KORG ARP 2600 M at Noisebug

video upload by NOISEBUG

https://www.noisebug.net/products/arp-2600-m

"THE MOST ICONIC SYNTH FOR THE MODERN MUSICIAN


The genuine ARP 2600 in a more convenient size.

The ARP 2600 is arguably the most iconic and recognizable synthesizer of all time. Having been used in countless records, film scores, TV shows and game soundtracks since its appearance from the 70’s through to today, the ARP 2600’s sound remains an essential part of the music world.

The new ARP 2600 M delivers the sound admired around the world , in a more compact and portable format and including added features that make it the ideal incarnation of this historic synth.


A LEGEND, REBORN

When the ARP 2600 FS was announced in January 2020, it quickly became a phenomenal success with musicians all over the world recognizing the faithfulness to the original ARP 2600.

The ARP 2600 M is around 60% the original size, making it lighter, more portable and easier to place and use in a studio. It integrates the same analog circuitry and components as the ARP 2600 FS, thus faithfully reproducing the characteristic ARP sound.

PROUDLY DESIGNED AND MADE IN JAPAN

The ARP 2600 M is built in Japan with the same care and extraordinary quality standard as the ARP 2600 FS, and uses the same analog components to accurately reproduce the sound and feel of the original. The Spring Reverb has been re-engineered and adapted to the new size body with the same lush effect.

With the intense focus on quality and a large amount of hand assembly, the ARP 2600 M is not a typical mass-produced instrument. Due to this boutique nature, manufacturing quantities each month will be inline with our commitment of delivering a truly prized investment.

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Introducing drumlogue, the first hybrid drum machine from Korg

video upload by Korg

Update: two new user videos by Honeysmack and Marcus Schmahl added below.

"Combining the rich power of analog with the flexibility of digital, drumlogue provides the ultimate analog sound for your beats.

Featuring newly developed analog circuitry, drumlogue builds a solid foundation for your track; it also helps you stand out with an elevated harmonic richness and thick low end.

Important parameters for each part have dedicated controls on the front panel for quick and intuitive changes – without diving into menus. For even more creative potential, each part has a wealth of further parameters accessible through a powerful onboard editing suite. Even mixing is simple, with dedicated volume controls for the analogue and digital parts.

The track you hear in this video is by Dean Forrest"

Korg Drumlogue: New Hybrid Drum Machine - First Look- Just Sounds video upload by Korg Australia


New Korg Hybrid Drum Machine Drumlogue - Honeysmack's first encounter video upload by Honeysmack



"Get ready for a super nerd session, no talking just me tinkering with the Korg drumlogue for the very first time. Korg Australia were kind enough to give me a play with a sneak preview pre-production model of the drumlogue. Unfortunately I had no manual at the time, so please excuse me in advance. Hopefully this video provides some context to its sound. I feel this will be a winner for Korg, well done! Great sound, neat size, this could be a monster of a machine.

All the sounds and effects in this video are from the drumlogue, there are no external sounds or effects. Simple stereo output from the drum machine. No other drum machines were hurt in the making of this video.

0:00 Does this suit me? Oh what does this do?
2:23 Omph omph omph, ah I see, me likey the kick drum
5:59 Electro ratchets - why not take your time and build a track
9:30 Start with speed carnivale - exploring more latin percussion then I try to break the machine!"

Korg drumlogue drum machine & synthesizer demo - no talking - video upload by Marcus Schmahl

00:00 building drum sounds & a pattern
06:13 switching through preset patterns & sounds

Korg Drumlogue Sound Demo (no talking) video upload by Bonedo Synthesizers


Korg Drumlogue Sound Demo No Talking - no external effects or processing video upload by Limbic Bits


Korg DRUMLOGUE Review // Top Pros & Cons and All 64 Factory Patterns // Full Tutorial video upload by loopop


TIMELINE:
0:00 Intro
1:20 Overview
6:15 Connectivity
7:15 Sample parts
11:40 Analog parts
14:25 Multi engine
15:05 VPM
17:15 Noise
17:55 Nano
21:30 Sequencing
22:10 Live rec
22:50 Motion rec
24:45 Step seq
25:10 Groove
26:10 Probability
27:10 Ratchets
28:00 Ties
28:30 Motion seq
30:20 Shift buttons
31:00 Polymeters
31:35 Send FX
33:35 Master FX
34:45 Sidechain
36:25 Loop
37:10 Select
38:25 Randomize
39:00 Chains
39:35 Audio in and out
41:50 Misc settings
43:45 Pros & cons
49:10 All 64 patterns



Details and pics:

A paradigm shift in drum machines.

drumlogue marks a paradigm shift in drum machines. It offers the raw power and rich sounds of Analog, the flexibility of Digital voices, and drumlogue’s SDK for fully customizable User Custom Synthesizers.

On top of that, its heavy-duty, dynamic sequencer, customizable effects, and intuitive controls will make drumlogue a must-have in your studio to create music for any genre or style.

It’s time to take your beats and entire musical process to a whole new creative level with incredible sounds, effects, customization, and sequencing. Let drumlogue support your craft on your musical journey!

Raw Analog Power

drumlogue was conceived to provide the ultimate analog sound for your beats, and delivers fantastically; featuring completely newly developed analog circuits by legendary Korg analog synth team engineer Junichi Ikeuchi (ARP 2600 M, MS-20 mini, ARP Odyssey…) , the depth and richness of its sound is on a whole new level.

These new analog circuits - (Bass Drum, Snare Drum, Low Tom and High Tom) - will not just provide a solid foundation for your track, but make it stand out with an elevated harmonic richness and a thick low end.

Blending simplicity and ease of use, the most important controls for each of these parts have dedicated knobs on the front panel that can be tweaked at any time without any menu diving necessary, so you can quickly and intuitively fine tune your sound on the fly.
For further sound exploration, each part provides many more parameters accessible through the powerful onboard sound editing system.

Last but not least, each part on drumlogue - analog or digital - has a dedicated volume knob that will make your mixing process incredibly smooth and easy.

Digital Flexibility

As the perfect partner for its analog section, drumlogue provides 7 digital parts; 6 sample based and 1 synthesis based (Multi-Engine). The sample based parts can play any of the preloaded PCM banks on drumlogue. You can also import your own User Samples to its memory, making drumlogue an extremely versatile machine with virtually limitless sonic possibilities.

To start with, the 64 preloaded drum kits of drumlogue will provide you with a wide variety of sounds spanning several genres so you can easily kick-start your tracks.

For additional sounds, samples can easily be easily loaded into the drumlogue just by connecting your drumlogue to your computer via USB and simply drag-dropping your samples onto the main memory.

Multi-Engine and logue SDK

The popular Multi Engine from prologue and minilogue xd is now more powerful than ever. In addition to the Variable Phase Modulation (VPM) and Noise generator engines, the Multi Engine features a new User Custom slot that can play full-fledged synth voices that provide vast sonic possibilities, never before heard on a drum machine.

Custom Synths

drumlogue’s synth voices are not simply static waveforms. Custom synths can be built to not only generate sound, even implementing built in filters, LFOs, MIDI controlled polyphony or other parameters is now possible The only restriction for third party developers is their creativity (and CPU usage!), giving you unbound sound exploration.

Exclusive Sinevibes Synth Plugin “Nano”

Korg has collaborated with popular logueSDK plugin developer “Sinevibes” to include a brand new synth plugin “Nano” as a factory preset on drumlogue. This exclusive plugin explores the power behind the expanded Multi Engine and will give all drumlogue users a taste of this new platform.

“Nano” is a full-fledged virtual analog synth with a wide array of features and plenty of customizable parameters. The synth engine has dual oscillators with optional ring modulation, a 4-pole state-variable filter with soft clipping distortion, built-in EG and built-in multi-waveform LFO.

Leads, basses, percussive sounds or cinematic effects, you decide how to use this incredible sonic potential!

A True Sequencing Powerhouse

drumlogue harnesses all of its sonic power to an extremely powerful internal sequencer that is flexible and easy to use.

Tired of the same old beats? drumlogue's heavy duty 64 step sequencer makes it easy and intuitive to create complex rhythm patterns and polyrhythms that elevate your music creation process with innovative features such as per-step probability, per-step alternate trigger patterns, per-step micro offsets, per-track groove patterns and much more.

Thanks to its clear OLED display, it is also very easy to visually follow and edit your sequences.

drumlogue is both great in the studio and playing live. With its Chain mode, creating long and interesting patterns is straightforward and clearly displayed. In Loop mode you can switch between several variations to play your sequence in new and interesting ways. The Motion and Accent recording functions are intuitive and fast and if you want to try new things on your track, the Randomization function is there to help you. These functions and many more on the drumlogue will support and spice up your live performances!

Effects and customization

drumlogue includes several high-quality effects across three categories that can be used simultaneously: Delay, Reverb and Master effects.

The send amounts for delay and reverb effects can be set independently for each part, and multiple return points are available.
The master effects allow you to add that final polish to your sound and bring it all together. Master effects can be bypassed on a per-part basis, making it possible to send the effect to specific audio parts. A sidechain bus is also available to master effects which can make use of it.

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Arp Odyssey MKIII Analog Synthesizer Vintage 1978-1981 demo of sounds 2

video upload by Andy Whitmore

"ARP ODYSSEY MKIII Analog Synthesizer Vintage 1978-1981 Sounds | HQ DEMO & TUTORIAL

The ARP Odyssey is a classic monophonic / duophonic synthesizer. It came out 1972 and was the competitor of the Minimoog. It can be seen as a cutdown version of the ARP 2600 - although some features where added - the highpass filter and the oscillator synchronisation for example. It has the best sync-lead-sounds I ever heard from a synthesizer! The Odyssey is a real classic - and it sounds classic!

The ARP has a lot of features, so it is very flexible: 2 oscillators (VCO 2 can be used as a second LFO), VCO synchronisation, 2 filters (resonant lowpass & non-resonant highpass), ring modulator, sample & hold, noise generator (white & pink noise), 1 LFO, 2 envelopes (ADSR and AR).

There were three versions of the Odyssey. In my video you see an ARP Odyssey MK III, which has the CV/gate jacks - and an external signal input.

The ARP Odyssey was used by many prominent musicians: Klaus Schulze, Kraftwerk, Tangerine Dream, Vangelis, Herbie Hancock, Gary Numan, Pink Floyd, ABBA, Chick Corea, Tony Banks (Genesis), the Carpenters...

Andy Whitmore started life as a top session keyboard player playing on over 50 hit records before turning his hand to music production. He went on to produce 14 top ten hits. He is a pro when it comes to synthesizers, and here explores the ARP Odyssey as part of a brand new series. One of the most iconic synthesizers ever, Andy’s experience with this Arp classic dates back to the mid-‘90s, and he discusses the basics in his exploration of what makes the ARP Odyssey so great."

The ARP 2600M Experience

video upload by Red Means Recording

"The Korg Arp 2600M is a "mini" version of the extremely classic Arp 2600 analog synthesizer. In this video I multitrack it to create 4 experiences that show off how it can sound. All sounds besides drums and noise risers are from the Arp. Keep reading for what's going on in each "experience"!

00:00 synthwave experience

classic synthwave sounds. captured midi for each part in ableton and then recorded the audio while playing the panel controls. arp, bass, lead, noise lead, drums. used amp and cab simulation in ableton on some parts to give more space to the mix and add some grit.

03:03 ring mod experience
fed a youtube video playing terence mckenna directly into the arp's preamp, then piped that to the ring modulator. the pre-amp signal also creates an envelope via the envelope follower that is used to adjust the filter cutoff. played around with a pass of just noise and effects, then added a repeating melodic line and a bubbling abstract arpeggio underneath.

06:27 collapse experience
the modwheel of your midi controller plugged into the arp can be used as a cv modulator for anything in the synth. i used it to do pitch-bends of specific oscillators to specific intervals, giving me a cool sort of duophonic slide lead thing. wanted to make a track that sounded like black moth super rainbow, but one the acapella dropped in it felt more like tabasco. I'm not complaining.

09:57 euphoric experience
the arp can be used as a duophonic synthesizer, meaning you can play two separate notes at once through the same filter and vca section. if you tune the third oscillator to a pleasant interval, you can get nice chords. that and the arp are the basis of this track. the acid rain maestro provides complex modulation to the filter which i bring in and out."

New Korg ARP2600M - A Legend, Reborn - the Mini ARP 2600 Arrives

Korg

"The ARP legacy continues with the ARP2600M, delivering the unique semi-modular workflow and sound admired around the world, along with modern connectivity including plug and play USB controller support. It’s all here, in a more compact and portable desktop-friendly format that makes it the ideal incarnation of a historic synth."

Update: pics and details via KORG:

"Added features and functionality

The new ARP 2600 M is not only faithful to the original, it also includes an array of added features that will make it even easier to use:

- Plug and play: Connect any class compliant MIDI controller such as a KORG microKeys, nanokeys or SQ-64 to one of the ARP 2600 M’s USB ports (USB-A and USB-B) and automatically get full control of your instrument!

- Resized: The new size makes it easier to visualize your patch and also allows you to use shorter patch cables

- Two types of filters from two versions of the original ARP 2600（4012 type, 4072 type DIN MIDI IN added

- Pitch-bend, Modulation and Portamento ON/OFF can be controlled through MIDI CC messages (USB/DIN MIDI)

- Normalized voltage: The threshold of the trigger signal required to activate the ADSR through the S/H GATE JACK has become 5V, making it much easier to use in combination with other gear such as volcas or Eurorack modules

- Improved Attack and Release time ratios

- L/R Stereo Output Jack (instead of XLR)

- Speakers turn automatically off when using headphones

- Improved, smoother sliders

---

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Evenfall Mini Modular Designed by Grant Richter of Wiard

Note: Auction links are affiliate links for which the site may be compensated.

This one was spotted and sent in via Soviet Space Child.

via this auction

"I guess 50 (60?) of these were produced, either as kits or assembled products. I bought this to complete my own rack full of Grant Richter modules. It was a largely an impulse buy fueled by the tingly feelings my Wiard 300 modules give me. Make no mistake--this is NOT a Wiard module nor does it sound like one. It is not nearly as awe-inspiring overall, though it does have a few tricks that make it worth exploring. Definitely a cool piece of synthesizer history.

I found this to be, overall, one of those "sweet spot" machines, where nuanced wiggling can give you some really unique and impressive sounds. This is particularly true with the bandpass filter, which really sounds like Satan yelling about the weather while contending with a head cold. Very cool.

There are a few peculiar aspects to this, such as the weird gain staging. Any setting after 12 o'clock in the VCA will saturate/distort. Maybe you like this. I don't care for it personally. That's just the way these things work, as confirmed by several other owners, as well as Cary Grace, who currently builds all modules under the Wiard name, and who tours with an Evenfall Mini Modular (largely because it's small and light, I guess). This is a very lightweight synthesizer.

The pots are all mini pots, like attenuator pots on lots of modern Eurorack modules. I'm a bit of an oaf for these, but they're not difficult to work with.

I have not opened it to check internals or perform any mods. I'm not sure whether there are schematics floating around, but if you choose to go that route I'm sure you're an intrepid enough lad or lass to chase them down.

Cosmetically, there is some damage on the lower right edge of the panel; I have straightened this to the best of my ability.

Their words (copy/pasted info from around the web):
The Evenfall Mini Modular Synthesizer is a rack mountable semi-modular analog synthesizer featuring the warm, organic sound of real analog circuitry and the flexibility of individual control knobs and a patch cord interface.
The Mini Modular also features internally "pre patched" or "normalized" connections among the modules. These connections make the Mini Modular a capable synthesizer even without inserting patch cords. These internal connections can be overridden by inserting 3.5mm patch cables as desired.
The Mini Modular can be patched to make sound by itself or in conjunction with another voltage-controlled synthesizer. It can also be controlled from a MIDI controller via the built-in MIDI to CV interface which provides pitch, velocity, gate, pitch bend, portamento on/off, and modulation output voltages.

-
This synth was designed by Grant Richter of Wiard synthesizers and there were roughly 60 sold, 30 in kit form and 30 assembled. The previous owner told me this is a factory-assembled unit.

Grant wrote this on the old Wiard Yahoo list:

"That is a great little instrument.

It was originally slated to be the Wiard Model 3600, but I decided to pass on it because we could not find knobs to fit the little nubby pot shafts. They are just like TR-808 tuning pots. I feared the lack of knobs would limits sales too much.

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ARP ODYSSEY MKIII Analog Synthesizer Vintage 1972 Sounds | HQ DEMO & TUTORIAL

Published on Apr 11, 2020 Andy Whitmore

Update: note the video does feature the later model, so there are no 1972 sounds in this video. See the comments in this post for some additional info.

"The ARP Odyssey is a classic monophonic / duophonic synthesizer. It came out 1972 and was the competitor of the Minimoog. It can be seen as a cutdown version of the ARP 2600 - although some features where added - the highpass filter and the oscillator synchronisation for example.
It has the best sync-lead-sounds I ever heard from a synthesizer! The Odyssey is a real classic - and it sounds classic!

The ARP has a lot of features, so it is very flexible: 2 oscillators (VCO 2 can be used as a second LFO), VCO synchronisation, 2 filters (resonant lowpass & non-resonant highpass), ring modulator, sample & hold, noise generator (white & pink noise), 1 LFO, 2 envelopes (ADSR and AR).

There were three versions of the Odyssey. In my video you see an ARP Odyssey MK III, which has the CV/gate jacks - and an external signal input.

The ARP Odyssey was used by many prominent musicians: Klaus Schulze, Kraftwerk, Tangerine Dream, Vangelis, Herbie Hancock, Gary Numan, Pink Floyd, ABBA, Chick Corea, Tony Banks (Genesis), the Carpenters...

Andy Whitmore started life as a top session keyboard player playing on over 50 hit records before turning his hand to music production. He went on to produce 14 top ten hits. He is a pro when it comes to synthesizers, and here explores the ARP Odyssey as part of a brand new series.
One of the most iconic synthesizers ever, Andy’s experience with this Arp classic dates back to the mid-‘90s, and he discusses the basics in his exploration of what makes the ARP Odyssey so great.

Filmed at https://www.greystokestudio.com in West London using an Apple iPhone 11 Max 512gb"

Check out a tour of his synth collection back in 2009 here, and 2008 here.

Prophet X Boasts New OS and Robust Third-Party Support

via Sequential

San Francisco, CA—Feb 13, 2020 — Sequential today announced several developments that have enhanced their flagship hybrid samples+synthesis keyboard, the Prophet X. These include a new OS, two full-featured third-party sample editing applications, and several add-on sample libraries from 8Dio and other sound developers.

The new 2.2 OS adds several user-requested features including 24 additional User Sample Groups, support for crossfades on forward-backward loops, and the capability to modulate between tempo-synced LFO values. The new features build on an already-powerful foundation of sound shaping tools and the fusion of samples and synthesis. The new OS is designed for both the Prophet X and Prophet XL and can be downloaded from the Prophet X/ XL support page on Sequential’s website.

Another significant development for the synthesizer, which supports up to 50 GB of user-created sample content, is the availability of two powerful third-party sample creation/editing tools. The first, PXToolkit, is a free application from developer ThinkerSnacks which offers drag and drop file creation with automatic extraction of pitch and loop metadata from .WAV files, as well as support for multi-sampled instruments, multiple velocity layers per key, and round-robin sample selection and playback. The software can be downloaded free of charge from the ThinkerSnack website.

The second tool, SAMPLEROBOT Pro 6.5 from Skylife, brings Prophet X support to their popular and highly-acclaimed auto-sampling and sample editing application. It supports multi-sampled instruments, multiple velocity layers per key and powerful looping and editing tools. The software is available for purchase from Skylife’s website.

Also noteworthy is the abundance of third-party add-on sample packs that can be imported into the Prophet X and manipulated as part of its hybid sound engine. The most prolific among the various sound developers creating content for the synthesizer is 8Dio, with eight Prophet X-specific products to date. These include deep-sampled versions of vintage instruments such as the Yamaha CP70, ARP 2600, Oberheim OB-X, Sequential Prophet-5 and T-8, Roland Jupiter 4, and Moog Prodigy and Minimoog Model D synths.

Add-On packs from other developers include:
- Replicants from Modulatable Synthesis (samples of the Deckard’s Dream poly synth)
- The 9000 Foot Piano from Pianobook (samples of a renowned Yamaha grand piano)
- BlueWave from Goldbaby (samples of the PPG Wave 2.2)
- VCO Pack from ThinkerSnacks VCO samples from the Neutron, OB-6, Dreadbox Erebus, and Moog Voyager)

“We’re excited about the support that the Prophet X is getting from third-party developers. Clearly they feel, as we do, that it’s a hugely powerful synth with incredible potential,” commented Dave Smith. “Having access to these new editing tools and add-on sample packs makes an already-awesome musical tool even more versatile. ”

The Prophet X has garnered critical acclaim for its sonic versatility and sound design capabilities through its substantial internal library of 150 GB of sample content as well as its ability to import up to 50 GB of additional user samples and add-on content from sound developers.

All sample content can be manipulated by the Prophet X sound engine, which powers two simultaneous sample-based instruments plus two high-resolution digital oscillators, with a full complement of traditional synthesis tools, all processed through analog filters. Dual digital effects and a 64-step polyphonic sequencer round out the package. In standard performance mode, the instrument provides bi-timbral, 8-voice stereo, or 16-voice mono operation. Thirty-two-voice performance mode allows paraphonic filter operation when using a single sampled instrument and oscillator.

https://www.sequential.com/updating-prophet-x-os/

ARP 2600P with 3604P Keyboard

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Freshly serviced & calibrated by top UK tech, this portable two-piece ARP 2600 system works 100%. You will know all about this "benchmark" instrument, made between 1971-1980 in Mass/USA. Its a rev.3 model. Check it out on YouTube....The 3604P keyboard (s/n 361128) connects to the 2600P module (s/n 261011) with multi-pin cable. It runs at 220Vac (mains cord supplied). There are some patch sheets/leads supplied.

THREE VCOs~noise generator~sample & hold~ring modulator~great filters~glide~spring reverb~twin internal speakers:- this is a comprehensive mono synth...

"any sound can be created..." (advertising blurb by ARP)..the voice of R2D2, for example..... ARP 2600 has been on countless recordings, used by numerous musos & producers......being a bit more portable than the 2500 system did help! Having 3 tuneable oscillators means any note can play a 3-part chord, if desired.....

Condition. "Very good"....should be excellent, but the tolex on the casings is a bit scuffed, new clasps have replaced some broken ones. We intend to leave "as is" for "patina & provenance" reasons....re-tolexing is possible, but would involve dismemberment of the module. We prefer to not risk any damage.......hey, it LOOKS 45-ish years old.....and looks cool, anyway......."

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ARP Solus Analog Monophonic Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The Solus is a wonderful vintage analog synthesizer from ARP. The voice is very similar to the famous odyssey with two VCOs, LFO, and low pass filter. A few sections are stripped down a bit to keep a smaller footprint and faster user interface. Oscillator waves and oscillators are mixed with cross faders and there is only a single ADSR shared for the filter and VCA. It sits somewhere in the middle of the Odyssey and Axxe.

The neat part of the Solus is that like a 2600, the whole synth is a case for itself. The lid is included and has clearly served its purpose well over the years. Finally, like the odyssey, there is CV, gate and trig I/O on 1/8th" jacks for interfacing with other analog gear (even works with Eurorack!)

This is a beautiful vintage analog synthesizer with that classic bright sound that ARP is so well known for! It was recently checked out by our technician and is in fantastic condition."

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Behringer to Re-introduce an EMS SYNTHI and More, Much More

The list:

WASP DELUXE
ARP 2600
Octave CAT
SYNTHI VCS3
Roland SH-101 (3 colors)
KORG MS20

Details on each (no new pics in yet, but you might remember the MS-101 here):

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IK Multimedia's Syntronik for iPad Released

iTunes: Syntronik - IK Multimedia

"Play the vibe. Hear the magic. Syntronik is IK’s cutting-edge synthesizer that features the sound of the most iconic machines to ever grace the planet.

Syntronik comprises 17 powerful virtual synths recreating the legendary sonic signature of 38 of the most sought-after classic analog synthesizers and string machines ever created, recognizable by their elegantly designed, easy-to-navigate interfaces.

Thanks to IK’s exclusive DRIFT™ technology, which emulates the way real analog circuits behave over time, the astounding circuit-modeled filters and the multi-sampled oscillators, Syntronik is the most authentic sounding analog virtual synthesizer to date and is the one-stop solution for musicians, discerning producers and synth aficionados demanding utmost sound quality and extreme playability both live and in the studio.

Our team of developers and sound designers worked relentlessly to capture each machine’s “DNA” for the most realistic and flexible instruments possible that maintain the real character of the originals while extending their creative potential even further.

Syntronik offers Multis with 4 parts. Each part has its own synth, dynamic arpeggiator and a dedicated 5-slot effect section for unprecedented sound design flexibility, allowing for highly sophisticated sonic palettes.

The instruments available in Syntronik cover an incredibly wide range of sounds, triggering inspiration right from the start with 1200 instrument presets, easily accessible with a smart browser, 200 multis*, 129 arpeggios and much more.

Features:

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Syntronik™ - the legendary synth powerhouse for Mac/PC is now shipping

Announced back in May, Syntronik™ is now available.

The official press release follows:

"Syntronik™ - the legendary synth powerhouse for Mac/PC is now shipping

Cutting-edge virtual instrument delivers iconic synthesizers and string machines with unique synthesis engine and stunning sound quality, available as a collection or separate instruments

July 20, 2017 - IK Multimedia is proud to announce that Syntronik™, the legendary synth powerhouse for Mac® and PC, is now shipping worldwide.

Syntronik offers the definitive and best-sounding collection of vintage synthesizers in a virtual instrument to date. It provides unsurpassed quality and flexibility thanks to an entirely new combination of the most advanced sampling techniques with a unique hybrid sample and modeling synthesis engine, a large assortment of high-quality modeled effects and innovative instrument features.

Syntronik - a dream collection of synths
Syntronik includes a collection of 17 amazing instruments with over 2,000 soundscovering a wide selection from 38 of the most iconic to ultra-rare vintage synthesizers of all time:

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IK Multimedia Introduces Syntronik - The Legendary Synth Powerhouse

"Syntronik is a cutting-edge virtual synthesizer that raises the bar in sound quality and flexibility thanks to the most advanced sampling techniques combined with a new hybrid sample and modeling synthesis engine. Syntronik includes 17 amazing instruments, available as a collection or separately, with over 2,000 preset sounds covering a wide selection from 38 of the most iconic to ultra-rare and painstakingly multi-sampled vintage synthesizers. Syntronik’s synthesis engine goes well beyond traditional sampling thanks to a brand new analog modeled filter section created with the utmost expertise from IK, the pioneer in virtual circuit modeling. This is coupled with exclusive DRIFT™ technology to accurately reproduce the behavior of oscillators from real hardware synths. All of this combined with an effects section that is unrivaled in the world of virtual instruments along with advanced features like 4-part layers, splits and arpeggiators make Syntronik the ultimate source of inspiration with the widest palette of synthesizer sounds ranging from exact reproductions of the originals to sounds never heard before that will stand out from the crowd in productions covering any genre and style."



"Syntronik includes the following 38 amazing synths and string machines offering more than 2,000 instrument presets:

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Arturia Announces V Collection 5 Including New NED Synclavier Port, Hammond B3 and More

Published on May 19, 2016 ARTURIA - Update: new video uploaded May 30, 2016

Update: Clarification: the NED Synclavier is not an emulation but a port of the original software:

"this is not an emulation - it is the real thing, the real mccoy. Cameron Jones himself ported the original Synclavier code to run on PC/MAC/VST etc.

- you have the choice of playing each patch either in the original 8-bit depth, or change it to 4-bit (!), 10-bit, 12-bit, 14-bit, 16-bit, 18-bit, 20-bit, 22-bit or 24-bit depth.

- resynthesis: not implemented in the current release but there may be plans to put it in a future release. However some of the original factory patches included (83 total) are resynthesis-based

- the partials/timbre frame functionality was vastly expanded"

Video description:

"The new V Collection 5 is a giant leap forward in our quest to create the greatest legendary keyboards collection ever, including 5 new softwares instruments: Piano V, Synclavier V, B-3 V, Stage-73 V, Farfisa V.

Special thanks to:
Altius Prod
Stéphane Schott (http://www.lyynkstudio.com/)
Studio Question de Son (http://www.questiondeson.com/)
Underground Records (http://www.undergroundrecords.fr/)
Garbage & Greg Kaplan (https://www.garbage.com/)"

Arturia announces the Synclavier V

Published on May 19, 2016 ARTURIA

Update: It's not clear if the Synclavier V supports sampling resynthesis (see above), although it does take the FM and additive synthesis with partials to a new level. For reference, you can find the history of features for the original Synclavier on Wikipedia here.

"Arturia announces the Synclavier V, the first recreation of the legendary digital synthesizer made in collaboration with Cameron Jones, the inventor of the original instrument.

The Synclavier V faithfully recreates the elite digital synthesizer/workstation that started it all, powering some of the biggest hits and film soundtracks of the early ‘80s with its unique rich, edgy sounds.

While the Synclavier V expertly brings this historic instrument to life, we’ve improved it dramatically by taking advantage of today’s processing power. We’ve also infused into it everything we’ve learned over 16 years of developing award-winning software synthesizers. The result is a thoroughly modern, cutting-edge instrument that stands alone among hardware and software synths alike.

Update: some details on the synth engine:

Timbres consist of up to 12 Partial Timbres
Much of the magic of the original Synclavier owed to the ability to build Timbres (presets) by creating and layering four completely different sounds or Partial Timbres to realize massive, complex sounds. With the Synclavier V, we’ve taken the number of Partial Timbres to 12, dramatically expanding the creative possibilities. Since each Partial Timbre is a complete sound, that means that you can stack many different sonic elements into electrifying Timbres resounding with rich complex textures brimming with subtleties.

Partial Timbres are each compete synth engines
Each of the 12 Partial Timbres has two digital oscillators that combine the principles of both additive and frequency modulation (FM) synthesis. Rather than using filters to subtract harmonics from simple oscillators, additive synthesis builds up complex sounds by selectively adding harmonics in this case. The Synclavier V goes way beyond that, combining these oscillators in an FM architecture where the carrier (main) oscillator is modulated by the second harmonic oscillator. The fusion of additive and FM technologies make for a stunningly diverse and unique universe of cinematic pads, epic leads, evolving bass lines and more.

Time Slices animate long passages
Time Slices allow you to specify up to 50 snapshots of the 12 Partial Timbres of additive and FM synthesis goodness, and animate through them over time. For each Time Slice, you can set the volume, pitch, FM modulation amount, and delay. The ability to set parameter crossfades of up to 30 seconds between Time Slices—over a total time of 5 minutes—makes it possible to create long evolving ambient pads and cinematic cues of incredible complexity.

Improvements make a great instrument even greater
We’ve made a lot more improvements beyond boosting the sound engine from four Partial Timbres to 12. Where the original modulation oscillator was only a sine wave, now you can also choose sawtooth, square, or triangle—or graphically build your own waves comprised of 24 phase-controllable harmonics. These enhancements allow you to create outrageous textures never possible before. Each Time Slice can now even have a separate FM modulator waveform. Variable bit depth between 4- and 24-bits, on-board effects, and a MIDI Learn feature are just some of the many examples of the new options available to you in Synclavier V.

With the Synclavier V, digital synthesis meets total creative and performance expression.
Sure, all synths have LFOs, but the vibrato section of the Synclavier V is exhaustive, giving you control over LFO attack, phase, quantizing, bias and more. Things get even more interesting when you apply the LFO to the FM harmonic oscillator that, in turn, modulates the carrier. Let that sink in for a minute!

Want to take your listeners on an animated journey? Add extra energy to your pads and soundscapes with the stereo modulation section. It actually takes the form of separate linkable tremolos for each channel, making for unique spatial animation effects that will have everybody’s heads spinning.

Imagine performing with expressive nuances never possible before. Press harder on the keyboard to change the amount of FM modulation. Ride the expression pedal to affect the frame speed of your Time Slices. Grab the mod wheel to rock the FM modulation ratio. These are just some examples of what’s possible when you use the modulation matrix to easily map any of your favorite MIDI controllers to dozens of sound engine parameters—discretely for each Partial Timbre."

You'll find Arturia's page on the Synclavier V here, and Synclavier Digital's website here.

Update: the official press release for the entire V Collection 5 [Note: The Analog Lab press release below was the first to go up. Apologies for the all the updates, but this is how it comes in, and posts here on MATRIXSYNTH are about capturing that]:

"Arturia advances industry-standard V Collection of virtual classic keyboards

GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of V Collection 5 — the latest incarnation of its impressive industry-standard collection of authentic-sounding virtual instruments, expanded and updated to include five all-new additions alongside new versions of ‘old favourites’ (plus Analog Lab 2) — as of May 19…

With no fewer than 17 virtual instruments that recreate hard-to-source synthesizers and classic keyboards, V Collection 5 represents really remarkable value on many musical levels. At an attractive monetary level, it’s a no-brainer! Bringing something special to the 21st Century performance and production table, five all-new authentic-sounding additions lead this latest V Collection charge.

B-3 V beautifully recreates the distinctive tones of the B-3 tonewheel organ, one of the most iconic and influential instruments of all time. It truly transcends time and place by bringing this still-sought-after sound to the computer-based music-making masses. Meanwhile, Farfisa V virtually puts players in the driving seat of the sound that drove the hits of several decades as a superb software simulation of the famous Farfisa Compact Deluxe organ. Pushing the physical boundaries of an acoustic piano, Piano V meticulously models the sound and behaviour of one of the most important instruments history has yet thrown up — albeit not as one but rather nine virtual instruments rolled into one! An authentic-sounding software simulation of the Seventies-vintage Stage and Sixties-vintage Suitcase 73-key electric pianos, Stage-73 V is the sound of the Sixties, the sound of the Seventies… the sound of today, the sound of tomorrow! Thanks to Arturia’s close collaboration with original Synclavier® software developer Cameron Jones, Synclavier V takes everything the trailblazing Synclavier® could do as the most powerful additive and FM synthesizer ever created and makes it more powerful!

Put it like this: thinking about all those thousands of new sounds and styles in V Collection 5 that are available at the touch of a (virtual) button beggars belief, but Arturia’s aim is true… to create the tools that lend a helping hand to today’s musicians, taking inspiration from the past to (re)invent the music of tomorrow. The 12 remaining virtual instruments in V Collection 5 — ARP 2600 V, CS-80V, JUP-8V, Matrix-12 V, Mini V, Modular V, Prophet V, and SEM V analogue synthesizers; Prophet VS digital synthesizer; Wurli V electric piano; VOX Continental V electronic organ; and Solina V string machine — do just that, too. All are updated with resizable (Retina/4K-compatible) GUIs that truly have to be seen to be believed! But digging deeper, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) — allowing advanced integration with third-party software instruments — naturally features across the board. As does AU, AAX, VST2, and VST3 compatibility, standalone operation, plus MIDI Learn (to easily map all parameters to a MIDI CC).

Continuing Arturia’s quest for absolute authenticity through TAE® (True Analog Emulation), physical modelling, and additional technologies, anyone prepared to dig deep into V Collection 5’s treasure trove of hard-to-source synth and classic keyboard recreations will be musically rewarded in kind. Conversely, Analog Lab 2 is a powerful yet painless way of accessing a broad selection of sounds from across V Collection 5 within a single application. As it supports Arturia’s many MIDI controller devices natively, it adapts to reflect their physical controls when they are connected… connect with V Collection 5, then, and accept Arturia’s helping hand to today’s musicians, taking inspiration from the past to (re)invent the music of tomorrow!"

The Analog Lab press release:

"Arturia advances Analog Lab composite virtual instrument to include V Collection 5 sound selection

GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of Analog Lab 2 — an all-new incarnation of its composite virtual instrument that gathers together a broad selection of sought-after sounds from its V Collection 5 software bundle — as of May 19...

Analog Lab 2 is a powerful yet painless way of accessing a sought-after selection of sounds from all 17 of Arturia’s authentic-sounding virtual instruments as a single application. Included are sounds from eight emulated analogue synthesizers (ARP 2600 V, CS-80V, JUP-8V, Matrix-12 V, Mini V, Modular V, Prophet V, and SEM V), two digital synthesizers (Prophet VS and Synclavier V), two electric pianos (Stage-73 V and Wurli V), an acoustic piano (Piano V), and three electronic organs (B-3 V, Farfisa V, and VOX Continental V). Those virtual instruments recreate hard-to-source hardware synthesizers and classic keyboards of the past and conveniently transport them to the present-day desktop.

Analog Lab 2 invites instant exploration as an AAX-, AU-, VST-, and VST3-compatible plug-in in any DAW (Digital Audio Workstation) or as a standalone version. Its redesigned, resizable (Retina/4K-compatible) GUI (Graphical User Interface) is as easy on the eye as it is to use. Studio View shows the original historic hardware, helpfully bringing up the best presets from each instrument in question. But there’s a whole lot more to Analog Lab 2 than good looks alone.

Accessing those sought-after sounds at the speed of sound is simple, thanks to a new preset browser. Browse presets by TYPES, BANKS, sonic CHARACTERISTICS, and INSTRUMENTS (crossing categories). Create PLAYLISTS. Or simply Search for presets by NAME. Needless to say, with 4,500-plus presets to choose from there’s always a sound to suit every mood, every ambiance, and every music style — sounds that transcend time and fashion.

For those wishing to dig deeper then the dual-instrument MULTI feature with independent MIDI settings panel for each instrument will make their musical day. Drag and drop splits and layers of those presets to take ownership of the sound. Sounds and Multis can be organised in the PLAYLISTS area for instant recall via program change messages, making Analog Lab 2 a best friend in the studio and a pillar of live performance.

Put simply, Analog Lab 2 is so much more than just a sound library. It’s a substantial sound design tool and an amazing live performance instrument integral to immeasurably improving everyday workflow. When connected to one of Arturia’s many MIDI (Musical Digital Instrument Interface) controller devices, Analog Lab 2 will automatically adapt to reflect their physical controls. Generic MIDI controllers of course can also be used with MIDI learn to easily map all parameters to a MIDI CC (Control Change).

Changing the sound of Analog Lab 2 is even easier thanks to two EFFECTS slots with pre/post fader switch per instrument. Included Bitcrusher, Chorus, Delay, Destroy, Dub Delay, Eq4, Flanger, Overdrive, Phaser, Pitchshift, Reverb, Roundpanner, and Vocal Filter effects ensure that Analog Lab 2 always sounds the way you want it to.

Take your sound and workflow to another level with Analog Lab 2, an easily-accessible environment at an easy-to- swallow price point. What’s not to like?"

Arturia B-3 V Tutorial

Published on May 19, 2016

"The B-3 V delivers the most authentic tonewheel organ and rotary speaker experience you’ll find anywhere, plus customizations that open up new creative opportunities."

"Arturia pulls out all the software stops to realistically recreate tonewheel organ combo classic

GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of B-3 V — an authentic-sounding software simulation of the classic B-3 tonewheel organ and Leslie rotary speaker combo — as of May 19...

B-3 V realistically recreates the special sound of the B-3 tonewheel organ. One of the most iconic and influential instruments of all time. One which has graced many of the greatest recordings of all time. Today Arturia brings this to its award-winning Analog Classics family of virtual instruments that recreate hard-to-source synthesizers and classic keyboards.

Keyboard players have made their mark in all forms of popular music with the B-3, back from its inception in the Fifties way past its discontinuation through to today. Procol Harum’s hit ‘A Whiter Shade Of Pale’ proved particularly memorable with a melancholic countermelody displaying an altogether softer side to the B-3. But raucousness remains the order of the day for the blues, jazz, and gospel genres with which it first found favour. After all, it had historically been aimed at churches as a more compact and affordable alternative to conventional pipe organs.

One saying springs to mind: Pulling out all the stops — to hold back nothing — is an allusion to organ stops being pulled out to turn on each set of sounds in a pipe organ. The B-3 effectively ‘emulates’ this with its drawbars. Doing this and a whole lot more is what B-3 V does best, thanks to Arturia pulling out all the software stops to make it happen!

Thirties-developed tonewheel technology originally made that special sound happen. An electronic current is created when rotating a metal tonewheel near an electromagnetic pickup and amplifying that signal. The B-3 has 91 of those tonewheels with each key connected to a fixed set of tonewheel outputs. Drawbar settings control how these are mixed together. The tube preamplifier subsequently shapes the sound a little further — filtering and distortion take hold here — while factoring the position of the expression pedal. This not only acts as a volume control but also affects the frequency response of the preamp which is connected to a speaker.

Speaking of which, B-3 V faithfully simulates the favoured Leslie tone cabinet, containing a power amplifier that drives a rotating horn and a stationary woofer firing into a rotating drum reflector. Spellbinding spatial and frequency-shifting effects above and beyond the sound-shaping effects of commonplace loudspeakers are all perfectly possible!

B-3 V brings this classic combo — complete with the inherent imperfections that made that tonewheel technology sound so unique — to the present-day desktop as an AAX-, AU-, VST-, and VST3-compatible plug-in in any DAW (Digital Audio Workstation) or as a standalone version. Visually, things couldn’t get clearer, thanks to the resizable (Retina/4K-compatible) GUI (Graphical User Interface) that’s as easy on the eye as it is to use.

Under the hood, things couldn’t be better with MIDI control of many parameters and insert slots for ANLALOG DELAY, CHORUS, FLANGER, OVERDRIVE, and PHASE effects, as well as ADVANCED SETTINGS for upper and lower manuals and rotary speaker behaviour. B-3 V boasts a built-in step sequencer, allowing anyone to easily set an amount of modulation for each step of the sequence! Naturally, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) allows advanced integration with B-3 V.

All of the benefits of the original iconic instrument are available to modern music-makers with B-3V, but without the heavyweight hassles. Where anyone chooses to take it musically is anyone’s guess, but bet your bottom dollar that special sound will be being heard for many more years to come... courtesy of B-3 V!"

Arturia Stage-73 V Tutorial

Published on May 19, 2016

"The Stage-73 gives you actual authentic modeling of both Stage and Suitcase versions of the most popular electric piano on the planet —completed with unparalleled control of virtual mechanics, a complement of effects pedals, and built-in classic amps."

https://www.arturia.com/products/analog-classics/analoglab/overview

Update: And the official press release for the new Farfisa-V:

"Arturia augments Analog Classics collection with faithful Farfisa Compact series software simulation

GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of Farfisa V — faithfully modelling the famous Farfisa Compact Deluxe electronic organ with additional features from its Duo Compact series sibling — as of May 19...

Arturia’s award-winning Analog Classics family of virtual instruments recreate hard-to-source synthesizers and classic keyboards. As a worthy addition, Farfisa V virtually puts players of today in the musical driving seat with a still-sought-after sound that drove the hits of several decades: Farfisa’s famous Compact Deluxe electronic organ, one of a series of iconic instruments manufactured in Italy between 1964-1968. A staple of Sixties-produced popular music, they made their musical mark with a wider-ranging sound than that of their main VOX Continental competitor. With more bass waveforms and an expanded percussion and vibrato section sales soared.

Speaking sonically, Farfisa Compacts are almost more top octave synth-like than organ-like, thanks to a rudimentary envelope that allows for attack and decay control that went way beyond the typical organ sound of its day. Little wonder, then, that they proved popular with musicians throughout the Sixties (‘Sam The Sham’ and The Pharaohs, Percy Sledge), Seventies (Jean-Michel Jarre, Kraftwerk), Eighties (B-52s, Blondie), and beyond. But unlike heavyweight Hammond tonewheel organs, transportation to performances was trouble-free. For the fortuitous Farfisa form factor included integrated legs that could be folded up and stored within the body of the instrument itself, surely sealing many purchasing deals!

Today, though, finding and maintaining an original Farfisa has become both difficult and costly. Farfisa V solves such problems by bringing all the benefits without any of the hassles to the present-day desktop! Developed using an original hardware organ for reference, it meticulously models the original circuits and sounds of the famous Farfisa Compact Deluxe. Features from its Duo Compact series sibling are also included alongside an authentic combo amp simulation. Standalone instrument operation on Mac OS X and Windows is a given for performance purposes. Plug-in support for all major formats inside any DAW (Digital Audio Workstation) with easy MIDI-learn functionality provides hands-on control of many of its parameters and automation support for considerable creative control. Naturally, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) — allowing advanced integration with third-party software instruments — is there for the taking.

As always, recreating an instrument in software provided an opportunity to add a number of more advanced features fit for the 21st Century. Cue the special USER WAVE position, allowing anyone to create an additive waveform. Why not use the ToneDraw feature to create a new waveshape based on the graphical look of the sliders? Having modelled the original built-in spring reverb, Arturia added other reverb IRs (Impulse Responses). Reorder the additional ANALOG DELAY, CHORUS, FLANGER, OVERDRIVE, and PHASER effects. Easily-accessible individual voice tuning, PARA (paraphonic) and POLY (polyphonic) modes, ATTACK and RELEASE envelopes for upper and lower keyboards, BASS WAVE (waveform selector), TONE control for bass section, TREMOLO SYNC, and REPEAT SYNC round out this all-new Analog Classic. Hearing is believing. So is seeing, thanks to the resizable (Retina/4K-compatible) GUI (Graphical User Interface) that’s as easy on the eye as it is to use.

Ultimately, then, whether you’re set on recreating a distinctive and powerful organ sound of the past or forging ahead with a new organ sound of the future, Farfisa V does it all. But best of all... legs no longer play a part in sealing this must-have musical deal!

Arp 2600 with Tonus Logo & Keyboard

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Here's the chance you've been waiting for. For sale is an incredibly rare Arp 2600 synthesizer with the Tonus logo. What makes this Arp special over most of the ones you see is it has the superior sought after 4017 oscillators, said to be more stable than the later versions and also with a fatter analog tone. It also has the rare Moog Filter which Arp was later sued over [not true - threatened but not sued] and had to change the design [true]. The later design is said to be weaker and thinner sounding. This Moog filter is super creamy and buttery, very incredible sound. The synth is 100% fully functional, recently tuned/calibrated and gone over, all sliders are clean and jacks are working and power supply board has been recapped. The keyboard keys all trigger properly, and has an upgraded connector jack that isn't as flimsy as the original connectors. Also upgraded is the power cable, it takes standard 3 prong instead of the proprietary oval shape. The only issue is 3 slider shafts are broken off, the slider still work but the shafts are shorter without the knob caps (which could be glued back on or replace the sliders entirely if desired). Cosmetically, the synth face looks very nice, crisp graphics and not much wear. The outside of the synth does show quite a bit of wear, especially on the lid covers. The lids for both keyboard and main unit are included but show a bit of peeling, so be sure to check out the pictures and make sure you like it. The cosmetics could easily be touched up with a retolexing if desired or you can appreciate the vintage character to it. The sound is the important part which is just really incredible and noticeably better than the other G-clef or black/orange 2600s I've played that didn't have the 4017 and Moog filters in them. I am open to offers but remember while your offer is pending someone else may snap this up. Don't miss out on this gem!"

CLICK FOR MORE »

Soundlab PLUS Semi-Modular Analogue Synthesizer

Note: Auction links are affiliate links for which the site may be compensated. Sound Lab Analog Synthesizer sample and hold

Uploaded on Jul 3, 2010 lamaymusic

via this auction

Video above for demonstrative purposes only. There are two clips from Instagram of the one for sale further below.

"You are bidding on an exceptionally rare Soundlab Semi Modular synthesiser. Sound is somewhere between a Korg MS-20 and an Arp 2600 and features 2 oscillators (+ plus external in and white noise) with hard sync, PWM and a wide variety of patching options as well as 2 LFOs and 2 Envelopes Works great either on it's own or as part of a modular rig (I've had a lot of fun using with Silent Way) Fits in a 4U rack and oh, it looks really cool too."

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Introducing the Nodular Desktop Synthesizer - Two Sided Analog Monophonic Semi-Modular Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Update: the maker/brand name for this synth is ndlr.synths. I created a new channel label for them. We have a new synthesizer manufacturer in town.  See second "Update" at the bottom of this post for additional notes on the design.

via the auction:
"Up for sale: one monophonic analog synthesizer. I've been making analog synthesizers for about 15 years now, but this is the first I am offering up for sale to the 'general public'. I am hoping to make a business out of selling this particular model, and you could be my very first customer.

The pictures show the same unit that is up for sale. The cabinet is made from 3/4" natural cherry boards, except for the base, which is made of 3/4" MDF. Both instrument panels are made of 1/8" thick anodized aluminum. The panels have been mechanically engraved and the engravings filled with chemically hardened black enamel paint. The whole unit measures about 18" wide by 18" deep by 12" tall. It weighs about 40 pounds. This is a very well made unit, with sturdy instrument panels that'll last a lifetime.

This synthesizer has its own +15/+10/GND/-10/-15 volt power supply and will only run on 120VAC 60Hz. It consumes about 45 watts of power at full bore.

All the modules in this synthesizer have been designed to work together seamlessly, and all use the same standards: 1 volt per octave, 10 volt peak-to-peak signal voltages, and 5 volt peak-to-peak gate, trigger, and control voltages. All patches are made among the modules via banana jacks. And a few different ways of interfacing to external modules or instruments are offered via 1/4" phone jacks.

A description of the different modules follows:

(1) ring modulator

(1) white and pink noise and random voltage source

(1) sample/track & hold

(1) voltage comparator

(2) low frequency oscillators (LFOs):

(1) headphone amplifier

Both offer voltage controlled frequency, variable offset and symmetry, and sinusoidal, triangular, and pulse wave outputs. By adjusting the speed knob, the frequency can be changed from about 20Hz down to really, really, slow. This range can be extended through voltage control.

(3) voltage controlled oscillators (VCOs):

All three offer 1 volt per octave frequency control, voltage controlled pulse width modulation, ac-coupled linear frequency control, hard sync, and sine, triangle, sawtooth, and pulse wave outputs. They'll track to within .2% over at least 8 octaves with basically negligible temperature drift once the enclosure is warmed up. And they'll operate from below audio to above audio frequencies.

In addition, the first VCO offers a frequency range switch and fine tuning.

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Sound Review Part II: Timewarp 2600 64 Bit Version by Way Out Ware

Published on Nov 15, 2014 Synth Anatomy

"Support Synth Anatomy: http://www.patreon.com/synthanatomy

This is the only ARP 2600 emulation product endorsed by its creator, Alan R. Pearlman.

By developing our own proprietary and optimized virtual analog oscillators and filters, WOW brings the most accurate digital reproduction of the 2600's fat analog sound to your desktop. All of the original control features from the ARP 2600 are there, and because you can now save your carefully programmed patches, the TimewARP 2600 is even better than the real thing!

Available here in 64 Bit
http://sonivoxmi.com/products/details..."

Sound Review Part I: Timewarp 2600 64 Bit Version by Way Out Ware

Published on Nov 12, 2014 Synth Anatomy

"Support Synth Anatomy: http://www.patreon.com/synthanatomy

This is the only ARP 2600 emulation product endorsed by its creator, Alan R. Pearlman.

By developing our own proprietary and optimized virtual analog oscillators and filters, WOW brings the most accurate digital reproduction of the 2600's fat analog sound to your desktop. All of the original control features from the ARP 2600 are there, and because you can now save your carefully programmed patches, the TimewARP 2600 is even better than the real thing!

Available here in 64 Bit
http://sonivoxmi.com/products/details..."