"The Triadex Muse is a sequencer based synthesizer. It was first produced in 1972. It was a deterministic event generator that used early digital integrated circuits to generate an audio output that could sound very musical. In this auction you will receive both the Triadex muse and the accompanying amplifier. They both have the original boxes. Even though they were ahead of their time and somewhat of a technical marvel, very few were produced. The cosmetic condition of the units are in excellent condition as seen in the pictures. The original instruction manual and tags are included with the Muse. We don't have the patch cords that go from the Muse to the amplifier to test the operation of the amplifier. So the amplifier was not tested and is being sold along with the Muse in “as is” condition. This is a rare opportunity to own both the Muse and the amplifier. The Muse was designed by MIT graduates Edward Fredkin and Marvin Minsky in the late 1960’s. Minsky was on the set of “2001 A Space Odyssey”, and taught Stanley Kubrick about Artificial Intelligence as he created Hal. Years later, Edward Fredkin created the Fredkin Prize, which awarded the creator or creators of the first computer to compete and win the World Chess Championship. The Muse is a music composer machine or digital synthesizer and melody composer, involving early logic modules in a unique circuit that allows the possibility of 14 trillion musical note combinations It's an algorithmic music generator that uses digital logic circuits to produce a sequence of notes based on the settings of various parameters. The four small sliders in the lower-left control Volume, Tempo, Pitch, and Fine Pitch. The switches to either side are used to start and stop the sequence, or to step through it note-by-note. Of the eight larger sliders on the right, four control the musical intervals used (labeled A, B, C, and D), and four control the theme (labeled W, X, Y, and Z). A rest can be substituted for the lowest note by flipping a toggle switch. The exact logic behind the composition engine is rather technical, and not exactly intuitive. The tempo clock can be slaved to that of another Muse, allowing for multi-part compositions. The Muse is the subject of U. S. Patent 3610801, and their patent abstract of this electronic music composer reads as follows: In the apparatus disclosed herein, a note generator is controlled by a long term, quasi-periodic function which is in turn generated by applying digital feedback in preselected combinations around a digital register. The register comprises means for holding a plurality of bits of digital information in a given order, e.g. a shift register or counter, the held information being changeable according to a predetermined pattern in response to input signals applied thereto. Digital feedback is provided by applying to the register at least one input signal which is obtained according to a preselectable or adjustable code from bits of information obtained from various points in the register itself. The apparatus thus, in effect, composes music as distinguished from merely synthesizing sound. It is not known exactly how many Muses were made, [cyberlegend has it that only 280 to 300 were made] but they are very rare, and were never available in stores. The Muse originally had an even rarer accessory, the “Light Show”, which flashed colored lights in time to the music. It was a very simple circuit and was constructed of, believe it or not, G.E. colored Christmas lights.
The specs are as follows:
Model – Muse
Serial no. 00729-113
AC 115-125v 60CPS 40w
ok50Hz
Amplifier model no. AS-1
Serial no. 00072-108 "
"This video shows one of several prototype Buchla format Zeroscillators working along beautifully with the other modules in a 200e system.
The Buchla 200e analog/digital hybrid system is an incredible achievement that can now be complimented with the addition of Cyndustries award winning liquid smooth pure analog Zeroscillators, the ~only~ oscillators with the musicality and complex modulation opportunities of through-zero technology.
Limited Buchla format editions are special order only, please contact Cynthia directly.
"Audioprom is an audio sequencer and live performance application for the iPad."
via the developers: "We just launched Audioprom, a super intuitive audio sequencer app for the iPad. Audioprom doesn’t look or feel like other iPad sequencers out there because it doesn’t simulate popular physical interfaces from 90’s drum machines. We built it from the ground up for the multitouch screen.
It’s been a labor of love. We built it because we wanted it for ourselves and now we hope others might like it enough to buy it so we get to keep working on it.
We are CW&T, a Brooklyn based art and design duo. We make hard and soft things for fun and to feed ourselves. This is our first go at an iPad app. cwandt.com"
A funny side note for the archives: "Audioprom was originally called Sausage Sequencer. The idea was to build a sound sequencer that uses slices of sausages placed on the iPad as physical markers to make sounds. After our first prototype we realized that sausages, or any other food item, is sensed reliably only when touching your hand. As soon as you let go of the sausage, the iPad thinks it's gone too. Our dream of chopping and placing food on the screen to make sounds ended there, but we were left with a decent audio sequencer. So we kept at it, trying to make an intuitive and simple interface that takes advantage of the multitouch screen. Sausage Sequencer turned into Audioprom, a sequencer for fingers on the iPad."
YouTube via MasterJimLightMagic | December 24, 2010 |
"Created by Dimitris D. Davakis for "Dreamstate", a track from Parallel Worlds' album 'Far Away Light' 2005 Shima records. www.parallel-worlds-music.com."
"Roland sh101(bass sounds), Roland tr606 (drums), Nord lead rack, Nord modular (drums processor), JP8000(pad), korg MS10(bass line), mono/poly (effect sound), Doepfer A100(wet sequence) modular, MS2000r, s750, emax2."
MasterJimLightMagic | December 23, 2010
"Created by Dimitris D. Davakis for " Beneath Fear ", a track from Parallel Worlds' album 'Obsessive Surrealism' 2007 DiN records. www.parallel-worlds-music.com."
"Doepfer A100 modular, Analogue Systems Integrator (RS370 PHG sound), system-100m(bass), electribe S(drums), s750 (string and choir) , JP8000(pad) , Reaktor (lead sound), Nord modular, MS20."
YouTube via LuckyButtonPusher | December 26, 2010 |
via LuckyButtonPusher in the comments of this post.
"This is only made with the DSiWare "Music On: Drums". This software beatbox has got some limitations (e. g. no effects and only 32 Patterns per song sequence) but it's still a quite powerful music application for the Nintendo DSi."
Rytmik: Mind Traveling (7th Place in 2nd Rytmik Contest) リズミックス
LuckyButtonPusher | August 28, 2010 |
"I made this song at train with Rytmik DSiWare. The video I made at the same train route. Please hit the "Like Button" if you like it! Positive votes support my song at the 2nd Rytmik Contest! Thank you very much!
Music: 100% Rytmik by me
Vocals: by a fellow of mine
Lyrics: fellow and me"
"you can run any signal source through the 303 and use the sequenced filter to process sound. plain amazing. an analog slicer filter. also use it as a normal 303. it has an addutiional knob that adjusts the decay in relationship with the accent and really funks it up."
"Russian portable analog poly synthesizer JUNOST-21. It’s unique guitar-like instrument with warm and aggressive analog sound. Usually it’s called “soviet Moog Liberation”! Synth has 12 factory patches, analog filters, modulator, chorus and ADSR control."
"Original vintage 1985 Korg Patches Magazine is a "Must Have" for your collection! 16 pages Shows New Products for keyboards, drum units midi samples, guitar effects and much more! Great article on Joe Zawinul! Gives description, features and specs A great reference when looking for that perfect vintage sound."
YouTube via metasonix | December 25, 2010 | 2 likes, 0 dislikes
"This demonstrates an R-60 MIDI-CV interface tuning itself to control an R-54 set as a VCO.
Those who have problems making an R-60 complete the tuning process could try these suggestions:
1) when setting the initial pitch of the R-54 at the beginning of the tuneup, set the R-54 pitch to below 32 Hz, not precisely at 32 Hz.
2) when tuning is done, press and hold the Learn button, then immediately press the low C key at least 3 times. Then operate the pitch bend while holding the low C key, this clears out the R-60 buffer.
3) if this still does not work, try a hard reset."
Basic voice, R-54 VCO to R-54 VCF, control by R-60
metasonix | December 26, 2010 |
"Simple patch: R-60 controlling one R-54 VCO, feeding another R-54 used as a filter. VCA and EGs are Doepfer. Yes, it really does sound like that. No reverb, delay or other sweetening was used.
Frosty holiday lights shot via the Percussa newsletter. Title of this post is the title of the newsletter. They have an updated site as well.
"Mix and match loops and musical patterns using beautiful light emitting wireless cubes. Control instrument and audio effects using your fingers and hands. Mix colours in sync with your sound or music. Inspire yourself and your audience. Works with your existing MIDI compatible hardware and software."
"I wanted the Midi Dump Kit uprgrade for my Poly-800
Mk1 and it's not available anymore... So I gathered some informations about it
and found a guy that had the upgraded firmware and schematics. Emailed him. This
is his site:
Music Technologies Group,
he can burn and send the eprom very neatly.
I uploaded all instructions to build one at
korgpolyex under
Files/4)Modifications/MIDI DUMP KIT."
"This is a voltage controlled DDS, implemented with a Cypress PSoC (Programmable System-on-Chip). It uses standard 1V/Octave control voltages over a 0-10V range and generates 8 different waveforms with a +/-5V swing as output. Output frequencies from 20Hz-20kHz are possible, and falling-edge sensitive hard-sync is also provided."
"Hit Animation Urusei Yatsura's another Slapstick scene music, part-1 Rhythm section.
I used complex half tone scale for this.
Main rhythm is Roland TR-808 and Roland SH-7 is used for Electric tom sound with Piko Piko Hammer."
Update:
Anime "Urusei Yatsura/HachaMecha Daikonran 2 (Slapstick Scene BGM)" part 2
btpro | December 28, 2010 |
"Hit Animation Urusei Yatsura's another Slapstick scene music, part-2 Bass & Melody.
I added Bass (MiniMoog) and Melody (Roland SH-7) to previous movie."
Anime "Urusei Yatsura/HachaMecha Daikonran 2 (Slapstick Scene BGM)" part 3
btpro | December 30, 2010 |
"Hit Animation Urusei Yatsura's another Slapstick scene music, part-3 Sequencer.
I added Sequencer (MiniMoog) to previous movie."
Update via vito_mf in the comments: "Anzai deserves much credit. his synthesizer museum was very important to me in the the late nineties internet.. one of the first synth sites and still a very rich resource.
i did a quick search on matrixsynth but did not find anything about it.. so here's the link
i used to love how the sh-07 demo ends..almost bitreduced.. i would also highlight the chamberlain m1 demo.. beautiful and strange."
Anime "Urusei Yatsura/HachaMecha Daikonran 2 (Slapstick Scene BGM)" part 4
btpro | January 01, 2011 |
"Hit Animation Urusei Yatsura's another Slapstick scene music, part-4 Sound Effects and Chord.
I added Sound Effects (EML ElectroComp-101, Roland ProMars) and Chord (Roland Juno-6) to previous movie."
Anime "Urusei Yatsura/HachaMecha Daikonran 2 (Slapstick Scene BGM)" Complete
btpro | January 03, 2011 |
"Complete Movie. Rhythm + Bass + Sequencer + Sound Effects + Melody, All movies together."
YouTube via GruithuisenCityMan | December 26, 2010 |
"My first album is now available at Ruralfaune ( ruralfaune@gmail.com or http://www.myspace.com/disquesruralfaune ) SYNTH018 FREDERIC GERCHAMBEAU "3 Suites" CDR - limited 90 - file under : french avant-garde electronic, GRM music for theoretical minds
/////////////////////////////////////////////
Hello ! My name is Frederic Gerchambeau. I have made this movie. The music has been made in one take with Plogue Bidule (sequencer, granular synthesis, mixer and various delay effects), two Doepfer Dark Energy (one is sequenced and another one is played on keyboard) and a Moog CP-251. Enjoy ! http://www.myspace.com/fredericgercha..."
YouTube via wellweatheredmusic | December 18, 2010 |
"An ensemble of 22 laptops performing under the direction of composer/mix-master Miguel Frasconi, on Thursday, Dec 16, 2010. This was the end-of-semester concert of Bard College's "Workshop in Software for Composition and Performance," taught by Miguel Frasconi.
The participants this semester (fall 2010) were: Laura Bradford • Penn Chan Jake Coan • Dylan Coburn Lucas Denton • Dani Dobkin John Garlid • Charlie Heller Alex Hood • Zack Khalil Shahrod Khalkhali • Elias Moose Marcel Reid-Jaques • Steve Reiman Sean Rucewicz • David Silberberg Nate Smallwood • Charlotte Su Will Tesdell • Joe Tisdall Elon Ullman • Jed Wolf Miguel Frasconi, director & mix-master"
via this auction "The full analogue MFB-502 is a drum computer with versatile sound and intuitive realtime control. Its easy, TR-808 style, integrated step sequencer offers memory locations for 72 rhythms and 8 songs. The following instruments are included:
Kick Drum with adjustable Attack, Pitch, Decay and Level. 2 programmable pitches. Individual output. Snare Drum with adjustable Attack, Noise, Pitch and Level. 2 programmable pitches. Individual output. Hand Clap with adjustable Attack, Tone, Decay and Level. The number of virtual claps can be programmed. Tom with adjustable Attack, Pitch, Decay and Level. 3 programmable pitches. Bongo with adjustable Attack, Pitch, Decay and Level. 2 programmable pitches. Cymbal with adjustable Attack, Tone, Decay and Level and individual output. Open and Closed Hihat with adjustable Decay and Level and individual output.
The stepsequencer has memory locations for 72 rhythms and fill-ins. The 8 programmable songs allow to chain up multiple rhythms.
The additional stereo output is used alone or in combination with the individual outputs. MIDI In: The MIDI Input allows dynamic triggering of the internal sound sources by any MIDI source - keyboard or sequencer. The sequencer can also be synchronized to MIDI-Clock.
Dimensions: W/H/D 175 x 38/72 x 125 mm. External power supply included.