SEOK - PLUTNIK – Complex Dual VC-LFO [DEMO no talk]

video upload by SEOK synthesizers

"This is a pure modulation party in a small footprint. The Morph and Merge functions provide access to complex waveforms for a wide range of modulation. Distribute them across your rack via nine outputs.

Each LFO offers fast or slow cycling, with selectable square and triangle shapes. The fast cycles reach into audio territory at around 100 Hz, making it useful for percussive modulation and low-end movement. In slow mode, cycles extend up to ~35 seconds. With external negative CV, this can be pushed into the range of around 10 minutes.

Blend the LFO signals, or any external signals (including audio), in the Morph section. Or use the signals in the relational logic section, Merge, which opens up a wide set of derived waveforms by slicing, combining or rectifying. Pseudo waveshaping.

Designed and hand-built in Sweden."

00:00 Intro
00:10 Patch 1 Tri Cross-Mod
00:47 Patch 2 Square FM Drone
01:55 Patch 3 Mandatory Pings
02:25 Patch 4 Merge Section Riff
02:59 Patch 5 Straight LPG
03:18 Patch 6 Sample Triggering
03:52 Patch 7 Bass Voice
04:32 Patch 8 The Ambient Ender
07:10 Outro

Boards of Switzerland Feat R2D2

video upload by Apetactics

"#modularsynth #eurorack #synth #electronicmusic #modularjam #viralvideo

#boardsofcanada

I make One Take Sound Recordings with Live-performed Eurorack Modular Synthesizer Modules. The Goal is to make Complex Sound, as far away as possible from Gridmusic from DAWs."

EAR MODEL 24 MARK II: PREVIEW OF THE 14 SCALE PRESETS

video upload by Peter Grenader

New Blukač Fractalist - Sound Samples Ep. 1

video upload by Blukač Instruments

"In this sketch, we demonstrate how a pair of Fractalists is working together in a timbral progression.

The left one is responsible for the bass sound, where, with each iteration, the waveform is unfolded, becoming more and more complex and rich in harmonics.

It is also modulated a bit with a built-in LFO patched into the WARP input to add some movement.

The right one produces a percussive part. The actual base frequency is very low, and with a standard oscillator, there will be no sound or only a rumble. Here is a different story. As the generated waveform is very complex and contains a lot of harmonics, they become audible as rhythmic patterns.

With each iteration, this effect is more prominent. WARP is not modulated to have this specific pattern to be fixed, but if you were to change it, there are a lot of different patterns to look for. In future episodes, we will explore this in more detail.

Audio is intentionally captured raw, without any filters, VCAs, or effects."



via Perfect Circuit

Fractalist from Blukac is a unique digital oscillator that creates complex waveforms and rhythmic undulations using fractals, generating captivating sounds that evolve and grow into digital chaos. Start by selecting a core waveform, either triangle or trapezoidal, and expand its fractal dimension with the Iter control to create iterations on this shape, adding harmonics to the sound that bloom in digital bliss. Through all these fractal transformations, Fractalist's output maintains its periodicity, with a Frequency control that can be used to shift in octaves, semitones, or fine-tuned between notes. At low frequencies, Fractalist becomes an oddball rhythm machine, churning its mathematical movements in unique patterns according to the waveshape created through fractal expansion.

Select your desired degree of digital artifacting with the Alias switch, inviting or omitting the unique sounds of system failure as your harmonics grow beyond the bounds of Fractalist's digital structure, folding frequencies back on themselves for inharmonic results. The onboard Warp control can be used to further modulate the timbre of your sound, alongside dedicated inputs for frequency modulation and hard Sync. Finally, a saturating boost is available to add heat to the cold digital output, while a friendly adjustable LFO provides an onboard source for modulating Fractalist's bevy of CV inputs. With its unique synthesis engine and plentiful opportunities for creative patching in a broader Eurorack environment, Blukac's Fractalist is sure to expand your sound palette, and perhaps, your mind.

CLICK FOR MORE »

A New Favorite Reverb and Delay Eurorack Module: Cosmic Debris

video upload by EZBOT

"The Cosmic Debris is a playable Delay and Reverb module by WMD. Today we check test it on chords and ARP's to see how it performs with melodies. Delay is what reverb is before it becomes reverb. One of the great things about Cosmic Debris is that it can be either and you can fade between the two ideas in real-time."

EZBOT resources: https://www.patreon.com/ezbot, https://ko-fi.com/ezbot/, https://www.modbang.com"

Arplus: Max Pluck for your Buck - Quantised Arpeggiated Karplus Strong Eurorack Module

video upload by Kronofonika

"Introducing Arplus, a six voice Karplus-Strong Synth with a quite advanced Quantised Arpeggiator built in. A lot of Pluck for your Buck.

Thanks Zlosynth Instruments for letting me do a synth demo wearing chainmail."

00:00 - Intro
02:15 - Karplus-Strong History and What is it?
03:28 - Polyphonic Spree
04:03 - Sound Parameters
07:16 - External Input
09:25 - Pure Ambient Bliss
09:56 - Quantiser
12:52 - Arpeggiator
16:04 - Swap 2 Infomercial
16:33 - Spicing things up

via Perfect Circuit

The Arplus module from Zlosynth Instruments is a robust Karplus-Strong 6-voice resonator that gives you a bevy of musical scales at your fingertips. The Arplus works by selecting a particular chord based on the scale you select, stepping through the notes of that chord via the Trigger input and button. Use the Tone control to set the root note, and use the Chord control to select the particular chord. Both controls have corresponding CV inputs that let you create intricate sequences or melodic randomness. Choose from 31 different types of scales that include Western, Arabic, Indian, Japanese, and even quarter tones.

Internally, a burst of noise gets generated to create the sound, however, if you want more control over your noise bursts, an external input is available for you to patch in whatever you'd like. Use the String control to adjust how many virtual strings remain resonant after the trigger—up to 6 strings can resonate at a time allowing for soaring expanses of ambience and gorgeous clusters of notes. Sculpt the sound right on the module with a built-in filter, including resonance and cutoff, along with a Contour control that moves from short percussive bursts to long swells of washed texture.

Of course, no resonator would be complete without a stereo output, and the Arplus doesn't disappoint. Choose from three different stereo spreads: Ping Pong, which alternates voices between left and right, Root, which sends the Root to the Left and everything else to the Right, and Haas, which creates a stereo spread using the psychoacoustic Haas effect. The Arplus from Zlosynth is more than just your typical resonator, with an easy-to-read scale selector and a lovely sound that's sure to win over your heart and ears.

ARPLUS FEATURES

6 Voice Karplus-Strong resonator
External audio input for custom excitation sources
31 Different scales
Customizable chords up to 8 notes
CV-Controllable arpeggiator patterns
Quantized 1V/Out output
3 Stereo output modes
Built-in filter

Which Wavetable Module Deserves Space in Your Rack?

video upload by Metamyther

"Explore 3 of the best wavetable modules in this in-depth comparison featuring the Modbap Osiris, Industrial Music Electronics Piston Honda MKIII, and Ferry Island Four Seas. This comparison highlights how each module performs and functions and includes a handy spec comparison chart at the end. Discover which wavetable oscillator delivers the best results for your style."

Chapters:
00:00 - Intro
00:14 - Osiris
04:52 - Piston Honda III
07:48 - Four Seas
12:15 - Scorecard

Beam Me Up with the Cosmic Debris

video upload by Metamyther

"Set a course for the WMD Cosmic Debris module in this detailed demo and review, where we explore its powerful 16-tap delay engine, lush reverb textures, and experimental delays. This video breaks down every feature while showcasing real musical examples perfect for any genre. Cosmic Debris offers a uniquely intuitive interface and inspiring sonic possibilities that make it a standout module for producers seeking cutting-edge tools."

Chapters:
00:00 - Intro
00:46 - Main Features
05:29 - Four Seas
05:59 - Vhikk X + SSF Stereo Field
06:34 - Drums
07:15 - Modes
09:23 - Shift Functions
12:52 - Crazy Modulation
13:19 - Karplus Drums
14:28 - Angry Toros Alia
15:29 - Finale

3am - rude gestures

video upload by justin3am

"Just some nonsense. Messing around with ‪@fancysynthesis‬ K-Accumulator and ‪@Endorphines‬ Evil Pet. K-Accumulator is gnarly. I feel like it's gonna be spitting out sampler food for eternity."

Buchla 248t Marf

video upload by Ebotronix

Buchla 200t, TipTop Audio,
242t, 2x 292t, 4x 258t, 2x 281t ,2x 207t,
2x 259t, 257t, 266t, 2x 245t, 296t,248t,
Doepfer R2m , Ribbon Controller, A 156,
Mutable Instruments, Shades,Peaks, Veils,
4ms, QPL, Peg,
2x Ornament and Crime, Dorian Scale,
WMD Time Warp,
Flame + Mirror,
Danny Sound Timbre,
Make Noise, Optomix, MMG,
Moog MF Delay,
Strymon Big Sky MX,controlled by,
ATO Faderbank 16 n , with Midi CC,
15.04.2026
video # 2627

Jumblin' a GTE | Make Noise

video upload by MAKEN0ISE

"Running René, through, GTE through Jumbler...

Also, the premiere of a visual score by Tod Antilla, performed by HisWiredMoves!"

http://www.makenoisemusic.com

IDM Guy tries to Techno

video upload by

"I make One Take Sound Recordings with Live-performed Eurorack Modular Synthesizer Modules. The Goal is to make Complex Sound, as far away as possible from Gridmusic from DAWs."

Interesing how he runs the patch cables underneath, through the case.

Apetactics Playlist
After you hit play you can use the player controls to skip between videos.

Explaining and testing GTE by Make Noise

video upload by Stazma

"Today I'm happy to show you some stuff with the GTE by Make Noise.

GTE stands for 'Gestural Time Extractor', the concept of the module is to take any incoming signal and extract timing information from it's level. It's particularly great to creat weird rhythms (synced to clock or not) as well as to mangle audio rate signals into many supersonic squares.

Have fun!!!

More info here: https://www.makenoisemusic.com/module..."

00:00 Intro
01:53 Module Overview
04:01 Weird Beat 101
08:21 First patch I made with GTE
09:25 Audio rate madness
13:36 Pulse Acid Jam
14:26 Extra weird breakbeats
15:52 Computer synced weird beat

Giovanni Grandi drone/ambient modular performance @ Spazio Gerra

video upload by Giovanni Grandi

"A drone/ambient modular performance built around a fed-back Strymon BlueSky shimmering reverb. Textures by Frap Tools Brenso oscillator processed through Fumana filterbank and Make Noise Morphagene.

The performance was recorded as part of the Giardiniera streaming concert in February 2021 at Spazio Gerra, Reggio Emilia.

Video by Ali Beidoun AKA ‪@fotoniknoise‬

#dronemusic #ambientmusic #modularsynth #live

Moments:

00:00 Starting drone
01:22 Shaping the reverb feedback with Frap Tools Fumana filterbank
04:00 Adding texture through Make Noise Morphagene
05:00 A hint of pulsation
06:27 Modulating FUMANA with a contact microphone for spectral transfer
07:49 The pulse is real
10:53 Further rhythmic development through Brenso's wavefolder"

HOW TO Build a Portable Live Techno Rig (and Actually Perform With It)

video upload by SynthDad Music

"Turing machines are generative sequencers that create looped melodies that slowly evolve and change over time, perfect for techno. I'm using the Shroud of Turing from Flatsix Modular in my compact techno setup. It's a 1U turing machine with clever features like user-defined scales and the ability to save different scales to play. I'm using it with Shakmat Ballista Blast as the main voice . Ohmforce Bohm is the main kick and I play it against Shakmat Battering Ram for dual-kick fun."

HOW TO Build a Portable Live Techno Rig (and Actually Perform With It)

video upload by SynthDad

"I used to think a bigger setup meant more options meant better music. Turns out the opposite is true, at least for me.

For a while my live rig was getting more complex every time I played it. More modules, more flexibility, more things to manage. And instead of playing, I was troubleshooting. So I stripped it back.

In this video I walk through the portable techno case I built for live performance; what made the cut, what didn't, and why having fewer options actually made me more focused and more musical on stage.

If you make techno with hardware and performing live is something you're thinking about, hopefully this is useful.

Timeline:
00:00 Introduction
00:45 Breakdown of my setup - kicks
01:01 Adding texture with Oneiroi
01:36 Battering Ram as second kick
02:03 Lead voice Ballista Blast
02:25 Sequencing with Shroud of Turing
05:23 Changing up the melody
05:52 Quantising notes to change the mood
07:27 Putting it all together to play
22:36 Conclusions"

Modular techno performance with a portable setup

TEAR - Experimental jam #31 // Vhikk X, Moog Subharmonicon, Bitbox

video upload by David Falcon

"Testing this battery powered mobile setup. The Palette case can be powered via powerbank and with the Bitbox micro I can record within the Modular case itself, without the need of any other equipment. The idea behind it is to take it outside to some special places to record, and maybe add some field recordings in the background.

I finally got to try the Vhikk X after a while trying to get one. The first few hours with it I was not very inspired by it, but kept digging and found this small melody that felt pretty emotional. Ironically the drone bass did not come from the Vhikk, but instead from my favorite, the Subharmonicon.

The Bitbox is here because it can do a lot in such small footprint. It is a sampler in the classic sense, but also is acting as a pseudo-Radio Music module with a radio sample I found, and also is recording the whole piece directly like the 4ms Wav Recorder.

In Ableton I added later on a bit of compression and EQ to even out the sounds.

I have published the first ALBUM that is acompilation of songs, some from this year and some older called "Hipotese". It is available in the streaming platforms and bandcamp. Go check it out!
https://davidfalcon.bandcamp.com

// Patch notes //
Moog Subharmonicon - Drone Bass, modulated from Pam's New Workout
Forge TME Vhikk X - Melody, sequenced from Oxi One and processed with a LPG in the Disting mk4.
1010 Music Bitbox Micro - Synth, piano and radio samples. Records the whole mix that comes out from the Befaco Output Bus. This is what makes the setup truly portable."

Ballista Blast by Shakmat, Six Sound Examples

video upload by Liminal Pulses

"In this showcase, I've created six different sound sources with the Ballista Blast by ‪@ShakmatModular‬ . It can do SO MANY THINGS, and do them AMAZINGLY, but I thought I'd focus on six sound design examples, so we can zoom in on a few core engines and all the various sounds you can get from those engines. Let me know what you think of each one in the comments!

Each sound example is 2.5 minutes long, save the last example, which is 4 minutes.

0:07 Sound Example One, Engine: WaveTable. Type: Basic. ENVLP Mode: ASR. ANLG VCF: Type 2. VCA Mode: Drone. Distortion type 2, level 3 out of 5. FM. Alt = ON

2:23 Sound Example Two, Engine: Classic. Mode: Width. ENVLP Mode: AR. ANLG VCF: Type 2. VCA Mode: Drone. FM. Alt = ON

4:46 Sound Example Three, Engine: FM. Algorithm Type: Magnet Claw Arms. VCA Mode: Drone. ENV Mode: AR. FM.

7:10 Sound Example Four, Engine: WaveTable. Type: Digi 08. VCF Type: 2p VCA Mode: Drone. ENV Mode: AR.

9:50 Sound Example Five, Engine: Classic. Mode: Sync. VCA Mode: Drone. ENV Mode: AR. ANLG VCF: Type 2. FM.

12:15 Sound Example Six Engine: WaveTable. Type: Harm 1. Distortion type 2, level 3 out of 5. ENVLP Mode: ASR. ANLG VCF: 4P. VCA Mode: ENV. Distortion type 2, level 3 out of 5. FM.

I'm using effects by the ‪@busycircuits‬ MFX and ‪@tiptop-audio‬ Z5000.
The first two sound examples feature a sequence by the Varigate 4+ by ‪@malekko1‬
The second two feature the Pseudos by Raw Yaw Media.
The last two feature the T12 by ‪@doboz.modular‬"

midiphy zetaSID plays "Electric City" by Flex (Stereo ASID)

video upload by midiphy

"An outstanding stereo SID track made by Flex (Antti Hannula) of Artline Designs in 2020.

Played back using quadchained midiphy zetaSIDs with a slight amount of hardware unison detune to slightly thicken the mix :). The MIDI ASID signal is provided by a midiphy nexusMIDI expander connected to an Elektron TM-1 MIDI Interface in Turbo MIDI mode to provide the bandwidth required for dual channel ASID playback.

Visualization support by a tiny six inch Sony PVM 6041QM CRT.

Thanks for watching and listening!
Best regards,
Peter/Hawkeye
https://www.midiphy.com/"

USING AN EAR MODEL 24 HEISENBERG AS SAMPLE & HOLD

video upload by Peter Grenader

Introducing Cosmic Debris from WMD and Infrasonic Audio

video uploads by WMDevices

"Cosmic Debris is a powerful delay and reverb engine built for modular explorers who want more than just echoes. With 16 interactive delay lines, multiple performance modes, and a design tuned for live use, Cosmic Debris can move from precise rhythmic repeats to infinite atmospheric washes in an instant."

Playlist:
1. Introducing Cosmic Debris from WMD and Infrasonic Audio
2. 3 patches with WMD Cosmic Debris
3. WMD Cosmic Debris - In-depth overview and tutorial

See additional posts featuring Cosmic Debris here.


"A collaboration born in the Denver modular community

Cosmic Debris began as a design by Nick Donaldson of Infrasonic Audio, a fellow Denver modular enthusiast we met through our monthly Freq Boutique gatherings. Nick approached WMD for advice on manufacturing, and as soon as we heard the sounds he was creating, we knew there was something special.

From there, the collaboration took off. We worked closely with Nick to refine the design, bringing in ideas to expand the feature set, streamline performance controls, and ensure the module would be rock-solid for production. The process has been as rewarding as the results: not only has Cosmic Debris grown into a truly versatile delay and reverb processor, but we’ve had the joy of building a deeper friendship through the design journey.

Cosmic Debris is a powerful delay and reverb engine built for modular explorers who want more than just echoes. With 16 interactive delay lines, multiple performance modes, and a design tuned for live use, Cosmic Debris can move from precise rhythmic repeats to infinite atmospheric washes in an instant.

At the core, Spray transforms traditional delay taps into massive ambient reverbs, while Scatter reshapes the feedback paths and interactions between lines to create ever-changing textures. Time and it's shift function SLEW take traditional modulation and flip it on its head with huge risers, crossfading delay time changes, and hands on control over the energy of the sound caught in the buffers.

A built-in band-pass filter lets you carve space in the mix or push the signal into motion with CV modulation.

Cosmic Debris is designed with performance at its heart. Blast delivers a momentary boost into the delay input as well as 100% send level (in send mode) for explosive bursts of sound with natural tails, while Send Mode turns the Mix control into a CV-controllable send/return level, perfect for insert-style processing.

Flexible sync options include clock input, tap tempo, or free-running mode, keeping you locked in rhythm or drifting into uncharted time. A dedicated Freeze function captures audio into a timeless loop, letting you hold textures indefinitely.

Three unique processing modes, Blur, Ratio, and Warp, expand the palette even further, from smearing reverbs to pitch-shifted delays. Combined with its intuitive interface and deep modulation capabilities, Cosmic Debris is equally at home in a live performance rack or a studio sound-design system."