"A while back, I took a look at the Pet Rock temporal synthesis module. Supra is the follow up to that module. It produces different rhythms, CV, and melodies based on the passage of time. It actually pairs nicely with Pet Rock.
Time Travel CV Playground
A new Eurorack module from Jonah Senzel, creator of Pet Rock
Input & Output Jacks
The top of the module features eight jacks labeled for dual-hand control:
Left Hand in 1 & 2 (Top left)
Left Hand out 1 & 2 (Bottom left)
Right Hand in 1 & 2 (Top right)
Right Hand out 1 & 2 (Bottom right)
Core Controls
SWAP BUTTON: * Switches which hand you're viewing and controlling.
The other hand continues to run in the background.
Hold to place a new object in the current hand.
JOYSTICK: * Up, Down, Left, Right, and Click (Push In).
MENU: * Menu with extra features of current mode.
OPT: * Extra button for use in some modes.
"WARNING : they are some higt resonance peak beward of your ears, specialy on headphone!
Disclamer: Yes i know i have burn my left hand, look bader than it is, on reality ^^
Quick demo of a miltiband resonator patch on gotharman's Tuul
in this exemple i put all the "resonator " in série but you can put them in parallèle with the help of à mixer !
Thank you for watching. My name is Meska of the statik collective . I've been making mostly 'dark and expérimental' music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with.
"Instantly change Time and Spray settings with no artifacts, just a smooth crossfade for subtle transitions to a new sound in your delay or reverb.
WMD designs electronic hardware for musicians longing for a balance of precision and exploration. Our quality control is the absolute finest, with service to match."
"Today I'm showing you how to sync and reset a function generator of the MARF so you can use it in sync with some of your other modules.
There's a few different ways to do it and there's also a few ways to mess around with the sync in fun ways, so we'll explore that together."
00:00 INTRO
00:53 THE BASICS
02:59 GATE LENGHT & SLIDES
05:23 RESET WITH STROBE
10:15 RESET WITH THE STOP INPUT
11:47 MIDI TO CV CLOCK & RESET
13:51 CONCLUSION
"This has the Moog Matriarch and Pittsburgh Modular Foundation working in tandem to showcase their sounds. The Foundation had its key trigger set to Duophonic, same with Matriarch."
"This video is all about the Make Noise New Universal Synthesizer System.
What I keep coming back to is this idea of tradeoffs.
This system offers a lot of immediacy. It’s fast, playable, and designed in a way that makes it easy to get interesting results quickly. But at the same time, that design comes with some limitations in flexibility and creative control.
In this video, I wanted to explore that balance.
To me, this doesn’t really feel like a traditional modular system made up of independent modules. It feels more like a single instrument that’s been broken into parts—and that changes the way you approach patching."
"Today we check out the Time Machine by OAM Modular, on it's own and with it's new VCA Expander.
This thing is a very weird and powerfull 8 Tap delay with an agressive feedback path and a VERY wide range of delay time. It can go from ambient style delay / reverb to pure glitch madness (great on drums). Oh and it's stereo and clock syncable."
00:00 Intro
01:20 Panel Overview
02:21 Basic Operation
10:55 Breakbeat Torture
12:03 Time Machine goes Buchla!
14:56 A closer look at the VCA Expander
19:33 Time Machine Funk
22:51 Custom feedback experiments
"This is a pure modulation party in a small footprint. The Morph and Merge functions provide access to complex waveforms for a wide range of modulation. Distribute them across your rack via nine outputs.
Each LFO offers fast or slow cycling, with selectable square and triangle shapes. The fast cycles reach into audio territory at around 100 Hz, making it useful for percussive modulation and low-end movement. In slow mode, cycles extend up to ~35 seconds. With external negative CV, this can be pushed into the range of around 10 minutes.
Blend the LFO signals, or any external signals (including audio), in the Morph section. Or use the signals in the relational logic section, Merge, which opens up a wide set of derived waveforms by slicing, combining or rectifying. Pseudo waveshaping.
I make One Take Sound Recordings with Live-performed Eurorack Modular Synthesizer Modules. The Goal is to make Complex Sound, as far away as possible from Gridmusic from DAWs."
"In this sketch, we demonstrate how a pair of Fractalists is working together in a timbral progression.
The left one is responsible for the bass sound, where, with each iteration, the waveform is unfolded, becoming more and more complex and rich in harmonics.
It is also modulated a bit with a built-in LFO patched into the WARP input to add some movement.
The right one produces a percussive part. The actual base frequency is very low, and with a standard oscillator, there will be no sound or only a rumble.
Here is a different story. As the generated waveform is very complex and contains a lot of harmonics, they become audible as rhythmic patterns.
With each iteration, this effect is more prominent. WARP is not modulated to have this specific pattern to be fixed, but if you were to change it, there are a lot of different patterns to look for. In future episodes, we will explore this in more detail.
Audio is intentionally captured raw, without any filters, VCAs, or effects."
Fractalist from Blukac is a unique digital oscillator that creates complex waveforms and rhythmic undulations using fractals, generating captivating sounds that evolve and grow into digital chaos. Start by selecting a core waveform, either triangle or trapezoidal, and expand its fractal dimension with the Iter control to create iterations on this shape, adding harmonics to the sound that bloom in digital bliss. Through all these fractal transformations, Fractalist's output maintains its periodicity, with a Frequency control that can be used to shift in octaves, semitones, or fine-tuned between notes. At low frequencies, Fractalist becomes an oddball rhythm machine, churning its mathematical movements in unique patterns according to the waveshape created through fractal expansion.
Select your desired degree of digital artifacting with the Alias switch, inviting or omitting the unique sounds of system failure as your harmonics grow beyond the bounds of Fractalist's digital structure, folding frequencies back on themselves for inharmonic results. The onboard Warp control can be used to further modulate the timbre of your sound, alongside dedicated inputs for frequency modulation and hard Sync. Finally, a saturating boost is available to add heat to the cold digital output, while a friendly adjustable LFO provides an onboard source for modulating Fractalist's bevy of CV inputs. With its unique synthesis engine and plentiful opportunities for creative patching in a broader Eurorack environment, Blukac's Fractalist is sure to expand your sound palette, and perhaps, your mind.
"The Cosmic Debris is a playable Delay and Reverb module by WMD. Today we check test it on chords and ARP's to see how it performs with melodies. Delay is what reverb is before it becomes reverb. One of the great things about Cosmic Debris is that it can be either and you can fade between the two ideas in real-time."
