MATRIXSYNTH: Search results for M Me

Showing posts sorted by date for query M Me. Sort by relevance Show all posts
Showing posts sorted by date for query M Me. Sort by relevance Show all posts

Thursday, May 23, 2024

Dave Smith Poly Evolver soundscape - And all that we could see was gone

video upload by MIDERA

"Following my other recent videos, trying to just take my synths on a journey and see where they take me. I've most enjoyed the Jupiter 6 and JD-800, surprisingly so. I thought - the next synth should be the Poly Evolver. I figured this was a good one to test because 1) it's so unique and 2) it is somewhat similar to the UDO Super 6 minus two voices, like a Super 4. They both are 'binaural' in a sense, with two oscillators per side. I think the Poly Evolver isn't likely as fluid as the UDO to edit though, given that you edit the oscillators so independently on the Poly Evolver. Also, you can't double the voice count when throwing the synth into monoaural or however you'd call it on the PEK.

What I've noticed for myself is that... I seem to get the same sounds out of the PEK every time I play it. That's for sure on me, but it just gets this 'sound' that is hard to describe, but maybe it's just its 'character'.

Well, I was left feeling a little underwhelmed by this exploration. Yes - I'm still trying to sell gear to grab a Super 6 to see what it can do for me.

Note: My camera wasn't recording the first 10 minutes. I didn't realize this till later, so I took that audio and threw it at the end of the video and put some placeholder footage there. My apologies.

Eventide Blackhole VST used for reverb"

Monday, May 20, 2024

Roland Jupiter 6 soundscape - Descent into a timbre of darkness

video upload by MIDERA

"This was a journey... There were many moments when I thought 'How is this occurring?' I would then try to manipulate something to determine how it happened. To be clear, I recorded this thinking 'I will be deciding tonight whether I keep or sell this infernal machine.' I honestly can't believe the breadth of the sounds I got out of it. My typical go-to comment about the Jupiter 6 is this: 'The Prophet 10 sounds the same, but better.' And unfortunately, that's just not true. The Prophet 10 just sounds like a warm soft blanket that always sounds good. The Jupiter 6 sounds like a cold wet towel, and you know what? Sometimes in a blazing hot summer day, that wet towel probably feels good. Plus, you're really not supposed to leave home without a towel, generally speaking.

I did notice some clipping. I couldn't tell at what point it was occurring because the Jupiter was set kind of quiet, but I'm guessing it was a mix of the filter resonance with some other bass-ridden sounds. I honestly can't be sure. You'll have to just accept that it happened and move on.

This video was so long that my camera gave up recording. It must have just gotten too tired, or bored. Or too tired because it was too bored.

Where does this leave me? Well, for now, looking elsewhere for instruments to part with (Futuresonus Parva and Ensoniq EPS are the first to go).

Eventide Blackhole VST for reverb."

Sunday, May 19, 2024

TR-909 Firmware Version 5 Demos

See this post for details.


// The most wonderful thing that could have ever happened for Roland TR-909 owners and lovers has actually happened.
2. TR-909 FIRMWARE V.5 - Demonstration 1 - MIDI SYNC CORRECTION
// I’ve installed one of the first Revolution 909 firmware upgrades from Addictive Instruments into my own personal Roland TR-909 and I released a little enthusiastic clip about how delighted I am to have 33 year old serious problems resolved. This is the first of a few posts planned for today to show you why it’s so amazing to me.
// This is something that I’ve been thinking about since 1991 when I first got my own TR-909: The ability to switch between pattern play and pattern write without having to stop the sequencer.

The TR-909 in pattern write mode allows us to do some clever things. We can change the length of the pattern using last step, and we can add and subtract notes and accents (internal and external) to develop our pattern. However, we can only do this in write mode.
So in order to do these things in performance we have to A ) stop, change modes, and start again B ) stay in write mode always (can’t change patterns in write mode) C ) program our drums from another device entirely D ) add all the chaos, and then use the level knobs to bring sounds in and out (the way maestro Jeff Mills makes magic!) or E ) make a ton of patterns ahead of time and switch between them as our performance.
We can do mutes on a mixer, use a midi controller. There are options, but when I’m playing live it’s just me. I have stuff happening. It’s a lot to navigate and keep track of. Changing mixer settings, dealing with midi controllers, or even flipping through preset patterns can be distracting and a bummer. Adding the ability to just get into write mode and change the length for a fill, or a sidetrack, or a totally new in the moment idea is fantastic!
4. TR-909 FIRMWARE VERSION 5- Demonstration 3 - MUTES
// This is something which I didn’t anticipate being so amazing. I use mutes on the mixer as a fundamental part of how I perform live, but I don’t tend to reach for instrument mute functions on the actual devices. This is not a personal bias, but rather a point of clarity. I’m doing like 25 things at once in any given performance (and singing) so it’s pretty easy to forget what I’ve muted or un muted unless it’s in central place (like on the mixer), but after all I just explored in demonstration clip 2 about ways to add and subtract sounds live, mutes are a marvelous and really powerful addition to this list of ways to address patten complexity in a live performance.
// Ok, this is really simple, but it’s so super extra totally bad ass.

The thing about the TR-909 is that it doesn’t instantly change patterns. You have to wait for the end, and then it starts the next selected pattern. To get around this you can do some stuff:
• make some really complicated patterns
• make one big complex pattern and then use the mixer to bring things in and out (fun!)
But this is fantastic! Just hold down shift and start instantly jumping between patterns. Add a crash from a crashy pattern, start a fill, and switch to just a kick drum, mix and match patterns and really get something heavy going - THEN get involved with the mixer, and it’s a gorgeous avalanche of TR-909 awesome!

In my example here I’m just showing you that it’s possible now. The rest is up to you.

Addictive Instruments have released firmware version 5 for the Roland TR-909 and the RE-909. It’s a real upgrade which requires soldering and while it isn’t easily reversible, the upgrade also includes firmware v1 and v4 so you can revert by choosing another firmware and booting it that way (no one would ever know).

Find out more at
This first batch is limited to 100 so if you’re as happy about this as I am, hurry up!
That said, I believe in these guys and totally hope that this all goes well, and this will continue to be available (and more!) until all the TR/RE-909’s have one inside.

This was demo 4, one more and I’ll leave the rest to you.
// I’ve been using the EXT INST function of the Roland TR-909 since the day I got it. I love triggering samples, basslines, and other drum machines from the stately TR-909’s main panel. The hassle has always been that the notes it generates can’t be changed. So you get an octave or so of fixed notes and that’s all. I’ve spent a lot of time messing with samplers and getting the sounds I want to trigger from the notes I have to offer, and while it’s fun, and useful, it can be a drag. Fact is, a lot of people never even explored it.

The TR-727 doesn’t allow us to control its midi notes either, but the Addictive Instruments firmware v.5 update has presets and it has a user mode (fig.2). So we can play any note we want on any channel we want at any velocity we want now.
My 727 is upgraded with Harry Axten‘s perfect sound rom upgrade, and this is my own custom rom, and here it is being beautifully programmed by my beloved TR-909!

This is an example of using the user template to create a chromatic keyboard and programming a bassline which is saved with my drums, and subject to all the new and original functions of the 909.
So much fun!

Clearly I was already in love with my TR-909, but I’ve fallen all over again here.

The external instrument mode is expanded, and it much more powerful now, it’s also nicely documented (at last) in the manual. It is more complicated than plug it in and go if you want to make the most of it, and it’s worth it. This is something wonderful.

Saturday, May 18, 2024

A Box Of Ambient [Solar 42]

video upload by Benn Jordan

"I realized when editing that this may look like a thematic outfit. This is seriously what I wear when I'm cold."

0:00 - Intro
1:53 - Making Synths During Wartime
4:35 - Zone Out With Me
8:50 - 24 Oscillators Playing C
11:18 - Zone Out With My Piano

Solar 42: A unique cinematic drone synthesizer

Thursday, May 16, 2024

RIP Gert Jalass of Moon Modular

Some sad news sent my way via John L Rice who helped man the Moon Modular booth at NAMM every year. Gert Jalass, the man behind Moon Modular has passed away. I met Gert serveral times at NAMM and he was always a pleasure to talk to. He always welcomed me with a smile. He was genuinely passionate about synthesisers and the synth community. I haven't been able to make events lately and was looking forward to seeing him again. I'm so saddened that I won't be able to. I am sincerely going to miss him.

You can find posts featuring Gert here, and of course posts featuring Moon Modular here.

Musicianews NAMM 2011 Moon Modular Controller for Analog Synthesizers

Jan 2011 video upload by musicianews

The above is the first video featuring Gert on the site posted back in 2011.

The image of Gert above is from this 2019 video.


video upload by Oberheim Official

"Step up to the legendary warmth and brilliance of classic Oberheim, reborn in the compact, powerful TEO-5. Dive into authentic analog tones, push boundaries with modern modulations and effects, and create like Thomas Elroy Oberheim always dreamed. TEO-5 is more than a synth, it's your sonic legacy, waiting to be written.

Music by Peter Dyer
All sounds from TEO-5

Learn more at"

TEO-5 Synthesizer Unboxing & Demo Feat. Tom Oberheim

video upload by Doctor Mix

"Today, I unbox and demo the incredible Oberheim TEO-5 synthesizer. In the video I also discuss TEO-5 with the man himself Tom Oberheim who graciously gave me an intimate introduction to his latest and greatest synthesizer. 🚀"

J3PO reviews the new Oberheim TEO-5 synthesizer

video upload by J3PO

"Today, Oberheim Electronics has just announced the release of their new synthesizer: TEO-5 -- a five-voice analog synthesizer. In this video, Julian "J3PO" Pollack reviews the synth and performs numerous sound examples.

00:00 Introduction
01:04 Sound Examples & Discussion
26:38 Conclusion / Final Thoughts"

OBERHEIM TEO-5 Review // Filter & TZFM explored // Pros & cons vs Take 5 & Oberheim synths

video upload by loopop

"Get access to my exclusive In-Complete Book of Electronic Music Ideas, Tips and Tricks, on my Patreon: / loopop"

0:00 Intro
1:10 Overview
3:10 Build & keys
4:05 Low split mode
4:30 I/O
5:05 Oscillators
7:30 Sub & noise
7:55 Sync
8:20 Thru Zero FM
11:20 Misc osc
11:45 Filter
14:05 Overdrive
14:45 Effects
19:55 Unison
20:25 Chord mode
20:35 Envelopes
22:30 LFOs
24:10 Mod matrix
27:10 Vintage
28:05 Arp
29:25 Sequencer
30:50 SoundTower
31:55 Pros & cons
37:45 Preset sounds

Oberheim TEO-5 INHALT Synth Demo

video upload by INHALTVIDEO

"Following up from my work on the beta development and sound design on the Oberheim OB-X8, I was pleasantly surprised to find that the next Oberheim synth would be the TEO-5. Unpacking the beta unit revealed a beautiful and cleverly designed 5 voice analog synth that simply sounds amazing.

The size of the TEO-5 is absolutely perfect for world wide gigging and the sound is a sort of best of Oberheim with a modern twist. That modern twist doesn't exclusively come from the excellent FX processor on board, but also from the interesting modulation options and ranges. While you can push the synth into harmonic and saturated zones, it still, like all Oberheims remains one large sweet spot.

Don't be fooled by the smaller size and voice count, there is nothing small about the sound and capability of the TEO-5. Not to be missed.

Please note this recording is of a beta development unit running an early firmware. The sounds featured here are the patches I made for the shipping factory bank that comes with the synth straight from Oberheim.

Recorded at Infinite Power Studios, Los Angeles. All patches by Matia Simovich/INHALT. Video edited by Grover Greenberg."

SUPERBOOTH 2024: Oberheim - TEO-5

video upload by sonicstate

"At Superbooth 2024 we met up with David Gibbons from Oberheim who introduced us to the new TEO-5 synthesizer. Named after Tom Oberheim with an exclusive reveal of Tom's middle name, the TEO-5 has a SEM filter, two oscillators and a sub giving that classic Oberheim sound, but with lots of features to bring its capabilities right up to date.

Chris Calcutt then stepped up, and gave us a demo of the sound of this synth. TEO-5 gives us 19 mod slots with tons of destinations, both a mono and a poly LFO, two envelopes and a capable twin FX section. Uniquely there is a cross-mod section with thru-zero capabilities, which allows FM modulation that stays in tune up and down the keyboard.

With a similar form factor to the Take 5, the TEO-5 has a 3 and a half octave Fatar keyboard with aftertouch, and is designed to give the Oberheim sound in a more portable and affordable package

TEO-5 Available: July 2024. Price: 1,499 USD"

Oberheim TEO-5 Demo from Superbooth 2024

video upload by Starsky Carr

"A Quick Look any the new Oberheim TEO-5 - named after Tom Edison Oberheim - there was a leak a few weeks back but it's here in the flesh.. and nice it is too.

Its got the same form factor as there Sequential Take 5. The big addition is obviously the Oberheim filter, and a through zero FM - so it looks like it has the new SSI chip.

Anyway.. just a Quick Look.. enjoy:)"

And the press release with pics:

Introducing the New Oberheim TEO-5 Polyphonic Synthesizer

TEO-5: The Legendary Oberheim Sound Reborn in a Compact Powerhouse

San Francisco, CA – [May 16, 2024] – Oberheim, the venerable brand synonymous with the golden age of synthesizers, proudly announces the TEO-5 polysynth. This powerful instrument features the visionary craftsmanship of Thomas Elroy Oberheim (TEO), offering a perfect blend of classic analog warmth and modern versatility for today's musicians.

“I’m so proud to be able to make a synth like this... compact and affordable, the Oberheim sound for 2024,” says Tom Oberheim, the company’s founder. TEO-5 is designed to make the classic Oberheim tone palette widely accessible, encapsulating decades of analog engineering experience in a forward-thinking and innovative musical instrument.

The TEO-5 boasts a five-voice architecture with genuine analog VCOs and VCFs, capturing the distinctive warmth and depth that defined countless hit records. But TEO-5 isn't just a tribute to the past. Additions like through-zero FM, which adds a contemporary twist to its oscillator X-Mod feature, allow for the exploration of entirely new sonic textures. And the legendary Oberheim SEM filter returns, offering the versatility of morphing between low- pass, notch, and high-pass configurations, along with a switchable band-pass mode for extensive tonal shaping.
Beyond its core synthesis architecture, TEO-5 features a comprehensive modulation matrix, opening a world of possibilities for sculpting and transforming sounds. Digital effects processors provide classic chorus, delay, reverb, and more, alongside faithful recreations of the revered Oberheim Ring Mod and Phasor effects. A 64-step polyphonic sequencer and multimode arpeggiator further fuel creative exploration, while a premium Fatar keybed ensures a responsive and inspiring playing experience.

“There was a huge surge of interest when Oberheim returned in 2022 with the historically inspired OB-X8,” said David Gibbons, CEO of Oberheim. “But Tom and the design team were keen to show that the magic of Oberheim can be within reach for everyone, and can bring a distinctive modern flavor. TEO-5 is an exciting addition to the Oberheim legacy.”
Whether you're a seasoned professional seeking a powerful new sonic tool or a budding artist embarking on your analog adventure, TEO-5 is your gateway to unparalleled musical exploration.

Tuesday, May 14, 2024

Octave Plateau Voyetra Eight Rev 3.5 Synth (with Rev 4 software) + Manual and Midi SN KM4822

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Video in the listing previously posted here.

"Here we have a fully functioning and serviced Voyetra Eight rev 3.5 (a rev 3 with rev 4 software) It has everything I personally want in a Voyetra. It has the green internal boards, the less buggy rev 4 os, and has been fully serviced by an expert.

This Voyetra has the rev 3 digimod board. So it responds to midi note off/on and velocity from any midi keyboard. It can of course also be controlled from the Voyetra VPK controller or slaved to another Voyetra for a monster sound. The Voyetra rev 3 is fully programmable from the knobs and program pages of the front panel. A copy of the rev 3 teaching manual and rev 4 reference guide is included. The rev 4 reference guide explains each programming page in a way that is easy to absorb. I'd start with this section of the manual. You'll be programming and making your own sounds within ten minutes. The manual is printed on heavy card stock so it will stand up to years of page turning without ripping or wrinkling. The reason the rev 4 seems to be more popular is it allows you to program with external software as opposed to programming from the front panel but what no one ever mentions is there is a very noticeable amount of latency when using modern third party software to program your Voyetra. It's nothing you would be able to use for real time performances. The multi page layout from the front panel becomes second nature after time. If it's good enough for Gillian Gilbert, it's good enough for me. This package includes a third 5 foot midi cable for connecting to the midi in of the Voyetra (not pictured) so you can attach this to your favourite controller.

Cosmetically this unit is in excellent condition. Over the years the filter for the CPU fan will breakdown and allow dust to enter the machine. A new filter has been installed that is thin enough to allow the air to flow freely but thick enough to catch household dust. The housing of these units are made of heavy gauge metal that is then sprayed with a durable textured industrial paint. Voyetra was a small company and the metal housings do have small inconsistencies and spots where they "missed a spot" or left a rough metal edge. This particular unit is in excellent condition with just a few small indentations or scratches in the original paint. The heat sink is in excellent condition WITH NO BENT FINS ETC. The face of the unit looks gorgeous with very little detectable wear. It has the original tear drop knobs that I find aesthetically more appealing. When my tech had this completely disassembled I had him blow out any dust that had accumulated over the years so the inside looks great. Everything functions exactly as it should and all oscillators tune. This will be a very stable and enjoyable unit to create music on for the new owner. The only way to improve upon this unit is to add the rev 4 digimod board, but that's not a feature I personally miss but I'm old, I like hardware. It has the most desirable green boards and it would be easy to mistake this for a rev 4 because it has the rev 4 software. (Six midi pages) A picture of the rev 3 digimod board is included. You certainly won't be able to find a better sounding Voyetra 8 than this one in my opinion. Some argue it is the best sounding of all the 80s analog polysynths."

Thursday, May 09, 2024

Why The King Korg Neo is Special (also let's make a patch from scratch on it)

video upload by Oscillator Sink

"The King Korg Neo is a synthesizer which is special to me.

In this video I’m going to explain why that is, talk about some of the things that I enjoy about this instrument and touch on some things which I think could be better, and then explore the sound and workflow of the synthesis engine by way of making a patch from scratch.

00:00:00 Intro
00:00:40 Why the KKN is special to me
00:04:02 Underestimating the synth
00:05:24 It's multi-timbral and that's good
00:06:33 Exploring the powerful oscillators
00:32:15 The filter is great (but could be even better)
00:36:37 Oscillator drift makes everything better
00:38:06 It's proper stereo
00:40:04 The stuff I don't like
00:40:15 The V-Patch is limited
00:43:07 The reverbs are disappointing
00:46:08 Let's make a patch from scratch
01:03:56 Outro"

Thursday, May 02, 2024

Sound design tutorial from the film Blade Runner 2049 using OB-6 and Moog Grandmother

video upload by EthanJamesMusic

"This is a sound design tutorial for how to approach a specific sound that was used in the film Blade Runner 2049 from 2017 with a score by Hans Zimmer. I was requested to show how I would make the lead sound that happens in the track 'Mesa'. The sound is a wet synth brass type of sound, with some wrinkles, where the pitch is a little further apart than you normal would do for an EDM track or the type of pop 1980s track, where this type of sound was used a lot.

The Sequential Circuits OB-6 can do a respectable job of coming close to the sound. I have no idea what was actually used for the film, but it sounds closer to a CS-80, which now costs over $100,000 used. For this reason, I'm teaching how to make the sound on both OB-6 and the Moog Grandmother.

Analog synthesizers have found a way back into film music, which has led to a lot of rich experimentation of what these instruments are capable of. I think my main takeaway from making this video, is that a lot can be achieved by moving the pitch of two oscillators far apart from each other to create a lot of disturbance in the melody. Also, having a really dry sound mixed in with lots of ambience really cuts through in a way that creates a strong effect.

I hope you learn something from this tutorial, and it gives you some ideas to try out! Please let me know if there are any questions, or if anyone knows what instrument was used on the film. I would guess a Minimoog or similar."

Monday, April 29, 2024

Dark jam with the Ableton Push 3 Standalone and Novation AFX Station

video upload by Jay Hosking

"A live synthesizer jam performed entirely on hardware.

This is the fourth track I've made specifically for the Push 3, and the first where I've used Ableton Live to make the entirety of the song. Some of Live 12's new features, like the generative sequencer tools, can be a fun way to get quickly inspired. I still miss many aspects of Reason when working in Live, but it's fun to change things up.

Kudos to the amazing Novation AFX Station. This synth has a fantastic panel, is a great size (not too big, not too small), two levels of drive/distortion, two filter options, great either clean or gritty, excellent resonance on the filter, etc. The more I use it, the more I love it. It's been around for 11 years, and there are more expensive mono synths, but I'd reach for this one before most for something dark and interesting.

I'm either 40 or 50 percent through this particular album/set and really happy with the music so far. The Push 3 really allows me to create songs in a way that no other setup has allowed. And while there are many features I wish it had (especially more on the side of performance), I'm finding myself happier and happier thinking of it as my live-set device. Can't wait to take these songs on the road.

Ableton Push 3 — most sounds, effects, and performance
Novation AFX Station — mono synth melody/lead thing

Performed and recorded live, with EQ, compression, and limiting on the master."

Thursday, April 18, 2024

A Zen-Bro romance told in resonant screams

video upload by Richard DeHove

"I have a bad habit of cranking the resonance on any machine I touch. It's so ingrained I did it at a friend's studio a little while back on an unfamiliar synth - and after a brief shriek decaying to an air-moving whomp I thanked the gods that the volume was set so low. I've used so many Polivoks-style filters in recent times I'm used to cranking the resonance with impunity.

Which brings me to the delicate love story between the Erica Synths Zen delay and the Behringer Pro-800. My trusty Rev2 is for sale and in its place I bought the Pro-800. Why trade down you may ask? Truth is I'm not a big poly player. The more polyphony you use the more simple the sound needs to be, in which case I wanted a simple yet knobby poly, and that's the Pro-800. Added bonus: no onboard effects. So when the Pro-800 arrived this week I teamed it with the Zen delay immediately.

So the romance is revealed: A brand new Pro-800 teamed with the Zen delay. The 800 is switched on for the first time, the resonance is cranked, the Zen's input drive and overdrive is engaged and almost immediately this gloriously jagged, gritty, and unpredictable darkness pours out.

Five minutes of first-time noodlings is a bit much I admit. And I was going to say all this over the top of the video but that felt wrong, like ads in a funeral service. So instead here it is. It is literally the first time I ever powered it on, to the point where I didn't even know how to save the sound or know whether I'm in tune, on the upside I pretty sure moved every knob and switch so if you want to replicate the sound, there it is.

Even so the 800's resonance is not fully cranked, I had to back off a little just to retain the ability to hold an actual melody.

Whether the 800 is good for anything else, who knows - I haven't got past this sound yet and I must look up how to save it. What's clear though is that the 800's filter teams beautifully with some heavy drive. I can feel more teamings in the air - perhaps another stereo 'Roger That' outing?

One final thing worth mentioning: the Zen delay cost significantly more than the Pro-800. Makes you wonder where your synth dollar is best spent.

Lots of downloads for supporters on Patreon: / richarddehove
Many thanks to my kind patrons who keep this channel ad-free My website:"

Tuesday, April 16, 2024

Oberheim OB-X8 SN 01768 w/ Blue Stripe Overlay

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"I am a music hobbyist, a bassist in fact, and this synth belongs in the hands of a professional keyboard player or producer ... or anyone with more talent than me. I'm sure someday soon I'll regret selling it. But frankly though, I bought it because I couldn't wait for the Behringer UB-Xa any longer. But now that I have the UB, which in no way sounds as beautiful as the OB-X8, I'm selling the OB.

Now that I have the two to compare, the most immediate difference is the build quality of the OB so completely outshines the UB. Next is the tone. The lows and especially the lo-mids are tight and clear on the OB. The UB is a bit boomy or mushy in comparison with a tendency to overdrive without adjustment on the board. The OB also has more preset storage, 128 more locations. However, given my lack of skills, musical and financial needs, I've got to sell the OB. My loss is your benefit."

See this previous post for build quality on the UB-Xa.

Monday, April 15, 2024

Phasing drums on gotharman's LD3

video upload by Meska

"Quick demo of phasing drums pattern on the LD3, i'm using ping sample , i have done on my modular synth.

Thank you for watching.
My name is Meska of the statik collective . I've been making mostly "dark and expérimental" music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with."

Sunday, April 14, 2024

Modular Multi-Tap Delays // OAM Time Machine (FIRST PATCH EXPLORATION)

video upload by DivKid

"Here's my raw, unedited and literal first patch and experience with the Time Machine Eurorack module from OAM (Olivia Artz Modular). I've been excited for this one since I first saw it, I'm a huge delay fan and a multi-tap delay with loads of control was bound to have me interested!"

via OAM

Time Machine is a tactile interface for mixing together 8 delay lines with an input signal. At least that was the plan. We made a prototype and got like 300% funded on kickstarter, so we got to work.

As the DSP engine was refined a sonic character emerged that howls like guitar feedback while granulizing like the grey goo at the end of the universe. We leaned into this. The resulting module can create clocked rhythmic glitch effects, reverbs, chaos, and ego-death.

22 HP
25 mm deep
122 mA +12V, 8 mA -12V
24-bit audio in/out (-5V to +5V)
16-bit CV control (-5V to +5V)

Saturday, April 13, 2024

New X1L3 - DRAIL - hacked fx processor - eurorack module

video upload by X1L3

"Hardware hacked fx processor module.
What it is and where to get it - below.......

Available at:

A few sections of this vid contain strobing and flashing images. If susceptible to seizures then viewer discretion is advised.

Amiga/P3 W95 demoscene spec run down and demo. Created due to a request to demo the module in a way that wasn't 'just noise'. Initially intended to be one part made from the best track out of three that i came up with. Later deciding to shoe horn the two reject demo tunes into it, which lead to it becoming a ramshackle lesson in polygons and 3d. It also caused the whole thing to end up panning out like some kind of messed up fever dream 💀🤣

Drail is an fx processor module based on a fixed chip set containing 100 preset effects. Reverbs, delays, pitch shifters and modulators of various types, such as flangers and phasers. More details are over on the bigcartel link. Hacked referring to the hardware hacking principles applied in reclocking the cpu and messing with the phase in the signal path to turn it into the somewhat weird thing it is now. Hacked also sounds better than circuit bent, which has been done to death as a term and wouldn't fit on the front panel anyway 💀🐗

A bit of a departure from my usual powerelectronix/sound design outings when it comes to modules. Right now this is the only demo i have complete. I'll upload some stuff soon that's more in line with the roots of where i came from, and which features some other new stuff that got completed in the somewhat hell froze over time it took me to complete this outing 🔥🔥

As always - enjoy - or don't.
The sun rises in the morning either way 😘☀️👌

Cheers for checking it out."

"The module is based on a fixed stereo fx processor chip which contains 100 presets. These presets consist of numerous reverbs, delays, harmonizer/pitch shifters and modulators such as flangers and phasers.

It has a mono input, a summed L/R mix output with dry wet control which covers 0-100% wet,
Two 100% wet stereo outputs give access to the ping pong delays and different phases of panning in the stereo field that some of the effects use,
The combination of summed dry wet and separate stereo fx ouputs offers some variation in how you might hook the module up to achieve different results in a setup.

Patches can be selected manually, or by gate inputs with an input to cycle each way through the patches and an input to select them.

In stock form it's a fairly vanilla and quite unremarkable, all be it useful set of fx. By applying some of the tricks learned in my time in the circuit bending arena the whole thing becomes a Swiss army knife of weirdness and opens up to some bizarre effects and unruly behavior. With the principles of hardware hacking applied and the cpu reclocked, along with some creative phase altering in the signal path, the processor takes on an entirely new life. Still being able to run as a useful set of stock reverbs, delays or modulators, but doubling up as an interesting sound design tool. All sorts of mad sounds and unexpectedly good processing can be achieved. Great for soundscapes, turning basic sounds into things that are bigger than the sum of their parts, making guitars sounds insane, it can even be used to turn a saw into a pseudo supersaw that somehow looks like a kind of mutated pwm square by using the modulator fx. This kind of thing gets fat when you start using both the dry wet mix output and the 100% wet L/R outs. With 100 fx to choose from, there's generally something interesting and at times fascinating to be found when messing around with it.

From experience, different fx chip sets behave in radically different ways when attempts to circuit bend or reclock them are made. Some prove to be pointless and uninteresting, others become prone to crashes and are rendered too unpredictable.and useless beyond extreme noise This one happens to be an excellent target for a bit of creative alteration. When underclocking the cpu, a kind of subtle low pass filtering effect is applied. Not enough to make the effect undesirable, but enough to eliminate the unwanted noise inherent to underclocking. In testing this chip set and discovering it's predictable, but quite abstract nature when abused, it became obvious that it would make a brilliant target for an interesting module. One which i'm finding to be an excellent addition to my own rigs. Given the roots of how it came about and how that ended up sounding, it is i imagine an acquired taste, but a quite unique acquired taste in the scheme of things."

Void & Vista: FOLDS

video upload by VOID & VISTA

Void & Vista: FOLDS Playthrough (No Talking)

video upload by VOID & VISTA

"A tour of some of the sounds available in Void & Vista's new vocal sound design instrument, FOLDS."

Void & Vista: FOLDS - Walkthrough

video upload by VOID & VISTA

Press release follows:

VOID & VISTA announces availability of FOLDS as intimate yet expansive boutique VI for Native Instruments’ KONTAKT platform and NKS-compatible devices

“I’m fascinated by the human voice, so anything that lets me use it in ways I’ve not heard before is a must; FOLDS can either sit amongst real voices, generating a unique and complex — yet subtle — character, or it can drive a piece up front with its own very performable and programmable settings.”
- GRAMMY-, BMI-, and World Soundtrack Awards-winning film composer David Arnold (Casino Royale, Godzilla, Independence Day), 2024

LONDON, UK: cutting-edge contemporary music-orientated virtual instrument creator VOID & VISTA is proud to announce availability of FOLDS — formulated as an intimate yet expansive boutique virtual instrument for Native Instruments’ KONTAKT platform and NKS-compatible devices, based upon the human voice and its creator’s award-winning sound design engine — as of March 28…

Creatively combining expressive, characterful, and unique sampling with powerful sound design features and an inspiring UI (User Interface) to offer 32 sound sources anchored around expressive vocal articulations and textures, both real and imagined, FOLDS is ideally suited to contemporary media composers, production music writers, and sound designers alike. And thanks to the variety of emotive textures that it offers, electronic music producers and artists across multiple genres can clearly expand their toolbox, too.

That being said, then, FOLDS’ bespoke collection of carefully curated male and female vocalist articulations incorporate soft and hard arrhythmic expressions; weaving and wavering vowels; broken reversed hums; evocative vocalisations designed for bass; sound effects; and more.

For FOLDS also features an inspiring collection of effect sounds, such as reverse granulations, as well as re-synthesised, deconstructed, and synthetically processed sounds using Eurorack modular, effect pedals, and tape machine manipulations. Sampled synth waveforms taken from a collection of analogue hardware are also featured.

FOLDS’ 32 sound sources can be layered, sculpted, and effected using a deep, two-layer sound design engine that includes multimode filters; dual motion LFOs (Low Frequency Oscillators); six envelopes; customisable LOFI effect; three-stage parallel CHARACTER effects (with presets and user impulse response import); and dedicated REVERB and DELAY in the SPACE section. Such sound design power is available to all via an inspiring and intuitive UI with over 150 controls — including access to a custom MIDI (Musical Instrument Digital Interface) mapping page and dedicated send effects — designed to keep users focused on making music.

Moreover, FOLDS comes complete with a vast collection of over 300 preset snapshots organised locally for ease of use; all have pre-assigned mod wheel and/or aftertouch modulation mappings for jaw-dropping sound manipulation and adding musical expression... evidenced by award-winning film composer David Arnold’s understandably uncurbed enthusiasm!

FOLDS is initially available to purchase for 20% off with the FOLDSLAUNCH20 discount code that is valid until May 8, 2024 — rising thereafter to its regular price of £129.00 GBP — as a KONTAKT PLAYER- and NKS-compatible AAX-, AU-, and VST-formatted virtual instrument plug-in featuring 4.5 GB of samples that is compatible with all major DAWs (Digital Audio Workstations) running on macOS 11 or above — natively compatible with Apple Silicon — and Windows 10/11 directly from the dedicated product webpage here:

Thursday, April 11, 2024

DAWLess Mini Synth JAM | J-6 & JX-08 | Volca Beats | Midicake ARP

video upload by midicake

"A friend lent me some little Roland synthesizers to try out with Midicake ARP. They are both packed with good sounds and very playable. For that Mid-80s vibe, they really shine.

I'm not that taken with the J-6 sequencer but, given its size, it still packs a lot in. Once you disable the in-built sequencers, however, driving them with ARP makes for a brilliantly compact tabletop setup!

And, of course, ARP opens up possibilities that just can't be achieved any other way. Who needs Astrolab!? ;)"

Wednesday, April 10, 2024

Custom Black Alesis Andromeda A6

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

This one was spotted and sent in via M Me.

"ich biete hier einen liebevoll umgebauten Alesis Andromeda A6 zum Kauf an. Dieser wurde 2022 aufwändig umgebaut.

In diesem Zusammenhang hat das Gerät einen Service bei SCS (Doc Analog) bekommen (Rechnung vorhanden).

Zudem wurde ein neues FATAR TP9/s Keybed (Reverse-Ausführung) verbaut (Rechnung vorhanden)."


"I am offering a lovingly converted Alesis Andromeda A6 for sale. This was extensively rebuilt in 2022.

In this context, the device was serviced by SCS (Doc Analog) (invoice available).

In addition, a new FATAR TP9/s keybed (reverse version) was installed (invoice available)."

Sunday, April 07, 2024

lil ambient sesh - *moving day* (NORNS rachim JAM)

video upload by tworoundrobins

"deep apologies, but no talkie this week. I heavily underestimated how much work moving flats would take me...I did manage to record a short jam however and will be returning to talkies next week! thank you for your patience and and thank you for sticking around!

i'm using a new script by infinitedigits called rachim and it sounds massive! it's using it's own SC engine and the ears don't fool you - it does sound absolutely wonderful. do give it a spin!

#norns #monome #jam

rachim is a generative sequencer by @infinitedigits"

Saturday, April 06, 2024

Ekzil - "Fantasy dream" : Circuit Track + Volcas sample / keys / bass

video upload by Geoffroy AULAGNER

"for 2024 I decided to challenge myself to release a new song every month 😃
I'm already a little late, so I should release 2 songs this month 😅

I decided once again to use my Volca samples. I think it's my first video with the 3 Volcas !

This last song has many parts. I would really appreciate if you tell me what your favorite part is, and which part would need to be reworked for the "mastered" version 😉

I resumed a music that I had composed on Ableton Live some time ago. I decided to take it again in dawless format 🎹
You can listen the original one here :

I hope you enjoy listening to it as much as I enjoy making it 🤩

Novation Circuit Tracks: Drums, pad, second melody
Volca Samples: second layer of drums / transitions
Volca Keys: Lead melody
Volca Bass: Bass
Korg NTS-1: reverb, chorus, build up with the noise oscillator

Patch n Tweak
Switched On Make Synthesizer Evolution Vintage Synthesizers Creating Sound Fundlementals of Synthesizer Programming Kraftwerk

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