MATRIXSYNTH

Thursday, July 23, 2009

Mr. Magoop

flickr by gattobus
(clidk for more)

http://bleeplabs.com

Lets make some Beats.

flickr by Carbon Prototype: A. I'm guessing that's a Yamaha PSR

pendulum fasten your seatbelts

"More DnB: http://www.youtube.com/watch?v=1Qw_1s... http://www.flickr.com/photos/tomwk"

Mc-303 Samples

Mc-303 by mc-303-sounds

via http://twitter.com/Dan303

via this auction
SYNTHESIS TYPE
- Filtering
- FM
- AM
- Additive
- Other synthesis available soon thru new modules
POLYPHONY Up to 32 notes (Micro Modular: up to 4), depending from the complexity of the patch
MULTITIMBRAL MODE Up to 4 parts (Micro Modular: 1 part)
PATCH PROGRAMMING Supported by the Nord Modular Editor software for:
- PC-Win (Pentium/133MHz and Windows 95/98 required)

- MacOS platform (PowerPC/120MHz and MacOS 8.6 with OMS are required)
- Parameters inside a patch can be reprogrammed directly from the Modular
AUDIO OUTPUTS - 4 mono out + headphones (Micro Modular: 2 outputs + headphones)
- 18-bit D/A converters
AUDIO INPUTS 2 inputs for external sound processing
CONTROL INPUTS 1 Pedal control + 1 Sustain / Pedal switcher on/off (Modular only)
MIDI INTERFACE - Editor software dedicated MIDI IN/OUT
- Ext. Kbd/Sequencer MIDI IN/OUT (THRU)

REALTIME CONTROLS Volume + 18 assignable knobs (Micro Modular: Volume + 3 assignable knobs)
DISPLAY Backlit, 16 character x 2 lines (Micro Modular: 2-digit LED display)
MEMORY Up to 9 Banks (x 99 user memories) depending from the patches size

MODULES

Note: this list is based on the release 1.0 of the Nord Modular software. Additional modules were added with the last released upgrade versions.
- Master and Slave oscillators (VCO)
- Percussion Oscillator
- Noise generators (NG)

- Resonator Filters (VCF) with variable slope
- Controlled amplifiers (VCA)
- Mixers, Audio switchers, etc.
- Envelope Generators (EG)
- Low Frequency Oscillators (LFO)
- Clock Generators and Clock Divider
- Random Step Generator, Random Pulse Generator
- Portamento and Glide
- Note scaler and Note quantizer, Key quantizer
- Gate Delay, Gate Inverter
- Sample & Hold, Audio Delay, Clip, Overdrive, Quantizer, Inverter
- Diode processing, Unison, Level shifter, Shaper
- Envelope Follower
- Sequencers (Control Seq., Event Seq., Note Seq., ecc.)
- Morphing controls
PATCH CONNECTIONS Through virtual cables inside the Modular Editor 3D graphic environment
UPDATING The operating system can be easily updated thanks to the internal flash-RAM

Sequential Circuits Prophet T8 Synthesizer

via this auction

Kurzweil 250 Vintage Synthesizer

via this auction

note the weighted wood keyboard

Classitronic – Electronic Classical Music

via pualshillito on the forum

"Hot on the heals of the Classitronic sound cloud group (which is doing quite well :) I have setup a new blog for fans and makers of electronic classical music and yes it is at www.classitronic.net where you can find out more about artists producing new and exciting interpretations as well as the past masters like Isao Tomita and Wendy Carlos.

Hope to see you there

Paul Shillito"

DopplerPad Tutorial: Playing Tunes

YouTube via retronyms
"This video shows how to play a tune on DopplerPad, including how to use the octave control, Scale editor, and more. More tutorials, and in-depth User Guide can be found at www.DopplerPad.com

DopplerPad is an Expressive Touch Instrument for iPhone and iPod Touch. Available now at the App Store."

DopplerPad Tutorial: Making Loops

"This video shows the basic ingredients for making great sounding loops with DopplerPad! More tutorials, and in-depth User Guide can be found at www.DopplerPad.com"

Available on iTunes here:

Yamaha FS1r Demonstration

Yamaha FS1r Demonstration from Phil Anderson on Vimeo.

"Here's a video of the Yamaha FS1r playing a demonstration in Logic Pro, with examples of the music editor.

This is one of the coolest synthesizers ever made, and it's a shame it seems to be not on the radar.

The FS1r was basically the ultimate FM synthesizer from Yamaha, makers of the original DX7, but it will do much more than that, much, much more. It has an incredible array of algorithms, 8 operators, a very impressive filter, and formant sequencing. Plus it works in performances, with the ability to stack four of these together to create some awesome sounds. The internal DP effects are also very nice and smooth."

Crowphonics modular box

"Each Crowphonics modular box will be a self contained functioning modular piece with the ability to interface with other Crowphonics boxes. More boxes to be developed in future."

You'll find more info including samples at Crowphonics.

via crowphonics on the forum.
"I am making these to order for £97.50. Its a kind of rough (in a good way), affordable, modular, extreme sound device. I will be making more boxes to interface with it and build a powerful system from. The box has been tested succesfully with some full on modular gear, with pleasing results, but that side is early days and I have no modular synths myself. The patches are made by crocodile clips to bolts (scary but safe as long as you don't send dangerously high voltages from external gear into it!!!). Pics and sound clips on the website."

The Real Moog Cookbook

flickr by pheezy

"Skyline Books, nYc"

http://www.myspace.com/moogcookbook

A Little EMS Early History

via Electronic Battle on the AH list:
"The association of EMS with Putney is well known - EMS were originally based at 277 Putney Bridge Road London SW15 2PT.

However, a label on the "KS" portion of one synthi AKS says "made in England by EMS(London)Ltd.,49 Deodar Road London SW15".
Google maps shows that Deodar Rd runs off, and then adjacent to Putney Bridge Road and it is a residential area.

Was it the case that the address actually on Putney Bridge Road was the sales office or showroom, and that a "cottage industry" of assemblers and testers grew up around the area? Maybe Deodar Rd was the home of one of the workers, does anybody know?"

It turns out this is where Peter Zinovieff the founder of EMS lived. You can verify this at the Delia Derbyshire website where you'll find a fascinating account of her studio, Unit Delta Plus.

Update: you can find another interesting bit of EMS history on David Cockerell at the valhalla blog. The following is a brief excerpt. Be sure to see the site for more.

"David Cockerell designed the EMS products* from 1969 to 1972, including the VCS3, the VCS4, the Synthi-100 (famous as the BBC Radiophonic Workshop’s “Delaware”), the Synthi/AKS, and the Hi-Fli pedal. Cockerell then went on to design some of the classic Electro-Harmonix pedals of the 1970’s: Small Stone, 16-Second Digital Delay, the Microsynth, and so on. In the 1980’s, Cockerell designed the Akai samplers, including the S900. Today, David Cockerell is back at Electro-Harmonix, cranking out pedals such as the HOG/POG/MicroPog, the Stereo Memory Man with Hazari, the 2880 loop sampler, and the Voice Box."

dronematrix + gila monster

YouTube via danielfiction
"two electro circuits dancing together.
dronematrix was built by eric archer, and is setting the tempo.
gila monster was designed in collaboration with bob bielecki. two 4046 oscillators running sequences and feeding back on each other. switched inhibit function and portamento. oscillators go ultrasonic. important nodes brought up for touch sensitive disruption.
lick yr fingers."

Tom Oberheim SEM Update

More info is up on the Tom Oberheim website.

For the archives:
"Welcome to my new website! The word is getting around that I'll be reissuing my very first analog synth-- the Synthesizer Expander Module (SEM). The SEM has the same single-voice analog circuit design as the original - 100% analog! - and is paired with a versatile MIDI to CV converter that allows the routing of MIDI messages to the various control voltage inputs. I've been showing the prototype around a little and musicians love the sound.

I'll be posting more information soon but while you're here, please sign up for my email list by simply sending an email to:

tom (at) tomoberheim (dot) com

and I'll let you know when the product ships. The pricing is as follows:

* SEM with MIDI input and MIDI to CV routing panel (as shown in above photo): $899

* SEM with patch panel connections to internal inputs and outputs (no MIDI input, same as above photo but left panel controls are replaced by CV/gate/audio I/O patch panel): $749

* Basic SEM module with front panel (no case or power supply, good for drop-in replacement of original SEM): $599

Thanks for stopping by!

- Tom Oberheim"

Update: patch points via the AH list:
"just in case you are interested, the following is a list of the internal inputs and outputs that I plan to bring out to jacks:

SYNTHESIZER EXPANDER MODULE ELECTRONICS BOARD CONNECTOR LIST

CONN. PIN FUNCTION Direction
A1 VCO 1 - External Modulation Input
A2 VC0 1 - Sawtooth Waveform Output
A3 VCO 1 - Pulse Waveform Output
B1 VCO 1 - Control Voltage #1 Input
B2 Ground
B3 VCO 1 - Control Voltage #2 Input
C1 VCO 1 - Sync Output Output
C2 Ground
C3 VCO 1 - Sync Input Input
D1 VCO 2 - Control Voltage #1 Input
D2 Ground
D3 VCO 2 - Control Voltage #2 Input
E1 VCO 2 - External Modulation Input
E2 VC0 2 - Sawtooth Waveform Output
E3 VCO 2 - Pulse Waveform Output
F1 VCO 2 - Sync Output Output
F2 VCA - Control Input Input
F3 VCO 2 - Sync Input Input
G1 LFO Trigger Input
G2 Ground
G3 LFO Waveform Output
H1 VCF - Control Voltage #1 Input
H2 VCF - Control Voltage #2 Input
H3 VCF - External Modulation Input
I1 VCA Output Output
I2 Ground
I3 Output Amplifier Input Input
J1 VCF - HiPass Signal Output
J2 Ground
J3 VCF - Bandpass Signal Output
K1 Selected VCF Response Output
K2 Ground
K3 VCF - LowPass Signal Output
L1 External Audio Input #1 Input
L2 Ground
L3 External Audio Input #1 Input
M1 External Audio Input #2 Input
M2 Ground
M3 External Audio Input #2 Input
X1 ENV 1 - Output Output
X2 ENV 1 - Gate Input
X3 ENV 1 - Trigger Input
Y1 ENV 2 - Output Output
Y2 ENV 2 - Gate Input
Y3 ENV 2 - Trigger Input
Z1 +18 Volts Input
Z2 Ground
Z3 Ground
Z4 -18 Volts Input

tom o."

Update via the AH list:
"I am talking to a possible German distributor. I will advise you later.

SEMs will not be available until September.

A really cool mini-sequencer is in the design stage but will not be available until the end of the year because I have to get some SEMs done!

tom o."

Update via fotomoog in the comments of this post:
"The SEM comes in three versions:
- version 1: SEM analog module with Midi to CV converter for modern Midi-based systems
- version 2: SEM analog module with patchpanel for systems which can supply an appropriate control voltage and gate or trigger signal
- version 3: SEM module alone, without case, power supply or interface module. The purpose of the version 3 SEM is really just to replace old SEMs in old Oberheims. I do not recommend trying to integrate just the SEM without the case and power supply into another situation. The main stumbling block would be that the SEM requires regulated +/- 18 volts.
www.audioMIDI.com is the exclusive dealer for the Tom Oberheim SEM. The links take you to their website where additional information is available. Also if you wish to pre-order an SEM, you can do that on the audioMIDI website.
Deliveries of the SEM begin sometime in September.
I will be updating my website (www.tomoberheim.com) on a regular basis. You might want to check it from time to time for additional information. I expect to have an FAQ and a short history of the SEM on the site soon.
I appreciate you interest!
Tom Oberheim

So, here is my calling arround the worl : who can DIY a power-in-out bay rack to plug 1 or 2 new SEM ?"

Update via James Husted on AH: "Two SEMs can be placed next to each other in a 19" rack but the chassis behind the panel will exceed the standard width restrictions for 19"racks (to clear the rails used my most everybody). You can shave off some of the extra panel width that over hang the PCB widths and it will work just fine though. Remaking the front panels on the older SEMs is not trivial - there are standoffs swaged into them and unless you have access to a press (and PEM standoffs) it will not be easy. I once looked into a super cheap layout with no rear chassis - relying on the rack for protection - that was just a big hole in a 6U panel and If I remember correctly it would have just fit.
If you want some metalwork designs that others have made racks from - go to my Oberheim Databank page and choose custom metalwork at the bottom:

http://web.me.com/ersatzplanet/ErsatzPlanet/Pages/ObiePages.html"

Isao Tomita Casio Jacket

flickr by Loscha
(click for more)

Also see the Casio Glory flickr set.
"The finest in Casio information is housed here."

The Tubes doing White Punks On Dope

YouTube via idflux. via brian c. Anyone ID the synths at 3:30 and 3:50?

Komplexer Update on Musonik site

via the Waldorf List

http://www.musonik.com/downloads/TerraTec_Producer/KOMPLEXER_VST/

Moog Minimoog + Roland JD-800 + TR-606

YouTube via retrosound72

"vintage synth demo by RetroSound

pads und brass sounds: Roland JD-800
bassline: Lintronics Minimoog with Midi, sequenced by the MFB Step64 step sequencer and transposed by the Yamaha DX7 II FD
drums: Roland TR-606
FX: reverb and delay"

Rebuilding a Super Psycho LFO

See the full post on Sequence 15

"A couple of years ago I bought a partially completed Catgirl Synth Super Psycho LFO from someone. The circuit board itself was complete, but none of the panel connections had been made. The person who built it had bought a panel for it from Cynthia, and all of the panel components, still in the bags, came with it.

I set about completing the build, and ran into a problem..."

Wednesday, July 22, 2009

Yamaha TG77 FM Synthesizer

YouTube via Gtechture
"These all of the sounds played were created by Gtechture"

Yamaha DX-21 Frequency Modulation Synthesizer

Update via Gwenhwyfaer in the comments:
"The TG77 isn't just an FM synth, though. It has an FM engine in there - 6-operator, where each operator can be more or less freely routed (more than one feedback loop!) and take one of 16 waveforms - but there's also a ROMpler part of it, and each part (FM or ROMpler) has its own filter; and uniquely, the ROMpler output can be fed into the FM part (as in, into all 6 operators at once). Oh, and there are some nice effects on the end - two independent processors, and unlike the effects unit in my V50 I believe those processors actually have LFOs (and therefore choruses, flangers, etc) in them. (No, the V50 effects aren't a whole lot of use. Thanks for asking.) So - yes; the TG77 have lots of ways to sound lovely and warm, and they don't necessarily come from pure FM.

Having said which, free routing can turn FM from something a bit sterile to something snarly and uncontrollable (and really quite warm). Which is nice. :)"

"Oh, and the DX21 has an analogue chorus circuit in it (and can layer and detune two FM sounds even before that). Which helps a lot with warmth."

Prototype Controller from Bob Moog

via the Bob Moog Foundation blog on the upcoming Museum Exhibit, Waves of Inspiration. The Legacy of Moog. See the link for more. Keith Emerson will be performing.

"The exhibit will also include many artifacts from other private collections including the Moog Modular prototype previously owned by Herb Deutsch, a full Moog Modular IIIC and a working and extremely rare Eaton-Moog Multi-Touch Sensitive Keyboard loaned by avant garde opera composer John Eaton. Of particular note, Keith Emerson’s (Emerson, Lake and Palmer) custom built “Monster Moog” synthesizer will be displayed for the first month of the exhibition along with notes and schematics from Bob’s archives regarding the instrument." Note I gave this post the DIY label, just to make the point that it all starts with DIY. Click on the image.

Update: the following official newsletter came in from the Bob Moog Foundation on the event. I thought I would capture it here for the archives.

Keith Emerson to Perform at Opening of Moog Archives Exhibit
Synth legend Emerson and Erik Norlander will both perform at the Museum of Making Music to celebrate the opening of the first exhibit of Moog Archives!

Who: The Bob Moog Foundation & The Museum of Making Music
What: Waves of Inspiration. The Legacy of Moog. An exhibit, interactive engagement and opening weekend of performances including Keith Emerson and Erik Norlander.
When: August 28-30, 2009
Where: The Museum of Making Music, Carlsbad, CA

Interested in purchasing a ticket? Email to request details.

Visit our blog for details on the exhibit and "sneak preview" pictures of Bob Moog's archives, including a schematic drawing Bob drafted for Emerson's "Master Module".

See the pictures.

The Museum of Making Music, a division of the NAMM Foundation, is a small museum located 35 miles north of San Diego. The museum is dedicated to the exploration of the multifaceted history of the American music products industry from its beginnings in the 1890s to today. The Bob Moog Foundation has been planning this exhibit over a year and a half ago with the museum’s Executive Director, Carolyn Grant and Curator, Tatiana Sezinenko. Moog historian Brian Kehew has been involved as the consultant for the exhibit and is responsible for introducing the two parties at Winter NAMM 2008.

Here at the Foundation we regard Bob’s archives as a fascinating testament to history, innovation, and a lifetime of perseverance. Since retrieving the archives from unstable storage conditions in January of 2006, we have worked to preserve and protect this priceless collection that traces the 50 year career of a dedicated pioneer. With this exhibit, we are delighted to be sharing an extensive part of the archives with the public for the first time.

A special thanks to Carolyn Grant and Tatiana Sezinenko for their generous energy and thoughtful attention to telling a rich, fascinating story with an emphasis on accurately portraying Bob Moog as the toolmaker he so often described himself to be while giving careful consideration to the many people who make up the Moog Legacy. Thanks also to Brian Kehew who has worked (and will be working over the next six weeks!) tirelessly to help bring this exhibit to fruition. Finally, our deepest thanks to Douglas Babb, who made the trek from Indiana to North Carolina five times (on his own dime) to help us sort out and understand Bob’s archives.

We encourage all of you who are in the San Diego area to attend this unique exhibit. It will be an excellent opportunity to share in the life and work of Bob Moog – and for all you gearheads out there, it will be a chance to see many rare, if not one-of-a-kind pieces. Come share in the legacy that continues to inspire!

Continue to check our blog and the museum’s website for updates.

The Bob Moog Foundation
Make Waves by donating to the Bob Moog Foundation"

Tiptop Audio Z3000 Z2040 and Z5000

http://tiptopaudio.com

click the image for the full size shot

Synthesizers.com Business Card

Best. Business. Card. Ever.

http://synthesizers.com/

Don't sit on it

via this auction

Korg Wavedrum & RE1 Editor. Unique Drum Synth

"This is a very rare opportunity to get your hands (literally) on a Korg Wavedrum !!
Unlike traditional electronic drums or sampled drum sounds, the Wavedrum creates
its sounds realtime using physical modelling.
Only very few of these unique drumsynth`s have been made by Korg and I`m selling one.
The winner of this auction will get:
# Korg Wavedrum
# Wavedrum Rim
# RE1 Remote Editor
# Beautiful Custom Made Chrome Stand
# Cables to connect the Rim and the RE1
# Power cable
# User Guide & Service Manual in printable PDF fomat on CD"

the squarewave parade CAS auctions

Four auctions on the quarewave parade forum

13 | http://la-ac.com/msbd/viewtopic.php?t=385
14 | http://la-ac.com/msbd/viewtopic.php?t=388
15 | http://la-ac.com/msbd/viewtopic.php?t=389
16 | http://la-ac.com/msbd/viewtopic.php?t=390

Description via the squarewave parade
"the teaspoonCAS [ creamandsugar ] can be called a window sampler, a granular sampling gate, a granular trigger or something along those lines. its main intention is as a handheld voltage controlled instant looping playback sampler. there have been a number of features added in an attempt to make it universally applicable. knobs cover gain, volume, storage size, granular window and feedback. toggles allow real time speed / pitch modulation, self triggering window, and window hold. then there is a larger set of controls inside the case featuring touch pads, circuit bends, range extensions, input conversions and feedback loops. the input / pre will accept anything from direct guitar input to lower synth level. the window input will take just about any active voltage you can feed it and together with the length and threshold knobs it allows control over the window with enough detail to respond to higher audio frequencies which can allow for options like voltage controlled wave shaping if the source is clean and loud enough. the SLF switch sends the main audio to the window input and uses it as the control source allowing you to walk away from rhythmically synced sample playback. this input can also be used with a common sustain pedal to allow remote use. the CV input gives remote control over the currently available size of the sampler which can reach roughly one second though at the expense of fidelity. like the window input it will accept both AC and DC sources [ 6vdc ~ +/-3v ] which means that those of you that do not yet understand CV don't really need to, you can use anything from standard modular control sources to DAW based audio editors to draw out shapes and just plug the audio out into the CV input and it will work, easy as can be, volume in your editor then become size. CV input sensitivity together with the huge size range allows for an effect not unlike ring modulation when in pitch mode, the modulation source needs to be rather loud though. you can also insert a passive expression pedal with no other changes needed allowing the CAS to operate hands free, but you can now just shake the CAS to trigger the window so it might spend more time in your hand"

Circuit Bent Gakken SX-150

via vtol

some more shots and demo here

Update: YouTube vid below.

YouTube via Vtolus
Circuit bent Gakken Sx-150 Analog Synth

Seiko ds-250 with ds-310 synth module

YouTube via onephatcat
"The ultra rare additive synth system. Ds250 has midi in out thru 2 channel multitimbral layering, chorus detune pitch bend. What makes this synth great? The ease of use for one thing. Seiko achieved something that the other additive synth makers missed: an easy method for creating complex evolving sounds. Essentially you create three sound spectra, assign one to the attack, one to the sustain, and one to the release phase, and then set the envelope time for the ADSR and you are done! Now other synths such as Kawai k5 & k5000s have serious fine control over the envelopes of the overtones, but in terms of gratification from sound creation, the Seiko kicks a**."

BTW, anyone know where to find a manual for the DS-250?

Hands Off 2007 Part 1: Theremin Symposium

YouTube via GordonCharlton. Don't miss the start of Part 2 below for Video Killed the Radio star.
"Hands Off 2007, featuring talks, masterclasses, workshops and a three hour public concert. UK theremin news at http://theremin.org.uk"

Hands Off 2007 Part 2: Theremin Concert

"Hands Off 2007, featuring talks, masterclasses, workshops and a three hour public concert.

UK theremin news at http://theremin.org.uk"

Me playing Depeche Mode "Enjoy the Silence" (updated Video version)

YouTube via DX5.

A search on "YouTube via DX5" brings up the rest.

"Enjoy the Silence updated cover

Only the Martin guitar was sampled. Other sounds were sampled/synthesized by me, or belong to my own libraries. ("Ahh" choir is sampled Emulator II sound layered with a Kurzweil PC1x pad)

Played on two Emu Emax (I and EMAX II HD model).
Backtrack made in Pro Tools. Other keyboards used:
Roland JX-8P, Roland JP8000.

Composed by Martin L. Gore."

org M3 Hit Factory - A Night At The Roxbury

YouTube via KidNepro
""Hit Factory" - Our third collection of sounds for the Korg M3 will be available September 09'. Audio from one of the sound programs included in the PCG soundbank.

More info at: www.kidnep..."

Crumar Performer easy modification for release envelope

YouTube via sounddoctorin
"The Crumar performer is a great sounding string/brass machine. One real let down to me is the fact that when you engage the Brass you kill all sustaining of the strings and it all operates on the short preset release time. In this video Bob Weigel of Sound Doctorin' shows how to install a couple switches that allow you to select between factory default, brass envelope only extended and brass and string. The attack of the string is compromised because of the way that is done on the performer but I find that this mode gives a wide new range of performance applications to the instrument."

line 6 m13 & prima harmony trainer

YouTube via coloringpad. via coloringpad on the forum
"the prima harmony trainer seems like the perfect keyboard to circuit bend... here i wanted to give a demo of the sounds before i put it on ebay... battery powered! the line 6 m13 is obviously a pretty diverse pedal... i made a box that crammed two expression pedals into two knobs.

www.coloringpad.blogspot.com" You'll find some free music there as well.

psychotronic generator

YouTube via coloringpad. via coloringpad on the forum

"the psychotronic generator is a circuit bent atari punk console built by coloringpad housed in a case featuring the artwork of paul laffolely. amongst it's features are are the two main knobs, a cross mod, a battery sag, two led distortion knobs, and 3 photoresistors mounted inside of a pulsating light. The recording here does not do the sonic mayhem justice, and on top of everything, the entire atari punk side of the device is one side of a ring modulator, which allows any input to combine its sound with this machine. for more, visit coloringpad.blogspot.com"

dual atari punk console with cross mod

"two apc's with a cross mod switch (each modulates the other), one apc routed to the left, one to the right."

buddha machine bent by coloringpad

"a buddha machine circuit bent : additions include a switch to double playback speed, a knob to adjust the rate of playback, minor and major glitch inducing switches (sound like distortion here), and a selection button. easy and fun."

alesis akira & roland tr505 mod ineko bitrman

YouTube via coloringpad. via coloringpad on the forum
"he alesis akira is an ineko effects box in rackmount format with midi & user memory: think bitrman, all the modfx boxes crammed into one unit... here with a 505

www.coloringpad.blogspot.com for more info..." You'll also find some free music there.

The QMMG is TINY!

flickr by Andreas Wetterberg

"Hey guys, chill... you may think the QMMG is enormous, judging from the Modular Planner and whatnot, but it's really... not. And you get four vcas, four filters with var. res, four distortions and a mixer in that space, FFS! ;-)"