Video:
Live visuals using Body of the Prey (1967) from Archive.org
Video microscope
Sony ZV1
Roland V1-HD
@entropyandsons Recursion Studio
Resolume Avenue
Recorded with Rodecaster Video
Dark ambient audiovisual stuff: https://abreojos.net
Buran - Ableton Push 3 standalone & Eurorack Modular live set up walk thru
Two videos:
1. Buran - Ableton Push 3 standalone & Eurorack Modular live set up walk thru
First gig in a while so I've been thinking about what set up to use and here it is. Come for a wander down the hardware road to see how I am putting this all together, making the modular and Push 3 be friends, module choice, and the why of the set up.
00:00 Intro jam 01:25 Intro ramble & the why 05:28 The Push set up 29:40 The modular overview 31:13 1U MIDI + system clock 35:45 Expert Sleepers ES-10 42:34 Kickain & Perkons Voice 47:33 Kint (Plaits) & Atom (Elements) 53:27 VHIKK-X 58:22 Plasmavoice 1:05:41 Dust of Time 1:13:24 Multigrain
2. Buran - Live visuals video hardware set up walk thru
First gig in a while so I've been thinking about what set up to use and here it is. Come for a wander down the hardware road to see how I am putting this all together. This is the video side of things and the why of the set up.
00:00 Intro ramblings 03:31 Rodecaster Video 06:32 iPad, Sony ZV1, Video Microscope 16:55 Video capture cards 19:28 Recursion Studio & V1-HD 23:55 Nanocontrol MIDI 28:12 Resolume Avenue
I did not use any external FX in the demo, no layers, no loopers, etc. All the delays and reverbs are part of the Microkorg-2 engine. My presets are single-timbre so you don’t lose your 8-voice polyphony. The presets come as computer files in “mk2prog” format. Just load them into the Microkorg-2 by using its flash drive feature (boot your Microkorg-2 in “disk mode”, and when it appears as a new disk drive you can just open / explore it and copy + paste the files). You will have the freedom to import my presets into Bank CLASSIC or MODERN or FUTURE or USER on your Microkorg 2."
"I did not use any external FX in the demo, no layers, no loopers, etc. All the delays and reverbs are part of the Microkorg-2 engine. My presets are single-timbre so you don’t lose your 8-voice polyphony. The presets come as computer files in 'mk2prog' format. Just load them into the Microkorg-2 by using its flash drive feature (boot your Microkorg-2 in 'disk mode', and when it appears as a new disk drive you can just open / explore it and copy + paste the files). You will have the freedom to import my presets into Bank CLASSIC or MODERN or FUTURE or USER on your Microkorg 2."
Aberfine Aeon dual VCF development video upload by Vladimir Salnikov
#aberfine
#aberfine-dev
#dev-diaries
#dualvcf
This one is in via an anonymous reader who had the following to say: "Vladimir Salnikov, the freelance developer behind Waldorf's M synthesizer, is starting his own synthesizer company with a kickstarter for a polyphonic analog synthesizer."
Some details from Vladimir Salnikov himself (Note a 1.09 update for the M is also coming):
"Hi guys. I have a good chance now to dive deep into my synth project, which I want to present soon on Kickstarter. However, I need to ask you, what do you, guys, want it to be?
I have for now actually 3 nice-sounding synths in different design phases. All these activities are for financing the 4th synth, which I see as a promising shiny new direction in the industry. But to develop this properly, I need to hire two extra developers - and I do not have money for this right now. So the idea is fairly straight - make a 'simple' synth, back its production by crowdfunding (developing costs are on my side), and reinvest the profit into the development of a fully new synth, based on some new technologies and concepts.
What is the development right now, all on the working prototype phase :
1. 4 voices 'classic' hybrid, based on Shruti / Ambika from Mutable Instruments and it's concept - intercheangable filter boards, simple control, rich sound. An engine has lot of additions and upgraded to the modern 32bit platform from original 8 bit. Target price is 459 Euro / 499 USD for the complete factory built synth (min 100 units should be backed). DIY TH kits may follow if needed (one is yet designed).
2. A Mono/Paraphonic hybrid, based on dual MI Braids as an oscillators section, and multimode VCF (triple core) of my own design. High quality digital FX (reverb, delay, flanger) are onboard (per synth). Flexible VCF 'cores' routing in analog domain. Sample-precise concept for CVs in analog domain. Target price is 399 Euro / 459 USD for the complete factory built synth (min 100 unit should be backed).
3. A 6/12 voices hybrid polysynth based on idea of OBX, but with digital oscillators. Dual VCF design (Polyvoks + CEM), base version is a 6 voices desktop module, expandable for 12 voices with voice card (USERS INSTALLATION IS WELCOME BY DESIGN). High quality onboard FX (per layer) - shimmer reverb, delay with looper, flanger, phaser, distortion etc. Dual Layer mode is possible with installed expansion. Target price is 969 Euro / 999 USD for a 6 voices desktop module, 399 Euro / 469 USD for the expansion (again, min 100 units should be backed to achieve target prices).
What will you prefer to launch first? The design readiness and software readiness are in the same order as variants, i.e. 'PolyShruti' is most ready, 'Dual Braids + flexiVCF' is on case design phase, 'PolyPolyvoks-OB6' is built on the board, working with modified M software.
Fist two synths will be equipped with an 2.23 inch OLED display (same as on Kyra) and mixed potentiometers / encoders / buttons / LEDs controls. For the last also keyboard version is desired but will be possible only in second / third batch (if any occured). Display for the last now is a question, but 4,5 inch hi-res IPS (no touch) is desired (waiting for sample delivery).
Perhaps it is a bit naive, but I am believe in the POWER of GS community, and, at least know some of you guys personally. I do love design synths, I do love how they sounds, and I would be happy to make something new in collaboration with you guys, as it was (partially) with the M. I was really happy to do this.
And again, this project is actually for financing real breakthrough. Can't manange to do this on my own, unfortunately.
So, all opinions are welcome! Thank you in advance, dear community.
Greetings from Remagen your Vladi.
p.s. 1.09 for M is in development no abandonned abyss for the M.
p.p.s In Hybrids We Trust!"
Followed by:
"So I finally did the VCF prototyping - CEM + Polyvoks VCF dual with flexi routing (serial / parallel / serial + parallel). It's sound such an unique and reach. So, the variant 3 is finally chosen and development began on full gas."
Looks like it will be the Aberfine Aeon based on the video above?
"Another creation from the TRS-80s and MIDI80/Orchestra90. Taking it a little slower with this one, introducing a little more wah into the mix to give a spooky vibe. Did you ever take a ride you knew was a bad idea?
'ATerribleRide' takes you on a sonic journey through the interplay of vintage technology and modern production techniques. Created using TRS-80 Model 4 computers with Orchestra-90 and MIDI-80 accessories, the track emanates an organic electronic soundscape that's both intricate and evocative.
The song features rhythmic pulses reminiscent of classic chiptune music but evolves into a layered composition enriched with dynamic timbres and harmonic progressions. The lo-fi charm of the TRS-80 hardware is seamlessly intertwined with polished, modern effects, giving the track a unique balance of retro grit and contemporary clarity. Listeners will experience a haunting, almost cinematic narrative, where the analog textures of yesteryear meet the precision of today’s music gear. It’s a vivid, experimental piece that encapsulates innovation while paying homage to the pioneers of electronic sound.
As always, no electric guitars or basses were hurt during the making of this film haha! Just a bunch of TRS-80s sharing the light with some retro synth tunes! Check out the other videos if this is not your style, and thanks for watching!
"This is my tenth video breakdown/rundown, this time for one of my smallest 5U systems built into a repurposed GRP R24 sequencer case.
Index:
0:00 Beginning
0:20 Introduction
1:00 Module Rundown
2:12 Modifications
6:28 Final Words
7:00 Demo 1: 'Echo Drone'
9:51 Demo 1: 'Tongue-Pan Processing'
12:04 End
List of the 5 modules in this system
Corsynth: C103 Frequency Divider Multiplier
Modcan: Digital Delay 59B
Encore Electronics: Universal Event Generator
Modcan: Envelope Follower 45B
Free State FX: Supra Resonator (MI Rings clone)
The percussion instrument used is a steel tongue drum/tongue pan and made by EOX DRUM. If you are interested in this sort of instrument check them out and other manufacturers like RAV Vast and Yudin Workshop."
"If you found the content of this video helpful, interesting, or entertaining, please consider showing your support so I can stay stocked up on coffee and cookies. 😋 https://buymeacoffee.com/johnlrice"
"by Verbos Harmonic Oscillator and
2x MI Tides V 1 with Parasite Two Bumps Harmonic Generator
Mutable Instruments
3x Tides V 1, Ripples V 2, Veils V 2, Clouds
Verbos Harmonic Oscillator
Make Noise 2x Mimeophone, X-Pan
Fun Generation Magic Sky Led,
4ms Peg
Strymon 2x Cloudburst controlled by 16n Faderbank
2.03.2024
video # 2347"
TIMECODE
0:00 Intro
1:38 What modules for a 2500 system
2:09 B2500 Modules in my 2500 system
3:18 What's missing (non B2500 modules)
4:38 B2500 expander/breakout modules
6:03 Drums: MI Peaks + Euclidean Circules sequencer
6:28 Keyboard?
7:24 Conclusion"
Xena is a rework of the legendary Mutable Instruments Ambika DIY synthesizer. Now fully machine assembled with an updated layout and an improved modern power supply. Available with all ordinal 3 voice cards and compatible with 3rd part operating systems.
Xena Features:
6 voices with individual outputs. 2 digital oscillators per voice, with 36 oscillator algorithms/wavetables. 1 sub-oscillator, also configurable as a transient generator. Pre-filter overdrive and bit-crushing effect. Analog 4-pole filter (or 2-pole multimode filter depending on the type of voicecard used) and VCA. 3 ADSR envelopes, 3 patch-level LFOs, 1 voice-level LFO. Modulation matrix with 14 slots and 4 modulation modifiers. 1 arpeggiator, 1 note sequencer and 2 step sequencers per part. Flexible mapping of the 6 voices. A single patch with 6 voice-polyphony, 6 independent mono parts, 2 layered patches with 3-voices polyphony, a 3-voice unison bass line on the lower half of the keyboard with a 3-voice unison lead on the upper half... all are possible! MicroSD storage allows the storing of a life-long of patches, programs and multis, along with the history of editing operations for undo/redo. Easy to change voice cards
"A simple sequence as an exercise to become familiar with the new TipTop ART modules.
The most immediate thing I can tell you is that pressing a simple button to easily have the 3 oscillators perfectly tuned was a great feeling.
The three voices (2 ATX1 ART Analog VCOs and 1 Vortex ART Wavetable VCO) are controlled by the Torso T-1 via Midi through the Octopus (USB/Midi to Art Interface+Voices Manager), Ripples as filter on all three voices and delay by the Warps (alternative firmware). Reverb and mono-to-stereo magic from the TX-6."
"Servicing Status: KSR have carried out a health-check on this DX-1in June 2023.
Remarks: A good all original condition Yamaha DX-1, which we have previously sold to the current owner but they are now Brokering it back through us for re-sale.
What is there to say on this 1983 flagship synthesizer that has not already been written, but it’s a very rare machine with only 140 reported to have ever been manufactured, so a really unique find in 2023.
Cosmetic Condition:
The overall condition of this example is very good, with the normal amount of wear we would expect to see on a synth this age, size and quality. We sold this DX-1 to our EU customer, so it was shipped out of the UK against the original sale and then was re-imported in May this year, having been sent straight to Kent Spong at KSR for some servicing, where the instrument currently resides.
The photos below were taken at KSR, so are un-doctored and show the overall presentation.
Operational Condition:
The following declaration is made in good faith and is an honest account of the current operational condition of this example.
All the controls, LEDs, functions of the control panel work as they should, so LED buttons are all operational. However, Bank A Voice 5 button feels slightly different to operate than the others which suggests the component is faulty, but it does function, although it can be intermittent. We are not aware of a replacement for this part as it would appear to be a DX-1 specific component but we are declaring this as a known issue.
The LDC display is fully working with all segments showing properly and brightness is perfectly readable. The volume LED indicator on the right hand side, next to where to says ‘DX-1 ’ on the front panel has one of the tiny LED segments that is dimmer than all the rest (the 14db) and one that does not work (the 96 db) - I’ve attached a photo I took when we had it set up in the workshop .
The sliders top the right of the instrument all work correctly.
The modulation and pitch-wheel both operate correctly.
The DX- sound engine itself operates correctly. There are some classic ‘DX’ patches loaded in the system, we did try to edit some sounds and all the edit functions were available are working, although we didn’t save those changes.
The professional weighted 73 note wood keyboard was fully working in terms of triggering notes, and the velocity was 100% working across all keys.
The Polyphonic After-Touch (Poly-AT) is not operating at more than 30% of the keyboard, although the DX-1 still received and operates Poly-AT via MIDI. Kent has gone though each key to check the after-touch sensors and there are many that simply are not working. Kent at KSR does not currently have any supply for replacements, so this is not something Kent has a resolution for, but the owner is aware and this is factored into the sale price.
In consulting with Kent at KSR on the reality on getting the Poly-AT system fully restored, as I know this would be of interest to any potential buyer, Kent told me that every DX-1 he had seen had similar issues as there are no replacement parts for the Poly-AT sensors at present. He said that in the last 6 years he had serviced two DX-1 owned by MI professionals, and both those machines also had significant Poly-AT sensor failures, so it would seem to be consistent with the age of these machines. I personally would be very suspicious of anyone selling a DX-1 stating that the Poly-AT system was 100% based on this reality."
Kingston, NY, AUGUST 31, 2023– The Alan R. Pearlman Foundation has welcomed three new appointees to its Board of Directors: Chris Meyer, Collin Russell, and Andrew Schlesinger.
Chris Meyer
As a teenager in the 70s, Chris Meyer took lessons on piano, bass, and modular synthesizers. He went on to write code and help design products for Sequential Circuits, Digidesign, Tom Oberheim, and Roland R&D where he was chief engineer. He is perhaps best known as the creator of Vector Synthesis. >
Chris also taught synthesis at UCLA Extension, wrote numerous articles for Music Technology Magazine plus a column for Keyboard Magazine, and was technical chairman of the MIDI Manufacturers Association where he authored several additions to the spec including MIDI Time Code.
After a two-decade detour in the video and film industry, he recently returned to modular synthesis, creating videos, courses, and articles under the name Learning Modular, and co-authored the popular book Patch & Tweak. Proving that one who teaches can also “do”, most recently he has been focusing on composing and performing sweeping, emotional electronic music under the name Alias Zone which combines synthesizers, samplers, field recordings, and percussion instruments.
Collin Russell
Collin Russell is a composer, sound designer, and educator specializing in modular synthesis and through-composed electronic music. In addition to creating sound libraries and scoring music for films, Collin releases his own personal music in genres ranging from ambient to harsh noise. His process is rooted in the melding of traditional harmonic and rhythmic structures with organic modulations, bridging the gap between familiar and explorative sound.
Synth Gems 1 and Inspire the Music – 50 Years of Roland History.
Andrew Schlesinger
Drew Schlesinger is a renowned professional sound designer who has been involved in creating patches for synthesizers, effects and software products beginning with the Casio CZ-101 in 1984. He’s developed internal presets for over two hundred devices from thirty different manufacturers including Roland, Korg, EMU, Kurzweil, Alesis, Sony, Yamaha, Eventide, Lexicon and Sound Toys among many others.
He's recognized as one of the most prolific and accomplished sound programmers in the MI industry and has created seminal sounds and effects that include “Crystal Echoes” (Shimmer), the “Black Hole” reverb for Eventide and “Prophetic Steps” for Korg’s Prophecy synthesizer.
Drew was recently presented with the Golden Knob Lifetime Achievement Award at the Knobcon 2022 for his work in synth sound design and the contributions to the electronic music community. He’s also included in NAMM’s Oral History Series and is a frequent podcast guest.
___________________
"We’re very excited to welcome these talented professionals into our Board of Directors," said Dina Alcalay Pearlman-Ifil, founder and Executive Director of the ARP Foundation and daughter of Alan R. Pearlman. "These three new Directors are well-recognized in their fields and we’re looking forward to their contributions bringing the Foundation’s efforts to the next level.”
The ARP Foundation continues its work with contributors, collaborators, vendors, manufacturers, venues, and synthesizer owners to provide music students with access to vintage ARP synthesizers to explore the endless possibilities of electronic music. The Foundation relies on donors to continue its mission, and encourages everyone who understands the importance of music education to visit https://alanrpearlmanfoundation.org to learn more and pledge their support.
1. The Beginning of my Modular Synthesizer | The Power Supply
Building the power supply and installing my first four modules to start my take on a DIY modular synthesizer.
----------------------- Code and Project Files ----------------------- https://github.com/TuckerMacor/SynthPSU
0:00 Intro
0:15 What is a Modular Synthesizer?
0:53 Power Supply Design
2:54 Finished Power Supply
6:15 Other Modules / Sound Test
9:30 Outro and end cards
2. A Modular Synth's Dream | The MegaMaxSequencer
Building a multipurpose digital Kosmo module. Primarily a sequencer but also serves as a digital module software development platform. It has 8 inputs/outputs 2 of which are on a 12 bit DAC that has output circuitry to switch between 0 to 5 volts high resolution or 0 to 10 volts slightly less high resolution, 2 on PWM capable Arduino pins that have a voltage doubler to reach 10 volts, and 4 on analog input pins that can be used as analog inputs or digital outputs.
----------------------- Music Credits ----------------------- Brock Berrigan - Fine Wine, Three Am www.brockberrigan.com bit.ly/BrockSpotify
----------------------- Chapters ----------------------- 0:00 Intro 0:25 How Does A Sequencer Work? 0:55 Baby 8 Sequencer 1:15 Sequencer Design 1:42 Building it 3:04 Finished Module 4:20 Outro and end cards
3. I'm Back
This video covers everything I worked on in the 10 months I abandoned YouTube for.
"SGR 1806−20 is a magnetar, a type of neutron star with a very powerful magnetic field, that was discovered in 1979 and identified as a soft gamma repeater. SGR 1806−20 is located about 13 kiloparsecs (42,000 light-years)[1] from Earth on the far side of the Milky Way in the constellation of Sagittarius. It has a diameter of no more than 20 kilometres (12 mi) and rotates on its axis every 7.5 seconds (30,000 kilometres per hour (19,000 mph) rotation speed at the surface). As of 2016, SGR 1806-20 is the most highly magnetized object ever observed, with a magnetic field over 1015 gauss (G) (1011 tesla) in intensity[2] (compared to the Sun's 1–5 G and Earth's 0.25–0.65 G)."
The amount of love this instrument has received in your comments and messages was of the most profound things I’ve felt in my entire life. THANK YOU.
I’m delighted to share with you some news.
Along with RocÃo, we’ve assembled a dream team. And we’re working towards producing Nopia at scale.
Come visit our website and join our mailing list Be the first to know when it’s ready
The voyage has begun
Peace
------------
Holii
Acá MartÃn
Gracias por sintonizar
La cantidad de amor que recibió este instrumento en los comentarios y mensajes que ustedes dejaron fue de las cosas más profundas que sentà en toda mi vida. GRACIAS.
Estoy feliz de compartirles novedades
Junto con RocÃo, armamos un equipazo Estamos trabajando hacia producir Nopia a escala Está sucediendo
"64 AMBIENT PATCHES for Arturia MICROFREAK 👉https://www.albaecstasy.ro/arturia-mi...
Part 2 contains the demo of the following 32 patches.
64 NEW #ambient #patches for Arturia #MicroFreak.
All the patches have free royalty sequences, and most of them functions on the aftertouch so use it when playing the sounds!
64 presets containing pads, leads, percussions, pianos, bells & pluck type sounds, swirls, bass, leads, arps and sequences, crazy FXs!"
