Saturday, April 29, 2017
Fenix II Acid
Published on Apr 29, 2017 splitradix
"All synth audio from the Fenix II. Bass sequenced by the Cirklon, acid line sequenced by the TB303. Drums by the TR808. Bit of delay via an Eventide H8000FW."
Waverazor Intro Videos
Published on Apr 29, 2017 MOK
"All sounds, including drums, produced by Waverazor. Music by Taiho Yamada. Video by TracktionSoftware. Visit www.mok.com for more info."
Playlist:
Waverazor Intro Movie
Waverazor Oscillator Intro
Waverazor Multi-Sync Intro
Waverazor Mutant AM Intro
Waverazor User Interface Intro
Waverazor - Getting Started
You can find more posts on Waverazor here, and Taiho Yamaha here.
Lancaster - Moog The Source
Published on Apr 29, 2017 100 Things I Do
"A quick Sunday noodle with the Moog Source.
I got The Source many years ago and until I got my Mood Model D I just assumed they sounded the same. I was originally intending to sell the Source when I got the D but it became apparent immediately that they were 2 very different instruments.
The Osc Sync and Variable pulse with add different flavour. The envelope on the filter acts much slower and as such the sound moves around quite a bit with long release times.
I called it Lancaster as it reminded me of the Drone sound in the old World War II films the big bombers always had.
I hope you enjoy this lil demo."
1975 Korg SB-100 Synthe Bass
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"This is a monophonic bass synthesizer produced between 1975-1977. This one is tested and working! It has some minor wear in the form of paint scratches. It also has a small dent in the left front trim. Its missing its suitcase lid and clasps. All of its switches and sliders feel nice and work properly. There are lot of things to love about this little guy! First and foremost, the most massive mono bass sound Ive ever heard!!! The filter aka "traveler" sounds fat and smooth. The pitch slider makes it easy to use with samples, or live players. 2 octaves of full-sized keys makes left-handed bass a joy. This is a rare and special instrument, it possesses a magical sound quality and is especially easy to use. Sounds fantastic through a bass amp!"
via this auction
"This is a monophonic bass synthesizer produced between 1975-1977. This one is tested and working! It has some minor wear in the form of paint scratches. It also has a small dent in the left front trim. Its missing its suitcase lid and clasps. All of its switches and sliders feel nice and work properly. There are lot of things to love about this little guy! First and foremost, the most massive mono bass sound Ive ever heard!!! The filter aka "traveler" sounds fat and smooth. The pitch slider makes it easy to use with samples, or live players. 2 octaves of full-sized keys makes left-handed bass a joy. This is a rare and special instrument, it possesses a magical sound quality and is especially easy to use. Sounds fantastic through a bass amp!"
Access Virus FM Power | Synthmorph Sequences
Published on Apr 28, 2017 SynthMorph
"https://synthmorph.com/products/acces...
Virus FM Power is not just a distinct soundset of 94 presets based on FM synthesis capabilities of Access Virus, but also contains 20 special morphing Synthmorph MIDI sequences."
"Although the classic Access Virus B and Virus C are primarily virtual analog synthesizers, they are armed with a simple two-operator FM mode applying frequency modulation synthesis. Despite this simple 'pseudo-FM' structure, Virus uses some clever methods to extend the range of possible FM sounds into its own unique territory of amazing sonic landscapes.
As this synthesizer has a special frequency modulation character, it proved to be a rewarding idea to dig deep into this part of the Virus and making presets using its FM-only features. What does it mean? The filters are usually completely off (as the original Yamaha DX7 did not have a filter at all), but the unison modes, the arpeggiator and the otherwise powerful distortion are hardly used too. Even the built-in effects were used differently – they are disabled most often!
The idea was to create pure, punchy, bright FM sounds. While the presets were inspired by some classic FM presets, a Virus always encourages you to break the rules and create something beyond the ordinary: you can use these sounds not just for synthwave, ambient, techno, edm, pop, psy, house or trap, but basically for any purpose.
The sonic palette is varied: deep and raspy FM basses, crystal clear keys, tinkling mono leads, animated pads and sharp plucks, often spiced up with some irregular yet controlled atonal, aliased, and droning nature."
Korg MiniLogue Midi Editor / Remote
Published on Apr 29, 2017 mller30161
"You can buy it for 5,90 € on my homepage: https://korg-minilogue.jimdo.com
My KORG "MiniLogue Midi Editor" is a Midi Editor /Controller for the popular Synth "MiniLogue" . It`s a Remote and Sound Editor.
It provides a simple access to all important parameters.
The Plug-In allows you to set the hardware easily and automated the controller movement from the DAW, they can be stored in your Project.
It is possible as VST and Standalone for PC 32/64 Bit and Mac as VST, Standalone and AU.
With the X-Y-Pad any controller can be selected and controlled.
You can select the sound off the "MiniLogue" (Factory- and User -Bank ).
The parameter can be changed on the "MiniLogue Midi Editor", an stored on MiniLogue Hardware."
Saturday Buchla Patch - April 2017
Published on Apr 29, 2017 djangosfire
"Afternoon Buchla patch - cheers!"
Superbooth 2017 - Worng LRMSMSLR Mid Side Matrix
Published on Apr 29, 2017 DivKidVideo
"Worng give us a great presentation of their Mid Side Matrix module the LRMSMSLR. We start with two oscillators detuned and hard panned then audio rate stereo width manipulation creating some hard stereo sideband ring mod style action. Then move onto creating stereo FX from mono modules. By using the side output into a mono Music Thing Modular Spring Reverb we can then decode that for a stereo spring reverb sound ... crazy! I think I need a few of these."
LABELS/MORE:
eurorack,
New,
New in 2017,
New Modules,
New Modules in 2017,
Superbooth,
Superbooth17,
Worng
Portabella preview salt & pepper
Published on Apr 29, 2017 Pin Electronics & Ramcur
"First impressions of the Portabella by Pin Electronics available 3rd quarter 2017
http://wp.thesynthi.de"
Serge and Fenix downcast
Published on Apr 29, 2017 splitradix
"Serge modular, Fenix II and Fenix III. Sequenced by the Cirklon, no external effects. Bit of TR808."
Simon Chauvin - Full Live Set (HD)
Published on Apr 22, 2017
Recorded in my home studio in Amsterdam on April 8th 2017
Soundcloud: https://soundcloud.com/simon-chauvin
Track list:
1. Intro Juno60 & OB6 jam - 0m0s
2. Unknown Territory - https://youtu.be/0NIIR8QU8Hk#t=6m10s
3. Dawn - 12m30s
4. Gravity - 23m35s
5. Halo - 31m40s
6. Alterite - 38m35s
7. Parkland - 46m30s
8. Outro - 55m15s
Gear used live:
- Roland Juno60
- DSI OB6
- Livid ds1
- Push2 & Ableton Live
- Strymon BigSky
- UAD Apollo8
Introduction to Eurorack Expansion
Introduction to Eurorack Expansion from Learning Modular on Vimeo.
"The introductory movie to my upcoming course 'Learning Modular Synthesis: Eurorack Expansion.' This course will look at classic examples of the wide variety of modules available in each category such as oscillators, filters, modulators, and more, giving you a better idea what to look for in a module, and how to put it to use once you add it to your modular system. This will also help you learn what feature enables what sound or technique, so you will be better informed when you go shopping for modules.
This course will be available through Lynda.com and LinkedIn Learning in July 2017, and will be supplemented with weekly updates on LearningModular.com. In the meantime, check out this article on choosing important utility or 'glue' modules you will probably need to best take advantage of new modules you add to your semi-modular or core full-modular system: http://learningmodular.com/the-eurorack-expansion-host-rack/"
Walpurgisnacht
Published on Apr 29, 2017 Old Beats
Moog: Voyager - Little Phatty - Mother 32
DSI: Evolver - Prophet 08
Korg Arp Odyssey Module
Roland: Alpha Juno 2
Novation Bass Station 2 - Akai VX 90
Drums: Jomox AirBase 99 - Novation Drum Station
TC Electronic M350 - Flashback - Hall of Fame
Lexicom MX 300 - Alesis Ampliton
Audio directly from Allen & Heath Zed 428 mixer
Sequenced and Synced with Ableton Live
AKAI LPD 8 triggering the midi patterns on Live
Video from Internet Archive "The Naked Witch"
ASD Amputator VCA
Published on Apr 29, 2017 Валерий Заверяев
"AMPUTATOR — full-featured VCA based on the Roland 100M VCA, using a vintage BA6110 chip. AMPUTATOR has 3 adjustable signal inputs and 2 adjustable inputs for modulation, as well as Bias and a switch for linear or exponential response. To mix CV signals used dedicated operational amplifier.
Only quality components: Epcos, BA6110, Alpha.
Recorded at ProTools Mix (Apogee AD8000). No EQ, compression or any FX.
7HP, 45 mm deep."
Tutorial: Patch Design With The Pioneer DJ TORAIZ AS-1 Synthesizer
Published on Apr 29, 2017 SYNTH ANATOMY
All parts:
Vintage Vermona DRM DDR Digital Rhythm Machine
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"It is the European answer to ROLAND's TR-909 and CR-8000 drum machines.
Vintage Analog drum machine with TR style sequencer, made in Germany in 1987.
These days they are best known for their analog drum module the Vermona DRM-1 MK3."
via this auction
"It is the European answer to ROLAND's TR-909 and CR-8000 drum machines.
Vintage Analog drum machine with TR style sequencer, made in Germany in 1987.
These days they are best known for their analog drum module the Vermona DRM-1 MK3."
EDP GNAT SPECIAL SN 00088
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Legendary synth by Chris Huggett, the ultra rare EDP Gnat Special!
This was recently serviced by SRS in March 2017 and studio ready or a collectors piece.
As you can see there is a scratch on the key bed which we were going to replace originally however decided against this to retain all original features. This does not affect the functionality of the synth in anyway and is strictly superficial.
Very minor wear to the wood casing which truly is a work of craft.
The base has the handwritten serial no 00088 (reported only 100 were made!)"
via this auction
"Legendary synth by Chris Huggett, the ultra rare EDP Gnat Special!
This was recently serviced by SRS in March 2017 and studio ready or a collectors piece.
As you can see there is a scratch on the key bed which we were going to replace originally however decided against this to retain all original features. This does not affect the functionality of the synth in anyway and is strictly superficial.
Very minor wear to the wood casing which truly is a work of craft.
The base has the handwritten serial no 00088 (reported only 100 were made!)"
Superbooth 2017 - Rossum Electro-Music Morpheus Control Forge & Satellite
Published on Apr 29, 2017 DivKidVideo
"Check out the fully featured Morpheus video here - [posted here]. This is the first video of two with Rossum Electro-Music from Superbooth 2017. Marco takes us through the Morpheus, Control Forge and Satellite modules with a patch. Assimil8or to come in the next video."
New DSP Synthesizers Micro-TS Pics
Check out the handle!
"The Micro-TS is the smallest playable and programmable synthesizer in the world.The micro-TS is a key fob sized DIY synthesizer (61x41mm) with actually useable knobs like an analog synthesizer.
It has a one octave touch keyboard, 6 knobs and a stereo headphone output.
Running on a CR2032 button cell battery it is the smallest playable and programmable synthesizer in the world.
And the best of all is that it is open source software and hardware.
Check it out."
SUPERBOOTH17 – Close to 5000 visitors at FEZ Berlin
The following is the final press release on this year's SUPERBOOTH. For some perspective, we had 227 Superbooth17 posts here on MATRIXSYNTH so far, more are sure to trickle in. NAMM2017 came in at 209 posts, and Musikmesse2017 had only 19 posts. Note the number of posts that come in are just a reflection of what attendees capture at each event.
"Berlin, April 29th 2017
The 2nd edition of SUPERBOOTH left the organizers jaded but fulfilled. Summing up, SUPERBOOTH17 beats last year's edition by far with 70 new exhibitors, more concerts and more visitors to the FEZ Berlin. The new venue, though not built for this purpose, shows how well a fair for electronic musical instruments fits into the ex - GDR "Pionier-Palast". The stage, the foyer and the outdoor area with the Seaside-Stage offered a framework that was very well received by exhibitors and visitors alike.
Many exhibitors took new product developments unseen by the public eye to SUPERBOOTH. This is something which can be perceived as acknowledgement of the fair's meaning. The manufacturer's trust in the work of Andreas Schneider and his team paid off well. Visitor numbers have considerably increased also as a consequence of the cultural events and again offering top notch, iconic and unusual content from all stems of electronic music.
A new feature this year was the screening of the cinema films, i.e. fans and other interested visitors were given the chance to view the Berlinale film "Denk ich an Deutschland in der Nacht" before official theatre release. Another new element that entered the mix were workshops for school children (ages 7-15) in which a performance was developed and put onstage in conjunction with (among others) the Teichmann Bros from Regensburg and Berlin. From this type of workshop, a new way of teaching shall guide a new generation into music making, far away from old methods like learning to play recorder or triangles.
The SUPERBOOTH concept bears fruit - In front of the four main stages and through the hallways, one could hear voices saying: "next year we'll be back”. Interest in SUPERBOOTH is as big because it is like a fresh breeze for conventional trade fair patterns or platforms. The fair is closer to what electronic musical instruments should be about - the music - and not profit margins and sales figures. The most frequently posed question arising over the weekend was about the prospect for the next coming SUPERBOOTH. Which direction is it headed?
Andreas Schneider and his team would like to express their explicit thanks to all exhibitors, artists, media representatives, trade visitors and last but not least the numerous public visitors for their continued and new support over three marvelous days!
Please find more information and impressions of the fair on the SUPERBOOTH website:
www.superbooth.com"
"Berlin, April 29th 2017
The 2nd edition of SUPERBOOTH left the organizers jaded but fulfilled. Summing up, SUPERBOOTH17 beats last year's edition by far with 70 new exhibitors, more concerts and more visitors to the FEZ Berlin. The new venue, though not built for this purpose, shows how well a fair for electronic musical instruments fits into the ex - GDR "Pionier-Palast". The stage, the foyer and the outdoor area with the Seaside-Stage offered a framework that was very well received by exhibitors and visitors alike.
Many exhibitors took new product developments unseen by the public eye to SUPERBOOTH. This is something which can be perceived as acknowledgement of the fair's meaning. The manufacturer's trust in the work of Andreas Schneider and his team paid off well. Visitor numbers have considerably increased also as a consequence of the cultural events and again offering top notch, iconic and unusual content from all stems of electronic music.
A new feature this year was the screening of the cinema films, i.e. fans and other interested visitors were given the chance to view the Berlinale film "Denk ich an Deutschland in der Nacht" before official theatre release. Another new element that entered the mix were workshops for school children (ages 7-15) in which a performance was developed and put onstage in conjunction with (among others) the Teichmann Bros from Regensburg and Berlin. From this type of workshop, a new way of teaching shall guide a new generation into music making, far away from old methods like learning to play recorder or triangles.
The SUPERBOOTH concept bears fruit - In front of the four main stages and through the hallways, one could hear voices saying: "next year we'll be back”. Interest in SUPERBOOTH is as big because it is like a fresh breeze for conventional trade fair patterns or platforms. The fair is closer to what electronic musical instruments should be about - the music - and not profit margins and sales figures. The most frequently posed question arising over the weekend was about the prospect for the next coming SUPERBOOTH. Which direction is it headed?
Andreas Schneider and his team would like to express their explicit thanks to all exhibitors, artists, media representatives, trade visitors and last but not least the numerous public visitors for their continued and new support over three marvelous days!
Please find more information and impressions of the fair on the SUPERBOOTH website:
www.superbooth.com"
ZV_K LIVE Set at OHM Berlin Official Superbooth17 "25 years of Doepfer" After Party
"Recorded live at OHM club Berlin on 22nd of April 2017, during the Official Superbooth17 "25 years of Doepfer" afterparty. Fully improvised modular techno."
Modules used:
miniAtmegatron Tutorial - Uploading Software
Published on Apr 29, 2017 Soulsby Synthesizers
"This tutorial shows the simple process for uploading software onto the miniAtmegatron.
All files and information can be found here: http://soulsbysynths.com/miniatmegatr..."
Kawai SX240
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
Reflective tape on the case above the keys.
"The Kawai SX-240 is an eight voice, fully programmable polyphonic analog synthesizer released in 1984 as a follow up to the Kawai SX-210. It was manufactured by Kawai but originally released under the Teisco brand-name in Japan when Kawai bought out Teisco. The Kawai SX-240 and the Kawai SX-210 never got much attention due to entering the market during the time of the digital revolution and poor marketing. Its main analog competitors of the time were the Korg Polysix and the Roland Juno 6/60."
via this auction
Reflective tape on the case above the keys.
"The Kawai SX-240 is an eight voice, fully programmable polyphonic analog synthesizer released in 1984 as a follow up to the Kawai SX-210. It was manufactured by Kawai but originally released under the Teisco brand-name in Japan when Kawai bought out Teisco. The Kawai SX-240 and the Kawai SX-210 never got much attention due to entering the market during the time of the digital revolution and poor marketing. Its main analog competitors of the time were the Korg Polysix and the Roland Juno 6/60."
Korg Mono/Poly
Custom Black ROLAND SH-201 SYNTHESIZER
KORG Micro Preset Vintage Synthesizer SN 771779
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"Manufactured in 1977, in very good condition with just a few scrapes and bumps here and there. All electronics have been serviced and work 100%. Capable of some great warm analogue synth sounds. Minimalist controls, surprisingly versatile. All analogue circuitry, Contains the same VCF hybrid chips as found in the MS10 and MS20 known as the 'KORG35'. Not surprising then that it's sound is similar to the MS10 and the 20. Becoming a collectable vintage synthesizer. Item does not come with music rest. All of the original knobs and slider controls are intact. Synth works on 220/240 VAC, has a 3-pin UK plug fitted. As used by orchestral manoeuvres in the dark (OMD) On 'ENOLA GAY', 'MESSAGES' and also 'ELECTRICITY' music tracks. Although the synth has no CV or GATE control, there are a few websites that show how easy it can be added. As it stands, the synth is completely un-modified."
via this auction
"Manufactured in 1977, in very good condition with just a few scrapes and bumps here and there. All electronics have been serviced and work 100%. Capable of some great warm analogue synth sounds. Minimalist controls, surprisingly versatile. All analogue circuitry, Contains the same VCF hybrid chips as found in the MS10 and MS20 known as the 'KORG35'. Not surprising then that it's sound is similar to the MS10 and the 20. Becoming a collectable vintage synthesizer. Item does not come with music rest. All of the original knobs and slider controls are intact. Synth works on 220/240 VAC, has a 3-pin UK plug fitted. As used by orchestral manoeuvres in the dark (OMD) On 'ENOLA GAY', 'MESSAGES' and also 'ELECTRICITY' music tracks. Although the synth has no CV or GATE control, there are a few websites that show how easy it can be added. As it stands, the synth is completely un-modified."
Juno60 & Strymon Big Sky
Published on Feb 15, 2017 Simon Chauvin
"The Juno60 arp sent into the Big Sky reverb, using the Shimmer machine setting. A little closer to heaven :)"
Superbooth 2017 - ALM Busy Circuits Pamela's NEW Workout
Published on Apr 29, 2017 DivKidVideo
"Here's Pamela's NEW Workout from ALM Busy Circuits from Superbooth 2017. Clocks, euclidean rhythms, LFOs, random etc full of all the good stuff!"
Happy BIrthday on a Modular Synthesizer
Published on Apr 28, 2017 peepyopee Chaparoo
"Happy Birthday played on my modular synthesizer."
Robot Drama - Mattoverse Double Gate Drone MKIII into Electro Harmonix Synth 9
Published on Apr 29, 2017 mattoverse
"Robot Drama - Mattoverse Double Gate Drone MKIII into Electro Harmonix Synth 9"
Drone 10 - Mirage : KORG DSN-12
Published on Apr 29, 2017 karenevil
"Experimental movie and soundtrack.
Soundtrack was made with KORG DSN-12, directly recorded form Nintendo 3DSLL to ZOOM Q4, no outboard effect was used.
Movie was shot with Nikon1V2 11-27.5mm zoom lens with KENKO MIRAGE optical prism filter.
Video edit and VFX : Kdenlive on Debian GNU/Linux"
SUPERBOOTH 2017 snippet - Panic Girl & Jericho @Auditorium
Published on Apr 29, 2017 Jericho
"Just a snippet from my modular live perfomance together with Panic Girl from Superbooth2017 in Berlin. Full video should be available soon." I will post it when it goes up.
MFB Tanzmaus MIDI controlled via Korg Electribe
Published on Apr 29, 2017 alternatingbitmusic
"Just wanted to demonstrate how the Tanzmaus can be triggered by another drum machine via MIDI.
Korg Electribe needs to be configured so each bad is a different note."
Update:
MFB Tanzmaus MIDI controlled via Korg Electribe [PART 2]
Published on Oct 22, 2017 alternatingbitmusic
"A couple more discoveries to share demonstrating how the Tanzmaus can be triggered by another drum machine via MIDI."
LektroiD - The Booth
Published on Apr 29, 2017 LektroiD
"Impromtu piece in the studio.
Alternative and better live take will be available on my bandcamp page, at :
http://lektroid.bandcamp.com
Synthesizers used:
Moog Rogue
Korg MS10
Korg MS20m
Roland SH09
Roland SH101
Roland JP8000
Outboard:
Korg SQ-10 sequencer
JHS S1310R Spring Reverb/Delay
Boss RDD10
Roland SRV3030
DIY Krautrock Phaser
DIY Triple Chorus
Alesis 3630
Mackie 24-8-24"
Superbooth 2017: Soundmachines Arches Synth Controller
Published on Apr 29, 2017 Ask.Audio
"Davide from Soundmachines shows us the template for the upcoming synth and modular synth performance interface / controller at Superbooth 2017."
4ms day ! Live & product demo avec Lavender et Matthias Puech
Streamed live 6 hours ago Modularsquare
"Samedi 29 avril nous vous proposons une rencontre avec deux ambassadeurs français du constructeur 4ms Company, qui viendront vous présenter leurs nouveaux modules respectifs.
Lavender et Matthias Puech live @ Modularsquare
Matthias présentera le tout nouveau Tapographic Delay qu'il a développé pour 4ms, et Lavender présentera son Spherical Wavetable Navigator !
Entrée libre et gratuite tant qu'il reste des places dans le showroom.
Modularsquare
47 rue sedaine
75011 Paris"
Eurorack Drumming Tutorial with Mutable Grids, Circadian Rhythms & Switched Multiples
Published on Apr 29, 2017 mylarmelodies
"Being a demo of the power of the Mutable Instruments Grids combined with Tiptop Audio Circadian Rhythms, Switched Multiples & a Sequential Switch, in the pursuit of fully improvised live modular techno jams. // Please support me on Patreon! https://www.patreon.com/mylarmelodies"
Elektron Analog Rytm and Analog Four (Live Performance in Stockholm 20170428)
Published on Apr 29, 2017 Calle Nilsson
"A live performance in Stockholm with the Analog Rytm and Analog Four."
PREVIOUS PAGE
NEXT PAGE
HOME
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
