1. NEW!! Polyrex Synthesizer Breakdown | Features That Matter
2. PolyRex: The Synth Everyone's Talking About - Mixed by Jellz
3. Is PolyRex the Ultimate Juno-Inspired Synth Plugin? - wil maker
Meet PolyRex, the vintage polysynth of our dreams! It captures everything we love about the classic Juno series- the lush chorus, organic movement, warm character, and nostalgic vibe that makes you want to keep playing.
In this video, Noam and Orel take a deep dive into PolyRex, exploring its features, and the wild sonic possibilities.
Inspired by some of our favorite analog polysynths from the early 80s, POLYREX was built around a simple idea: make a synth that feels immediate, fun, nostalgic, and filled with inspiring sounds.
We loved the spirit of classic Japanese polysynths: the glowing chorus, the drifting movement, the soft-but-punchy filter, and the way one simple chord can suddenly feel emotional.
But we didn’t want to build a museum piece. POLYREX is our version of that world, pushed through the weird, colorful Safari lens. Faster, stranger, more playful, and made for modern producers who want to create instead of menu dive.
From dreamy pads and unstable tape keys to punchy basses, glassy plucks, warped chords, and cinematic nostalgia, POLYREX gives you vintage-inspired poly synth sounds with its own Safari personality.
VINTAGE-INSPIRED OSCILLATOR SECTION Square Oscillator - Classic poly synth bite and harmonic weight Sub Oscillator - Adds deeper body and low-end support Noise Generator - Great for air, texture, percussion-style sounds, and grit PWM Control - Pulse-width movement for animated vintage tones LFO Pitch Modulation - Adds motion, drift, and slightly unstable character
Introducing Influx, an audio sub-mixer for eurorack.
A streamlined design taking 16HP.
Six channels having LED mutes, level, and pan.
A stereo input pair having level control.
Stereo mix output.
In this video I'm putting the Influx mixer though it's paces.
I put together an elegant live performance patch using all 3 of my cases.
Be sure to listen on headphones or quality monitors to hear all the sub-bass frequencies.
Drum Modules | Pittsburgh (PGH) modular Safari
Snare | PGH Polar Bear | PGH Local Florist | PGH Analog Delay Unit | Feedback Squeez compressor
Bass | Cre8audio Capt'n Big-O | G-Storm 101-VCF
Lead | PGH Primary Oscillator | G-Storm SH5-VCF | Happy Nerding FX Aid - Clouds Reverb Algo
Sample | Erica Sample Drum | G-Storm Pro-VCF | Mutable Clouds | Shakmat Gemini Path
Percussion Gates | Malekko Varigate 4
Bass/Lead Sequencing | Keystep Pro
Recorded direct, no other mastering or effects.
"Manage the Influx of audio signals in your Eurorack modular system. Influx is a streamlined 8-Channel audio sub-mixer. Suitable for your mixing needs within smaller to medium sized systems. Or chain two Influx units together for larger systems.
6 Mono Input channels each having: Bourns 20mm throw audio level faders w/ 3x gain possible, blue LED latching audio mute button, pan pot, and a scribble strip!
One Stereo Input pair of Left/Right inputs on channels 7/8 - Audio level rotary pot w/ 3x gain possible, Channel 7/(mono) is normalized to both L/R if nothing is plugged into Channel 8/R jack.
For larger systems you can chain two units together for a total of 14-Channels. Simply patch the output pair of one Influx to the 7/8 input of another. A 10-to-16 pin ribbon cable is included. Each module is 142 solder points all crafted by hand in limited quantities, and tested for quality assurance.
Specs:
16HP (80.5mm) Module width 22mm Module depth 21 mA on +12V 9 mA on -12V 5V not used Influx pairs well with:
Sounds Demo of iPad App iSymphonic Orchestra by Crudebyte
Published on Aug 10, 2014 Toz Bourne
"The new symphonic music creation app for iPad, here's a demo of all 10 of the included sounds.EDIT--see my blog at wtomusic.com for a written walk through of the app...no followup video will be posted."
"The ultimate orchestra sound app for sophisticated musicians, directed by Kurt Ader, designed as professional sound module for your iPad by connecting an external MIDI keyboard, using the Apple USB camera adapter or another adapter supported by Apple.¹
This app supports Apple's "Inter-App Audio" System (requires iOS 7 or higher) and the "JACK Audio Connection Kit" (up to iOS 6.1.3) for audio & MIDI connections from/to other audio apps!
iSymphonic Orchestra was designed with the goal to deliver you superb, extremely realistic and stunning orchestra sounds, instantly with the first key being pressed by you on your MIDI keyboard. Just select a sound and you are ready for your live performance or for a boost of creativity while composing new songs. The sounds used in this app were explicitly recorded to fulfill these requirements and involved several months of recording and post processing under supervision of Kurt Ader and included a variety of innovative, new recording techniques. So far these sounds were only available to very few, famous movie composers. Now they are finally available for the first time to everybody. The supreme quality of these sounds, combined with the unique way they were recorded and assembled, gives us confidence that you haven't heard anything comparable as of to date, even not on Mac or PC.
>General Features:
- Low latency disk streaming.
- Polyphony up to 140 stereo voices.²
- Configurable audio latency down to 5 ms.
- Integrated effects with 18 presets.
- 16 parts.
- MIDI velocity response curve editor to fine tune the feeling of your MIDI keyboard.
- App can keep running in the background, so you can play on your keyboard while e.g. using Safari or another app to display scores or surfing the Internet.
- Hermode Tuning: Makes the sound more brilliant by controlling the pitch of the notes in multivoiced music to better frequency ratios than with fixed tuning. This dynamic tuning imitates the tuning behavior of well educated musicians of i.e. orchestras and choirs.
- Supports Apple's "IAA" system for audio & MIDI streaming between other apps (iOS 7 or higher).
- Supports "JACK Audio Connection Kit" for audio & MIDI streaming between other apps (up to iOS 6.1.3).
- Virtual on-screen piano keyboard with velocity support, scalable & scrollable.
MIDI Player / Recorder:
- Record, save and load your songs in standard MIDI file format.
- Unlimited amount of tracks.
- Configurable target MIDI channel per track.
- Unlimited recording and playback length.
- Download or upload MIDI files with iTunes.
- Load your favorite songs as MIDI files from the Internet, and watch at the virtual keyboard how to play it.
- Use the "Tempo Zoom" dial knob to i.e. slow down playback at any time and learn your favorite songs more easily.
Note: This app requires quite some hardware resources. In case there are problems with this app, please close apps in the background by double pressing the device's home button, the list of active apps appears on the bottom of the screen, tap and hold one app icon in the list, then press the respective app icon "minus" corner to quit those apps.
¹ For more informations about supported adapters and MIDI keyboard devices, please visit our product website.
² Sounds are using several voices per note. Polyphony depends on the exact device model being used. You find a polyphony table on our product website.
Anti-Spy Commitment: We take your privacy very seriously. None of our apps contain so called 'spy' behaviors and we committed ourself to a very high privacy standard. For more informations about our privacy commitment, read our 'Privacy Policy for Mobile Apps'."
"Join me for lots of patches going from the basics of mixing techniques (applicable to audio in general, but specifically Eurorack modular synthesizers) through to more advanced audio routing and creative options for audio processing.
While this video is a demo on the Nightlife Mixer Series from After Later Audio (Eurorack modules, Bartender, Barback, Cast Iron, Mingles, USB 2 Channel Interface & the SEND VCA) the techniques are applicable to lots of modules, so give the patches a go with things you have too.
SUPPORT // If you'd like to support work like this and the wider range of what I do, considering heading over to Patreon at https://bit.ly/DK-patreon and supporting for as little as $1 a month to gain access to the DivKid Discord community, plus lots of exclusives such as PDF patchbooks, videos and more. https://bit.ly/DK-patreon
*TIMING INDEX // CHAPTERS*
INTRO & FEATURES 00:00 Hello & patch previews 01:20 What are we doing here? 01:49 Bartender features 03:24 Barback features 03:36 Send VCA features 04:09 Mingles, Cast Iron & USB 2 Channel interface
PATCHES 05:09 Modulating mixer controls - ambient drifts & FX 06:38 Input crossfading with mono mixing 09:36 Advantages of FX returns on channels 12:22 “Better” FX routings with CV control & Cast Iron 14:55 Channel overdrive for bass 16:44 4 levels of destruction 18:58 USB interfacing - a powerful FX software send & return 21:23 USB audio inputs to modular 22:19 Flamingo dubstep - live safari trail cams! 23:12 Audio rate modulation, AM, pan & making dry/wet blends"
"A compact show for you this month but still full of exciting happenings and quirky bits of gear. I'll have a full report on Synth East next week all being well and do come along to the Live Stream on Sunday night at 8pm."
Index - 0:00
Intro - 0:12
Synth East - 0:31
Look Mum No Computer Eurovision 2026 - 5:55
FlatSix Modular Shroud of Turing - 9:35
Musical Beings Tembo - 11:10
GRM Tools Atelier - 14:29
Eventide Music Mouse - 16:35
NOMN FOAM - 18:12
Gooey Audio Next - 20:03
Safari Audio Superkeys Cubby - 21:!5
Cherry Audio SH-MAX - 22:28
Waldorf Protein - 24:13
Infinite Digits Ezeptocore - 25:32
Otter Mods - 26:50
Tembra Modules - 28:49
York Modular - 30:24
Sonic RetroCast - 33:15
Synth South West - 35:03
Synth Picnic - 37:46
Coming up - 39:53
You'll need a browser that supports 360° video like Firefox or Chrome for the full effect. When is Safari going to support 360° video?
"Tiptop Audio presents:
Mantis (Eurorack Modular Synthesizer Cases) 360 VR esperience.
Music by Angle
Video by Jacopo Cosmelli & Luca Ruggeri
An immersive 360 ° view in the universe of modular synth, between the cables and connections of the patch.
All modules are connected within the new case of Tiptop Audio thanks to the new "Mantis" model.
The patch and the music video are made from Angle while the video that takes advantage of the new technology 360 VR is created by Jacopo Cosmelli and Luca Ruggeri."
"Modal Electronics 008R and the DSP IO board for the 002"
You might have been familiar with the Modal 002 in a rack, but NAMM was the first time we got a look at the all analog Modal 008 in a rack. Check out the Union Jack on its back! Some details and images from Modal Electronics
008R provides eight discrete voices of polyphony with an uncompromising analogue architecture utilising the highest grade components throughout
Two 100% analogue VCO’s per voice with two sub oscillators, providing sawtooth, triangle, square with PWM and noise.
Each of the waveforms can be blended together to provide completely new complex wave shapes
Innovative and extremely flexible 15 multi-mode filter, consisting of traditional modes such as low-pass, band-pass and high-pass as well as more unusual notch, phase and combination modes.
Filter overdrive enables the sound to be driven to sonic extremes
A range of classic analogue polysynth features such as oscillator and filter FM bringing amazing sonic power
Two LFO’s, both capable of reaching audio rates with multiple wave shapes and midi sync
11 modulation sources with unlimited destinations. Each destination can be set its own unique depth, a super smooth sample rate of 10kHz
008R features a range of sequencing options – a built in 2 Track, 12 row, 32 step sequencer with 16 dedicated step time editing knobs on the front panel and MIDI sync capabilities. Sequences can also be transposed dynamically while running
A very highly featured arpeggiator with a wide range of different modes, including ‘hold’ mode, enabling arpeggiator-based sequences to be created
The Modal Electronics Animator, which enables any control parameter on the 008R to be sequenced, enabling very complex filter transisitions, wave form changes and modulation matrix changes to be sequenced
"The Safari Series continues to provide artists with an advanced preview of innovative new concepts stemming from our research and design process. The seventh Safari Series reinvigorates the sound of one of our favorite vintage Pittsburgh modules.
Pittsburgh Modular The Toad phase shifter is a creamy, 12 stage, all analog effect module designed to expand on the classic swirls, rich swooshes, and doppler effects associated with the phaser.
The Toad has a single 12 stage audio signal path to create a very rich, full sound. Dual phased audio outputs are tapped from stages 7 and 12 and can be used together for wide, flowing, stereo effect. Each output has a switch that allows the phased signal to be mixed with a positive or inverted dry signal resulting in even more sonic flavors to melt with.
An attenuverting CV input and onboard triangle LFO allows for maximum flexibility for custom modulation options. Feedback can be positive or negative and The Toad is more than happy to self oscillate in either direction.
Price, Availability, and More Information The retail price for Toad is $299 USD each. Because these modules are considered experiments, production has been limited to 200 modules."
"What's New in Version 1.5 • iPhone 4 retina display support • 16 additional instruments (13 free, 3 in the shop) • Line 6 MIDI Mobilizer support • 100 beat loops • iTunes file sharing (iOS 3.2, iOS 4 and later) • File associations (open .xms and .mid files from Safari and Mail) • Improved multitouch on the keyboard (slide and play simultaneously) • Battery consumption improved • Lots of performance optimizations and stability improvements • List of the new instruments: HipHop Kit, Sound Effects Kit, Harp, Harmonica, 9 Synths (and Sitar, Shakuhachi, 8-bit kit in the shop)"
"Music Studio offers a complete music production environment on the iPhone/iPod touch with features and a sound quality previously only known to desktop applications and expensive audio hardware.
It combines a piano keyboard, 40 studio-quality instruments with sustain, a fully fledged 128-track sequencer, extensive note editing, reverb, real-time effects and much more on a user-friendly interface.
AWARDS & REVIEWS • "A recent composition of mine started on the iPhone with Music Studio" - Jason Hayes, lead composer of "World of Warcraft" • "GarageBand on your iDevice" - TouchMyApps.com • "If you’re at all serious about your music you can’t really afford to miss out on this app." - razorianfly.com • "Music Studio justifies the purchase of an iDevice if you're really into it." - appfreakblog.com • Awards from BestAppEver.com, iPhoneAppsPlus.com, Palm Sounds
FEATURES • Photorealistic dynamically configurable 85-key keyboard • Instant positioning via the slide gesture and resize with the pinch gesture
Just got the new Pittsburgh Modular Safari Flamingo module in.
It's a harmonic interpolation device using a previously unrealized method known as center clipping.
Flamingo can deform and undulate your audio sources in new and interesting ways.
In this video I'll discuss Flamingo and make some patches.
The last section will show how well Flamingo processes control voltages.
0:00 Cold Open Sounds
0:20 Introduction
1:14 Patch Explorations
11:15 Using Flamingo for Control Voltages"
A Filter of Crows
Our classic Pittsburgh Filter pushed to the limits. The overdrive preamp from original Crow module paired with switchable filter response, resonance instability mode, and voltage control over both frequency and resonance. A Filter of Crows can be both menacing and subtle with a massive sonic palette. Shifting from buttery smooth sweeps to punishing, overdriven noise without ever sounding harsh or uncomfortable. This is the most interesting variant of the Pittsburgh Filter we have created.
A Filter of Crows is a unique filter module that builds on the concept of the highly sought-after Safari Series #1 module, 'Crow'. It combines three Pittsburgh-designed 100% analog technologies.
Ultra-high-gain preamp:
The first is an ultra-high-gain preamp circuit. The preamp, taken directly from the original Crow offers a unique up to 75x of variable gain overdrive. This circuit provides unmatched dimensions of overdrive without sounding harsh. Additionally, the circuit can be completely bypassed to allow for a completely clean exploration of the other aspects of the module.
PGH Filter:
Next is a 12db State Variable 'no-dead-spot' Filter, The classic PGH Filter with manually selectable and stackable filter responses. Lowpass, bandpass, and highpass filter responses can be enabled or disabled individually for instant parallel processing.
The PGH filter has been continually refined over the last 12 years of research and altered to fit the demands of each system that it has been a part of. One of its unique defining characteristics is its ability to offer a complete sweepable range without any noticeable dead spots. Dead spots are uneven / muted portions of the swept range due to non-linearities in the circuitry. The PGH filter has no noticeable dead spots and is voiced to interact well with the high-gain preamp circuit. The result is a rich, even, fully sweepable range.
Resonant Stability Circuit:
Lastly is Pittsburgh’s Resonant Stability Circuit. This circuit enables the PGH filter to provide near-infinite resonance without slipping into self-oscillation, unless the user wants it to. Set to stable, Crows will not self-oscillate. It operates as a clean, organic filter. Set to unstable mode, the character of Crows changes dramatically. At normal settings, the incoming signal modulates the self-oscillating filter to produce harmonically complex sounds. In more extreme settings, Crows will start to struggle with controlling the oscillating resonance, adjusting the resonance shifts from ringing fuzz to heavy distortion to an extremely musical total failure."
Dynamics Controller Bat
Both a resonant filter and a VCA, the Pittsburgh Modular Dynamics Controller Bat is a modern re-interpretation of Don Buchla’s famous 'lopass' gate. The original lowpass gate was limited to a static response time that varied from unit to unit. For better or worse, this made each lowpass gate a little different. The Dynamics Controller Bat solves this issue and expands on the original concept by adding a unique voltage controllable response curve and variable resonance to the lowpass gate. Nothing has more depth, sounds more natural, or feels more alive than the our Dynamics Controller. Not only is this module unique in the world of modular synthesis, it sounds amazing.
Both a resonant filter and a VCA, the Pittsburgh Modular Dynamics Controller Bat is a modern reinterpretation of Don Buchla’s famous 'lowpass' gate.
Unlike a VCA, which simply changes the loudness of the sound without modifying the harmonic content, the lowpass gate circuit uniquely simulates the characteristics of how sounds interact in natural environments.
When used in lowpass gate mode, louder sounds contain more harmonic content and quieter sounds contain less harmonic content. The result is a more organic, complex, and rounded sound.
Don Buchla’s original lowpass gate (LPG) was limited to a static response time that varied from unit to unit. For better or worse, this made each lowpass gate a little different. Pittsburgh’s research that has made its way into the Dynamics Controller Bat solves this issue. It modernizes Don Buchla's concept by adding a unique voltage controllable response curve and variable resonance to the lowpass gate. This allows for all the sonic depth of the LPG while providing the same kind of sustain control offered by a more traditional VCA. The resulting Pittsburgh innovation is the best of both worlds, natural and alive sound, that's completely controllable."
The Wolf Channel Strip VCA
The idea was to design a VCA that makes everything sound better. Through the use of a custom Wolf preamp circuit, parametric EQ, and a high quality, linear VCA, The Wolf adds depth and presence to any patch. A custom preamplifier with variable gain control shifts between .5x and 7x gain followed by a soft clipping limiter. Results range from fully transparent to warm saturation to overdrive depending on how hard it is pushed. A three stage, 15db EQ pairs sweeping low and mid range channels with a fixed frequency high shelf followed by a second soft clipping limiter identical to the one in the preamp to keep it smooth. Green, Yellow, and Red LEDs are both fun and informative! Located after the EQ and before the VCA in the signal path, the LEDs offer insight into the audio signal.
The Wolf is a Channel Strip VCA designed to improve and provide more control over any input source. It does this through another three unique circuits.
Wolf Preamp
The Wolf’s Preamp is a custom preamplifier with variable gain control shifts between .5x and 7x gain followed by a soft-clipping limiter. The soft-clipping limiter is a way to control the amplitude of the signal while avoiding harsh distortion. Depending on how hard it is pushed, the results of running a signal through this circuit range from fully transparent to warm saturation to overdrive.
Wolf three-stage Semi-Parametric 15db EQ
The Wolf also has a three-stage Semi-Parametric 15db EQ featuring sweeping low and mid-range channels, as well as a fixed frequency high shelf. The EQ section is followed by an additional soft-clipping limiter identical to the one in the preamp. This evens out the signal keeping the audio sounding smooth.
Wolf VCA
The Wolf’s VCA is a low noise, high quality, linear voltage controlled amplifier with both manual level and CV attenuator controls.
Metering
No channel Strip would be complete without metering. Wolf’s LED Meter provides Green, Yellow, and Red LEDs for fun and informative listening. Located after the EQ and before the VCA in the signal path, the LEDs offer useful insight into the audio signal."
Price, Availability, and More Information
The retail price for the A Filter of Crows, Dynamics Controller Bat, and The Wolf Channel Strip VCA is $249 USD each. Because these modules are considered experiments, production has been limited to 200 A Filter of Crows, 250 Dynamics Controller Bat, and 200 The Wolf Channel Strip VCA modules. The modules are available now through the Pittsburgh Modular web shop. More information regarding the A Filter of Crows, Dynamics Controller Bat, and The Wolf Channel Strip VCA Eurorack Modules is available at pittsburghmodular.com/safari.
"Another @teenageengineering OP-1 Field video |
This time testing the Minidisc - or Disc Mini if we’re avoiding trademark infringements - and doing some live Vocoder chords.
Recorded in one single take with audio out from the OP-1 USB-C directly into the iPhone 13 Pro Max
The vocoder is being triggered by me going ’boodly bop’ into the room & through the onboard OP-1 mic as I didn’t have a headset mic handy
I used to have a minidisc at the turn of the Millenium which was a time when I listened a lot to @RoyksoppMusic’s Melody AM & @AIRfrenchbandofficial’s Moon Safari so I thought it would be fitting to make a tune in that vein. Let’s call it ’Mini Melody Safari’"
Can Your Mobile Device Play This? (HTML Audio Test)
Alex Gibson’s WAVE-PD1, aka WavePad, is a basic synth toy that sounds a bit like a theremin, built with HTML 5 audio.
WavePad has a simple touchpad UI and generates sound based on the wa
veform and filter settings that you can select. It can also be affected using delay and feedback settings.
While it’s unsophisticated as a synth, it’s built with HTML and delivered via the Web, so it should theoretically be cross-platform. At this time, only about 25% of the smartphones in use support HTML5 audio.
Does this work with yours?"
This worked for me on Safari, but not Firefox. The resolution is a bit large for a phone but it does work.
"This was a small intimate gig I did on 3.03 day at Music Room in Melbourne. Amazing beautiful small venue that is a bar with a record room and huge sound. DJs are at home here although live acts definitely not the norm here, but I am always up for bucking the trend. Being the holy day of 3.03, I wanted to do a live set that was totally ACID focused with a 303.
The additional technical challenge was to do this show with ultra minimal gear, no mixer, no power, no effects just the Roland TR-09 and TB-03 with the Korg Volca Beats, all daisy-chained together. The TR-09 was the master clock and audio passed from the Volca into the TB-03 then into the TR-09. All effects are on board, no additional processing or mixing or anything else! Just one small audio cable running into the PA. All boxes were running on battery power for even less cabling and ease of set-up. The entire space was less half a square metre!
The performance is totally improvised, unrehearsed without any additional processing or editing. No DJs or computers were harmed during this performance.
Big thanks to the Acid Safari, Bo, DJ Jnett and everyone at Music Room.
📡 This channel is supported by my Patreon supporters who get a first look, join here."
"A quick look at the Korg Digital Voice Processor (DVP-1) from 1986, which was used by Air on numerous productions, including "Kelly Watch the Stars" from Moon Safari.
The DVP was originally designed to give programmable voice effects at an affordable price, but you can run any audio signal you like through it. There's four main engines or 'modes':
Vocoder (as the name suggests, a digital vocoder)
Harmonize (add five intervals to an audio signal, also has chord memory)
Int Wave (internal digital waves that can be played via midi)
Pitch Shift (digital pitch shifting)
There's a built-in chorus effect, unison and poly modes and patch memory.
Editing is tedious, but easy; select the parameter button and use the legend on the top of the unit to find the number of the required parameter, then use the value editor to change it. There's various settings for the different modes including formant shift, waveforms, pitch envelope, modulation generator (LFO), harmonizer intervals, chorus speed, intensity, type, MIDI etc etc
0:00 Intro
0:59 The Modes
2:53 Summary & Sexy Boy"
"A demonstration of the WebSID, a synthesizer that runs inside your browser (Google Chrome or Safari 6+ required, though most mobile devices such as iPads are ready to go) that pays homage to the retro sounds of the SID chip, a.k.a. the audio module of the Commodore 64. The trademark pulse width modulated waves provide a testament to deep, heavy bass lines while playing chords on the top keyboard will result in the trademark arpeggiated lines so typically associated with old school video games. For further sound sculpting, a high res filter and echo have been added to turn the WebSID into a chaotic drone machine.
NOTE : the audio glitches in the video, but is a side effect of the screencast, no such glitches are present in the actual application.
"I recently borrowed Scott Jaeger's 6U harvestman case after our last trash audio synth meet. This patch is an experiment using some of his latest modules, Tyme Safari mark II, Zorlon Cannon Mark II, Hertz Donut Mark II, Piston Honda Mark II, Stillson Hammer, Bionic Lester, Double Andore and Polivoks VCF. The only other modules used where the MakeNoise Pressure Points, stg soundlabs .mix and Synthwerks FSR-4 Quad force sensing resistor module. The idea was to try and create a patch that utilized all of the modules in one performance. No sequencing of any kind just a play on textures and timbres using my hands. The only external effects used in this patch where the Eventide space and Strymon blue sky pedal. The Zorlon Cannon provided fluttering gates into the Double Andore trigger inputs. Top mix output on the Zorlon Cannon ran into the "B" input on the Bionic lester. For the low to high low bit bursts of noise filtered in band pass mode, with moderate gain input setting. Multiple sputtering gate outputs from the "A" outs section running into the "A Sound of Thunder" input sections triggering on and off the bend and format effects at different intervals to create complex digital clustering. Then taking the output of the "Tyme Sefari mark II" into the "A" input on the Bionic lester, creating the repeating glitching stutters scattered through out the performance. The Hertz Donut output is running into left side on the Double Andore, then CV controlled by the left side envelope output. Right side output from Double Andore going into the Piston Honda CV input then running both signals out the summed output. Combination CV outputs going into the Double Andore from the synthwerks top outputs. Drone pitches created via the pressure points tuned voyaged output top row yellow cable. There is also some gate and pressure outputs running into piston honda and time safari CV input. Double Andore right side output into the the Polivoks filter, filtering the wavemorphing of the Piston Honda. All inputs running into an STG soundlbabs .mix. Entire mix running through a Eventide space "custom preset". Hertz Donut output running into the Strymon "bluesky" reverb pedal in shimmer mode then back into channel 1 on the sty sound labs .mix.
Just got a couple of new Pittsburgh Modular Safari Crow filters in. Running them through some percussion patches, sounds nice :D
Part I 0:00 Dropped the first Crow into my 2-row percussion rack. The first demo showing it being used in classic Nicol fashion... Crow is used in highpass mode on the Feedback Static noise source for high-hat duty. Hats: Static | Crow HP | Bastl Skis II | Pittsburgh Analog Delay Unit Kick: Pittsburgh Synth Box LPF self res | Snareish thing: Basimilus | Local Florist Misc Percussion: Gibbon CV | FR Transient (Sequenced by Varigate 4) | DC571 A pair of Feedback Squeeze compressors strapped on the outputs. Digitakt sequenced via Erica Midi To Trigger
Part II 3:26 2nd Crow went into the 3-row synth rack. All sound: G-Storm Transistor-82 | Crow LP | Pitch mod: Pittsburgh Primary Osc B Noise Type mod: Batumi Osc/Noise mod: Pittsburgh Toolbox S/H Crow mod: G-Storm 2xADSR FX: Timefactor and Big Sky Room setting Sequenced by Keystep Pro"
Ever wanted to be a big-name DJ? Whether you're at the bus stop, on the toilet or at a house party, impress your friends with this new fun music remixing App.
With over 20 great sounding effects and synths to add to your music, you'll be sounding like a superstar in no time.
Featuring music from Pitbull, Daft Punk, Ke$ha, Disclosure, Crookers, Flying Lotus , Avicii, Mount Kimbie, Madeon, Jason Derulo, PSY, Jacques Greene, Julio Bashmore, The Neighbourhood, David Guetta, Jessie J and many more...
CTRL highlights
- Use music from your own iPod library or stream for free from SoundCloud
- Over 20 great sounding DJ style effects and synths to use and master
- Super simple and intuitive effect control via touch and tilt
- Effects are always perfectly in time with the music and Synths are always in key - you can't go wrong
- Trigger multiple effects simultaneously to create truly out-of-this-world sounds
- No previous musical knowledge required
- Universal App - works great on both iPhone and iPad
Advanced features
- Dynamic Effects Routing System - the order in which you trigger effects is the order in which the signal flows. Glitcher through Reverb sounds very different to Reverb through Glitcher
- Audiobus support. Use CTRL as a Filter or an Output
- Inter-App Audio support. Use CTRL as a Generator. Filter support coming soon"
Interview via the developer Yuli from Reactify Music via Palm Sounds:
Note: for some reason I can't hear audio when playing it on Safari, but I can hear it fine of Firefox. Just thought I should call it out in case you experience the same.
