NINA Multi Track Sequencer 2.1 Firmware Update: Melbourne Instruments Analog Polysynth Groovebox

video upload by Melbourne Instruments

"NINA's multi track sequencer firmware 2.1 is out now, NINA is no longer just a synthesizer — Unlock a standalone groovebox for beatmakers, producers, performers and sound designers. A groovebox for dynamic and expressive performance anywhere - studio or stage. Great for generating quick new ideas or work some amazing complexity into your music. This is all powered by NINA's raw analog oscillators, ladder filter and wavetable oscillator. Not forgetting the revolutionary motorized knobs that snap to life for hands-on, tactile interactive control, now you can feel your sound. Whether you’re crafting beats or complex melodic patterns, this next-gen groovebox workflow unlocks a completely new way to create.

All sounds and patterns in this video were created solely using NINA.

Key Features of the Multi-Track Sequencer:
• 4-Tracks—up to 64 steps with independent length per track, for polyrhythmic sequencing.
• Per-step Automation—front panel parameters can be locked per step.
• Polyphonic Sequencing — up to 12 voices available spread across 4 tracks.
• 64 Noise types — percussive hits, metallic textures, buzzes and digital percussion.
• Motorized Automation— you can see the front panel move, turn automation on/off.
• Time-based features —shuffle, micro-timing, clock multiplication, variable gate lengths, and probability.
• Perform patterns—recall and chain up to 16 patterns.
• Internal Storage for more than 4,000 patterns.
• Save a pattern with all sound and sequencer data in save into a single file.
• Standalone operation— no other gear required. Of course NINA works well with other gear too!
• New features include: timing quantization, clear notes and clear steps.

Thanks to all the artists who contributed to this video, follow them here:
00:42 The Unperson @TheUnperson
01:28 Oora @OoraMusic
01:57 Tom Hall / tomhallsonics
02:33 Honeysmack / _honeysmack_
03:23 Tomo in der Muhlen / tomo.raw
03:59 Jonti / jontidanimals

Download 2.1 firmware here:
https://www.melbourneinstruments.com/...
NINA owners can request their free magnetic overlay from:
https://www.melbourneinstruments.com/...

Discover more at Melbourne Instruments

https://www.melbourneinstruments.com/"

Make Noise Modular Jam - Fracture #01 Live Performance

video upload by Anton Anru

"🎆 Fractures is the result of a series of experiments with the Make Noise modular trio: 0-Coast, Strega, and 0-Ctrl. This combination of instruments is perfectly suited for generative ambient music, where hypnotic repetition merges with expression and dynamic movement.

💽 I recorded a 10-track album using only three Make Noise devices and VST effects. All tracks were recorded live in a single take, with no additional editing. Each piece is built around a sequenced pattern and a complex patch that evolves continuously, shaped manually in real time.

The album is available on all streaming platforms.
➕ SoundCloud: / fractures
➕ Bandcamp: https://anru.bandcamp.com/album/fract...

The album explores a wide emotional range — from brighter, more uplifting moments to darker, more noise-driven textures — offering a diverse sonic journey shaped by the raw, living nature of modular synthesis.

📒 I also have patches for Make Noise and other synthesizers: https://antonanru.sellfy.store/

🎛 Lately, I’ve been more interested in working with simpler forms rather than complex arrangements in DAW. Semi-modular synths are perfect for this approach. In this case, the arrangement is the patch itself. If it’s well thought out, you can easily play a full track in a specific genre—like ambient or techno—using just that one patch.

📝 I’m curious to hear your thoughts—does this kind of format immerse you in a certain mood or evoke a specific emotion? Or does the sound feel too experimental and harder to connect with? I’d really appreciate any feedback. Enjoy listening!"

Behringer UB-Xa: 64 Vintage Atmospheric Presets. Sound Demo

video upload by Anton Anru

🌅 Retro Tides is a collection of 64 atmospheric presets for the Behringer UB-Xa analog synthesizer. It includes: 13 Pads, 13 Synths, 17 Keys, 8 Strings, and 13 Textures.
Since the UB-Xa is a recreation of a vintage classic, this collection embraces its retro character—highlighting detuning, subtle noise, and analog warmth to evoke the sonic aesthetics of the 70s and 80s.

📦 Get these patches: https://antonanru.sellfy.store/p/ub-x...

The presets are infused with nostalgic charm and are perfect for adding that vintage soul to your tracks.

📼 One of the unique features of the UB-Xa is its Atrophy profiles—emulations of various stages of vintage wear and drift. All presets and audio demos were created using the default Profile 1, but you're encouraged to explore them with other profiles to discover variations in brightness, tuning, and stereo width. This adds another layer of expression and depth to the sounds.

💎 Retro Tides offers a wide sonic palette, from dreamy pads and mellow keys to lush strings and expressive textures. Whether you're producing synthwave, ambient, cinematic, downtempo, or retro-inspired electronic music, these presets will help you capture a timeless analog feel.

🎛 Each preset is performance-ready, with velocity sensitivity and ModWheel assignments mapped for expressive control. The ModWheel introduces additional modulations — such as brightness or movement — offering creative flexibility for both studio production and live performance.

CLICK FOR MORE »

Album with Make Noise only - Fracture #02 Live Performance

video upload by Anton Anru

"🎆 Fractures is the result of a series of experiments with the Make Noise modular trio: 0-Coast, Strega, and 0-Ctrl. This combination of instruments is perfectly suited for generative ambient music, where hypnotic repetition merges with expression and dynamic movement.
💽 I recorded a 10-track album using only three Make Noise devices and VST effects.
All tracks were recorded live in a single take, with no additional editing. Each piece is built around a sequenced pattern and a complex patch that evolves continuously, shaped manually in real time.

The album is available on all streaming platforms.
➕ SoundCloud: / fractures
➕ Bandcamp:

The album explores a wide emotional range — from brighter, more uplifting moments to darker, more noise-driven textures — offering a diverse sonic journey shaped by the raw, living nature of modular synthesis.

📒 I also have patches for Make Noise and other synthesizers: https://antonanru.sellfy.store/

🎛 Lately, I’ve been more interested in working with simpler forms rather than complex arrangements in DAW. Semi-modular synths are perfect for this approach. In this case, the arrangement is the patch itself. If it’s well thought out, you can easily play a full track in a specific genre—like ambient or techno—using just that one patch.

📝 I’m curious to hear your thoughts—does this kind of format immerse you in a certain mood or evoke a specific emotion? Or does the sound feel too experimental and harder to connect with?
I’d really appreciate any feedback. Enjoy listening!"

Sonicware LoFi-6, Make Noise Strega & Ableton MODE

video upload by Sonicware LoFi-6, Make Noise Strega & Ableton MODE

"Sound: Ambient Drone Sample Pack https://akihikomatsumoto.sellfy.store...

A cinematic atmosphere made of sound, not melody.

This is not a collection of loops. It is a carefully curated archive of long-form drone textures, each exceeding five minutes, sculpted for those who create without the need for rhythm, harmony, or resolution. Designed for deep listeners and sound designers.

From seasoned ambient producers to experimental filmmakers, this pack speaks to those who understand that sound can live and breathe without a beat. Built from legendary hardware units and bespoke digital tools, these drones are not simply sounds. They are environments.
What you get
152 Long Drones

Each drone is a sustained sound object, stripped of melodic intention, tonal center, and conventional structure. Yet within that restraint lies a world of motion, tension, and resonance. Ideal for background atmospheres, immersive installations, or the subtle shaping of sonic space.

Crafted with attention to sonic texture
Every file in this pack was created by hand. Each layer was tuned for grain, depth, and movement. This is not the kind of material you will find in generic libraries. It rewards slow listening and detailed placement. If you care about the feel of sound as much as its function, you will feel at home here. Always growing, always free to update

If you have already purchased this pack, new files have already been added at no additional cost. If you are still considering it, now is a good time. Ambient Drone (Sample Pack) is in constant evolution. Once you own it, every update is yours.

Sequencer: Ableton Mode https://akihikomatsumoto.sellfy.store..."

Album with Make Noise only - Fracture #03 Live Performance

video upload by Anton Anru

"🎆 Fractures is the result of a series of experiments with the Make Noise modular trio: 0-Coast, Strega, and 0-Ctrl. This combination of instruments is perfectly suited for generative ambient music, where hypnotic repetition merges with expression and dynamic movement.
💽 I recorded a 10-track album using only three Make Noise devices and VST effects. All tracks were recorded live in a single take, with no additional editing. Each piece is built around a sequenced pattern and a complex patch that evolves continuously, shaped manually in real time.

The album is available on all streaming platforms.
➕ SoundCloud: / fractures
➕ Bandcamp: https://anru.bandcamp.com/album/fract...

The album explores a wide emotional range — from brighter, more uplifting moments to darker, more noise-driven textures — offering a diverse sonic journey shaped by the raw, living nature of modular synthesis.

📒 I also have patches for Make Noise and other synthesizers: https://antonanru.sellfy.store/

🎛 Lately, I’ve been more interested in working with simpler forms rather than complex arrangements in DAW. Semi-modular synths are perfect for this approach. In this case, the arrangement is the patch itself. If it’s well thought out, you can easily play a full track in a specific genre—like ambient or techno—using just that one patch.

📝 I’m curious to hear your thoughts—does this kind of format immerse you in a certain mood or evoke a specific emotion? Or does the sound feel too experimental and harder to connect with? I’d really appreciate any feedback. Enjoy listening!"

Mood Machine | Sonicware Liven Evoke | New Set of 14 Songs

video upload by Sonic Cartography

"Track list and lots of notes below:

0:00 - 1. Dream Machine - With the Sonicware Liven Evoke, I’ve often been playing songs live, without using the sequencer, which I used for almost all of my songs with the Liven Ambient Ø (the two sequencers are very similar). With this song, I use the hold feature to hold some notes of textural sound in a couple of layers, while playing the piano layer live. The piano sound morphs between an acoustic and electronic sound a little bit after I play each note. Around the halfway point, with the chromatic pitch shifting, everything starts to turn into a granular storm (there are no granular effects prior to this), which is helped by the fact that you can cut the dry signal of each track and have a 100% wet mix of the reverb and/or granular sound. Oh, also, I want to give a thank you/shoutout to this video by @BenLevin because I started messing around with the chords that led to this song after watching it: • The secret to EMOTIONAL chords . His channel is one of my favorite music education channels on YouTube, so do check it out!

CLICK FOR MORE »

Cricket, a musical instrument jewelry that can be played

video upload by 合成少数派 Synthesis Minority

"The Cricket is a solar-powered musical instrument jewelry. It chirps in the sun and can be played by shading. The patterns on its front are not only for decoration but also touchable. The three areas control three oscillators respectively. Pressing them will increase the pitch, change the timbre, and speed up the rhythm. There is also a touch point on the back that will interfere with the output and produce noise. A clip can be attached to the back to wear it on clothes or bags. You can also put it in the grass, and you'll feel closer to summer.

We synth players don't hang Labubu on our bags, but the Cricket 🦗🥳"

Stylophone CPM DS-2: Dark Atmospheric Sounds. No Talk Demo

video upload by Anton Anru

"Obsidian is a collection of 50 custom presets for the analog synthesizer Stylophone CPM DS-2. In this pack, you’ll find drones, textures, FXs, rhythmical patterns and sequences, and immersive soundscapes.
🔮 I was fascinated by exploring this drone machine, and in this collection, I share the results of that journey. My goal was to extract a broad variety of timbres— dark, noisy, vintage/retro, cold, dull, distorted, metallic, tense, as well as atonal, non-harmonic, FX-like, evolving, moving, and sweeping sounds.

📦 Get the soundset: https://antonanru.sellfy.store/p/cpm-...

📺 The soundset draws inspiration from sci-fi movies, soundtracks, dystopian narratives, urban landscapes, noise ambient albums, experimental modern art, and innovative sound design.

📻 Perfect for genres such as Dark, Noise, Ambient, Cinematic, IDM, Electronica, Dub, Deep, Techno, Industrial, Minimal, Garage, Experimental, and more. These timbres also work exceptionally well for movie soundtracks, games, apps, digital art, live sound art performances, and VR landscapes—anywhere a dark, atmospheric vibe is needed.

📓 The soundset is presented in a PDF document. Each page contains notes explaining how each patch works, which parameters to tweak during playback, and techniques to further develop the timbre during performance. By following these instructions and experimenting with the suggested settings, you’ll deepen your understanding of the synth and unlock its true potential.
🎧 Each patch also includes an audio example to help you grasp the intended sound.

💾 The collection additionally includes 24/41000 WAV samples. You can use these samples as they are, or feel free to resample, edit, and apply effects in your DAW, sampler, or granular synth. They provide versatile material for your sonic experimentation.

🖲 The Stylophone CPM DS-2 is an analog synthesizer highly sensitive to both settings and performance. I’ve done my best to document all parameters precisely; however, expect slight variations, as this is a truly alive, analog instrument. This is especially true for pitch, tuning, and FM settings—and in some cases, on the delay. The PITCH/RATE and LFO DEPTH knobs are extremely responsive— even a slight movement can shift the pitch significantly.
Many presets don’t adhere to a strict tonal center, so feel free to experiment with frequency settings. If you need to hit specific notes, I recommend using a tuner when adjusting pitch and FM."

CLICK FOR MORE »

Waldorf Blofeld Dark Atmospheric Ambient Presets Sound Demo

video upload by Anton Anru

"Obscured Waves is a collection of 64 presets for Waldorf Blofeld that explores the darker, vintage-inspired side of sound design. The bank is built around the idea of imperfection—gritty, lo-fi textures combined with constantly shifting timbres created through rich modulation.
These sounds are alive, expressive, and full of character, bringing a distinctive atmosphere to any track, performance, or video production.

🌌 The soundset includes: 9 Textures, 7 Leads, 15 Pads, 11 Strings, 6 Rhythmical, 8 Keys, 8 Drones.

📦 Get these presets: https://antonanru.sellfy.store/p/blof...

💎 The timbres span a wide spectrum: dark, noisy, lo-fi, retro, romantic, melancholic, nostalgic, soundscapes, atmospheric, detuned, cold, distant, dull, massive, epic, bright, orchestral, distorted, metallic, tense, atonal, non-harmonic, FX-like, evolving, and sweeping.

🎛 The patches include dozens of modulations, adding motion and variation.
Velocity sensitivity and ModWheel assignments are mapped for expressive control, making each sound performance-friendly. ModWheel adds modulations — brightening the sound,
introducing vibrato, shifting tone, or adding extra movement for dynamic performance.

🔮 What sets Obscured Waves apart is its fusion of experimental tones and playable musical textures. Whether you’re crafting ambient, techno, cinematic, IDM, industrial, drum and bass, retrowave, or any style that leans into a dark atmospheric or moodier aesthetic, this soundset will give your music depth and identity.

🧿 Each preset was meticulously designed to deliver a tactile, emotional experience. Techniques such as noise layering, distortion, FM, and vintage tape emulation were used to evoke an analog character from this digital instrument. The result is a visceral set of sounds that feel aged, nostalgic, and imperfect—in all the right ways.

💡 Technical Information. How to import/upload presets.
The presets are compatible with hardware Blofeld versions: desktop and keyboard; and with the official Blofeld VST Plugin.
Make sure you are using the latest hardware firmware and vst-plugin versions.

No Samples and third-party wavetables are required. The soundset is made with the factory content only.
The soundset comes in multiple formats:
Bank in .syx format (Bank G)
Bank in .mid format (Bank G)
Bank in .blo format for Auraplugins Blofeld Editor/Librarian users
Bank in .bpz format for the official Blofeld VST plugin users
Separate presets in .syx format
Separate presets in .mid format

The bank contains presets in slots 01–64. Slots 65–128 are Init Presets. SysEx transfer will overwrite the entire Bank G. Make a backup before loading.
Set Device ID to 0 (zero).
To load the presets onto the synthesizer, use a SysEx file utility: SysEx Librarian by Snoize (for Mac) or MIDI-OX/Bome Send SX (for Windows).
Connect the Blofeld to your computer via USB and select it as the MIDI device in the application settings.
Load the .syx or .mid bank file into the application, select it, and click Send/Play.
The bank will be transferred to the synthesizer within a minute."

Contents:
00:00 TX Monochrome
01:26 PD Fluff
02:35 RH Between
03:39 LD Bacteria
04:25 KS Stellar
05:27 ST Myth
06:43 TX Wide Noise
07:49 PD Blackbird
09:10 TX Window
10:37 RH Clockwork
11:37 PD Drops
12:58 KS Prose
14:04 ST Inception
15:03 DR Raid
16:15 ST Voyage
16:57 PD Silence
18:14 LD Twins
19:20 TX Drama
20:22 RH Itinerary
21:29 PD Cube
23:10 KS Yesterday
24:07 ST Titles
25:18 DR Atlas
26:01 LD Desert
27:16 PD City
28:50 RH Miniature
29:32 ST Recorder
30:48 KS Mentor
31:51 PD Synapse
33:30 TX Intervals
34:52 ST TV Show
35:59 RH Walk
37:08 LD Access
37:56 PD Breeze
39:11 ST Sudden
40:22 KS Tremor
41:27 ST Numb
42:37 TX Downstairs
43:35 RH Blue Field
44:43 LD Polar
45:43 PD Tiara
47:04 ST Junction
48:15 DR Hollow
49:33 TX Perception
50:42 PD Stalker
52:06 KS Microtones
52:57 DR Snake
53:57 LD Nacre
54:57 KS Snowbound
55:59 DR Gloom

dreadbox Artemis Demo (No Talking) with Presets for Ambient, Electronica and Techno

video upload by Limbic Bits

"dreadbox Artemis – My 2 Cents
Artemis is a polyphonic analog synthesizer with six voices and a comprehensive effects section developed by Sinevibes. Housed in a solid desktop chassis, all potentiometers, faders, and buttons feel great, with just the right amount of resistance. On the rear, you'll find a stereo output, a separate headphone output, plus USB and MIDI connections. It doesn't offer a foot pedal input, but it supports MPE (I still need to try that with my Osmose).

Now to the most important part — the sound. It features that great vintage tone I love so much on other dreadbox devices, largely thanks to its creamy-sounding filters. Both filters offer resonance, and the low-pass filter can be switched between 12dB and 24dB slopes.

But it doesn't stop there: thanks to TZFM and filter FM (yes, noise can be a source here too), it can sound very modern as well, making it great for all sorts of electronic music. Although it offers quite a lot of modulation options, I still found myself wishing for features like key tracking for LFO rate, negative envelope amounts, noise as a modulation source in the menu, or meta-modulations. After reaching out to dreadbox about these features, they told me they are already working on them for a future update and/or will look into them. Based on my past experiences with dreadbox, I’m confident we can expect a nice firmware update for Artemis in the future.

The effects section by Sinevibes is also great — it’s just a shame that there are no external inputs like on the Typhon, as those would have made it a fantastic standalone effects unit as well. You get four effect slots (Lo-Fi/overdrive/shaper, modulation, delay, and reverb), each with several options to further tweak the sound. Here, I would love to see a bit more flexible routing, allowing changes to the effect order. But even without that, the effects section is a great addition that melts perfectly into the internal analog sound engine. I'd only recommend not adding too much, as the effects can quickly become dominant.

TL;DR: dreadbox Artemis is a sweet-spot synth that can also show its teeth when desired. Its intuitive interface and great-sounding effects unit make it an excellent companion for live performances. Definitely a highlight!"

CLICK FOR MORE »

Steiner-Connolly Synthacon – Reissue of the Iconic 1970s Monophonic Synthesizer SN 0026

Note: Auction links are affiliate links for which the site may be compensated.

via this Reverb listing

"Steiner-Connolly Synthacon – Reissue of the Iconic 1970s Monophonic Synthesizer

Designed Under the Direction of Nyle Steiner | MIDI-Equipped | FATAR Keybed | Vintage Character with Modern Enhancements

The iconic Synthacon is back—and this time, it’s built to last.

CLICK FOR MORE »

Creating sounds on the Modor DR-2: A detailed expedition

video upload by Richard DeHove

"In the latest instalment of my "If You Want A Short, Splashy, Gotcha Video This Isn't For You" series I noodle about in lengthy detail with sounds on the Modor DR-2. The idea here isn't a quick showcase of wondrous sounds, it's to give you a genuine feel for what it's like to use the DR-2. That means transiting through hundreds of gradations and flavors of a sound. No doubt sometimes you'll hear your preferred sound pass by as I adjust a parameter too far or wind back something too hard. Watching this back I can see points at which I should have stopped but instead kept tweaking. The filtered clap for example sounded pretty good after about 10 seconds but I kept flogging it death :D But that's the essence of this video - as the old saying goes it's the journey not the destination.

A quick note on the audio track: The Modor's buttons are very loud and clicky. It gives them a satisfying sureness in the studio but means they're quite intrusive on video. I did my best to EQ them out, gate them out, and manually mute them when possible. The result in headphones may sound slightly choppy (and somewhat mangled my voice) but I wanted to make sure you could hear the Modor's sounds properly rather than being mixed with room noise and button clicks.

I hope here I've got across the fact that the DR-2 is beautifully crafted to deliver a massive range of customizable sound. It's easy to dial in the basics of an excellent sound, and then have the controls you need to zoom in on what you want. The main problem is when to stop noodling.

Despite the length of this video I only touched on a tiny fraction of the Modor's sounds. If you're interested in hearing more, or any particular types of sound, please let me know.

Finally, Mr Modor if you're reading this: Please make an all-black version with second-layer subtext on the knobs.

0:00 Basic info
2:01 Drum models
2:34 Noise bass drum
7:10 Basic snare
11:42 Filtered clap
18:49 Square bass drum
24:37 Snare adventure
29:55 A tom?
30:38 Crash cymbal
34:48 Electro snare / tom

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Moog Minimoog Model D | The archetype for a reason

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
Exploring the classic.

00:00 - Intro
00:50 - One oscillator, then two, then three
03:58 - Ghost lead
04:24 - Triangle beauty
05:14 - High fifth bass
05:58 - Noise and glide
08:33 - Oscillator 3 drone 1
09:45 - Oscillator 3 drone 2
10:25 - Oscillator 3 drone 3
13:00 - Subdued single square
13:58 - Fifth arp with key tracking
15:31 - LFO finale

This is an exploration of the Moog Minimoog Model D, no goals other than to have fun. The Walrus Slöer adds reverb and sounds beautiful. There was no additional processing to the sound. And what a beautiful sound it is.

The Minimoog Model D is one of the two main instruments that started my love of synths in the first place. I've long wanted one, and the reissue's wood looked especially beautiful, but I had to wait until I saw it at the right price. That happened last week, and here we are.

Yes, I know there are clones, and I know those clones can sound very very good. I'm not telling you that this is somehow magically better; it probably isn't. But I can tell you it feels like an instrument, it's beautiful to the touch, it has a heft to it, and the wood makes it feel like an installation piece or furniture or something that occupies physical space in the environment. I feel like I'm sharing the room with it, a creative environment, and that's a harder thing to quantify.

Some full songs will be coming with it at some point. How could they not? It's just incredible.

Thanks for listening."

Future Retro revolution. (Tb-303 clone).

video upload by David Noise

"The famous TB-303..

CLICK FOR MORE »

Warthog by Adamsynths (The first modular synthesizer with Total Recall and DAW Integration)

video upload by Adamsynths

"Adamsynths created a brand new modular synthesizer with TOTAL RECALL and DAW integration called 'Warthog'"

Press release follows:

CLICK FOR MORE »

MotorSynth MK2 | By Gamechanger Audio

video upload by Cinematic Laboratory

"When the first Motor Synth was introduced back in 2019, the synth community unanimously agreed to disagree. For some the MOTOR Synth appeared to be a completely ridiculous, overengineered and limited instrument - at one point the phrase “pure embodiment of evil hipster trash” was used, while others called it one of the most innovative and exciting instrument designs the industry had seen in years. The truth lies somewhere in the middle and I feel it's MUCH better and cooler than people think it is.

However, spending 3K on it doesn't make it yours. It's packed with so many features you'll need to find your own gemstones buried in the trash. After spending four days with this unit (on loan, not mine) I realized theirs true magic when it's limitations are starting to work against it. It excels when it fails. Please note, this unit makes a LOT of noise even when it's not connected to any amp or audio interface. Still, the mechanical noise is an essential part of the final experience and you should always record it, even when you decide not to use it later. Most of my recordings in this video has the camera audio, attenuated at -10 dB. It's really loud, but it's not a motor synth without it.

The synth is simply too expensive to make this a review, and I don't do reviews anyway. I try to focus on production value. If you're a pro composer for films and games, this thing is a highly recommended no brainer. The same applies for evil hipsters. If not, try to borrow one from an evil hipster and sample the hell out of it.

Big thanks to Gamechanger Audio for letting me borrow it. This video is sponsored by me, no money changed hands and I can't keep it.

00:00 Introduction
03:04 Day 1 - First patch with the Linnstrument (MIDI)
06:47 Day 2 - Using the V1 and V2 Sends for stereo.
08:23 Randomizing presets
10:01 Day 3 - Adding external modular FX
13:22 Motion REC
14:39 Dark Ambient with slowed down audio (50%)
16:24 Vocoder
17:50 Day 4 - Driven my Marbles CV and Triggers"

Meet The Doppler by Artium Instruments

video upload by Artium Instruments

"To support the Kickstarter campaign, please visit:

https://www.kickstarter.com/projects/...

For general information and to support Artium after the kickstarter, please visit:

https://artiuminstruments.com"



The Doppler is a polyphonic, 2-operator FM synthesizer with a unique approach to sculpting, tweakability, and has 8-note polyphony. It's designed for sonic exploration, where every knob twist reveals a new sound that's uniquely your own.

Ultra-tweakability is at the core of the Doppler. It features a single, powerful algorithm, but the magic happens when you start adjusting its parameters. Even the subtlest tweaks lead to big shifts in the overall sound, making every turn feel like a discovery.

At the heart of the Doppler areThe Doppler is controlled via MIDI through a USB-C port, making it easy to integrate into your setup. Most modern, class-compliant MIDI controllers with USB functionality will plug in and work instantly with no setup required. Plus, the Doppler powers your controller, simplifying your cord management. For older controllers with only DIN connections, a USB-to-DIN converter works wonderfully. two sine waves that form the foundation of its sound. The modulator wave is quantized and can modulate both the carrier's phase and frequency—or both at once for even more complexity. The carrier wave can even be sent through a feedback loop to modulate itself. Plus, there's a 9-octave pink noise source to modulate the carrier, adding texture and a lo-fi grit.

The modulator sine wave features two rotary switches that control its frequency through a quantized octave and semitone shift. The Octave rotary switch offers a 5 octave range, allowing you to go two octaves above and two octaves below the carrier’s frequency. The Semitone rotary switch gives you a 12-semitone range, from the base note up to 11 semitones above. Both switches click into place and are perfectly quantized in relation to the carrier's frequency.

The Doppler features a standard ADSR envelope, but there are a couple of cool nuances that really enhance its functionality. By default, the ADSR envelope only affects the carrier wave. However, when you flip the Env Mod toggle on, the envelope also influences the amount of frequency modulation applied to the carrier. On top of that, the Mod Trail knob lengthens the attack value, but only on the modulator wave. This gives you the ability to make the modulation swell in, adding an extra layer of depth.

DIY Eurorack SH-2 vs Actual Roland SH-2: comparison and patch explorations (no talking)

video upload by thesrabbit

"It's horribly long yes, feel free to skip around using the chapters

0:00:00 Vangelis Spiral Sequence (Eurorack)
0:02:40 Vangelis Spiral Sequence (SH-2)
0:05:27 Sine + Noise (SH-2)
0:08:49 Sine + Noise (Eurorack)
0:12:11 Sequenced Gated Bass
0:37:39 Vintage Fifths
0:47:03 Acid with ext audio feedback (SH-2)
0:57:31 Acid with ext audio feedback (Eurorack)
1:07:01 Acid with TS mini overdrive (Eurorack)
1:10:59 Acid with TS mini overdrive (SH-2)
1:16:19 Spacey Pad (SH-2)
1:19:17 Spacey Pad (Eurorack)
1:22:24 Drone with Lyra-8
2:03:13 Filter Comparison
2:08:51 Pulse Width Comparison

'By the time I was done with it, I was so involved, I didn't know what to think.'

This long video of explorations feels like a non-verbal documentary that concludes the journey, and is the culmination of my SH-2 Eurorack quest. If you've been following along, you already know that I caved in and bought the real deal. As far as Eurorack goes, my overall impression is that it's pretty doable given what I have, but if you want authenticity, then a more accurate filter clone is needed. Mind you, the G-Storm SH-2 VCF doesn't claim to be a clone, but rather an adaptation. However, since it's missing 25% of the top end, I can't really get close at all on some of these patch explorations. If you want aggressive basses that can be pushed into saturation with more grit than the original, then the G-Storm filter will do that for you without hesitation. The Erica Synths Black VCO2 does a great job of covering the SH-2's VCO1 duties, and the System-500's 540 envelopes can get pretty close, though they can be a bit fiddly and require toggling between the slow and fast modes.

To summarize: This SH-2 will be going with me to my grave. I already know it's THAT good. The only "monosynth" that could ever top it for me is the System-700, which is simply not obtainable, unless there's a raffle, and I win said raffle, which never happens."

Error Instruments Space Station Goes Eurorack

video upload by errorinstruments paul tas

You might recall Error Instruments stand alone Space Station from previous posts. It now comes to eurorack.

Space station shadowplay eurorack module Choop

video upload by errorinstruments paul tas

"LDR tube from 1957 available www.errorinstruments.com"

Space station

The puking glitter

can be the stars.

Experimental short wave emulator.

With beautiful sweet spots that make you feel you’re on a spaceship.

Here on earth. Finding weird sounds that’s get cv modulation .

From a tube LDR from 1957 get influenced by light change

inc. Lightning finger

To create a gateway in unconsciousness .

Listen to the noise of short wave

7HP

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