The Super 8 is a 16-voice polyphonic, bi-timbral analog-hybrid performance synthesizer. Employing superior hands-on controls, an expressive 61-note weighted keyboard with polyphonic aftertouch and all the powerful, flexible and addictive sound of the UDO Audio family.
Overview
Introducing the next evolution in the Super series. At the core of the Super 8 is two independent binaural analog-hybrid synthesizer signal chains using UDO’s proprietary and proven synthesizer technology. With up to 16 voices of polyphony and two unique timbres each with their own independent effect chain, this instrument is analog reimagined. Like its larger sibling the Super Gemini, voices and timbral layers can be split, dualled, sequenced all at the touch of a single control.
Powered by complex FPGA digital oscillators, the Super 8 is decorated with expansive tonal features such as wave morphing, cross & ring modulation, bi-directional sync and an all-analog signal path to the output, inspired by the analog poysynth heavyweights of lore. Equipped with a 61-note semi-weighted keybed with polyphonic aftertouch, left hand performance controls and 256 performance and patch slots, 32 interchangeable waveforms and 16 sequences, the Super 8 balances power, playability and performance.
Sitting in between the Super 6 and the Super Gemini in size and power, the Super 8 puts the player first using high quality tactile control elements with our user-centric intuitive design philosophy that inspires exploration and sonic play. Adopting a similar true-stereo Binaural signal path with dual FPGAs and twin effects processors like the Gemini, and yet retaining the portability and road-friendly personality of the Super 6. The Super 8 will be a long time friend and partner in your adventures in sound.
Super. Evolved.
As the next evolution in the Super family, the 16-voice Super 8 sits confidently between the Super 6 and the Super Gemini. This synth is the distillation of the UDO philosophy of the power of play — with the dual cores and playability features of it’s bigger cousin, all in a more compact and simplified presentation — it’s the best of both worlds.
Duality in Sound
The Super 8 allows you to effortlessly transition between two independent synth layers, inspiring textural, deep and rich soundscapes at a touch. With UDO’s championed powerful, flexible and immediate sound, this synthesizer is designed to take you on a sonic journey.
Respected Tradition Meets Cutting-Edge Innovation
Using the tried and tested UDO framework of state-of-the-art FPGA digital architecture with archetypal voltage-controlled synthesizer technology, the Super 8 is a harmonious meeting of old and new in ideas and techniques. All contained within a no-expense-spared build with the highest quality components, The Super 8 is an instrument for life.
At a Glance
Price (RRP) € 3,749 £ 2,995 $ 3,699
Availability First units shipping July 2024
top-line spec – 16 voices (8 voice in binaural mode) – Bi-timbral – Analog-hybrid – 61 note semi-weighted polyphonic aftertouch keybed – High quality control elements
"Step up to the legendary warmth and brilliance of classic Oberheim, reborn in the compact, powerful TEO-5. Dive into authentic analog tones, push boundaries with modern modulations and effects, and create like Thomas Elroy Oberheim always dreamed. TEO-5 is more than a synth, it's your sonic legacy, waiting to be written.
"Today, I unbox and demo the incredible Oberheim TEO-5 synthesizer. In the video I also discuss TEO-5 with the man himself Tom Oberheim who graciously gave me an intimate introduction to his latest and greatest synthesizer. 🚀"
"Today, Oberheim Electronics has just announced the release of their new synthesizer: TEO-5 -- a five-voice analog synthesizer. In this video, Julian "J3PO" Pollack reviews the synth and performs numerous sound examples.
"Following up from my work on the beta development and sound design on the Oberheim OB-X8, I was pleasantly surprised to find that the next Oberheim synth would be the TEO-5. Unpacking the beta unit revealed a beautiful and cleverly designed 5 voice analog synth that simply sounds amazing.
The size of the TEO-5 is absolutely perfect for world wide gigging and the sound is a sort of best of Oberheim with a modern twist. That modern twist doesn't exclusively come from the excellent FX processor on board, but also from the interesting modulation options and ranges. While you can push the synth into harmonic and saturated zones, it still, like all Oberheims remains one large sweet spot.
Don't be fooled by the smaller size and voice count, there is nothing small about the sound and capability of the TEO-5. Not to be missed.
Please note this recording is of a beta development unit running an early firmware. The sounds featured here are the patches I made for the shipping factory bank that comes with the synth straight from Oberheim.
Recorded at Infinite Power Studios, Los Angeles. All patches by Matia Simovich/INHALT. Video edited by Grover Greenberg."
"At Superbooth 2024 we met up with David Gibbons from Oberheim who introduced us to the new TEO-5 synthesizer. Named after Tom Oberheim with an exclusive reveal of Tom's middle name, the TEO-5 has a SEM filter, two oscillators and a sub giving that classic Oberheim sound, but with lots of features to bring its capabilities right up to date.
Chris Calcutt then stepped up, and gave us a demo of the sound of this synth. TEO-5 gives us 19 mod slots with tons of destinations, both a mono and a poly LFO, two envelopes and a capable twin FX section. Uniquely there is a cross-mod section with thru-zero capabilities, which allows FM modulation that stays in tune up and down the keyboard.
With a similar form factor to the Take 5, the TEO-5 has a 3 and a half octave Fatar keyboard with aftertouch, and is designed to give the Oberheim sound in a more portable and affordable package
"A Quick Look any the new Oberheim TEO-5 - named after Tom Edison Oberheim - there was a leak a few weeks back but it's here in the flesh.. and nice it is too.
Its got the same form factor as there Sequential Take 5. The big addition is obviously the Oberheim filter, and a through zero FM - so it looks like it has the new SSI chip.
Anyway.. just a Quick Look.. enjoy:)"
And the press release with pics:
Introducing the New Oberheim TEO-5 Polyphonic Synthesizer
TEO-5: The Legendary Oberheim Sound Reborn in a Compact Powerhouse
San Francisco, CA – [May 16, 2024] – Oberheim, the venerable brand synonymous with the golden age of synthesizers, proudly announces the TEO-5 polysynth. This powerful instrument features the visionary craftsmanship of Thomas Elroy Oberheim (TEO), offering a perfect blend of classic analog warmth and modern versatility for today's musicians.
“I’m so proud to be able to make a synth like this... compact and affordable, the Oberheim sound for 2024,” says Tom Oberheim, the company’s founder. TEO-5 is designed to make the classic Oberheim tone palette widely accessible, encapsulating decades of analog engineering experience in a forward-thinking and innovative musical instrument.
The TEO-5 boasts a five-voice architecture with genuine analog VCOs and VCFs, capturing the distinctive warmth and depth that defined countless hit records. But TEO-5 isn't just a tribute to the past. Additions like through-zero FM, which adds a contemporary twist to its oscillator X-Mod feature, allow for the exploration of entirely new sonic textures. And the legendary Oberheim SEM filter returns, offering the versatility of morphing between low- pass, notch, and high-pass configurations, along with a switchable band-pass mode for extensive tonal shaping. Beyond its core synthesis architecture, TEO-5 features a comprehensive modulation matrix, opening a world of possibilities for sculpting and transforming sounds. Digital effects processors provide classic chorus, delay, reverb, and more, alongside faithful recreations of the revered Oberheim Ring Mod and Phasor effects. A 64-step polyphonic sequencer and multimode arpeggiator further fuel creative exploration, while a premium Fatar keybed ensures a responsive and inspiring playing experience.
“There was a huge surge of interest when Oberheim returned in 2022 with the historically inspired OB-X8,” said David Gibbons, CEO of Oberheim. “But Tom and the design team were keen to show that the magic of Oberheim can be within reach for everyone, and can bring a distinctive modern flavor. TEO-5 is an exciting addition to the Oberheim legacy.” Whether you're a seasoned professional seeking a powerful new sonic tool or a budding artist embarking on your analog adventure, TEO-5 is your gateway to unparalleled musical exploration.
Check with the dealers on the right for upcoming availability.
Details follow:
KIJIMI MK2 is crafted to be one of the most powerful polysynths ever built, all behind intuitive front-panel controls, from its continuous timbral variation to its exhaustive modulation matrix. The Black Corporation original features planetary-sized analog sound, inspired by the best of rare and classic synths, but unique to our own parallel galaxy.
"We at Erica Synths in collaboration with 112dB have developed a unique new hardware reverb effects unit. We focused on the musical aspect of the effect – extremely long decay tails are possible without losing harmonic integrity and since multiple parameters can be adjusted at once, notes can be played individually and held in chords, pitch-shifted at a whim or used to create massive, ambient textures.
Introducing the Nightverb – a stereo reverb with a unique and musical custom algorithm, save/recall functions for all parameters, all in a sleek aluminum case to aesthetically match our lineup of desktop units."
GRAPHIC RESONANT EQUALIZER
We realized it’s about time to expand the Erica Synths Graphic series of Eurorack modules with a unique sound shaping module. Introducing the Graphic Resonant Equalizer – a 10-band resonant equalizer with a fully-analogue signal path and digital control over individual band levels.
This new architecture gives an unprecedented level of control for shaping sounds with the possibility of saving presets, randomizing band levels, applying clocked modulations and even allowing for the module to act as an unconventional multimode filter.
The CV inputs for all bands and the clock input allow for integrating the Graphic Resonant Equalizer into any Eurorack system. Whether you’re looking for a delicate sound design tool for balancing out the frequencies in your patch to sound just right or an experimental scream machine that can mangle any sound source into uncharted territory, the module does it all – a versatile secret weapon for your rack!
Features:
10 band analogue resonant equalizer
Digital control over band levels
CV control over each band level
Configurable resonance loops (one or several bands)
EQ, Lowpass, bandpass, highpass and notch filter modes
Patch memory
Clock input for clocked modulations or patch selection
Spectrum analyzer mode
An optional expander for hands-on control of each band’s boost/cut
Module width – 20 HP
"George from UDO Audio *showcased the latest addition to their lineup at Superbooth 2024, the *Super 8 synthesizer. Building on their previous releases, the Super 8 aims to strike a balance between power and portability, sitting comfortably between the Super 6 and the Gemini. With 16 voices and a focus on playability and performance, this new synth offers a versatile range of sounds and capabilities.
Featuring a dual-layer architecture with independent effects per layer, the Super 8 delivers a warm and analog feel with a touch-sensitive poly aftertouch keyboard."
Orinda, CA, May 15, 2024 — California-based electronic instrument maker Groove Synthesis today announced that they have added high-resolution sampling capability to their critically acclaimed Advanced Wavetable Synthesizer, the 3rd Wave.
This much-requested new feature allows owners to sample up to 30 seconds of 16-bit, 48 kHz, monophonic audio into the synth directly or by importing audio over USB, and use it as a new oscillator type alongside the 3rd Wave’s powerful wavetable and virtual analog sound engines. This significantly expands the sound palette of the synthesizer. Now owners can create custom sounds that feature sampled acoustic instruments, sound effects, and other sources.
The company will preview a new OS that provides this capability at the Superbooth24 music expo in Berlin, Germany from May 16-18 at booth #0246. The upgrade will be available free of charge to 3rd Wave owners as a download from the company’s website upon official release.
“As fans of the original PPG and its ultra-rare Waveterm sampling option, we thought it would
be exciting to add that capability to the 3rd Wave’s existing architecture — if it was technically possible,” said Groove Synthesis founder Bob Coover. “It took some tricky programming, but we did it and we think 3rd Wave owners are going to love it. It’s a dream come true for everyone who wanted the full PPG-plus-Waveterm experience, and now it’s within reach.”
While the 3rd Wave has roots in the classic digital wavetable synths of the past, it takes the concept firmly into the 21st century with a lush, expansive sound that’s a product of its expanded wavetables and analog filters. It’s hybrid design features 24-voices and 4-part multi-timbral operation, which is the equivalent of having four independent 6-voice synthesizers controlled by a single keyboard. Each of its three oscillators per voice can generate a classic PPG-era wavetable, a modern high-resolution wavetable, an analog modeled waveform — and now multi-sampled audio. With its industry-first WavemakerTM tool, users can create custom wavetables in a single step through proprietary sample-to-wave technology, allowing almost unlimited sound sculpting opportunities.
"Roland started producing some really unique synthesizers in the mid 1970s, and they were built to a very high standard and certainly have lasted. The SH-3A was conceived as a portable full function analogue synth that had bags of charter and shared much of the same architecture & functionality from the SH-5, SH-7 and even the System 100 etc, so we think this represents excellent value for money.
Background:
Our client purchased this Roland SH-3A new in 1975, so it’s a single owner machine that’s been in their possession for just shy of 50 years, and only ever been used in a home environment. This is a UK model, so 220~240v, and is hard-wired with a UK 3-pin plug which is stored in the compartment within the flight-case in the underside of the synth.
Servicing:
As mentioned above, Kent at KSR has just going the SH-3A a full service, so it’s perfectly working and sounding like a SH-3A should, and he commented that the synth is in beautiful condition inside and out.
Condition:
We rate this as in excellent all original condition, unmodified and complete with its music stand, lid and original owner manual, so very much a collectors grade instrument, that’s ready to play.
Documents:
Although we don’t have the original sale receipt from 1975, the synth does come with its original user manual."
"Servicing Status: KSR have carried out a service on this Xpander in May 2024.
Remarks: Much has been written on these incredible synthesizers and it's understandable when you use them as they really can deliver a thick analogue wall of sound, and are perfect pad and brass sources just for starters.
The Xpander lineage includes the Matrix 6 and 12 and is a fully midi configured, 6 voice Polysynth - an excellent addition to any analogue set-up and has to be heard to be believed. he Xpander offers a deep programmable architecture for those of you into tweaking but can also be a very user-friendly hands-on preset machine. This means they sit between that digital and analogue medium perfectly and are arguably the best of the hybrid technology of the early to mid-1980s.
About This Xpander:
This example is a USA built unit that works perfectly, and as mentioned above, has just been fully serviced by KSR. The cosmetic condition is all original and absolutely first class, excellent, as you can see from the pictures below, with barely any perceptible marks or signs of use, which is quite remarkable for a 40+ year old music instrument.
The owner purchased a Star Dust cover for it a few years ago and it is supplied with the synth on-sale. The cover is well used and has done a fantastic job protecting the instrument."
Chroma Classics Preset Pack for Chroma features an additional 100 phenomenal presets by Cherry Audio's Director of Sound Design, James Terris, blending vintage tones with a contemporary feel.
"Dive into the captivating history of the Rhodes Chroma synthesizer with "The Story of Chroma," a documentary that traces its revolutionary path from the final days of ARP Instruments to its celebrated release by Rhodes in 1982. This compelling video brings to life the innovative spirit of the Chroma through the firsthand accounts of those who stood at the forefront of its creation. Hear from Dr. Tom Rhea, a renowned electronic music historian, Michael Brigida, a dedicated ARP and Rhodes product specialist, and Mary Lock, the esteemed service manager for both companies, as they recount the synthesizer's development, challenges, and triumphs. Featuring exclusive interviews and insights, this documentary not only explores the technical breakthroughs and musical possibilities the Chroma introduced but also celebrates its enduring legacy and the recent resurgence through Cherry Audio’s efforts. Witness the story of a musical marvel that continues to inspire innovation and creativity in the world of music.
Produced by Daniel Keller Editing and graphics by Mal Meehan Music by James Terris"
4. Cherry Audio | Introduction to Chroma Synthesizer
Synth designer Mitchell Sigman of Cherry Audio introduces Chroma, Cherry Audio's virtual instrument that emulates the 1982 Rhodes Chroma polyphonic analog synthesizer and its Expander unit.
0:10 Introduction
1:18 User Interface Basics
4:44 Voice Architecture and Patch Configuration
9:43 The Chroma Arpeggiator
11:37 Sweep Generators (the LFOs)
17:02 Envelope Generators
19:46 Chroma CPU Usage
Cherry Audio Chroma User Videos
1. Cherry Audio Chroma: A demo + tutorial of an elusive analog synth - CatSynth TV - Patreon
We take a deep dive into Cherry Audio's new Chroma, a meticulous recreation of the legendary and elusive Rhodes Chroma. It was a polyphonic analog synthesizer that came with some unique features, notably the ability to reconfigure the signal path among its oscillators, filters, and VCAs, opening up a wider range of sound possibilities. Cherry Audio's version combines these features with a modern user interface that allows direct manipulation of the parameters (unlike the original with a single data slider), and adds a full-featured effects section. We go over the expansive feature set of this instrument, showing you how each feature works and how to use them to make your own sounds.
00:00 Introduction 00:27 History of the Chroma synthesizer 01:38 Presenting the Cherry Audio Chroma 02:39 Oscillator features 06:56 Filter features 11:17 VCA features 12:42 Dual Layers configuration 16:49 Dual Layers + Oscillator Sync 18:47 Dual Layers + Ring Modulation 21:13 Filter FM 23:54 Parallel Filters 26:09 Parallel Filters + Oscillator Sync 27:04 Series Filters 31:44 Effects section 32:38 Factory Presets 39:41 Conclusion
2. Cherry Audio Chroma Expander Sounds of Chaos Beauty Virtual Synthesizer - Rik Marston Official - AhnyxianSoundDesign
3. Cherry Audio Chroma Expander Sounds of Light & Darkness Virtual Synthesizer VST - Rik Marston Official - AhnyxianSoundDesign
Press release follows:
May 14, 2024: Cherry Audio is excited to unveil Chroma, a groundbreaking virtual instrument that brings the legendary sounds of the 1982 Rhodes Chroma into the digital age.
"GForce Software is thrilled to unveil the much-anticipated impOSCar3, a modern reinterpretation of a legendary British hardware synth. Like the original, its hybrid architecture combines the precision of digital oscillators with the warmth of analogue filters, providing a vast range of sonic possibilities.
Credits
Graeme Rawson - audio demo and video production
Çağatay Çetin - 3D animation"
"At the heart of GForce‘s impOSCar3 lies the design of the legendary British hardware synth OSCar®. Like the original, its hybrid architecture combines the precision of digital oscillators with the warmth of analogue filters, providing a wide range of sonic possibilities.
Craft expansive, lush, dark or ambient pads, resonant bells, and precise leads with this exceptional recreation. The finely tuned filter, aligned with the new wavetable editor, blends the best digital clarity with an unparalleled analogue richness. If that’s not enough, switch to poly-unison for a true wall of sound. Prepare to be surprised."
"WHAT’S NEW?
impOSCar3‘s oscillators have been augmented with fully editable 256-step wavetables, drawn as shapes or edited as partials.
We’ve added 450+ new factory Patches and our powerful browser to allow easy navigation through the vast array of included patches. Over 1800 in total.
Additionally, 4 new macros, a new reverb, an improved layout, a user designable LFO editor, aftertouch control, undo & redo, a fully scalable UI and more. Finally, we’ve simplified the operation of the instrument whilst keeping all its depths and compatibility with legacy impOSCar2 patches."
TIMELINE: 0:00 Intro 1:55 vs PolyBrute 3:55 I/O & PBC 4:45 The keybed 5:55 Key history 7:40 The others 8:20 FullTouch 9:40 FullTouch AT mode 10:20 AT and Z mode 11:40 Env and AT mode 13:15 Env A & D 13:45 Env S & R 15:10 Env Velocity 16:50 Env AT 17:20 Mod env 17:45 Env tests 19:45 MIDI & MPE 22:25 MPE tips 23:45 Pros, cons 27:50 Presets
Press release follows:
The art of expression PolyBrute 12 is the most expressive polyphonic analog synthesizer ever made, bringing musicians into direct and tactile connection with their sound like never before.
The 12 voice architecture; the FullTouch® keyboard; the modulation matrix; the Morphée and ribbon control; the bi-timbral morphing presets - PolyBrute 12 unites them all for results which are simply breathtaking.
"We'll showcase two new modules this week at Superbooth 2024. Bagài is an analog S&H/bitcrusher/downsampler/random voltage and clock. 411 is a quadruple linear VCA, mixer, and multiple for audio and CV. They are ready and we'll ship them to our resellers next week as we'll be back!"
00:00 Introduction
00:23 Bagài
00:35 Sample and hold
00:56 8-bit quantizer
01:16 Random clocks
01:32 Clock bursts
01:51 Fluctuating random voltages
02:11 30 kHz audio downsampler
02:42 Audio bitcrusher
02:56 411 Quadruple VCA
03:13 Fake sequential switch
03:22 Modulating and mixing multiple signals
03:46 Unpatched output
04:23 -6 dB switches
04:36 Outro
BAGÀI Multipurpose Thingamabob
bagài / baˈgaːi / s.m. [modenese dialect, from a late Latin bagagium ‘baggage’, formed after the late Latin baga, deriving presumably from the Anglo-Saxon bag (see ancient French bague, Provençal bàgua, ‘bundle’), whose root may be traced down to the Indo-European *pac, ‘to tie,’ from which also ‘package,’ ‘pact’] – ‘thing,’ ‘thingamabob.’ A term used when the actual name of a thing or a person does not come to mind.
A module that is at the same time a clock burst, S&H, audio bitcrush, or fluctuating random voltage generator is indeed a bit elusive to describe in a single word. Even if one tries, some aspects will always be missing.
Why bother, then? Let us just call it “that thingamabob,” or better, “that bagài.”
The 411 is a quadruple linear VCA, mixer, and multiple for audio and CV.
It consists of four linear VCAs with semi-normalled inputs and CV inputs, −6 dB attenuation switches, a mixed output, and an unpatched output.
The 411’s architecture allows to use it in many ways, for example: processing four signals independently; modulating one signal with four CVS and sending it to four different destinations; mixing up to four signals and modulating them with the same CV; mixing two audio signals and modulating them with a modulated CV…
"This video is a follow-up my Victor Part 2 video covering the details of the Behringer Victor module. This eurorack module is a quad digital oscillator which is based on the Prophet VS synthesizer from Sequential Circuits. This technology is called Vector Synthesis. It was the basis for the Korg Wavestation and the Yamaha SY22 and TG33 synthesizers. Part 3 (this video) continues this detailed tutorial with more Use Cases and a look at software available for the Behringer Victor Module.
TIMECODE 0:00 - Intro Part 3 0:30 - Use Case: Voice Architecture Alternatives 2:06 - Use Case: Audio FM into a 921b Oscillator 3:52 - Use Case: Victor as LFO melody generator 6:51 - Use Case: Joystick output +/- 5V 8:41 - Synthtribe Software 12;51 - Victor Editor Software 16:24 - Conclusion Part 3"
"In this small track, I used a combination of modulations generating multiple random arpeggios. The 4 LFOs are used to vary the pitch of the sequences played by the 2 motion sequencers. Finally, timbre #1 plays an arpeggio in ALT mode. This results in a semi-random evolution of sequences as well as sounds.At 2mn 20s, I put in the video a photo of the sketch explaining in general the architecture of this patch in order to help those who wish to program this fabulous instrument a little more in depth
The KORG R3 was used extensively for the production of my new album
Compact Music volume 2
74 minutes of ambient synthesizer music - 2020-2021
Copyright Moloski productions, Angel Freddy"
Classic powerhouse of a poly-synth! The Yamaha CS60 shares the same architecture of the CS80 (including memory) which is why it's a fantastic synth to dial-in that big boy CS80 sound without the heavy price tag. Sorry, no legs are included.
Recently overhauled by our in house technician.
Service notes:
-Replaced all electrolytic capacitors within internal power supply -Replaced other electrolytic capacitors associated with power supply rail -Replaced all "lilac" capacitors -Cleaned all controls, exterior panel, knobs and inside of chassis -Cleaned keybed and entire assembly -Replaced shorted diode on preset card -Replaced bulb used in touch response sensor -Calibrated power supply, key CV generators and key CV sample and hold -Tuned all voices
More info on the CS60:
Featuring two oscillators, two envelopes, and two low-frequency oscillators. It also has a built-in chorus effect and a built-in arpeggiator. The CS-60 is capable of producing a wide range of sounds, from warm and mellow to bright and aggressive.
The CS60 is a 8 note polyphonic synthesizer w/ velocity, aftertouch and a ribbon controller which offers the player a really organic feel into the performance of the instrument. Other key real-time control facilities, such as the LFO/ring-modulator section really make the CS60 a great players instrument – it’s all about the performance with the big CS polys.
The resonant qualities of the Yamaha CS series filter are unmatched by any other poly-synth so they sound unique.
"While the Moogs, the Rolands and the Sequential Circuits of the world are crowned as vintage synth royalty, we shouldn't forget about the Arp Omni with its tasty analog VCO synthesizer architecture."
"The K4 does not have so many parameters but because of it´s architecture I set up 2 templates. S1 & S2 and S3 & S4.
It would be great if the screen of the K4 would display the incoming changes to the parameters - but even the latest OS Rom doesnt help with this. To keep a bit on track you have to manually switch the menu. But on the other hand - i dont find the K4 so complexe that you realy need to."
Opp Ned comes with 12 pre-programmed arpeggios, including tetrads, major, pentatonic major, minor third, and pentatonic minor arps, but the Load/Edit/Save functionality makes it easy to create your own custom patterns. Factory presets can easily be restored at the Noise Engineering Customer Portal.
Opp Ned features four outputs that can be individually advanced: a reset input to keep all your patterns in time and a Transpose input to easily create changes on the fly. The octave range, arpeggio direction, and pattern of the arp are all configurable, and all settings are CV-able.
Other controls include configurable octave range and arp direction,
International customers:
Opp Ned is shipping to retailers. Check in with your favorite shop if you want to avoid the hassle of international shipping.
Make the most of your ups and downs with Opp Ned."
Press release follows:
Los Angeles, CA — Modular synthesizer company Noise Engineering, known for their unique Eurorack and software instruments, has announced a new arpeggiator and sequencing utility: Opp Ned.
Noise Engineering’s expansive product line includes many sequencers, mostly focussed on generative rhythm generation and randomization. Opp Ned is a new style of sequencing for the company, allowing the user to define 12 different arpeggios (or use a number of creative presets right out of the box), CV between them, and advance four different outputs individually. There are switches for playback pattern, direction, and octave range, and a clever note display for viewing the current arpeggio and editing patterns.
According to Noise Engineering, Opp Ned was designed to make a common synthesis task easy. Arpeggiators are found regularly in fixed-architecture keyboard synthesizers, but arpeggiators in Eurorack are few and far between. Opp Ned’s interface and controls were designed to make arpeggiation quick and fun, while also offering enough flexibility to generate some very interesting results.
Opp Ned lends itself to a number of different patching styles. The only necessity for creating arpeggios is a clock signal, but all of its parameters are CV controllable, so arpeggios can be modified on the fly with external modulation sources. It also features a pitch-accurate transpose input that can be used to modulate the four outputs with another sequencer for deep integration in more complex patches.
Opp Ned is a cheerful sequencing utility that works well for adding melodic elements to patches, as well as experimentation with more technical chord-based patching.
Opp Ned is available in both black and silver, and is available now at https://noiseengineering.us and at retailers globally.
Features * Arpeggiator with four outputs * Save and edit up to 12 different arpeggios * Swap between arpeggio patterns with CV * Fully CV-controlled interface * Simple controls make pitch sequencing easy * External transpose input for integration with other sequencers
Availability and pricing: Opp Ned: In stock in black and silver. Shipping from Noise Engineering and retailers starting March 21st, 2024; MSRP US$347
This video covers the steps to trigger the razzmatazz from a compact multi-trigger pad. The pad used in this video is an Alesis SamplePad 4 but the principles here apply to any percussion triggering pad or brain.
Video Outline: 1:00 Configure MIDI input 1:10 Triggering one-shots 1:27 Mapping velocity to pitch 2:15 Triggering slices 2:50 Start & stop clips 3:45 Capturing MIDI to the sequencer
Create the juiciest beats and tastiest rhythms with nanobox | razzmatazz, a mini drum sequencer that combines powerful FM synthesis and sampling. Featuring advanced voice architecture, razzmatazz puts a huge range of percussive sounds at your fingertips—from deep and gritty kick drums to searing snare hits and crisp hi-hats. Perform using 8 touchscreen pads or your favorite midi controller, and craft up to 16 rhythms using an innovative visual sequencer that allows you to see all pad states and steps simultaneously. Shape the sound of each pad by combining any variation of two FM oscillators and a WAV file—plus two filters, two envelopes, a resonator, a snap generator, and three additional effects. You can even choose from four unique types of distortion to create incredibly distinct and powerful drum sounds. Enjoy massive analog drum sounds and an innovative feature set, all in a compact package that goes anywhere."
