
Sunday, May 14, 2006
Saturday, May 13, 2006
Cybersonica 06

"Cybersonica and Encompass, in association with Phonica Records, present a two-week exhibition of contemporary sonic artworks. The exhibition showcases a range of sonic and audiovisual works which move beyond the ‘screen, keyboard, mouse scenario’ to explore new and exciting approaches to creative interactivity - responding to physical input, proximity, sound, kinetics, elapsed time and the surrounding environment. All the selected works are playful, engaging and accessible to all."
Cybersonica & Encompass Sonic Art Exhibition
Monday, 8th - Saturday, 20th May 2006
11.30am-7.30pm, Mon-Wed, 11.30am-8pm, Thurs-Sat
Phonica Records, 51 Poland Street, Soho, London W1F 7NG
Title link takes you to more.
vPipes

"vPipes is an electronic Uilleann Pipes emulator (without regulators) affording the possibility of practising in a variety of situations which would prove to be impractical or impossible with a real set of pipes."
Title link takes you to more info.
via Music Thing.
Tom Moravansky's Sequencing Powerhouse

almost vaporware product from the Notron guy (Gerard Campbell)"), a GenoQs Octopus, Oberheim DMX, two Sequentix P3s. a LinnDrum, two Notron sequencers and a Linn LM-1. Here's one more shot.
So of course I had to ask how the sequencers compared. Tom had the following to say:
"Octopus, P3, Notron are all different. I've only had the Octopus for a day, so what you're reading is initial impressions.
The Notron is still the only hardware sequencer I know of that decouples the note on time from the length of a step. Everyone else forces a note on to be less than or equal to a step size or else used some type of tied note notation to extend it.
Why do I care? Well, it's easy on the Notron to set one element to play 2 notes with long overlapping times and then to have the pitch or sustain modulated over the course of a sequence. Ideal for slow spacey things like old FSOL or Orb stuff or for NWW/Coil drone things.
The Notron is also one of the few (only?) hw sequencers to send out MIDI CC messages 'between the notes'. Everyone else spits out a MIDI CC value at each step. Notron sends out a seemingly continuous stream so that modulations really do sound and feel smooth and flowing. So you can have a track running at a slow tempo and still apply a smooth modulation with it. Other hw seqs would have a large, grainy steppiness to them at slow tempos.
The Octopus has a very easy interface for zooming into the step level and back out to the track view (10 tracks at once) or grid view (multiple pages of tracks). It's also very easy to check and change things like MIDI channel for each track (one button press and one knob turn). Still in development so the modulations and 'extras' are not as fleshed out yet as the Notron or P3. It does have some nice touches already and the UI really does make it fast to use.
The P3 reminds me of the Oberheim Cyclone with access to it's programming guts. :-) It's easy w. the P3 to create those self-modifying sequences that morph over time and change and shift with each pass. It's a very inward looking sequencer - it's focussed on modifying it's internal patterns and play structure.
The Notron is an outward sequencer - it is designed to spit out as much different MIDI info as possible and let the source deal with it as best as it can.
The Octopus is inbetween. Lots of parallel tracks possible (90 max), with some internal modification possible, not much extra MIDI spit out (other than the standard MIDI cc info per step)."
Via Tom of Synth Services. Thanks Tom!
More OB-Mx Samples Via Brian Kehew

"Here are some of my sounds, they kinda show off what the synth does well. It's aggressive without losing the "muscle" of the sound; a real DIRTY sound when you want it. It has nice complexity and definitely sounds analog. I think it's unfairly treated by some people, although there are others like me that are in love with it. The filters sound great, and the complexity - from the Matrix-style routings - gives it a lot of options if you're a programming nut.
I think it got too much attention for being connected to Don Buchla - he did very little on the synth, and it's NOT like a Buchla really. But you have to give them credit - at the time this came out NOBODY was making analog synths. I thought it was such a bold (and commercially ahead-of-it's time, or behind-it's-time!) idea. Sure was expensive though. For a short time, about three years ago, unused voice cards were turning up - they all sold fast as people stacked up their synth. Mine now has all twelve voices."
OB-Mx shot via Sequencer.de.
The Psych-Tone
Click here for a Popular Electronics article on the Psych-Tone.
Details from the auction:
"very similiar to the Triadex Muse this is a simpler odd creation from Popular Electronics, Feb 1971- issue is included with notes. weird synth. seems to be working, the attack , sustain, decay, controls don't seem to have much, if any effect, and is sold as is, as described. This thing is lots of fun, crazy patterns, you can freeze the pattern so it stutters. A very nice and fun piece and seems well put together, one slider cap is missing. more info on the psych tone here"

Tax-5 Chip Music

"I made an awesome Techno/Rave styled Track just with a Gameboy Advance, Gameboy red and Help from a Jp8000.. Its called: Play it loud (Advanced Mix)"
Title link takes you there. It's the first track when you get there.
Via Tax-5 on this VSE Post.
Friday, May 12, 2006
Another Scam on the Bay

This one for a Roland TR-808.
Matthew Hodson asked me to put this one up for him.
He's selling this.
And the scam is selling this.
Matrixsynth to the rescue! : )
Be carefull folks!
PPG Wave 2.2 in the Wild
The Synth World's Dumbest Criminal

"Hey Matrix,
This is Huppo from VSE. I put up a post in the Gear for
Sale section regarding an ebay auction I found this morning.
You might be amused by the auction.
In short, my own Nord Modular auction from a couple weeks
ago was lifted word for word and picture for picture by some
dirtbag. Only he left the links to the pictures on my
webserver! How thoughtful of him to give me permission to
change "his" listing at will. :o)
love your blog. its a daily stop. Thanks!
~huppo"
Thank you huppo! This is absolutely hillarious!
Shots saved for posterity; title link takes you to them.
Al’s Used Keyboard Emporium and Bake Shop
Casio Manuals via GetLoFi
Space Synth Video

Thursday, May 11, 2006
P5 Powerglove and G2X on YouTube
Published on May 9, 2006
"Testing out Essential Reality P5 Powerglove with some G2X patches. Awesome :)"

Via Luca of ProgSounds. Very nice indeed. Thanks Luca!
Image Zoom for FireFox
Cool extension for FireFox sent my way via Loscha. If you have Firefox you can install this extension and zoom in and out of images on this site and any other site for that matter without leaving the page. It just makes it one step easier. Thanks Loscha!
Firstman SQ-01

Details:
"Model SQ-01, Make = Firstman, which is a Multivox company.
This rare mono synth does some really deep, very analog bass. Somewhere between a Moog bass and an SH 101. You can enter notes into sequences with the one octave of membrane keys, ala EDP Wasp. There are 4 banks or 4 sequences of memory that can be written and recalled.
ALSO, you have CV in and out and clock in and out for control. With using the same CV converter I use for my Roland Sh 101 it plays just fine. Also I have stepped the sequencer in sync with my TR 606. So both sync of sequencer and CV playability are possible. This is a very rare item, let the audio demo speak for its self at http://www.myspace.com/omosc just scroll down to Firstman demo and have a listen, the first part is dry, the second half is with delay and verb...awesome filter, cool sequencing, vintage analog and no one else in town will have one."
Seqs

One more shot....
Title link takes you to Bogus Focus Records, home of both shots.
Skydancer Media

The Human League Circus of Death on YouTube

The Human League Boiled on YouTube

Via the comments it is the Roland Jupiter 4.
Psychedelic Philicorda

Details:
"This is a non-working Philicorda, believed pretty much complete except for the panel underneath the keyboard and one switch top, but making no sound. It would be possible to repair it, or replace the innards with another example, because the whole point of this is the superb psychedelic painting on the case.
It's the work of Alistair Campbell, aka The Great Unknown. He has been painting in this style for thirty or more years, including doing the cover art for a classic book on psychedelic bands, but generally only sells art to friends or gives it away. www.eclipse.co.uk/sweetdespise/libertycaptions/ tells you a bit more about him.
This amazing image is the result of about 50 hours' work - and a lifetime of mystical experience."
Nice Rack - Avalon Superstar

Sensomusic Usine

Title link takes you there.
Aurora at SDIY 2005
Looks like the Aurora made an appearance at SDIY 2005. That's Paul Maddox of Modulus Electronics and the Monowave playing it. Some notes on sound according to two that have actually played it: according to Chris Strellis "It was OK - a bit confusing routing some of the modulation sources to destinations. Definately Moogy sounding and probably worth the money. It was for sale then at something like £400. I passed on it." According to dmxkrew, "just saw your post on the aurora, it's hand built by adrian who runs SRS in bedford, UK, which is where my mum lives so I usually go there when i need something fixing. adrian is a nice guy and good at fixing stuff, he let me have a play on the synth when it wasn't quite finished, sounded great, the design owes a lot to the SCI pro one in my opinion." At the price under 600 Euro, I'm thinking this might actually be a great little monosynth. More on the Aurora here.
Update via the comments of this post: " have had the AR1 for quite a while now and have used the synth on many recordings for solo projects under Brendan Pollard and Rogue Element.
She is extremely versatile, moog sounding but with careful manipulation even ARP. Fantastic for sound effects, leads, basses, etc.
Our studio is 90% analogue and she was definitely a worthy addition to our collection,
Cheers
Brendan www.rogue-element.uk.com"
Bottom Line - New Flickr Shot

Update via the source himself:
"Its an X-Station. The Effects section (which features delay, reverb, chorus, compression, distortion and EQ) has three generic knobs - Level, Top Line and Bottom Line. It adapts to whichever effect is currently selected, so for Delay it controls feedback, for Chorus it controls Rate, for EQ base level etc."
Wednesday, May 10, 2006
The Alchemists of Sound

Saturday 28 May 2005 8.30pm-9.30pm; 3.15am-4.15am
"The BBC's Radiophonic Workshop was set up in 1958, born out of a desire to create 'new kinds of sounds'. Alchemists of Sound looks at this creative group from its inception, through its golden age when it was supplying music and effects for cult classics like Doctor Who, Blake's Seven and Hitchhiker's Guide To The Galaxy, and charts its fading away in 1995 when, due to budget cuts, it was no longer able to survive.
There are interviews with composers from the Workshop, as well as musicians and writers who have been inspired by the output. Great archive footage of the Workshop and its machinery is accompanied by excerpts of the, now cult, TV programmes that featured these sounds."
Title link takes you to more info.
Bamboo Spaceship

Update via BariaBlog in the comments:
"oh my god! what we do as youths comes back to haunt us doesn't it!
Jason and I were doing this stuff inthe early eighties and believe it or not we are still at it - across oceans and time we still have a mad desire to make a racket.
Watch out for invasion of the fat traingle players in future - the other half of the spaceship!"
Fat Controller Driving a Monowave

Click here for a demo of the Frostwave Fat Controller driving a Modulus Electronics Monowave. The track is Sequence 1. A Virus Indigo provides textures and a Multimoog provides lead. Via Seth Elgart on AH.

Analogue Jeff

Electro Kraft Space Synth - New Flickr Shot

"Very cool synth based on the chip from the original arcade game Space Invaders. You can control the parameters via the Tandy joystick."
Update via the comments:
"Here is a video from the guy who makes them:
spacesynth.MOV"
Tuesday, May 09, 2006
One Hell of a Dongle

Hmm... Yeah, I'm with him, this would definitely suck. However, if there are dependencies on the hardware for DSP, that would make sense, but something tells me that's not the case. I haven't done much research on Kore. The Korg Legacy is a great example of doing it right. You can play the soft synths with or without the controller connected.
Aurora AR1


Marcus Couto on AH recently posted this asking if anyone knew more about it and if anyone actually owns one. If you know anything please comment. Title link takes you to Synth-Restore who carries it. There are demos on site. Details pulled from the doc linked on this page.
MODEL type: AURORA AR1
VCO 1 : saw,pulse,triangle waveform, adjustable pulse width, octave shift.
VCO 2: saw,square,triangle waveform, adjustable interval (pitch), octave shift, sub oscillator.
VCO 3: saw,square,triangle waveform, adjustable interval (pitch), octave shift, sub oscillator.
(main tuning from front panel control)
LFO: (can be used as another vco at hi-frequencies, for ring mod type effects) routing to VCO's, Pulse width, VCF, VCO & VCF.
Individual tri,sq,saw, random waveforms (any combination can be used) Manual depth, plus mod. wheel amount.
VCF 12db type (gives more raw sounding edge, similar to Oberheim, early ARP Odyssey)
High or low pass type (switchable) cutoff, resonance, keyboard tracking, ADSR amount, modulation from vco 3 also.
ENVELOPE GENERATOR. ADSR type (attack,decay,sustain,release) routed to VCF, and VCA. Auto trigger switch
PERFORMANCE CONTROLS: VCA keyboard gate mode, portamento (glide), white noise level, main output volume.
INTERFACE. Main output,headphones out, CV input, GATE input, VCF external control, external audio input.
POWER: IEC (kettle-plug) power input (external power switch/fuse holder) 220-240 volts.
37 note keyboard.
Aluminium data plate, with serial/model number
UK price £549
Turnaround time 4 weeks.
£200 deposit required (non returnable)"
BTW, if you heard the name Aurora in regards to synths but can't place it and know it's not this Aurora, it could be the Alesis Aurora you were thinking about.
Update via the comments:
" have had the AR1 for quite a while now and have used the synth on many recordings for solo projects under Brendan Pollard and Rogue Element.
She is extremely versatile, moog sounding but with careful manipulation even ARP. Fantastic for sound effects, leads, basses, etc.
Our studio is 90% analogue and she was definitely a worthy addition to our collection,
Cheers
Brendan www.rogue-element.uk.com"
Sequential Circuits Programmer 700 and Much More

I forgot about this unit. The 700 was basically a CV controler with patch storage, essentially allowing you to store patched for whatever you were controlling it with.
Details from the auction (Google translated from German): "Sales mean in the best way received and fully functioning Sequential Circuits Programmer Model 700. So far I was white the first storable Programmer as condition alone equipment. One can store the following control voltages: Volume days 1/2/3 (with insertable external tension) Envelope 1/2 along in each case Amount, Delay and ADSR (with second one can also still connect external tension). Everything with the pertinent outputs/input in 6,3mm Kline and mini handle. Further inputs for program programmweiterschaltung, gate, SWITCH trigger (Moog) and normal Trgger. Still additionally two sockets on the back were inserted, were times firmly attached at an upper home 2-Voice. In the best way suitably for modular systems. 8 banks with in each case 8 program memories are available."
Update: Synth shots saved here.
Music for on apartment and six drummers

This one via Vale on SynthSights.
Update via the comments:
Nice little movie. Been aired one SVT (Swedish Television) and seen at a few filmfestivals.
It's made by Kostr-film, an independent production company from Swedish.
Their website: http://www.kostrfilm.com"
The Genie Synths - New Flickr Shot

East Meets West

As I was playing on this particular track, I didn't take any shots during it. This particular one is George playing the SQ-1 and a Mirage on another jam session. The shot captures the atmosphere we were playing in. George has a great studio. In case you missed my first post, you can find more shots here.
Gratuitous Tube Synth P*rn - New Flickr Set

Also check out this set.
She's watching...

Profile of a Korg MS20 on PunkDisco. Kinda creeped me out. : )
Via dancemachine along with the following:
"here's a track with a lot of ms20 (rev1) drum processing (listen
especially for the s/h, where i pacthed the trigger out of the ESP to
the input of the S/h, so the filter cuttoff changes with each new note)
anyway, i think that dude puts that doll in all his pics to avoid being
ripped-off. but i bet he'll let you post it...."
Me too. Title link takes you to PunkDisco. And... She's watching...
Advanced Programming Techniques for Modular Synthesizers

Title link takes you there.
If you're interested in exploring the world of modular synthesis for fee, here you go. For a free G2 demo editor that will give you more than enough to get started go here.
[probate to das kapital] - New Flickr Shot

Thing-a-ma-goop - New Flickr Shot
PREVIOUS PAGE
NEXT PAGE
HOME
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH













© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH