"Electro-Harmonix Effectology, Vol.17 Transforming Guitar to Bass By Bill Ruppert
Welcome to Electro-Harmonix's "Effectology" series, in which we create a remarkable collection of impossible sounds using just a regular guitar and EHX effect pedals! No keyboards, samplers or midi pickups were used.
In this episode explore producing unique bass sound using just a guitar and effect pedals. I also show all the individual pedal settings at the EHX forum listed below. http://www.ehx.com/forums/viewthread/..."
via Joe: "needed a solution for my sprawling synth collection, and it needed to take up as little space as possible. I found these racks at Costco, which can handle up to 4600lbs (800lbs per shelf); more than enough to store some ancient gear on. This is actually two of the racks, as I needed some extra shelves. The racks are $84 a piece. With all the gear mounted I can easily roll the entire rig around on carpet with no problem, allowing easy access to the back for patching. I've left about 3 inches of clearance on each shelf so you can actually use the controls on each synth. The rack is wide enough to handle any 61 key synth, with ample room left over on each side to get your arms around the synth for lifting."
"Earlier version of Arp 2600 with 3604P Keyboard. Everything works. Fully serviced by the tech at Main Drag Music in Brooklyn, NY in 2009. He is the best synth tech in New York area. The keyboard cable + connectors are replaced with DIN type for more stability, but you can bring them back to original condition easily. Comes with NOS original connectors and a cable for who wants more authentic look (but less reliable connection.). Tolex has some minor rips. Very clean.
"Recently serviced by the tech at Main Drag Music in Brooklyn, NY. He is the best synth tech in New York area. This Memory Moog has a very fast and stable Kenton Midi Kit, not a sloppy original Memory Moog Plus MIDI. MIDI retrofit is beautifully done by the same tech. Kenton Midi Manual and Hard Case is included. Scratches on the side wood panels. Very clean."
"It's cool! You can play it with a drum stick, trigger it from a drum machine trigger out, or any sound input to the jack.
This particular one has a reaaaaallllly loooonggg booooooommmm! It self-oscillates at decay maximum and at minimum is a tight bip. The tuning range goes from super-high pitched to sub-audio bass rumbles. You can even make it sound kinda like a rimshot or conga."
"The card reader works but no cards are included. Sorry. This is one of the most rare of the RMI keyboards. and a cool example of one of the earliest digitally controlled synthesizers (circa '74-'75). More info here"
"It can be played 8 voice with 1 OSC, 4 voice with 2 OSCs, in monophonic unison, or Split (hence the name), with two different patches on each side of the keyboard."
"Xavier van Wersch (NL 1976) obtained a degree in Sonology at the Royal Conservatory in The Hague after having studied visual arts and philosophy. His work reflects an organical approach to the field of electronic music. In his compositions, performances and installations there is always an element of controlled chaos. He explores the relation between man and machine by conceiving the two of them together as hybrid systems in which erratic behaviour is the principal condition for interaction. Another common theme in his work is recycling. Like a modern Frankenstein, van Wersch constructs his machinery from parts of deceased equipment and disfunctional devices.
To balance his usually rather noisy live performances, van Wersch produces more beat-oriented tracks under the alias 'xaf'. As a sound designer he worked with a.o. Nederlands Dans Theater, Icelandic National Ballet / Maska Ljubljana, the Poni Collective and Ivana Müller. He is the director and founder of re.Bug, an organisation that supports and develops projects in which art, technology and ecology meet. After a 4 year stay in Belgium, van Wersch now lives in Hungary. He has been invited to teach at Novus School of Arts in Budapest and is currently setting up a studio in the school.
"New track again.. Got a MOOG now! All synth & fx sounds by my new Realistic Moog MG-1 (1981). Drum sounds as usual by my Electribe SX sampler with improved tubes, Roland TR-808 sounds
The MG1 settings for the pro-one-ish bass in this track are shown in the flyovers over its controls, at 0'40 and 3'50 min
"The rhythm pattern arises in pulling 12 kinds of blocks, and setting it in the hole. [Rizumushi] also dances in the performance mode. (The character is written in Japanese. )
"Expanding the polyphony on the Monomachine through the Userwave function. Here, the polyphony is quadrupled in the first part and tripled in the second part. If needed, you can take out some of the polyphony after the fact with some creative use of filters and EQ. The new Monomachine +Drive option allows more than 7000 userwaves to be stored and used. Looking forward to getting that on this little guy. (HD video available - good for taking a look at the screen in detail ;-) )"
"Hi. :) This is a short video on how to locate the VE-RD1 circuit board and how to remove/exchange it without having to open the whole synth up. A viewer has asked some great questions about the A-90 and this video and a future video on the A-90's battery replacement is to try to help answer some of those questions. Please let me know if any clarification in needed. :) If anyone else has any advice as well, please comment and add your insights on the topic. :)
"For a free mp3 download of this track, just subscribe and you'll receive a youtube message with the link and password to all of my tracks, or become a fan of The Hair Kid on facebook: http://www.facebook.com/TheHairKid - once you're a fan you'll be able to see the link and password." Note the Akai S612. You can find lyrics on YouTube here.
"http://www.roland.com/products/en/AX-09/ Who says keyboardists need to hide behind their gear? Liberate yourself and roam free with the Lucina AX-09 Synthesizer. Lucina is compact, lightweight, and loaded with great sounds, all easily selectable with the onboard Category buttons."
Like many keyboardists, I first fell in love with synthesizers having heard a Moog (the song "Amore Grande Amore Libero" by Italian keyboardist "Il Guardiano del Faro") as a child in the 1970s.
I made this song with a Synthesizers.com modular and a Kurzweil K2500X - it's a simple, gentle song dedicated to "the father of synthesis", based on a string pad, and a modular solo."
Double electronic music (III) by Zn'shñ (Elvire Bastendorff & Franck Smith). Contents: 8-bit processing, Lo-Fi, minimal pulses, analog electronics, signal trajectory, glitch, clicks, analog oscillators, drone, noise manufacturing... Recorded June 2010.
IF POSSIBLE USE HEADPHONES OR CONNECT YOUR COMPUTER TO A QUITE DECENT SOUND-SYSTEM.
Material in this video: - Biscuit (by Oto Machines) - 2x Sleepdrone 5 (by King Capitol) - Kaossilator Pro (by Korg) - Restyler (by Sherman/Rodec) - Kaoss Pad KP3 (by Korg) - Space Echo (Boss RE-20)
Operating as a dual noise-manufacturing unit, specialized in electronics, Zn'shñ is designed for soundtrack production, live performances and audiovisual works. Created by Elvire Bastendorff & Franck Smith.
........................................ Zn'shñ, "Franck Smith", "Elvire Bastendorff", double electronic music, Sleepdrone, Odiolorgnette, Kaoss Pad, Kaossilator Pro, Korg, Sherman, Rodec, Restyler, Biscuit, Oto Machines, 8-bit, Analog Filters, king capitol, space echo, noise manufacturing
"Some shots of a Moog Sonic Six that I'm reviving. It was making weird sounds when I first got it, and I determined that it had a bad -15V regulator IC (LM723). After replacing that, it worked pretty well and then I set about improving it..."