A big box with even bigger sounds! Introducing BM-18M CLUSTER BOX

video upload by Behringer

"Adam Husk presents the BM-18M CLUSTER BOX, a compact modulation pedal that blends classic chorus and flanger tones with deep creative control. Switch easily between chorus and flange modes using the range rocker, then shape your sound with Drive, Output Level, and a dry/wet mix.

At Behringer, we believe in pushing the boundaries of music technology to make high-quality gear accessible to everyone. Our mission is to empower musicians at every level by delivering innovative tools at a fraction of the cost—without compromising on sound or performance."

Classic Modulation, Reimagined

The Behringer BM-18M CLUSTER BOX is a modulation powerhouse that blends the warmth of classic chorus and flanger tones with a modern edge. At its core, a simple range rocker lets you switch between lush chorusing and sweeping flange textures—but the CLUSTER BOX is anything but basic. Whether you're chasing vintage shimmer or pushing into wild, unpredictable territory, this pedal is built to inspire.

Deep Control, Limitless Texture

Beyond the familiar sounds lies an expressive control layout designed for sonic sculpting. Shape your tone with adjustable Drive and Output Level for analog-style saturation, or blend dry and wet signals to taste. A six-shape LFO selector lets you modulate Rate, Amount, Delay, and Feedback in highly creative ways—while a dedicated tap-tempo footswitch keeps your modulation locked to the groove.

Modulation Meets Modularity

From pedalboard to modular rig, the CLUSTER BOX opens up a world of routing possibilities. Control key parameters via CV, MIDI, or expression pedal, and sculpt your effects further with a dedicated feedback insert loop. USB-C integration with the Guitar Tribe App adds even more flexibility, while stereo output with DIP switch customization ensures the pedal plays nice with any setup—guitar, synth, or studio.

Kloob - Creepy Sights

video upload by - Kloob -

"Getting familiar with the powerful Aka MPC One :)

Akai MPC One: my own samples.

Micromonsta: pad played in realtime.

Behringer Edge: Drum / Bass pattern.

FX: Valhalla Supermassive.

Hope you like it!

Thanks for support my music!

Cheers,
Dani
kloob.bandcamp.com"

The Florian Schneider Collection to Be Auctioned at JULIEN*S November 19

Note: links to listings are affiliate links for which the site may be compensated.

via JULIEN*S

"THE FLORIAN SCHNEIDER COLLECTION

Auction to be held at Musician's Hall of Fame & Museum, Nashville, on November 19

An incredible collection of more than 450 artifacts from the life and career of Florian Schneider, co-founder of the pioneer electronic band Kraftwerk."

Pics and videos featuring some of the gear below, and his Lederhosen for good measure (thanks greg!).

Update: the post has been fully updated with all the synth related gear. This may just well be the longest post to be featured on the site. I wanted to capture all the pics for all of the details including notes, scuffs, and of course serial numbers. It's an interesting look into what he used, the condition he keped his gear, in some cases, how he actually used his gear. Note the phonetics on the keys of the Casio CZ-101 and DX-100. Note the Midi Switch Box with a built-in speaker? What's that about? Note the camouflage key strap on the Korg RK-100 Remote Keyboard. Did he pick it out himself or did the keytar just come with it? Note the repeat midi controllers and the MIDI saxaphones. Wind was his primary instrument. You'll find a ton of the acoustic gear he used in the other listings. This is a fascinating insight into both what and how he used his gear.

Side note: there is no affiliate compensation for this post. The note at the top automatically shows for all posts with the Auction label.


Rack Mount Sennheiser VSM-201 Vocoder

Starting Bid $5,000

Estimate $20,000 - $40,000 USD

A late 1970s Sennheiser VSM 201 Vocoder with no serial number from the personal studio and collection of Florian Schneider of Kraftwerk (see images). While it’s said that only a few dozen of these Vocoders were produced, a few examples made it into the hands of forward-thinking musical artists including Herbie Hancock, Daft Punk, and of course, Kraftwerk, who used a VSM-201 like this on their albums Man Machine (1978) and Computerworld (1981). The VSM-201 has an intelligible sound that has not yet been bested by modern gear. Includes power cable. This VSM-201 has been removed from its wooden enclosure (which bears the serial number plate) and modified with a metal rack mount casing, presumably for live use. Requires 240v, IEC power cable not included.

Dimensions: 19 x 9 x 9 inches

Category: Kraftwerk, Equipment

Provenance: PROVENANCE From the Estate of Florian Schneider

CLICK FOR MORE »

Behringer Introduces UB-Xa MINI | Analog power in your hands

video upload by Behringer

"Meet the Behringer UB-Xa MINI, a compact analog synth built to inspire.

With 3 VCOs, a dual-slope VCF, a 16-step motion sequencer and a multi-mode ring modulator, it delivers that rich, evolving sound that makes ideas come alive.

Designed for producers, live performers and anyone who wants hands-on control, UB-Xa MINI turns every knob into an invitation to explore.

🎛 3 VCO | Dual VCF | Motion Sequencer | Ring Mod | Touch Keys | USB-C + MIDI"

Analog Polyphonic Synthesizer with 3 VCOs, Classic DUAL VCF, Ring Modulator, and 16-Step Motion Sequencer

Powerfully Compact, Incredibly Capable
The UB-Xa MINI is a compact analog polyphonic synthesizer that delivers big sound in a small package. With a fully analog signal path and three rich VCOs, it brings iconic ’80s textures into the modern age. Whether in the studio or on stage, its portability and punch make it an ideal choice for musicians who want authentic tone without compromise.

A Mini Synth with Maximum Impact
Sized for convenience but designed for performance, the UB-Xa MINI captures the essence of the UB-Xa in a streamlined format. It features a powerful analog engine, lush analog filters, and versatile modulation options, giving creators access to classic sounds and expressive controls – all in a more travel-ready design.

Total Control at Your Fingertips
With 27 touch-sensitive keys and an intuitive layout, sound shaping is immediate and fun. The switchable 12/24 dB analog filter offers powerful tone sculpting, while the LFO with three waveforms modulates pitch, cutoff, and pulse width with ease. Every knob and key are tuned for tactile, musical response.

Behringer Introduces CZ-1 Mini | The Rebirth of Phase Distortion in a Compact Powerhouse

video upload by Behringer

"Experience the Behringer CZ-1 Mini — a stunning rebirth of the legendary phase distortion synth, now re-engineered into a sleek and portable form.
Same iconic sound. Smaller size. Bigger inspiration.

🎹 Highlights:
• Authentic phase distortion engine inspired by the classic Casio CZ series
• True 8-voice polyphony for lush, vintage tones
• Real-time hands-on control with intuitive interface
• USB-powered and ready for studio or stage

The CZ-1 Mini brings the warmth and punch of the ‘80s into today’s creative workflows — at a price that changes everything.

⚡ Watch now and rediscover the sound that shaped a generation."

Update:

Behringer CZ-1 Mini | Compact Phase Distortion Powerhouse

video upload by Behringer

Edge+Crave+Spice 50 Combo Patches & Samples. Live Sound Demo

video upload by Anton Anru

"🟪🟧🟥 ECS Combo is a collection of 50 combo patches for the semi-modular system by Behringer: EDGE + CRAVE + SPICE.
This collection includes basses, drums/percussion, leads, plucks, textures, and FX. The sound palette covers a wide spectrum: massive and gentle, aggressive and soft, bright and muted, melodic and inharmonic tones, straight and polymetric patterns.

📦 Get these patches: https://antonanru.sellfy.store/p/ecs-...

CLICK FOR MORE »

A stereo Korg Poly 61

video upload by Craig Barnes

"As my poly 61 is now controlled by a dedicated editor, the editor hardware can be used to control a Behringer June 60 chorus, a simple mod of the June 60 to use 5v relays instead of push buttons and it can be controlled by a micro."

Original SEM vs Behringer—Which Reigns Supreme?

video upload by Memetune Studio

"A basic comparison between a vintage Oberheim SEM and a Behringer 2-XM

The idea is to see if the VCO, VCF and envelopes sound and behave the same, or are there subtle differences that mean that I won't be selling my Four Voice any time soon 😉"

PlayFader PlayMates - TD-3-MO (Massive Attack - Teardrop & a 303)

video upload by Play All Day

"A one-take jam using a TD-3-MO (a supercharged TB-303) to play along to Massive Attack's Teardrop. Dedicated to the brave people of the Global Sumud Flotilla 2025 ✌️🇵🇸

I wanted to show how expressively you can play a 303 with PlayFader. And I feel like I've just unlocked a secret door... I can't even image how I'd sequence this using a xox sequencer, let alone inside a DAW.

BUT, although I didn't in this case, you can always record the MIDI output of PlayFader into your DAW so you can go back and edit, tweak and fine tune... if that's your kind of workflow.

Not mine, sorry. I just want to play music, that's why PlayFader exists.

No Fun FX used btw, not even transpose, I'm simply just playing, recording, improvising and overdubbing live. Jumping between the dual buffers in each channel, while also switching performance quantisation modes to mix between Auto (ratchets) and Single (which is basically... no ratchets : ] ) to create more variety and dynamics.

Channel A of PlayFader controls pitch and gate CV.
Channel B controls Slide and Filter Cutoff CV at the same time. While the gate out is engaging the Accent.
I chose the Behringer TD-3-MO precisely because of its numerous CV inputs, but you can absolutely do this over MIDI on any other 303, or in your DAW using a 303 VST. More to come with this combo for sure...

I hope you try this and enjoy it as much as I did.

Less work.
More flow.

Play All Day."

https://goplayallday.com/

Marion Pro Synth by Tom Oberheim SN 10123

Note: links to listings are affiliate links for which the site may be compensated.

via this Reverb listing

"Incredibly Rare Synth, signed by Tom Oberheim

- comes with Behringer BCR2000

- Manual, Info about mapping all the functions etc, and lots of useful documentation

- front panel slightly bent, please see pictures"

CLICK FOR MORE »

Just a Minute (JAM) - Live Ambient #19 (Relaxing Modular Sounds + Elektron Syntakt + OXI One + S-4)

video upload by ST Modular (Stefan)

"🟢 I found something cool on my mobile (...well, actually I only had this video in vertical format, so I needed some kind of workaround, which is that mobile frame 😉🎶).

✨ This is a live ambient modular synth performance! This set explores slowly evolving pads, hypnotic drones, and delicate rhythmic textures, performed live with Eurorack modulars, Elektron Syntakt, Torso S-4 and creative FX.

🎧Also perfect for deep listening, study, or meditation. Immerse yourself in evolving soundscapes and analog warmth.

💡 Gear used & roles in the setup:

♫ Elektron Syntakt → kick, percussion, live melody playing
♫ ST Modular Honeyeater + Disting MK4 (wavetable algo) → Pad 1 → through Mimeophone + FX Aid
♫ Behringer Victor OSC → Pad 2 → through Pico DSP + Intellijel Sealegs
♫ Bastl GrandPa → alternating samples → through EQ8, Pico DSP + Intellijel Sealegs
♫ OXI One → main live sequencing
♫ Torso S-4 → one-shots, drones, percussive tweaks

🌐 More about me and my (DIY) Eurorack designs: https://www.st-modular.de/"

Kloob - Humming Of The Void

video upload by - Kloob -

"The track's foundation is built on deep, expansive pads and drones, custom-created on a Modal Argon8X and then sampled and processed using the Roland SP-404 mkII.

Roland SP-404 mkII: Modal Argon8X drones pad samples.

Micromonsta: pad played in realtime.

Behringer Edge: Drum fx noise pattern.

FX: Valhalla Supermassive.

Hope you like it!

Thanks for support my music!

Cheers,
Dani
kloob.bandcamp.com"

Behringer 2-XM Patches: Vintage Bass, Lead, Pluck Sound Demo

video upload by Anton Anru

"Analog Classics is a collection of 50 Patches for the semi-modular synthesizer Behringer Model 2-XM. The collection features 50 Patches, including 20 leads, 15 basses, and 15 plucks.

💾 This soundset offers iconic sounds found in many electronic tracks, ranging from vintage to modern styles. It includes musical solo timbres, plucks, and basses that can easily fit into any track or live performance.
Plucks are excellent for use with arpeggiators or sequencers. You may integrate your preferred arpeggiators or sequencers from your DAW or MIDI controllers.

📦 Get these patches: https://antonanru.sellfy.store/p/2-xm...

🎨 The presets cover a wide sonic palette, including warm, noisy, detuned, distorted, as well as soft, clean, punchy, dark, bright, deep, and airy tones.

🥁 These presets are versatile and suitable for a wide range of genres, including ambient, electronica, IDM, deep techno, house, progressive, trance, lounge, downtempo, pop, chill out, new age, cinematic, breaks, synthwave, retrowave, dub, and more.

📚 The soundset is provided as a PDF document, with each page containing detailed notes that explain how each patch works, which parameters are worth tweaking during playback, and how to evolve the timbre during a performance. By following these notes and making adjustments consciously, you’ll not only get the most out of the patches but also gain a deeper understanding of the synth itself, uncovering its full potential and creative depth.

🎧 Each patch comes with an audio example to help you understand how the timbre is intended to sound, making it easier to integrate into your productions.

💡 I added pads and drum loops to the video demo to place the presets in a musical context.
These drums and pads are not included in the soundset."

CLICK FOR MORE »

Syncussion SY-1 - Walkthrough and extended demo

video upload by Richard DeHove

"The Behringer Syncussion clone is a simple beast. It creates mighty bass drum hits with no effort and has beautiful noise. That in itself is something I find puzzling: If this cheap clone can so easily create big hits why are cheap drum machines always so dinky and gutless?

Here I do some lengthy noodlings with the SY-1 Syncussion with one channel through the Zen delay and the other through the Echolocator. This duo is really growing on me. The Zen has some good grit and saturation, while the Echolocator has various tricks with its freeze, shimmer and filter.

About halfway through I digress into a basic overview of the controls, then it's back to noodling. The DB-01 does a good job with sequencing although the original plan was to drive everything with the LXR-02. But horrors! I discovered that the MIDI out functionality on the LXR-02 is totally broken - confirmed by Erica Synths. Hoping for a fix on that soon. In the meantime the DB-01 will have to battle on as my sequencer.

If there's one thing I could change on the SY-1 it would be to add clock sync to the LFO. For me unsynced LFOs are a huge miss. Otherwise it's an excellent little synth. Two of them mounted in a Eurorack case could easily make for a powerful drum voice solution.

As usual, no DAW processing of any kind, it's all what you see.

0:00 Setup explained
2:01 Noodle soup
2:58 Elephant song
4:44 Tin shed
6:29 Weather system
8:08 Interface walkthrough
18:05 Robot bird
19:40 Corky
21:46 Trainride
22:36 Punching bag
26:19 Subby McSub

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Behringer 2-XM Four Voice Poly Action Using CV.OCD [Demo 01]

video upload by gstormelectro

"Audio + Video by G-Storm Electro c. 2025

Today I'm employing a Sixty Four Pixels CV.OCD to distribute CV/gate amongst two Behringer 2-XM synths for proper Four Voice allocation. As of today the 2-XM firmware on its own does not support individual voice allocation this way. And THIS is very much what I signed up for: stereo panning each voice however I want, pulling out notes of a sequence/chord using filter and envelope controls per voice, and slight variations in the voicings giving rise to an analog sound that is very much alive. Even when the sequence is just arpeggiating a single note value, the variations suggest movement as you will hear.

All audio recorded direct to iPhone via Roland GO:MIXER Pro-X. No sound effects are applied, some normalization in post processing. Signals were sub-mixed on a Soundcraft EPM6 mixer, no added EQ. Sequencing by Arturia Keystep Pro.

0:00 Chords and Bass Sequence I
2:32 Chords and Bass Sequence II
4:14 Single Note Arpeggiation"

MUSIC https://gstormelectro.bandcamp.com/
BLOG http://gstormelectronica.blogspot.com/
LISTEN/DOWNLOAD http://soundcloud.com/gstormelectro
REVERB https://reverb.com/shop/gstormelectro

Groove Synthesis 3rd Wave 8M Review & Demo | Compact Synth Powerhouse

video upload by Starsky Carr

0:00 All 3rd Wave intro (not drums or vocals!)
2:13 Doing that PPG Thing
4:07 It's SOOOO much more than a PPG
6:33 Creating the Different Styles of Tones
14:00 Putting Them All Together
16:15 Demo Track - Rain or Shine

"The Groove Synthesis 3rd Wave 8M is here – the compact desktop module with huge power. From classic PPG tones to modern wavetable magic, this demo shows why it could be your next dream synth.

In this video I put it through its paces with a full demo and review, showing how it stacks up against the bigger 3rd Wave keyboard and even the Behringer Wave – a clone of the classic PPG 2.2.

With 24 voices, wavetable creation, sample import, and a deep sequencer, the 8M delivers the lush PPG tones we know and love – but it also goes far beyond, opening up new creative possibilities for sound design and performance.

If you’ve seen my earlier videos on the 3rd Wave , you’ll know how close they get to that classic PPG sound. But the 8M adds serious flexibility: multi-timbrality, modern workflow, and the ability to create wavetables from audio. This isn’t just a clone – it’s a synth that pushes forward while staying true to the heritage.

Whether you’re a fan of vintage digital synths, wavetable synthesis, or just looking for an inspiring new instrument for your studio, the 8M is a fascinating option.

👉 Check out my 3rd Wave Playlist - everything you could ever want to know!"

Behringer Murf Box on synth (no talk)

video upload by Richard DeHove

"Behringer's BM-15M Murf Box - now renamed as the BM-15M Resonant Filter - is a clone of the Moog Moogerfooger MF-105 MuRF. I bought this pedal thinking it might be a more interesting replacement for my Boss SL-2 Slicer. Why did I want to replace the Slicer? Because the Slicer has a few things that slightly irritate me. In hindsight, a pitiful motivation since the Murf Box has an equal number of small irritating things.

First, if you bypass the effect you only get sound out of one channel. That's irritating. It's huge, the knobs are hard to read, I don't love the EQ, the way the envelope works is odd, there's no compression on the drive, and you can't adjust the LFO without an expression pedal. Not that I entirely blame Behringer, I also blame Moog since these are all present on the OG Murf. But of course all the actual blame rests with me for not being satisfied with the Boss Slicer.

Not that the Murf sounds bad. It's a rather interesting, gritty, unusual and reasonably versatile machine. I think rather my expectations were pumped up to the same artificial heights as the OG Moogerfooger reputation and prices.

Here the Murf is receiving a MIDI clock and the expression pedal is connected to the LFO rate. The volume varies a lot depending on the EQ, mix and drive settings - and seems to fade away a bit toward the end of the video - but I thought it best to keep these as-is to show real usage.

Originally I was going to do a comparison between the Murf Box and the Boss Slicer with lots of talk. But knowing that hearing me talk too much annoys some people, and that merely showing a Behringer product will guarantee a percentage of automatic dislikes, I thought it wiser to start with a plain audio demo. I'll do a comparison with the Slicer very soon (unless everyone hates this video) since I think there's a lot of overlap and interesting design contrasts between the pedals.

0:00 Intro ditty
1:00 Twiddlings
3:30 Drone
4:06 EQ fun
4:56 Envelope
5:50 Many tweakings

Many thanks to my kind patrons who keep this channel ad-free
My website: https://richarddehove.com/"

Introducing Behringer BM-14M ANALOG DELAY

video upload by Behringer

"Adam walks us through the BM-14M ANALOG DELAY — a rebirth of one of the most sought-after pedals from a long-discontinued series.

Far beyond a standard analog delay, the BM-14M delivers deep sonic shaping capabilities with enhanced control features and expanded I/O. This is not just a delay pedal; it’s a full-on sound-sculpting machine designed for creative musicians and tone explorers alike.

*Chapters:*
00:00 Welcome BM-14M ANALOG DELAY
00:17 Story time
01:32 The BBD Chip
02:07 Features
02:37 Delay Demo
03:05 Hidden feature
03:36 LFO control
04:44 Tap in LFO rate
05:07 IO
05:44 IO Demo"

BM-14M ANALOG DELAY
The BM-14M brings a classic delay device back to life, celebrated for its unmistakable warmth and high level of control. Known for sparking creativity, this reborn design delivers rich analog tone while pushing you into uncharted territory. Its hands on approach invites you to sculpt echoes that can move from subtle depth to radical soundscapes, perfect for those who thrive on inspiration through exploration.


Deep Control and Expansive Connectivity
This isn’t just a delay pedal, it’s a laboratory for sonic experimentation. With CV and expression inputs for Feedback, Time, LFO Rate, and LFO Amount, plus MIDI In for precise parameter control, BM-14M gives you unmatched flexibility. Dedicated audio outputs like DELAY OUT let you isolate the wet signal, while the FB Insert unlocks new routing possibilities by sending and returning the delay path into other effects. The result: endless ways to push delay beyond the expected.

Easy Integration
The BM-14M is made for creators chasing texture, movement, and analog depth across any setup. Whether paired with guitars, synths, drum machines, or modular rigs, it adapts seamlessly and rewards experimentation. Wherever creativity leads, the BM-14M is your tool for shaping truly unique sonic journeys.

Meet You At The Top

video upload by davidryle

"A two part piece. Both are pitch voltage quantization controlled from the ACL Sinfonion. I switch presets through the first part from preset 1 - 4 and in the second half I leave it on preset 5.

The Sinfonion chord section is sending pitch quantization to the Doepfer A-111-4 quad VCO and A-105-4 quad SSI filter. The mixer is the Corsynth T-Mixer. The Empress reverb in Ambient Swell green mode is used.

The opening voice is Channel 2 of the Sinfonion and is sent to the Dotcom Q206 with the Dove D502 in BP mode P1, then an SSL Serge Resonant EQ and finally the Strymon Blue Sky.

A counter voice is the Channel 3 quantizer to a pair of Synthetic Sound Labs TZ-VC Oscillators to the Oakley VC-SVF in BP mode. The audio is routed through a Moon 517S high pass filter to roll of the lower mid tones. I used an instance of Relab Development's LX480 classic Lexicon reverb. This same voice is used for the main melodic part in the second section.

The Channel 1 of the Sinfonion is to the bass voice which is the Dotcom Q169 Oscillator++ and Grove Audio G294A ladder filter.

The Sinfonion arpeggiator part is to the STG oscillator duet and the Dove D501 2069 filter. The signal is sent through the Modcan 73B dual delay. In the first section this voice is solo, but in the second section I added in a duplicated run of the MosLab 901/904A through a different envelope which is timed a bit more sparse and sent through the second section of the 73B delay.

Most of my time was spent mixing levels and changing the timing of the SSL Hagiwo Geo-Gruvn euclidean sequencer. The clock timing was controlled by row 3 of the Moon 563 trigger seq. I used two different memory presets on the Geo-Gruvn for each section. These timings were used for the gate controls to the SSL Octal VCA, CV-8 Breakout and AD/AR Expander. The eight channel vca handled four of the voices. Very cool array of modules.

I also sent and effort to control the timing of the STG Voltage Mini Store's timing with row 2 of the 563. The right VMS is used for the Root control to the Sinfonion. The faster moving left VMS is to the arpeggiator of the Sinfonion.

The Sinfonion is using various cv's from the Q960 step sequencers to affect the chord spread and note selections. Also an LFO is used to affect the pre-transpose of the chord section.

A convoluted patch using the Lower West Side Studios CGS88 triple switch, the Dove D900 sequencer and three voltage sources to send control voltage to the transpose on the Sinfonion. I used the Moon 564 trigger stage 1 to turn this on and off by hand when needed.

The final clangorous opening and ending patch voice was the Mutable Instruments Rings through the Behringer Bode Frequency Shifter clone and the Encore Frequency Shifter, and on through the Tip Top Z-DSP signal processor running Halls of Valhalla reverb (Niflheim preset). It was also the midway noise rush background sound where the sections changed. These were added later in Cubase and triggered by hand.

The sections were performed at once live to Cubase and video edited in Final Cut Pro."

Behringer UB-Xa: 64 Arp Presets Vintage & Modern. Sound Demo

video upload by Anton Anru

"🌌 Analog Flow is a collection of 64 arp presets for the Behringer UB-Xa analog synthesizer. The bank covers a wide range of arpeggio timbres: warm, deep, dreamy, soft, noisy, bright, dark, distorted, cold, metallic. You can also disable the arpeggio mode and get a collection of diverse plucks.
Since the UB-Xa is a recreation of a vintage classic, this collection embraces its retro character—highlighting detuning, subtle noise, and analog warmth to evoke the sonic aesthetics of the 70s and 80s.
The patches are infused with nostalgic charm and are perfect for adding that vintage soul to your tracks.

📦 Get these patches: https://antonanru.sellfy.store/p/ub-x...

📼 One of the unique features of the UB-Xa is its Atrophy profiles—emulations of various stages of vintage wear and drift. All presets and audio demos were created using the default Profile 1, but you're encouraged to explore them with other profiles to discover variations in brightness, tuning, and stereo width. This adds another layer of expression and depth to the sounds.

🎛 Each preset is performance-ready, with velocity sensitivity and ModWheel assignments mapped for expressive control. The ModWheel introduces additional modulations — such as brightness or movement — offering creative flexibility for both studio production and live performance.

🧿 The soundset is universal, the arpeggios are suitable for all genres of electronic music, including Techno, House, Trance, Lounge, Downtempo, Synthwave, Retrowave, Pop, Indie, IDM, Drum'n'Bass, Breakbeat, Electro, Ambient, Synth-Pop and others.

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