Our range of 3U professional MIDI controlled analogue modules continues to expand with four new products. These are all in an advanced development stage and the order of release will be according to interest and demand. For further information please use the contact form.
With many 3U modules now using MIDI they may be directly connected with internal cables or brought out to panel connectors. Maximum flexibility for connector types, position in case, and routing is provided by Molex KK 0.1" headers on the pcbs.
"EZEPTOCORE time two. EZEPTOCORE is an algorithmic Eurorack sampler and breakbeat mangler for slicing, sequencing, and transforming rhythms in real time."
"An algorithmic eurorack sampler and breakbeat mangler for slicing, sequencing, and transforming rhythms in real time. from Infinite Digits and Maneco Labs."
"Bounce is a compact event generator built for percussive envelopes, bouncing modulations and rhythmic control. It creates trigger-driven one-shots with 8 distinct waveforms that can range from sharp clicks to rounded contours.
Repeat function with a ”bouncing ball” effect, making the bounces naturally fade within the cycle. Length, repeats and delay shape the result from tight hits to rolls, flams and clustered rhythms perfect for kick and bass.
Full CV control + inverted output. Designed and hand-built in Sweden."
Timestamps:
00:00 Intro
00:33 Patch 1 Rolling Filter Beat
01:11 Patch 2 Fading Inversions
02:05 Patch 3 Ratcheting HH/Perc
02:35 Patch 4 Sweetspots
03:29 Patch 5 Neg Resonance Mod
04:00 Patch 6 Random Mod
04:14 Patch 7 Ramps Ramping Rapid
05:15 Outro
Additional details:
"BOUNCE One-Shot Event Generator
This is a compact event generator built for percussive envelopes, bouncing modulations and rhythmic control signals.
Bounce creates trigger-driven one-shots with a set of 8 distinct waveforms selectable via the large control knob. From sharp, click-like hits to softer, rounded contours. This offers fast access to clearly different envelope characters.
Repeat function with a ”bouncing ball” effect, making the bounces naturally fade within the cycle.
The length control sets the length of the waveform while repeats add repetitions of the wave, and delay sets the time between those waves.
These features in combination makes it easy to move from single tight envelopes to rolls, flams, clustered impacts and creative rhythmic patterns.
All main parameters got CV-inputs. A dedicated inverted output adds instant polarity flip.
Background
We like techno. For us its about solid kicks with defined transients and a fundamental low end that moves air without collapsing the mix.
Bounce is built to be performative and work at the source. By shaping events, accents and repetitions already at the control stage – it lets the mix breathe and leaves space where it matters most. Perfect for basslines, drums and transients."
"Synth Headz | Documentary Trailer. Synth Headz explores three Houston musicians obsessed with making music with synthesizers. Featuring: Vertigo Blue, Spike the Percussionist, and August Befort. Directed and edited by Danny Stygion. Music by August Befort. Sponsored by Erica Synths. Drone footage by Schaef Shockley. Cinematography by Danny Stygion. Additional cinematography by Schaef Shockley and Cimmerian.
Music featured in trailer by Vertigo Blue, Spike the Percussionist, and August Befort."
In this video, I explore chaotic systems in modular synthesis, starting from Rob Hordijk’s ideas on feedback and nonlinear patching, and developing a system that lives between control and unpredictability.
Why chaos? Because perfection is static — chaos is alive.
Small changes create massive transformations, generating evolving, organic sound structures that never truly repeat.
This approach goes beyond 'perfect' modulation and embraces instability as a creative tool for sound design, composition, and generative systems.
Special Guest 🎤
In this episode, I also interview Federico Intrisano (Jolin) about modular development, philosophy, and experimentation.
🔗 https://www.jolin.tech
Extra Content 💡
The complete patch diagram and some in depth article are available on Patreon
🔗 / mz2250
"A live jam integrating my new @ArturiaOfficial DrumBrute Impact into the setup!
Bass and chord parts generated using a prototype of the upcoming QUORD from @scrapcodemodular, along with other Scrapcode modules and a also those from @behringer, @Dreadbox-synths and Doepfer.
Lead and drums from the Arturia Brute Duo!
All sounds created live and recorded directly from the rack - the only post-processing is a gentle limiter and level boost from @iZotopeOfficial Ozone."
00:00 Intro
00:15 Kick
00:30 Bass
00:45 Riff Intro
00:59 Chord Sequence Drop
01:28 Filter Sweep Chords
01:57 Acid Riff
02:55 Main Riff mk2
03:25 Outro (Static Harmony)"
"Live performance by SuperPuss Electronic Music Project at Dancing Room, Henley Beach, Adelaide, South Australia on the 6th of January, 2026.
SuperPuss is Danniielle O'Connor and Fabian Caporaso.
All music is original and improvised. No AI has been used anywhere in this performance. This is human music, created by real humans for real humans, performed live in front of a real audience."
"Finally, a no-nonsense guide to one of Eurorack's most popular modules, the mighty Vhikk X. We guide you through every nook and cranny of this fascinating piece of gear, so you can get going with your own creative patches on day one. Perfect for anyone who just bought their Vhikk X, but also great for Vhikk veterans who want to understand this module on a much deeper level."
Chapters:
00:00 - Start
00:38 - Main Features
01:36 - Setup - Global Saving
02:33 - Setup - Calibration
03:30 - Setup - Init Sound
04:32 - Generator Section
07:55 - Field DJ Filter
09:10 - Processor Section
13:27 - Seed and Scan
14:33 - Algorithms
15:56 - Audio Input
"It can create fat and instable tones on it's own but it shine when used with any type of input signal that gets filtered at the same time. "Filtering Oscillator" like the manual calls it.
From "polyphonic" lead saturation to bass line synth generation over a drum beat."
00:00 Intro
02:23 The Basics
04:35 Making things weirder
07:24 Formants, Vindicta & modulations
14:09 Innesco vs Drum Machine
"Here we have a 3 Patches series video with the character oozing CEREMONY, a low pass morphing to twin peak band pass filter packed with modern features and lots of CV options and SIGIL a compact function generator for envelopes, LFOs, slews or other function generator tricks! Check out the patches and skip around below."
"If you'd like to support work like this and the wider range of what I do, considering heading over to Patreon at https://bit.ly/DK-patreon and supporting for as little as $1 a month to gain access to the DivKid Discord community, plus lots of exclusives such as PDF patchbooks, videos and more. https://bit.ly/DK-patreon"
*TIMING INDEX // CHAPTERS*
NOTE // sub bullet points are points of interest within each section/patch, for those that might be looking for a specific detail to skip back to.
modules:
Whimsical Raps: Just Friends, Mangrove, Three Sisters, Silhouett
Joranalogue: Morph 4
Make Noise: Maths
Five 12: Vector Sequencer
Hikari Instruments: Dual Delay
Happy Nerding: FX Aid
"ACRONYM and MidSide+ are a perfect combination for patching your own deep evolving drones in stereo.
ACRONYM's fully analogue core, multiple outputs, CVable waveforms and thru-zero phase modulation make the module pulse and breathe, and doubly so when it's being modulated by another ACRONYM.
MidSide+ provides complete control of the stereo width, allowing audio-rate width modulation locked to the ACRONYM's frequency, spreading the harmonics out over the stereo field for some massively wide drones.
All audio comes from the modules seen on screen (ACRONYM, MidSide+, ACRONYM, Parallax) with no external modulation or sequencing, recorded live in a single take and with no post processing apart from adjusting the level."
"Djupviks Elektronik's Bunker Archaeology II is a Eurorack "bunker simulator" - an overdriven digital reverb feeding a frequency-driven tremolo circuit. Inspired by Paul Virilio's photographic documentation of the abandoned Atlantic Wall fortifications, it's lo-fi, grainy, and full of character.
The MkII addresses the rough edges of the original: a proper wasp-style filter with resonance and CV control, CV over feedback, a rebuilt static circuit that actually responds across its full range, and a clock output for those irregular rhythms.
This isn't your pristine shimmer reverb. If you want transmissions from a crumbling concrete structure on the Normandy coast, this is the territory.
TIMESTAMPS:
00:00 - Intro
02:02 - Panel Walkthrough - audio
03:01 - Panel Walkthrough - reverb
05:21 - Panel Walkthrough - static
06:27 - Static CV - ring mod
07:24 - Vs Bunker I, what's gone?
07:54 - Synth Patch
10:23 - Final thoughts"
"I haven't done this in a while. No softsynths. No presets. Just raw voltage, evolving sequences, and semi-controlled chaos, captured in real time. Why would I do this? Because I can.
Available on all DSPs Wed, February 4th.
A Celldweller Production.
Patch Notes
I’ve had Intellijel’s Metropolis for a long time and have used it on many songs. A family member bought me Metropolix as a gift and it was time for me to wrap my head around all the upgrades and new features, so that was the impetus for this track and the foundation it was built on.
Intellijel Metropolix to Livewire AFG. Modulating pulse width and harmonic animation with Ornament & Crime. That’s run through one of my fav filters of all time, the Cwejman MMF-2 modulated by the Tip Top Z4000 EG for a bit of snap but mostly as seen in the vid, manual modulation of the cutoff. Hands are handy.
Drums are sequenced by the Erica Synths Drum Sequencer with kick, hats and percussion all in random mode. The Drum Sequencer is controlling the VPME QD & QEX which I loaded up with my own selection of drum samples.
I used Make Noise Pressure Points/Brains for the main played lead, controlling pitch of the XAOC Devices Odessa. Gates fired from PP/Brains trigger another Z4000 EG which mults through a Synthrotek mult to a Pittsburgh Modular VCA and the Roland 521 VCF (The thing I keep looking up at, hoping it would wave or say hi. It never did, but it did an amazing job at filtering the Odessa.)
The little arp I added at the last minute. It lives on another rack which contains all my 5U stuff. Sadly it’s not in the video bc I didn’t know I was going to utilize it when I set up the cameras. Next time. The arp uses all Synthesizers.Com modules, sequenced by the Q119 and filtered by the Q150 Transistor Ladder filter.
Delays and reverbs from multiple Tip Top Z-DSPs. Some EQ & compression and maybe a delay in Cubase which mainly acted as my tape machine to record the performance. As I normally do when I patch, it’s all synced to Cubase clock using Expert Sleepers modules & Silent Way software.
If you read even one sentence from these patch notes, you get a lollipop and if you made it to the end you’re a true legend and clearly as nerdy as I am. 🙌"
