Synthesizers.com Announces the Q215 DIGITAL REVERB

via Synthesizers.com

Note: Synthesizers.com is happy to announce they are showing off their new design this weekend at the Brooklyn Synth EXPO, October 17-18, 2026.

COMING SOON -- NOW AVAILABLE FOR PRE-ORDER ONLY

The Q215 DIGITAL REVERB from Synthesizers.com.

We are proud to announce that we have added a multi-mode STEREO reverb to our lineup. Featuring detailed reverbs created to work well within a modular setup, this module is sure to add new sounds and textures to your case that are sure to inspire you.

With multiple reverb algorithms, the Q215 can easily fill the role of everything from a subtle spatial enhancer to an intense sonic shaper -- especially if you add modulation to any of the four CV inputs. You may find yourself in some decidedly abstract territory, creating dream-like soundscapes or ambient dub workouts with just a twist of a knob.

We have chosen ease of use over pages of menus. Simply use the Mode button to select the next algorithm. Some are more natural while others are decidedly synthetic.

The Q215 features a wide range of reverb styles, some of which even include period accurate sample rate adjustments to capture the proper tone. (The two Abstract Large Hall algorithms are decidedly dark and gritty -- part of that darkness comes from the 32Khz sample rate for those modes.)

The module puts out a STEREO SIGNAL (though it still sounds great in mono) from a mono input or a stereo input. The module will process all the usual +/-5V signals but can also work with line level signals as well, such as drum machines and synthesizers. The built in GAIN control allows the user to adjust the headroom and can be pushed into slight clipping if so desired.

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Cric Future Sound Systems & Analog Four Elektron (Electro Studio Jam)

video upload by Cyber-Detection-Syst82

"The Elektron Analog Four synthesizer sequences the Future Sound Systems Cric synthesizer. You get everything from metallic FM sounds to more organic tones. It's surprising how the Cric synthesizer can change its character by changing a parameter! A truly unpredictable synthesizer! I love it"

Beast on a Swing

video upload by davidryle

"Four tracks into Cubase from the 5U modular synth.
I am using the Maneco Labs Grone, the Dove Audio WTF vco, D502 Multi-Mode filter and the synthesizers.com Q210 Complex Noise for most of the drone noise parts.
The Synthetic Sound Labs Matrix pair through two TZVCO's and an Encore Electronics Frequency Shifter into the Modcan 73B Dual Delay is part of the opening sounds.
The middle portion is a pair of Q960 sequencers into the Grove Audio G294A LP Filter. An STG Soundlabs Voltage Mini Store is modulating the center frequency of the filter along with a very slow evolving LFO."

Moog Model 10 Synthesizer Modular Analog System, Modular Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"This is an exact 1 to 1 recreation of the original, and I have all the original parts, cabling, including the original box. In fact, I barely used it and it’s been the exact same place climate free studio since I bought it less than 2 years ago. This is collector quality and uses all the original military grade components that will last more than a lifetime.   It’s the most amazing tone and is the original Moog sound. The clipping circuit, oscillator and filters sound better than the model D and Model 15."

CLICK FOR MORE »

Monster Man: Riding The Rails

video upload by John L Rice

"This started as just a sequencer experiment on my large 5U modular and eventually I tuned it into another low effort installment for my 'Monster Man' series [previuos post] since the vibe was mostly there.

Using two Moon Modular 569 sequencers in 4x8 mode I patched all 8 CV outputs into a Modcan Scanner 69B set to switch mode and patched the Scanner's mono output to a Modcan Quantizer 55B. An Oakley/Krisp1 Slim VCO is the master clock with a SSL V-Gates divider providing a divide by 8 pulse to switch the Scanner to move to the next sequencer row and also reset both sequencers to ensure synchronization. This created a 64 step sequence but unfortunately I didn't take the time to create a recognizable melody so it just sounds random! 🙄🤦‍♂️😅 The patch is still up, maybe I will work out a better demo?

The output of the quantizer goes to a somewhat basic voice: a Noise Engineering Cursus Iteritas Magnus VCO to a Grove Audio LP VCF to a Synthesizers.com VCA2++. A Marienberg Devices VC Envelope Generator modulates both the VCF and VCF with a Marienberg Sine Phase Oscillator modulating both the VCO and the EG.

I played an Expressive-E Osmose keyboard along with the sequencer track, and then later added a second Osmose track fir the very low notes that you might not be able to hear unless you have a sub woofer or very good headphones or monitors?

Everything went through my Allen & Heath MixWizard and used Strymon BigSky and timeline effects pedals and a Roland RSP-550 rack effects unit.

Thanks for watching, liking, and commenting! 😎💖🤗

#modularsynth #modularsynthesizers #electronicmusic"

Synthesizers.com Introduces Q108 Amplifier DIY KIT

"We're so excited to share with you the new Q108 Amplifier DIY KIT!!

The Q108 Voltage Controlled Amplifier is a staple of any synthesizer system.

The amplitude of any waveform can be controlled by another signal such as an envelope generator, sequencer, oscillator, etc.

An Initial Gain control allows manual adjustment of the amplitude and a Level Control determines the impact of the control signal.

Both Linear and Exponential responses are available to simulate a variety of real-world sounds. Positive and negative output signal polarities are provided.

Two inputs are provided for mixing."

You can find posts featuring the Synthesizers.com Q108 here.

Powertran Transcendent 2000 fierce filter resonance and Berlin School 960 Sequencing.

video upload by Vykaar Tones

"Although the T2K is not 1 volt per octave it can work with unquantised 960 control voltages. The unique filter design has the loudest resonance of anything I have ever heard.I have reduced the resonant parts gain by 50% but it still makes you jump! Other synths and percussion introduced two minutes in. I wish this badly dressed old bloke would get out of the way in these videos."

Synthetic Sound Labs Announces Wave Oracle™

Synthesizer module review of the the Wave Oracle video upload by Synthesizer Sound Design

"Synthetic Sound Labs Wave Oracle Model 1910

This video is a review of the 5U / MU multi-function module from Synthetic Sound labs - The Wave Oracle.

The Wave Oracle exists to inspire curiosity about signals—and creativity in what you do with them. Your synthesizer makes voltages, but you usually experience the result through your ears. Wave Oracle adds another way to explore: you can see what is happening while you listen.

Time Index

00:42 Title
00:45 What is the Wave Oracle01:22 What I like about the Wave Oracle
02:56 How I will use the Wave Oracle
03:38 Review of the functions or the Wave Oracle
05:05 Examples
05:08 Understanding Modules Better
05:45 Inverted Envelopes Made Easy
08:26 Examining Harmonics
09:48 Through-Zero FM
10:54 Lissajous figures
12:33 Final Thoughts

** THIS VIDEO IS SPONSORED BY SYNTHETIC SOUND LABS ** they have funded the creation of this video."

Press release follows:

Synthetic Sound Labs announces Wave Oracle™, a multi-function signal visualization and learning instrument designed specifically for modular synthesizers. See and explore your sounds.

Wave Oracle™ combines oscilloscope, XY, spectrum analysis, tuning, metering, audio-responsive visualization and integrated learning functions in a single module. Four signal inputs allow several points in a synthesizer patch to remain connected simultaneously, with channel selection available within applicable modes.

Wave Oracle™ is designed to be easy to learn and use, without requiring a background in electronics or test equipment.

SCOPE
Wave Oracle™ can display signals from oscillators, envelopes, LFOs, modulation and complete voices.

The oscilloscope views these as voltage changing over time, revealing the actual shape and timing of a signal. Laboratory-style adjustable timebases, vertical scaling, positioning and triggering allow visualization and measurement of up to four independent synth signals at once.

XY
Plots two signals against one another to display phase and frequency relationships, modulation and Lissajous figures. XY uses Channels 1 and 2 as its X and Y signal sources.

FFT
Where SCOPE shows voltage over time, Wave Oracle™’s FFT modes reveal frequency content and how it changes over time. Multiple spectrum displays provide different views of fundamentals, harmonics, noise, filter response and the evolving spectral content of complex sounds and complete voices.

Automatic and manual display scaling accommodate signals ranging from individual oscillators to dynamic musical material.

TUNER
Measures frequency and musical pitch for oscillator tuning, matching pitches and checking oscillator tracking.

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Creep Feed

video upload by davidryle

"Berlin School Sequencer type piece in the style of Tangerine Dream.
Mainly the 5U modular with some 3U and Keystep Pro for arpeggiator.
Multi-tracked to Cubase and video edited in Final Cut Pro."

9/7/26 (triple VCF test) EML 200 + acVOKS VCF + muSonics + STG + FSFX + Corsynth + CXM 1978

video upload by Cfpp0

"9/7/26 (triple VCF test) EML 200 + Analog Craftsman acVOKS VCF + muSonics Vanilla Envelope & Vanilla Filter + STG soundlabs Sea Devil’s Filter + FSFX Lopass Gate & Dual Trigger Processor + Corsynth Frequency Divider / Multiplier + CXM 1978

Sometimes the camera won’t focus, not sure why. We ordered a second Analog Craftsman acVOKS VCF and this was a test of how three of our 5U filters sound together with the ElectroComp EML 200. I like how old it all sounds. And I like the limitations of the EML 200, but just wish it had voltage-controllable filters. The two EML 200 sawtooth VCOs are running through the acVOKS VCF (Polivoks), the STG soundlabs Sea Devil’s Filter (Synthi), and the muSonics Vanilla Filter (Oberheim). VCO1 runs through the Vanilla Envelope, modulated by the right LFO on the Free State FX dual trigger processor (in dual LFO mode). The EML master triangle and both of the FSFX LFOs are modulating all the filters. The EML VCO2 runs through the EML VCA, modulated by the master triangle, and then into the acVOKS VCF, which is modulated by a copy of the FSFX right LFO. The acVOKS VCF audio lowpass output is panned left on the Mackie Onyx 1640 mixer. The acVOKS bandpass audio output is modulating the Vanilla Filter, which is panned right. The Vanilla Filter is also modulated by the left FSFX LFO and the EML master triangle. The EML VCA processing VCO2 also runs through the Corsynth Frequency Divider / Multiplier, and that is sent to the FM input on the Sea Devil’s Filter, which is filtering the EML VCO2 gated by the FSFX Lopass Gate, modulated by the EML master square. The master square is also controlling the pulse for the EML sampler. At first the EML sampler is fed noise, then later it’s fed VCO2 for the S&H modulating VCO1 on the EML 200. The reverb was blended on the CXM 1978."

matrix note: trumpets!

Incoming from SynTesla & Hans Zimmer's Massive System

via SynTesla

"Since it's back-to-school time, here's a glimpse of what's in store for us at work... We're not letting up!"

SynTesla 2026/2027 Lineup

5U PRODUCT LINE

1. Fourth quarter of 2026: Delivery of "MegaHertz" 5U systems

2. Production of the new Hz series 5U modules:
• Sequencer
• DCO
• Drone Engine
• Noise generator
• Exotic filter
• Wave Animator
• MSE (Multi-Segment Envelope)
• Barber Pole FX
• Stereo Reverb (cloud reverb type)
• Quad Reverb
• CV multiband resonator
• Hz Series master keyboards (61 keys, 4- or 8-channels CVs)

CLICK FOR MORE »

Moon Modular - 505 Multimode Filter by Synth Werk

video upload by SYNTH-WERK

"The 505 is available for immediate purchase at Nosiebug"

https://www.noisebug.net/search?q=Moon%20Modular

SYNTHS STRIKE BACH CD Mark Jenkins, the London Synthesizer Orchestra and T.O.N.T.O.

video upload by Mark Jenkins

"SYNTHS STRIKE BACH Mark Jenkins, the London Synthesizer Orchestra and guest synthesizer T.O.N.T.O.

Compositions by Bach, Beethoven, Liszt, Chopin, Mozart, Debussy
, Larionov and Jenkins

Mail order from CD Services (UK/Int'l), Cue (EU/Scandi) or
PayPal (Friends & Family option) 12GBP with your address to zyxyzmusic@gmail.com

There is currently no download option.

www.markjenkinsmusic.com"

Addtional Mark Jenkins TONTO posts

8/26/26 (26 MU) EML 200 + .com + FSFX + STG + muSonics + SSL + Corsynth + Trouby + CXM 1978 + (…)

video upload by Cfpp0

"8/26/26 (26 MU) ElectroComp EML 200 + Synthesizers.com Q124 & Box11 + Free State FX 103 Lopass Gate & Dual Trigger Processor + STG soundlabs Sea Devils Filter + muSonics Vanilla Filter + Synthetic Sound Labs 1520 Segwencer + Corsynth c103 Frequency Divider / Multiplier + Trouby Modular Trigger Decay + CXM 1978

Synthesizers.com had a 4th of July sale, right after we moved our ElectroComp EML 400 above the 401, so we got two Box11 cases to house 5U modules to aid the EML system. I covered the ugly Box11 logos with electrical tape, connected the two cases with a metal brace, then attached a Box4 case to the right side, which perfectly fills the whole gap between racks on either side of the EML system. Anyways, this was the first test. The EML 200 master square wave is controlling the tempo, and I switch the range at 0:22. The EML Sampler is sampling noise, and the Sampler out is multiplied on the Box11, modulating both EML VCOs, which run to the Synthetic Sound Labs 1520 Segwencer IV, modulated by the Sampler output. VCO 1 also runs to the EML VCA, modulated by the master sine wave, and that goes straight to the Mackie Onyx 1640 mixer, panned left. The 1520 audio out goes through the STG soundlabs Sea Devils Filter, modulated by the Free State FX Dual Trigger Processor in LFO mode, and the Sea Devils Filter is FM’d by the EML 200 VCO2. A copy of VCO2 is processed by the Corsynth C103 Frequency Divider / Multiplier, which drops the pitch an octave lower, and that detuned version runs through Free State FX Lowpass Gate, modulated by the EML 200 master square wave through the Trouby Modular Trigger Decay. Both the Sea Devils Filter output and the FSFX Lopass Gate output are mixed in the muSonics Vanilla Filter, modulated by the other LFO output on the FSFX Dual Trigger Processor (Modulation in) and the EML Sampler output (v/o in). At the end I pull the cable from the sampler. Reverb was blended on the CXM 1978."

Rare Moog Modular - Burn-in Jam

video upload by Rosen Sound

"Programming and performance by Justin Goers (https://www.instagram.com/atx_cat_king/)

This Moog Modular is in our burn-in, the part of the shop where we turn on and test repaired synthesizers for five days before we return them to our clients. Justin gives it a full sonic run down and explores a range of sounds and timbres."

A new kind of audio FX - Sparkling Riser

video upload by SynTesla

"The Sparkling riser is a brand new kind of audio FX

This effect is achieved by stacking 12 lines of 'micro-delays' lasting a few milliseconds (6 lines per audio channel) The delayed sound is mixed back into the original sound, creating a comb filter.

Each delay line has a feedback loop, and the delay time is modulated by several LFOs. In addition to the LFOs, we have 12 VCAs (1 per delay line) whose levels are synchronized to the phases of each LFO.

But when the effect is on the "infinite rise" mode, as soon as we apply randomization to the LFO phases, something very strange happens:
'phantom notes' appear. We could compare this effect to concentric waves colliding to create a splash—a “spark” that, in our example, generates notes based on the frequencies and harmonic content of the sound. This 'spark' gives the effect its name: 'Sparkling Riser.'

This effect is directly inspired by a project we're working on with electronics genius Yves Usson."

Synthesizers.com First DIY Kit is HERE!! The Q109 Envelope Generator Kit

via Synthesizers.com

"We're so excited to share with you the Q109 Envelope Generator DIY KIT!!

The Q109 Envelope Generator is one of the basic modules every synthesizer must have.

It generates a voltage envelope in response triggered by a gate signal from a keyboard, oscillator or other source.

The envelope voltage is used to control amplifiers, filters, oscillators and other modules.

The operator has complete manual control over Attack time, Decay time, Sustain level, and Release time.

A manual gate button can be used to trigger the Envelope Generator at any time, and an LED gives a visual indication of the output level."

Followup on the Q210 from Synthesizers.com

2nd video added to this post.

M569, Control Yourself! Part 7

video upload by John L Rice

"Just some experimentation using a Moon Modular 569 sequencer as an envelope generator for fun and education. 🤓

Modules from the following companies were used:
Moon Modular
Oakley Sound/Krisp1 For You
Synthesizers.com
Synthesis Technology"

A first look at the NEW Q210 Complex Noise module

video upload by George B.

"I purchased this module because I wanted the metallic noise that works well as a cymbal. It also has white and pink noise, though the pink noise is very different than what I'm used to. That's a good thing, having another version. The chaos sound is very interesting and adjustable. The Grainy section can alter the chaos sound wildly but also accepts external sounds. My only wish here is they did not include any CV control over that section. There is a random gate feature I will look into in another video.
Overall I like the module as it has a number of sounds I don't currently have which should be inspiring. On the random gate subject, have a look at this video where I created random gates using noise, the sample and hold, and the Q156 comparator."

SynthCube gets a mention.

Additional Q210 posts

Followup on the Q210 from Synthesizers.com

video upload by George B.

"After the last video I got deeper into the Random Gates portion of the Q210. I found I could tame it using a second "gate" like the Q128 Switcher or any VCA. Running the Random Gate from the Q210 into one of these external gates and clocking it with the sequencer I can get random gates that hit right on the beat."