"For sale is this vintage 1973 EMS Synthi Hi-Fli synthesizer. This example, serial number 0311, is in very good all original condition. It includes a pair of reissue expression pedals, as well as, 8 of 9 original EMS slider caps. This 220v unit has been completely tested and it works perfectly."
"Analog Audio Artifacts: event horizons of sonic singularities rendered for our ears. Priority #1 for the 669/BossHog MiniSynth. With a presence more sickening than Leatherface in chef’s hat after indulging at a Texan all you can eat chili cook-off Trogotronic 669 MiniSynth is the most untamed sonic-detonator we’ve ever built. The Subhumans have endowed Model 669/Bosshog with:
3 Oscillators
3 Master Oscillator Controls
3 Analog Audio Artifact Generators
1 Volume Control
3 Modulator Patches
4 Light Indicator Array
7 Button Performance Array
7 Switch Hold Override Array
2 One/Quarter Inch Jacks—Input & Output
8 One/Eighth Inch CV Inputs for Modular Compatibility
7 Vactrol Circuits
From expansive leviathan drones plumbing the depths of heavy water reactors to mind-reading staccato glitch attack the sheer power of the 669/Warthog’s sonic devastation is simply extraordinary. Yes, Virginia, 669/Warthog can BOTH be the backdrop scenic drone AND an all analog rhythm section played in realtime on the perfectly weighted button array. If the multimillion-dollar flying killbots had ears this would be the guiding beacon they obey.
669/Warthog ships in a heavy duty cast aluminum case ready for 100-120v power; Optional Universal power supply allows operation anywhere on the globe from 100-240v mains.
669 solo
669 with old Drum Machine patched to Input
669 with Guitar poorly played while patched to Input
Specs: Cast Aluminum Chassis 4.75″ x 7.5″ x 1.5″ Price: $375"
This is the first in a series of videos featuring three young, energetic musicians who have produced their work using only the KORG electribe.
The first one is produced by mryat, who took part in developing the new electribe and who also writes demo songs for several KORG products. His sound is definitely becoming part of the new generation of KORG sounds. Please watch him “cook” with the new Electribe - and enjoy!
mryat's stream on SoundCloud
https://soundcloud.com/mryat"
"A truly portable electronic setup consisted of a PO-14 from teenage engineering, a monotron Delay from Korg and a talking translator by an unknow brand bought in a fleamarket"
"Continuing the Doepfer A106-5 video series. This time we hear an example of a few sounds that can be created using a melody line filtered with the A106-5 SEM filter. Part Two will explore the Notch and High Pass Filter. Sound and Video by Raul Pena"
"Here is a demonstration of how to do those classic Sequential-esque sync sweep sounds using just a few basic Synthesizers.com modules. A whole lot more synth videos are coming soon!
Thanks for watching!
Produced by Moot Booxlé
All sights and sounds Copyright 2015 Moot Booxlé Studios."
"Yet another in this series of mine. It's fun to stop the video in random places to try to see the 'faces' of the 'spirits'! ;-)
Technical details:
AUDIO - this is a mostly self playing modular synthesizer patch. All four outputs of a Modcan 66B feed two Modcan 55B dual quantizers which control the pitch of four Synth Tech MOTM-300 VCOs. Each of the four voices are completed with a MOTM-800 EG and a MOTM-190 VCA. The master clock is a Modcan 53B which feeds a Moon Modular M554 Octal Clock Divider. The M554, via a M591 quad switch, provides gates for both the voice EGs and 55B sections. Also the 554 provides a long clock cycle that resets the 55Bs. A Strymon BigSky reverb pedal is the only effect used (no reverb added in post). The audio (pre-reverb) is connected to a small oscilloscope so what you see is a representation of what you hear.
"In this video three people and one cat attempt to play the Ekdahl Polygamist. One of them has never played a synthesizer before… and it's not the cat!"
"Two tracks. One drum. One guitar. Both sampled into the Eventide H3500 and processed through its sample mangling capabilities. First you hear the original loop which is followed by the H3500 replicating the same loop, followed by various examples of the loops being time and pitch companded. Sorry for the bad loop editing. Each was an un-edited loop, close to 120 BPM but far from perfect! The point of this demo is to just give an idea of what you can do with a sample on an Eventide H3500. As far as I know, this sampling feature was for broadcasting purposes, so radio commercials could be companded into an exact 30 second time slot."
via the seller: "I am selling some vintage ARP encapsulated submodules. I bought them in 1972 and started to build a simple synthesizer. I did breadboard them and got them working, but life happened and that's as far as it went. They have been in a sealed box for many years. These are the first generation of ARP submodules, where the whole guts are sealed in epoxy. They are AS- IS, but I do believe they are still functional. If there's a questionable one, I'd guess it's the 4017 VCO, since I just had my 2600 cleaned up and the VCO had failed. I will include the diagrams from Tonus how to hook them up. I paid $470 for these back in the day."
"Excerpts from a short session in the evening playing with the DIY Orgone Accumulator in my BugBrand Modular system.
Filtered via PRC3A State variable filter and then delayed by PRC1 PT delay.
Direct out. No external efx."
This video shows the Bass and FX Sounds of this plugin
TAL-BassLine-101 is a monophonic bass synthesizer and a very accurate emulation of the popular hardware device. The GUI is intuitive and easy to use. It produces the raw sound you know from analogue devices without any effects.
Its 24dB zero feedback delay low pass filter has a very smooth and authentic sound without any digital artifacts, especially designed and calibrated for extreme settings. It sounds even smooth with a lot resonance and a high oscillator pitch where most emulations fail.
Details as envelope transitions between overlapping notes are carefully modeled. The oscillators do not use any samples. TAL-BassLine-101 generates all wave-forms in real time. Filter-FM allows it to choose an oscillator waveform as modulation source for the filter cutoff. This additional feature can be used to create a wide range of new sounds."
"The KOMA ELEKTRONIK Komplex Sequencer controls the 1 V/Oct input of the Harvestman Hertz Donut via Sequencer A’s CV output. Sequencer A’s Gate Output controls the Cutoff CV of the KOMA ELEKTRONIK SVF-201 Filter and the 4ms VCA Matrix, which the Hertz Donut goes through. After creating the basic patch, we use the other sequencers to modulate play mode, transpose and gate length.
The KOMPLEX SEQUENCER is a musical monster built around four full-featured 16-step sequencers that allow and invite the user to use one or more of the sequencers to sequence the other one. The KOMPLEX SEQUENCER has no screen or submenus; all features have their own dedicated controls, and all features have their own dedicated in- and outputs on the large 86-point patch bay. Each sequencer has its own start and stop buttons, a quantizer (switchable between chromatic, major & minor scales), one-shot-mode and five different play modes (forward, backward, ping-pong, ping-pong reversed, random).
By patching both internal and external CV-sources to the patch bay of the KOMPLEX, the user is able to control the parameters for Sequence Start Point, Sequencer Clock Division, the amount of the Glide between the steps, Skip Step, Repeat Step and Repeat Length. Also, you can Transpose the whole sequence via CV, start it with an external trigger signal and use, for example, an LFO or another sequence to control Sequence Length or Gate Length. This adds up to 20 in- and outputs per individual sequencer, which, when you include the CV recorder outputs, adds up to 86 CV patch points on the whole machine, all conveniently located on the front panel.
The KOMPLEX SEQUENCER will be available at select retailers worldwide in Spring 2015 for an MSRP of $1500.00. To learn more about the KOMPLEX SEQUENCER or KOMA Elektronik's full line of electronic musical instruments and accessories, please visit www.koma-elektronik.com."
"Fooling around and exploring the new Korg Electribe during landing.
Bought it form this music store in Dubai on my way to the airport.
'Please switch off all electronic devices' she said.
Yeah right.
Music is all about breaking the rules!"
"Come take a bath with us and the Ekdahl Polygamist! What does the sun card have to do with it? WE DON'T KNOW! More ridiculous synth noise and drones from Smokey Quartz."
"The Roland JX-8P is such an often overlooked synth sometimes. Most new musicians haven't even seen one I bet. For a time though It made up for it's lack of easy interface, slow envelopes, not too terribly percussive bass timbre's and concrete aftertouch with its AMAZING, VELVETY STRINGS!!!
This synths strength is its strings and brass. The DCO'S provide a "sweet spot" I like to say, in the middle two and a half octaves. This is never showcased fully on You Tube I don't think. SO, add a modest outboard reverb, In this case a Midiverb4. Use the dry defeat on the reverb and wet it down with 700+ MS of saturation and it just soars!"
"For sale is this vintage 1973 EMS Synthi Hi-Fli synthesizer. This example, serial number 0311, is in very good all original condition. It includes a pair of reissue expression pedals, as well as, 8 of 9 original EMS slider caps. This 220v unit has been completely tested and it works perfectly."
via the seller: "I am selling some vintage ARP encapsulated submodules. I bought them in 1972 and started to build a simple synthesizer. I did breadboard them and got them working, but life happened and that's as far as it went. They have been in a sealed box for many years. These are the first generation of ARP submodules, where the whole guts are sealed in epoxy. They are AS- IS, but I do believe they are still functional. If there's a questionable one, I'd guess it's the 4017 VCO, since I just had my 2600 cleaned up and the VCO had failed. I will include the diagrams from Tonus how to hook them up. I paid $470 for these back in the day."
