RARE MOOG Four Track track tape machine one of a kind!

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"This is a one of kind RARE MOOG 4 Track. There were very few made. This one turns on but I don't have a way of testing out its full functionality."

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Modern Sounds Pluto - Ambient Soundscapes

video uploads by The Pedalboard Orchestra

"A collection of long ambient tracks based on the Modern Sounds Pluto Semimodular Synthesizer and various effets pedal setups."

Playlist:

1. Modern Sounds Pluto Synthesizer – Ambient Demo & Sound Exploration

These are my first "ten minutes" (okay, the video turned out a few minutes longer 😉) with the Modern Sounds Pluto semimodular synthesizer.
🎧Headphones recommended for the full sonic experience.

In this small setup Pluto is accompanied by three pedals, the Strymon El Capistan v1, the Chase Bliss/Goodhertz Lossy and the Eventide Space in ModEchoVerb algorithm, all in stereo.
Pluto, this tiny little box, is such a fascinating and inspiring instrument. You can get a million and more of sounds out of it.
I love how the filter of Lossy changes the overall mood of the sounds.

All sounds and video footage by The Pedalboard Orchestra.

(Disclaimer: This is a non sponsored video. All equipment is self-purchased.)

#modernsoundspluto #ambientdrone #ambientsoundscapes #ambientmusic #meditationmusic #modernsoundspluto #semimodular #strymonelcapistan #chaseblisslossy #eventidespace

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Gary Numan Visits the Moogseum

via The Bob Moog Foundation

"Are 'Friends' Electric"?
In our case, they certainly are!

The Bob Moog Foundation was thrilled to host legendary synthwave pioneer Gary Numan at the Moogseum for a recent private tour. Gary was in town for an incredible show at the Orange Peel in downtown Asheville, NC, and was inspired to check out our interactive museum filled with one-of-a-kind exhibits.

Gary Numan, famous for 1980s synth-pop hits like "Cars," "Are 'Friends' Electric," "We Are Glass," and "Metal," has a long history with synthesizers, including the Minimoog and, perhaps especially, the Polymoog. Chances are, if you're familiar with the model 280a Polymoog's "Vox Humana" preset, you heard it on a Gary Numan track!

Gary's visit included a perusal of our re-creation of Bob Moog's workbench and our historical timeline interactivities. You, too, can immerse yourself in synthesizer history and the professional and personal sides of Bob Moog at the Moogseum. You certainly don't have to be a rock star to get yourself advance entry to one of the world's coolest museums...

Click here to purchase advance tickets to the Moogseum!

NE555 Counterless sequencer - 3: Radio buttons, transpose function, final assembly, and a demo video

video upload by organfairy

"The demo is in 3 parts: Manual mode 4:15, Sync mode 9:46, and external mode 14:07

'Radio buttons' is an expression used for a row of buttons where a button stays down when you press it. You press another button and the first one will pop up again while the other button stays down.
It is possible to make such a device with simple pushbutttons and a few logic gates instead of the complicated (and expensive) mechanical locking switches. This is what I explore in the beginning of this video - and it is actually exploring since I haven't used the concept before so I didn't know if it would actually work. I do know that the old Moog Taurus bass synthesizer used a similar idea for its preset buttons.

The music is also a kind of exploration project since I decided for the first time to (over)use the portamento function on my Elka X-30 organ in an arrangement. Apart from the organ I also use my Roland JV-35 for some of the parts"

Moog Minimoog Analog Synthesizer: Famous 70s and 80s Sounds

video upload by RetroSound

"Discover the legendary Moog Minimoog analog synthesizer and the iconic sounds that shaped music in the 1970s and 1980s. 🎹 From fat synth basses and searing lead solos to funky filter sweeps and classic sci-fi effects. The Minimoog defined the sound of funk, rock, disco, progressive rock and early electronic music.

In this video, you’ll hear classic Minimoog-style sounds inspired by artists like Pink Floyd, Jean-Michel Jarre, Ozzy Osbourne, Gary Rafferty, Rod Steward and Parliament-Funkadelic. These timeless analog tones are still used today in modern music, film scores, and synthwave productions.

Whether you’re a synth enthusiast, music producer, or just love vintage analog gear, this video showcases why the Minimoog remains one of the most influential synthesizers ever made."

Famous Minimoog Sounds:
0:07 Pink Floyd
0:50 John Barry
1:02 Gary Wright
1:28 Supermax
1:48 J.-M. Jarre
2:00 Gary Rafferty
2:22 Ozzy Osbourne
2:46 Parliament
2:54 Rod Steward
3:10 Sniff`n The Tears

It's Only Noise - Random Percussion with Sample & Hold, No Sequencer...just for fun #eurorack

video upload by AJH Synth Official

"Messing about with noise and random voltages. This patch is just various noise sources through various filters, frequency-modulated by sample & hold, with envelopes controlling amplitude (VCA) or affecting filter frequency. No sequencer was harmed in the making of this video.

The ‪@solidstatelogic‬ BigSix is used to mix all 4 sounds, with the ‪@vermonagear‬ DSR-3 providing stereo spring reverb for the drone and occasional sound.

Video & performance by ‪@DreamsOfWires‬

Patch Breakdown:

Drone: This is just pink noise going into the FIXED FILTER BANK 914, but with an LFO from the DUAL RVG modulating the mix between the left and right bands of the Filter Bank, creating that slow, breathing effect. The AJH SYNTH 914 has built-in, voltage-controllable mixing/cross-fading functionality, which wasn't present in the original Moog 914 on which it is closely based.

Percussion 1: White noise going to the SONIC XV Diode Ladder Filter, using its band pass output. One channel of the DUAL RVG is sending random voltages to the Sonic's Filter Frequency/Cutoff, whilst a DH-ADSR envelope generator controls its audio level in the TRIPLE CROSS (being used as a triple VCA).

Percussion 2: This starts with noise generated by the LUNAR MODULE - this has 2 noise sources with different character and tone control, and built-in distortion. Its output goes to the MATRIX VCF, which has 16 different filter modes, which I cycle through manually during the video. See out User Guide video for more information: • NEW MODULE! MATRIX VCF User Guide - Vintag...

Occasional Sound: Here I'm using the SAMPLE & HOLD module to randomly trigger the MULTI BURST ENVELOPS module. The Colour control on the Sample & Hold determines the range of random voltages generated. It is a combination of Low Pass and High Pass filter over the onboard noise that is used to derive the voltages, so turning it anti-clockwise from the centre acts as a low pass filter, reducing voltages produced to be in the lower range, whereas turning it clockwise of the centre position acts as a high pass filter, meaning voltages in the higher range. Since it is generating lower voltages here, it is only occasionally producing enough of a voltage change to trigger the Multi Burst Envelopes. If I raise the Colour control it will trigger more often.
The Multi Burst Envelopes produces a chosen number of bursts of the selected envelope shape. The built-in LFO controls the speed of the bursts, as does the Clock input, but both can be used together or independently. I'm using it to control the frequency of the ENTROPIC DOOM's low pass filter, to generate an occasional burst of filtered noise."

Starsky Carr's Studio: Vintage & Modern Synth Setup Explained

video upload by Starsky Carr

"Welcome to a full synth studio tour — a look inside my hardware setup featuring vintage analog synths, modern wavetable instruments, modular gear and classic drum machines.

See how a mix of vintage synths, modern instruments, modular gear and drum machines all come together in one integrated setup. In this video I walk through the studio, explain how everything is connected, and show some of the instruments that regularly appear on the channel.

The studio is constantly evolving as new synths arrive, others get repaired, and different setups are tested for videos. In this walkthrough you'll see how classic gear like the Juno-60, Prophet series, Minimoog, TR-808, TR-909 and Jupiter synths sit alongside modern instruments such as the UDO Super 8, Groove Synthesis 3rd Wave, Waldorf M, Arturia PolyBrute and Roland System-8.

I also explain how everything is routed through the studio — from CV-controlled vintage synths integrated with MIDI, to the AudioFuse interface and Neve summing mixer that handle the audio side of things.

If you've ever wondered how to organise a hardware synth studio, integrate vintage CV instruments with modern DAWs, or just want to see a room full of iconic synths and drum machines, this video gives you a behind-the-scenes look at the setup behind the channel.

You’ll also hear a few stories along the way — including the slightly ridiculous “six degrees of separation” link from my studio gear to Charlize Theron and Kevin Bacon through the Lock, Stock and Two Smoking Barrels soundtrack.

Whether you're into analog synthesis, wavetable synths, modular gear, or classic drum machines, this studio tour is packed with gear, ideas and inspiration.

Gear featured (selection)

• Roland Juno-60
• Roland Jupiter series
• Moog Minimoog, Voyager % Sub37
• Sequential Prophet synths
• Oberheim OBX8 and OB6
• UDO Super 8
• Groove Synthesis 3rd Wave
• Waldorf M
• Arturia PolyBrute
• Roland System-8
• TR-808 / TR-909 drum machines
• Analog Solutions Leipzig & Fusebox
• Modular & Eurorack gear"

Moog Opus 3 — "New Old Stock" Sliders, Switches, Controls, Control Caps & Knobs SN 5828

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"The Moog Opus 3 is a vintage polyphonic synth that combines string, organ and brass sounds in a four-octave keyboard, along with flexible controls for shaping each sound.

One of the coolest things about the Opus 3 is that it has a classic Moog four-pole filter that the brass and organ can be run through. The filter has the sound Moogs are famous four, and it can be run into self-oscillation.

The synth also features a three-phase chorus effect that uses the famed Reticon bucket brigade chips, as well as stereo and mono outputs.

Here are details about the unit for sale:

The old, deteriorating foam that sat below the control panel has been removed from this one, so you don’t have to worry about it.

All of the sliders, switches and rotary controls — except for the master volume — were changed out for New Old Stock replacements. All the slider caps and control knobs are New Old Stock as well. Everything works smoothly, with no noise or issues.

The master volume has very minor crackle at the top end of its range while it’s being moved. It is otherwise noise-free during normal operation. I would have had it changed out but it wasn’t possible to source an original replacement.

One of the three original Reticon chips in the chorus effect was replaced when an original failed. All three are working, and the chorus sounds great.

The original red LED in the Modulation section was swapped out for a new bright blue LED.

I wasn’t able to test the sustain jack on the unit’s front panel. Moog chose an unusual size jack here— it’s slightly smaller than a 1/4-inch input. It would be easy to swap it out with a proper 1/4-inch jack if you choose to do so.

The physical condition is very good. Note the scratches to the wood and some minor marks on the faceplate.

All of the notes sound as they should, and all controls and functions work as they should.

HELPFUL NOTES
Although its functions are basic, you’ll need to understand the signal routing in the Opus 3. These are spelled out in the owner's manual (which is available online), but knowing the following will help you get your head around it.

For example, the chorus effect operates on the strings and organ, not on the brass. This is by design and is noted by an arrow on the control panel.

The Moog four-pole VCF can be used on the organ and brass, not the strings. Again, this is by design and is noted by an arrow on the control panel.

Frequency Modulation works on all sounds, but VCF modulation only works on the organ and brass because these are the two sounds that can be run through the VCF (see the point immediately above). Again, this is by design.

The length of chorus delay is set by using the delay fader in the Modulation section. This too is by design.

Two other noteworthy points:

• The pitch wheel has a firm detent (the point at which it sits at pitch). Other owners have noted the same thing about their units in online forums. It’s not difficult to work, but it’s firmer than on other synths I’ve owned.

• All of the electronics, aside from those mentioned above, are original and working fine. Electrical components can fail or become damaged with time and/or misuse. Always be sure you are connected to proper voltage, and note that ground loops can introduce hum."

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Moog Memorymoog SN 2409

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"The Memorymoog is like having six Minimoogs stacked in one! Features include VCO syncing, sample and hold, and separate filters for each voice! It also has a Unison mode for a fat 18 oscillator monophonic bass and lead sound."

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Moog DFAM+Labyrinth 50 Combo Patches + Samples. Sound Demo

video upload by Anton Anru

"🥁 'Modular Impulse' is a collection of 50 combo patches for the semi-modular analog synthesizers Moog DFAM and Labyrinth.
The soundset focuses on rhythmic and dynamic sound design, as both synthesizers are naturally oriented toward punchy, percussive tones.
🧿 The collection includes basses, plucks, bleeps, drums, leads, and FXs.
There is a wide range of sound colors inside the pack: massive and gentle, aggressive and soft, bright and dull, melodic and inharmonic tones, as well as straight and polymetric patterns.

📦 The patches are available here: https://antonanru.sellfy.store/p/dfam...

🎛 The main idea behind the soundset is a high level of interconnection, rather than simply syncing the synths with independent timbres (individual patch collections for DFAM and Labyrinth are also available on my website).
In this patchbook, the timbres of the synths are tightly intertwined and cannot exist separately:

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Moog Mother-32 Semi-Modular Analog Synthesizer SN MOM 12907 w/ Original Box

Note: links to listings are affiliate links for which the site may be compensated.

via this eBay listing

"Works perfect, one small scratch on front chassis otherwise in perfect condition."

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Roland Cloud XV-5080 - "Planet XV" Soundset

video upload by LFOstore

"The legendary Roland XV-5080 synthesizer is back with a virtual Roland Cloud version!

BUY: https://lfo.sellfy.store/p/roland-clo...

Back to 2000s XV series was one of the most powerful digital modules with its flexible engine & beautiful sound combined with great set of effects & drums.

Why its so cool?

Cause besides pianos, bells, cowbells & cheesy accordions, GM applause and Bang! presets - its capable to create great analog sounds, the deepest ambient textures, great moving sequences.

Its like a hardware 'Omnisphere' synth with huge effort.

So – what was our first desire when we get our black box?
To create our own soundset for the legend with modern approach ofcourse!

So here it is: 'Planet XV' Soundset by LFO.store team: Nick Klimenko & Kirill Polikashin.

128 presets splitted on:

Vintage analog-like basses & modern digital wavetable
Vintage & Modern leads (yes, Klaus Schulze spirit also there)
Deepest ambient pads, space drones & tonal soundscapes
Modern sequences you never heard or seen before on JV
Beautiful bells, plucks & rhytmic structures
Fx's with modular approach (cause, why not?)
Great emulations of classic legends: Moog, Jupiter, JX-series, CS & others.

Enjoy the sounds and rediscover XV world with our soundset!"

Alesis Micron 3 OSCs, 2 Filters, Drum Machine too!

Note: links to listings are affiliate links for which the site may be compensated.
video upload by Roland Perez

via this eBay listing

"This is essentially the same engine and same amazing sound quality as the ION synth. But some things were added... Alesis added a killer drum machine, a Sequencer and some new killer effects... all of which the ION did not have.

The sounds are amazing... simply the closest I have found to a real analog synth... Three multiwave oscillators, two killer filters, each of which have Roland Jupiter, Roland TB, Oberheim, Moog and MANY other choices of filters, even some as wild and Comb Filtering!

It all works and sounds great.. cosmetics are good but note the slider tip on one slider is missing .. slider still works great. Also, the main knob is a replacement.. also works great. Just stating for full disclosure."

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Eliane Radigue Has Passed Away

Eliane Radigue - IMA Portrait documentary video upload by straypixel

Pictured: 1st image of Eliane Radigue on Discogs

Video description:

"Eliane Radigue

Her life journey has been remarkable. At the end of the fifties, she studied in Paris with musique concrète pioneers Pierre Schaeffer and Pierre Henry, whom she also assisted, notably for the premiere of L'Apocalypse de Jean. During the sixties she began composing with primitive electronics (feedback and asynchronous tape loops), but found little recognition for her research in France.

In New York in the early seventies, she found understanding and emulation, exploring emerging minimalism with James Tenney, Charlemagne Palestine, Phillip Glass, John Gibson, and Steve Reich. Her absolute allegiance to electronic sounds began during this period. Since then she has composed on the best synthesizers of the time: Buchla, Moog, Serge, and then ARP, which would become her fetish instrument. She collaborated with Robert Ashley, who sang on Les Chants de Milarepa. She has composed about two dozen works, which she has presented and continues to present at numerous prestigious venues and festivals in the United States and Europe.

In 2004, upon Kasper Toeplitz´s request, she started instrumental compositions for one or more performers, with whom she works in a close collaboration during the compositional process. This work gets quickly focused on pure acoustic sounds, in an incredibly delicate timbral way, which extends, without aesthetic rupture, her electronic work. Notably between 2004 and 2009, she completed a cycle in three parts 'Naldjorlak', for Charles Curtis on cello, Carol Robinson and Bruno Martinez on basset horns. She has now stopped her electronic work."

Emmanuel Holterbach (Translation Leslie Stuck)"


The following is a collection of some of her works:



Playlist:

1. Eliane Radigue | Feedback Works 1969-1970 [2012, Full Album]
2. Éliane Radigue - Opus 17 (1969) (Full Album)
3. Eliane Radigue – Vice - Versa, Etc (1970) (Drone / Experimental) [Full Album]
4. Eliane Radigue ‎– Chry-ptus (1971) (Drone / Experimental) [Full Album]
5. Eliane Radigue - Biogenesis, 1973
6. Eliane Radigue - Arthesis, 1973
7. Eliane Radigue - Songs Of Milarepa (1983) / Drone / [Tibetan Buddhist influence]
8. ELIANE RADIGUE : "Jetsun Mila" - 1986 [Tibetan Buddhist influence]
9. OCCAM DELTA XIII - Eliane Radigue

"In Buddhism, the number 9 signifies spiritual completion, ultimate enlightenment, and the highest level of consciousness (the ninth consciousness, or Buddha nature). It represents the culmination of the path to Nirvana, the 9 virtues of the Buddha, and is often associated with auspiciousness, progress, and the 9 states of delusion (nine worlds)."

Some history on Eliane Radigue via Wikipidia:

"Radigue was born in a modest family of merchants and raised in Paris at Les Halles.[5] She later married the French-born American artist Arman with whom she lived in Nice while raising their three children, before returning to Paris in 1967. She had studied piano and was already composing before hearing a broadcast by the founder of musique concrète Pierre Schaeffer. She soon met him, and in the early '50s became his student, working periodically at the Studio d'Essai during visits to Paris. In the early 1960s, she was assistant to Pierre Henry, creating some of the sounds which appeared in his works.[6] As her own work matured, Schaeffer and Henry felt that her use of microphone feedback and long tape loops (as heard in Vice-Versa and Feedback Works 1969-1970) was moving away from their ideals, though her practice was still related to their methods.

Radigue's death was announced on February 24, 2026. Her cause of death was not stated.[7][8]

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Rush - Subdivisions & Countdown - Covers w/ OB-X8, Geddy Lee Model D, Taurus Pedals

video upload by Tumeni Knobs

"My cover version of Rush's Subdivisions from the Signals album. Thanks to Shadowinlight on YouTube for the excellent isolated drum and vocal tracks - and of course to Rush.

I played all guitar, bass and synths on this recording. The three synths used are the Oberheim OB-X8 and the Moog Model D (Geddy Lee version), and the Moog Taurus III. The guitar is a vintage Kramer Stagemaster Deluxe 1 running through the Fractal Audio FM9 using a tweaked Alex Lifeson preset, and a Steve Vai preset for the guitar solo. The bass is a Strandberg Boden Prog 5 running through the Tech 21 GED-2112 using Geddy's setting as described in the manual.

The animation was created in Artmatic Designer.

Cheers!"

Rush - Countdown - Cover w/ OB-X8, Geddy Lee Model D, Original Drums and Vocals

video upload by Tumeni Knobs

"My cover version of Rush's Countdown from the Signals album. It's always been one of my favorites. Thanks to Shadowinlight on YouTube for the isolated vocals, Metal Overkill on YouTube for the isolated drums, Kevin Sheppard on YouTube for the isolated sound effects, and NASA on YouTube for the communications. - and of course to Rush.

I played all guitar, bass and synths on this recording. The two synths used are the Oberheim OB-X8 and the Moog Model D (Geddy Lee version). The guitar is a vintage Kramer Stagemaster Deluxe 1 running through the Fractal Audio FM9 using a tweaked Alex Lifeson preset. The bass is a Strandberg Boden Prog 5 running through the Tech 21 GED-2112 (two mono channels, Drive and Deep, are recorded on separate tracks).

The NASA communications track was painstakingly recreated using NASA's STS-1 Launch- The Complete Day video. By far it took the most time to do... I had to take some liberties, but I did find most of the bits that Rush used on the album. Cheers!"

Memorymoog Factory Presets Recreated for Moog Muse (Free Download)

video upload by Moog Music

"100 Memorymoog factory presets, now reimagined for Muse. https://www.moogmusic.com/the-wave/ne...

Recreated by Eric Frampton, a lifelong Memorymoog owner who has maintained and performed on the instrument for over 35 years, this collection faithfully rebuilds the entire Memorymoog factory library inside Moog Muse. In this video, hear side-by-side comparisons and explore how these classic sounds translate to Muse’s modern workflow and performance controls.

Using Muse’s modern architecture, each sound goes beyond the original with velocity, aftertouch, macro controls, effects, and expanded modulation, while preserving the three-oscillator polyphonic character that made the Memorymoog legendary.

From Moog’s first true 3-oscillator polyphonic synthesizer in 1982 to today’s 8-voice analog flagship, this preset pack bridges past and present in one playable library."

Rare Drum Electronic Synthesizer HOT ED-42 test

video upload by nagrzybydolasu

This appears to be the first post to feature the HOT ED-42.

"This is a little jam with very rare polish drum synthesizer HOT ED-42. Couple of takes (with Roland Tr6s and Moog Dfam)
Hot Ed has 4 mono trigger IN/OUT (gate or audio) + 2 mono audio IN channel.
All 4 channels sounds the same and has the same parameters (sensitive, decya, sweep, VCO, volume, panorama).
2 audio channels has Treble/Bass/Effect/Volume/Panorama
There is no NOISE knobs (for snare and hihats)
There is one AUX (for 2 audio channels).
4 mysterious knobs on front of the machine (i have no idea what they do)

** Polish**
bardzo rzadki perkusyjny syntezator HOT ED-42
Posiada 4 wejścia wyjścia Gate/Audio które wzbudzają VCO (nie brzmią perkusyjnie, bardziej basowo, melodyjnie - brak NOISE do snarów lub hihatów)
2 wejscią audio (audio może być z zewnątrz lub mogą wychodzić OUTami z ed42)
1 wejście AUX.
1 wyjście stereo(lub mono)
4 gałki na froncie, z przodu instrumentu - nie mam pojęcia co robią)

to chyba pierwszy filmik tego syntezatora na YT. Więc niech leci w świat.

zawsze możesz mnie wesprzeć :
https://patronite.pl/greenjesus"

Knif BBD / Modcan videos pt 2 via Drew Neumann

video upload by GSF AGENCY

"'So I set up this simple patch…'
🎧🎧

While the patch would take a while to describe in great detail, here are the main points. All of the audio in the clip is coming from the Modcan processed through the Knif BBD in realtime. The Moog Subsequent 37 is sending arpeggiated notes, modulation, and pitch wheel to the STG Continuo, which is converting that to control voltage (plus internal LFO) and gate for the modular. The pitch CV is then routed to a Wiard Mini Wave, which imposes various quantized key modes and scales on the pitch. The gate signal is routed to various envelopes, LFO resets, and the Milton Sequencer (upper right) to clock everything together and keep it in sync. Milton is handling several duties including pulse width offsets for the oscillators, CV offsets for the filters, Wiard Mini Wave 2s wavetable select, and trigger outputs for the rhythmic parts. The "voice" is 3 oscillators (one of which is processed through the second Wiard Mini Wave for wavetables) through the Moog 904a filter, 2 more oscillators going to 2 Arp 4075 filters panned hard left and right, 2 oscillators plus ring modulator and spring reverb acting at the "cymbal," white noise and Dark Star Chaos triggered by Milton for additional percussion effects. The Knif BBD is tap-tempo synced to the Moog Subsequent 37's arpeggio clock. From there, everything is messing around with the Knif BBD controls, selecting notes on the Moog, and noodling around on the Modcan's front panel controls.

Drew Neumann, Droomusic ASCAP copyright 2026

@knifaudio

#analog #delay"

Letters from the Numbers Station – live analog ambient session (Moog One)

video upload by Caught In Joy

"A late-night live session built from quiet Moog One “letters” and expanded into full transmissions from the Numbers Station.

Intimate signals becoming larger worlds.

This set blends new single-synth fragments with expanded pieces from the Numbers Station universe – recorded live, unhurried, and allowed to breathe.

No countdown. No urgency. Just signal.

The extended uninterrupted version lives on Bandcamp.
If you’d like to stay inside the signal a little longer, that’s where it continues:

RetroSound Studio Tour: Analog Monophonic Synthesizers

video upload by RetroSound

"Welcome to RetroSound Studio Tour: Analog Monophonic Synthesizers & Duophonic — a deep dive into legendary mono synths from the 1970s and 1980s, including rare East-Bloc classics.

In this new episode, I showcase iconic instruments such as the Minimoog, ARP Odyssey, Roland SH-101, Maxi-Korg, Sequential Circuits Pro-One, alongside Soviet and East German synthesizers like the Polivoks, Alisa 1377 and Vermona mono synths.

These analog monophonic synthesizers defined the sound of electronic music — from the fat Moog and cutting ARP to aggressive Polivoks and raw Eastern European character.

This video explores the sound and architecture of true analog mono synths built around VCO, VCF, and VCA signal paths, highlighting their distinctive basslines, lead sounds, and modulation capabilities. From the Moog basslines to the aggressive Polivoks filter sound and the unique character of East German Vermona synthesizers, each instrument demonstrates why 1970s and 1980s monophonic synthesizers remain highly sought after by collectors, producers, and electronic music enthusiasts."

The Monophonic Analog Synths:
0:07 Maxi-Korg 800DV
3:17 Sequential Pro-One
6:30 ARP Odyssey Mk. III
8:39 Roland SH-101
11:56 Moog Prodigy
15:24 Moog The Source
17:34 Moog Micromoog
18:16 Moog Minimoog
20:56 Moog Taurus
22:21 Formanta Polivoks
24:44 Rodina Alisa 1377
26:48 Vermona Synthesizer