2026.03.17 | Atrium & Multigrain

video upload by thelongradio

"Make the sound of clouds seen from the roof of a parking garage.

#synth #ambientmusic #experimentalmusic"

T14 // Folktek Matter II, Grayscale Microcell, Clank Chaos

video upload by Mete Sezgin

Deep Focus — 1 Hour Analog Synth Session (No Talking)

video upload by Caught In Joy

"Sometimes the best ideas appear when the mind slows down and distractions fade away.

This one-hour analog synth session was recorded live in the studio using hardware synthesizers and slowly evolving sequences — a quiet space for thinking, working, reading, or simply drifting for a while.

Inspired by the spirit of classic analog pioneers like Vangelis, Tangerine Dream, and Jean-Michel Jarre — composed live in one take using hardware synthesizers, no timeline, just performance.

Let the sound move gently in the background while thoughts begin to organize themselves.

Best used for:
• deep focus
• coding or writing
• studying
• late night thinking
• quiet creative work

Full albums:
https://caughtinjoy.bandcamp.com

Long listening environments and extended sessions:
https://caughtinjoy24.bandcamp.com


— Karol / Caught In Joy"

Stereo VCFQ | Serge Modular | Episode 10

video upload by Cinematic Laboratory

"Serge Modular made the legendary VCFQ stereo. While having three inputs and six outputs, the AGC (Auto Gain Correction) and Notch out had to go. In normal operations, it's a true VCFQ which you can use in both mono and stereo patches. The AUX input can have dramatic results when self patched as feedback. I'll be using the VHIKK X in this video as the primary source, a source that doesn't need an extra filter to sound good. In fact, this creates the challenge of which module dominates which. In general, it's always the module that cuts the other one's frequency range. Finally, I'll use my mono VCFQ and the ST-VCFQ to process the X's L/R channels independently. Now the fun begins :)."

Complex oscillator & cross modulation w. Gotharman's Tuul

video upload by Meska (Meska)

"Quick demo of the complex oscillator and cross modulation possibility on gotharman's Tuul



Thank you for watching.
My name is Meska of the statik collective . I've been making mostly 'dark and expérimental' music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with.

You can stream my albums and EPs at https://statikwave.bandcamp.com/

If you'd like to support the channel​ consider buying music from bandcamp ;)
Contact/booking: meskastatik@gmail.com"

MetaModule Tutorials: The Voice of R2D2 Patch

video upload by 4ms Company

"Patch notes available here: https://forum.4ms.info/t/the-voice-of..."

New Modules / March 2026

video upload by Omri Cohen

Introduction - 00:00
Basil - 00:08
Tapestry - 04:11
Ambivalent - 07:51
Teknological - 11:10
Twisted Cable - 13:26
Misc - 17:25

You can find these patches, along with many others, available on my Patreon page - / patches-from-new-152854231

Online courses about Modular Synthesis - https://bit.ly/learnmodular

Shakmat Modular Ballista Blast Synth Voice Review

video upload by Molten Music Technology

"Ballista Blast is a hybrid synth voice with classic waveforms, wavetables and some funky FM with multiple algorithms. It has a great filter, useful envelope and lots of CV for modulation. There's also an expander which adds a hardwired LFO that can modulate a whole bunch of stuff simultaneously. There is a tiny screen and some menu diving but it's very playable and sounds pretty awesome to me. Let's have a poke!"

Why to love the QXG by Make Noise

video upload by Stazma

"Today I'm happy to show you the new(ish) module from Make Noise: the QXG aka Quad Stereo Gate.

I've been a low pass gare addict since discovering them in Reaktor 6 and then throught my Eurorack addiction. My first one was the LxD so a new LPG by Make Noise is always something I love checking out (even tho I passed on the DXG). So today we'll talk about Low Pass Gate, check out how the QXG compare to some classic and available circuits from Make Noise such as the Optomix and LxDn and of course try out some different use case, both inside and outside the New Universal Synthesizer System.

Have fun!!!"

00:00 Intro
02:19 Dad, what's a Low Pass Gate?!
05:06 Module Overview
05:55 QXG vs Optomix
09:53 QXG vs LxD & how to 12dB/oct!
11:20 XSpread
14:56 "Double Gating"
19:45 Hello NUSS!
22:52 "Pressure Organ" patch
26:17 Ultra complex NUSS delay patch
32:52 End talk and patch

This 12HP Module Might Be the Only Voice You Need

video upload by SynthDad

"The Ballista Blast is Shakmat Modular's hybrid digital/analog modular voice, squeezing a remarkably deep feature set into just 12HP. In this video, I walk through all three engines — Classic, Wavetable, and FM — and show you what this module is really capable of.

The Classic engine layers saw and square waves through two switchable analog VCFs (acid or bubbly, your call), a VCA, and an onboard distortion unit. The Wavetable engine runs a customisable wavetable set through that same analog chain, bridging digital texture with analog warmth. And the FM engine brings original multi-operator algorithms — up to four operators per patch — controlled via three macro knobs that keep complex FM territory surprisingly playable.

CORRECTION: The FM engine is actually a lot more complex than I describe in the video, and can do more than 2-op FM depending on the algorithm you choose.

Tying it all together: an onboard envelope, an assignable random generator, velocity and gate inputs, and nearly parameter-wide modulation assignment.

Timeline:
00:00 Introduction
00:50 Walk through of Ballista Blast
03:46 Pitch locking
04:31 Filter and Distortion modes
05:12 Built-in VCA
06:17 Wavetable oscillator
08:33 FM engine
09:52 Dubby FM chords example
10:55 Drone example
11:42 Modulation matrix
13:50 LFO mode on Expander
16:21 Randomising to change up sounds
18:59 Generate random patches for inspiration
21:01 Conclusions
21:45 Closing jam"

Classic 1980s Analog Synthesiser Sounds! // Soundforce Duophonic Eurorack Synth Voice

video upload by DivKid

"Recorded some time ago with a sound I love as much now as I did back then ... here's my duophonic (two voice) Eurorack modular synth voice made up of modules from SoundForce. I enjoy putting single manufacturer voices together out of modules to see what the accumulator sound and character is and with the SoundForce range inspired by the early 1980s Roland Juno synthesisers it was bound to sound great. I'm using one keyboard played voice working against a basic 7 step probability varying sequence."

*TIMING INDEX // CHAPTERS*

00:00 Intro

01:24 Voice 1

03:36 Voice 2

04:53 FX

07:24 Mod wheel 'GET BIGGER' macro

WARP 1 | Just Sound Series | 5 patches

video upload by Joranalogue Audio Design

"Warp 1 feels right at home warping, clipping, mixing or curving your audio and cv signals. While our brand new waveshaper has mathematical precision built into its circuits, it's the musical applications that probably excite us the most. Join Simon for 5 quick patch ideas as we explore the fast and slow sides of Walk 4.

Warp 1 is a 2 input (mono) module, aimed at reshaping whatever signal you throw at it—with CV control over almost all the parameters of course."

The Final Sweep/Burial Pyre (A Eurorack Modular Demo)

video upload by Genshi Media Group

"::| TO HEAR THE FULL RANGE OF FREQUENCIES AND STEREO EFFECTS, A GOOD PAIR OF HEADPHONES IS HIGHLY RECOMMENDED |::

'The Final Sweep/Burial Pyre' - A Eurorack Modular Demo.

#Eurorack #ModularSynth #MutableInstruments"

Manifold Research Centre - Ubique

video upload by NOISEBUG

https://www.noisebug.net/products/man...

Ubique from Manifold Research Centre sets two distinct micro time modulation cores in a spiral dance, providing a feedback phase network of flanger and phaser for entangled explorations. At the left side, a BBD based flanger explores the timbral manipulation of short delay times, with time spans ranging from 5-250ms. At its opposite is a 10-stage transistor ladder phaser, creating shifting harmonic movements and self-oscillating at high settings. The flanger's output sums into the input of the phaser, which can then be sent back into the flanger using the central feedback slider, inviting an infinite loop of audio processing. When combined and carefully managed alongside the two effect-specific feedback controls, these three opportunities for nonlinear gain management unveil a vast sonic landscape. Here, metallic tones, full spectrum percussive punctuations, and harmonic screams of distorted delight await your inspired patching.

As for patching, Ubique provides plenty to be inspired by. Independent audio inputs and outputs allow for summing diverse signals within the temporal torrent, and create unique stereo effects with output signals tapped from distinct processing positions in the loop. Manual and CV controls on each core for frequency and resonance, with attenuverters for the frequency CV inputs, allow you to shift and mangle the feedback processing with external signals. The BBD's dry/wet control and a phase invert switch for the phaser provide even more ways to manage and manipulate Ubique, with each interaction inviting new avenues of sound design. Whether you're summoning spectral wails in an all-out maelstrom of feedback or deftly dialing-in daring effects with careful control, Manifold Research Centre's Ubique is an otherworldly examination of time scales beyond comprehension, sure to draw out dedicated sonic explorers to diverse musical ends.

CLICK FOR MORE »

HWJ - INTERFERENCE - HWJ Edit

video upload by FL3SHB4CK

"Hardware Jam Challenge: Collab

QUIVER, RADIUS, TABOR, B.RAM, ZERSTORER

Recorded live thru Syntakt delay & reverb"

It's Only Noise - Random Percussion with Sample & Hold, No Sequencer...just for fun #eurorack

video upload by AJH Synth Official

"Messing about with noise and random voltages. This patch is just various noise sources through various filters, frequency-modulated by sample & hold, with envelopes controlling amplitude (VCA) or affecting filter frequency. No sequencer was harmed in the making of this video.

The ‪@solidstatelogic‬ BigSix is used to mix all 4 sounds, with the ‪@vermonagear‬ DSR-3 providing stereo spring reverb for the drone and occasional sound.

Video & performance by ‪@DreamsOfWires‬

Patch Breakdown:

Drone: This is just pink noise going into the FIXED FILTER BANK 914, but with an LFO from the DUAL RVG modulating the mix between the left and right bands of the Filter Bank, creating that slow, breathing effect. The AJH SYNTH 914 has built-in, voltage-controllable mixing/cross-fading functionality, which wasn't present in the original Moog 914 on which it is closely based.

Percussion 1: White noise going to the SONIC XV Diode Ladder Filter, using its band pass output. One channel of the DUAL RVG is sending random voltages to the Sonic's Filter Frequency/Cutoff, whilst a DH-ADSR envelope generator controls its audio level in the TRIPLE CROSS (being used as a triple VCA).

Percussion 2: This starts with noise generated by the LUNAR MODULE - this has 2 noise sources with different character and tone control, and built-in distortion. Its output goes to the MATRIX VCF, which has 16 different filter modes, which I cycle through manually during the video. See out User Guide video for more information: • NEW MODULE! MATRIX VCF User Guide - Vintag...

Occasional Sound: Here I'm using the SAMPLE & HOLD module to randomly trigger the MULTI BURST ENVELOPS module. The Colour control on the Sample & Hold determines the range of random voltages generated. It is a combination of Low Pass and High Pass filter over the onboard noise that is used to derive the voltages, so turning it anti-clockwise from the centre acts as a low pass filter, reducing voltages produced to be in the lower range, whereas turning it clockwise of the centre position acts as a high pass filter, meaning voltages in the higher range. Since it is generating lower voltages here, it is only occasionally producing enough of a voltage change to trigger the Multi Burst Envelopes. If I raise the Colour control it will trigger more often.
The Multi Burst Envelopes produces a chosen number of bursts of the selected envelope shape. The built-in LFO controls the speed of the bursts, as does the Clock input, but both can be used together or independently. I'm using it to control the frequency of the ENTROPIC DOOM's low pass filter, to generate an occasional burst of filtered noise."

Skull & Circuits METAL-O-TRON / first moments / modulated by Vox Machina LEO LEO sequencer

video upload by BRiES

"A while ago I acquired this nice METAL-O-TRON by ‪@skullandcircuits‬ which instantly proved to be a treasure trove of ringmod and other timbres. This video is me firing up the module for the very first time, so it's really nothing more than just a first exploration (but I always find it fun to record). I hope you enjoy this short video (more to come).

In the meantime I made a thorough deep-dive on the module that you can watch here:" [see this post]

Parameshwari

video upload by Ebotronix

Joranalogue Audio Design,
4x Cycle 5, 3x Filter 8, 3x Generate 3, 2x Fold 6, Pivot 2, Select 2,
3x Contour 1, Collide 4, 2x Link 2, Enhance 2, Step 8, Orbit 3,
Morph 4, 3x Mix 3, Delay 1,Add 2,Walk4,Warp 1,Compare 2,
2x Doepfer R2m, 2x A 177-2, A 156,
ARC Serge TKB,
Mutable Instruments Veils,Shades,Yarns, Peaks, 2x Ornament and Crime,
4ms Peg,DLD,
Flame 2x Q Slider,
Happy Nerding Pan Mix,
Make Noise Optomix,2x MMG,
Befaco ST Mix,
Hologram Electronics Microcosm Special Edition 2024,
Strymon Big Sky MX, in Dual Mono Mode controlled with
Midi CC by, 16n Faderbank, AtoVproject ,
Parameshwari Scale,
14.03.2026
video# 2618

Moog Subharmonicon + Make Noise Bruxa = MAGIC

video upload by Pipo Ferreira

"Plus some melodic piano from the Disting NT. Field recordings + FX all from the iPad. All sequenced by the Subharmonicon, except for percussions (DFAM).

Nice to be back after a long break. I hope you enjoy it!

#eurorack #ambientmusic #modularsynth"

TTMC 158 Cross Modulation

video upload by Tokyo Tape Music Center

https://tokyo-tape-music-center.com