturer’s Association. A transition into the video and film industries followed thereafter as his storied career continued, coming full circle to ultimately end up where he originally started — playing with modular synthesizers.

Duly derived from Chris Meyer’s sizeable studio modular synthesizer — affectionately called The Monster, the four banks of all-new custom 32 x 32 wavetables included in Osiris WavPak Volume 3 are a result of undergoing a meticulous sampling process drawing upon the talents of one of the industry’s leading experts to offer Osiris owners a wide range of timbral possibilities catering to different sonic aesthetics: BANK A — otherwise known as the ‘East Coast’ bank — features wavetables that have been carefully crafted as a result of working with Livewire Electronics AFG’s Animated Pulses and Alien Saws waveforms, as well as Serge-filtered waveforms, using techniques such as audio rate waveform crossfading to offer a diverse palette of sounds, ranging from smooth and evolving textures to aggressive and cutting tones; BANK B — the ‘West Coast’ bank — incorporates techniques like Serge rectification, wave folding, and Serge resonant EQ, the resultinwavetables providing a more experimental and abstract sonic experience suited to those interested in pushing the boundaries of sound design and diving into harmonious tones and textures; BANK C — Formants — focuses on different vowel sounds with a sound design approach anchored around both digital and analogue formant filters for creating expressive vocal-like textures and tones that are ideal for adding a human touch to compositions or exploring more abstract and otherworldly sounds; and BANK D — Harmonics — utilises tube overdrive, filter banks inspired by both Buchla and Moog stylings, as well as featuring analogue and digital additive oscillators.

On the face of it, then, the results are all a testament to the expert craftsmanship involved in ensuring the highest-quality sound production possible. Put it this way: Osiris WavPak Volume 3’s four sound banks were sampled at 96kHz, perfectly aligning with the Osiris BI-FIDELITY WAVETABLE OSC module’s unique, high-quality 96kHz sample rate operation. Ultimately, users can enjoy pristine audio clarity, enabling exploration of full depth sonic landscapes.

Lending themselves a knowing nod in the direction of Chris Meyer’s trailblazing achievements, the X-axis in all the banks contain different waveforms, while the Y-axis introduces different harmonics for each X-wave; the harmonic series used in Osiris WavPak Volume 3 are: H1 (root up), H2 (one octave up), H3 (one octave, plus perfect fifth), H4 (two octaves up), H5 (two octaves, plus major third), H6 (two octaves, plus perfect fifth), and H8 (three octaves up). It is worth noting that in some cases — especially the filter banks, formant filters, and resonant EQ — the waveform also changes with ‘harmonic’ on the Y-axis, allowing for sculpting and refining patches with extraordinary detail thanks to this precise control over harmonic content. Modbap Modular encourages experimentation with different modulation sources patched to its Osiris BI-FIDELITY WAVETABLE OSC module’s WAVE Y to further enhance sonic explorations with the texture-rich Osiris WavPak Volume 3 — think velocity/accent from a sequencer or keyboard, a mod wheel, aftertouch, ribbon controller, or even a sample & hold triggered on each new note to create dynamic and evolving timbres that respond to playing style.


Osiris WavPak Volume 3 is available for free as a digital download exclusively from Modbap Modular’s online Shop here: https://www.modbap.com/products/osiris-wavpak-vol-3-by-chris-meyer

Watch Learning Modular’s Chris Meyer mentioning the-then-upcoming Osiris WavPak Volume 3 — while talking about Modbap Modular’s Osiris BI-FIDELITY WAVETABLE OSC module as a new way to wavetable — at Knobcon Number Eleven, Chicagoland, USA, September 8-10, 2023 here: https://youtu.be/tYkDT82wxx0

a NEW way to WAVETABLE! with Alias Zone & Osiris // Chris Meyer & ModBap at Knobcon 2023

video upload by DivKid

"Chris Meyer of Learning Modular & Alias Zone has A NEW WAY TO WAVETABLE!

Chris has been working on a new X and Y based wavetable systems that does two fascinating things, firstly it "samples" his whole large studio system while keeping that performable and responsive in the ModBap Modular Osiris and secondly he's using harmonics and interval sets to create morphing tunings within those sounds too.

The WavPak is out now through the ModBap site here // https://bit.ly/WavPak3-ChrisMeyer"

Native Instruments Introduces New Kontrol S-Series MK3 MIDI Controller Keyboards

video uploads by Native Instruments

Press Release follows:

Berlin, September 12, 2023 – Native Instruments today announced new Kontrol S-Series MK3 MIDI controller keyboards (S49, S61, and S88), offering seamless hardware and software integration, unique expressive control, and a stunning industrial design.

Kontrol S-Series keyboard controllers are truly best in class, with powerful new features and control capabilities that enable creators to stay in the flow with an intuitive connection to instruments, effects, and DAWs, all with deep navigation on a high-res screen. They are available in three size options: 49 semi-weighted keys, 61 semi-weighted keys, or 88 fully weighted hammer-action keys.

New polyphonic aftertouch functionality allows creators to take expression further with the slightest pressure on individual keys, controlling cutoff, pitch, vibrato, and much more without reaching for an extra encoder or dial. All three models include polyphonic aftertouch on an industry-leading keybed developed in collaboration with renowned Italian manufacturer Fatar.

Kontrol S-Series controllers bring virtual instruments to life and offer a genuinely immersive experience with in-depth control via extensive Kontakt integration and next-generation Native Kontrol Standard (NKS) technology. NKS brings software instruments, effects, loops, and samples into one smooth workflow, creating seamless integration between NI software, all major DAWs, and thousands of partner sounds, instruments, and effects. This effortless integration enables creators to focus on their performance, without being distracted by the need to look at a computer screen.

All three models feature a stunning industrial design with a large glass screen, touch-sensitive anodized aluminum encoders and mod wheels, and redesigned tactile buttons. A highly visual lighting system makes it easy to stay in the creative zone with an intelligent Light Guide that illuminates switches, key zones, scales, and more.


Kontrol S-Series controllers come with a range of software that enables creators to start making music out of the box:

Komplete 14 Select is the essential production suite, including powerful synths, drums, percussion, studio-grade effects, and a wide range of customizable sounds.
Komplete Kontrol software unites and organizes instruments, effects, loops, and samples, mapping everything to the keyboard controller.
Plus: Stradivari Cello, Hypha, Guitar Rig LE, iZotope Elements Suite, and Ableton Live Lite

Top Kontrol S-Series Features:

Refined industrial design, manufactured to the highest level of quality for the best playing experience
Full-color glass display for intuitive browsing, tweaking, and mixing
Industry-leading keybed from Fatar with polyphonic aftertouch as standard
Metal-touch pitch and modulation wheels with central illumination
Unparalleled hardware/software integration with direct connection to Kontakt helps you find, adjust, and play sounds quickly and easily
Seamless integration with all major DAWs lets you control transport and mixing commands directly from the keyboard: record, stop, rewind, mix, edit, and see project channels on the display
Precision tweaking for all your sounds, pre-mapped to key instrument and effect parameters
Redesigned Light Guide pinpoints notes with a light above each key
USB, MIDI, and bus-powered USB-C connectivity plus inputs for four pedals: one sustain, one expression, and two assignable pedals

Learn more https://www.native-instruments.com/kontrolsseries

Pricing and availability
Starting today, Kontrol S-Series MK3 is available for pre-orders from www.native-instruments.com and select retailers.

Kontrol S-Series MK3 will be fully available online and in stores this October, with preorders also shipping at that time.

Kontrol S49 MK3 pricing:
€ 749,00 / $ 749,00 / JPY 107.400,00 / £ 649,00 / AUD 1.099,00 / CAD 969,00 / CHF 749,00 / CNY ¥ 5.899,00

Kontrol S61 MK3 pricing:
€ 849,00 / $ 849,00 / JPY 121.700,00 / £ 749,00 / AUD 1.299,00 / CAD 1.099,00 / CHF 849,00 / CNY ¥ 6.699,00

Kontrol S88 MK3 pricing:
€ 1.299,00 / $ 1.299,00 / JPY 186.200,00 / £ 1129,00 / AUD 1.949,00 / CAD 1.679,00 / CHF 1299,00 / CNY ¥ 9.999,00

Update:

NI Kontrol S Series MK3: The pros and cons of upgrading // S49/S61/S88 MK3 Review & tutorial

video upload by loopop

TIMELINE:
0:00 Intro
1:10 Overview
1:55 Poly AfterTouch
2:55 Modes
6:35 Panel & guides
8:05 MK3 Changes
8:40 Next-gen NKS
9:15 More AfterTouch info
10:00 Panel changes
11:30 Connectivity
11:55 Settings
12:15 Komplete Kontrol
12:50 Preset filters
14:10 Non-NKS plugins
16:05 DAW devices
17:30 FX in Komplete
18:40 Scales
19:25 Chords
19:50 Arpeggiator
21:25 Loops & samples
22:00 Kontakt 7
22:30 Multi layers
23:10 Maschine?
24:30 MK3 S88
24:45 Pros, cons
24:55 vs MK2
26:55 vs the world
28:45 Outro

Superbooth 2023: Worng - Acronym Oscillator

video upload by sonicstate

"We met up with Morgan from Worng Electronics who told us about their new module, the Acronym Oscillator. This triangle core analog VCO features a low distortion sine output, triangle output, two sub oscillators, and a unique falling square output, providing a range of character and sound options. The module also includes a wave output that morphs between triangle, square, saw, and folded zone, along with three zero-phase modulation, a sync input, and eight octave tracking. Morgan also mentioned the benefits of through-zero phase modulation, which allows for more tuneful FM and keeps the oscillator in tune.

Worng Electronics also has other modules available, including the Mid Side Plus, The Parallax, Vertex, and the Vector Space, with more Sound Stages in production. The Acronym Oscillator is currently available for purchase at a price of $400 USD.

Acronym Available now. Price 400 USD"

Synthstrom Audible Deluge Goes Open Source

Details follow. Video of an editor created for the Deluge below.

"TLDR: We're going open-source from June 5th.

Since launching our beloved Deluge, we’ve added a ton of functionality, made it more versatile and packed it full of ground-breaking features. Our arranger, looper, advanced sequencing and MPE implementation are still industry leading.

At Synthstrom, we’re devoted to sustainability and want our Deluge to continue being the centre of our users' musical excursions for many years to come. Late last year we started retrofitting older Deluge variations with the OLED screen featuring in our new units. The next step we're taking has been even longer in development - waiting until we knew we had a community full of talented coders who were as passionate about the Deluge as we are. We know now the time is right - it’s time to take software development into overdrive - we’re going open-source!

What is open-source? Open-source means we're opening our software code to the community; our users who know how to write code can now develop their own Deluge features, make refinements to the existing code and contribute to a Community version for all users.

Before the speculation even starts, this isn't us working on a new model, there are currently no plans for that. We've employed a team to manage the open-source project so we can focus our energies into ramping up the building of new OLED Deluges to meet demand, speeding up the retrofitting and refurbishing off older units, and just maybe, finally getting the Deluge into limited retail - though don't hold your breath on that last part :)

Synthstrom will continue to maintain and update the main “Official” repository, including all official Deluge Firmware releases going forward.

Alongside there will also be a “Community” repository (for both the OLED & non-OLED versions), forked from the Official repository, as a central place for community code contributions to be merged together, so long as they don’t appear to break anything and represent complete features ready for use. And of course all future updates to the Official branch can be merged in, too.

And of course, you can fork either branch and make your own changes and share these with others, irrespective of what’s happening in the Official or Community repository.

Installing Community or other firmware builds is 100% compatible with your Deluge's hardware warranty. However, if you use a non-official community build, we won't be able to provide software support.

Our open-source project manager will initially oversee and maintain the Community repository, though this will probably change in the longer term, particularly if or when open-source development branches in multiple different directions. We’ve created thorough documentation and Rohan will also be on hand at the launch, to offer guidance and assistance to those getting involved - including open video Q&A sessions.

Rohan has always been eager to give back to the global community of makers and tinkerers that helped him as a beginner, we just had to make sure the time was right, we had the right people involved and that we had a system that aided those taking part.

We’re also launching a Patreon to help support those contributing to the 'Community' repository. This will allow the entire community to show their gratitude to those developing, testing and refining code by making a monthly financial contribution, from just $1. Though administered by Synthstrom, 100% of these payments (less Patreon fees and tax) will be distributed only amongst those coders contributing to the Community repository - distributed in accordance with how much each individual contributed.

We have re-opened the epic feature suggestion threads on our forums where coders can find ideas to work on and where users can discuss their desired features: https://forums.synthstrom.com/categories/deluge-suggestions

In special cases, the Official repository may consider submissions from the Community repository*, where features and their UI have proven universal appeal. However, Synthstrom needs to continue to provide our customers with a stable and high-performance official firmware version, so we need to be responsible for every line of code in this branch.

Deluge Firmware will be released under the GPLv3 license. There are no restrictions on personal use and this license allows for code to also be used in commercial projects - however, if even one line of code from this is used in a commercial project, the entire piece of code for that project must also be made open-source under this same license.

The newly open source Deluge Firmware source code will live in GitHub. We will be launching this project in June though you can follow our GitHub now and be alerted when it's live. https://github.com/SynthstromAudible

* If a Community feature is to be accepted into the official repository this will be negotiated and licensed on a case by case basis with its developer(s)

Key dates & details:

Monday, June 5, 7pm EDT - Codebase made available, documentation released and Patreon launched.

Wednesday, June 7, 7pm EDT - Open Group video Q&A session with Rohan. Will be recorded and made available on GitHub following.

Saturday, June 10, 11am, CEST - Open Group Zoom session with Rohan. Will be recorded and made available on the GitHub following.

Following these Q&A sessions. Rohan and/or our Open Source team will be responsive in answering questions on the GitHub. Please try not to flood forums with questions until after these sessions as we anticipate much will be answered therein.

Open-source Project Manager: Jamie Fenton

An experienced games, audio and multimedia production tool engineer, Jamie Fenton is known in the Deluge community for developing the Downrush application. Downrush is used for transferring, viewing and editing of Deluge songs, patches, and media assets using a Wi-Fi SD card and your mobile device."

Deluge Downrush demo - Wireless editor/browser for the Synthstrom Deluge

video upload by Icoustik

"Detailed demonstration of the Downrush editor/browser for the Synthstrom Deluge, by Jamie Fenton.

Downrush download: https://github.com/jamiefaye/downrush
About the Synthstrom Deluge: https://synthstrom.com/

Downrush works via the Toshiba FlashAir SD card, which has built-in WiFi, and allows wireless browsing/ uploading/ downloading.

With this it's possible to access the card without removing it from the Deluge, by connecting to it just like you'd connect to any wifi network, and simply opening it in a web browser (I've used firefox, ecosia and chrome). This means it's also possible to do it with a smartphone or other device with wifi-access!

"Downrush is a simple FlashAir file manager for Synthstrom Deluge. Expect improvements."

---- Things it can do that I've found really useful:

* Browse, upload and download files without removing the card!

* Move and delete files to keep things more organized - f.ex. get rid of failed/ useless samples, unwanted songs etc.

* Rename samples and resamples as soon as you make them and before putting them into a project and saving!
Especially handy with a smartphone when in the zone with the Deluge.

(It's almost like an external screen, just not 100% real-time.)

* XML editing (it has a built-in editor now) - get an overview of KITS/SYNTHS/SONGS, copy tracks between songs (!), copy and multiply kit sounds without having to make the same adjustments from scratch several times, and other such things not currently possible directly on the Deluge.

* Ability to use Downrush on a smartphone/pad as a kind of preview/cue-out with headphones, to preview samples etc. without it coming thru the main outs

Creds to Jamie Fenton !

EDIT:
The browser has now been updated so that when clicking on a kit, song or synth's name, it opens the Downrush main editor (not XML view). Click EDIT to get to the plain text XML viewer."

Roland FANTOM Synthesizer Version 2.0 Update for FANTOM 6, FANTOM 7 & FANTOM 8

RolandChannel

Update: loopop video [and press release] added below.

"FANTOM is a new kind of creative hub, where you can pull together all the sounds and inspiration around you into one music production environment. And it keeps growing and evolving with new sounds, features, and refinements based on customer feedback.

Building on the recent additions of multiple SuperNATURAL sound engines and a stunning 32-band stereo vocoder, FANTOM now takes another giant leap forward with version 2.0. The free update includes major enhancements to FANTOM’s sampling, sequencing, effects, and routing capabilities, and new ways to make FANTOM the center of your creative universe.

In this video, Mark Watson takes you through some of the new features of FANTOM v2.0. Use these links to jump ahead to learn more about the features that interest you most:

00:00 FANTOM Version 2.0 Overview
01:38 New Sampling Features
02:24 Sampling to Keyboard
03:17 Sampling Keyboard and Input
04:04 Sampling the Vocoder
05:13 Multisampling
07:55 New Sequencer Edit Tools
08:52: TFX (Total Effects) Processor
09:42 Pad Sampler Routing, Zoom Edit, More Output Routing
10:05 New Scene Chain Markers
10:20 Zone Advanced Control and Zone Transpose
11:27 Increased Aftertouch Sensitivity and Touchscreen Wallpaper

The sampling engine gets a radical overhaul in version 2.0, with the ability to sample directly to the keyboard or to build detailed multisamples up to 352 samples per tone. Keyboard samples and multisamples can be edited on board and used as the basis of any oscillator/partial in a ZEN-Core tone. With four oscillators per tone and up to 16 tones in a Scene, the sound design potential is mind-bending.

In addition to other audio routing enhancements, FANTOM’s master section now has a TFX (Total Effects) processor. Along with the already-equipped master compressor and EQ, the TFX processor can add any of its 90 effects to FANTOM’s master output. And now you can use effects on input, and even sample the result!

Sequencing continues to take advantage of FANTOM’s high-resolution touchscreen. You can now draw and edit automation using multiple gestures, and the new microscope mode lets you fine-tune each note to perfection.

Each of FANTOM’s 16 zones can already be assigned to an internal sound or an external input or software synthesizer. Now, each zone can be set to both for truly epic sounds! You can even transpose each zone independently and save the settings in a Scene.

And speaking of Scenes, you can now visualize your Scene Chains in a list and easily swap their places. You can even jump around your Scene Chain using handy markers.

Finally, version 2.0 lets you change the touchscreen background to match your mood or creative space.

If you’re a FANTOM owner, be sure to sign up for a free Roland Account. Using the latest version of Roland Cloud Manager software, you can download free SuperNATURAL acoustic and electric piano sound collections for your FANTOM and explore a huge variety of sound expansions for FANTOM and Roland Zen-Core instruments.

In addition, Roland Cloud offers a growing collection of Roland virtual instruments for use in modern workflows. Producer, beatmaker, gigging musician, or just getting started—you'll find something to inspire you. The original TR-808, classic JUNO-106, powerhouse JUPITER-8, and genre-defining TB-303 are all part of the 50-plus instrument collection. And Roland's legacy of innovation evolves yet again with the new ZENOLOGY Software Synthesizer, an advanced plug-in with deep sound design capabilities and seamless compatibility with your FANTOM and all ZEN-Core hardware instruments."

FANTOM Version 2 // Review and multi-sampling tutorial for Roland Fantom 6, 7 and 8

loopop

TIMELINE:
0:00 Intro
0:30 Overview
8:55 Connectivity
10:10 Sampling 2.0
17:45 Multisamples
22:25 Resampling
24:35 Sequencing
26:25 Microscope
26:55 Automation
28:05 Chains 2.0
30:20 Groups, song
32:15 FX: TFX, iMFX
34:30 Zones
35:40 Pad modes
37:15 Drum zoom...
37:40 Arp, chords
39:20 Pros, cons"

Update2: and the official press release:

"Los Angeles, CA, September 18, 2020 — Roland has announced the Version 2.0 update for owners of the FANTOM 6, 7, and 8 synthesizers. Leveraging the deep, expandable power of the ZEN-Core Synthesis System at the heart of the FANTOM series, this free, user-installable update delivers major enhancements to the sampling, sequencing, effects, and routing capabilities, while also providing new customization options for live performance and studio production.

Introduced in 2019, FANTOM is a next-generation creative hub where users can pull together all the sounds and inspiration around them into one music production environment. And the platform keeps growing and evolving, with new sounds, features, and refinements providing continuing value to owners. Building on the recent additions of multiple SuperNATURAL sound engines and a 32-band stereo vocoder, FANTOM takes another giant leap forward with Version 2.0, bringing more user-requested features and inspiring workflow improvements.

The FANTOM sampling engine gets a significant overhaul in Version 2.0. Users now have the ability to sample directly to the keyboard or build detailed multisamples, which can be edited on board and used as the basis of any oscillator/partial in a ZEN-Core tone. With up to 352 samples per tone and 16 tones in a Scene, the sound design potential is vast.

Version 2.0 also brings a TFX (total effects) processor to FANTOM’s master section, complementing the existing master compressor and EQ. The TFX processor introduces deep sound-shaping power with 90 different effects that can be applied to the master output. Numerous audio routing features have also been added, including the ability to apply effects to audio input sources and sample the results.

FANTOM features a color touchscreen interface, and the sequencing enhancements in Version 2.0 take even greater advantage of this powerful tool. Users can now draw and edit automation using multiple gestures, while the new microscope mode lets them fine-tune every note to perfection.

Each of FANTOM’s 16 zones can already be assigned to an internal sound or an external input like a software synthesizer. With Version 2.0, internal and external sources can now be layered or split within a zone to build huge sounds and intricate performance setups. It’s also possible to transpose each zone independently and save settings in Scenes for instant recall. And the Scene Chain function has been enhanced with a list view, where users can easily swap positions and use markers to quickly jump to different sections.

Version 2.0 also brings new ways for users to customize FANTOM, including modifying the touchscreen background to match their creative environment.

Developed from the ground up for modern players, FANTOM models offer exceptional playability and aftertouch support with Roland’s best keyboards ever, including the acclaimed PHA-50 on the 88-key FANTOM 8 and a semi-weighted action on the 76-key FANTOM 7 and 61-key FANTOM 6. In addition to the color touchscreen, there are plenty of knobs and sliders for intuitive and immediate control, plus a dedicated synthesizer section with oscillator, filter, and envelope controls.

Download the Fantom Version 2.0 firmware update here."

KORG Groove by Sinevibes - multitimbral bass & drum machine

Sinevibes

KORG Groove on NTS-1


"Groove is a multitimbral bass and drum machine for KORG prologue, minilogue xd and NTS-1. It’s the most complex and sophisticated multi engine plugin ever developed, employing a network of 14 DSP blocks that reconfigure themselves in real time. Using such immense power, Groove maps bass, drum and percussion instruments onto 7 separate keyboard zones, turning your synthesizer into a self-contained, groovebox-style sound module. Each zone provides a vast library of carefully crafted sound presets with expressive control, and includes a switch for variable trigger probability – an advanced function which can dramatically liven up bass riffs and drum patterns. Groove also has a specially designed output stage with unusually punchy dynamics – making this plugin fully production- and performance-ready.

HIGHLIGHTS

Multitimbral sound engine with 7 keyboard zones generating bass, drum and percussion instruments.
Advanced network of 14 DSP blocks that reconfigures itself in real time, capable of multiple different synthesis methods: three-operator FM, subtractive, lo-fi, and beyond.
Internal library of over 70 carefully crafted, production-ready sounds with individual expression control assignments.
Trigger probability feature that can be enabled individually per each zone.
Specially configured amplifier stage delivering punchy, high-RMS output – as if the sounds were compressed."

Available at: https://www.sinevibes.com/korggroove/.

Akai Introduces MPC Jupiter Rising Synth Expansion by INHALT

Published on Mar 16, 2020 INHALTVIDEO

"I'm very pleased to announce the release of Jupiter Rising, the first INHALT Sample Library exclusively for the Akai MPC and Force range. This library is available directly through Akai Professional:

https://mpcsoftware.akaipro.com/#cbp=...

When I first got the MPC X I was taken aback by the sheer sound quality of the new audio engine. The filters, in particular, sounded warm and very analog like. After putting the machine through several productions, I quickly realized that the X is essentially a modern day Fairlight. It soon became my go to production center piece and my older MPCs (3000 and the ASQ10 sequencer) were quickly sold. Yes, it's that good. After some more time of working with the machine passed, I wanted to develop a comprehensive set of synthesizer oriented patches that could be quickly recalled for fast production access but with no compromise in sound quality. One of the most useful synths in a production context, to my ears and experience, is the Jupiter 8. While not a particularly showy synth, its tone and range of sounds makes it possible to slot into any production. As such, I thought this would be a great candidate for a deep sampling.

This library is the culmination of many months of work doing exactly that. Some patches are multi-sampled classic JP8 patches, and while those sound absolutely exceptional, the real stars are the short cycle samples. I employed the power of the MPC Engine to play back a different short-cycle sample per key press, per zone, randomly. This creates the feeling of playing the real JP8 as every key press is slightly different than the previous. When combined with the vast set of filters, an incredibly convincing analog-like sound is the end result. There are many patches of various combinations of samples included to cover every possible oscillator combination like on the real synth (i.e. 1 vco saw, 2 vco saw+saw, 2 vco saw+square ...) which leads to the most convincing sample based emulation of the classic synth. These raw patches serve as a starting point for your own sound design, however there are also many characteristic INHALT patches that are ready to go for your own music making.

In short, once the library was done, I was absolutely floored by how accurate and convincing this sample library really is at getting the mood, vibe, feel, and exact sound of the JP8. I think you will find the same. I had a really fantastic time working with all at Akai Professional on this and out of the many projects I've taken on, I'm probably the most pleased with how the end result came out on this one. All of the sounds (including drums) that you hear are 100 percent the Jupiter Rising Library recorded directly from the MPC X stereo output."

"Introducing Jupiter Rising, the latest expansion instrument offering from Akai Professional. Jupiter Rising re-creates the legendary sounds of one of the world's most iconic synthesizer. The highly sought after sonic palette is now available for your MPC X, MPC Live, MPC One and Force."

Eowave News for Superbooth 2018

via Eowave

"Superbooth 18 starts in less than one week and we can't wait to show you our new prototypes and synths!

We will be at booth number O236, come by to say hi :)

More over we will introduce our new products on Friday the 4th, 3:20pm at the Cinema (o120).

"This year will be about the Quadrantid Swarm release - we are actually waiting for the final product to come back from production.

Saddly we won't have the final version with us during the Superbooth.

It will feature the addition of a new cv input for the control of the Spread parameter of the oscillator, and a switch between decay and release for the envelope.

Oscillator modes have changed too!

We will start shipping the QS during the month of June."

"The real new player in the game is SWING, a pretty simple but life changing module that is going to give life to your sequencer!

Swing is a voltage controlled clock delay with 3 modes. Your sequencers are going to love it."

CLICK FOR MORE »

Waldorf Demos with Saga's Jim Gilmour at the Frankfurt Musikmesse in 1992

Saga - Jim Gilmour Demo - Musikmesse Frankfurt 1993 1992 Published on May 12, 2013 MadSevenFilms

"Jim Gilmour ( Saga keyboardist) in a demo at the Waldorf stand during the musikmesse in Germany.
Humble Stance, Wind Him up, Don't be late, Careful where you step, On the loose,etc ...."

Update: according the swissdoc, these videos are actually from 1992. That would make the appearance of the prototype Wave in 1992, not 1993. This post has been updated to reflect that. Note swissdoc's write-ups are from 1993 as you can see in the datestamps for the links, and I believe the production model Wave was indeed released in 1993.

Here's a blast from the past featuring a bit of Waldorf history in via swissdoc. This may very well be the only Waldorf footage from the event. Check out the non-working prototype of the Waldorf Wave in the background. 1992 was the year it made its first appearance to be released in 1993. Note the Microwave rack was released earlier in 1989. Further below you will find some notes on Musikmesse 1993 (the following year after these videos) from swissdoc, followed by a transcription of the Wave flyer. This is a fascinating look back on synth history. But first, one more video from the 1992 Musikmesse.

Update2 via swissdoc: "In addition, for those who can read and understand German, there is a big series of three articles available for download (email has to be provided) from the German Keyboards magazine. Inside Wave. Amazing level of detail plus in part three an interview with developers and users plus additional interviews with the people behind the Wave.

https://www.keyboards.de/heftarchiv/1994-10/inside-wave-1-wave-intro/
https://www.keyboards.de/heftarchiv/1994-11/inside-wave-2-tech-talk/
https://www.keyboards.de/heftarchiv/1994-12/inside-wave-3-wave-story/"

Update3: The following scans have been added to the bottom of this post:
Messe.1992.TSI.Messeinformation
Messe.1992.Preliminary.Wave.Info
Messe.1993.TSI.Show.Information
Messe.1993.Wave.Flyer

Saga - Jim Gilmour Scratching the surface - Musikmesse Frankfurt 1993 1992

Published on May 13, 2013 MadSevenFilms

"Jim Gilmour ( Saga keyboardist) in a demo at the Waldorf stand during the musikmesse in Germany.
Scratching the surface"

---

The following is a Musikmesse 1993 recap via swissdoc aka George Mueller, who attended, from way back in 1993 (you'll find a transcript of the Waldorf Wave flyer text further below). P.S. for a quick look at the gear released at the 1993 Musikmesse see here and here, both from swissdoc.

"Before I go into this Wave stuff, I'd like to tell you a little about the Frankfurt Musik Messe. Those restless gear junkies, skip the next 24 lines.

The Frankfurt International Music Fair was held for the 14th time and was attended by a record number of exhibitors: 1194 from 40 contries. So it's the leading event for the music business.

The Messe Frankfurt has 10 halls of different sizes, three of them are used by the Musik Messe. Hall 9.0 is the most interesting, it's for electronic instruments, 9.1 is for guitars and amps, 9.2 is for stage light, sound and mixers. These halls are middle in size, rows range from A to F, with booth numbers up to 90 each. Hall 8 is for acoustic instruments and publishers; it's funny, all that noise from test-playing violins, flutes and so on. This is the biggest hall, rows from A to P. The monster booth of Yamaha is in the back of this hall with all their synths, FXs and personal keyboards. So it's a long walk to Yamaha. It's a bit risky in this hall, if you enter one booth, browse thru the pages of some book, after talking to the salesman you probably lost your orientation. Hall 10.1 is reserved for grand pianos and uprights. No elctricity allowed there.

It's funny, when you change from 9.0 to 9.1, all those long haired heavy metal guys. One amp or guitar company has a Hard Rock Cafe at their booth, evertime overcrowded with guys drinking cocktails or beer.

So, here we are, the promised report on the TSI shows WAVE MUSIC DEMO and INSIDE THE WAVE.

CLICK FOR MORE »

Native Instruments Announces New MASCHINE & KOMPLETE KONTROL Hardware

"MASCHINE Mk3 and KOMPLETE KONTROL Mk2 S49 / S61 now available to pre-order

September 7, 2017 – Native Instruments today announces the next generation of MASCHINE and KOMPLETE KONTROL hardware. Unified by an all-new industrial design, both units have been re-engineered to inspire and enable nonstop creativity, boasting more intuitive workflows, optimized layouts, vivid visual feedback, and deeper studio integration.

MASCHINE Mk3 delivers the best ever workflow for quickly sketching and capturing ideas. It adds two high-resolution color screens for easier sound browsing, editing, sample-slicing, and more. The new hardware also features more dedicated function buttons and larger, more responsive pads that retain the same ergonomic layout users know and love. For enhanced convenience and portability, MASCHINE now features a built-in 96kHz / 24-bit audio interface.

KOMPLETE KONTROL Mk2 extends the original keyboard’s workflow with 17 additional function buttons and two high-resolution color screens for browsing, previewing sounds, and more. And now – thanks to enhanced DAW and MASCHINE integration – it’s possible to mix, navigate, and edit projects directly from the hardware. The professional-grade Fatar keybeds and unique Light Guide are joined by new pitch and mod wheels, plus a horizontal touch strip for additional expression.

“We’ve learned from artists and our users that the biggest challenge in creative work isn’t one of getting started, but of keeping going,” explains MASCHINE Product Owner Chris La Pietra. “We developed these new products in tandem to address this problem: Beyond sparking inspiration, they fuel the whole creative process – they help users get in the zone and stay there. They feel great, they integrate with existing setups, and they make music production as fun, intuitive, and hands-on as possible.”
“We set the benchmark for integrated music production software and hardware some years ago, and these latest products signify a major new milestone in our journey,” explains Mate Galic, CTO and President of Native Instruments.
“Holistic, tactile experiences and optimized layouts showcase the most powerful features in a completely intuitive way and support a sustained creative workflow. Sophisticated integration, with an ever-expanding software ecosystem of KOMPLETE, MASCHINE, and NKS plug-ins, make these the most advanced music production hardware units available today.”
Pricing and availability
The new MASCHINE, KOMPLETE KONTROL S49, and KOMPLETE KONTROL S61 will be available at the NI Online Shop and retailers from October 5, 2017. All three units will be available to pre-order from September 7 at the NI Online Shop. Pricing remains the same as the previous versions in all markets.

MASCHINE EUR 599, USD 599, JPY 72800, GBP 479, AUD 899
KOMPLETE KONTROL S49 EUR 599, USD 599, JPY 69800, GBP 479, AUD 899
KOMPLETE KONTROL S61 EUR 699, USD 699, JPY 79800, GBP 559, AUD 1049"

About MASCHINE Mk3
The next generation of MASCHINE hardware lets you effortlessly produce beats, melodies, and harmonies with powerful drum synths, premium sounds, an integrated sampler, and more – cutting-edge software meets intuitive hardware for an ultra-smooth workflow.

Key features
• Integrated hardware/software system includes sampler, arranger, mixer, FX, and more


• 8 GB MASCHINE library with samples, one-shots, sliced loops, sampled instruments, presets, patterns, drum kits, and songs

• Includes 25 GB KOMPLETE 11 SELECT library

• 25 pro-quality studio and creative FX including filter, EQ, delay, reverb, and compressor

• 2 high-resolution RGB color displays for precision sample slicing, sound tweaking, note editing, mixing, browsing, and more

• 16 large, ultra-sensitive pads make two-handed drumming easy

• Pro-grade, 96kHz / 24-bit audio interface with 2 x ¼” TRS line outputs, 2 x ¼” TRS line inputs, ¼” dynamic mic input, stereo headphone output, 1 x MIDI In, 1 x MIDI out, and 1 x Footswitch

• Touch sensitive knobs for parameter tweaking

• Smart Strip for strumming notes, pitch bending sounds, performing with FX, and more

• Four-directional push encoder for browsing, navigating, and adjusting levels and balance

• Powered via USB 2.0 or with the included power supply unit

• Seamless integration with KOMPLETE
• Classic groovebox features including 16 velocity levels, swing, pad link, note repeat, step sequencer, and vintage MPC 60/SP-1200 sampling emulation

• Compatible with all major DAWs (including Ableton Live, Logic Pro, and FL Studio) as a VST or Audio Units plug-in, with full multi-core support


About KOMPLETE KONTROL Mk2
With the latest generation of KOMPLETE KONTROL hardware, music-making becomes a more intuitive, hands-on experience. Perform expressively, browse and preview sounds, tweak parameters, sketch your ideas, and navigate and mix your project – all from one fully integrated centerpiece for studio and stage.

Key features
• Smart keyboard controller for all your virtual instruments

• Pro-grade Fatar keybeds with aftertouch – 49 or 61 semi-weighted keys

• Ergonomic pitch and mod wheels, plus touch strip for expression control

• Pre-mapped control of KOMPLETE instruments and hundreds of Native Kontrol Standard (NKS) instruments from leading manufacturers

• Full VSTi support

• Tag-based preset browsing: Find sounds quickly and hear instant previews

• Two high-res color screens for browsing, tweaking, mixing, and more

• Light Guide: RGB lights above each key highlight drum cells, key switches, chords, scales, and more

• Smart Play: See scales and modes on the Light Guide, play chord progressions and arpeggios with single keys, or map any scale to white keys only

• Deep integration with MASCHINE software / hardware

• Intuitive control over Logic Pro X, Ableton Live, and GarageBand. Cubase and Nuendo integration coming soon after initial release

• 4-directional push encoder for one-handed sound browsing and project navigation

• Two assignable pedal inputs

• MIDI in / out

• USB 2.0 bus powered

• Includes KOMPLETE 11 SELECT
"

CLICK FOR MORE »

Nord Rack 2X Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The warm analog sound of this synth coupled with cutting-edge digital technology moved the Nord Lead into a “leading” position in the synthesizer community. Musicians from all over the world loved its simplicity, intuitive design, and its musicality and expression offered with the virtual analog concept.

The Nord Lead 2X has the same characteristic sound and functions as the Nord Lead 2, except for some very nice improvements:

X-tra polyphony:
The Nord Lead 2X comes with 20 voices polyphony - very useful when creating layered sounds, "power pads", awesome leads and booming basses. 20 voices are also very beneficial in sequencing situations when you use more than one sound at a time.

X-tra memory:
The Nord Lead 2X comes with a large internal memory holding 4 x 99 user Programs, 100 user Performances and 4 x 10 user Percussion Kits plus 6 x 99 factory Programs and 3 x 100 factory Performances! The Nord Lead 2X is 100% patch compatible with the Nord Lead 2 which means that you can transfer sounds directly between the models via MIDI.

CLICK FOR MORE »

Introducing the Tom Oberheim & Dave Smith OB-6 Polyphonic Analog Synthesizer

Uploaded on Jan 20, 2016 Dave Smith Instruments - "Tom Oberheim & Dave Smith Introduce the OB-6"

Update: new demo video from INHALT in via Soviet Space Child below!
Update2: DSI / Tom Oberheim - OB6 - live looping demonstration by Daniel Davis added below.

Awesome video! You'll find an audio demo at the bottom of this post. So, if you weren't sure NAMM had any big surprises coming, well here you go. A brand new six voice polyphonic Oberheim synth based on the original SEM's discrete VCOs and filters, complete with trademark blue pin strips, and a few extras. This is not a CEM based Oberheim. This is discrete analog with some modern capabilities. Think closer to the original Oberheim FVS and classic OB-X (CEM VCOs & VCFs came with the OB-Xa). A new Tom Oberheim six voice polysynth has arrived!

The following is the official press release:

"Tom Oberheim and Dave Smith Unveil OB-6 Analog Synthesizer

Legendary Poly Synth Creators Team Up on New Instrument with Discrete VCOs and Filters

Anaheim, CA—January 21, 2016—Dave Smith Instruments today announced the OB-6, a new 6-voice synthesizer with an all-analog signal path and discrete VCOs and filters developed in collaboration with Tom Oberheim. Boasting a sound engine inspired by Oberheim’s original SEM (the core of his acclaimed 4-voice and 8-voice synthesizers), the new instrument is designed to provide true, vintage SEM tone with the stability and exibility of modern technology.

Said Smith: 'Tom and I have been friends and friendly competitors since the late 1970’s. Back in the day, people were typically in either the Prophet or the Oberheim camp. Now, with the Prophet-6 out and doing so well, we thought it would be fun to combine our strengths and bring back Tom’s classic polyphonic sound, too — in a modern format.' Added Oberheim: 'A lot of people, myself included, have always felt that the SEMs had a certain uniquely big, organic sound unlike anything else. Working with Dave to make that sound widely available again with some modern touches and full programmability has been real a pleasure.'

The OB-6 features two discrete voltage-controlled oscillators (plus sub-oscillator) per voice, with continuously variable waveshapes (sawtooth and variable-width pulse, with triangle on oscillator 2). There is a classic SEM- inspired state-variable lter (low-pass, high-pass, band-pass, and notch) per voice. Voltage-controlled ampli ers complete the all-analog signal path. 'The classic, bold SEM sound is all there,' said Oberheim.

Present also is X-Mod, with lter envelope and oscillator 2 as modulation sources (with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, lter cutoff, and lter mode. The knob-per-function front panel puts virtually all parameters at a user’s ngertips. Toggling on the Manual switch enables live panel mode, in which the OB-6 switches to the current settings of its knobs and switches.

A dual effects section provides studio-quality reverbs, delays (including standard and BBD), chorus, and faithful recreations of Tom Oberheim’s acclaimed phase shifter and ring modulator. The effects are digital, with 24-bit, 48 kHz resolution, but a true bypass maintains a full analog signal path. Additionally, the OB-6 features a multimode arpeggiator and a polyphonic step sequencer with up to 64 steps (and up to 6 notes per step) plus rests. It allows polyphonic keyboard input and can sync to external MIDI clock.

The full-size, four-octave, semi-weighted keyboard is velocity and aftertouch sensitive. Said Dave Smith, 'As with the Prophet-6, we made size a primary concern on the OB-6. It’s the right mix of power and portability and it ts right in on-stage or in the studio.' Added Oberheim, 'And of course, it’s got that unmistakable SEM sound that’s going to turn a lot of heads. '

The OB-6 is manufactured and sold by Dave Smith Instruments. It will be available in March, with a projected MAP of $2,999."



Update: new demo from INHALT in via Soviet Space Child.

Oberheim Dave Smith OB 6 Demo by INHALT

Published on Jan 21, 2016 INHALTVIDEO

This sounds like an Oberheim.

"As long time users of the Oberheim OB8 and 2 Voice (take a listen to our "Occupations" EP as both are on it all over the place) we were pleasantly surprised when Dave Smith Instruments showed us their new analog workhorse and collaboration with the inimitable Tom Oberheim— the OB6. The allure for the Oberheim polyphonic sound, for us, has always been it's unique melancholic tone colour. No matter what kind of sounds are programmed, Oberheim's tend to have this wonderful midnight music vibe, like driving in a car late at night circa 1983. We're pleased to report that the OB6 captures this sound quality effortlessly and in spades.

Our approach to the design of the factory bank patches we submitted (most of which you hear in the demo) was rather simple: we made the same kinds of sounds we would program on our Oberheims, and barring a couple, largely ones we would find useful in a production context. Though we don't typically record synthesizers with FX printed on the same track, the FX engine is so wonderful sounding on the OB6, and highly controllable, that it made us reconsider. In short, the FX engine is no slouch, and for the many decades spent dismissing the on board FX of most 'modern' synths, this is the first time that we've heard an FX engine exude the same quality as the top end hardware units from Lexicon, Eventide, or AMS that we tend to use in the production process.

Everything you hear on the demo was done entirely on the OB6. Absolutely NO additional FX or sequencers were used. We simply ran the stereo output from the OB6 into a DI and a stereo mic pre amp directly into Pro Tools HD and tracked it in."

DSI / Tom Oberheim - OB6 - live looping demonstration

Published on Jan 21, 2016 Daniel Davis

"DSI / Tom Oberheim - OB6 - live looping demonstration

Live looping demonstration of the new OB6 analog synthesizer. Only used the OB6 and Pigtronix Infinity looper."

I own an OB-Xa and the two videos above nail the sound and then some.

Update2:

NAMM2016 Introducing the New Dave Smith OB 6 Desktop Synth

Published on Jan 21, 2016 Analogue Zone Showroom / Synths and Studio

"Introducing the New Dave Smith OB 6 Desktop Synth
@dsiSequential

Available soon from
http://www.analoguezone.com/"

NAMM2016: Dave Smith Instruments OB6

Published on Jan 21, 2016 sonicstate

"NAMM2016: Dave Smith Instruments OB6 Dave Smith shows us the new OB6"

DSI / Tom Oberheim - OB6 - Patch Demonstration

Published on Jan 21, 2016 Daniel Davis

"DSI / Tom Oberheim - OB6 - Patch Demonstration

Some patches I made on the new OB-6.

All effects are from the OB-6. No post processing or production."

[NAMM] Dave Smith Instruments OB-6 NAMM Floor Video with Dave Smith & Tom Oberheim

Published on Jan 21, 2016 Audiofanzine in English

"Here's a presentation of Dave Smith Instruments and Tom Oberheim's OB-6 at the NAMM Show 2016."

NAMM 2016 Dave Smith Instruments OB-6

Published on Jan 22, 2016 Kraft Music

"Great deals on Dave Smith Instruments at Kraft Music:
http://www.kraftmusic.com/brands/dave...

Mark from Dave Smith Instruments presents the OB-6 at the 2016 Winter NAMM Show."

Dave Smith OB 6

Published on Jan 21, 2016 musicianews

"Dave Smith and Tom Oberheim team up to create a fantastic sounding new instrument. OB-6 has arrived. Check out the video."

Tom Oberheim OB 6 SEM

Published on Jan 21, 2016 musicianews

"Wow great to see Tom Oberheim and his take on the OB-6, Eurorack SEM and the world of Analog design in the 21st Century!"

Roland Museum Germany Massive Synthesizer Selloff - Most Gear for Sale in a Single Auction

Note: Auction links are affiliate links for which the site may be compensated.

This one in via Marko of Retrosound.de.

26.000,00 Euro gets it all.

via this auction

Someone needs to contact the Guiness Book of World Records. Longest list of gear for sale ever:

CLICK FOR MORE »

Akai Professional Announces Advance Keyboard Series

Published on Jan 12, 2015 AkaiProVideo

Update: Intro & Behind the Scenes video below added.

Akai Professional Advance Keyboards - Behind the Scenes


"Check out behind the scenes with PJ Morton (Maroon 5), Morgan Kibby (M83/White Sea), and Illan Rubin (Angels & Airwaves, Nine Inch Nails and The New Regime)."

"Artists can now load, play and control all their virtual instrument plugins directly from their keyboard. New keyboards deliver optimum hands-on performance features with seamless software integration for playing and controlling today’s hottest VST instruments and DAWs.

Cumberland, RI (January 12, 2015)—Akai Professional (akaipro.com), a leading manufacturer of keyboards for performers and recording artists, today announced the introduction of their Advance Keyboard series. Available in 25-, 49-, and 61-key sizes, the Advance 25, Advance 49, and Advance 61 provide unprecedented playability and advanced manipulation of any virtual instrument via an interactive, full-color display complemented by performance friendly hardware controls.

Designed to fuse the power of software instruments with the live playability of a keyboard workstation, the Advance Keyboard series transforms computer-based plugins into an entirely hands-on playing experience. The keyboard surface features an integrated high-resolution full-color 4.3-inch display, providing real-time control and feedback of any and all virtual instrument parameters. The screen instantly adapts itself to the selected plugin’s controls, delivering immediate 1:1 access to the instrument and various editable functions. Better yet, the Advance Keyboard series works with any VSTi virtual instrument. Using the Advance keyboard’s custom designed Virtual Instrument Player (VIP) software application, your entire VSTi library can be controlled in one application. VIP operates as a plugin inside any major digital audio workstation (DAW) or as a stand-alone application on both Mac and Windows operating systems.

Dedicated physical controls are thoughtfully included, with Akai Professional’s hallmark RGB backlit, velocity- and pressure-sensitive pads integrated into each keyboard surface. Rubberized pitch and modulation wheels deliver player-preferred note manipulation with highly musical action. Large, continuously-variable endless knobs invite frequent use, letting the user make parameter adjustments with granular or dramatic effect. A custom semi-weighted, velocity-sensitive keybed—another Akai Professional specialty—supports aftertouch, making it an elite keyboard for seasoned live performers and studio producers alike.


“The Advance Keyboard series represents a giant leap forward for keyboard players,” said Dan Gill, Product Manager for Akai Professional. “Until now, software-based instruments leaned heavily on computer interaction, which caused creative and logistical bottlenecks, especially during live performances. We’re combining the processing power of your computer, the flexibility of your virtual instrument collection, and the hands-on immediacy of a traditional keyboard workstation. The result is a powerful and inspiring user experience.”

Included with each Advance Keyboard is the Virtual Instrument Player (VIP) application. VIP gives Advance Keyboard users access to any virtual instrument in their collection with or without a DAW—a powerful way to play virtual instruments live or integrate them into a recording session. VIP software users can also create setlists that provide on-demand access to user-curated instruments for stage performance and studio work. With a single button press on an Advance Keyboard, the player can adapt to song changes as the live performance progresses—without ever reaching for the computer. Performers of all types will welcome VIP’s facilities for hyper-fast instrument and patch browsing, key zone splitting, layering of up to 8 instruments per VIP instance, expansive custom mapping capabilities, and support for any VSTi plugin. Advance Keyboard users may run as many instances of the Virtual Instrument Player as their computer allows. VIP runs as a VSTi, AU, RTAS or AAX plugin, allowing you access to VSTi's in virtually any DAW, such as Pro Tools, Logic Pro X and Ableton Live.

Gill continues, “Keyboard players have been straddling two worlds for the better part of the decade. A standalone keyboard workstation was only as current as the sounds inside of it, and similarly, virtual instruments were only as good as the best controllers. The Advance Keyboard series delivers uninhibited access to any virtual instrument in your library without losing focus of the instrument in front of you.”

Each Advance Keyboard ships with a 16GB download of over 10,000 sounds from industry-leading developers at AIR Music Technology, SONiVOX, and Prime Loops. Purchased separately, this comprehensive collection of nine plugins is valued at over $1,000.00 USD and provides Advance Keyboard owners with an instant palette of contemporary and coveted sounds for live performance and studio production.

Advance Keyboard Series Highlights:
• Keyboardsforadvancedvirtualinstrumentperformance
• Integrated4.3-inchhigh-resolutionfull-colorscreenwithdedicatedinterfacebuttons • Screenprovides1:1,real-timefeedbackofpluginparameters
• Availablein25-,49-,and61-keysizes
• IncludesVirtualInstrumentPlayersoftwareforunprecedentedvirtualinstrument
preset management, control mapping and multi patch creation
• Premium,semi-weightedvelocity-sensitivekeybedwithaftertouch
• 8large,endlessandcontinuouslyvariablecontrolknobs
• 8velocity-andpressure-sensitiveMPCpadswithRGBillumination
• Dedicatedpadbank,transportcontrol,octave,andperformancebuttons
• Noterepeat,time-division,patternarpeggiator,andtap-tempobuttons
• RubberizedPitchandModulationwheels
• Expressionpedalandfootswitchinputs
• USBand5-pinMIDIInput/OutputforusewithanyMIDIcapablesoftwareorhardware
• Alsofunctionsasastandalonecontroller
• Includesa16GBdownloadwithmorethan10,000soundsfromleadingvirtualinstrumentsfromAIR
Music Technology, SONiVOX and Prime Loops.
Virtual Instrument Player Software Highlights:
• PlaysvirtuallyeveryVSTi-compatibleplugin
• Operatesasastandalonevirtualinstrumentplayerforyourcomputer
• AlsooperatesasapluginwithinanyAU,VST,orAAXcompatibleDAW
• Organizesyourplugincollectionwithintuitivebrowsingbyplugin,artistcollection,instrumenttype,
timbre, and more
• Access,edit,andmixupto8virtualinstrumentsatonetime
• Setlistfeatureletsliveperformersswitchbetweenpatchesfromanyplugininstantlyfromthe
keyboard
• Extensivekeyzonesplitting,custommapping,andinstrumentmixingoptions • Pre-mappedtohundredsofindustry-leadingvirtualinstruments
• UnlimitedinstancesofVIPmayberuninaDAW
Advance 25, Advance 49, and Advance 61 will be available in early 2015 at retail pricing of $399.99, $499.99, and $599.99, respectively.

Visit us at NAMM Booth 6700.

For more information, visit akaipro.com/advance."