1. MATRIA GLOBALESSA - Midicontroller for Moog® Matriarch™ Globals
Release trailer for the MATRIA GLOBALESSA, a Stereoping Midicontroller for direct access to the global parameters of the Moog® Matriarch™ Synthesizer
2. MATRIA GLOBALESSA - features and editing demo
This video demonstrates real life usage of the MATRIA GLOBALESSA with the Moog® Matriarch™.
No music here, sound starting at about 1:44
0:07 connections and communication
0:42 power supply system and energy saving sleep mode
1:22 parameter organization and editing of various parameters like pitchbend range, OSC frequency range, pitch variance, noise cutoff, delay brightness
4:40 Arpeggiator pots
5:45 round robin fun
3. MATRIA GLOBALESSA - Getting the DIY kit together
Step-by-step video showing how to assemble the MATRIA GLOBALESSA DIY kit
Complete DIY kit for a "MATRIA GLOBALESSA" MIDI controller.
This controller allows for the direct editing of global parameters on the Moog® Matriarch™.
This is the colorful version of the controller; for the Dark Matriarch™, we offer the black/red sister product, PREFS MISTRESS.
The photos show the assembled unit. The product is supplied as a DIY kit; you must assemble it yourself. Please watch the assembly video and consult the assembly instructions.
WTFM is a unique 2-operator FM synth engine that utilized wavetable based oscillators driven by a 3x feedback system.
The operators are based on sweeping wavetables, ranging from fundamental sine waves to harmonically rich timbres, offering a diverse tonal palette.
Whether you're sculpting smooth, enveloping pads or crafting cutting-edge metallic tones, WTFM empowers you to achieve unique textures with precision and authenticity
Tailored for granular texture , cinematic, electronic, and experimental music production.
includes:
Synth Scenes & Synth Presets files, and detailed loading instructions.
For quick searching, new Synth Scenes and Synth Presets are marked with (WF) in front of the name.
Ready to use: All sounds are presented as demo versions (without adding external effects or post-processing to the demo tracks) with 1 Synth Preset, allowing users to evaluate their potential in thе
Description: Late 2025 Walker Farrell from MakeNoise started an international music challenge for musicians to participate in, submit your own Graphic Score, then at the draw of a hat, you would be assigned someone else's score to interpret and create music from. I am always interested in music challenges and the more off-beat the better.
Late December 2025 names were drawn at random, Walker constructed a collection of MakeNoise modular synthesis cards to generate random numbers to set who gets what score. I was allocated a topographical map from Bruce Magill that contained some text notes and penciled in graphics. Bruce had a musical concept in mind for this score but did say "Notes for this graphic score are only a suggestion. You can disregard them and interpret this score in any way you like, if you wish. ... Don't overthink." So I did have free reign to interpret the score as I wished, so I could let my imagination run wild. In my younger years I did a lot of wilderness hiking so was and still am, quite familiar with topographic maps, so for me this was the perfect score, something I could relate to and understood. As a side note, there is no right answer for interpreting a graphic score, so understanding is not an essential ingredient, however a vivid imagination is. It is a bit like laying on the grass and looking up at the clouds -- what do you see beyond back scattered light from suspended vapours in the sky.
"In this quick tutorial, we’ll get you up and running with Decapitator, the secret weapon of top mix engineers. You’ll learn to how dial in this plug-in’s analog-style saturation to add detail, edge, warmth, or distortion to your music.
IDM & AVANT-GARDE SOUND DESIGN — RAW ANALOG FORCE VS DIGITAL PRECISION
Analog vs Digital by A Force Truly Evil is a hybrid sound pack for Elektron Syntakt featuring 128 patches and 31 demo patterns.
Created as a tribute to IDM, this pack blends the spirit of classic artists with contemporary experimental electronic music.
Built around the contrast between classic IDM and forward-thinking electronic sound, it is designed for IDM, drone, experimental electronica and ambient music, with a strong focus on minimalist and modern electronic styles.
LONG DESCRIPTION
Analog vs Digital is built around the hybrid nature of the Elektron Syntakt, combining analog and digital synthesis while exploring the contrast between classic IDM and contemporary electronica.
This pack comes from a place of pure love for IDM. Its sound palette draws inspiration from different corners of the genre:
"Benjolin Modular Synth (Sample Pack) https://akihikomatsumoto.sellfy.store... Bringing Harmony to the Edge of Sound Octa Comb was created in response to a growing gap in experimental music. While modular synthesis and advanced DSP have opened new territories, much of the resulting sound remains inaccessible to broader audiences. Octa Comb offers an alternative path by transforming even abrasive or chaotic material into tonal, resonant textures.
Eight Filters, Infinite Resonance At its core are eight finely tuned comb filters, capable of extracting pitch content from any audio input. Whether you are working with field recordings, dense modular patches, or raw noise, Octa Comb reshapes the material into harmonic structures that can be eerie, beautiful, or otherworldly.
Control Through Simplicity Sound shaping is streamlined. Dial in the desired amount of feedback and feedforward. Then choose eight pitch points. Build dissonance, stack chords, or align to your favorite scale. No menu diving, no cryptic modulation paths—just direct and musical interaction.
About this Pack
Serge Tcherepnin once described his instruments not as tools but as open systems for discovering relationships between sound and control. The Serge Modular Synth is built on this principle. It does not simulate acoustic behavior; it generates its own logic of vibration. Each circuit is an experiment in how voltage can behave as if it were alive.
This sample pack captures that principle through Random Source’s modern Serge system, combining the GTO, GTS, and Res EQ with the reissued 50th Anniversary Paperface. The recordings move fluidly between the precise tension of Eurorack signals and the raw, physical tone of classic 4U banana systems. Every patch was shaped through direct voltage interaction rather than digital post-processing, preserving the unpredictable complexity that defines the Serge approach.
Why Serge Matters
Serge Modular was designed in the 1970s by Serge Tcherepnin. It was created as an open-ended tool for sonic experimentation. Influenced by cybernetics and avant-garde composition, this system rejects musical hierarchies and embraces uncertainty.
In Serge, control voltages and audio signals are treated as equals. The circuits invite exploration through feedback, cross-modulation, and unpredictable interactions. Every patch is a process of discovery rather than reproduction.
This makes Serge a powerful choice for artists seeking sounds that are not pre-shaped or confined by rules. The textures you will find in this pack are unstable, alive, and deeply human.
Inside the Pack
The collection includes loops, one-shots, and drones. It extends from tonal minimalism to complex, evolving noise structures. You will find FM and AM modulations, unstable oscillations, and dark ambient layers that drift beyond equal temperament. There are moments of feedback that verge on collapse, SSG circuits running into chaotic self-modulation, and subtle rhythmic patterns that carry the unmistakable texture of analog uncertainty.
Each sound maintains the distinctive grain of Serge synthesis: harmonic richness without symmetry, motion that arises from interaction rather than programming. This is material for artists who value the tactile quality of electricity, who hear circuits as compositional partners rather than instruments.
Who This Pack Is For
Ideal for producers working in experimental electronic music, sound design, ambient, noise, or techno.
This pack suits those who are not satisfied with polished libraries and are looking for materials that add edge, texture, and risk to their work.
Continuous Evolution
This library is a growing archive. New sounds are added through regular updates at no additional cost for existing users. If you already own the pack, simply log in to your Sellfy account and new files will appear automatically. For those new to the collection, this is an invitation to enter a sonic environment that is never fixed but always evolving.
Not Just a Sample Pack
Some of the included tracks were originally composed as complete works. These can be experienced as finished drone pieces or used as inspiring source material. The lines between sample and sound art are intentionally blurred."
"Executive Director Dina Pearlman-Ifil will be the guest on Peter Aaron's Radio Kingston Show Go Go Kitty Wednesday evening /Thursday morning, talking about the ARP Legacy, the ARP Foundation and playing tracks from the Centennial compilation: Soul of the Machine.
09:00 pm PT
10:00 pm CT
12:00 am NY
05:00 am UK
06:00 am EU
About the Radio Show:
With a strong accent on the raw, the rockin’, the weird, and the obscure, Go Go Kitty is a surprise-filled two-hour trawl through the moldy and mysterious vinyl vault, shellac silo, and digital crypt of hopelessly obsessive musicologist and record junkie Peter Aaron.
About the Peter Aaron:
Peter Aaron is an award-winning journalist who has authored several books on music and has served as the music/arts editor of Chronogram Magazine since 2006. His writing has appeared in the Village Voice, the Boston Herald, and other publications, and online at AllMusic and All About Jazz. He lives in the Hudson Valley.
About Dina Pearlman-Ifil
Dina is the only child of Alan and Buena Pearlman and grew up with ARP Synthesizers as a backdrop for her childhood, traveling extensively and being exposed to innovative and cutting edge technology. In her early years she spent time playing in rock and roll bands, as well as dance and theater. For the past thirty years she has worked as a versatile visual arts and design professional, creative director, and educator. She has also worked extensively in photography, graphic and web design for several decades, and has a broad understanding of visual communications media.
In the last few years before his illness, Alan Pearlman started to re-examine the brave new world of synthesizers that exists today, many decades after his iconic and groundbreaking 12 years as the inventor and founder of ARP Synthesizers. During this time, he brought his daughter into the conversation. After his death in January 2019, Dina realized that the need of keeping his legacy and passion alive, and with the help and encouragement of many of his former colleagues as well as the wonderful Michelle Moog-Koussa, she started the Alan R. Pearlman Foundation and ARP Archives."
"Kawaii MP9500: Every Preset Tested – 80 Minutes of Pure Synth Madness!
Full, uncut run-through: I maxed every voice, every layer, every glitch. Intro on why this keyboard rules, then straight into pianos, EPs, organs, strings, pads, bass, and multis. No script—just me geeking out.
"I just bought the Waldorf Protein. They said it is their entry level, so I unboxed it, did a test drive, created some own patches and guess what: "Bang!" a tight techno track was born.
🎧 Original "Bang!" track (the one born from frustration): [below]
It is a lovely wavetable synth: portable (fits my setup perfectly), flexible and most importantly: accessible! Sure, there are menus and a shift button for deeper tweaks, but most of the time you just coast on the sound, dialing it in directly with the tons of hands-on knobs. How cool is that?
Watch the full video: unboxing, preset demos and evolution, honest critique, Nicolai patch building which lead to the 'Bang!' track."
"Embark on a sonic voyage through the cosmos with 'Space Exploration' — an exclusive collection of 40 meticulously crafted presets for the Korg multi/poly! This soundset captures the awe-inspiring vastness of space, from drifting stars and distant pulsars to mysterious landscapes and cosmic energy fields. Designed by renowned sound designer OttO K. Schwarz, this library harnesses the extraordinary synthesis engine to deliver rich, evolving sounds that are perfect for Berlin School music, sci-fi scoring, ambient soundscapes, and cinematic productions.
This synthesizer is a next-generation analog modeling device that combines the spirit of the legendary 1981 Mono/Poly with cutting-edge digital power, making multi/poly an ideal platform for creating complex, evolving, and deeply expressive sounds. 'Space Exploration' transforms your Korg multi/poly into a portal to the universe. Whether you're reaching for the stars or exploring the depths of inner space, these sounds will fuel your journey!
According to guyd2, the Model 416.3 Meta Expander is:
"A sophisticated, stand-alone expansion unit for the Buchla Music Easel.
Contains several dedicated modules : Comparators, Dividers, Boolean, VC Slew Limiter, S/H & Noise, analog ultrastable VCO/LFO, advanced Mixer w/ Comparator, and an 8-step Sequencer.
Also expands on the 208 CV I/O's, pulses I/O and Switch inputs."
"Kicking off the year with a surge of musical motivation:
Akai MPC One: Running my own custom samples.
Micromonsta 2: ‘Response Pad’ sequenced on MIDI channel 2, combined with a pitched-up pad played in real-time on MIDI channel 1.
Behringer Edge: Crafting that deep, textured Choir-Bass sound.
Eventide Space: Providing the haunting reverb FX that ties the whole atmosphere together.
Hope you like it!
"I was skeptical when @melbourneinstruments sent me Roto-Control for Logic Pro. I've owned plenty of MIDI controllers that ended up collecting dust. But after using this for the past month, I actually reach for it.
What makes it different? Eight fully motorized control knobs with haptic feedback that adapt to whatever you're focused on in Logic Pro. You don't just see parameters change on screen - you FEEL them. End stops on a filter cutoff, notches on discrete values, center indents for faders, pans, and more.
In this review, I walk through the Logic Pro integration, the haptic feedback system, and what it's actually like to use day-to-day. I also cover the real limitations - manual plugin mapping and limited storage - that you need to know before buying."
Press release follows:
Melbourne Instruments announces advanced Logic Pro integration for ROTO-CONTROL motorised software and hardware MIDI controller
MELBOURNE, VIC, AUSTRALIA: Melbourne Instruments is proud to announce availability of advanced Logic Pro integration for its ROTO-CONTROL motorised software and hardware MIDI controller — creatively expanding upon its successful integration with Ableton Live and Bitwig Studio, demand for integration with Apple’s popular professional DAW (Digital Audio Workstation) for Mac having been strong since said controller launched to widespread critical acclaim a year ago — as of January 15, 2026…
ROTO-CONTROL readily packs eight touch-sensitive motorised knobs — brushless drone motors with Melbourne Instruments’ patented ultra-high-resolution contactless optical sensors offering a lifetime rating in excess of 50 million cycles that equates to 500 times more than conventional pots, precisely — alongside nine high-resolution IPS (In-Plane Switching) LCDs (Liquid Crystal Displays) and 16 backlit RGB (Red, Green, Blue) LED (Light-Emitting Diode) buttons into its classy, compact — 341mm/13.4” (W) x 112mm/4.4” (D) x 44mm/1.7” (H) — form factor to duly deliver haptic feedback and instant parameter recall, communicating with the outside world via MIDI (Musical Instrument Digital Interface) over USB (Universal Serial Bus) and 5-pin MIDI DIN (Deutsches Institut für Normung) IN/OUT/THRU connections. Constructed out of ABS (Acrylonitrile Butadiene Styrene) and metal, it robustly weighs in at only 715g/1.58lb, making it the perfect portable production partner for encouraging artists to use sound and music in new and exciting ways — wherever their journey might end up taking them, both creatively and geographically. Get this, though: ROTO-CONTROL now introduces a fully-tactile, motorised workflow to Logic Pro, delivering fast, hands-on control of tracks, plug-ins, Smart Controls, and automation — all thanks to a new firmware update.
MIX mode mirrors Logic Pro’s session track names, colours, and order automatically, while providing high-resolution control of volume, pan, sends, and automation alongside instant access to track selection, paging, mute/solo/arm switching, and dedicated TRACK FOCUS.
Fast, powerful plug-in control comes courtesy of PLUGIN mode, allowing users to browse and select Logic Pro instrument and effect plug-ins instantly from ROTO-CONTROL using simple touch-and-learn mapping for any parameter, with up to eight pages of controls per plug-in stored directly on the device ready for any projects, plus bypass/select controls — all mappings being saved on ROTO-CONTROL and usable across all Logic Pro projects on any computer.
Cutting-edge control continues with Logic Pro’s Smart Controls being automatically mapped to ROTO-CONTROL, controlling up to 16 Smart Control parameters instantly — perfect for working with instruments, macros, and MIDI effects, available in both PLUGIN mode and the dedicated SMART mode itself.
And as if all that was not enough to be getting on with, ROTO-CONTROL can be used to customise labels, colours, haptics, and steps for each control, while integrated transport — play, stop, record, cycle, auto-punch, and playhead — controls are all accessible from any mode.
It is fair to say, then, that Logic Pro users owe it to themselves — and, ultimately, their sound and music — to consider making some space in their creative and physical world for ROTO-CONTROL. After all, motorised and morphing controls, instant recall, and intuitive hardware are only the beginning of their journeying.
ROTO-CONTROL is available to buy at its new North American price of $399.00 USD (excluding tax) in the USA and Canada, while its RRP (Recommended Retail Price) in Australia of $619.00 AU (including GST) and MSRP (Manufacturer’s Suggested Retail Price) in the EU of €372.35 EUR (excluding VAT), MSRP in Japan/Asia of $469.00 USD, and MSRP in the UK of £389.00 GBP remains unchanged — all via Melbourne Instruments’ growing global network of dealers here: https://www.melbourneinstruments.com/dealers [check with dealers on the right here on MATRIXSYNTH]
"Benjolin Modular Synth (Sample Pack) https://akihikomatsumoto.sellfy.store... Bringing Harmony to the Edge of Sound Octa Comb was created in response to a growing gap in experimental music. While modular synthesis and advanced DSP have opened new territories, much of the resulting sound remains inaccessible to broader audiences. Octa Comb offers an alternative path by transforming even abrasive or chaotic material into tonal, resonant textures.
Stop sounding like everyone else – create your own original sonic dimension.
A new, Unique type of Sound. A sound that Cuts through your Mix.
If you want your track to have a true 3D space, you need different types of synthesizers for different colors and sound character. Maybe you're thinking now... Why do I need another synth?
"Dark Side Of The M" is a collection of 50 patches for the semi-modular synthesizer Moog Matriarch. It includes: 12 Arps, 10 Leads, 11 Basses, 8 Drones, 9 Chords. 🌌 In this soundset, I aimed to create dark timbres on the edge between experimental and usable. The Matriarch offers excellent possibilities for this: gritty delay tones, the ability to modulate parameters with audio‑rate sources, filter and amplifier overdrive and distortion, FM and AM, and of course, flexible, complex patching. This also allowed me to explore new preset categories I hadn’t used before—dark, deep Drones and Chords, where a single held key produces intervals.
🧿 The bank covers a wide range of tones: warm, deep, bright, metallic, expressive, dark, evolving, detuned, inharmonic, noisy, distorted, and others. The presets vary in complexity: some are simpler and will work in any track or genre, while others are experimental and will make your tracks sound unique.
💎 The soundset is suitable for all genres of electronic music, including Techno, House, Trance, Lounge, Downtempo, Funk, Disco, Pop, Acid, Hardcore, IDM, Drum'n'Bass, Breaks, Breakbeat, Trap, Electro, Ambient, Dubstep, EDM, Synth-Pop and others.
📔 The soundset is presented in PDF format. Each page contains notes explaining how the patch works, which parameters are worth tweaking during playback, and how to develop the timbre during a performance. By following these notes and making conscious adjustments, you can explore the depth of the synth.
💽 Each patch includes an audio example, demonstrating how it's supposed to sound. These examples use only the Matriarch Delay without external effects.
🪩 To recreate these presets, you'll need up to 16 patch cords, including long ones. Make sure your firmware is v1.2.3 or higher for full compatibility with my presets."
Is a collection of 50 unique presets for the Waldorf Microwave plugin, inspired by the vastness of space and the mysteries of the cosmos.
Designed for Ambient, Advanced Electronica, Cinematica, Space Music, IDM, and Experimental genres, this soundset adds atmospheric, mystical, and spatial depth to your music.
Red Planet features:
Pulsing, dynamic textures
Pads and soundscapes that immerse you in meditative sonic spaces, with soft transitions and rich depth.
Special effects and textures with an experimental edge, ideal for unique soundscapes and otherworldly ambiances.
This soundset is a perfect tool for those seeking inspiration in the unknown, creating sounds that spark imagination and push the boundaries of the familiar.
Presets are fully compatible with the plug-in version and can be shared via the 'Microwave 1' folder in the iPad Files app’s section 'On my iPad'.
macOS, Windows and for iPads
F*ck With Sound ships Break On Through and Bring It On, debuting dedicated DACS Audio brand with extraordinary Eurorack modules living up to noteworthy name
GATESHEAD, TYNE AND WEAR, UK: having opened ears in October when debuting during the Bristol, UK-hosted Machina Bristronica 2025 event showcasing electronic music culture and technology, dedicated DACS Audio brand F*ck With Sound is proud to ship Break On Through and Bring It On — opening an absorbing new chapter in the award-winning high-performance, well-engineered product producer’s four-decade-spanning design and manufacturing history with a FET distortion unit (based on an extension of what was originally a microphone level limiter) and a ring modulator boasting a super-smooth sound, really low breakthrough, and switchable WEIGHT and EDGE controls (which will both be familiar to users of DACS Audio’s legacy FwS FREQue, much-lauded as a 2U rack-mount, two-channel ring modulator outboard effect), respectively, representing extraordinary Eurorack modules living up to the newly-launched brand’s noteworthy name — as of December 15…
As a FET distortion unit based on an extension of what was originally a microphone limiter, the basic circuit behind F*ck With Sound’s Break On Through module has been used — and abused! — by producers for years, more recently emulated as a plug-in, before being effectively adapted to join the ranks of the ever-expanding Eurorack marketplace. Maintains DACS Audio Managing Director Dr Douglas Doherty: “After reading about Soundtoys’ Devil-Loc plug-in, I was intrigued. We were looking for a distortion unit to go in a mic pre under development. I had heard about Tchad Blake’s work with the original Shure Level-Loc — particularly on drums, and this seemed like a bit of serendipity that had to be acted upon! The perfect fit. In the end, we didn’t proceed with the mic pre, but it was clear that this would be ideal for modular system users.”
Bringing Break On Through to market as a 14HP-sized Eurorack module — based on a classic analogue microphone limiter design that was, according to legend, hijacked by an electronics-savvy record producer, and used on numerous records for ‘breaking through’ with drums and percussion, particularly — was easier said than done, however. “As always, there were many hurdles,” admits Dr Douglas Doherty, before continuing: “The original circuit was for microphones, so it had to be upped for line level; it was single voltage rail, so had to be adapted for dual voltage rail; the interaction of the threshold and input gain needed some tweaking; and we wanted to adjust the release. After a few prototypes, we arrived at the current unit, which is very responsive and versatile. Control-wise, it has an input gain [IN GAIN] and a threshold setting, which we call BREAK; as well as the manual BREAK control, there is also a CV input [IN] to modulate the threshold. There is a variable RELEASE control that can produce some very interesting results, depending on the nature of the input. On the output, we also have gain [OUT GAIN], and a CV input [IN] to modulate the output level [GAIN MOD].”
Musically speaking, the end result “…is a brick wall limiter that can — by upping the input level — be pushed into distortion,” describes Dr Douglas Doherty, justifiably proud of the fact that F*ck With Sound successfully upgraded and updated the circuit concerned to produce a colouring block with a vast pallet. “With dynamic material such as drums, it can be set for only peaks to distort — the rest remaining clean. That quality was commented upon by a couple of distortion aficionados atMachina Bristronica.” Break On Through features — hitherto unmentioned — worth highlighting here include: LED indication for distortion; solid metal sleeve jacks for longevity and stability; and custom DACS Audio aluminium knobs.
