MATRIXSYNTH


Tuesday, September 05, 2006

New Modcan Modules

Via Paul Sop, aka Doktor Future:

"Bruce Duncan of Modcan has released some new modules. There's the CV Recorder, of which you posted a prototype panel before. There's also the surprise module: the VDCO, a voltage controlled digital controlled oscillator! It's is a curious mix of digital wavetables ala the Miniwave, but also single operator FM. It's very 'Buchla' like (don't hit me). He's also now released them in the original Modcan format, the 'A'Series. These links have pics and MP3's:

CV Recorder:
the A Version
the B Version

VDCO:
the A Version
the B Version

The CV Recorder costs 550 in A and B, and the VDCO costs 400 and 410 (A and B respectively)."

AudioMulch

Via Brian Comnes:

"Audio Mulch is bar none my favorite sound toy for traveling on business.....it is totally self contained, so it is even smaller than dragging a Mono Evolver in the brief case , plus you can do it on the plane ride, while any hardware companions have to wait til the hotel room. Audio Mulch is much like a "soft modular" in that you put objects on a work surface, you patch them with connectors and away you go, it has a Cycling74/Max kind of feel but is much higher up the food chain. What is really fun is that VST plugins are supported so I push FruityLoops and Microtonic on the work surface and then the real fun starts. I haven't tried it yet but you can route external audio too. If there is an negative side is that there is no MIDI out to control outboard devices, but then that is what Ableton Live is for. If you travel and like the concept of modulars as opposed to just tweeking soft synth, this is the best $80 you can spend

Peace Brian

===============
here is a description of the screen shot and 32 bar sound file Chemutengure - Mbira Melody by Brendon Bussy.

This patch is based on a transcription of an Mbira (Zimbabwean thumb piano) melody composed in the 1800's. (transcription from "Making Music"; Claire Jones; Academic Books, Zimbabwe; 1992).

The original piece apparently imitates the sound of wagon wheels (!) and is based on a typical African 12 beat cycle. I created this patch to see how a complex African melody would be translated by Audiomulch.

This particular version is in fact designed to be played on a Karimba (a smaller version of the Mbira), so I used the frequencies of the approximate piano note equivalents of the Karimba keys, slightly detuned where necessary. I first worked out all of the frequencies and then assigned them to specific 'fingers'.

The melody:
*Melody structure
- I created the melody played by each finger by automating the frequency presets of 4 TestGens.
-To create the 12 beat structure, I divided each bar into 12 by snapping to 1/8th triplets.

*Melody sound
- As a side effect of the rapid volume & frequency modulation of the TestGen, a 'knocking' sound is generated. This contributes to the rhythmic (unbalanced wheel!) feel.
- A side chain consisting of Shapers and EQ fattens up the straight TestGen sound.

Percussion:
*Percussion sounds
- I used DLGranulator to quantise and filter single tones genererated by Arpeggiators.
[I got this idea from someone on the AM forum - sorry can't remember who :( ]

*Percussion rhythm:
- I created a typical African 3 over 2 beat feel by quantising separate beats with 1/4 note (2 beats) and 1/4 note triplet (3 beats) divisions."

Plan B Model 12 Mark II

Via Peter Grenader

"I've devised a simple four step modification to the Plan B Model 12 that adds a switch-selectable overdrive which in effect puts the M12's jewels in a vice - adding a ton of filth, angst, resonance and vinegar to an otherwise pensive filter.

In short, I think you'll love it. So much so that all stock currently at our dealers will be updated in the next couple of days. It will be called the Model 12 Mark II.

It's a very simple modification which requires a single resistor to be bridged across the first vactrol. I strongly recommend this be done via a panel switch because it will keep the filter permanently angry otherwise. Any 'pretty' sounds previously associated with the Model 12 will be gone for good without that..

The resistor value I recommend is a 330 ohm (bands are orange - orange - brown). This gets it nice and pissed off. For the cavalier among you, you may wish to be more aggressive with your selection. A 100 ohm resistor will through it into self oscillation when the res pot is fully CCW. Warning - It'll be shrill and LOUD. Before you opt for the 100 vs. the 330 possibly you'd like to test them both first to see which you like best. I felt a 330 ohm was sufficient.

A step by step (there's only three) list of directions with photos can be found on the Plan_B_analog_blog yahoogroup here

Go to the photos section and open the 'Model 12 Modification' folder. Everything you need is there. It's quite easy. It requires a single DPDT switch, a single 1/4 watt resistor, about three inches of wire and (optional) heatshrink tubing to cover the resistor body and switch terminations.

enjoy.

- P"

Yamaha SK30 Sample

Title link takes you to the post on sequencer.de.

Strellis Synth Videos

Title link takes you to Strellis.com, home to a number of synth videos. Before you get your hopes up, note these are for sale only. You'll find screen shots and more info on site. While there, make sure to check out everything else on the site inlcuding music, projects and more.

E-PRO Spirit Font

Warning, this post is about as geeky as it gets.
Background:
Pictured is the E-PRO Spirit. This image was pulled by nick kent who mentioned the following from Peter Forrest's, A-Z of Analogue Synthesis (BTW, these books are must haves for synth enthusiasts. If you want a copy, drop Peter a line): "From picture linked below and the Peter Forrest book text it looks like there is a HP and LP filter in the E-Pro Spirit, though it also looks like they ran out of room to mark the HPF clearly. The abbreviation up top isn't clear or is just too clever. VCI-PF (?)"

Geeky:
Take a look at what looks like the VCI-PF he mentions. Apparently that is actually VCHPF, as in highpass filter. The font they used is called STOP, and the H and P share edges. Just thought that was interesting. Told you this post would be about as geeky as it gets. The font tip came from Chris Strellis on AH.

No title link.

Modified Minimoog


via this auction. Details on mods:

"It is a modified one, but very professionally modded by a Company I don’t know anything about, in “ancient times”... The mods look almost factory-made, considering the quality of wood cutting and added printed metal written panels. You’ll find the logo of the company in the picture of the modulation panel. If you can provide any historical info about this matter, you're welcome! This Mini has A LOT OF ADDITIONAL FEATURES, compared to a standard one, adding more versatility and interfaceability to the analogue realm! It can be used as a good controller for other Moog, ARP, Oberheim, Roland CV/Gate controlled analogue / modular synthesizers."

Sequentix Phases out the P3

"5th September, 2006

It's been just over a year since the P3 Sequencer was launched as a production unit.
We have sold well over 100 units in that time, and the response from users has been excellent. However, due to a number of factors, we have decided to cease production of P3 after the current run is sold out. The main reason for this is that a thorough review of the numbers shows P3 is simply too expensive to produce. All units built so far have been assembled in-house. The amount of effort this requires has meant we have been unable concentrate on developing future products. Fully out-sourcing production of P3 in its current form would mean a significant increase in the final price - it just wasn't designed to be cheap to manufacture, with a large number of separate circuit boards, internal wiring, and a complex case design.

Ceasing production will give us the opportunity to take the lessons learned from P3 and develop a replacement product that can be made and sold at a viable price. In the meantime, we expect the remaining stocks of P3 to move quickly. They will be available until stocks are exhausted, direct from Sequentix, from our US dealer Analogue Haven, and our German dealer Schneiders Buero."

Korg Radias Synthesizer/Vocoder - New Flickr Shot

flickr by Blackett The First.

UP - New Flickr Shot

flickr by devowski.

Title link takes you to more.

Roland PV synth SPV-355



Three shots pulled from this auction. More on the SPV-355 on SOS:

"The SPV355 Pitch-to-Voltage Synthesizer was launched in those very days -- 1979, to be exact -- as part of the Roland Rack series of 19-inch studio–quality effects units, amplifiers and specialist preamps. The most famous of these are probably the Roland Vocoder and the Dimension D spatial chorus. The P/V Synth is a bit of a curiosity, because it seems to have been released on the one hand as a rackmounting analogue expander module (indeed, it's said to be one of the first rackmounting synths), but on the other as a budget alternative to the Roland GR–series guitar synthesizers. These synths were quite expensive, specialised instruments; the GR system consisted of a high-quality, specially adapted guitar connected via a 24-way cable to a floor unit containing a rudimentary, six-note polyphonic synth engine. The SPV355 alternative scored points as it didn't need any special interface hardware (pickups and so on) and you could, in theory, use any old guitar to play the synth. The 1979 Roland catalogue states: "The SPV355 P/V Synthesizer is specially designed for use with guitars", which is ironic, as this is probably the P/V Synth's least effective and most problematic mode -- more on this later.

Fortunately, the SPV335's uses were not confined to guitar synthesis, and for its time (and compact size), it was quite well specified: two VCOs, a sub-oscillator, VCF, VCA, envelope generator, two audio mixers, and a multitude of interface sockets. As with other Roland Rack units, the 355 is housed in a 2U steel case and weighs nearly 6kg, which makes it a pretty hefty beast to lug around. And as for build quality, well... the word 'tank' springs to mind, as does the phrase 'heavy duty'. They don't make 'em like that any more..."

via Simon

Kaoss Pad Guitar

Nice. Title link takes you to the post on Music Thing.

Monday, September 04, 2006

Klaus Schulze in concert in Paris in 1978


No title link. More exclusive shots sent in via Frederic. This set of Klaus Schulze in 1978. Frederic isn't sure where this performance was exactly. Note the shag carpet he's sitting on. Thanks Frederic!
Update via Mikael in the comments:

"This is most likely from the European tour in september or october 1978.
synth spotting:
- Moog modular IIIP w/optional double sequencer box unit.
- PPG modular + sequencers
-Arp Odyssey mk II (black face)
- Arp 2600 (orange & black)
- EMS-synthi
- Minimoog (x2)
- Polymoog
- Korg PS-3300

Mikael"

Human League Biography

Saw this one on sequencer.de. Title link takes you to an interesting biography of the Human League. I didn't realize Adi Newton was part of the original lineup and left to for Clock DVA (note in the bio they refer to Clock DVA as Clock DNA. I'm guessing this is just a typo).

"Martyn Ware and Ian Craig Marsh were two computer operators in Sheffield who both shared an intense passion for German electronic pioneers Kraftwerk. Armed with a few months' savings, Ware was able to buy a modest monophonic synth (a Korg 770S) that had just become available on the commercial market at an affordable price. Despite having never played a single note, Marsh and Craig set themselves the task of understanding the art of sound synthesis and it wasn't long before their combined enthusiasm began to exceed the limits of the cheap synth."

"The very first Human League demo contained Being Boiled, Circus of Death & Toyota City all recorded in mono and it soon caught the attention of Bob Last who ran a small record label in Scotland called Fast Records.

Being Boiled was released in June 1978 after the League and Bob Last had agreed a deal over the phone. Although the single had a limited amount of copies pressed, the song succeeded in attracting the admiration of NME whilst guest reviewer Johnny Rotten described the group as 'trendy hippies'! Being Boiled was completely at odds with the prevailing punk movement of the time. The track was a stark slab of electro that would influence many artists in years to come, memorable also for its lyrics that linked the slaughter of silk worms with Buddhism."

"Disappointed by the lack of sales, Virgin reacted swiftly by cancelling the League's proposed UK tour in November asking the band to support the Talking Heads instead. Reluctantly, the group agreed releasing a press statement that revealed their plans for the upcoming performance. With tongue firmly in cheek, the League suggested that they wouldn't actually be on stage for the performances and that their place would be taken by backing tapes and a slide show hinting that they would occasionally view the show as members of the audience. David Byrne and co failed to see the funny side and the League were dropped from the support slot."

Update via the comments:
"Here's a really good site dedicated to the pre-Dare Human League"

Xpander

No title link. Shot of the Oberheim Xpander sent my way via one of the anonymous.

MC-4, Voyager, TB-303

No title link. Shot of a Roland MC-4, Moog Voyager Anniversary Edition, and a couple of TB-303s sent my way via one of the anonymous.

70' trilogy : Hammond, Melotron and Mini moog - New Flickr Shot

flickr by cortez77_fr.

Title link takes you to more shots of what looks like a prog rock concert featuring mika jarvinen. Note the keyboard player in the first shot is part of the band in the second shot. It's cool to see the knod to Moog at a show like this.

Parallel Worlds Studio

Nice. Title link takes you there.
Scroll when you get there for more.

via synthesizer-magazin.de

Rheem Key Bas - New Flickr Shot

flickr by night000vision000.

LE CYBERSONGOSSE


I recently saw this on sequencer.de. I wasn't sure if I put up a post on this before, however I was pretty sure I saw it on Music Thing and/or CDM. Sure enough I did. I sent an email to Tom and Peter and Peter was kind enough to reply with links to the posts. Here are the links to the posts on Music Thing and CDM.

Peter Kirn also sent the following:

"Check out these links for some amazing photos:
modeles
pedagogie.html

What I can't find -- and you'd probably need someone who has connections to IMEB for this -- is what happened to the public software release that was supposed to happen. There's nothing on the site, and the documentation of the project appears to be abandonware. (Hopefully that's just the site itself.) That'd be nice, as they redeveloped the software in Max/MSP."

If you know anything, please comment.

Update via Peter Grenader in the comments:

"If I'm not mistaken, this is a big midi controller designed to control patch parameters within software synthesis progrmas such as Csound and MaxP. This is what was explained to be a year or so.

Also, I believe Max was developed by Cycling 74, not the IMEB. Barry Vercoe I know developed Csound with IRCAM."

Update via the comments: "Actually, Max was developed by Opcode, who later added MSP. Then Cycling '74 bought it in 1999, and have been developing it ever since. What the post was actually saying is that the IMEB developed their own program using Max/MSP, not Max/MSP itself."

Update via Peter Kirn in the comments:

"Some historical corrections:

Csound was developed by Barry Vercoe while he was at MIT, not IRCAM. Csound is in turn indebted to Max Mathews' Music4 (and variants), as developed at Bell Labs from the late 50s through the 60s. Csound has grown a lot since its original version, however, through contributions by Dr. Vercoe and many others.

Max was not originally developed by Opcode; Max and the audio environment Max/FTS were the creation of Miller Puckette while he was at IRCAM (and I think IRCAM still holds some of the copyrights to that version of Max and its descendents). Max/MSP as we now know it did result from the Opcode variant of Max, that's true, though it has had an ongoing, bi-directional relationship with Max/FTS and later Pure Data, as developed by Miller Puckette, and has evolved through contributions of many people. Max Mathews is the namesake for the software Max, but supposedly specifically for an archaic reason having to do with scheduling (as well as, I'm sure, his admiration for Max Mathews' contributions to digital synthesis).

Back to the original question, I think people are right in that this is a hardware controller for a Max/MSP-based software patch. The modularity, having previously been in hardware, is now apparently in the software. The patch is promised to have been publicly released in the PDF docs for the instrument. So it's out there somewhere -- I just don't know where!"

Update: also see The Gmebaphone Concept and the Cybernéphone Instrument

Synton Syrinx

Just four shots pulled from this auction.

No title link.

Update: Turns out this is the same Syrinx in this post. Via alex in the comments. Nice catch.


Keyboard TV

Title link takes you to Keyboard TV by Keyboard Magazine. There are a few videos of Summer NAMM and more. The Ableton video is pretty cool. Looking forward to Live 6 and Sampler.

via SHEPITOLOGY

Babypop - New Flickr Shot

flickr by P Villerius.

Sunday, September 03, 2006

Late studio session with moog - New Flickr Shot

flickr by mano_paysages.

Lassence uVentury II


Anyone know what happened to the Lassence uVentury II? I remember when it was first announced. Frederic sent me a link to the Lassence uVentruy II page on Gearjunkies. I did a quick search and found this detailed article on Sound on Sound, dated May '03. Both the SOS article and Gearjunkies page links to www.bluebay.be which now appears to be a data warehousing and business intelligence company.

If anyone out there has one or knows more please feel free to comment. I'm curious to how they sounded. It's a gorgeous looking synth.

Update via the comments (make sure to check out the other comments as well):

"OK,The lassence ventury II was made in 14 exemplaries + the prototype,all including the proto was sold.
It was totaly handcrafted,pots are alsp plastic conductive,but are of bad mechanicaly quality,the VCO's are stablebut only Volt/octave for a range of maximum 3.5 octaves (if you calibrate them)(none on the sold units where properly calibrated) Components and manufacture of prints and case was high-Q. Indeed the VU serve for nothing,and the Wave-X is poor,also the ADSR has a faulty thing,but can be updated just by adding one single resistor. The filter is SEM influenced.

Story: The unit was originaly designed that wy because the guy that have invest in the proto wants a tube-tech look. The project was abandoned. Untill X found a new interested distributor.

It went ok ,and units get starting manufacturing,but the death-end of shipping was to soon ,and the product wasn't througfully tested,thats why problems with pots,adsr,wave-x and,not calibrated!

On top of that meanwhile some units where 'fixed' the distributor absolutely want to send a unit for review to s.0.s,...this was the death before the unit was born!

Retail price was way to high because the machine was totaly hand assambled + the bad s.o.s review..... the last 4 units where sold for only 600$ (i buyed 2 of them,been close friend to the guy who's buit them,i fixed them very quick)(any unit can be turn into a very nice reliable machine just by changing all pots,fix the adsr,and tune the vco's 1v/oct.)

In fact the modules where available since years already,the guy was an ex-ACME member in 80ties and then at that period they where distributor for the digisound brand . We have sale a lot of modules in early 90ties untill our huge curtis stock was empty At huge demand the complete set was completely re-designed using discrete components.
Most of our systems where sold to the country's techno underground scene that use them in there live acts,all always made completely custom on special orders. It had created a very closed entourage almost a myth as manny people want them but not could reach the builder any way,as everything was keept secret by the scene. Untill it was time ('i' think it was time,that these deserve more respect). So i/we decided to re-launche them 'properly' and start to manufacture them like beatufull modules of other brands.

The basic set is complete.

DUAL VCO/LFO
DUAL ADSR
MULTIMODE 12db VCF
24db VCF
DUAL VCA
DUAL Ring Modulator
8-step sequential voltage source
quad VCO/LFO
Wave multiplier (this kills now! it sound identical to the serge middle section,thougt ofcourse
electronic design is different.

Still available
CEM 3340 VCO (if u supplie the cem)

Buzzy Project
Sequencer
High-end vco (v/oct. at wide span)

All modules are at same pitch off MOTM.etc so you can easy fit them together.

These modules 'sounds' or better what you can do with it,is very different
compared to other vintage or commercial products.
They where basicaly intended to create 'alien-like' new sound sculptions,and not to
use them to play do,re,mi,fa,so...Ofcource you can.
the in and outputs are very high,you can do extreme feedbacks and modulations between modules.
I have try lot of modulars,we have client that have an MOTM,MOOG,and our new modules...

If i know how i can post a pic here,i can present soon exclusive for matrixsynth
the the proto...and finaly eventualy sond files

see u l8r alig8r"

In a while crocodile. Thank you!

Earth Songs


Along the lines of the Sounds of Stars and the Rings of Saturn, here are the sounds of Earth.

Via Earth Sounds:
"January 19, 2001 -- If humans had radio antennas instead of ears, we would hear a remarkable symphony of strange noises coming from our own planet. Scientists call them "tweeks," "whistlers" and "sferics." They sound like background music from a flamboyant science fiction film, but this is not science fiction. Earth's natural radio emissions are real and, although we're mostly unaware of them, they are around us all the time."

Title link takes you to the NASA online VLF receiver. You can stream the sounds in real time or check out the samples of tweeks, whilstlers and sferics on the page.

This one via Jon. Also check out Monolake and surround sound thunderstorms.

Modular Noodle by JackAstro

Title link takes you to the thread on VSE. You'll find a 6.29M sample there. Backed up here for when the thread goes to limbo.

legs, guitar, arp - New Flickr Shot

flickr by windupgodzilla

ARP Axxe

Saturday, September 02, 2006

Note on Ebay Auction Links

All Ebay auctions on this site are affiliate links. What are affiliate links? In short paid links. The way it works is Ebay charges you to put an item up for auction. That's how they make money. They keep 100% of that charge if the buyer comes to the auction directly. If a buyer comes to an auction through an affiliate link like the ones on this site, then they give a percentage of that 100% to the owner of the affiliate link. That would be me. I figure if I'm going to put a link up to an auction, why let Ebay keep 100%. They are a big company and they can afford to help support this site. I do all of this on my own free time and I believe sites like this should be free and supported by ads that are useful and relevant. Never buy anything you do not want to. Also, note that the affiliate fee comes out of that 100%, it is not an additional charge, so it does not cost the buyer or seller of the auction more. Why is Ebay willing to do this? Because they figure it will drive more traffic to them. In my case it would probably be the same as I do not put up posts for the sake of the affiliate links. If I did you would see a whole lot more going up. I was actually a bit uncomfortable with the amount I put up so I created MATRIXSYNTH-B to cut the noise down. I only put the most interesting items up here - either the best shots, the rarest and most unique items, or interesting bits of synth history found in the details of auctions - I only put up posts if they merit a post regardless of the source, whether that be Ebay, Flickr, or other. Why am I putting up this note here? Because I do not want to put it up with every single auction post that goes up. I don't think most would appreciate having to read this in every single post. Why not just say it's an affiliate link in the post and be done with it? Because affiliate links mean different things to different people and I want to explain exactly what it is on this site. Note that there is still a bar for MATRIXSYNTH-B. I frequently post auctions people send me on both MATRIXSYNTH and MATRIXSYNTH-B, and I respect anonymity, although on MATRIXSYNTH I will only put auction posts that meet the bar above. If I posted everything on Ebay, you would see everything here go up. Note saving and posting all of this stuff does take a lot of my time, and it doesn't cost you (buyer or seller) anything. I spend 3-6 hours every single day, Monday through Sunday, on the blog. What I do get from Ebay helps with the sanity.

Kraftwerk 6th july 1981 in Paris at the Studio Gabriel (a.k.a Captain Video)

More exclusive shots of Kraftwerk sent in via Frederic.

Note these have never been seen before. In case you missed the last set, here they are.

Little Phatty Samples

Title link takes you to a thread on the Moog Forums with some samples of the Little Phatty. They are also on the Little Phatty user's group, Phatsound, where you'll find more samples.

via the comments of this post.

The German Machine - New Flickr Shot

flickr by Zebra Pares.

my toy - New Flickr Shot

flickr by Picinìn.

Ultravox Synths Take 2

Title link takes you to a previous post I put up on Ultravox Synths. Micke just posted the following on this VSE thread.

Did you know:

1) that the fat bass line on Ultravox' song "Slow Motion" (off of Systems of romance, 1978) was actually played by Chris Cross on his EMS-Synthi?

2) that the EMS synthi, Arp Odyssey (and Elka Rhapsody) were the only synths used for U-Vox' 2nd album "Ha, Ha, Ha" (1977)?

3) that the Elka Rhapsody 610 was used for the string sounds on U-vox' first three albums?

4) that Brian Eno programmed the Minimoog (his own synth) on the early U-vox songs "My way" and "Slip Away"?

5) that the kick drum, snare and hi-hat on U'vox' cues "Dislocation" were done on Billy Currie's Arp Odyssey with lots of fx added?

6) that the Minimoog is responsible for the bassline on "Quite Man"

7) that the Oberheim OB-X was used mainly for solos on U-vox album "Rage in Eden"?

8) that Billy Currie bought a Yamaha CS-80 in late 1979 and used it on songs like "Mr.X" (Vienna), "Western promise" (Vienna") "I Remember" (Rage In Eden), "Hymn" (Quartet)?

9) that U-vox' main string-machine between 1980-1984 was the Yamaha SS-30?

10) that the Yamaha GS-1 FM synthesizer was used for the solo in "Mine for life"?

11) that the EMS-Synthi was U-vox's very first synth back in early '77 or thereabouts?
-----------

Also see Midge Ure on the Minimoog used for the bassline in Viena.

joerg-erren.de

Title link takes you to joerg-erren.de. Jorg posted a link to his site in this Curetronic post. I of course checked it out. He's got quite a bit of info up there including specific pages on Anywaree Instruments, Alesis, Diverse, Korg, MFB, Oberheim, Roland and Yamaha. You'll find some really nice gear shots and samples for each piece of gear. Very nice.

Lampe Valve Force #2 (KORG Triton Extreme) - New Flickr Shot

flickr by mcdux.

Acid är bästa sömnhjälpen? - New Flickr Shot

flickr by maskinbatterist.

badl0ader



Remember the chameleon? Turns out it's badl0ader's. He sent me a link to his MySpace site where I found this video. It takes a lot of balls to fill up a cup like that. This one dedicated to Chris Randall of Analog Industries. Something tells me he will appreciate this one. ; )

BTW, do check out badl0ader's MySpace page. Cup aside, it's good synth pop.

Emperor Penguin @ Empty Bottle - New Flickr Shot

flick by spablab.

Yep. So, what is that?

Update via the comments: "I am in that band... I'm the guy in the blue shirt in the background. our albums were done by me and the guitarist, Lazlo. When we played live we got extra help from some friends. Lots of synths on our records and onstage - Korg Polysix, Korg DW8000, Univox MiniKorg, Yahama SK20, Korg Delta, Moog Prodigy, etc. No samples used in the live show -- everything was played. The guy in the diaper was known as The ManBaby. He was an amazing beatboxer who for some reason liked to perform in a diaper. He was always a big hit with the audience. Wow, that was a fun band to play in.
- Mel Stanke, Emperor Penguin"

AX60 & S612 Sample

Title link takes you there. Track title is the one with via nematode. via Jon:

"i just got an s612 in the mail yesterday (bought it off kevin, you posted one of his gear sales, so thanks) the 13 pin connectors came in at the same time. so i painstakingly soldered 26 tiny little leads, then i looked in the s612 manual and realized i only had to solder 14 tiny little leads. plugged my new cable in, ran a midi cable from the ax to the s612. messed around with midi channels and worked the static out of the ax's a/b mix slider, knocked over a full stack of 100 blank dvdrs in the process and within about an hour or so was up and running. there's an 8 minute (in two parts) 3 track overdub of just the ax-60 and the s612 arpegiating while i twist and tweak (the sample start/end time faders are awesome) up on my myspace page it's called nematode something-or-other. i was up 'till about 4.30 last night getting that posted, so now i'm going to get some donuts and, if the neighbor kids quiet down, take a nice long nap."

Update via a follow up email from Jon: "this too, i don't know if it's been pointed out yet, but as only audio is being sent to the ax60, there are no control signals envolved, the ax should be able to run -any- audio input through it's filter. all it should take is wiring the leads from an audio connector (your choice) to the ground and signal pin (again, your choice) of the input on the synth."

Friday, September 01, 2006

Little Phatty Booting

Title link takes you to a 3.4M video of the Little Phatty Boot sequence hosted on trippler.net.

via Georg.

Technomania Episode 3



The Sonic State guys are back with Mike Dupp in Technomania Episode 3.

Korg MS50 and EDP Wasp - New Flickr Shot

flickr by hellohello.

Natural Rhythm

Title link takes you to Natural Rhythm where you will find images, samples and general musics on making music with synths.

Pictured: Roland Juno-106 Bender Mod

via sequencer.de

Rhodes Chroma Paramater Chart

Title link takes you to the full sized charts and more info at the Rhodes Chroma site.

Jones Modular Video Synthesizers

Title link takes you there. Not much up as of this post, but do check it out.

Curetronic

Remember the Curetronic? Frederic sent me this shot along with a link to the Curetronic site. It's been a while since I checked them out. Title link takes you there.

BTW, I almost thought the shots were rendered until I checked out the photo gallery. Wow.

Update via Jörg in the comments:
"Another site in German... my own! ;-)
With some information on Curetronic: link"

Effector 13

Remember the synth mangler? Looks like it got a perty new face. Brian Comnes sent me a link to the Synth Mangler product page on Analogue Haven, where I pulled this shot. Title link takes you to Effector 13 where you will find the mangler and more. There are images, videos and more info after the hop. Here's a link to a mangler video.
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