Creative Technologies Troll8 µSynth / µMidiController

Published on Mar 25, 2016 Creative Technologies FH Kiel

"More details soon at http://www.creative-technologies.de/t..."

This one spotted and sent in via Vladimir / av500.

look what the cat dragged in: #ctag #troll8 #sequencer #drumcomputer by FH Kiel, Germany #sdiy #modularsynth not #eurorack work in progress

A post shared by Vladimir Pantelic (@av5oo) on Apr 14, 2017 at 7:39am PDT

Arturia SPARK Updated to Version 1.6.1

"Arturia’s SPARK software engine gathers steam to Version 1.6.1

GRENOBLE, FRANCE: music software and hardware company Arturia is proud to release Version 1.6.1 of SPARK, the latest software update to its SPARK Creative Drum Machine and SparkLE Creative Drum Machine hybrid hardware/software beat production centres, on March 25...

Quite simply, SPARK Creative Drum Machine revolutionised hands-on beat-making by cleverly combining TAE® (True Analog Emulation) synthesis, sample playback (with multiple layering modes and post- processing), and physical modelling technologies with the intuitive workflow of a hardware drum machine upon its June 2011 launch; NAMM 2013 subsequently saw Arturia taking this concept to the masses by introducing SparkLE Creative Drum Machine, an all-new, ultra-portable package sharing the same SPARK software engine.

Now, thanks to Version 1.6.1 of that already super-smart SPARK software engine, Arturia has improved the functionality of both SPARK Creative Drum Machine and SparkLE Creative Drum Machine as follows.

Firstly, SparkLE Creative Drum Machine owners benefit from an added accent button in the GUI and an added latch mode for the instrument FX Pad, which, when activated, assigns the P1 and P2 knobs to the instrument parameters (Volume/Pan, Cutoff Resonance, Aux1/Aux2), while pressing any of the three XY Instrument buttons turns off latch mode (returning the P1 and P2 knobs to their previous assignations).

Joint benefits also abound for SPARK Creative Drum Machine and SparkLE Creative Drum Machine users, including improving the MIDI Clock output, together with several bug fixes.

So, thanks to those Version 1.6.1 improvements, the time has truly come to ignite rhythmic creativity with SPARK Creative Drum Machine and SparkLE Creative Drum Machine. Super-size beat-making with the original or add a little sparkle? The choice is out there!

The SPARK Version 1.6.1 update can be downloaded directly for free from here"

Arturia Spark on eBay
Arturia Spart on ZZounds
Update: pics added.

SPARK goes to Hollywood with Arturia’s Hollywood Essentials

"SPARK goes to Hollywood with Arturia’s Hollywood Essentials

GRENOBLE, FRANCE: music software and hardware company Arturia is proud to announce availability of Hollywood Essentials, the latest Expansion Pack for its highly-creative SPARK Creative Drum Machine and SparkLE hybrid hardware/software beat production centres, as of May 7...

Hollywood Essentials adds an amazing array of film-scoring sounds to the SPARK software engine shared by Arturia’s SPARK Creative Drum Machine — which revolutionised hands-on beat-making by cleverly combining TAE® (True Analog Emulation) synthesis, sample playback (with multiple layering modes and post-processing), and physical modelling technologies with the intuitive workflow of a hardware drum machine upon its June 2011 launch — and its smaller sibling, the super-slimline SparkLE, recently released to critical acclaim.

Hollywood hotshot sound designers Larry Hopkins (The Following, Vampire Diaries, Revenge), Alan Howarth (Poltergeist, Raiders Of The Lost Ark, Back To The Future II), and Mark Mangini (Die Hard, Star Trek, The Fifth Element) have pooled their considerable creative resources to create Hollywood Essentials. As such, it features an attractive library of 30 ear- catching kits with 480 instruments and 960 patterns ranging from field recordings made in the likes of auto body shops and dentists to ethereal sci-fi soundscapes and action sequence percussion ensembles fit for any adventurous blockbusting Hollywood motion picture!

Whether Hollywood Essentials users choose to score a film with those stimulating sounds or creatively apply them to other musical genres as they see fit, all integrate perfectly with everything those revolutionary SPARK software-sharing SPARK Creative Drum Machine and SparkLE hybrid hardware/software beat production centres have to offer. Performance- enhancing tools like the XY Pad, Looper, and Slicer; 14 high-quality effects; and a speedy step Sequencer come together to make track creation and automation a breeze. Each and every beat and sound can be twisted and tweaked, thanks to the intuitive and creative workflow that lies at the very heart of the SPARK Creative Drum Machine concept.

So why not expand your SPARK Creative Drum Machine or SparkLE’s sonic horizons with Hollywood Essentials and set your sights on conquering the big screen? Maybe the Hans Zimmers of the world should watch their backs... there may soon be some new faces to contend with in Tinsel Town!

Hollywood Essentials requires SPARK Creative Drum Machine Version 1.5 (or higher), and can be purchased and downloaded directly from the Arturia online store (http://www.arturia.com/evolution/en/buy/online-shop.html) for €29.00 EUR/$29.00 USD.

Listen to audio examples of Hollywood Essentials here: http://www.arturia.com/evolution/en/products/spark-hollywood/details.html"

Pictured in order: Larry Hopkins, Alan Howarth, Mark Mangini.

Roland Supercharges FANTOM Synthesizer Series

Roland FANTOM EX Synthesizer | Performance featuring LZARUS
video upload by

"FANTOM EX is the latest chapter of the FANTOM legacy. Watch producer and session keyboardist Laurence Jepson, aka LZARUS, perform with the most advanced creative synthesizer ever. Check out an array of FANTOM EX features in action, including German Grand V-Piano Expansion, JUPITER-8 ACB Expansion, live bass recording with JX-8P Model Expansion, TR-REC step sequencing, vocoder, n/zyme Model Expansion, and Shimmer Reverb.

About FANTOM EX

FANTOM EX provides a complete creative ecosystem for professional sound design, sequencing, and performance.

Explore the most advanced Roland sound engines—ACB, ZEN-Core, V-Piano, SuperNATURAL, Virtual ToneWheel, and other Roland technologies. Plus, SH-101, JUPITER-8, and JX-3P* ACB Model Expansions and six additional pre-loaded ZEN-Core Model Expansions, including n/zyme for advanced wave design, vintage-inspired instruments, premium pianos, essential organs, and more.

Integrate seamlessly with any computer-based setup with dedicated modes for Ableton Live, Logic Pro, MainStage, Cubase, and Studio One. Sample directly into the synth and trigger, loop, program, create new tones from partials, or use multi-track sampling to stack sources into complex sounds. Then, refine your sound with Master FX and preset templates.

Developed in collaboration with renowned synth designer Axel Hartmann, the FANTOM EX hardware and user interface is built to support your creativity with intuitive operation and world-class playability."

Roland Fantom EX - Expansion In Use - Sonic LAB

video upload by sonicstate

"Roland's latest iteration of the Fantom is now the Fantom EX which is essentially the same Fantom you could buy yesterday, but now with the EX software expansion.

David aka @superfrogsavestokyo has a look at the new EX features, but with the regular Fantom hardware. He builds some musical sketches to demonstrate the new ACB models and the n/zyme Wavetable synthesizer."

Roland press announcement follows:

The Acclaimed FANTOM Synthesizer Series, Supercharged with the Latest Roland Sound Technologies and Updated Creative Tools

Los Angeles, CA, April 25, 2024 — Roland announces FANTOM EX, a new flagship synthesizer series for professional musicians and producers. Updating and expanding the popular FANTOM platform with the latest Roland technologies, the next-generation FANTOM EX delivers a complete creative ecosystem for sound design, sequencing, and performance. In addition to the FANTOM 6 EX, FANTOM 7 EX, and FANTOM 8 EX models available to new purchasers, current FANTOM owners can expand their instruments with all EX sounds and features through the FANTOM EX Upgrade for sale on Roland Cloud.

Introduced in 2019, the Roland FANTOM has received worldwide acclaim for its diverse range of high-quality sounds, powerful synthesis tools, premium playability, and free-flowing user interface. FANTOM EX builds on the original’s foundation, supplementing the core feature set with Roland’s Analog Circuit Behavior (ACB) engine and numerous sound expansion titles, including the recently developed JX-3P ACB Expansion. New effects and a host of fresh workflow enhancements are also included.

Each FANTOM EX model provides the most expansive collection of premium sound engines available in a hardware instrument. Roland’s ACB, ZEN-Core, V-Piano, SuperNATURAL, and Virtual ToneWheel technologies spark inspiration at every turn, providing expressive and inspiring sounds for every musical style.

With FANTOM EX, users can compose and perform with over 7000 genre-defining Roland sounds and go further with premium sound content on Roland Cloud. Eleven sound expansion titles come as standard, including JUPITER-8, SH-101, and JX-3P ACB Expansions; n/zyme, JD-800, JUNO-106, JUPITER-8, JX-8P, and SH-101 Model Expansions; the German Concert V-Piano Expansion 01; and the SuperNATURAL Acoustic Piano 3 Expansion.

The powerful custom processors in FANTOM EX provide smooth and precise operation with plenty of overhead, enabling loads of polyphony and full patch remain for seamless transitions. There are dozens of simultaneous effects, including new studio-grade reverbs and updated Master FX for shaping the overall sound. A characterful analog filter is also available, perfect for infusing tones with extra warmth and grit.

FANTOM EX is primed to be the center of any production universe. Users can directly shape sounds and develop musical ideas with a friendly, ergonomic panel filled with buttons, knobs, and sliders. The color touchscreen dynamically changes to support the task at hand, and it’s now possible to personalize the look by importing custom images for the screensaver and startup view.

The deep onboard sampling and composition tools in FANTOM EX support fast sound creation and quick arrangement of song ideas. Multiple workflow options include the classic Roland TR-REC step sequencer, real-time recording with piano roll editing, and 16 RGB pads for triggering sounds, samples, and clips.

FANTOM EX flows effortlessly into any computer-based production setup. There are dedicated modes for popular software platforms, including Ableton Live, Logic Pro, MainStage, Cubase, and Studio One. With the built-in 16x3 audio/MIDI USB interface, users can mix and layer soft synths with hardware sounds, send sequencer parts to computer tracks, route DAW sources through FANTOM EX effects, and more.

The loaded FANTOM EX rear panel supports connections with a wide range of gear. There are XLR combo connectors for mics and instruments and eight 1/4-inch outputs to route sounds to external destinations. MIDI I/O is also available, along with dual CV/Gate outputs for driving modular and analog synths.

Each FANTOM EX model comes equipped with a premium keyboard and aftertouch support. The FANTOM 8 EX offers the ultimate weighted experience with 88 hammer-action keys, while the 61-note FANTOM 6 EX and 76-note FANTOM 7 EX feature semi-weighted synth action. Precision-crafted with decades of Roland development knowledge, these inspiring keyboards deliver the most expressive playability available.

Released in November 2023, the FANTOM EX Upgrade on Roland Cloud allows owners of the original FANTOM 6/7/8 models to outfit their instruments with the newly added EX features, including JUPITER-8, SH-101, and JX-3P ACB Expansions, n/zyme and JD-800 Model Expansions, two new grand pianos, and all other EX enhancements.

Availability & Pricing
The Roland FANTOM 6 EX, FANTOM 7 EX, and FANTOM 8 EX will be available in the U.S. in April for $3,199.99, $3,699.99, and $4,199.99 respectively."

Introducing TZM Creative Lab's Motus – Creative Motion Enhancer

Motus – Creative Motion Enhancer from TZM Creative Lab on Vimeo.

"Motus allows users to literally play music in the air. No keys, buttons or knobs. While holding Motus in hand, you can play the note and at the same time change its timbre by using different motion gestures."

See https://motusmotus.com for additional details including their crowdfunding campaign for the Motus.

The following is pulled from their press release where you'll find additional pics:

"Bow without strings, play synths without pressing the keys. An exciting and simple, yet intelligent wireless musical instrument converts motion gestures to sounds

TZM Creative Lab introduces their first product, Motus – Creative Motion Enhancer. A wireless device converting motion to sound, a creative tool for professional musicians, dancers and artists, an intelligent toy for kids and grown-ups. Available on crowdfunding campaign now, for less than $100.

Motus is a mobile wireless device that turns motion to sound. In human’s language, it allows users to literally play music in the air. No keys, buttons or knobs. While holding Motus in hand, user can play the note and at the same time change it’s timbre by using different motion gestures. Instead of defining single way to play Motus, we simply offer different interaction rules. While loading a different Motus instrument, you’re redefining what it will be – shaker, air drums, violin or something else. Use each instrument just as you would in reality. Motus technology tracks user’s free movements, extracts the most important motion features (e.g. velocity, dynamics, displacement) and maps them to different sounds. It can be a real-time generated sounds, prerecorded material or even sound and light effects. The size of Motus is optimal for easy handling and excellent control.

Motus technology tracks user’s free movements, extracts the most important motion features and maps them to different sounds.

New possibilities in music
Music

“By developing Motus we are keen to engage more people to explore new possibilities of being creative. It started as a tool that expands musical performance, however later we saw it has very broad use cases, e.g. dance, performing arts, or just having fun for people that have no connection with music at all. Anyone who is willing to experiment with digital sound is hindered by the process. Therefore, we did reverse the whole thing and made it approachable in a simple and exciting way, by using motion as a natural input into digital sound synthesis. The space around you becomes a touchless surface, a canvas you can interact with and explore. Motion with Motus turns the air into a keyboard, fret board, djembe skin, drum pads, violin bow, etc. The movement is a key to play and experiment with sound in real-time whether during casual time outdoors or on stage.” – said Mindaugas Badokas founder of TZM Creative Lab. “Motus is also, in part, about community. We seek to empower motion to open up more possibilities of creativity in sound exploration and gather the whole community which keeps that alive. Where anyone can take part from professional musicians to dancers, from grown-ups to kids (even 30 years-old kids).”

Motion with Motus turns the air into a keyboard, fret board, djembe skin, drum pads, violin bow, etc. The movement is a key to play and experiment with sound in real-time.

Three different Motus versions

Motus Classic is out-of-the-box device and can be explored instantly by anyone. It provides full Motus experience, however it should not be used for professional applications.

Motus Pro is made for professional performers, it comes with an external Bridg receiver and precision sensors, its connectivity rage is up to 30 meters and possibility to connect up to 12 devices simultaneously. It is a perfect fit for using on stage and demanding tasks of any performance.

Motus Hacker is offered for the adventurous DIY enthusiasts seeking to make their own customized device, it comes without usual body and each part has to be soldered together by the user. Depending on added elements it may be used on stage, however this is highly variable, therefore it is not recommended for professional application but more for the experimentalists.

Connectivity
Motus comes together with its software, where users are able to select Motus instruments and play them instantly. It as well can be used as a controller with any DAW of choice—it is compatible with MIDI, OSC and ReWire. Ableton Live users will be provided with M4L device to make the set-up easier. Max users will be offered a pack of externals and abstractions.

In contemporary dance scene for 2 years
Usually dancer follows the music and technicians follows the dancer to implement the image and audible atmosphere of the show. Motus enables dancers to directly control and improvise with sound, live visuals or lighting. Dance troupe Aura has been using Motus prototype for the past three seasons in the play “Make a Switch from me”, which was premiered in Italy, Lithuania and Poland. Composer found Motus being a versatile tool. “Motus helps to communicate message faster and gives an opportunity to expand your fantasy but still keep the audience in it.”, explained Antanas Jasenka, Composer.

Motus not only provided an immersive experience for the audience but as well for the dancers. Francesco Dalmasso, dancer at Aura Dance Theatre said “You have really close connection that you’re actually creating the choreography yourself and at the same time creating the music, sounds, so you’re both – choreographer and composer and a dancer. It’s very rich.”

Dance troupe Aura has been using Motus prototype for the past three seasons in the play “Make a Switch from me”

Coolgarden – the app store for Motus
TZM Creative Lab will be opening a standardized platform, Coolgarden – app store for Motus. Coolgarden is a place where Motus users will be able to find all Motus instruments and creative applications. Therefore, developers are invited to develop Motus instruments and offer them for Motus users through Coolgarden. Developers can offer everything from synths, audio effects, visual generators or interactive games which can be monetized or free for users.

Embedding latest technologies
In the last years scientific approaches to human-computer interfaces and interactions for musical performance gained increasing attention from scholars. Some of the reasons for this are computational speed progress and microcontrollers price drop, which have opened new possibilities in the realm of real-time musical interactions. Motus is an outcome of many experiments and scientific endeavors. We’re bringing cutting edge technologies straight to the user. By doing this we can exit alpha stage faster and implement exciting features found only in scientific papers and research facilities.

Available on crowdfunding
Motus was launched on a self-starter crowdfunding campaign on 21th of October. The company seeks to reach its crowdfunding goal of $28,000 in 30-day period until the 20th of November. During a campaign Motus devices are offered for an introductory price starting from $80. First supporters will be able to purchase a limited number of devices for even more discounted price. The collected funds will be used for securing first batch of production: finalizing the product, setting up manufacturing and future development."

The new MPK Mini Plus | Akai Professional

video upload by AkaiProVideo

"Enjoy full creative control with the new MPK Mini Plus. Featuring 37 mini-keys, advanced connectivity for MIDI/CV/Gate/Clock, and an internal 2-track sequencer, make music with the ultimate feel and response."

CLICK FOR MORE »

Ableton and Cycling '74 Partner

Cycling '74 and Ableton to Codevelop New Products

The world of creative media software tools is about to get a lot more interesting. A new strategic partnership between Ableton and Cycling '74 promises exciting developments on the horizon for digital media creators, producers, and performers. Ableton CEO and cofounder Gerhard Behles and Cycling '74 CEO David Zicarelli are pleased to announce this unique alliance between the two dynamic and innovative audio/video software companies.

"We've been excited by the idea of bringing the worlds of Ableton and Cycling '74 together for a long time," says Behles, who has been a fan of Zicarelli's company for many years. "In our own musical work," Behles says, "we have been avid users of Cycling '74's products since long before Ableton existed."

Behles and the rest of the Ableton team have long been inspired by Cycling '74's commitment to empowering creative people. "Cycling '74 represents the idea that artists should be free to create the tools to match their unique creative vision—that the making of the tools can become part of the creative process," says Behles. "That's an inspiring thought, and we admire the Cycling '74 team for delivering on this fascinating promise."

Zicarelli was first introduced to Ableton through musician, composer and conceptualist Robert Henke. "Robert was a big Max user," says Zicarelli, referring to Cycling '74's graphical development tool for music and multimedia. "He introduced us to the people at Ableton, and he suggested almost immediately after Live was released that he would love a way for the companies' products to work together." Zicarelli found Henke's suggestions hard to resist. "Robert can be very persuasive when he talks about what he would love to see."

Zicarelli expresses admiration for the care and sheer effort that has gone into the creation of Ableton's flagship product, Live. "One of the things we've come to appreciate about Live," says Zicarelli, "is that its ease of use comes out of incredible attention to detail. Ableton works very hard to make it seem as if the software just works. That has been very inspiring to try to apply to our own product development."

Behles describes the creative vision and hopeful spirit behind the collaboration: "We feel the Cycling '74 approach to designing software for the creative community perfectly complements Ableton's. By integrating the technologies in a meaningful way, both companies can stay focused on their key strengths, avoid diluting their product philosophies, and bring the best of both worlds to the creative user."

Creative Technologies TBD Rompler Sample Playback

video by Creative Technologies

"TBD Rompler allows playback of user sample data"

Creative Technologies TBD custom wavetable oscillator

video by Creative Technologies

"TBD offers the possibility to upload user wavetable data and use it in a wavetable oscillator plugin WTOsc"

Roland Introduces the FANTOM-0 - New Lineup of Synthesizer Keyboards

video upload by RolandChannel

The Roland FANTOM-0 synthesizer keyboard series will be available in the U.S. in April for the following prices:
● FANTOM-06: $1,499.99
● FANTOM-07: $1,799.99
● FANTOM-08: $1,999.99

"Discover the FANTOM-0 Series synthesizer lineup added to the FANTOM family. The three models offer the sonic power and fluid workflow of the flagship FANTOM series with a lightweight design and more affordable price. Choose from the 61-note FANTOM-06, 76-note FANTOM-07, or 88-note FANTOM-08. You’ll have everything you need to capture your creative vision and perform your pieces in one fluid instrument.

Take advantage of FANTOM-0’s powerful synth engine with instant access to ever-expanding Roland Cloud content, including Model Expansions, Sound Packs, Sample Packs, and more. And with features like hands-on knobs and sliders, color touchscreen, quick sampling features, and a clip-based sequencer, your production and performance processes will be smooth as silk. Plus, FANTOM-0 integrates with production software like Logic Pro, MainStage, and Ableton Live for a seamless setup.

Performers can easily carry FANTOM-0 instruments from the studio to the stage. Weighing significantly less than most other professional keyboards, just slide the synth into its gig bag and go wherever inspiration takes you.

In this video, learn about the impressive range of features and extraordinary sounds that make FANTOM-0 series synthesizers the creative hub of producers and performers alike.

0:00 Intro
1:37 SuperNATURAL Piano
2:39 SuperNATURAL EP
3:30 Virtual ToneWheel Organ
4:12 SuperNATURAL Strings
5:20 ZEN-Core Synthesizers
7:11 High-Resolution Filter
8:03 Step LFO
9:16 DSP Effects
9:38 Drums and Step-Sequencing
10:46 Sounds from Roland Cloud
12:37 Sample Pads
13:32 Multisamples
15:23 Scenes
16:19 Scene Chain
17:11 Pattern Sequencer
19:49 Piano Roll Editor
20:44 Song Arrangement
21:21 DAW Integration
26:14 MainStage Integration
28:01 FANTOM-0 Models"

Roland Fantom-0 Workstation Keyboard - First Look with Scott Berry
video upload by Kraft Music

"Find exclusive Roland Fantom-0 Bundles at Kraft Music:
https://www.kraftmusic.com/brands/rol..."

New Roland Fantom 08 - Quick demo by gattobus

video upload by gattobus

"Here's a quick demo using multiple parts on the new Fantom 08.
Everything's been played in real time, no overdubs.
In the second part of the video I used the internal pattern sequencer playing along with a lead sound."

And the press release:

Streamlined Instruments with Advanced Sounds and Creative Features Directly Inherited from the Flagship FANTOM Series

Los Angeles, CA, March 15, 2022 — Roland introduces the FANTOM-0 series, a new lineup of synthesizer keyboards for performers, producers, and music creators. The FANTOM-06, FANTOM-07, and FANTOM-08 models combine the sonic power and fluid workflow of the top-of-the-line FANTOM series in light, streamlined instruments that flow smoothly into every musical situation, from studio production to high-level stage performances.

Unveiled in 2019, Roland’s reimagined FANTOM series has received worldwide acclaim for its advanced sound technologies and unique creative workflow that eliminates confusing modes and technical frustration. FANTOM-0 carries on this approach, offering core FANTOM features in highly portable instruments that weigh significantly less than most top-tier professional keyboards. Users can play and produce with thousands of Roland’s best sounds and unleash their musical vision with a color touchscreen, hands-on controls, and deep computer integration derived from the flagship models.

FANTOM-0 offers unlimited sound-making possibilities with Roland’s ZEN-Core, SuperNATURAL, and Virtual ToneWheel Organ technologies, with further expansion available through Roland Cloud. Musicians can create with synthesizers and rhythm sounds that have defined entire genres, build organic compositions with pianos and other acoustic instruments, or shape sounds of the future with next-generation synthesis tools. Built for non-stop creation, FANTOM-0 lets users shape sounds and realize ideas as fast they come. Using custom creative spaces called Scenes, they can store sounds, patterns, performance layouts, song sections, and more and recall them seamlessly with no gaps or glitches. And with the free-flowing panel layout, RGB performance pads, quick sampling features, and clip-based sequencer, sessions with FANTOM-0 are inspiring, productive, and fun.

FANTOM-0 slides easily into modern production setups with a built-in 4x32 USB audio interface, and native integration with Logic Pro, MainStage, and Ableton Live provides an interactive experience with touchscreen and hardware control. It’s also possible to combine soft synths with FANTOM-0’s onboard sounds and interface with favorite MIDI hardware via the dedicated MIDI output.

FANTOM-0 instruments are easy to carry from a home studio setup to rehearsal rooms and performance stages, thanks to molded body designs that are sleek, attractive, and ultra-rugged. The 61-note FANTOM-06 and 76-note FANTOM-07 are equipped with newly developed synth-action keyboards, while the FANTOM-08 comes with 88 weighted-action keys. Other than the keyboards and physical specifications, all FANTOM-0 models offer identical features.

With Roland Cloud, players can dive deep into the historic and ever-evolving world of Roland synthesizers. Model Expansions infuse FANTOM-0 with the authentic sounds and unique characteristics of the JUPITER-8, JUNO-106, and other vintage icons. And with the growing selection of Wave Expansions, Sound Packs, Sample Packs, and more, there’s a steady stream of creative fuel for every musical journey.

Availability & Pricing

The Roland FANTOM-0 synthesizer keyboard series will be available in the U.S. in April for the following prices:

● FANTOM-06: $1,499.99
● FANTOM-07: $1,799.99
● FANTOM-08: $1,999.99

To learn more about the FANTOM-0 series, visit Roland.com."

H-Res Pics (click them to zoom in):

CLICK FOR MORE »

Musikmesse: AKAI MPK88

product page is up
"Professional performance instrument for the modern keyboardist.

The Akai Professional MPK88 is a professional performance keyboard controller with MPC production controls. The MPK88 draws on the design of the popular MPK49, the first keyboard ever to features MPC pads. This first-of-its-kind keyboard is ideal for performance, starting with a premium, fully weighted, hammer-action keyboard, adding MPC pads, Q-Link controls, and a selection of MPC technologies. The MPK88 is born for the stage and is equally at home in the studio.

CREATIVE INPUT
MPK88 features an 88-key keyboard and 16 genuine MPC pads. The hammer-action keyboard is fully weighted and features aftertouch for expressive melodic control. The MPC pads are pressure and velocity-sensitive to capture every nuance of your creative concepts. The pads can access four banks of sounds, so you have 64 samples at your fingertips with the touch of a button.

The MPK88 places dedicated transport controls within your reach for easy control of some of the most important tracking and editing controls. The MPK88 has modulation and pitch-bend wheels for expressive musicality, and two assignable footswitch inputs enable you to connect an expression pedal or other continuous controller and a footswitch for momentary controls like patch change or start/stop.

Q-LINK COMMAND
One of the most important input devices on an MPC is its Q-Link assignable control section. Akai Pro built a massive collection of Q-Links into the MPK series. The MPK88 gives you eight virtual knobs that are assignable to control nearly any software parameter. You can control three different parameters per knob thanks to the knobs' three-bank selection, totaling 24 parameters of instant, hands-on control. Like the virtual knobs, eight virtual faders and eight virtual buttons also control three banks of parameters each, so you get 24 virtual faders and 24 virtual buttons. That's 72 Q-Link controls!

EXPRESSIVE ENGINE
Two technologies pioneered in the MPC series and built into the MPK series are MPC Note Repeat and MPC Swing. These note-modifying features can be heard in many of the most popular tracks over the last two decades. MPC Note Repeat is a capability that enables the MPK (or MPC) to automatically play a rhythm pattern, such as 16th notes on a hi-hat, for accuracy and speed of entry. MPC Swing is sometimes referred to as "the heart and soul of hip hop" because it turns perfectly aligned sequences into human feeling time alignments. You can specify exactly the degree and timing of swing you want to apply for the perfect feel.

The MPK88 has Key Split, enabling you to control two different sounds from the same keyboard. On top of MPC technologies, the MPK88 has its own arpeggiator, which enables you to create quick, creative riffs in seconds. Just pick a note or chord and a rhythm pattern in the arpeggiator's library and the MPK will play your notes in the rhythm and sequence you choose.

The MPK88 also has MPC Full Level and MPC 16-Level on its pads, as well as Tap Tempo and Time Division so you can nail the tempo, timing, and dynamics exactly as you hear them in your head."

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iZotope and BT Release BreakTweaker™

Future Beat Machine - Introducing BreakTweaker™ by BT and iZotope

Published on Jan 23, 2014 iZotope, Inc.·156 videos

"Make beats you've never heard before. Built on a futuristic MicroEdit Engine, BreakTweaker turns everything you know about rhythm on its head, with the most powerful drum synthesis available.

Designed by BT and developed by iZotope, BreakTweaker is not just a drum machine: it's a drum sculpting and beat sequencing machine that blurs the line between rhythm and melody. Give your beats an evolving depth that gets better the longer they play. Use rhythmic slicing to drive everything from pitched melodic lines to sweeping rhythmic concoctions. Top it all off with the best drum sample library in existence, curated by BT, iZotope, and top producers today. Explore a new era of rhythmic possibilities with this forward-thinking and forward-sounding instrument."

And the press Release:

"Make beats you’ve never heard before with the beat machine of the future

The NAMM Show, Anaheim, CA (January 23, 2014) - iZotope, Inc., a leading audio technology company, and GRAMMY®-nominated composer and technologist, BT, have combined creative forces to bring you a drum sculpting and beat sequencing environment that blurs the line between rhythm and melody.

“We are a company that loves to make innovative products, taking the best of the past and forging into the future. We were able to collaborate with BT's forward-thinking vision on BreakTweaker, and we're proud to offer something incredibly unique and brand-new to the world of drum machines,” says iZotope Product Manager, Jack Cote.

Powered by three distinct modules, the Sequencer, the Generator, and a futuristic MicroEdit Engine, BreakTweaker is a creative rhythmic instrument that can be used with any DAW and MIDI controller. Perfect for anyone looking to create truly original and dynamic beats, it’s a new platform for rhythmic composition.
Key Features
Manipulate audio at a molecular level: control pitch, rhythm, and texture at the finest resolution available
Escape traditional drum grids: create complex polyrhythmic beats with unique isorhythm and playback speed settings
Get over 2 GB of professional, royalty-free content: explore presets, drum samples, and wavetables designed by today's top musicians and DJs, including BT
Craft your own drum sounds: blend drum samples with robust synthesis features to generate compelling hybrid sounds
Take control of your beats: Easily trigger and sequence complex patterns and samples using any MIDI controller

Designed by BT
Following their joint release of the live re-mixing plug-in, Stutter Edit, BT and iZotope are now back again with BreakTweaker. Featuring BT's patented micro edit technology based on pioneering rhythmic sound design research, BreakTweaker aims to change the way we think about rhythm and pitch.

“I’ve always been intrigued by the way humans perceive rhythm, particularly the threshold point of where the ear perceives rhythm as pitch,” describes BT, “The idea of exploring and exploiting this threshold inspired BreakTweaker, a tool where I could finally realize rhythmic possibilities that I once imagined but had never before been able to hear.”

For more information, visit the BreakTweaker website: www.izotope.com/breaktweaker and watch the BreakTweaker overview video: youtu.be/ErVxMz5tVek

iZotope will also be showcasing BreakTweaker at the 2014 NAMM Show in Anaheim, CA. Visit iZotope's NAMM Booth #6920 (Hall A) for live demos.

Pricing and Availability
BreakTweaker is now available for $199 USD through February 19, 2014 (reg. $249 MSRP).
BreakTweaker Expanded is now available for $249 USD through February 19, 2014 (reg. $299 MSRP) and includes three add-on Expansions: Vintage Machines, Cinematic Textures, and Kicks & Snares by Beatport Sounds.

BreakTweaker Expanded is also available as part of iZotope’s Creative Bundle for $599 USD, which also includes Stutter Edit, Iris (plus seven Iris Sound Libraries), and Trash 2 (plus two Trash Expansions).

Learn more about BreakTweaker Expansions and the Creative Bundle.

BreakTweaker Specifications
Supported operating systems:
Windows: XP SP3 or later, x64, 7, 8
Mac: OS X 10.6.8 or later (Intel-based Macs only)
Plug-in formats: AAX (Pro Tools 11), RTAS/AudioSuite (Pro Tools 7.4-10), VST and VST 3, Audio Unit
Host compatibility: BreakTweaker works as a plug-in in popular hosts like Pro Tools, Cubase, GarageBand, Logic, Ableton Live, Reaper, StudioOne, Audition, SONAR X2 & X3, ACID, Vegas, Sound Forge, and many more.

About iZotope, Inc.
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®.
For more information on iZotope products, please visit www.izotope.com.

About BT
GRAMMY-nominated composer and technologist BT is one of the most cutting-edge artists and producers for a dizzying array of musical styles. Whether composing intricate scores for blockbuster films such as Fast and Furious, and the Oscar-winning Monster; writing and producing for Sting, David Bowie, Peter Gabriel and Madonna to creating cutting edge proprietary software tools from scratch to make it happen - BT is at the heart of it all.

Juxtaposing memorable songwriting with sonic innovation and hand-designed technologies, BT crafts classically influenced electronic overtures, ringing with living textures that are an industry source book of new and highly copied signature techniques and ideas.

For more information on BT, please visit www.btmusic.com."

New Evaton RF Nomad Eurorack Prototype Module Video

RF Nomad Proto Teaser Published on Mar 17, 2014 Russ Hoffman·3 videos

"Evaton Technologies' RF Nomad Eurorack synth module prototype. The RF Nomad is a voltage-controlled sideband shortwave receiver module. The RF Nomad will be available summer 2014, and is the first module in Evaton Technologies' product line. Many more to follow!

Evaton Technologies manufactures products for the electronic music market. See our MKAdapter gooseneck mic adapter for the Korg microKORG and other products at http://www.evatontechnologies.com/mus...

(microKORG is a trademark of Korg, Inc. )"

"Entry on ModularGrid.net:

http://www.modulargrid.net/e/users/view/37090

Text from the Evaton Technologies website:

"RF. Radio Frequency. The stuff that Marconi made famous. Or maybe it made Marconi famous. Either way, it's not just for listening to hockey games anymore.

The RF Nomad voltage-controlled sideband shortwave receiver Eurorack module is currently in final stages of prototype evaluation.

The RF Nomad adds the squealy, squelchy, noisy, unpredictable vintage sounds of shortwave radio to your modular. But this is no ordinary shortwave; it's been designed to be extra noisy, extra squealy, extra gritty, and just downright nasty. No built-in output filtering means that a rich spectrum of harmonic content is available on the audio output jack. Audio levels can be driven to distortion. CV control lets you add your own creative spin on sound design.

Hissy interstation audio. Squealy heterodynes. Fading stations. Atmospheric noises. Faint voices in foreign languages from distant broadcast stations. Fire and brimstone. It's all in there, just like your granddad's old tabletop shortwave.

But, the RF Nomad adds a twist: The tuning is voltage controlled. Sure, when you were a kid, you discovered you could make spacy noises on Papa's shortwave by slowly turning the tuning dial. But just how fast could you twist that dial? Faster than an audio-rate LFO? Hardly. Voltage controlled tuning means that the RF Nomad will let you explore sounds you never imagined you could get out of a shortwave receiver."


Availability: Summer 2014
MSRP: TBD
Size: 8 HP
Power: +12V @ 10mA, -12V @10mA
Depth: 42mm"

New Aki MPX16 Sample Recorder & Player

"AKAI PROFESSIONAL INTRODUCES THE MPX16

Leading music production equipment manufacturer debuts playable, practical solution for sample-based performers.
Cumberland, RI, USA—March 11, 2014. Akai Professional (akaipro.com), innovator of audio sampling technology for music production and performance, announces the MPX16, an advanced sample player with onboard sound recording.

The portable MPX16 plays and records .WAV samples using SD cards for powerful, reliable performance in live and studio situations. Like the popular MPX8, samples are triggered internally from the highly responsive MPC-style pads or an external MIDI device via USB-MIDI and 3.5mm (1/4-inch) MIDI inputs. Also a feature-packed MIDI pad controller, the MPX16 is equally capable of launching clips or adding trigger pads to a producer’s studio.

Samples are captured at CD-quality via dual 6.3mm (1/4-inch) inputs or the on-board stereo microphone and saved to an SD card. The user may assign audio clips to the pads and apply tuning, filters, envelopes and “choke” grouping for creative, dynamic performances. An LCD screen and illuminated trigger pads provide visual feedback during use, and the MPX16 may be powered from a USB port or the included power supply. Naturally, users may load existing sound files onto an SD card or use the MPX16 as an SD card reader for drag-and-drop convenience on a Mac or PC. A software tool for even easier sample management is included via download.

Highlights:
• Plays and records stereo samples using easily accessible and reliable SD cards
• 16 velocity sensitive, illuminated pads let the user play back samples in real-time
• Balanced 6.3mm (1/4-inch) inputs let you capture audio from a wide variety of sources
• Built-in stereo microphone lets you capture sounds on-the-fly
• USB-MIDI as well as MIDI Input and MIDI Output jacks for integration into virtually any
MIDI setup for use as a pad controller, sample bank or both
• Onboard sound processing–tune samples, adjust ADSR envelopes and filters
• USB or wall powered (adapter included) for use virtually anywhere
“The versatility and capability of the MPX16 will make it a workhorse for performers of all types,” notes Akai Professional Product Manager Dan Gill. “We knew that an affordable sample player

with Akai Professional’s practical MIDI integration would fit the needs of people wanting a no- nonsense way to access samples without computer dependency.”
The MPX16 will be available in Summer 2014, distributed worldwide with a $199.99 USD street price. Akai Professional will unveil the MPX16 at Musikmesse, Hall 5.1, Booth B45, March 12-15 in Frankfurt, Germany. For more information, visit: akaipro.com/messe2014.

###

About Akai Professional
The world’s most influential manufacturer of music production gear, Akai Professional (akaipro.com) develops creative technologies to empower music makers with tools that are unmatched in expressive capability. Akai Professional is best known for creating the legendary MPC, an instrument that has inspired generations of producers and performers and spawned entirely new genres of music. Akai Professional is a part of the inMusic Brands family (www.inmusicbrands.com)."

Body Fool - Live

Published on Oct 14, 2018 Body Fool

Playlist:
1. Body Fool - Live at Warschauer Str

Body Fool
****************************************************
http://bodyfool.com
http://bodyfool.bandcamp.com

2. Body Fool - Live at Noisegeballer #4 KuZe Potsdam

Live Performance at Noisegeballer #4 on 28th September 2018

3. Body Fool - DatWalk 2017

Performance at Atelier Äuglein on 28th October 2017.

http://walk.datfest.club

Various plants played notes on a heavy processed synthesizer.

4. Body Fool - REPLICA Cricket Symphony - Noiseberg #84

Interdisciplinary artist Diana Neranti and sound wizard Body Fool—both REPLICA emissaries—let insects steal the show for a unique performance made of natural microtonalities and artificial synchronicities.
http://diananeranti.com

REPLICA is an experimental platform where expressive movement rooted in dance & theatre meets augmented embodiment and creative technologies. Together with performers, scientists and technologist we engage in a playful exploration of possibilities: in what ways can technology enhance our bodies by challenging, training and expanding our expressive, perceptive and creative capabilities? In what ways does it enhance our culture? Together, we imagine and rehearse future rituals, devise new interaction models between humans and machines, and prototype tools, performances and future folklores.

www.replica.institute

Introducing System Coupe - ALM Busy Circuits

Published on Apr 23, 2020 ALM TV

"ALM/Busycircuits is pleased to announce the ALM System Coupe - our first complete modular synthesis system. A unique modern approach to audio production featuring pattern creation and sequencing, modulation, sampling, numerous sound sources and DAW integration combining analog and digital technologies in a unique fully patchable fun, flexible & creative environment.

Use the Coupe as a creative tool to create new original musical ideas and phrases, an enjoyable pursuit to take on travels, a flexible instrument for live sets or imaginative first, or ongoing, steps into modern modular synthesis. The System Coupe works great on its own or in partnership with your existing set up.

The Coupe consists of a powered case populated with a curated set of ALM modules - some new, some proven classics. All the modules are special editions, with grey panels, white screens, magenta and blue knobs and a custom compact 84hp case.

Unique new modules include a basic Mult, ‘Milton’ - a line level input, a buffered mult, a mixer and attenuator, and the ‘MCF’ a multimode analog filter.

Shipping NOW. Expected RRP £1799 . Available from ALM stockists worldwide."

CLICK FOR MORE »

Moogfest 2017: Program Themes & Lineup Announcement

Just a heads up, the lineup for Moogfest 2017 has been announced. As always, check out moogfest.com for full details on the event. The following is a small capture for the archives via the Moogfest newsletter.

"Hailed as 'the most adventurous and cutting edge' festival of 2016, Moogfest returns with a commitment to futurist conversations and performances that wrestle with our historic moment, and reflect on the festival’s home in North Carolina.

In celebration of its 11th iteration, Moogfest will unveil its lineup over the next 11 weeks through their weekly “Future Thought Future Sound” email newsletter, inviting the Moogfest community to explore program themes like Transhumanism, Techno-shamanism and Protest.

CLICK FOR MORE »

Introducing Polyend Tracker

Published on Mar 17, 2020 Polyend

"Introducing Polyend Tracker - Standalone Audio Workstation.

Sample, sequence, arrange, perform, create!"

Playlist:

Introducing Polyend Tracker
Performing with Polyend Tracker - Performance mode and MIDI sequencing fun by SLG (Łukasz Seliga).
Polyend Tracker Demo One
Polyend Tracker Demo Two



"A retro form factor updated with forward looking functionality and designed as an easy to use compact standalone workstation. Made for the creatives who break patterns on a daily basis. Designed to help artists forge unique avenues of sonic construction. Introducing the first hardware tracker in the music world.

The Polyend Tracker incorporates the quintessential characteristics of a classic tracker. The vertical timeline, the powerful sequencer and the mechanical keyboard combined with a newly designed input interface enables you to make and perform your music in a new and intuitive way. After a quick glance and a few minutes with the Polyend Tracker interface, you’ll soon realize the array of tools that are at your fingertips.

Polyend Tracker is slick, light and portable. It's also easy on the energy consumption so you can use it with any USB power source. Its sturdy and compact form factor makes it a great companion for music creation wherever and whenever you feel like it. No matter if you’re in your studio, on the run, or at the gig.

Polyend Tracker is equipped with a variety of powerful sound design tools. Use your existing sample library, record new ones with line or mic inputs, or use the built-in FM radio. Record samples, play them, slice them, mash them, or even make a synth out of them using Wavetable and Granular synthesis with its all necessary parts (filters, ADSRs, etc.)

Polyend Tracker works great with other instruments too. Thanks to the bilateral MIDI implementation, you can use it to sequence and control external gear or it can be used as a sound module controlled by any external MIDI software or hardware devices.

Don't be fooled by the classic tracker look. While maintaining the original quick and straightforward workflow, the Polyend Tracker is armed with an updated arsenal of sonic weapons. Automatic filling, randomizer, probability, selection rendering, effects per step, live recording, batch parameters editing, micro-tuning, micro-timing, rolls and many more give you the tools to be endlessly creative. Compatibility with MOD files allows you to import and finish tracks from back in the days or export and finalize them in the modern software trackers."


via Polyend - 499 GPB which comes out to roughly 600 USD, and 550 Euro. Update: Official price is €499 EUR/$599 USD

Update: and the official press release with a new pic:

"Polyend Tracker reboots retro form factor of software past with forward-looking functionality as world’s first hardware tracker

OLSZTYN, POLAND: famed for bringing new technologies to creative musicians by building innovative and unique musical instruments, Polyend is proud to announce availability of Tracker — effectively extracting the best bits of yesteryear’s tricky tracker software classics and rebooting them with forward-looking functionality as the world’s first hardware tracker, deftly designed as an easy-to-use compact standalone workstation with immediacy and simplicity at its creative core, and aiding artists with forging unique avenues of sonic construction to boot — as of March 18…

For the benefit of the uninitiated, a music tracker — tracker, for short — is a type of sequencing software. Speaking historically, the tracker term itself is derived from the first tracker software, Ultimate Soundtracker, starting life as a game sound development tool released for the Commodore Amiga personal computer back in 1987. The first trackers supported four pitch and volume modulated channels of 8-bit PCM (Pulse Code Modulation) samples, a limitation imposed by the Amiga’s audio chipset. Classic trackers represented music as discrete notes positioned in individual channels at discrete positions on a vertical timeline with a number-based user interface. Indeed, notes, parameter changes, effects, and other commands were entered via computer keyboard into a grid of fixed time slots as codes comprising letters, numbers, and hexadecimal digits — the latter being a positional system representing numbers using 16 distinct symbols. Saying that, those in the know appreciated the immediacy and simplicity of classic tracker software, if not necessarily those hexadecimal digits! One thing’s for sure, though: tracker software has exerted its influence on modern electronic music with influential IDM (Intelligent Dance Music) artists like (Aphex Twin alias) AFX, (Polish-American) Bogdan Raczyński, Brothomstates (a.k.a. Lassi Nikk, Finnish composer), Machinedrum (a.k.a. Travis Stewart, American electronic music producer), and Venetian Snares (a.k.a. Aaron Funk, Canadian electronic musician), to namecheck but several so-called ‘demo scene’ movers and shakers skilfully orbiting around those tricky trackers. That said, some might say that trackers need not be so tricky in this day and age. And it is this thinking that led to Polyend’s trailblazing Tracker.

The timely arrival of the aptly-named Tracker puts Polyend in pole position for blazing a new trail, tooled to take the tracker concept to a new level of innovative, inspirational, and immediate music-making by effectively extracting the best bits of yesteryear’s tricky tracker software classics and rebooting them with forward-looking functionality as the world’s first hardware tracker. Thankfully, Tracker waves goodbye to hexadecimal hysterics — not only did those entering the brave new world of classic trackers not necessarily know what those values actually represented, they could not see what was affected by them. Thinking inside its beautifully-engineered box, Tracker instead implements a simplified system of readable decimals that also shows the effects parameters when those decimals are entered in a frenzied fast track to creativity.

Tracker takes the quintessential characteristics of a classic tracker — the vertical timeline, powerful sequencer, and mechanical keyboard — and cleverly combines them with a newly-designed input interface, divided into several sections: a (high resolution, crisp, and bright) big screen and associated screen keys — mechanical controls that always correspond to what is displayed on the screen directly above them; the grid — featuring 48 backlit multifunctional silicon pads for quick note and pattern value entry and visual feedback (while also acting as a highly-customisable keyboard controller with editable scales); function keys — for fast and responsive control over all functions and options; plus navigation keys and associated (metal-manufactured) jog-wheel (with haptic feedback for fast scrolling or precise adjustments) — for facilitating transport control alongside arrow keys for navigation control, as well as dedicated Insert, Copy/Paste, Delete/Backspace, and Shift keys. All are at hand, helping to streamline making and performing music in a new and innovative way — without having to leave the world’s first hardware tracker, deftly designed as an easy-to-use compact standalone workstation with immediacy and simplicity at its creative core, and aiding artists with forging unique avenues of sonic construction to boot.

Better still, the classic tracker look of that dominating (default) screen — showing (up to) 48 instruments and 256 patterns with a maximum of 128 steps per pattern per project — belies an infinite source of inspiration. Indeed, Tracker comes complete with a wide variety of onboard sound design tools to enhance creativity still further for those wishing to take it to the limit. Let loose with Instrument — a chain of tools (Volume, Tuning, Panning, Filters, Reverb Send, and ADSRs) to make an instrument from any sample; Sampler — choose from different (1-shot, Forward, Backward, and Ping-Pong) play modes; Slicer — slice samples manually, or let Tracker take care of it ‘automagically’ at any time; Wavetable — full-blown wavetable synthesis with variable table length to make it compatible with the most popular (Ableton Wave and Serum) standards; Granular — single grain yet very powerful granular synthesis to create crazy and futuristic sounds from old and boring samples; Sample Editor — built-in precise offline rendering sample editor with multiple effects; and Sample Recorder — records up to two minutes of 16-bit/44.1kHz samples using built-in Radio, Pattern selection, Mic or Line In inputs, all of which can be saved to the included (16GB) MicroSD card for later use or loaded directly into a project. Put it this way: with Tracker, users can quickly and easily use existing sample libraries, record new ones, or use the built-in FM (Frequency Modulation) radio. Record samples, play them, slice them, mash them, or even make a synth out of them!

Tracker also plays nicely with other instruments. Thanks to its bidirectional MIDI (Musical Instrument Digital Interface) implementation, it can be used to sequence and control external gear or be controlled as a sound module by any external MIDI software or hardware devices. Whatever way anyone chooses to use it, armed as it is with an impressive arsenal of sonic weaponry — including automatic filling, randomiser, probability, selection rendering, effects per step, live recording, batch parameter editing, micro-tuning, micro-timing, rolls, and much more besides — it has what it takes to be a surefire hit, harbouring endless creativity. Compatibility with MOD files — a computer file format primarily used to represent music, made up of a set of instruments (in the form of samples), a number of patterns (indicating how and when the samples are to be played), and a list of what patterns to play in what order — allows users to import and finish tracks from way back when or export and finish their Tracker creations in modern-day software trackers.

The world’s first hardware tracker is slick, light, and portable. It is also energy efficient, so will work with any USB (Universal Serial Bus) power source. Sturdy and compact, the retro form factor of software past with forward-looking functionality makes for a great music creation companion — in the studio, on the run, or on stage. Simply put, Polyend’s Tracker puts everything right on track as a ‘back to the roots’ experience like no other!

Tracker comes complete with a USB-A power adapter, 2m USB-C cable, 3.5mm to 2x 6.3mm adapter, Minijack to MIDI DIN adapter, 16GB MicroSD card, and MicroSD to USB-A adapter, and is available to purchase through Polyend’s growing global network of authorised dealers at an MSRP of €499 EUR/$599 USD. Or order online directly from Polyend itself via the dedicated Tracker webpage, which also includes more in-depth information."

Introducing Roland AIRA Compact | T-8 Beat Machine, J-6 Chord Synthesizer, E-4 Voice Tweaker

video upload by

$199.99 each. Additional videos below. Press release and pics below them.

"AIRA Compact puts Roland’s legendary creative magic in the palm of your hand. Easily play and perform with these highly jammable instruments—anywhere, anytime. Chain them together to catalyze your creativity or connect with MIDI gear, computers, and music apps to expand your setup. Just power on and go with the flow.

About the T-8 Beat Machine

The T-8 Beat Machine is a mini rhythm factory with six tracks of pristine TR drums plus a TB-303 bass track. Embodying decades of modern musical sound, the T-8 gives you the power to create infectious tracks in seconds flat. Craft on-the-fly acid jams or trap bangers with the intuitive 16-step sequencer, shape sounds with onboard controls, and flip and dice beats with simple, yet powerful tools.

About the J-6 Chord Synthesizer

The J-6 is a portable synth toolbox with all the building blocks you'll need to bring harmonic substance to your jams. Pairing a powerfully unique chord sequencer with lavish JUNO-60 synth tones, J-6 packs a versatile feature set into a highly jammable format. Generate soul-stirring song ideas with the turn of a knob and explore 100 chord sets over a variety of genres. Experiment with styles and variations to coax dancing lines and rhythmic patterns from your chords. Add lush chorus, reverb, or delay to frost your sound.

About the E-4 Voice Tweaker

Harmonize, auto-pitch, vocode, loop, and glitch your voice all from the portable E-4 Voice Tweaker. Want hands-on control? Connect a mic or input a feed and easily explore effects using the sliders, function buttons, and scatter knob. From looping live jams to livestreaming or tightening up and expanding performances, the E-4 will transform your voice into your new favorite instrument.

Chapter Breakdown
0:00 – Series Introduction
1:50 – T-8 Beat Machine
2:22 – T-8 Patterns, Sounds, and Tracks
3:22 – T-8 Hands-On Controls and Performance Tools
4:19 – T-8 Create a Drumbeat
4:41 – T-8 Create a Bassline
5:40 – T-8 Advance Programming and Effects
6:25 – J-6 Chord Synth
6:52 – J-6 Playback and Genres (Chord Sets)
7:13 – J-6 Sound
7:52 – J-6 Style and Variation
8:22 – J-6 Chord Sequencer
9:14 – J-6 Connect to DAW
9:39 – E-4 Voice Tweaker
10:14 – E-4 Hands-On Controls
10:29 – E-4 Auto Pitch, Harmony, Vocoder
11:09 – E-4 Looper
11:26 – E-4 Scatter
11:50 – Connectivity"

Roland AIRA Compact J-6 / T-8 / E-4 - DEMO by gattobus

video upload by gattobus

"Roland's birthday party it's not over!
A few days ago they sent me these little magic boxes to try them out and in less than an hour of tweaking, I came out with this song!!!
The song title "A Big Tiny World" is because they are BIG sounding TINY boxes indeed! :D
They are:

- J-6 Chord Synthesizer
- T-8 Beat Machine
- E-4 Voice Tweaker

Their sound quality is astonishing! It's amazing to have the power of ACB technology in such a small form factor...
Everything you hear in this video was played and recorded in real time, no post processing or FX was added.
I had so much fun, I hope you like it!"

Roland Aira Compact : T-8 / J-6 / E-4 : Portable Drum Machine, Polyphonic Synth, & Vocal Effects

video upload by Perfect Circuit

T-8 Drum Machine & Acid Style Bass Synth : https://bit.ly/3KToRQp J-6 Polyphonic Synth : https://bit.ly/3FuHg4Z E-4 Vocal Transformer : https://bit.ly/3yowhbM

"Join our pal Dustin for the debut of the AIRA COMPACT line of synthesizers ! These three desktop style devices combine some of Roland's most recognizable and powerful sound palettes into a portable, affordable, and outrageously fun package!

Check out our in-depth Signal article for more details - https://bit.ly/3L08Msr

0:00 - Intro jam
1:07 - Overview of Aira Compact Line
2:54 - T-8 Drum Machine & Bass Synthesizer
5:50 - J-6 Four Voice Polyphonic Synthesizer
9:50 - E-4 Vocal Processor, Looper, & Effects
11:57 - Robot Acid BOPS !"

AIRA Compact- First Look at the new Range

video upload by

Roland T-8 J-6 E-4 Compacts Review: Here's what makes them special // Full Tutorial

video upload by loopop

TIMELINE
0:00 Intro
1:05 Overview
2:05 Connectivity
5:15 T-8 OVERVIEW
8:30 Drum sounds
11:55 Bass synth
14:00 Sequencing
19:20 Effects
20:15 Drive
22:05 Sidechain
24:55 Performance
26:20 T-8 Pros, cons
28:10 J-6 OVERVIEW
29:20 Synth
31:15 Effects
32:55 Keys, chords
33:50 Phrases/arp
36:10 Sequencer
39:50 Step length
40:20 Menu misc
41:40 J-6 Pros & cons
45:10 E-4 OVERVIEW
46:00 Eight things it does
50:00 Interface
50:50 MIDI control
51:20 Vocoder
52:00 Looper
53:20 Scatter
56:25 E-4 Pros & cons
58:25 T-8 Patterns
1:07:10 J-6 Patterns

How fun is the Aira Compact series?

video upload by True Cuckoo

And the press release:

Fun, Pocket-Size Instruments with Innovative Creative Features, Authentic Roland Sounds, and Class-Leading Connectivity

Los Angeles, CA, May 10, 2022 — Roland announces AIRA Compact, an all-new series of ultra-portable instruments with free-flowing features for creative exploration and authentic Roland sounds. Fun, affordable, and easy to learn, the T-8 Beat Machine, J-6 Chord Synthesizer, and E-4 Voice Tweaker bring serious musical power to everyone from hobbyists and gadget collectors to tech-savvy pros.

AIRA Compact instruments let anyone jam, perform, and develop ideas on the go with friendly controls, inspiring sounds, and loads of intuitive music tools. Users can realize complete compositions with a single unit or expand their possibilities by connecting and synchronizing with other AIRA Compact models. From one master unit, multiple AIRA Compacts can be mixed and monitored with headphones or an external speaker system. It’s also possible to interface with computer DAWS, mobile music apps, and hardware instruments via USB-C or MIDI.

Driven by Analog Circuit Behavior (ACB) and other advanced technologies found in top-line Roland instruments, AIRA Compact delivers the real-deal sounds behind decades of hit music. Users can create with the genuine voices of Roland icons, including TR rhythms, TB basses, JUNO synths, VT effects, and more.

Driven by Analog Circuit Behavior (ACB) and other advanced technologies found in top-line Roland instruments, AIRA Compact delivers the real-deal sounds behind decades of hit music. Users can create with the genuine voices of Roland icons, including TR rhythms, TB basses, JUNO synths, VT effects, and more.

AIRA Compact strikes the perfect balance between portability and power. Each model is small enough to slip into a pocket and features an inviting panel to jump-start the creative flow for immediate results. Onboard lithium-ion batteries provide hours of continuous use per charge, while Roland’s famous build quality will support musical adventures for years to come.

T-8 Beat Machine
The T-8 Beat Machine combines iconic Roland drum and bass sounds in a go-everywhere rhythm factory. Beatmakers can build tracks with legendary sounds from the TR-808, TR-909, and TR-606 drum machines, paired with the shapeshifting low end of the dynamic TB-303 Bass Line. The six-track drum sequencer features the famous TR-REC workflow, enhanced with deep tools like step loop, pattern shift, probability, and others to generate dynamic performances with constantly evolving grooves. The T-8 also provides an authentic TB-303 bass experience, including the tactile power to squeeze, squelch, and mangle sounds in the moment.

J-6 Chord Synthesizer
The J-6 Chord Synthesizer is an endless well of musical inspiration, pairing a powerful chord sequencer with the lavish tones of the renowned JUNO-60 synth. Creators don’t need to know chords or theory to make music—they can simply call up one of 100 chords sets and build compelling chord progressions with one-touch presses on the built-in keyboard. Styles and variations are also available to coax dancing lines and rhythmic patterns from chords. Users can quickly string progressions together via step input, tweak the sound with dedicated filter and envelope controls, and add polish with customizable delay and reverb effects.

E-4 Voice Tweaker
The E-4 Voice Tweaker combines advanced voice transformer tools and standard vocal effects with a hands-on interface that’s meant to be played. Performers can go from traditional vocal enhancements to punchy beatboxed grooves to striking alien soundscapes—all in a single tune. Pitch and formant sliders are available to instantly change the vocal gender, create robot voices, and more. Auto Pitch, automatic harmony, and vocoder processors are included, along with reverb, delay, and other effects. There’s also a built-in 24-second looper for capturing performances on the fly, plus a unique Scatter function for slicing and dicing the sound via a dedicated panel knob.

Availability & Pricing

The Roland AIRA Compact series is now available in the U.S. for $199.99 each."

Check with dealers on the right for availability.

Musikmesse: New from Akai

"AKAI PROFESSIONAL ANNOUNCES MINIAK SYNTHESIZER

Virtual-Analog Synthesizer with Vocoder Developed in Partnership with Alesis

Cumberland, R.I. (April 1, 2009) – Akai Professional, the name synonymous with music production, announces the MINIAK, the synthesizer specifically designed for today’s music production and performance styles. The MINIAK will make its debut in Akai Professional's stand, B 21 in Hall 5.0 at Musikmesse, April 1 - 4, 2009. Held in Frankfurt am Main, Germany, Musikmesse is the world's largest fair for musical instruments, live music and the music business.

The MINIAK is the first synthesizer from Akai Professional developed in partnership with the world-renowned Alesis synthesis team. The MINIAK brings together Akai Professional’s excellent control feel with powerful DSP sound-generation technology. The MINIAK is a perfect synthesizer for producers in the studio and live performers on stage because, while it is extremely compact and portable, it is also a powerful instrument for creating sounds for performance and production.

The MINIAK enables users to create programs with up to eight multi-timbral voices, each with three oscillators. The user can create interesting and unique sounds and take advantage of the synthesizer’s more-than-600 preset sounds. Users can create complex and refined sounds using the MINIAK’s two multimode filters, three envelope generators, two LFOs, stereo effects and 40-band vocoder with gooseneck microphone. The MINIAK also has a comprehensive sequencer with step and dynamic real time phrase sequencing, a drum machine/rhythm sequencer and an arpeggiator.

Users will appreciate the MINIAK’s high-resolution, 24-bit balanced quarter-inch inputs and outputs for excellent sound quality. The MINIAK has a 37-key semi-weighted keyboard with velocity sensitivity for all-in-one performance. It can also be used as a sound source for MPCs, computer software and keyboards via MIDI.

“We have been watching a trend in music production towards using more synth sounds alongside samples,” said Adam Cohen, Director of Business Development, Akai Professional. “The MINIAK is the perfect way for anyone to get into synthesis, yet it is powerful enough for any professional to create the precise sonority they are after.”

The MINIAK will be available from musical instrument and professional audio retailers Q3, 2009."
"AKAI PRO FURTHER EXPANDS MPK LINE WITH 88-KEY MODEL

MPK88 Performance Controller Features Exclusive MPC Technologies

Cumberland, R.I. (April 1, 2009) – Akai Professional, the name synonymous with music production, announces the MPK88, a new addition to its popular MPK series of keyboard controllers with MPC pads and technology. The MPK88 will make its debut in Akai Professional’s stand, B 21 in Hall 5.0 at Musikmesse, April 1 - 4, 2009. Held in Frankfurt am Main, Germany, Musikmesse is the world's largest fair for musical instruments, live music and the music business.

The new MPK88 draws on the design of its siblings in the MPK series. The MPK49 and MPK25 each combine a MIDI-over-USB keyboard controller with genuine MPC pads and a sampling of the technologies that have made Akai Professional’s MPC series such an iconic music-production tool. The MPK88 brings the utility and creative control of its siblings to more dedicated piano and keyboard players, thanks to its fully-weighted, hammer-action keyboard with assignable keyboard split and aftertouch. Akai Professional designed this performance keyboard controller to specifically deliver the feel that serious keyboardists demand in a high-quality instrument.

In addition to the premium keybed, the MPK88 gives the player 16 MPC pads that are velocity and pressure sensitive and can access four banks of sounds each, for access to 64 sounds at any time. The MPC pads are the most recognizable feature of the MPC series, which has been among the most influential devices in the creation and production of music for the last two decades. The MPK88 also puts the player in command of their software with assignable Q-Link faders, knobs and buttons. The user can assign any Q-Link to control nearly any parameter in their software for hands-on, mouse-free performance. The MPK88 also has two assignable footswitch inputs and an expression pedal input.

Two technologies pioneered in the MPC series and built into the MPK88 are MPC Note Repeat and MPC Swing. These note-modifying features can be heard in many of the most popular tracks over the last two decades. MPC Note Repeat is a capability that enables the MPK to automatically play a rhythm pattern, such as 16th notes on a hi-hat, for accuracy and speed of entry. MPC Swing is sometimes referred to as "the heart and soul of hip hop," because it turns perfectly aligned sequences into human feeling time alignments. Users can specify exactly the degree and timing of swing they want to apply for the perfect feel. The MPK88 also has an arpeggiator, which enables performers to build creative riffs instantly.

The MPK88 sends MIDI values over USB and a traditional MIDI jack. The controller works with most MIDI recording, sequencing and performance software as well as sound modules, synthesizers and other MIDI-compliant hardware, for musical performers from keyboard players to producers to DJs and VJs.

The MPK25 and MPK88 come with Ableton Live Lite Akai Edition software, one of the most popular and powerful performance and production programs in the world. Ableton Live Lite enables musicians to spontaneously compose, record, remix, improvise and edit musical ideas in a seamless audio/MIDI environment.

“Professional keyboard performers now have the control they need on stage and in the studio,” said Adam Cohen, Director of Business Development, Akai Professional. “The MPK88 has weighted keyboard action plus the performance flexibility and control of the MPC pads and technology.”

The MPK88 joins the semi-weighted MPK49 and MPK25 controllers, which have 49 and 25 keys, respectively.

The MPK88 will be available from pro audio and musical instrument retailers in Q3, 2009."

"AKAI PRO MPD18 BRINGS MPC PAD CONTROL TO ANY SETUP

MIDI-Over-USB Pad Controller is Small and Portable for Versatility

Cumberland, R.I. (April 1, 2009) – Akai Professional, the name synonymous with music production, announces the MPD18 portable pad controller. The MPD18 will make its debut in Akai Professional's stand, B 21 in Hall 5.0 at Musikmesse, April 1 - 4, 2009. Held in Frankfurt am Main, Germany, Musikmesse is the world's largest fair for musical instruments, live music and the music business.

The MPD18 is the smallest-sized model in Akai Professional’s line of MPD pad controllers. DJs, programmers, producers and other musicians will find this MIDI-over-USB controller to be perfect for triggering samples, controlling software, and a variety of other applications. Its small footprint makes the MPD18 easy to integrate into any setup for stage performance, studio production or musical creation on the go.

The heart of the MPD18 is its bank of 16 velocity and pressure-sensitive genuine MPC pads, an Akai Professional exclusive. Users can access three different banks of sounds from the pads for a total of 48 sounds at once. The MPD18 also borrows the MPC series' assignable Q-Link controllers, enabling users to control nearly any parameters in their software in real time on an assignable Q-Link fader and an assignable Q-Link button.

Users will find the MPD18 to be convenient, sending MIDI information over its plug-and-play USB interface for use with Mac or PC without installing any drivers. The USB connection also powers the MPD18 so musicians can use the controller with no power supply. The MPD18 can control nearly any MIDI software, as well as MIDI hardware, such as synths, sound modules, samplers, sequencers, drum machines and more.

“The MPD18 gives you the iconic control feel of the MPC in a compact footprint that's easy to fit in any setup,” said Adam Cohen, Director of Business Development, Akai Professional.


The MPD18 will be available from musical instrument and professional audio retailers Q3, 2009."
I missed the press release on these, so credit goes to Failed Muso for this one.