Pluto's Dream - Ambient Soundscape || Modern Sounds Pluto Synthesizer

video upload by The Pedalboard Orchestra

"Pluto's Dream | Ambient Synth Soundscape with Modern Sounds Pluto Semimodular Synthesizer & Effects Pedals.

"Pluto's Dream" is a long-form, meditative ambient track created entirely with the Modern Sounds Pluto semimodular synthesizer and enhanced through a selected chain of boutique effects pedals.
This immersive sonic journey blends evolving pads, generative rhythms, and deep atmospheric textures — all recorded in a single take with no overdubs.

🎛 Signal Chain:
Modern Sounds Pluto → Past FX PX-101 (Low Pass Filter) → Chase Bliss Thermae (Analog Delay / Pitch Shifter) → Pladask Elektrisk Draume (Reverb) → Chase Bliss Clean (Compressor / EQ, mono-in to stereo-out) → AC Noises Ricorda (Granular Reverb)

🔉 Gear Highlights:
Pluto generates rhythmic pads using dual sequencers
Thermae introduces unpredictable pitch-shifted sparkles
Draume and Ricorda add expansive, layered reverb textures
Clean and PX-101 shape the sound with compression, EQ, and filtering

🎥 All sounds and visuals by The Pedalboard Orchestra
🔊 Recording & mastering by The Pedalboard Orchestra
📸 Visual elements include imagery from the NASA Image and Video Library
⚠️ This is not a sponsored video — all equipment was personally purchased"

GrainTone // ambient music with an fm synth and a granular sampler

video upload by Music4screens

"Inspired by great artists like Loscil, this piece mix the dense character of Digitone and the morph feature of Intellijel Multigrain. All processed by Analog Heat +FX.
Multigrain has become a powerhouse in granular synthesis, taking one of the factory samples and playing with the morph slider which is so fun to use. Data-bender was processing the output of Multigrain.
Digitone created those digital drops and the deep and dirty pads.
Nice combo a very satisfying devices!
All recorded in Ableton Live and filmed with an iPhone 16 (cine mode)."

WISP - Granular Ambient Modular #17 // Instruo Arbhar, Qu-Bit Mojave, Rhodes

video upload by David Falcon

"noun /wɪsp/
a delicate, thin, and sometimes twisting piece or line of something

Me apetecía algo relajante así que hice una pieza para mí mismo. La idea parte sampleando en el @instruo Arbhar: Rhodes, Piano, Vibráfono, Acordeón, Synth bass y Cuerdas. En mi experiencia, este módulo funciona mejor cuando se samplean frases para luego recorrerlas con su motor en lugar de notas individuales. Lleva a sorpresas y texturas interesantes. En esta jam solo utilicé el vibráfono y el rhodes.

La textura aguda, parecida a una voz, soy yo mismo cantando al micro del @QuBitElectronix Mojave y fijando el búfer. Fui editando el módulo hasta hacerlo funcionar en el tema. La línea de bajo nace en el @MoogSynthesizers Subarmonicon y lo envié al @ShakmatModular Dual Dagger para controlar la dinámica.
En el @WeAreElektron Analog Four añado un Kick, Hi-Hat y dos líneas simples en las frecuencias agudas. También improviso con el Nord con un sonido Rhodes en algunas partes a tiempo real (no he podido montar el vídeo que he hecho en el móvil de esta parte por algun motivo en Davinci Resolve)

Gracias por estar al otro lado!

(eng)
I was in the mood for a relaxing piece so I made one for myself! It started by sampling some new sounds into Arbhar. Rhodes, Piano, Vibraphone, Accordion, Synth bass and Strings. In my experience this module works best when sampling phrases to then sweep around with its engine instead of single notes. It leads to more happy accidents and interesting textures. In this jam only the vibraphone and some rhodes was used.

The high texture vocal-like sound is myself singing into Mojave and locking the buffer. I tweaked the module until I found something that worked. It was mixed with a bass line in the subharmonicon and sent to the Dual Dagger to control the dynamics of the song.
Lastly the Analog Four is adding Kick, Hi-Hat and two simple lines on top. I also improvise with a Nord Rhodes sound on top in some of the parts."

Synthesizer-Wettbewerb, Beitrag "Ambient Jam"

video upload by KEYBOARDS

"Ambient Jam with Polyend/Dreadbox Medusa and a few iPad apps.

A total of only 6 tracks, a simple chord progression, but with Probability/Random Notes from the Medusa and a few effects. It's all very chilled out and only using my "desktop setup" in my office. Since I usually only make music with hardware, this is a nice change and a challenge for me.

To visualize the whole thing more appealingly, I used a freely available NASA video in the background, which can be used for non-commercial purposes. The video was created with Adobe Premiere Pro. Everything else in the video, and of course the music, is mine.

I use the Medusa with Probability for melodic to whiny synth sounds, mostly with the wavetable oscillators. During recording, I play around with the filters and oscillators. The Medusa sequencer is synced to AUM by Kymatica.

I also recorded the bass beforehand using the Medusa and its analog oscillators. This is played back via the Koala sampler.

The track begins with a synth pad from Synthscraper/Igor Vasiliev

and two tracks of 'synthetic' water (one via the Koala Sampler, the other via the Spacecraft granular sampler). I tinkered around until I managed to create something reminiscent of flowing water from the noise and other sounds.

Klevgrand's Hillman, a phaser-equipped organ synth, is used to give the track a bit of a retro flair.

To increase the dynamics, Klevgrand's REAMP, a tube amp simulation, is later used.

Reverb from Eventide (BlackHole) was used except on the bass.

The mastering was done with GrandFinale 2, which was already in the signal path during recording."

Ocean Swift - Spectral Oscillators Toolkit Vol2

video upload by Ocean Swift / Faxi Nadu

".+519 perfectly looping mix-ready oscillator sources
.Sculpt lush, evolving motion or beautifully unstable oscillator waves rich with character.

Grab here: https://oceanswift.net/product/spectr...

Spectral Oscillators Toolkit Vol 2 expands the spectrum with a fresh set of meticulously crafted seamless oscillator samples: pure waveforms, harmonically tuned tones, gently drifting textures, atmospheric drones, and tonal beds. Built from varied synthesis methods, our in-house preset work, and hardware sessions, it balances clarity and character - equally at home as a pristine foundation or a subtly unstable layer.

This volume is organized for speed. More robust naming and thoughtful curation make it easier to scan by feel and function, so you can audition, shortlist, and build faster without breaking your flow.

Design evolving ambiences, cinematic beds, or roll your own instrument oscillators - each file is ready to drop into samplers, sample-based oscillators, granular engines, or modular systems. Treat every loop as a reliable tuned “oscillator” you can explore, evolve, stack, and process. Stands on its own and pairs beautifully with Vol 1 for an even broader palette, and synergises instantly with our Porphyra Hybrid and Dystopia Diary instruments.

Contents:
519 Oscillator style samples
WAV format (16-bit, 44.1kHz)
Perfectly looping sound sources - Sampled at C3 (Note 48)
Compatible with a large variety of hardware synths, Eurorack and other modular systems, software synths, DAW's, audio tools and more (See the compatibility list for more information)
Long evolving samples
4.33GB total

Looping oscillators designed for:
Granular Engines
Sample based synthesis
Synths with sample oscillators
Ambient and cinematic layering"

Sonicware Liven EVOKE & Novation Circuit Rhythm: Live Ambient Electronic Jam

video upload by Ayohnimus (Official)

"🎵 Welcome back to the jam room! 🎵

This session is all about a dynamic duo for live electronic music: the incredible Sonicware Liven EVOKE and the powerful Novation Circuit Rhythm.

The Liven EVOKE provides the rich, evolving soundscapes with its unique granular and "Acoustronic" synthesis engine, creating the perfect ambient foundation. The Circuit Rhythm takes over on the beats, driving the groove with its intuitive sequencing and punchy samples.

This is a completely live performance, showing how these two pieces of gear can be used together to create a full, immersive track. If you're a fan of ambient, techno, or hardware-focused jams, you'll love this!"

Dystopian Space Ambient (GR1-Kalimba)

video upload by Christian's Sonic Spaces

"This is a dystopian space ambient, featuring a GR-1 granular synthesizer from Tasty Chips Electronics for soundscapes, generated from my own sound samples. In addition a Kalimba running through a DigiTech Genesis 3 were used for the solo plays, a Stylophone Theremine were used for the radio-like background tweet, the Dimmed Light Devices Radio Module for another radio-noise and the Spitfire Audio LABS for the deep bass

I used for the recording the following effects devices: DigiTech Genesis 3, Gamechanger Audio Motor Pedal, Boss Slicer SL2, Hologram Microcosm, Pigtronix Echolution² Deluxe and a GFI System Specular Reverb². Depending on the recorded track some FX are deactivated.

The signal went through a Presonus StudioLive 16.0.2 into the PC via USB for recording. To create the complete song I recorded consecutively several stereo tracks. The final song was then mastered with a bit EQ and compression on some tracks and some limiting on the master track using iZotope Ozone. The picture in the video I created with Midjourney."

Pladask Stereo Dradd Walkthrough & Demo // Beautiful Broken Sounds

video upload by Lesjamusic

"Pladask Stereo Dradd. I'm in love. Enjoy the video!

00:00 Introduction
02:14 Front Panel
05:37 Grain Algorithm Walkthrough
11:06 TDL Algorithm Walkthrough
15:40 Tape Algorithm Walkthrough
24:04 DX7 into TDL
26:05 Sidrax Interlude 1
26:38 Phaser Synth into Tape
32:01 Guitar into TDL
33:46 Piano into Grain
34:20 Elmyra 2 into Tape
37:28 Sidrax Interlude 2
38:22 Plaits into Tape
40:02 Strings into Tape
41:12 Pacifica into Grain
44:28 Final thoughts and outro patch"

STEREO DRADD is an experimental time-based audio processor for the eurorack system. The module can stretch, bend and invert time through granular synthesis, modified sample playback and tapped delay lines. Intended as a tool for adding synthetic and unnatural ambiance/coloration to your synth patches.

CLICK FOR MORE »

The Granular Centerpiece of a Live Setup

video upload by Oscillator Sink

"I met the Beetlecrab Tempera in person at Superbooth this year and the sound (and blinking lights) had me smitten. After spending a number of weeks learning and using this extremely versatile granular instrument, I have landed upon the realization that it represents the missing piece for my live setup: part effect, part instrument, part looper, sitting at the centre of an ambient setup.

Transparency Notice:
The Tempura was provided to me by Beetlecrab Audio for the purposes of making content about it. Although I was not otherwise paid, I have been allowed to keep the instrument for myself. Beetlcrab have not been given, nor have they requested any editorial oversight to the content of this video.

00:00 What is Granular Synthesis?
01:19 Introducing Tempera
04:03 Tempera Architecture Overview
06:13 Emitter Parameters
13:15 Using Tempera as a Live Centerpiece
42:04 Final Thoughts"

The Crow Hill Company Introduces POCKET STRING no-barrier-to-entry-styled string library plug-in

video upload by CROW HILL XTRAS

Press release follows:

"The Crow Hill Company creates POCKET STRINGS as no-barrier-to-entry-styled string library plug-in produced without compromise… with added ‘synthy spice’

EDINBURGH, UK: having recently rebranded itself with an aesthetic that truly realises company co-founder and composer Christian Henson’s heartfelt dream of encouraging people to make music and help them on their journey, regardless of whatever point they were at and wherever their journey began, The Crow Hill Company continues its journeying into ‘Season Two’ as a producer of resources and tools to protect, inspire, support, and provide opportunities for music-makers the world over, believing that music is, and should remain, a wholly human experience, one that is by far one of the most powerful forms of expression, escape, comfort, and remembrance, of which its newly-created POCKET STRINGS — styled as a definitive string library plug-in that opens the doors to collaboration between anyone anywhere, creatively combining live cinematic orchestral recordings with some rarefied vintage synth classics made to measure for added body, depth, and character — readily represents the cornerstone of this ethos, as of July 10…

“A string library that’s accessible to all without compromise — a distillation of the last 25, nearly 30, years that I’ve been working as a media composer, which means that I write music for film, TV, and computer games, giving you the very basic necessities to write pro-end string arrangements. Whether that be adding to productions, songs, collaborating with others, or, indeed, creating professional film scores — whether that be to demo for an orchestra to play, or, indeed, to go to broadcast, there’s been no compromises here. But accessibility is the key — not just with the price point, but with usability.” So says Christian Henson himself, perfectly positioned — as The Crow Hill Company’s original founder, forging forward by building upon his extensive experience gained from founding Spitfire Audio to originally offer a palette of sounds he had created for his own use as a professional composer to his film world colleagues by invitation only, though the rest, as they say, is history — to proudly introduce POCKET STRINGS as a never-tried-before strings library plug-in that aims to bring broadcast-grade string possibilities to everyone.

CLICK FOR MORE »

In-Depth Guide to Sonicware Liven Evoke | Part 1 | Overview & Quick Start

video upload by Sonic Cartography

"A big picture overview of the main features of the Sonicware Liven Evoke (table of contents below), as well some tips for quickly getting started with making some interesting sounds and playing music on it, without getting bogged down in the technical details of all the synth's bells and whistles, which will be covered in the next videos in the series. You can get early access to the next video right now (plus bonus goodies, like presets), over at the new Patreon that I am launching in conjunction with this series: / soniccartography .

Next Episodes:
Part 2: Oscillator / Sound Engine Parameters (early access available now on Patreon: / soniccartography )
Part 3: Sound Design (focusing on LFOs).
Part 4: Granular Effects and Reverb
Part 5: Voice Modes & Arpeggiator
Part 6: Chord Mode
Part 7: Sequencer
Part 8(?) - will depend on feedback and questions I receive. Please leave comments! My goal is to help people do whatever I can to be able to use this synth to make their own ambient, cinematic, post-classical, and other kind of electronic (or should I say acoustronic?) music.

The other videos will be shorter than this one. For example, the second one is only 25 minutes. They are focused on specific topics of limited scope, whereas this one is a broad overview. The idea is to start making more bite-size videos than the long-form ones I've tended to make in the past. And the reason for this is to same as the reason for starting the Patreon: to make this channel more sustainable for me and to be able to get back to making videos on a more regular basis.

Table of Contents:
0:00 - intro
0:42 - basic play & performance features (palettes, tracks, octaves, hold, arpeggiator, chord mode, and voice modes)
7:00 - sequencer overview
10:10 - previewing and selecting other palettes
12:55 - opening a blank palette
13:49 - acoustronic flux oscillator / sound engine basics (instrument, wave, and blend)
15:43 - demo of all acoustic instrument sounds
16:51 - secondary parameters and shift holds (very important to know)
18:43 - demo of all electronic wave sounds
20:48 - backtide modulation
23:34 - how to get early access to next episodes in series
24:23 - sound design basics (filter, amp envelope, LFOs, panning, level, & reverb + granular send parameters)
27:53 - adjusting the reverb / secondary functions (also important to know)
31:31 - the cool thing you can do with the Evoke
33:41 - signal chain / sound architecture of the Evoke
34:56 - granular effects + grain patches (including demo of all patches)
39:54 - brief recap + how to quickly start making some music without sequencing
43:27 - saving, renaming, and resetting pattern palettes
46:19 - outro (w/ info about next videos)"

Sonicware Liven Evoke as Reverb & Granular Effects Processor | w/ Ambient Ø + Violin | Demo

video upload by Sonic Cartography

"A live performance/demo of me using the Sonicware Liven Evoke as a reverb and granular effects processor with the Ambient Ø, my violin, and a little bit of my voice. I wrote lots of on-screen notes, so I won't say much more here. If anyone doesn't understand English and wants me to write them out here so they can auto-translate them, let me know!"

Dr. Endo explores LIVEN Evoke: Ashen

video upload by SONICWARE

"LIVEN Evoke | Acoustronic Synthesizer with Granular Effect
https://sonicware.jp/pages/liven-evoke

Ashen

Today I just jammed with the arpeggiator function on the LIVEN Evoke.
The piano part combines the chord function with the arpeggiator to create a simple loop.
Using the HarmonicWave parameter, I subtly added upper harmonics with a shimmer-like effect that catches nicely in the reverb.
In the middle section, I layered a Peruvian flute to bring some organic texture to the chordal atmosphere, using breathy tones rich in fine noise.
For the low end, I used an electric guitar waveform—slightly wah-like and a bit distorted—adding a unique, wavering texture to the mix.

Yu Endo

---
今日は、LIVEN Evokeのアルペジエーター機能を使ってJamってみました。
ピアノはコード機能とアルペジエーターを併用し、シンプルなループを構築。
そこにHarmonicWaveパラメータで、シマー系の効果が得られる高域の倍音をほんの少しだけ重ね、リバーブに心地よく引っかかるようにしています。
中盤からはペルーフルートを重ね、微細なノイズを含む息遣いでコード感に有機的な陰影をプラス。
低域にはエレキギター波形を使用し、少しワウっぽく、歪んだようなユニークな質感で、独特のうねりを添えました。

遠藤　祐
---

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Chaos to Beauty: Multigrain Meets Noise Plethora

video upload by Metamyther

"In this video, I dive into a powerful sound design session using the Intellijel Multigrain granular engine and the Befaco Noise Plethora to create rich, evolving textures, glitchy atmospheres, and industrial-grade sonic chaos. Modulated noise into granular synthesis is basically textures for days, unlocking new possibilities for dark ambient music, industrial techno, and experimental Eurorack compositions. If you're an adventurous modular synthesizer enthusiast looking to push the boundaries of sound design, this exploration showcases how Multigrain and Noise Plethora can become an essential part of your creative arsenal."

"Metamyther is a cinematic industrial music project that explores three-movement structures. https://www.metamyther.com

Chapters:
00:00 Intro
00:42 1st Sample
01:13 2nd Sample
03:25 3rd Sample
04:54 4th Sample"

Beetlecrab Tempera Granular Ambient

video upload by r beny

Click CC at the bottom of the player for the subtitles.

"Hello, I hope you are taking care. This video is a performance centered around the Beetlecrab Tempera granular sampler/synthesizer. My intention was to create a long form piece of music using only the Tempera, outside of sequencing (as Tempera currently doesn’t have a note sequencer).

I’ve had the Tempera for a while now, but have only recently gotten around to really getting to know it well - learning its ins and outs, learning its boundaries and edges. When learning a new granular instrument, one of the first things I like to do is figure out the relationship between grain length/size and grain density/rate. Tempera is quite unique in that regard, as grain sizes can span the entire length of the buffer (~11s in this instance) - this allows for one to play back entire samples as-is (polyphonically as well), without being “granularized”. On the other end of the spectrum, Tempera also excels at creating grain clouds with an abundance of short grains all firing off at once. I make use of both of these techniques in this video.

Some patch notes:
Tempera is loaded with 8 different samples from various sound sources from my studio. Each sample is just a single note of the sound source, recorded directly to Tempera. Tempera has a note detection feature, so each note was recorded at slightly different notes (mostly either A or C).

From to left to right across the 8 cells, the samples are:
Mannequins Mangrove
Mutable Instruments Rings (patched to make a “harp” sound)
Mangrove with another timbre
Korg Z1 (with a “flute patch”, which I didn’t end up using in this video)
Rings (patched to make a “glockenspiel” sound)
Korg Z1 (with a “bassoon” patch)
Felt Instruments Blisko Cello (with a Sul Tasto patch with only a single string)
Novation Summit (with a pad patch)

In the video, I use the 4 granular emitters in conjunction with sequencing from the Squarp Hapax to sequence and play the various samples across the grid. Emitter 1 is set up to play just a single grain per note, with a grain length that matches the entire buffer. Emitters 2-4 are set up in various grain cloud formations.

The Tempera is running the latest beta firmware as of 6/24/25 (2.2.beta13, shoutout to the Discord).

This is a long one. Thanks for stopping by and sticking with."

Mood Machine | Sonicware Liven Evoke | New Set of 14 Songs

video upload by Sonic Cartography

"Track list and lots of notes below:

0:00 - 1. Dream Machine - With the Sonicware Liven Evoke, I’ve often been playing songs live, without using the sequencer, which I used for almost all of my songs with the Liven Ambient Ø (the two sequencers are very similar). With this song, I use the hold feature to hold some notes of textural sound in a couple of layers, while playing the piano layer live. The piano sound morphs between an acoustic and electronic sound a little bit after I play each note. Around the halfway point, with the chromatic pitch shifting, everything starts to turn into a granular storm (there are no granular effects prior to this), which is helped by the fact that you can cut the dry signal of each track and have a 100% wet mix of the reverb and/or granular sound. Oh, also, I want to give a thank you/shoutout to this video by @BenLevin because I started messing around with the chords that led to this song after watching it: • The secret to EMOTIONAL chords . His channel is one of my favorite music education channels on YouTube, so do check it out!

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Dr. Endo explores LIVEN Evoke: EXPR//Residue

video upload by SONICWARE

"LIVEN Evoke | Acoustronic Synthesizer with Granular Effect
https://sonicware.jp/pages/liven-evoke

Dr. Endo – Live Set
PTN12: EXPR//Residue
---
A cinematic ambient track evoking the grandeur of a distant galactic empire, EXPR//Residue begins with a solemn tuba drone and unfolds into a slowly shifting sonic landscape.

The tuba forms the foundation of the piece—its rich tone is enhanced with a harmonic waveform to add depth, and sent through GRAIN FX to transform a simple two-note bassline into a dense, evolving low-frequency texture.

Oboe chords provide a gentle, pad-like atmosphere, blending naturally into reverb to create soft, immersive motion.
Scattered throughout the track, piano accents are pulled and stretched using the BACKTIDE function, adding expressive drag and emotional tension.

One track is dedicated to filtered noise, modulated by an LFO on the low-pass filter cutoff. This creates a storm-like undercurrent that blends beautifully with the reverb, expanding the spatial field of the mix.

This piece explores the remnants of something vast and ancient—a residue of sound and structure left drifting in space.

Yu Endo
---

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Dr. Endo explores LIVEN Evoke: k i o k u - Fragments of Memory

video upload by SONICWARE

"LIVEN Evoke | Acoustronic Synthesizer with Granular Effect
https://sonicware.jp/pages/liven-evoke

Dr. Endo – Live Set
PTN06: k i o k u - Fragments of Memory (full version)
---
This ambient piece evokes the image of animals running free and taking flight through vast natural landscapes.
Using LIVEN Evoke, a grounded cello drone anchors the low end, while a flute melody stirs distant memories, breathing life into the scene.
The piano provides harmonic support, and when sent through GRAIN FX, it melts into the space, adding an atmospheric depth.
Delicate xylophone accents weave in moments of motion and stillness, shaping the piece's gentle dynamics.

Yu Endo
---
自由に走り、空を舞う動物たちの姿を、壮大な自然のイメージとともに描いたアンビエント作品です。
LIVEN Evokeを用い、重く静かに大地を支えるチェロのドローンと、遥か遠くの記憶を呼び覚ますようなフルートの旋律が命の鼓動を描き出します。
ピアノは伴奏としての役割を保ちながら、GRAIN FXを通して空間に溶け込み、アトモスフェリックな広がりを生み出しています。
さらにシロフォンの細やかなアクセントが、静と動のリズムを織りなしています。

遠藤　祐
---"

Introducing Sonicware LIVEN Evoke - A New Category of Ambient Music Box

video uploads by SONICWARE

"Following the success of Ambient Ø, we’re introducing ‘LIVEN Evoke’ — a new category of ambient music box that blends acoustic-inspired synthesis with hypnotic granular textures.

‘Evoke’ builds on the emotional soundscape tradition we pioneered, offering A creators a deeply expressive tool for composing cinematic ambient and post-classical music."

https://sonicware.jp/pages/liven-evoke

MSRP: US: $239 UK: £229 (incl. VAT) AU: AU$399 (incl. GST) CA: CA$329
First Batch: 100 units — Shipping Starts from June 30. Check with dealers on the right for availability.



Additional Details:

■ Nostalgia-Evoking Ambient Music Box
Timelessly interwoven with synthesized acoustic instruments and a hypnotic granular effect.

■ Acoustronic Flux Oscillator
New synth engine that turns acoustic-instrument essence into a unique 'acoustronic' sound.

■ Grain FX: Musical Granular Effect
Micro-grain slicing transforms phrases into musical glitches and evolving textures.

■ Dense & Multi-Dimensional Reverb
10 diverse reverbs—including the veiled ambience 'Mirage'—for deep atmospheres.

■ All-in-One 4-Track Sequencer
LIVEN’s signature 4 -track sequencer, known for recording performances and sound changes.

CLICK FOR MORE »

SKIES: Where the Sound Has No Ceiling

video upload by Behringer

"Ready to break through creative boundaries?
SKIES is not just a granular effects module — it's your new go-to tool for turning any sound into a living, breathing sonic landscape.
🎧 From shimmering textures and ambient clouds to glitchy chaos and otherworldly tones — SKIES reacts in real time to your modular signals, unlocking a whole new dimension of sound design.
🚀 Why SKIES?
• Ultra-expressive granular processing, stereo or mono
• Adjustable audio resolution: from 8-bit grit to 16-bit clarity
• Front-panel USB-C for easy updates
• Dual inputs/outputs for maximum patching flexibility
• Sleek, intuitive layout built for performance
✨ Perfect for sound designers, live performers, ambient artists, and anyone ready to explore what lies beyond the usual synth experience.
🎬 Watch the video. Hear the future.
🎶 SKIES is here — and the sky is no longer the limit."