MATRIXSYNTH: Search results for Chris Synths


Showing posts sorted by relevance for query Chris Synths. Sort by date Show all posts
Showing posts sorted by relevance for query Chris Synths. Sort by date Show all posts

Sunday, October 25, 2020

Legendary Synth Designer Chris Hugget of EDP, OSC, and Novation has Passed Away



I'm hearing news that Novation's Chris Hugget passed away on Friday. Anyone coming to this site, likely knows he designed the original EDP WASP series of synths, the Oxford Synthesizer Company's OSCar, and more recently, various synths for Novation. Novation has a timeline of his creations here.

"Most people know him as the genius behind Wasp and OSCar, the legendary monosynth from Ultravox's Love's Great Adventure, Stevie Wonder's Skeletons, and Jean-Michel Jarre's Revolutions Overture.

Chris' synths have been used by everybody: Orbital, Ultravox, Tom Yorke, Trent Reznor, Dire Straits, Pink Floyd, Genesis, Stevie Wonder, Jean Michel Jarre, Keith Emerson- the list is endless. His heritage synths are sought across the world, and sell for upwards of £5000.

He is a true synth legend. He is also our synth designer. Every Novation synth has been conceived, shaped and refined by his passion and expertise, which spans five decades."

Below are a few videos that pay tribute to his work. You can find additional posts mentioning Chris Hugget here.




Novation // Innovation Since 1992

Inside: Novation's Innovative Instrument Laboratory (Electronic Beats TV)




The WASP - A Very British Synthesizer


Alex Ball

"The WASP is an iconic British synthesizer designed by Electronic Dream Plant in 1978.

EDP were Adrian Wagner (yes he was a relation), Chris Huggett and Steven Evans. They only traded until around 1982, but that wasn't the end of their synth story. Chris Huggett in particular has had a prolific career in the industry, founding the Oxford Synthesizer Company in 1983 and releasing the (also iconic) OSCar and subsequently (after work with Akai), he joined Novation, who are still trading to this very day.

Back to 1978, the concept of the WASP was to build a powerful, low cost synthesizer. That seemed to have worked as one of the original reviews I found uses the headline "The Synth we can all afford" but still dubs it a professional instrument.

I also found a Moog price list dated June 15th 1978 and it lists the Minimoog as $1,995, the Multimoog as $1,495 and the Micromoog as $895. Assuming they sold for about the same in the UK, the equivalent prices would be approximately £1,090, £820 and £490 respectively. The aforementioned WASP review also states that an Odyssey is still over £1,000 in 1978, so with the WASP priced at £199 this demonstrates what a bargain it was at the time.

In fact, I had a brief conversation with a friend who remembers running out to buy it the moment he heard about it in 1978 and he still has his. It was also the first synth of Dave Stewart and Nick Rhodes among others."

Thursday, June 04, 2015

Win a Vintage Restored OSCar From Novation! - Timeline of Synths by Designer Chris Huggett


Novation has created a fantastic timeline of synths that were designed by and with Chris Huggett. Not only was he the mastermind behind Novation's line of synths, but also EDP (Electronic Dream Plant) and the Oxford Synthesizer Company OSCar.

"Most people know him as the genius behind Wasp and OSCar, the legendary monosynth from Ultravox's Love's Great Adventure, Stevie Wonder's Skeletons, and Jean-Michel Jarre's Revolutions Overture.

Chris' synths have been used by everybody: Orbital, Ultravox, Tom Yorke, Trent Reznor, Dire Straits, Pink Floyd, Genesis, Stevie Wonder, Jean Michel Jarre, Keith Emerson- the list is endless. His heritage synths are sought across the world, and sell for upwards of £5000.

He is a true synth legend. He is also our synth designer. Every Novation synth has been conceived, shaped and refined by his passion and expertise, which spans five decades. To celebrate that, we're giving away an OSCar!"

Click here for the timeline and how to enter. I captured the timeline of synths below for the MATRIXSYNTH archives. It's not as nice as Novation's timeline so be sure to see it there while it's up!

Saturday, October 02, 2021

DIY PolySynth by Chris Synths


DIY PolySynth In-Progress Demo video upload by Chris Synths

"Hi folks, here's a short, no-talking demo of a prototype 8-voice analog synthesizer I am working on. What do you think?

The hardware of each voice features two VCOs, a ladder-style lowpass and a state-variable highpass filter, wave folder, and ring mod.

All voice circuitry was made with op-amps, OTAs, and discrete components.

There is one effect, an 8-stage analog phaser.

There are two ST microcontrollers for MIDI, voice control, display driving, front panel scanning, etc. Control voltages are produced by 23 DACs, 21 DAC7554 and 2 AD5676.

Circuit design and PCB layout was done in Eagle. PCBs made by JLC. Sheet metal designed in and ordered from emachineshop. Software written in C using STM32CubeIDE. Knobs and buttons are 3D-printed."

Demo of polyphonic analog synthesizer prototype
video upload by Chris Synths

"Some demo sounds from my previous DIY analog synth prototype.

It has six voices, two VCOs per voice, a multimode filter, 3 LFO, 2 ADSR, and a phaser for effects. No Curtis or SSM chips, all discrete and op-amps. A Microchip PIC24 was used for control.

One of the design ideas was to have all the modulation in one place on the panel rather than spread around in each module, but it ended up being not as intuitive to program that way."

Thursday, February 02, 2023

Novation - 30th Anniversary | Podcast


video upload by Sound On Sound magazine

"An Illustrated Podcast
Novation - 30th Anniversary: Grooveboxes, Controllers and Synths

2022 marked the 30th birthday of one of the world’s leading manufacturers of synths, samplers and hardware controllers. In this podcast, Novation Product Specialist Chris Calcutt looks back over three decades of innovation and explores the key products, technologies and partnerships behind a British music technology success story.

SHOW NOTES
Chapters
00:00 - Introduction
00:26 - 30th Anniversary
01:02 - The First Product
03:24 - The Launchpad
06:58 - Automap
09:25 - Friendly Relations
13:08 - The BassStation
17:50 - Hands-On Control
19:07 - Analogue Sound Modelling
21:41 - The Resurgence Of Analogue
30:43 - From The Rack To The Desktop
34:33 - Moving Away From Computers
38:02 - The Focusrite Group
45:25 - 40 Years of MIDI

Novation - Biog
In 1992, Ian Jannaway and Mark Thompson founded Novation Electronic Music Systems and created the MM10, a keyboard controller designed to be used with the Yamaha QY10 music workstation. The BassStation was launched in 1993 and was used by many top artists of the day. ASM (Analogue Sound Modelling) technology was introduced in 1995 and designer Chris Huggett joined the team full-time in 1998, with the popular Supernova synth being released that year.

30 years later, while still creating grooveboxes, controllers and synths, Novation is now part of The Focusrite Group, along with ADAM Audio, Focusrite and Sequential.

https://novationmusic.com/en/30-years...

Novation - Chris Calcutt
Chris Calcutt has been the Product Specialist at Novation for over a decade. Despite coming from a more traditional background of classical music composition and playing the trombone, Chris has always been heavily involved and passionate about music tech.

As a kid, Chris would play with synthesizers and a four-track recorder on the living room floor and has since gone on to work with Novation, collaborating closely with the product developers, designing and building new and innovative electronic instruments.

Chris is responsible for representing multiple brands under Novation's parent company, The Focusrite Group, working with their European distribution partners to deliver training, product presentations, and live performances both online and at in-store events.

Chris also produces and performs live as CALC and is an active member of the experimental electronic music scene in Brighton, UK.
About The People & Music Industry Podcast Channel
Listen to experts in the field, company founders, equipment designers, engineers, producers and educators.

Available on Apple Podcasts, Google Podcasts, Spotify, Amazon or wherever you get your podcasts."

Monday, December 31, 2012

Happy New Year!

Happy New Year everyone!!!  I hope 2012 treated you well and I wish you the best in 2013!

As I do each year, I thought I'd reflect a little on the past year.  These posts are always difficult to write, and I always wing them, so bear with me.  It's impossible to justify a whole year's worth of synth coverage in a single post.  The following is just a small bit of what comes to mind when looking back.  You'll find a top ten list of posts with the most page views followed by my picks for the year further below.  Apologies if I miss anything, and of course, if you have anything to add, feel free to leave a comment below.  I'm curious what you, the readers of the site, felt stood out in the world of synths this past year.

First, I want to begin this post with a HUGE THANK YOU!!!  If you are reading this it obviously means you have come to this site and some of you have been coming here for years! Thank you for sticking with me. This site is a journey I hope to continue for years to come. Thank you to everyone that has taken the time to showcase their synths, and thank you to those that share what they find! Thank you to those that link to the site and help spread the word on MATRIXSYNTH via Twitter, Facebook, Google+ and your own websites! And of course, THANK YOU to all the sponsors on the right who believe in the site enough to support it!

A nod to previous New Years posts, pictured to the left is the MATRIXSYNTH world domination map. :)  I always think it's worth taking a look at who's watching the site.  Synths are global and you are looking at a map of the readers of MATRIXSYNTH.  Everything you see in green represents a visit from that country.  The darker the green, the higher the number of visits.  This is just for the year, but for the life of the site, we still haven't gotten a single hit from North Korea!   I don't know what they have against synths!  ;)   You'll find the top 10 visits by country further below.

This is the eighth New Year the site has gone through!  The focus for the site this year has been the same as previous years, and I plan to keep it that way.  This site is about showcasing specific synths, not just synths in general, and not just news and press releases.  The focus is on the individual synths that have existed throughout history, the technology behind them, and the lives they lead with their odd owners, myself included.  :)  Yes it is about the gear, their makers, and their players.  It has always been my opinion that synths in general have a tendency to be undervalued. Compared to say collectible guitars, they are often discarded and devalued in favor of next year's model, next year's technology.  It has always been my opinion that every synth has something of value to offer,  something specific and something unique that gives it its character. I built this site to showcase that.  This site is about the history of synths as their history unfolds - videos and images of synths being played and used, by both those that make them and those that play them.  Vintage synths being offered in the second hand market, being exchanged from one sonic explorer to the next. It really is a wondrous thing. Think of the magic synthesizers bring into your world. That is what this site is ultimately about.  Some posts may not seem to make sense now, but they will in time, because they will be a look back in time. A day in the life of a particular synthesizer.  I love analog and I love digital. I love all synths and this site celebrates that.

And now for a little reflection on the year. This year we had a total of 16678 posts including this one.  That comes out to roughly 45.69 posts a day.  Not a single day of the year went without a post.  So what dominated the synth year?  Mobile, modulars and a few dedicated hardware synths.

Friday, November 26, 2021

Learning Modular Conversations with guest host Todd Barton


video upload by Learning Modular

"This is the replay of the September 2021 "ask me anything" Zoom session for Patreon subscribers of Learning Modular (https://www.patreon.com/LearningModular). In this second session, Todd Barton (https://toddbarton.com) was asking questions of Chris Meyer of Learning Modular, and moderating questions from the live attendees covering modular synthesis composition, performances, and systems. Subscribers to Todd's Patreon channel (https://www.patreon.com/) were also invited.

If you would like the opportunity to view these sessions live and ask your own questions, subscribe to Learning Modular on Patreon (https://www.patreon.com/LearningModular). The August host was Trovarsi, and the October host was Kim Bjørn, with two more sessions planned to fill out 2021. Your response to these replays will determine if we continue them in 2022.

Here is an index to the subjects discussed in this session:

00:00 Introduction
01:33 What is the meaning of life? (Yes, Todd actually asked Chris that, and yes, Chris answered)
02:07 How does Chris not get overwhelmed when approaching The Monster to create a piece of music?
04:43 How does Chris know what he wants to compose?
06:28 Is there a narrative or structure to Chris’ work, or does he create free-form?
08:43 Thoughts from Chris and Todd on compositional “forms” for electronic music
15:47 When to ignore the 'rules'; when to lean on them
19:17 When to introduce a change in the music
23:50 Patching for evolution
28:03 Chris’ lighting during recent music videos
31:22 How much of a performance is written out versus improvised?
35:55 Editing improvisations down to tracks for an album
39:12 How do you organize it when more than one person is improvising together?
42:20 What is coming up for both of us?
45:00 Using synths as individual instruments versus cross-pollinating them
51:20 Todd on the new Buchla Music Easel
54:56 Patching 'from zero' versus pre-patching
56:26 Chris on color-coding patch cables
57:43 Creating the patch symbol language for Patch & Tweak
01:01:18 Serge Tcherepnin’s approach to creating synthesizers
01:04:55 Approaches to stereo and quad sound
01:15:00 Do we use MIDI?"

Thursday, November 11, 2021

GEOSynths Synth Show - Ep119 - Special Guest - Chris Meyer


video upload by GEOSynths

"Synthesizer Podcast - Special Guest - Chris Meyer
Episode 119 - Thursday 11th November 2021
@ 7pm UK (2pm EST)

Chris Meyer

With over 5 decades within the Music Industry, not many are as knowledgable or as experienced as Chris Meyer. He’s worked with Modular Synths since the 70’s and started working for Sequential in the early 80’s and is the one who invented “Vector Synthesis”. He later worked for a variety of Companies, including Roland and was heavily involved with the revisions of the MIDI specification.

Chris later moved into the Film and Video Industry, composing Soundtracks, however this also turned into creating a Motion Graphics Business using Adobe After Effects, where he subsequently went on to writing Books and providing Technical Courses and other learning material.

The Teaching element has stayed with Chris and many will know him from his YouTube Channel and Website “Learning Modular” where he provides training and guides for those who want to delve deeply into Modular Systems, however it is very informative and useful for anyone into Synthesis.

As well as the Teaching, Chris continues to write and has co-authored Books like “Patch & Tweak” amongst others and if you want to hear his Compositions, then check out 'Alias Zone' on Bandcamp.Website -

https://learningmodular.com
YouTube - https://www.youtube.com/c/LearningMod...
Bandcamp - https://aliaszone.bandcamp.com/album/..."

Related; The Sound of the Prophet VS

Chris Meyer Learning Modular posts on MATRIXSYNTH


Additional Prophet VS posts

Saturday, April 28, 2007

Interview with Hexfix93 of VAC

The following is an interview I just wrapped up with hexfix93 of Velvet Acid Christ. As you know, this site is about the gear, namely synths, and the gear that helps drive and enhance synths, but ultimately the focus is on synths.

I was chatting a bit with hexfix93 and asked him if he would be interested in a slightly different take on an interview, one focused on synths and their impact to his world. We all have our story regarding how our obsession with synths first started, how we see and approach synths and what they mean to us. I thought it would be interesting to hear his story. The following is the interview.

Before it begins, I want to thank hexfix93 for taking the time out for this. We all have a different approach and a different story when it comes to our synths. This is his. For more of his music check out VAC and don't miss Toxic Coma. Cheers, matrix.


1. What was your first synthesizer, how old were you when you picked it up, and why did you pick it up?

"It was some kind of old yamaha cheap thing. i got it for my atari st, so when i played games like leisure suit larry that the music wouldn't come from the wimpy fm built in sound, but a general midi synth instead. it really didn't sound all that great. i wasn’t really a keyboard player at this point.

The first synth i got as a keyboard player was a roland w30 sampler workstation. And we made like 3 records with that keyboard. i remember gary slaughter an x vac member, spilled orange vodka drink on it. and i had to take it apart and clean every part of it by hand slowly, it took weeks. it was a pure nightmare.

Wednesday, November 01, 2017

Lightbath's Synth's in the Catskills Event

The following are live performances in order for Lightbath's "Synth's in the Catskills" event. Lightbath's performance is last.

Buchla Music Easel Live in the Catskills

August 26, 2017 Published on Oct 24, 2017 sean julian

"A short live set on the BEMI music easel using a looper and delay pedal."

Synths in the Catskills

Published on Oct 24, 2017 Chris Penalosa

"Full set at the Beehouse with heavy use of the Field Kit's electroacoustic sounds and Landscape FM's AllFlesh into Rings string modeling. Part of Lightbath's Synth's in the Catskills event."

Emily A. Sprague - Live at Synths in the Catskills ~ Eurorack Ambient

Published on Oct 24, 2017 Emily Sprague

"This is my live set from August 26, 2017 at Synths in the Catskills."


catskills summer twenty seventeen from tehn on Vimeo.

"tehn, live improvisation.

synths in the woods, hosted and filmed by https://lightbath.com"

Eternal Function @ Synths in the Catskills August 26, 2017

Published on Oct 26, 2017 egnekn

"Gen Ken Montgomery & David B. Greenberg

Thank you Bryan Doll"

Holy Fire (live excerpt) | Synths in the Catskills - Eurorack Modular Synthesizer

Published on Oct 24, 2017 Lightbath

Monday, September 28, 2015

Upcoming Sound Labs at Amsterdam Dance Event Oct 14 - 18

Workshops at this years' Amsterdam Dance Event currently include Moog, STEIM, Ginko Synthese, and Falafular Synths. Details follow.

ADE Sound Lab: a modular synth heaven

"The modular synthesizer has always been an integral part of dance music, and ADE Sound Lab will shed a light on its heritage during a three day modular synth bonanza.
If you're planning on visiting ADE Sound Lab make sure to grab the annual ADE Card, which allows you to access MusicTalks and live performances.

Modular synths have been on the rise of late. Their new found popularity boosted the modular market in unforeseen ways. The market has spiked like never before, and there are ever more and more musicians, artists and producers making their own modular set up in search of unique sounds and machinery.

ADE Sound Lab focuses on the history and heritage of synths by inviting sound designers, inventors and even some legends of the modular world to inspire you with talks, workshops, performances and a Modular Market. By exhibiting the latest inventions in (modular) synthesis ADE explores the realm of the development of new electronic instruments, (modules for) modular synthesizer systems and audio installations, as well as innovations in the field of image and visualisations of sound. Amongst other work, ADE Sound Lab introduces the Modular Expo.

Do It Yourself Synth Building Workshops
You can not only play around with existing modules and modular systems, but you can also build your own synthesizer. ADE Sound Lab offers several Do It Yourself workshops, some free of charge, others for a fee. The latter will ensure you can take your brand new, playable synth back to your home studio.

Moog’s Chris Howe will head the workshops on Thursday and Friday. Friday will see a workshop that will be led by STEIM - Hypothetical Instruments, which will focus on the future of electronic music, what instruments will be needed and how we will correspond with those yet-to-be-invented modules. On Saturday, the DIY Workshop will be hosted by Ginko Synthese who will let you build your own synth with their very own DIY kits. They’ll even let you make a case to harness the instruments. Falafular will host on Saturday. If you like to learn more about prices and workshop registration, keep a close eye on our website and the respective event pages.

Workshops
Moog Werkstatt by Chris Howe (Moog Music Inc, US)
Werkstatt Workshop provides a way for synth experts and novices alike to explore subtractive synthesizers. Through hands-on instrument modifications, participants will learn the fundamentals of subtractive analog synthesis and the control voltage paradigm. Analog synthesizers have long had their own maker culture born of curious engineers, physicists and hobbyists who have created and crafted their sounds through electronic experimentation. It is our goal to share our love for learning, music, and electronics by encouraging everyone to create the world they want to hear, one mod at a time.

STEIM - Hypothetical Instruments
In this workshop you can design machines for creative expression. Working with low and no-tech, you’ll build non-functional instruments aimed at inventing the music machine of the future. By taking as a starting point how an individual imagines the experience of playing electronic music, we will spend the afternoon making the perfect machine or instrument for that person. This process is directly informed by the designers and researchers from Native Instruments, Johannes Kepler Universität and STEIM, with the goal of making instruments that are positioned on the bleeding edge of technology.

Ginko Synthese
Ginko Synthese, the braindchild of Jan Willem Hagenbeek, aims to close the gap between the stage and the studio. At ADE Sound Lab they will be presenting easy to build cheap DIY kits. The components are available at a reasonable price. The popularity of these kits is currently spreading across the world fast, meaning that a lot of new user codes are becoming available almost weekly. You can use these modules as granular oscillators, wavetable oscillators, drum synths and even as clock sources just by uploading a different code.

Falafular Synths
Falafular is the SDIY brand that enabled Falafelbiels (Niels Kloet) to build himself a fabulous modular synthesizer. The ’S’ in SDIY stands for soldering, and Niels Kloet will show you the nit and grit of Do It Yourself synth building.

ADE Sound Lab is organised by ADE, in cooperation with Creative Industries Fund NL, the Dutch fund that offers sound pioneers and innovators an opportunity to demonstrate what they are working on, as well as helping them to develop their talents further in a 'hot house' environment.

ADE Sound Lab
Dates: Thursday Oct. 15 - Saturday Oct. 17
Time: program starts at noon
Venue: Compagnietheater
ADE Sound Lab is a free program (except for the ADE MusicTalks series and live performances, free for ADE Card holders, also accessible for 1 & 5 Day conference ticket holders)."

Tuesday, August 17, 2010

Chris Carter - Interloop


Chris Carter - Interloop by Optimo Music

"chris-carter-interloop
Chris Carter Throbbing Gristle Spaces Between Cosey Optimo Music

Originally recorded between 1974 and 1978 at Industrial Records studio in London 'The Space Between' album was first released as a 90 minute cassette in 1980 on Throbbing Gristle's Industrial Records label. It wasn't until 1991 that it was again released by Mute Records on CD. Although tracks from 'The Space Between' have appeared on numerous compilations since its release, the album has never been available on vinyl until now.

This new vinyl edition on Optimo Music, now retitled 'The Spaces Between', doesn't include all the tracks of the original album but has been enhanced and remastered from the original two-track master tapes and has new cover artwork especially for this release.
Released by: Optimo Music
Release/catalogue number: OM008
Release date: Sep 20, 2010"

I asked Chris Carter if he remembered what he used on this track. The following is what he had to say: "I'm a little fuzzy on specifics for individual tracks from this album as it was recorded over a four year period (1974 - 78) but as far as I can remember 'Interloop' was recorded on a Tascam 4 track - probably a A3340S. I think the synths used were a Roland SH-1 for the sequence and an Roland SH-5 for the synth lead line. A Roland System-100 104 Sequencer was driving the SH-1. I am pretty sure the delay effects were from a Roland RE501 and probably a couple of Boss pedals - a phaser and a chorus most likely - all Roland basically."

http://chriscarter.co.uk/
Twitter: @chris_carter_

Wednesday, June 04, 2014

New I Dream Of Wires 2014 Documentary Trailer - Official


I Dream Of Wires 2014 documentary Trailer - Official from I Dream Of Wires on Vimeo.

"Waveshaper Media presents
a film by Robert Fantinatto and Jason Amm
I DREAM OF WIRES (2014)

I Dream Of Wires is an independent documentary about the history, demise and resurgence of the modular synthesizer, featuring interviews with modular musicians, inventors and enthusiasts, including Trent Reznor (Nine Inch Nails), Gary Numan, Vince Clarke (Erasure), Morton Subotnick, Chris Carter (Throbbing Gristle), Daniel Miller, Carl Craig, Flood, Cevin Key (Skinny Puppy), James Holden, Factory Floor, Legowelt, Clark, John Foxx and Bernie Krause, as well as manufacturers and modular industry leaders Doepfer, Modcan, and Make Noise.

Although April 26 will be the world premiere of  I Dream Of Wires' 90 minute theatrical cut (at Moogfest), a 4-hour Special Edition cut of the film, I Dream Of Wires: Hardcore Edition, was released on DVD and BluRay in late-2013, and has already become an underground, grassroots sensation amongst electronic musicians and fans, with high profile reviews and coverage from the likes of NPR, Arte/Tracks, Pitchfork, The Wire, and FACTmag. Despite it's imposing 4-hour length and ultra-niche target market, the Hardcore Edition ("for the hardcore modular synth and electronic music fanatics") has proven an independent hit. Now, stripped of the Hardcore Edition's techy excesses, I Dream Of Wires' theatrical cut is set to bring the fascinating story of the modular synthesizer, a story driven by passionate and innovative people, to the masses.

I Dream of Wires begins with an historical primer, exploring the early development of modular synthesizers from pioneering companies Moog Music Inc. and Buchla and Associates, right through to the near-extinction of these instruments, brought on by the introduction of portable, digital synthesizers in the ’80s. From there, the rebirth of the modular synthesizer is retraced, leading into the phenomenal resurgence of the modular synthesizer. Along the way is some in-depth exploration of the passions, obsessions and dreams of people who have dedicated part of their lives to this esoteric electronic music machine. What started out as a “vintage-revival scene” in the ’90s has grown into an underground phenomena with a growing market of modular obsessives craving ever more wild and innovative sounds and interfaces. Today, the modular synthesizer is no longer an esoteric curiosity or even a mere music instrument — it is an essential tool for radical new sounds and a bona fide subculture.

Additional credits:
Director: Robert Fantinatto
Producer: Jason Amm
Soundtrack: Solvent (OST via Suction Records)
Trailer: Kevan Byrne

"I Dream Of Wires shows how, in the same way that the instruments themselves are rewiring both performers' and listeners' expectations about electronic music, the community that has evolved around modular synths is changing the relationships between users, sellers, and makers…"
- The Wire magazine (UK)

"As far as documentaries go, this is a slick, polished production. The film looks great, and as one would hope and suspect, the audio is wonderful, with the score by Solvent setting the perfect mood throughout...."
- Film Threat (USA)

"…lingering close-up shots of analog synths aside (and there are a lot of these), perhaps what's most joyous about I Dream of Wires is that it profiles a subculture that has almost nothing to do with the music industry."
- The List Film (UK)

"I would highly recommend Robert Fantinatto's documentary film not only to anyone interested in modular analog synthesizers, but to anybody interested in sound and the electronic reproduction of audio in general. This film is so well made it should appeal to anyone curious about people who are obsessed with minutiae, weird sounds, and music that 97 percent of the planet would find annoying."
- Tape Op magazine (USA)

"With its excellent narration and top-notch interviews with pioneers and popularizers like Morton Subotnick, Gary Numan, and Trent Reznor, I Dream of Wires gives us a glimpse into the mind of electronically-minded musicians and their often revolutionary perspectives on music, technology, and human ingenuity.... If you’re curious about the wide world of synths but intimidated by the steep learning curve, check out this movie...."
- DigBoston weekly (USA)

"A recommended watch for those with any degree of interest in synths and synth music. 10/10 Excellence"
- Music Tech magazine (UK)

"…if synthesizers are your thing this documentary provides a huge amount of insight and should appeal in particular to musicians or engineers."
- HMV (UK)

"…this is as thorough a study of the unique appeal of modular synths as you’ll find."
- Attack Magazine (UK)

I Dream Of Wires
idreamofwires.org
vimeo.com/idreamofwires
twitter.com/IDOWdocumentary
facebook.com/idreamofwiresdocumentary"

Tuesday, January 26, 2010

A New World in Synthesis


YouTube via Pic2008Lex

Note the above video does not feature any synths. It is a concept video for a tablet UI. The hardware looks like the majority of artist renders for the upcoming Apple iPad/iSlate. If you haven't heard, tomorrow, Apple will announce their new tablet device. Rumor is it will essentially be an iTouch with a 10" screen, more power, memory and may have the ability to run multiple apps at the same time. [Update: it most likely will]

Why is this a new world in synthesis? In short this is a new hardware platform for synthesis. Yes it is an extension of the iTouch platform, but the obvious key difference and game changer in my opinion will be the size of the screen. For example, imagine controlling all of your synths running Numerology on the device in that video. Imagine interfacing with your modular with a UI optimized version of VOLTA or Expert Sleepers. Imagine running Way Out Ware's iSample, or how about an ARP2600 emulation with sliders. Imagine running Audio Damage's tattoo on one, etc. And don't forget the accelorometer. Processing power, additional memory, and potentially running multiple apps at once will only add to the advantage the slate will have over the iTouch.

Tuesday, July 20, 2010

5 Years of MATRIXSYNTH!!!

It's that time again. Today is the five year anniversary of MATRIXSYNTH!!! I like to share a little bit about how the site ticks in these posts, some of the history for those that don't know it, some miscellaneous insights this year, and of course some numbers.

It all started back in July 20, of 2005, with a brief post wishing Dr. Bob Moog well. The brevity of the post was a bit of a foreshadowing of what the site would become.

I started the blog when the old site just wasn't cutting it anymore. I created the old site back in 1997 (before The Matrix movies ever existed BTW) as a personal portal for the various synth sites I used to visit. In 2005, blogging was just becoming popular. I found that I had a difficult time keeping track of things in email, my favorites list and the old site. The problem was many of the interesting bits were buried within sites, and possibly more importantly, a new method of sharing information was just emerging. Flickr (Feb 2004) and YouTube (Feb 2005) were just starting, Vimeo (Nov 2004) was relatively unknown, and SoundCloud (Aug 2007) wasn't even around yet.

In 2005, I created MATRIXSYNTH, the blog. I started tracking "Everything Synth". I let people know on various synth forums and email lists I belonged to about the site. In time it grew and people started sending things in. I realized what the site was becoming. It wasn't just a place for me to track stuff, but a place for anyone into synths. It was a daily heartbeat on what people were doing with their synths, not just a news site. In the beginning I posted every single image that came in on Flickr featuring a synth, and every single video on YouTube. It was fascinating at the time, because before then you never really saw what other people were doing, unless you knew them, or unless they had the means to host their own website. Flickr, YouTube, SoundCloud, Blogger, Word Press, and other hosting sites changed this. The site became a place for people to share and promote what they were doing. I received emails from people thanking me for connections they made because of the site. Many sites announced themselves here including DVDBORN (Jan 2, 2006), Muff Wiggler (Dec 4, 2006), TRASH_AUDIO (Oct 22, 2007), Analog Suicide (Dec 23, 2007), NOISESOURCE (April 22, 2008), and many others. The site currently gets over half a million pageviews a month. Think about that. More on the numbers in a bit. Before I get bombarded, I no longer post site announcements simply for the sake of site announcements. At 50 posts a day, it would be suicide and with the amount I post and I would take you all down with me. :) Posts have to be about specific synths, and via links are given.

There have also been a plethora of product announcements from manufacturers that read the site - too many to list. BTW, be sure see the MANUFACTURERS section on the right and the MANUFACTURERS page for a list of manufacturers that read the site and have taken the time out to send in a small 250px x 100px image. Note placement on this page is free. If you are a manufacturer, send me an image and I will add it. Note some dealers are listed there as well. Back to some history...

When I first started the blog, I wanted to put up a post at least once a week. It turned out to be more like once a day. I then wanted to put a minimum of five posts up a day, and then 10. I remember days when I didn't think I was going to hit it, and I remember days when I was so stressed out due to the sheer number and complexity of certain posts that I was ready to give it up. Every single post on this site is put up manually - there is zero automation. I now put up close to fifty posts every single day, seven days a week! With the exception of August 6, 2005, at least one post has gone up every single day since the inception of the site. If I only knew then what I know now I would have posted something on that one day. [Note: I thought I missed more than one day, but I couldn't find others - check out the archives in the right by clicking on the side triangles to drill down - if anyone finds another day I missed, let me know]. For those that are curious, it takes me anywhere between about four and six hours a day to do this. How do I have the time? Eight hours (usually less) of sleep, eight hours work, and eight hours for everything else (blog). I do contract-based work from home, so the entire day is pretty much spent behind my laptop working, with only a few breaks for food and a bike ride so I don't melt into my lazy boy. Weekends I get out and make time for my synths, friends, family, etc. The site pretty much is a full time job including weekends. How do I do it? I love it!!! That and there is a technique I honed over the years as crazy as it sounds. The more you do anything, the easier it becomes. It doesn't feel like work to me and even though things are not automated, I have a rhythm and a routine that I have relatively mastered. It took a couple of years to get that rhythm down. Now it's a bit of an addiction. That and with contract-based work I also work in surges, meaning some days are busier than others, and in between contracts I have more time on the blog. It all just works out. This brings me back to the note on that very first post back on July 20. At the time, I really didn't know what to say. It was an awkward first post but with the news that day, I knew that had to be the first post. I thought about what to write and I realized there was nothing I could say, other than providing the link, asking others to wish him well, and getting the heck out of the way. The post wasn't about me, it was about him. That has pretty much evolved into the theme of the site to this day. I want people to experience what others are doing, not my reflections on it. Once I realized that, posting became much easier. Part of this was also realizing that the number of posts going up can be difficult to consume, for myself included. The less I say the less time I waste. I try to keep things short, to the point, and myself out of the post. The site is a bit like conveyor belt sushi, a buffet, or tapas bar. Stuff constantly comes in and you can either take all of it in, or just pick what you want. The cool thing is everything is archived so you can come back to it later.

Some people ask me why Blogger? The reason is it's free and it's owned and hosted by Google. If I'm ever unable to run the site for whatever reason it will stay up. We have lost too many great synth sites over the years unfortunately. The excellent drummachine.com immediately comes to mind. If anyone remembers the site, it was the best site dedicated to drum machines - tons of pics, details and audio samples. It's now a promotion site. This is going to sound crazy, but the limitations of Blogger also keep things a bit more manageable and in check. I like the site as it is. It is what it is and that's what makes the site.

Time for some numbers. I'll try to keep it short this time. According to Google Analytics, since the inception of the site, there has been a total of 8,054,806 visits and 16,856,224 pageviews. That's up from 5,774,890 visits and 11,233,869 pageviews as of last year. If you look at the bottom of the site you will see Site Meter has me at 8,337,466 pageviews. This is because I started Google Analytics after Site Meter and I missed adding back the Google Analytics code a couple of times when updating my template. If you click on the map, you will see we are still missing a few countries. North Korea, I haven't said anything bad about you!!! It blows me away to think visits came in from some places. I chose the map for the image in this post because of this. This site is global. You get to see what people around the world are doing with synths on a daily basis. The site exists because of everyone out there who loves synths - you, me, and those that may not even know about the site yet. It's been a great five years and I look forward to the next. THANK YOU!!!

Update: Twitter: via Chris Carter!!!
http://chriscarter.co.uk/ @chris_carter_
http://www.throbbing-gristle.com/
http://www.chrisandcosey.com/
http://en.wikipedia.org/wiki/Chris_Carter_%28musician%29


HAPPY 5th BIRTHDAY MATRIXSYNTH from Chris Carter on Vimeo.


"Experimentally yours...

Chris Carter"

Update: I forgot to note the number of posts since the inception of the site. Including this post there was a total of 43,951.

Thursday, September 22, 2016

Dave Smith Instruments "In The Spotlight with the PRO 2" with Chris Stack


The eighth in Dave Smith Instruments' "In The Spotlight with the PRO 2" series is currently up with Chris Stack here.

"Player of synths, computers, guitars, ouds, flutes, and percussion. Principal editor, writer, videographer, musician, and researcher at experimentalsynth.com — that’s how Chris Stack describes himself. His musical endeavors range from 'Xenography,' a new album of synth, Moog Guitar, piano, shakuhachi, and processed voice works, to solo performances on piano and oud. Chris’ past music/tech experiences include marketing manager Moog Music and Vo Inventions; stints as engineering manager, marketing manager and manufacturing manager at dB-tronics; printed circuit designer at Computer Dynamics; and freelance printed circuit designer for Bob Moog at Big Briar."

You can find links to all of the "In The Spotlight with the PRO 2" interviews here. Scroll down for each.

Tuesday, May 23, 2017

Kurzweil Forte 7 & Artis Demos with Chris Martirano


Published on May 23, 2017 Kraft Music

"Find exclusive Forte 7 BUNDLES at Kraft Music:

http://www.kraftmusic.com/brands/kurz...

Chris Martirano from Kurzweil Demos the Forte 7 Digital Stage Piano at Kraft Music.

The Kurzweil Forte 88-key and Forte 7 76-key digital stage pianos are the most advanced keyboards to ever wear the Kurzweil logo. Flash-Play provides the Forte with a staggering amount of horse-power; 16 GB sample content with zero-loading time (including brand new Japanese and German Grand Pianos, Vintage '77 and '73 Tine Electric Pianos, Wurly, Clav, Harpsichord, Celeste, and much more...), heaping mounds of powerful DSP, and ultrafast performance. In addition, the Forte features twice the FX power Kurzweil has ever offered; a new UI with widescreen color LCD display; sliders with LED ladders; KORE64, PC3, and Artis series sounds; and dedicated master EQ and Compressor. Software Editors allow you to get deeper into editing and take control from your Mac/PC or iPad.

Be sure to check out Kraft Music's exclusive BUNDLES for the Kurzweil Forte digital stage piano that include great accessories you'll need to get the most out of this instrument. Whether you need just the essentials, or want to complete your setup for the stage or the studio, we have a money-saving package deal on the new Kurzweil Forte for you!"

Kurzweil Artis 7 Demo with Chris Martirano

Published on May 23, 2017 Kraft Music

"Find exclusive Artis 7 BUNDLES at Kraft Music:

http://www.kraftmusic.com/brands/kurz...

Chris Martirano from Kurzweil Demos the Artis 7 Digital Stage Piano at Kraft Music.

Designed to be simple and powerful, the Kurzweil Artis digital stage pianos are all-in-one gig machines, with astonishing sound quality, 128-voice polyphony, 88-note hammer-weighted (Artis) or 76-note semi-weighted (Artis7) key action, and a user-friendly interface. Highlights of sounds in these instruments include a 9' German grand piano, KB3 ToneReal™ organs, 256 factory programs (including EPs, Clavs, strings, synths, horns, drums, percussion, guitars, vox, mallets, and more), and 256 factory multis. The Kurzweil Artis also features a global 3-band master output EQ, programmable physical controllers, and dedicated transpose buttons. The user interface includes comprehensive sound selection tools such as direct category and program/multi sound selection with assignable category default program/multi. You also get 10 dedicated, easily accessed front-panel buttons for 1-button recall of your most-used programs and multis.

Be sure to check out Kraft Music's exclusive BUNDLES for the Kurzweil Artis and Artis7 digital stage pianos that include great accessories you'll need to get the most out of these instruments. Whether you need just the essentials, or want to complete your setup for the stage or the studio, we have a money-saving package deal on the Kurzweil Artis for you!"

Monday, September 26, 2011

DSI Tempest - Impressions by Chris Randall

flickr By Chris Randall

Chris Randall of Analog Industries and Audio Damage put up some impressions of the new DSI Tempest. He sounds pretty impressed.

"To describe this thing as bad ass is to understate the matter entirely."

If you followed the DSI line of synths you know the Evolver has four oscillators, two analog and two digital with the Prophet VS waveforms. The Prophet '08 and Tetra forgo the digital oscillators. The Tempest has the four with additional digital waveforms added. "The digital oscillators comprise several methods of making noise (they did a very good job in the noise selection department), a couple hundred different drum samples running the gamut of styles, and the complete Prophet VS waveform library. They are quite capable, and while being necessarily drum-centric, Tempest can also do a pretty favorable turn as a synth."

The one thing to note is the Tempest is six voice polyphonic, while the Polyevolver is four. Be sure to see the rest of Chris' impressions. He also comments on how the envelops differ, MPC-60 style swing on the unit and it's overall tightness.

Thursday, July 20, 2006

One Year Of Matrixsynth

The short version:

Today marks the one year anniversary of Matrixsynth. It's exactly one year and 3148 posts since I started this site to track everything synth. Thanks to everyone who makes this site great by either sending stuff in, posting in the comments or spreading the word.

The long version:
I started this blog because my old site Matrixsynth.com/old simply wasn't cutting it anymore. I created the original site in October 1997 as my portal into the world of synths. I'd see an interesting site and add a link (BTW, the alias matrix and the green on black color scheme came well before The Matrix movies. My first and favorite synth was an Oberheim Matrix-6, hence matrix. I'm a synth geek not a Matrix movie geek).

As time when on I found it difficult to find stuff I previously came across. So... I figured what better way to store and make all of this available to others than via a blog. The idea is very simple. I sub to a bunch of lists, feeds and forums; people send me stuff, I interact with people and I see things I want to save for posterity. When I see something I think I might want to see again, I post it. No discrimination. BTW, if you haven't noticed, this site is not meant to be a journal or publication. It's just a bunch of stuff about synths. If you enjoy synths, I hope you enjoy what you see here. It's a heartbeat on what others also into synths are doing, or rather what I happen to come across on a daily basis. Nothing more, nothing less.

When I first started the blog I never would have guessed so much stuff was out there. People asked me if I thought I would ever run out of things to post. I actually wondered myself. The answer turned out to be only if others out there run out of things to share themselves. Which leads me to...

THANK YOU

I want to say thank you to everyone out there who supports this blog. Anyone that has sent me something worth posting. Anyone that takes the time out to engage in the comments and of course everyone that reads this site and spreads the word. Thank you. It's actually crazy. I started the blog to track stuff only I came across. It's turned out to be a whole lot more. I never would have thought people would be enriching the site via the comments and letting me know when there was something else worthwhile posting. Thank you. BTW, you should notice that I frequently update my posts with comments and I always give credit when credit is due.

As a side note, at one point I offered to open up Matrixsynth for others to post but I got a resounding NO, so I created SYNTHWIRE for others to sign up and start posting. You can also promote your own stuff there, so use it!

Back on point. So, what next? Another year of posting. Thanks all, it has been one heck of a year.

Special thanks to moogulator of sequencer.de, Tom Whitwell of MusicThing, Peter Kirn of Create Digital Music, James Grahame of Retro Thing, Chris Randall of Analog Industries, Circuitmaster of GetLoFi, Carbon111, George Mattson, Brian Comnes, Dave (The Packrat), Dennis Verschoor, fmasseti, Loscha, Ross Healy, Steve Barbour of Gnostic Rocket, vlada of One Blue Monkey, deb7680 of Chroniques de la Mao, Rick of Electricmusicbox, Heath Finnie, DVDBorn, Mark Pulver, Doktor Future, Cikira, and of course Elhardt. ; ) You all contributed a little extra to the blog in your own way. Thanks for that.

And of course to the late great Bob Moog and all the synth manufacturers out there. Thank you.

And last but definitely not least, a HUGE thanks to my wife and daughter for tolerating the time and effort I put into this site on a daily basis. Thank You!

Update: I also want to thank Fernando Alves for making my favicon way back, and Paul and Brian Comnes for being the only two people that bought my matrixsynth shirt way back.

And of course, every person or site I've put up a post on. Thanks for having something worth posting about. ; )

Wednesday, November 02, 2005

Chris Strellis - The Release featured on Arturia

Back on September 6, 2005 Chris Strellis gave me the go ahead to post his tribute to the late Bob Moog, titled The Release. It's an amazing track using the Arturia Minimoog and Modular V soft synths along with samples of Bob Moog. Arturia just put it up under their The Highlight of the Month section. If you haven't heard the track yet, you owe it to yourself to do so. It is one of the best tributes to the late Bob Moog that I've heard; a beautiful and powerful piece. I do not like to favor one person's tribute over another, but this really is THE tribute piece in my opinion. The samples and flow of the piece are breathtaking, especially with the samples of Bob and finally when the pads come in. When the pads do come in, I can't help but think of Bob's passing and his release from our world and time. Title link takes you there - scroll down to the bottom of the page for a link to the track (if you catch this post after the link is gone, you can also check out my old post which includes some comments from Chris Strellis as well). And of course there is Chris Strellis' website.

Saturday, January 18, 2014

KORG WAVESTATION SR + PSC-1S 2S 3S (rarest wavestation cards!)

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

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