"Emute Lab Instruments is a new project, based at the University of Sussex, and coming out of the Experimental Music Technologies Lab research group.
Nick spoke to Dimitris about their first creation, the uSeq module, which bridges live coding and modular synthesis.
Rather than relying on laptops, uSeq uses a Raspberry Pi Pico to handle code expressions, translating them into control voltage (CV) and gate signals. Its design emphasizes accessibility, featuring an open-source platform that's DIY and budget-friendly.
The module has three CV and three gate outputs, coupled with a user-friendly coding language called *ModuLisp*. This setup allows you to manage multiple code patches and switch between them using onboard controls. Aiming to move beyond traditional code interaction, Dimitris is exploring vocal control methods, aligning with live coding's evolving narrative.
Available both as a DIY kit and a ready-made module"
"uSEQ is a eurorack module that brings livecoding into your modular system. Fundamentally, it’s an extremely flexible voltage generator and processor. It has a set of CV and pulse inputs and outputs, but instead of having a fixed set of controls and functions, you can choose how voltages are generated by livecoding them. This means that you can control uSEQ’s behaviour with the vast possibilities of creative coding, using a simplified programming language specialised for music. uSEQ is great for sequencing, waveform generation, and waveform processing. You can use it as a live performance tool, or configure it for specific functions.
To use uSEQ, hook up a computer via the USB port, load up the editor in your browser and start playing."
"This synthesizer is the world's first programmable music synthesizer. The first piece of electronic music to win the Pulitzer Prize was made on it.
basically a two voice synthesizer with tone generation and composing in the left hand side and processing on the right hand side, including manual binary for the, uh, ordering of the effects processes. Um, which for its time, uh, essentially like a uh, touring computer. Um, uh, was it You know, one and a half tons, seven feet tall, 14 feet wide, it's quite a behemoth, but now it's a very large paperweight.
Watch the full video:" [The above comes in at 22:41 - vintage Buchla, Serge & more follow. See this post for the red Buchla LSD module]
How Technology is Changing the Way We Make Music | A Conversation with Seth Cluett
"Guest: Seth Cluett, Director of Columbia University’s Computer Music Center | On LinkedIn: / seth-cluett-7631065 | Columbia University Computer Music Center Bio: https://cmc.music.columbia.edu/bios/s...
Host: Sean Martin, Co-Founder at ITSPmagazine and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/
Show Notes
Music and technology have always shaped each other, and few places embody that relationship as deeply as the Computer Music Center (CMC) at Columbia University. In this episode of Music Evolves, Sean Martin sits down with Seth Cluett, Director of the Computer Music Center and Assistant Director of the Sound Art MFA program at Columbia, to explore the center’s rich history, its role in advancing music technology, and how it continues to shape the future of sound.
The Legacy and Mission of the Computer Music Center
The CMC is housed in the same 6,000-square-foot space as the original Columbia-Princeton Electronic Music Center, which dates back to 1951 and is one of the world’s oldest university-based electronic music research facilities. This was the birthplace of early electronic music, where pioneers learned to use cutting-edge technology to create new sounds. Many of those musicians went on to establish their own studios around the world, from Egypt to Japan.
The center has played a role in major milestones in music history, including the work of Wendy Carlos, a former student known for Switched-On Bach, the score for Tron, and The Shining. The first piece of electronic music to win a Pulitzer Prize was also composed here. Today, under Cluett’s leadership, the focus remains on creativity-driven technological innovation—allowing composers and artists to explore technology freely and push the boundaries of what’s possible in sound and music.
One of the center’s guiding principles is accessibility. Cluett emphasizes the importance of lowering barriers to entry for students who may not have had prior access to music technology. The goal is to make sure that anyone, regardless of background, can walk into the studio and begin working with 80% of its capabilities within the first 20 minutes.
Exploring the Labs and Studios
The episode also includes a tour of the labs and studios, showcasing some of the center’s groundbreaking equipment. One highlight is the RCA Mark II Synthesizer, the world’s first programmable music synthesizer. Built in the late 1950s, this massive machine—seven feet tall and weighing over a ton—was instrumental in shaping the sound of early electronic music. The system worked by punching holes into paper to control sound generation, similar to a player piano. While no longer in use, the CMC has collaborated with iZotope to model some of its effects digitally.
Everything You Need to Know About the Roland V-STAGE Keyboard
video upload by RolandChannel
"V-STAGE redefines the gigging keyboard, combining Roland’s latest cutting-edge sound technology with a seamless workflow for pro musicians. In this video, you’ll learn everything you need to know about V-STAGE's four advanced sound engines, intuitive controls, and exceptional playability."
Chapter Breakdown
00:00 Intro
00:52 Sounds
01:01 Acoustic Piano Engine
01:30 Electric Piano Engine
01:56 Organ Engine
02:23 Synthesizer Engine
02:55 Controls
03:54 Scenes
04:31 Sound Demo
05:35 Keybeds
05:59 I/O
Roland V-Stage Stage Piano - Advanced Tutorial with Ed Diaz
Ed Diaz from Roland demonstrates the V-Stage 76 stage keyboard, highlighting the four sound engines and hands-on controls which are perfect for live performance.
00:25 Introduction
00:55 Four sound engines
01:27 V-Stage 76 and V-Stage 88
02:27 Center screen and scenes
04:28 Scene chain function
05:10 EX scene
07:05 Organ section
12:53 Acoustic piano section
19:40 Electric piano section
26:50 Synthesizer section
31:40 Roland Cloud and model expansions
33:06 Total effects section
34:37 Master section
35:36 Inputs and outputs
37:09 Signing off
Roland V-Stage Stage Piano - All Playing, No Talking with Ed Diaz
Ed Diaz from Roland plays the V-Stage 76 stage keyboard, using the four sound engines and hands-on control.
Roland V-Stage keyboards elevate the all-in-one gigging keyboard to a new dimension of creative power and control, fusing Roland's premium sound technologies with a speedy workflow purpose-built for the needs of serious pro players. Experience a world of sonic expression with four advanced sound engines, elegantly intuitive interfaces, and exceptional playability for the best performance every time.
Designed for professional stage performers, V-Stage is available in two models: V-Stage 88 with 88 weighted hammer-action piano keys and V-Stage 76 with 76 semi-weighted keys and organ-style waterfall feel.
Get more for your money with an exclusive Roland V-Stage keyboard bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new performance keyboard/stage piano, all for one low price. If you have any questions, please contact us. Our knowledgeable Sales Advisors will be happy to assist in choosing the bundle that's right for you!"
V-STAGE elevates the all-in-one gigging keyboard to a new dimension of creative power and control, fusing Roland’s premium sound technologies with a speedy workflow purpose-built for the needs of serious pro players. Experience a world of sonic expression with four advanced sound engines, elegantly intuitive interfaces, and exceptional playability for the best performance every time.
Adam B. gives a brief tour of the Roland RD-2000 EX stage piano at Kraft Music.
The Roland RD-2000 EX delivers the ultimate RD experience, fusing Roland's top piano technologies with a rich array of modern creative tools. This powerful and inspiring instrument is the most complete stage piano solution available, offering dual sound engines, two pre-installed V-Piano Expansions, premium playability and authentic grand piano touch from the PHA-50 keyboard and weighted hammer action, and advanced controller features for professional performers.
Get more for your money with an exclusive Roland RD-2000 EX stage piano bundle from Kraft Music. These package deals include the accessories you'll need to get the most out of your new piano, all for one low price. If you have any questions, please contact us. Our knowledgeable Sales Advisors will be happy to assist in choosing the bundle that's right for you!"
Playlist:
Roland RD-2000 EX Stage Piano - First Look
Roland RD-2000 EX Stage Piano - All Playing, No Talking
Anthony Deutsch plays the Roland RD-2000 EX - Sessions from The Gallery
And a couple of demos from Roland followed by the press release:
"Updated RD Models with Expanded Sounds, Plus EX Upgrade Packages on Roland Cloud for Current RD-2000 and RD-88 Owners
Los Angeles, CA, July 23, 2024 — Roland announces the RD-2000 EX and RD-88 EX, the latest members of the historic RD family of stage pianos for professional performers. Building on the foundations of previous generation models, these powerful instruments offer players expanded creative capabilities with new world-class piano sounds. In addition to the RD-2000 EX and RD-88 EX models for first-time purchasers, RD-2000 and RD-88 owners can expand their instruments with EX sounds through upgrade packages available for purchase on Roland Cloud.
RD-2000 EX Stage Piano Launched in 2017, the RD-2000 introduced the most advanced RD stage piano to date. The RD-2000 EX elevates this successful platform with two pre-installed V-Piano Expansion titles. Designed for the needs of top-level stage performers, the RD-2000 EX features independent sound engines driven by V-Piano and SuperNATURAL technologies, premium hammer-action playability with the PHA-50 keyboard, high-end controller features, and computer integration for modern workflows.
First released in 2022 as an option for RD-2000 owners, the German Concert V-Piano Expansion 01 provides a versatile new voice inspired by famous concert-class grand pianos. Enhanced modeling features offer new sonic possibilities highlighted with 17 ready-to-play Tones. The sound is organic and responsive for solo work while also delivering muscle and presence for cutting through dense band mixes on stage.
The newly developed Essential Upright V-Piano Expansion 02 introduces an intimate sonic flavor with the distinctive character and unique spatial quality of a high-end upright piano. The 14 preset Tones include classic sounds for pop and rock styles, along with a variety of colorful non-standard sounds.
With the sophisticated Piano Designer tools in the RD-2000 EX, users can customize the V-Piano sounds for their style and touch. When combined with the instrument’s powerful sound layering and effect processing options, the creative possibilities are endless.
RD-88 EX Stage Piano Unveiled in early 2020, the RD-88 brought players acclaimed RD sound and playability in a lightweight and affordable instrument. The RD-88 EX retains every core feature from the previous model, including SuperNATURAL and ZEN-Core sound engines, the expressive PHA-4 hammer-action keyboard, intuitive controller tools, and a room-filling onboard stereo speaker system.
The newly developed SuperNATURAL Acoustic Piano 3 Expansion comes pre-installed in the RD-88 EX, adding a premium concert piano option that complements the SuperNATURAL acoustic and electric pianos already included. The expansion offers 15 distinctive Tones and 20 Scenes, from bright, dynamic sounds for live band performances to darker textures for solo work and ambient explorations.
RD-2000 EX Upgrade and RD-88 EX Upgrade RD-2000 and RD-88 owners can expand their instruments with the new EX sounds via the RD-2000 EX Upgrade and RD-88 EX Upgrade on Roland Cloud. Each user-installable upgrade package is available with a Lifetime Key purchase in Roland Cloud Manager, the software portal for Roland Cloud content.
Availability & Pricing The Roland RD-88 EX and RD-2000 EX are available in July in the U.S. for $1,299.99 and $2,599.99 respectively. The RD-88 EX Upgrade and the RD-2000 EX Upgrade are available in July for $99.99 and $199.99 respectively."
"At Superbooth 2024, Jesse from Ableton showcased the latest features of the PUSH playing together with synths. The focus has been on enhancing stability, fixing bugs, and integrating new functionalities. At the exhibition, Jesse delved into the realm of modular synthesis, demonstrating the intricate connections between PUSH and modular gear to craft unique musical compositions. By utilizing the expressive pads of *PUSH*, Jesse showcased how modular synths can be controlled and manipulated in real-time, offering a glimpse into the creative possibilities when combining these two technologies.
Jesse's setup featured a Trinity module by Modbap for drums, while showcasing the versatility of the* FH2 for CV generation and the *Expert Sleepers ES3 and ES6 for interfacing with modular gear. The integration of multiple voices, effects, and instruments highlighted the flexibility and power of combining the PUSH with modular synths.
"Every Buchlaphile and especially Easel owners must read this enlightening and exciting chapter by Ted Gordon @ted_gordon on Instagram https://www.routledge.com/Modular-Syn..."
"Modular Synthesis: Patching Machines and People brings together scholars, artists, composers, and musical instrument designers in an exploration of modular synthesis, an unusually multifaceted musical instrument that opens up many avenues for exploration and insight, particularly with respect to technological use, practice, and resistance.
Through historical, technical, social, aesthetic, and other perspectives, this volume offers a collective reflection on the powerful connections between technology, creativity, culture, and personal agency. Ultimately, this collection is about creativity in a technoscientific world and speaks to issues fundamental to our everyday lives and experiences, by providing insights into the complex relationships between content creators, the technologies they use, and the individuals and communities who design and engage with them.
With chapters covering VCV Rack, modular synthesis, instrument design, and the histories of synthesizer technology, as well as interviews with Dave Rossum, Corry Banks, Meng Qi, and Dani Dobkin, among others, Modular Synthesis is recommended reading for advanced undergraduates, researchers, and practitioners of electronic music and music technology.
Chapter 3 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license."
You might remember Modal Electronics' insolvency case reported back September. They are back under new ownership.
Press release follows:
Modal Electronics completes strategic restructuring and commits to sustainable transformation of the brand and the product line New ownership structure unlocks ambitious next-generation product plan Hong Kong, 1st May 2024 – Modal Electronics, a leading brand of electronic music instruments and technology today announces the successful completion of its strategic restructuring, initiated in September 2023.
The completed restructuring marks a major milestone for Modal Electronics, as the brand can now focus on developing an ambitious plan for the next generation of music instruments and technology. Modal Electronics is ready to deliver exciting instruments and music creation tools for every music producer, performing musicians and synth aficionado.
Modal Electronics’ ownership transformation is the result of a strategic collaboration between Alltronics Holding Ltd and the company’s leadership team. This collaboration has resulted in a strong financial foundation and a clear vision for the company’s future.
Alltronics Holding Ltd is a manufacturer of premium consumer and music technology products and understood the opportunity to support the brands’ goals with their expertise in product development and manufacturing.
With this new structure, Modal Electronics can focus on creating innovative products that will push the boundaries of music creation and performance. The company has already built a strong reputation with its existing ARGON and COBALT product lines, but with the new investments and resources, it can now realize even more ambitious plans, using the latest technologies and collaborating with industry-leading experts. This will result in products that are not only advanced, but also easy to use and adaptable to the individual needs of musicians and music producers. Eric Lam, CEO of Alltronics Holding Ltd comments: “The strategic collaboration between Alltronics and Modal signifies a significant milestone for both companies and holds immense promise for the future.
By combining the expertise and resources of Modal Electronics and Alltronics, we are poised to deliver a new level of excellence in the products and services we offer. This partnership will enable us to leverage our respective strengths, ranging from Modal’s cutting-edge technology and innovation in synthesiser music instruments enabling us to develop and bring to market even more advanced and groundbreaking products, catering to the evolving needs and aspirations of our valued customers.
I would like to express my sincere gratitude to our customers, partners, and employees for their unwavering support and dedication. It is through your trust and collaboration that we have reached this pivotal moment. I am confident that this joint venture will lead to remarkable achievements, opening up new horizons and propelling Modal Electronics to greater heights.”
Since 2013, Modal Electronics has cemented itself at the leading edge of forward-thinking synthesiser technology. Fusing sophisticated analogue and digital circuitry with an innovative approach to synthesiser design, Modal Electronics’ current portfolio is regarded as the pinnacle for users seeking modern synth-centric tools engineered for the forward-thinking creative. Whether it’s the Wavetable-fuelled ARGON-Series, the Beyond Analogue COBALT-Series or the ‘go-anywhere’ CREATOR-Series, users are empowered with unparalleled creative possibilities and the convenience of a 1:1 standalone app- and plugin-based control courtesy of MODALapp.
Roland FANTOM EX Synthesizer | Performance featuring LZARUS
video upload by RolandChannel
"FANTOM EX is the latest chapter of the FANTOM legacy. Watch producer and session keyboardist Laurence Jepson, aka LZARUS, perform with the most advanced creative synthesizer ever. Check out an array of FANTOM EX features in action, including German Grand V-Piano Expansion, JUPITER-8 ACB Expansion, live bass recording with JX-8P Model Expansion, TR-REC step sequencing, vocoder, n/zyme Model Expansion, and Shimmer Reverb.
About FANTOM EX
FANTOM EX provides a complete creative ecosystem for professional sound design, sequencing, and performance.
Explore the most advanced Roland sound engines—ACB, ZEN-Core, V-Piano, SuperNATURAL, Virtual ToneWheel, and other Roland technologies. Plus, SH-101, JUPITER-8, and JX-3P* ACB Model Expansions and six additional pre-loaded ZEN-Core Model Expansions, including n/zyme for advanced wave design, vintage-inspired instruments, premium pianos, essential organs, and more.
Integrate seamlessly with any computer-based setup with dedicated modes for Ableton Live, Logic Pro, MainStage, Cubase, and Studio One. Sample directly into the synth and trigger, loop, program, create new tones from partials, or use multi-track sampling to stack sources into complex sounds. Then, refine your sound with Master FX and preset templates.
Developed in collaboration with renowned synth designer Axel Hartmann, the FANTOM EX hardware and user interface is built to support your creativity with intuitive operation and world-class playability."
"Roland's latest iteration of the Fantom is now the Fantom EX which is essentially the same Fantom you could buy yesterday, but now with the EX software expansion.
David aka @superfrogsavestokyo has a look at the new EX features, but with the regular Fantom hardware. He builds some musical sketches to demonstrate the new ACB models and the n/zyme Wavetable synthesizer."
Roland press announcement follows:
The Acclaimed FANTOM Synthesizer Series, Supercharged with the Latest Roland Sound Technologies and Updated Creative Tools
Los Angeles, CA, April 25, 2024 — Roland announces FANTOM EX, a new flagship synthesizer series for professional musicians and producers. Updating and expanding the popular FANTOM platform with the latest Roland technologies, the next-generation FANTOM EX delivers a complete creative ecosystem for sound design, sequencing, and performance. In addition to the FANTOM 6 EX, FANTOM 7 EX, and FANTOM 8 EX models available to new purchasers, current FANTOM owners can expand their instruments with all EX sounds and features through the FANTOM EX Upgrade for sale on Roland Cloud.
Introduced in 2019, the Roland FANTOM has received worldwide acclaim for its diverse range of high-quality sounds, powerful synthesis tools, premium playability, and free-flowing user interface. FANTOM EX builds on the original’s foundation, supplementing the core feature set with Roland’s Analog Circuit Behavior (ACB) engine and numerous sound expansion titles, including the recently developed JX-3P ACB Expansion. New effects and a host of fresh workflow enhancements are also included.
Each FANTOM EX model provides the most expansive collection of premium sound engines available in a hardware instrument. Roland’s ACB, ZEN-Core, V-Piano, SuperNATURAL, and Virtual ToneWheel technologies spark inspiration at every turn, providing expressive and inspiring sounds for every musical style.
With FANTOM EX, users can compose and perform with over 7000 genre-defining Roland sounds and go further with premium sound content on Roland Cloud. Eleven sound expansion titles come as standard, including JUPITER-8, SH-101, and JX-3P ACB Expansions; n/zyme, JD-800, JUNO-106, JUPITER-8, JX-8P, and SH-101 Model Expansions; the German Concert V-Piano Expansion 01; and the SuperNATURAL Acoustic Piano 3 Expansion.
The powerful custom processors in FANTOM EX provide smooth and precise operation with plenty of overhead, enabling loads of polyphony and full patch remain for seamless transitions. There are dozens of simultaneous effects, including new studio-grade reverbs and updated Master FX for shaping the overall sound. A characterful analog filter is also available, perfect for infusing tones with extra warmth and grit.
FANTOM EX is primed to be the center of any production universe. Users can directly shape sounds and develop musical ideas with a friendly, ergonomic panel filled with buttons, knobs, and sliders. The color touchscreen dynamically changes to support the task at hand, and it’s now possible to personalize the look by importing custom images for the screensaver and startup view.
The deep onboard sampling and composition tools in FANTOM EX support fast sound creation and quick arrangement of song ideas. Multiple workflow options include the classic Roland TR-REC step sequencer, real-time recording with piano roll editing, and 16 RGB pads for triggering sounds, samples, and clips.
FANTOM EX flows effortlessly into any computer-based production setup. There are dedicated modes for popular software platforms, including Ableton Live, Logic Pro, MainStage, Cubase, and Studio One. With the built-in 16x3 audio/MIDI USB interface, users can mix and layer soft synths with hardware sounds, send sequencer parts to computer tracks, route DAW sources through FANTOM EX effects, and more.
The loaded FANTOM EX rear panel supports connections with a wide range of gear. There are XLR combo connectors for mics and instruments and eight 1/4-inch outputs to route sounds to external destinations. MIDI I/O is also available, along with dual CV/Gate outputs for driving modular and analog synths.
Each FANTOM EX model comes equipped with a premium keyboard and aftertouch support. The FANTOM 8 EX offers the ultimate weighted experience with 88 hammer-action keys, while the 61-note FANTOM 6 EX and 76-note FANTOM 7 EX feature semi-weighted synth action. Precision-crafted with decades of Roland development knowledge, these inspiring keyboards deliver the most expressive playability available.
Released in November 2023, the FANTOM EX Upgrade on Roland Cloud allows owners of the original FANTOM 6/7/8 models to outfit their instruments with the newly added EX features, including JUPITER-8, SH-101, and JX-3P ACB Expansions, n/zyme and JD-800 Model Expansions, two new grand pianos, and all other EX enhancements.
Availability & Pricing
The Roland FANTOM 6 EX, FANTOM 7 EX, and FANTOM 8 EX will be available in the U.S. in April for $3,199.99, $3,699.99, and $4,199.99 respectively."
"We are all aware of how versatile the Analog Heat+FX dynamic sound processor from Elektron is at processing, manipulating, enhancing, and twisting sounds. The Analog Heat+FX is truly a mighty palette for processing sound; either as an end of chain mastering tool or spicing up your drum machine, synth, vocals and anything else you can throw at it. In this video we look at how to use MIDI CC via the MIDI track(s) on the Syntakt to control various effect parameters on the Heat+FX. Effectively we sequence the different type of effects and parameters, going a little nuts in the process. Whilst this is great fun, it’s also a great way of experimenting with sound design and creating new sounds!
The heart of the Heat+FX is a stereo distortion unit with 8 fully analog circuits that offers everything from clean boost to total annihilation. The additional digital effects; delay, reverb, warble, bits, chorus, compressor and bass focus offers endless possibilities to sculpt your sound even further. There are over 100 effect parameters that can be controlled via MIDI CC on the Heat+FX, and pairing it with an external MIDI sequencer opens up a huge range of creative possibilities. Any Elektron MIDI sequencer, as found on the Syntakt, Digitakt or Octatrack are all great at complimenting the Heat+FX. MIDI tracks on any Elektron sequencer can control up to 4x MIDI CC parameters per track. In this video we use 2x MIDI tracks, controlling 8 parameters across reverb, delay and chorus effects, although the potential to mangle and twist your sound is almost limitless making the Heat+FX a fantastic sound processor!"
"Did you know that almost all Elektron devices* are USB class compliant? That means you can easily send audio out from your Elektron drum machine or synth directly to your Apple iOS or OS device and record proper line-level audio. This is great for quickly capturing that beat you've been working on and sharing it with friends or for posting on social media like a pro. In this video we look at how easy it is to plug and record audio to your Apple device with no additional drivers, app or software required! It's also possible to send any incoming audio from external sources routed through to your Elektron box, out to USB as well. In this video we jam the Elektron Syntakt together with a vintage Roland TR-606. The TR-606 audio is running into the external input of the Syntakt and all the sounds from both devices are being routed directly via USB audio into an iPhone.
Elektron firmware provides options for choosing what audio source output you want to route to your iOS device. The default setting will send the main stereo outs, whereby the mix of all your tracks inside your Elektron box is sent out via USB. Alternatively, there are options to choose a specific track out via USB; perhaps you just want to send your sick bass line without the kick drum — yes you can! The Analog Heat+FX also has the option to process incoming audio from USB, offering a two-way audio solution that has many creative applications. Your iPhone or iPad microphone might be good at recording your voice, but they're not great at capturing and representing your latest beat creation.
Note the above is a playlist featuring 4 videos. You can use the player controls to skip through them or just watch them all in order.
Details on Synth Anthology 4 follow:
The authentic sound of 200 synthesizers, from vintage to modern
4,000+ presets and layers deliver incredible sound with hardware soul
Feature-packed dual-layer engine with fx, arpeggiator and more
Rebuilt from the ground-up, Synth Anthology 4 now features the authentic hardware sound of 200 vintage and modern synthesizers, a fully redesigned engine with powerful features, fx, arpeggiator, smart sound suggestion engine, native MPE support, and more.
A dreamlike collection!
Video credits: Anthony Hak
Music Credits: Théo & Thomas
"The Best Keeps Getting Better
What's new in version 4?
Almost everything!
We've rebuilt the engine from the ground-up, added more synths, more presets, more effects, more filters, more modulation, a dedicated browser, a second fully-customizable layer for creating hybrid and blended timbres, an all-new smart suggestion engine that helps you quickly find similar sounds, a more powerful arpeggiator/phraser, bus effects, native MPE support, and more!
Real Hardware Sounds
There is something unmistakable about the sound of a real hardware synth, from subtle differences between voice circuits and drift to the varied way filters bite into the sound; there's a distinct character and energy. Synth Anthology 4 delivers the authentic and uncompromising hardware sound with all the conveniences of a modern software instrument.
Every piece of hardware represents a unique creative vision, sonic character, innovations, and strengths. Whatever you're looking for, from analog to digital, vintage classic to future classic, you will find it here. Synth Anthology 4 delivers an incredible collection of hardware, every major manufacturer, every type of synthesis, every era, 200 synthesizers in all.
You won't find a more complete collection anywhere else."
[Singapore, July 5 2023] CME, the people behind WIDI Bluetooth MIDI, is proud to introduce its groundbreaking iWA (Instant Wireless Audio) technology.
This revolutionary solution sets a new standard for wireless audio transmission for musicians, with high immunity to interference and near-zero latency.
CME's iWA is poised to redefine the way musicians think about wireless audio.
iWA: Near-zero latency! iWA technology is designed with musicians in mind. It offers wireless HD audio in stereo. In out latest tests, over-the-air latency is reduced to a staggering 1ms.
This makes iWA indistinguishable from wired solutions in a double-blind test and it will easily outperform any competing technology in its price range.
iWA: No interference! iWA technology is highly immune for interference. It introduces a groundbreaking nano-second pulse transmission technology.
This completely removes the challenges experienced when operating on overcrowded frequencies as used by Bluetooth, Wi-Fi and other solutions.
iWA: Uncompressed HD audio! iWA technology cherishes sound. It uses an extremely wide bandwidth to allow uncompressed transmission of HD audio in stereo.
Software codecs and other compression technologies are no longer needed. With enough space for correction on-the-fly: what goes in, simply goes out!
"As the developers of WIDI, we understand that Bluetooth technology cannot fully meet the needs of all musicians when it comes to transmitting audio." said Zhao Yitian, CEO at CME. "This realisation has inspired us to rise to the challenge and continue to innovate. In the end, we decided to take this risk and work with the community to develop iWA technology from scratch."
CME's IWA wireless audio technology has vast potential across a wide range of applications, including headphones, studio monitors and TX/RX solutions. Initially, the focus is on providing a solution for near-field scenarios where immediate response is required, such as in the studio and during rehearsals.
To learn more about CME's breakthrough IWA wireless audio technology and its transformative impact on the creative process, please visit this page.
About CME: CME is a pioneering technology company committed to pushing boundaries and shaping the future of music making through innovative solutions. With a relentless focus on delivering excellence, CME empowers musicians to embrace tomorrow’s technology and discover new ways to create.
"Lose yourself in a world of sound with the Roland SH-4d Synthesizer, a powerful desktop instrument featuring hands-on workflow and deep synthesis tools for in-the-moment magic. Watch as Detroit techno legend Carl Craig takes the SH-4d for a spin, bringing you on a sonic odyssey and diving headfirst into the unit’s array of sonic capabilities.
What’s inside the SH-4d? Command eleven OSC Models for a diverse range of sound-design possibilities, from vintage analog synths and PCM-based sounds to cutting-edge digital tones. Create custom kits with the rhythm part’s rich tone-shaping capabilities containing 26 unique drum instruments that can each be designed from scratch.
Spur spontaneous musical moments with the multitimbral sequencer, extensive effects, and plenty of polyphony. And with the loaded front panel, dynamic controls, motion recording, and more, you can transform ideas into short loops or complete songs as quickly as your ideas come."
User videos (ordered by shortest videos first - use the player controls to skip around):
Playlist:
Roland SH-4d : First jam - Freaky Tweaky
The Roland SH-4d In a Nutshell - Alex Ball
Roland SH-4d：基本機能・VISUAL ARPEGGIO・D-MOTIONの説明 - Freaky Tweaky
Roland SH-4D 1st Look - Sonic LAB - sonicstate
Roland SH-4d Demo & Review - musictrackjp
ROLAND SH-4d REVIEW // Rolands best synthesizer groovebox yet?! - BoBeats
Roland Synthesizer SH-4d Review // A Synth Groovebox with Vintage Vibes - Starsky Carr
Roland SH-4d Review: The multi-engine synth battle heats up! // Full SH4d tutorial - loopop
Roland SH-4d Mega Tutorial - True Cuckoo
And the press release:
Future Retro Desktop Synth with 11 OSC Models, Pro Sound Design Tools, Hands-On Workflow, and Multitimbral Pattern Sequencer
Los Angeles, CA, February 23, 2023 — Roland announces the SH-4d Synthesizer, a powerful new desktop instrument focused on synthesis and sound design. With 11 OSC Models and a hands-on panel filled with knobs, buttons and sliders, the SH-4d fuels on-the-spot creation and endless sonic discoveries. It also features a multitimbral sequencer with four synth parts and a customizable rhythm part, allowing users to compose intricate patterns with motion recording, extensive effects and more. Equally suited for studio, stage and traveling, the SH-4d is a fun and versatile instrument that will appeal to both modern electronic music creators and synth collectors everywhere.
Fifty years ago, Roland launched its first synthesizer, the groundbreaking SH-1000. The SH name has represented the company’s core synthesizer instruments ever since, merging innovative new technologies with tactile interfaces for quickly designing sounds in the moment. The SH-4d opens the next chapter in the long-running series, offering Roland’s latest analog modeling advancements and a deep-yet-inviting panel that catalyzes creativity and rewards exploration at every turn.
Detroit techno legend Carl Craig was so impressed with the SH-4d that he agreed to be the face of the launch video, delivering a spirited performance featuring new music composed solely on the unit. "That machine is a little monster,” he said after spending just a short time with the SH-4d. “So many options to not only shape sound but to shape the musical composition too."
Eleven OSC Models offer diverse sound-crafting possibilities, from vintage analog tones with SH-4d, SH-3D, Chord, Ring and Sync Models to cutting-edge digital textures with Cross FM, Wavetable and Drawing Models. Influential voices from Roland’s historic past include SH-101 and JUNO-106 Models and a PCM Model with a large selection of sample-based sounds. The SH-4d also features a flexible drum synthesizer with rich tone-shaping capabilities for creating custom kits from scratch.
The SH-4d puts everything creators need for pro sound design at their fingertips, with 32 knobs, four sliders and a massive array of multi-function buttons. The LCD, sliders and buttons automatically reconfigure their functions to follow the selected mode, eliminating menu-dive roadblocks that slow the creative flow. Dedicated Filter, Amp and LFO sections are always ready to shape any tone or pattern. And with the powerful Matrix section, users can create an even wider range of sounds by routing the output of the LFO or envelope generator to parameters in a Model.
Among its many tricks, the SH-4d features built-in motion sensors that allow the user to pick up the synth and adjust sounds with physical movements. D-Motion mode provides X/Y control for two parameters, while the unique Visual Arpeggio shapes note patterns via fun interactive displays.
The SH-4d sequencer is always a button press away, ready to transform sound ideas into compact loops or extended compositions. Up to 60 notes of total polyphony provide ample resources to develop complete musical ideas in the box. There’s also a versatile selection of renowned Roland effects to frost, finesse, rough up or mangle tones and patterns.
The SH-4d runs on a standard USB-C phone charger or AA batteries for up to four hours. There’s a two-plus octave button keyboard for self-contained composition, plus MIDI I/O for use as a sound module and controller in an expanded hardware setup. The SH-4d also functions as a USB-C audio/MIDI interface with 12 discrete audio channels for computer music production.
Playlist (check back for the last three):
1. Introducing the Nord Stage 4 - teaser
2. Julian "J3PO" Pollack showcasing the Nord Stage 4
3. Nord Stage 4: Joshua Domfeh - Mayfair
4. Nord Stage 4: Natalie Tenenbaum - Powerball
5. Nord Stage 4: Timothée Bakoglu - Roots Like This
6. Nord Stage 4: Amanda Birkenfalk - Stella [live at 11]
7. Nord Stage 4: Dominique Xavier - Just Because [live at 1]
8. Nord Stage 4: Daniel Weatherspoon - Old Town Medley [live at 2:59]
Press Release follows:
A new generation of our iconic flagship series.
With an intuitive new panel design, a premium triple sensor keybed, complete effect sections for each layer and massive enhancements to our award-winning technologies, the Nord Stage 4 sets a new standard.
THE NEW EXPERIENCE The Nord Stage 4 features a brand new panel design with dedicated LED faders for each Layer, providing exceptional overview and flexibility when creating sounds and performing live. The new Preset Library is packed with inspiring ready-to-use Piano, Synth and Organ sounds for quick and smooth patch creation.
The Layer Scene lets you seamlessly switch between two different sound setups at the touch of a button. Adding a powerful new Effect section coupled with versatile pedal options and a premium Triple Sensor keybed, the Nord Stage 4 offers a new level of musical expression.
THE PIANO
The Nord Stage 4 comes with a new enhanced collection of Grands, Uprights and Electric Pianos from our exclusive Nord Piano Library combined with new features such as Dynamic compression and Unison.
THE SYNTH
The Synth section with its three independent Layers is based on the powerful Nord Wave 2 Synth Engine, including Virtual Analog synthesis, Samples, FM and Digital Waves. An extensive new collection of samples from the Nord Sample Library offers a broad sonic palette of Strings, Bass, Choirs, Guitars and much more. The advanced Arpeggiator features new Polyphonic, Gate and Pattern modes and can be used for a huge variety of rhythmic applications with customizable patterns.
THE ORGAN
The Organ section features our award-winning simulations of B3 Tonewheel, B3 Bass, classic Vox and Farfisa as well as two Pipe Organ models. All Stage 4 models are equipped with our new Physical drawbars with LED indicators for optimal hands-on experience and overview.
THE EFFECTS
The Nord Stage 4 has a powerful new Effect section offering a complete setup of Effects for each Layer. The extensive range of Effects includes a new Pump effect for tempo synced or pedal controlled side chain modulation, a new Spin effect and brand new variations of Reverb, Delay, Amps and Modulation effects.
THE MODELS
The Nord Stage 4 comes in three models:
v Enhanced collection of Uprights, Grands, EPs and more v Dynamic Compression v Unison feature v Creative Timbre presets v Nord Wave 2 Synth Engin v 3 independent Synth Layer v Doubled sample memory v Enhanced samples with Tru-Vibrato, Unison and Round Robin v Extensive real time control v Advanced Arpeggiator with Polyphonic, Gate and Pattern mode v Extern mode for advanced MIDI control v Award-winning organ simulations of B3, Vox/Farfisa and Pipe Organ model v Physical drawbars with LED indicator v New B3 Bass mod v Drawbar Live mod v Model 122 Vintage Rotary Speaker with normal or close mic positions v Dedicated Effect section per Laye v New Variations for Modulation, Amp, Delay and Reverb Effect v New Spring, Booth and Cathedral Reverb v New Pump effect v New Spin effect v New Flam and Space Delay
Nord Stage 4 88 with a fully weighted Triple Sensor keybed (A-C) with aftertouch and Physical Drawbars with LED indicators. Nord Stage 4 73 with a fully weighted Triple Sensor keybed (E-E) with aftertouch and Physical Drawbars with LED indicators.
Nord Stage 4 Compact with a 73-note Semi Weighted Waterfall Triple Sensor keybed (E-E) with aftertouch and Physical Drawbars with LED indicators.
Accessories
THE PEDALS
Our new range of premium pedals are equipped with continuous sensors for optimal dynamic control. The left and middle pedals of the Nord Triple Pedal 2 can be assigned to control the Pump effect, Layer Scenes, Program Changes, Rotor Speed and more. Both pedals give you access to the Pedal Noise and Half Damping features of the Piano section.
Nord Triple Pedal 2 v Continuous sensors for maximum control v Pedal Noise and Half Damping v Can be assigned to control Layer Scene II, Pump, Tap Tempo, Synth Vibrato, Program Up/Dn and Rotor Speed
Nord Single Pedal 2 v Continuous sensor for maximum control v Pedal Noise and Half Damping v Can be assigned to control Rotor Speed or used as a Morph source
"Some sounds from the Osmose. An initial impression of what it sounds like straight out of the box. This will no doubt be making an appearance on my next solo album on DiN records."
"This is different. It's a new journey to embark on. and I love it. Please hang out with me on my first proper sit down with the production model Osmose. I love how expressive you can be with every patch."
"After a perfect storm of COVID and global parts shortages. The Osmose instrument from Expressive E is now shipping to the backers, next step is full production.
The instrument has an incredibly sensitive playing action with a custom keybed combined with the Eagan Matrix - a highly expressive and complex sound engine offering physical modelling, FM and a lot more besides.
We had a visit from Christopher who's the main product guy for the Osmose to show Gaz Williams where this exicting new instrument has got to.
00:00:00 Start
00:01:59 GPU Sponsor Mac Support
00:02:51 Overview
00:06:15 Eagan Matrix
00:09:01 Sounds
00:11:52 Controller?
00:15:42 Pedals
00:17:56 Control Section
00:22:18 Macros
00:25:59 Sensitivty
00:33:12 Portamento and Arp
00:36:49 Percussive voices
00:41:47 MPE
00:45:09 Case and Wrap"
And the press release with pics:
"Expressive E is proud to announce Osmose, the new universal standard for musical expressivity. Osmose is a polyphonic synthesizer that unlocks new ways to control sound and features a powerful sound engine created in collaboration with the leading-edge audio company, Haken Audio.
The conclusion of an epic adventure
Three years ago, Expressive E embarked on an ambitious adventure by opening the pre-orders for their standalone synthesizer, Osmose.
Osmose elevates a playerʼs experience by introducing a new landscape of features for musicians to interact with sound and produce music in new ways. It does this while not only respecting, but also enhancing the playerʼs existing keyboard skills. Every note can be articulated independently with unique expressive possibilities, such as those seen in this Osmose gesture compilation video: https://youtu.be/AA5xe7k4OrM
To achieve that goal, the Expressive E engineers set out to industrialize a new generation of expressive keybed which is at the core of Osmoseʼs playing experience. The biggest challenge was to implement all expressiveness-related technologies into the familiar keybed form factor of the piano that musicians have been using for centuries. Creating a new kind of keybed generated many industrial production obstacles and ultimately required a total symbiosis between DSP and hardware to connect all players to Omoseʼs sound through the use of natural gestures.
Expressive E engineers conducted hundreds of on-field test sessions to fine-tune the complex design of the synthesizer. Artists played a tremendous role in the refinement of Osmose by providing precise feedback about playing sensations and helped shape a new ergonomic tool, relevant for musicians from various music scenes and cultural horizons. Thanks to their support as well as the early adopters and partners, the wait is finally over: Osmose has now started to ship.
First deliveries and re-opening of preorders Expressive E are thrilled to announce the delivery of the first Osmose units to early adopters of the project. The first products had already been delivered in late 2022 and early backersʼ shipments will keep flowing continuously.
Expressive E have thus decided to reopen pre-orders on January 5th 2023 for all musicians interested in purchasing Osmose. The pre-order scheme has been reconducted to allow Expressive E to anticipate demand as efficiently as possible and organize their production schedules accordingly. Despite a tense economical environment driven by inflation, component shortages and the resurgence of epidemics, the company will still commit to guaranteeing a $/€1,799 retail price, within the limits of allocated stocks.
Interested musicians can now pre-order their Osmose on Expressive Eʼs website or through an affiliated dealer. [see the dealers on the right]
A new kind of synthesizer From its inception, Osmose was designed as a solution to connect musicians with electronic instruments more intimately while still retaining the sound-design abilities of modern-day and vintage synthesizers.
Backed by a powerful sound engine made in collaboration with pioneering audio company Haken Audio, Osmose offers more than 500 creativity-boosting presets. Each of them was fine-tuned to offer performance and recording-ready macros. Preset curation covers many musical genres including modern pop, urban, film scoring, electronic music, sound design, and traditional instrumental music. Made to inspire, Osmose offers a playful experience based on familiar features and thus presents a gentle learning curve. It offers the benefits of MPE instruments without the need to relearn the instrument entirely.
From the beginning, Osmose has been a collaborative project with artists from many musical backgrounds. They have been involved in the development of Osmose to make it a musical companion to fit their creative and ergonomic needs. Expressive E celebrates these artist collaborations with the release of a video series recapping the Osmose adventure and the reaction of artists to the new, dynamic, inspiring synthesizer.
Shot in Chennai (India), Paris (France), and Los Angeles (USA), the video series features musicians and producers like Flying Lotus, AR Rahman, Jean-Michel Jarre, Mike Dean, Cory Henry, André Manoukian, and Tarik Azzouz. It shows their approach to musical expression, how they interact with Osmose, and how this new synthesizer has influenced the way they play. A trailer for the series is now available on YouTube.
During Q1 and Q2 2023 Expressive E will regularly release clips focusing on each individual artist from the main trailer video. The first three episodes of the series are now available on YouTube. They feature musical icon A.R. Rahman (Grammy winner and film scorer for 127 Hours and Slumdog Millionaire), jazz virtuoso J3PO (a prolific solo artist and keyboardist for Marcus Miller), and trap beatmaker veteran Tarik Azzouz (a Grammy winner who has worked with Jay-Z, DJ Khaled, 2 Chainz, and many more)."
Mind-Blowing Tiny House on Foundation w/Music Studio - built w/TRASH! video upload by Tiny House Expedition
This one was spotted and sent in via Russ of Evaton Technologies. There's a peek of the studio in the begining followed by a segmant starting at 18:24. Cool to see a PAIA FatMan in there. It might be the longest running DIY synth still in production. If you know of another feel free to leave a comment. You can find them at https://paia.com.
Video description:
"Meet Christo, a musician & DIY builder extraordinaire. He built a truly awe-inspiring tiny house on foundation using mostly reclaimed wood and salvaged & recycled materials. Initially, he planned to build on wheels but pivoted when the zoning of his land changed. This allowed him to build wider & taller, so he added an epic recording studio!"
Synthspotting:
Access Virus B
Behringer DeepMind 12
Behringer TD-3
PAIA FatMan
Roland JX-08
Korg Minilogue
Arturia KeyStep 37
"Today we are officially releasing Buchla and Tiptop Audio Model 266t Source Of
Uncertainty which will start shipping to our dealers this week. This is one of
those moments with a sense of accomplishment from making a wonderful module Don
Buchla created in 1976 available again nearly half a century later, and also
producing it in large enough numbers that it gets into everyone’s hands.
Price is $299 and pre-orders should be open at your favorite retailers now. The
User manual is uploaded on the website, please check it out, this is a complex
module with plenty of unique functions!"
"Enjoy full creative control with the new MPK Mini Plus. Featuring 37 mini-keys, advanced connectivity for MIDI/CV/Gate/Clock, and an internal 2-track sequencer, make music with the ultimate feel and response."
"AIRA Compact puts Roland’s legendary creative magic in the palm of your hand. Easily play and perform with these highly jammable instruments—anywhere, anytime. Chain them together to catalyze your creativity or connect with MIDI gear, computers, and music apps to expand your setup. Just power on and go with the flow.
About the T-8 Beat Machine
The T-8 Beat Machine is a mini rhythm factory with six tracks of pristine TR drums plus a TB-303 bass track. Embodying decades of modern musical sound, the T-8 gives you the power to create infectious tracks in seconds flat. Craft on-the-fly acid jams or trap bangers with the intuitive 16-step sequencer, shape sounds with onboard controls, and flip and dice beats with simple, yet powerful tools.
About the J-6 Chord Synthesizer
The J-6 is a portable synth toolbox with all the building blocks you'll need to bring harmonic substance to your jams. Pairing a powerfully unique chord sequencer with lavish JUNO-60 synth tones, J-6 packs a versatile feature set into a highly jammable format. Generate soul-stirring song ideas with the turn of a knob and explore 100 chord sets over a variety of genres. Experiment with styles and variations to coax dancing lines and rhythmic patterns from your chords. Add lush chorus, reverb, or delay to frost your sound.
About the E-4 Voice Tweaker
Harmonize, auto-pitch, vocode, loop, and glitch your voice all from the portable E-4 Voice Tweaker. Want hands-on control? Connect a mic or input a feed and easily explore effects using the sliders, function buttons, and scatter knob. From looping live jams to livestreaming or tightening up and expanding performances, the E-4 will transform your voice into your new favorite instrument.
"Roland's birthday party it's not over! A few days ago they sent me these little magic boxes to try them out and in less than an hour of tweaking, I came out with this song!!! The song title "A Big Tiny World" is because they are BIG sounding TINY boxes indeed! :D They are:
Their sound quality is astonishing! It's amazing to have the power of ACB technology in such a small form factor... Everything you hear in this video was played and recorded in real time, no post processing or FX was added. I had so much fun, I hope you like it!"
"Join our pal Dustin for the debut of the AIRA COMPACT line of synthesizers !
These three desktop style devices combine some of Roland's most recognizable and powerful sound palettes into a portable, affordable, and outrageously fun package!
Check out our in-depth Signal article for more details - https://bit.ly/3L08Msr
0:00 - Intro jam
1:07 - Overview of Aira Compact Line
2:54 - T-8 Drum Machine & Bass Synthesizer
5:50 - J-6 Four Voice Polyphonic Synthesizer
9:50 - E-4 Vocal Processor, Looper, & Effects
11:57 - Robot Acid BOPS !"
Fun, Pocket-Size Instruments with Innovative Creative Features, Authentic Roland Sounds, and Class-Leading Connectivity
Los Angeles, CA, May 10, 2022 — Roland announces AIRA Compact, an all-new series of ultra-portable instruments with free-flowing features for creative exploration and authentic Roland sounds. Fun, affordable, and easy to learn, the T-8 Beat Machine, J-6 Chord Synthesizer, and E-4 Voice Tweaker bring serious musical power to everyone from hobbyists and gadget collectors to tech-savvy pros.
AIRA Compact instruments let anyone jam, perform, and develop ideas on the go with friendly controls, inspiring sounds, and loads of intuitive music tools. Users can realize complete compositions with a single unit or expand their possibilities by connecting and synchronizing with other AIRA Compact models. From one master unit, multiple AIRA Compacts can be mixed and monitored with headphones or an external speaker system. It’s also possible to interface with computer DAWS, mobile music apps, and hardware instruments via USB-C or MIDI.
Driven by Analog Circuit Behavior (ACB) and other advanced technologies found in top-line Roland instruments, AIRA Compact delivers the real-deal sounds behind decades of hit music. Users can create with the genuine voices of Roland icons, including TR rhythms, TB basses, JUNO synths, VT effects, and more.
Driven by Analog Circuit Behavior (ACB) and other advanced technologies found in top-line Roland instruments, AIRA Compact delivers the real-deal sounds behind decades of hit music. Users can create with the genuine voices of Roland icons, including TR rhythms, TB basses, JUNO synths, VT effects, and more.
AIRA Compact strikes the perfect balance between portability and power. Each model is small enough to slip into a pocket and features an inviting panel to jump-start the creative flow for immediate results. Onboard lithium-ion batteries provide hours of continuous use per charge, while Roland’s famous build quality will support musical adventures for years to come.
T-8 Beat Machine
The T-8 Beat Machine combines iconic Roland drum and bass sounds in a go-everywhere rhythm factory. Beatmakers can build tracks with legendary sounds from the TR-808, TR-909, and TR-606 drum machines, paired with the shapeshifting low end of the dynamic TB-303 Bass Line. The six-track drum sequencer features the famous TR-REC workflow, enhanced with deep tools like step loop, pattern shift, probability, and others to generate dynamic performances with constantly evolving grooves. The T-8 also provides an authentic TB-303 bass experience, including the tactile power to squeeze, squelch, and mangle sounds in the moment.
J-6 Chord Synthesizer
The J-6 Chord Synthesizer is an endless well of musical inspiration, pairing a powerful chord sequencer with the lavish tones of the renowned JUNO-60 synth. Creators don’t need to know chords or theory to make music—they can simply call up one of 100 chords sets and build compelling chord progressions with one-touch presses on the built-in keyboard. Styles and variations are also available to coax dancing lines and rhythmic patterns from chords. Users can quickly string progressions together via step input, tweak the sound with dedicated filter and envelope controls, and add polish with customizable delay and reverb effects.
E-4 Voice Tweaker The E-4 Voice Tweaker combines advanced voice transformer tools and standard vocal effects with a hands-on interface that’s meant to be played. Performers can go from traditional vocal enhancements to punchy beatboxed grooves to striking alien soundscapes—all in a single tune. Pitch and formant sliders are available to instantly change the vocal gender, create robot voices, and more. Auto Pitch, automatic harmony, and vocoder processors are included, along with reverb, delay, and other effects. There’s also a built-in 24-second looper for capturing performances on the fly, plus a unique Scatter function for slicing and dicing the sound via a dedicated panel knob.
Availability & Pricing
The Roland AIRA Compact series is now available in the U.S. for $199.99 each."
Introducing the Roland JUNO-X Synthesizer | Three JUNOs in One (JUNO-60, JUNO-106, and JUNO-X)
video upload by RolandChannel
"Watch David Ahlund introduce the JUNO-X synthesizer’s wide range of sounds and features. This three-in-one synth contains the vintage JUNO-60 and JUNO-106 engines from the legendary JUNO lineup plus the modern JUNO-X sound engine. Combine and layer up to four parts and bring the warm vintage sounds of the ‘80s into the future.
Enhance your performance with three additional Roland classics—XV-5080, RD-Piano, and Vocoder. From the built-in chorus to the forward-thinking I-Arpeggio, JUNO-X combines classic effects with modern musical muscle for an unmatched JUNO experience.
Not only is JUNO-X packed with unrivaled sounds, but it also features a familiar panel with responsive controls and a full-sized keyboard for immersive performance. Plus, you can tweak tones, build scenes, and swap parameters easily using the free JUNO-X Editor for Windows and Mac OS available on Roland Cloud.
0:00 Introduction
1:11 JUNO-X Engine
3:08 JUNO-60 Model
4:14 JUNO-106 Model
5:49 XV-5080 Model
6:21 RD-Piano Model
6:40 ZEN-Core Sounds
7:32 Designing Sounds—Synth Bass
8:39 Designing Sounds—Pad
9:33 Designing Sounds—Organ
10:18 Designing Sounds—Lead
11:14 Vocoder
12:10 Scenes
14:25 I-Arpeggio
15:49 Drum Step Sequencing
17:32 Roland Cloud Connect
18:13 Performance"
Roland Juno-X Programmable Polyphonic Synthesizer - First Look with Scott Berry
"My friends--- I can finally say it: The Juno-X is HERE.
What an honour to be a part of the launch campaign with my friends at Roland. I am a huge advocate for the original Jupiter-X and all of its amazing capabilities, and the new Juno-X does EVERYTHING the Jupiter does in a more accessible and more inexpensive package--- it even has stereo speakers under the hood!
Here is my day 1 review of this awesome synthesizer.
Chapters:
0:00 - The NEW Juno-X
1:17 - Creating sounds from scratch with the Juno-X model
6:26 - Detuning oscillators
7:32 - Juno Chorus I, II, & III
10:29 - Filter modes: Roland, Moog, Sequential
12:12 - Changing parts, adding in part 2: Juno-106 model
16:10 - Stacking sounds
16:53 - Adding in part 3: RD Piano model
17:49 - 3 layer super stack!!!
19:30 - Adding in a rhythm/arpeggio
21:11 - Exploring some scenes
27:07 - Feature rundown
29:09 - Comparison with Jupiter-X
30:26 - Closing Thoughts
Roland JUNO-X - DEMO by gattobus: "Distant Memories"
"Here is the new Roland JUNO-X!!!
Every sound you hear in this video comes from this instrument, no overdubs, everything's been played in real time using the 5 internal parts, iArpeggio and the step sequencer.
Inside of each unit that you will find in the stores, there's also a piece of me as I had the privilege to create a lot of factory tones, scenes and the new iArpeggio 2.0 patterns!
I put a lot of love into it and I'm so happy with the final result. I have never felt so good with a synth since System-8, my first real job for Roland. It's a great honour for me to collaborate with them.
This simple song that I played, is not just a demo, it's a declaration of love towards life, for the fact that it led me to do (at least for me) the most beautiful job in the world.
I would like to thank president Jun-Ichi Miki, Hisakazu Yamasato, Akihiro Nagata, Yoshinori Iwamoto, Gota Miyabashira and all the amazing people in Roland I've been in contact with during the last 5 years. You are like superheroes to me, you're really making my dreams come true.
I hope this is only the beginning.
Happy 50th Anniversary Roland!!! 🧡"
And the press release (click the pics to zoom in):
The Legendary JUNO Experience Reimagined with the Power of Roland’s ZEN-Core Synthesis System
Los Angeles, CA, April 26, 2022 — Roland announces JUNO-X, a new polyphonic synthesizer driven by the next-generation ZEN-Core Synthesis System. JUNO-X brings the best of the past together with Roland’s latest technologies, reimagining the vintage JUNO experience with vastly expanded sound possibilities and free-flowing tools tuned for today’s music. It delivers the full capabilities of the native ZEN-Core engine, along with genuine recreations of the JUNO-60 and JUNO-106 synths plus other legacy Roland instruments.
Standing among the greatest analog synthesizers ever created, Roland’s iconic JUNO lineup has had a massive impact on music for over four decades. The warm, organic sounds of the JUNO-60 and JUNO-106 defined countless ’80s pop hits and played a huge role in the emergence of techno, house, synthwave, and other electronic styles. JUNO-X delivers the vintage JUNO spirit that continues to inspire leading music makers, coupled with the power and versatility needed for modern workflows.
JUNO-X includes JUNO-60 and JUNO-106 Models, plus an all-new JUNO-X engine with a Super Saw waveform, velocity sensitivity, pitch envelope control, and other evolved features. The two beloved chorus modes from the originals are also available, plus a third mode with even more fatness and swirl. Users can combine them to create seven different chorus effects for use with any JUNO-X tone.
JUNO-X features additional Models from the historic Roland canon, including the PCM-based XV-5080, acoustic pianos from the RD series, and an expressive Vocoder. Model Expansions from Roland Cloud are supported as well, giving players the ability to load optional titles such as the JUPITER-8, JD-800, SH-101, Vocal Designer, and others.
Roland Cloud is also home to a growing range of Wave Expansions, Sound Packs, Sample Packs, and other creative tools, and ten free Sound Packs are available with a JUNO-X purchase. Additionally, JUNO-X provides integrated support for Roland Cloud Connect, a powerful option that includes the WC-1 wireless adapter and one year of Roland Cloud Pro membership. This allows users to browse, audition, and load Model Expansion titles and other Pro membership content directly to the keyboard via Wi-Fi.
A key element of the JUNO’s appeal was a straightforward interface that made it easy to craft inspiring sounds and evolving textures in the heat of the moment. With a familiar hands-on panel inspired by the original 1980s synths, JUNO-X invites players to fully immerse in the music and create without limits. Up to four tones can be layered together, and a wide selection of modern effects are available for enhancing sounds. First introduced with JUPITER-X, the powerful I-Arpeggio function offers both traditional arpeggio sounds and organic, inspiring movement driven by intelligent algorithms.
JUNO-X comes equipped with an expressive 61-note keyboard with aftertouch and loads of connectivity for every musical workflow, including balanced and unbalanced audio outputs, a stereo audio input, and MIDI I/O. There’s also a mic input for vocal performing or feeding the onboard Vocoder. USB is available for data backup, audio/MIDI communication with DAWS, and remote editing with the free JUNO-X Editor for macOS and Windows. A high-quality stereo speaker system provides built-in sound monitoring, and Bluetooth® is available for streaming music from a mobile device.
Availability & Pricing
The Roland JUNO-X Programmable Polyphonic Synthesizer will be available in the U.S. in May for $1999.99."
--- Original post prior to the above follows (pics replaced with hi res versions - click them for the full size shots) ---
This is just breaking - no press release or info on Roland's site yet. Until then, some pics and features. As you can see this one is based on the Juno-106 design. The UI is as important as the engine and it looks like Roland may have nailed this one. The one problem with the original Juno-106 are those BA662A voice chips that fail over time. I've had a couple go and they are not simple to replace. You have to unsolder multiple pins on them to remove them.
What's interesting is it appears Roland is releasing classic physical designs with overlapping synth engines. The JUPITER-X has the JUPITER-8, JX-8P, JUNO-106, SH-101, XV-5080, RD, Vocoder, and ZEN-Core engines. The Juno-X has JUNO-106, Juno-60, XV-5080, RD, Vocoder, and ZEN-Core. So the X adds the Juno-60 but is missing the Jupiter-8, JX-8P, and SH-101? The Juno-X adds built-in speakers like the Jupiter-Xm. Interesting they note the speakers were inspired by the Juno-60 below. The Juno-60 did not have built-in speakers. The Juno-106S and SynthPlus 60 did.
Features:
Over 4,000 presets from historic Roland products including the JUNO-106, Juno-60, XV-5080, RD series of pianos, and classic vocoder model
Model Expansions incorporate even more Roland history and sound-design technology to offer nearly endless options for sonic exploration
Newly engineered Super Saw oscillator, Chorus III effect, and more use ZEN-core Synthesis to deliver a worthy holder of the Juno gauntlet
Layer up to 4 different sounds for unparalleled tone design opportunities
Intuitive interface enables straightforward sound design and modification
Ergonomic arrangements encourage breezy workflow, setup recall, and preset management with Scenes (up to 256 global setup presets)
Free Juno-X Editor software is included to give you even deeper access to making your sounds your own
Classic design and robust hardware seamlessly blend satisfying tactility with precision control
Aftertouch and assignable sliders and switches provide great range of expressivity
Retro arpeggiator and I-Arpeggiator can be freely toggled to allow for greater rhythmic flourish USB audio/MIDI interface and USB memory port for data backup, computer connection, and more
Onboard stereo speakers (inspired by the Juno-60) and Bluetooth compatibility make it easy to jam along to any accompanying track
Dedicated microphone input includes its own effects to model inputs and vocoded sounds
Multi-effects suite includes multiple forms of reverb, delay, chorus, EQ, compression, and overdrive
Output jacks for hold and control pedals allow for expansion of expressive control
3.5mm and 1/4-inch headphone outputs, L/Mono and R 1/4-inch main outs, and L/R XLR outs
