Brinta granular sampler in Eurorack

video upload by errorinstruments paul tas

"Proud to present BRINTA.

made whit love in Amsterdam

Developing something special together TINRS

BRINTA – golden grain circle - granular sampler

Circle of sound – spilling the Brinta – follow the white dot – banged grain.

Samples three-and-a-half seconds of audio (one moment) cuts it into thousands of pieces. Little grains of sound. You can mix the sound grains in speed and order. You re-arrangement it.

When the red dot is running around the circle it is recording. Your sample becomes the circle. Blue for high frequency, green for mid and red for low. Colours mix accordingly and when they all come together in white-light, you have white-noise. Once your sample is recorded the white dot can run around the circle, spawning little golden heads playing your sample. The size of the grain is how long your play head exists.

Record: push to start and to stop
12HP

42mA +12V

4mA -12V

5V 0

Skiff friendly

to goood PRICE 250 ex"

Also see Error Instruments & TINRS BRINTA & BUBBLES Eurorack Modules

Synclavier Digital's Regen Gets Wider Release

video upload by Synclavier Digital

Regen Tutorials


Regen Quickies


You can find additional posts featuring demos of the Regen here.

Press Release follows:

"Synclavier Digital releases regenerated Synclavier® II trailblazer as timeless Regen desktop synthesizer bolstered by present-day DSP developments

NOVA SCOTIA, CANADA: soft-launched late last year to widespread critical acclaim at the Synthplex® synthesizer expo and electronic music festival hosted at the Marriott Convention Center in Burbank, CA, USA with pre-orders opening for fulfilment in 2023, timeless synthesis product manufacturer Synclavier Digital is proud to announce wider availability of Regen — released as a desktop synthesizer that is, in short, a real regeneration of New England Digital’s seminal Synclavier® II digital synthesizer that took the pro audio industry by storm when introduced in its initial incarnation in 1980 (evolving beyond that to blaze more technological trails with polyphonic sampling and, ultimately, DAW — Digital Audio Workstation — capabilities well before that term was invented, even), extended and enhanced to take advantage of the increased computing power available today to make it as compelling in a modern setting as the prohibitively pricey original did during its time (finding favour with top-tier film composers, record producers, and recording artists), while the considerable cost and size reductions associated with Regen’s present-day design criteria conversely position it well within reach of (almost) anyone — as of June 29…

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VCF10 in Eurorack -EuroBoard MkII

video upload by gotharman

"-Main/lead sound: Dreadbox Hysteria into VCF10 in EuroBoard MkII, modulated by Zadar and another Hysteria.
-Pling synth: Hysteria into VCF11 (Zaturn) in EuroBoard MkII, modulated by Zadar.
-Kick drum: Qubit Tone modulated by Mutable Instruments Stages.
-Noise synth: Gotharman's Windy into Qubit Tone, modulated by Blue Lantern Braids.
-Cymbal: Urano Cymbal oscillator into VCF13 (Diode Drive) inside Urano.
-Reso synth: Urano Osc Type 1 into VCF12 (FilterBank) inside Urano.
-Snare Drum: Windy into Setonixsynth Marsupial, into Intellijel Springray, into FX Aid pitch shifter, modulated by Zadar.
-Sequencers: Urano and Tubbutec 6equencer.
www.gotharman.dk"

Also see: New Gotharman's EuroBoard MkII Filters for Eurorack

Blue Lantern EOS 2023 - White Semi Modular Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

You can find a demo here.

"Ergot Organic Synthesizer

Dimensions: 17x7x2

Power Range: -12V/+12V based, compatible with external Euro Format Modules.

This is an analog synthesizer with Stereo PT2399 based Echo FX.

To get it going a 1V/octave and Gate signal patched from you own gear is required.

An Arturia KeyStep can be used for example.

No patching is required to to complete the audio patch. All the basic connections are hardwired.

The user just has to turn knobs.

The EOS is based on the following blue lantern modules circuits/modules:

VCO-Lunar Modulation Lab

Mixer-Mono Sir Mix Alot

Noise Generator-Dwarf Star Shift Register Noise Generator, with additional white noise

Sub Harmonics Generator 4hp Module

Stereo Filter: Modified Parallax Filter, some features are based on Mutable Instruments Blades Filter.

Envelope Generators: APE Module

VCA-2164 based stereo vca's

Digital LFO's: Mini Digital VCLFO Module.

Features:

67 Knob Controls

24 Toggle Switches

50 Patch points

1 Stereo Headphone/Monitor Output

9 possible audio sources on the mixer

Stereo Analog Filter

Filter 1 has LP/BP/HP

Filter 2 has LP or Notch

The Filter has a signal path Scanner to blend between Mono, Parallel, or Series.

2 Digital Based LFO's. with wave form reset, and 2 banks of wave forms."

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The Ciat Lonbarde Peterlin - Peter Blasser Meets Benjolin

Chaos Patterns with the Ciat-Lonbarde Benjolin / Peterlin Synthesizer

video upload by Duskmos

Note the "Peterlin" made it's first appearance with Hainbach on May 7 here on MATRIXSYNTH. This post features a few examples from others, and additional details and pics below.

Above: "In this Signal Colors Palette video, I'm taking a first look at the Ciat-Lonbarde Benjolin / Peterlin, a tiny wooden synth featuring a nod to synthesis history by putting the focus on sound creation with a circuit design inspired by the 'Rungler' by Rob Hordijk.

Hang out while I coax some cool sounds from this wildly experimental sounding synth!"

Quirky little groove machine: Ciat-Lonbarde Peterlin first impressions

video upload by NoctopolisMusic

"Listen to albums, download tracks and support me at https://noctopolis.bandcamp.com/
I was lucky to get a Ciat-Lonbarde Peterlin (why not Blassolin though?) from the first batch at PatchPoint and these are clips from my first don´t-know-what-I-do-sessions with it. First one: solo. Second one: with Lorre Mill Double Knot 3. Third one: with Moog Subharmonicon."

Ciat Lonbarde Peterlin meets Serge VC Resonant Equalizer

video upload by La Synthèse Humaine

This is the first post to feature the Peterlin.

"first patch ring modulates peterlin xor to vcfq with a sine wave - both controlled by rungler. this is mixed with the peterlin audio output in the vc res eq and its bands get modulated by various peterlin outputs

second and third patches have a bit less and a bit more going on... all gets a little confusing and knotted up

check out my newest album Contraluz here: https://critiqueofeverydaylife.bandca..."

"Dressed in their signature banana jack-laden wooden enclosure, the Peterlin is Ciat-Lonbarde's take on the Benjolin: a tribute to the synthesizer designs of Rob Hordijk. Deceptively simple in appearance, the Peterlin is a highly interconnected instrument containing two oscillators, a resonant lowpass filter, and Peter Blasser's take on the infamous Rungler circuit. Clocked by one oscillator, the Rungler is a shift register feeding upon not only its own output, but also listening to the output of the other oscillator to further influence its data with feedback chaos. As the Rungler's CV output is then fed into the oscillators and filter, a range of hefty drones and chaotic noise is possible. Of course, the Ciat-Lonbarde take on this classic experimental instrument is filled with its own mysteries.

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Binarhythmic Walkthrough

video upload by boxoftextures

"A new Bud app! Binarhythmic, from Cem Olcay. Binarhythmic, which seemingly has far too many H's in the name because I keep leaving some of them out, is a combination of binary and rhythmic (and I only said combination because I can't spell portmanteau LOL). It's a really interesting sequencer app as instead of beats and measures it counts in binary, with each digit (potentially) being a trigger. This opens up all sorts of possibilities, because instead of "simple" patterns of four or eight notes you're counting in binary, so 1, then 2, then 4, then 8, 16, 32, etc. So you could use three binary digits to have a kick on 1 and a snare on 4, but you can go way beyond that to have some notes be conditional on others or to "gate" notes so they play for a while until a trigger hits and then they stop, to start up again at the next trigger. Endless possibilities. And that's only with three digits. If you use eight digits your sequences can now have 128 beats. And it doesn't stop there because you're transmitting MIDI notes, so you can use them to trigger other events, such as starting/stopping other sequencers, say.

When I first tried out Binarhythmic it seemed very random—flashing lights, things happening at odd times and unpredictably. But once I got the hang of it it all started to make sense. We generally work in even measures, all with the same length for the most part, but in Binarhythmic each measure can be twice as long as the last. The beauty of this is that you can use it to trigger seemingly random events because humans just can't keep track of large numbers like 32 or 64, so if something happens once every 32 or 64 notes it feels like it might be a little out of the blue.

So a couple of video housekeeping notes. Seems I was a little careless with where I ran my headset cable and picked up a bit of hum along the way. It's not terrible, but let this be a lesson to us all. But mostly to me. Also, there's a bit of chord noise as the headset mic too easily picks up the vibrations if one is not paying attention. Again, "one" being me. And lastly, reasonably sure I was able to avoid picking up any playground wailing children noise but just in case I missed any it won't be too much of a surprise. Hopefully.

And finally, the quote intended use unquote for Binarhythmic is rhythm. So of course I did not do that and instead headed out towards some sort of ambient generative territory LOL. But fun was had along the way, and of course that just shows how usable and flexible Binarhythmic can be. Definitely worth a look.

Stuff used
Binarhythmic - http://keybudapp.com/binarhythmic
Arturia iSEM - https://apps.apple.com/app/apple-stor...
Atom Piano Roll 2 - https://apps.apple.com/us/app/atom-pi...
Pipa - https://klevgrand.se/products/pipa
Ravenscroft 275 - https://www.vilabsaudio.com/ravenscro...
Velvet Machine - https://phonolyth.com/products/velvet...
AUM - https://apps.apple.com/app/id1055636344
ScreenFlow - https://www.telestream.net/screenflow...
Audio Technica BPHS1 broadcast headset - https://www.audio-technica.com/en-us/...

Mastodon: https://vmst.io/@selgart
Twitter: https://twitter.com/selgart
Patreon: https://www.patreon.com/boxoftextures"

Custom Blue UNIVOX Mini Korg K1

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"This really nice example of a Early 70's Vintage Analog Synth has been refinished in Custom Third Rock Blue with Curly Maple Side Caps and Spaulted Maple side panels. It performs and sounds as new. We were really Surprised how the outputs had very little baseline noise compared to other synths of this era. Of course, this observation is subjective. This Synth includes the original wood pieces for those of you who would prefer a more vintage look."

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Buchla U.S.A. Announces New Music Easel & 50th Anniversary Easel

via Buchla U.S.A.

Iconic. Revolutionary. Mind-expanding.

The Buchla Music Easel was one of the first truly portable electronic music instruments. Fifty years ago, in 1973, only a few dozen were made. Unlike many iconic technologies, the influence was not grown through force of scale, but rather the force of the ideas. The Music Easel made available virtually every musical dimension: timbre, melody, rhythm, and time; how these dimensions intersected was no longer the court of acoustics and material, but signals and voltage. The 208 Stored Program Sound Source engendered “a new functional organization [with a] particularly rapid system of patching and program storage via plug-in cards.”

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Ciat-Lonbarde Sidrax Organ

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Text by Peter Blasser

The Sidrax Organ follows a lineage of electronic musical instruments based on touch. It was redesigned twice, first as Sidrassi, then as Sidrazzi. It has seven wooden bars that you press to express seven oscillators within. Each oscillator has its own fine tuning slider, embedded right within its bar. Also, there is a master pitch knob, and a master chaos knob. The master chaos knob makes the instrument go from pure triangle tones to a nest of noise. It does this by gradually increasing modulation from one oscillator to the next in a circular pattern. Sidrax has enough bars to construct sweetest melodies from the triangle waves, whereas Tetrax is a simple four-bar entity, with complexity of tone for funky bass.

There are 44 modulation points brought forth as banana jacks. They are arranged in seven columns, representing the seven bars. Their layout is shifted diagonally, to allow inputs in proximity to outputs. This is for touch-playability; you can make banana jack metal studs that can be squished by hand to gesture-patch the instrument. Inputs are cool colors: blue, green, and grey. Outputs are hot colors: red and orange. The grey jacks are parallel inputs with the master knobs: the one on the left is for master pitch, the right one is master chaos. The color allotment for each bar is as follows:

Two orange jacks, representing the press and release gestures on that bar in voltage.
One red jack, which is the pure triangle output of that oscillator.
Two green jacks, that are "glitch" inputs. They cause the boundary conditions of each oscillator to wire to the output of another. A modulation inspired by circuit bending.
One blue jack, an fm modulation input for that oscillator.
The Sidrax organ has a stereo-mini output on the back. This is because each bar, outputs in different channels during the press/release cycle. In addition to the stereo-mini jack, it has an power switch, and optional built-in batteries, or an external, 9volt battery snap."

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Oberheim OB-12

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

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Massive Eurorack Setup for Sale

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

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Cherry Audio Memorymode - Sound Bank '79

video upload by Polydata

"Drawing from the earliest days of polyphonic synthesizers, Sound Bank ‘79 for the Cherry Audio Memorymode finds its inspiration in synthesizer music found in documentaries and library music from the late 70’s and early 80’s.

A bank comprising 40 patches for instant inspiration. The goal was to squeeze as much vintage analog juice out of this plug-in as possible, primarily working within the constraints of the original Moog Memorymoog analog poly synth. There's a unique richness to the sound of a Memorymoog, along with it's expanded feature set, and Cherry Audio have definitely captured that.

Sound Bank '79 is a series of vintage tones for different synths and plug-ins, so look out for future releases. Recorded completely dry with no external effects or processing.

Link:
polydata.bigcartel.com"

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"The Dreadnaught Factor" - Akai MPC X + Behringer 2600 Blue Marvin + ASM Hydrasynth + MINIFREAK...

video upload by Patrick Manderson

"'The Dreadnaught Factor' was recorded live early Saturday morning on January 21st 2023 using a MIDI sequencer, a room full of synthesizers and drum machines. Four analog mixers were used with a rack of outboard effects and mixed stereo. Mixing and automation was controlled by the sequencer directly to the synthesizers. The final reorded required manual muting of the of mixer channels to suppress the noise coming from some of the devices including the Korg Minilogue. The video was taken afterwards.

"The Dreadnaught Factor" was inspired by the box art of an early 80s video game for Intellivision. It featured a number of spaceships on a blue background much like the 2600 Blue Marvin featured in this music. The melody and chord arrangement originated from a short piece I created several years ago and later merged it with a small piece of unfinished music titled "Driod Mischief". I was pleased how the two sounded when arranged in this way. I look forward to finishing "Droid Mischief".

The Hydrasynth plays a few different roles in Dreadnaught, even doubling up with the BassStation adding filter modulations to the bass parts [3:23].

The Korg MS2000 never disappoints when you use its modulation sequencer and its charasmatic digital distortion. Several parts were played, twisting and swirling in the stereo field. Modulated tremolos off-rhythm and hypnotic.

Korg Minilogue XD has so much range - such a wide sweet spot of sound. Especially when you use the digital user oscillators. Resonating plucks and unnatural reverbs works well for my tastes.

The Behringer 2600 Blue Marvin and Model D is featured in the "Droid Mischief" part at [2:58].
The notes were played over MIDI. Volume modulation was controlled with CV from the *Akai Pro MPC X*.
The Model D ran through the inputs of the Roland TR8s for its Phaser effect. The TR8S did nothing else.

There are a few dark pad patches I re-use often on the Oberheim Matrix 1000 playing disonant chords throughout.

The Elektron Analog Rytm MkII provides most of the rhythms. Each of its 12 voices run on its own MIDI channel with a full complement of continuous controllers. Lots of CC modulation was used on some of the voices. The internal sequencer was not used. All notes and automation comes from the *MPC X*.

Arturia's MINIFREAK layered in a few bits throughout and is featured at the very end [6:11]. Macros were modulated from the *MPC X*.

Korg's Radias is 4 part multitimbral. On part #4 I keep a carefully curated drum kit synthesized with noise, sines and filters - mixed with some of the built in drum samples. Part #1 featured a vocal "ah-ha" patch [3:01] using one of the vowel waves, a formant insert effect and careful modulation of its dual filters.

My favorite guitar pluck patch on the Korg EX-8000 makes an appearance.

At the center of it all, the MPC X seemlesssly connects to everything and manages to keep all devices in perfect sync. As mentioned before - meticulous editing of MIDI events is a breeze and very comfortable over long editing sessions. Approximately 21 tracks were used including Control Voltage for the modulars.

Timeline:
00:00 project notes
00:08 introduction
00:33 The Dreadnaught
00:40 JX-08 - melodic pipes
00:58 Minilogue XD - haunted melody
01:22 Hydrasynth
01:43 MS2000 + Prophet REV2 picking up the pace
02:09 EX-8000 transition
02:16 Minilogue - vocal haunts
02:37 2600 Blue Marvin - the derelict
02:58 Model D + Radias - "Droid Mischief"
03:23 Hydrasynth doubling with the Bass Station
03:58 MS2000 + 2600 Blue Marvin - mono lead and accompaniment
04:22 GB4 + compressors + MINIFREAK handling the build up
04:51 Part 2 - "Derelict Adrift"
06:38 end titles"

CSVCO - CMOS Shift Register VCO by Blue Lantern Modules

video upload by Robots Are Red

"In this video we'll be taking a look at the 8hp V/Oct tracking shift register noise VCO, CSVCO, by Blue Lantern. This module comes equipped with a shift register oscillator that tracks v/oct, a triangle core oscillator, harmonics generator, high pass filter, decay envelope generator, and a VCA.

Jump to any section of the video here:
Opening - 00:00
Intro - 00:32
Rundown - 01:29
Tuning - 06:02
EXT In - 07:48
V/Oct Timbres - 10:05
A Little Jam - 11:45

Special thanks to Blue Lantern for providing me with an exclusive look at this fun module!"

Phantasmal Force micro MIDI controller + kasser arcade + bastl kastle drum + 1010 Bluebox

video upload by Arman Bohn

"Phantasmal Force micro MIDI controller triggering chords on the kasser arcade FM synth with the little kastle spitting out drum noise. The Phantasmal Force sent the MIDI program change message to load a custom sound off of the SD card in the arcade before I started the video. Pretty helpful and simple way to send PC messages.


Program changes light up red on the Phantasmal Force. Notes are blue, CCs yellow and transport messages are green.

#diy #synth #arduino #electronicmusic #noise #jamuary2023 #midicontroller #tinystudio #tinysynth"

Buchla 200 Breathing Funk

video upload by Buchla 200 Breathing Funk

"A little experiment. Most of the sounds are created from white & blue noise processed through the Spectral Processor
. . .
My Patreon: https://www.patreon.com/synthtodd"

Meet the New Synclavier Regen Hardware Synth

After 30 years… a Synclavier synth! What’s new and how it competes // Regen Tutorial & Review
video upload by loopop

TIMELINE:
0:00 Intro
1:50 Overview
3:55 Interface
7:50 Build & I/O
10:20 vs Go! & V
11:35 Preset nav
13:40 Red vs blue
14:00 Timbre ctrls
15:15 Effects
16:50 Note FX
17:00 Arpeggiator
17:50 Note filter
18:20 Filter env
18:55 Oscillator
19:30 Samples
20:25 Multisamples
21:45 Chop & loop
23:25 Subtractive
25:00 Additive
27:50 Frames
28:55 Resynthesis?
29:50 Modulator/FM
31:30 FM to sample
32:30 Osc chorus
32:50 Envelopes
34:40 Partial xfader
35:40 LFOs
36:30 Mod matrix
39:05 MIDI mapping
40:05 Settings
40:25 Pros & cons
45:00 More sounds?

Synclavier Digital · Synclavier Regen

via Synclavier

Synclavier Regen

Synclavier Digital is proud to announce its new product, Synclavier Regen. Drawing on the rich history of the Synclavier, while simultaneously breaking new ground in what’s possible in a desktop synthesizer. Stop dreaming, start creating. Synclavier Regen is waiting to be your new companion for sound. Additive synthesis, subtractive synthesis, and sampling have all been given equal reverence in this unique hardware Synclavier .

The new buck in the Synclavier stable
Synclavier Regen is the newest in an auspicious line of Digital FM synthesizers. Designed for desktop use, it contains the power of the Synclavier II DSP engine, enhanced and optimised. Full colour screen, liquid-like touch controls, high fidelity audio output coupled with a sound design powerhouse makes this the synth you always dreamed of.

Regen supports additive synthesis for full control of 24 harmonics. We’ve now added subtractive synthesis to the Synclavier synthesis engine, especially for Regen, allowing creation of super saws, PCM square waves, and noise generation. Or you can use samples for your carrier waveform.

And these different waveform generators can be mixed. You have up to 12 partials to use in your sound design creation with crossfades assignable to inputs such as velocity, pressure, mod wheel, and of course, keyboard.

Regen is loaded with content to get you inspired fast. There are over 250 timbre presets including 6 newly-commisioned artist timbre libraries. On top of that, there are 2 exclusive sample libraries with over 300 new samples and one mega library with over 700 original samples from the NED era.

When you’re done exploring the factory content, you’ll have fun with the sound design possibilities. You can layer up to 12 partials with different sound generators (additive, subtractive, samples) then apply dynamic effects per partial. It’s truly an expressive instrument, both to program and to play. Polyphonic aftertouch and MPE is fully-supported and there’s a sophisticated modulators section where you can apply responsive curves to properties driven by pressure, velocity, mod wheel position, and so on.

The Daddy of digital synthesis is back with a punch. Results are immediate. The DC-coupled audio outputs really kick on basslines and percussion. The pad sounds shine with that satisfying FM that is so unique on Synclavier. And now there’s a bunch of other effects, such as reverb and bit crush to play with.

Features
255 Regen timbre presets
700+ samples of royalty-free factory content
Additive waveforms, subtractive waveform generator and multi-sample patchlists
12 partials to build your sounds.
12 tracks for multi-timbral playback or stacking (layering) of sounds.
4 USB ports for keyboards and other peripherals plus one USB port for connection to DAW. And 5-pin MIDI standard (TRS).
2 full-colour high resolution screens
Senstive liquid-like touch swiper and 12 selector pads.
Multiple effects per track, including chorus, reverb, vibrato, tremolo, arpeggiator, bit crush, and multi-mode filter.
High fidelity DC-coupled audio out (stereo XLR or TS) with 130dB of dynamic range.
Patent Pending

Novation Nova Desktop Synthesiser

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

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What Do the Different Colors of Noise Mean? (analog noise comparison)

video upload by Poorness Studios

"This video comes directly from a subscriber comment. I used the Steady State Fate Quantum Rainbow to let you hear & see the different colors (white, pink, red, grey, blue, & purple) of analog noise.

Intro - 0:00
White Noise - 1:33
Pink Noise - 2:10
Red Noise - 2:35
Grey Noise - 3:07
Blue Noise - 3:34
Purple Noise - 3:54"

Circuit Bent Camera - Pocket Glitchamatic demo

video upload by LoFiFuture

"The Pocket Glitchamatic is available to pre-order for one last time here! https://lofifutureshop.square.site/pr...

Since this is the last batch I'll be making of this design I thought I'd put together another collection of footage from the camera, this time footage filmed out of a train window. It was filmed in the cameras 640x480 VGA resolution which I think looks quite nice!

The LoFi Future Pocket Glitchamatic is a re-housed circuit bent camera based on a currently produced generic branded 5MP digital camera (capable of recording 720p AVI video files)

The circuit bends are brought out onto the new front panel in for form of six push buttons (5 latching one momentary for the GLITCH! function)

The Effects...
The pair of latching buttons labelled NEON result in a pink and green colour pallet that capture bright scenes in a surreal light. One of these buttons turns the effect on and off, while the other switches between two effect types. The dual-coloured led signifies the selected mode by either shining green, or red and will not illuminate when the effect is turned off.

The other pair latching buttons labelled BANDING create banding effects across the image. There are two types of banding and can both be selected at once. The bi colour LED here shines red for one mode, green for the other and orange when both are selected at once.

The latching button labelled NOISE introduces a cool lofi, grainy noise with a blue/purple hue. The single colour LED signifies when this effect is on or off.

All of the effects mentioned above reliably produce valid video files and pictures just like it was originally intended with the unmodified camera.

The GLITCH! button however creates unexpected, heavy glitches that veer into the unstable and experimental. It is a momentary button for this reason. In video mode it produces major frame drops in the recorded footage (you wont see this apparent on screen at the time of recording) Used sparingly in video mode, it can produce some great corruption effects. but go to heavy with it and it will spit out an unplayable video file!

In photo mode the GLITCH! button is a much more usable tool, though it sometimes will create a corrupt image file, it has a much better success rate in creating glitch imagery you could never have imagined! Its a truly experimental effect for the adventurous artist willing to accept the odd corrupt file for some heavy glitch gold!

Specifications:
Video: AVI (1280 x 720 or 640 x 480 resolution)
Photo: JPEG (2592 x 1944 or 2048 x 1536 resolution)
USB web cam mode resolution up to 640 x 480
Internal rechargeable battery life (3+ hours of use on a single charge, or can be powered externally via USB)
MicroSD card slot (up to 32GB)"