Field Recording in Tokyo, Prophet-10, norns shield | Light Sleep 2025-03-17 by atnr

video upload by atnr

"A piece created using field recordings of Tokyo's morning city, ‪@SequentialLLC‬ Prophet-10, and norns shield. Birdsong, city sounds, and thick electronic tones overlap.

The Prophet-10 was played with ‪@strymon‬ blueSky reverb and recorded.

On the Norns Shield, I trigger a drone with DRONECASTER ( https://llllllll.co/t/dronecaster/34737 ) and process it with filtering and packet loss effects using ‪@ChaseBlissAudio‬ LOSSY.

The field recordings were captured with the Voice Memo app on an iPhone."

HYP3 Core Engine 開発 - Roland TB-303との比較テストの記録

video upload by SYNTHERNET

Googlish translation below.

"これは2024年6月に行ったHYP3 Core Engine (仮称) というアナログモデリング音源とRoland TB-303との比較テストの記録です。 HYP3 Core Engine (仮称) はSYNTHERNETで開発中のハードウェアシンセサイザー、HYP3やG3N3などで使用するモデリング音源です。 動画で使用しているMICRO HYP3は、実験用のハードウェアです。オーバークロックされたSTM32F411 (Cortex-M4, 120MHz) で動作しています。

左上の表示はas_SonoGx2というスペクトログラフを使用しています。 横軸が時間で縦軸が周波数です。レゾナントピークが輝線として見えるため、カットオフ周波数のエンベロープ形状を観察することができます。オレンジ (HYP3) とブルー (TB-303) が重なると白く表示されます。

テスト1ではテンポ上昇とアクセントの連続に追従してエンベロープが上昇していく状態を比較しています。オシレーターがフリーランニングなので位相差のずれは起こりますが、エンベロープ自体はほとんど一致しています。

テスト2ではパラメータを変化させた時の変化を比較しています。HYP3 Core Engineはポテンショメータのカーブやパラメータ範囲までTB-303に一致させています。これは個体に合わせて調整することも可能です。

テスト3では同じ外部のディストーションをかけた時の比較です。歪ませたとしても、かなり近いフィーリングを得ることができます。"

Googlish:

This is a record of a comparison test conducted in June 2024 between the analog modeling sound source called HYP3 Core Engine (tentative name) and the Roland TB-303.

The HYP3 Core Engine (tentative name) is a modeling sound source used in hardware synthesizers under development at SYNTHERNET, such as HYP3 and G3N3.

The MICRO HYP3 used in the video is experimental hardware. It runs on an overclocked STM32F411 (Cortex-M4, 120MHz).

The display in the upper left uses a spectrograph called as_SonoGx2.

The horizontal axis is time and the vertical axis is frequency. The resonant peak appears as a bright line, so you can observe the envelope shape of the cutoff frequency. Orange (HYP3) and Blue (TB-303) When they overlap, they are displayed in white.

In test 1, we compare the state in which the envelope rises in response to an increase in tempo and a series of accents. Since the oscillator is free running, there is a phase difference, but the envelope itself is almost identical.

In test 2, we compare the changes when parameters are changed. The HYP3 Core Engine matches the potentiometer curve and parameter range to the TB-303. This can also be adjusted to suit the individual unit.

In test 3, we compare the results when the same external distortion is applied. Even with distortion, you can get a very similar feeling.

Ambient w/ Prophet-10, OP-1 field, LOSSY | Thawing Horizon 2025-02-14 by atnr

video upload by atnr

"A piece created using the ‪@SequentialLLC‬ Prophet-10 and ‪@teenageengineering‬ OP-1 field. The gentle electronic tones from both synthesizers overlap and gradually fade away.

The sound from the OP-1 field is processed through ‪@ChaseBlissAudio‬ LOSSY with filtering. LOSSY is CV-controlled by the ‪@KORG_INC‬ SQ-1, causing its parameters to change gradually.

The Prophet-10 is played manually, with its output processed through blueSky for reverb."

Banyan: generative ambient through switching loops

video upload by Electrum Modular

"With Disting EX’s multiswitch algo (6 switches, each with 6 inputs and 4 outputs), you can generate long, melodic sequences with just three voltages. By placing the switches in parallel, so their inputs and outputs overlap, and by adding a few feedback loops, the sequence can get quite complex and unpredictable."

Shine On You Crazy Diamond | Stringer Tutorial

video upload by SonicProjects

"https://www.sonicprojects.ch/stringer...

SonicProjects Stringer virtual vintage String Machine Solina ARP Omni Logan emulation comprehensive Tutorial.

Table of contents:

00:00:00 Intro
00:00:50 Some Presets
00:05:15 Engines Overview
00:08:06 Sample Engine
00:10:39 Pure Sawtooth Engine
00:11:30 Divide-Down Engine
00:17:51 Layer Engines
00:19:32 Bass Engine
00:22:49 Split Engines
00:25:22 Envelope Types
00:30:41 Ensemble Effects
00:33:36 Modulation Effects
00:36:56 Reverb Effect
00:38:26 Patch Browser
00:45:52 Outro
00:50:00 Function Wallpaper

Stringer is a hybrid virtual String Machine emulation containing both samples and VA component emulation.

It offers these sound-building components:

CLICK FOR MORE »

GAME BOY, volca fm, Moog One, Field Recordings in Tokyo | Verdant Veins 2025-01-28 by atnr

video upload by atnr

"A piece created using the Game Boy, ‪@KORG_INC‬ volca fm2, YAMAHA MU15, ‪@SequentialLLC‬ Prophet-10, and ‪@MoogSynthesizers‬ Moog One. Gentle synthesizer sounds overlap against the backdrop of Tokyo city sounds.

The Game Boy sounds are processed through ‪@ChaseBlissAudio‬ LOSSY into a lo-fi tone and played back using LSDj, synchronized only in tempo.

The Volca FM2 is saturated through GENERATION LOSS MKII and MICROCOSM while applying reverb effects.

The MU15 has filters and reverb applied using NIGHTSKY.

The field recordings consist of sounds recorded from Tokyo city, including temple bells, bicycle noises, and bird songs. These were recorded with a TASCAM X8."

Electronica session w/ Moog One, Prophet-10, Music Easel | Quietude 2025-01-26 by atnr

video upload by atnr

"A piece created using the ‪@MoogSynthesizers‬ Moog One, ‪@SequentialLLC‬ Prophet-10, and ‪@buchlausa‬ Music Easel.

On the Moog One, I play the bass with my left hand, while the Prophet-10 handles the chords. Over the gentle harmonies, the Music Easel’s sequencer phrases and the sound of a djembe overlap. The Music Easel is synced with the DAW, intertwining phrases from a 5-step sequencer and the 218e arpeggiator.

The djembe is played with both hands and sticks, and I use a RODE NT-1 for recording.

In the DAW, I add chorus and synth sounds using Omnisphere and ‪@NativeInstruments‬ Kontakt."

Erica Synths Introduces Perkons Voice Eurorack Module

video upload by Erica Synths

"Erica Synths Perkons Voice is a eurorack incarnation of the percussion voices from the PERKONS HD-01 Drum machine. Like on the drum machine, the module has hybrid architecture, featuring a digital sound engine followed by an analogue multi-mode filter and overdrive. Users can select among 13 sound generation algorithms and save up to 99 presets that can be recalled easily. Tune and Patch CV inputs are configurable for various CV settings and are tuned to 1V/oct. Module also features a 4-voice poly overlap mode and samples on the "Rompler" engine can be easily replaced.

Timeline:

00:00 - Take 1 / 2x Perkons Voices sequenced with Black Sequencer
00:48 - Take 2 / Scrolling through factory presets
01:52 - Take 3 / Sequencing patches with Black Sequencer
02:23 - Take 4 / Playing with 4-voice poly overlap mode
02:58 - Take 5 / Sequencing snare and adding various CV modulations
04:38 - Take 6 / Self generating patch with Perkons Voice, Modulator and Stereo FX
05:35 - Take 7 / Patches sequenced with Black Sequencer
06:22 - Take 8 / More 4-voice poly overlap exploration
08:08 - Take 9 / Patch with 3x Perkons Voices as sound sources
08:30 - Take 10 / 4x Cowbell grains. Setting decay to to max makes sample to loop
10:25 - Take 11 / Wall of Karplus. Mega drone with voice overlap triggered and modulated with Befall rampage"

Akai AX60 analog synth with Tauntek upgrade

via this listing

"Fantastic vintage analog polysynth in remarkable condition. Fully cleaned inside and out. No electrical issues or sound issues whatsoever.

The Tauntek upgrade allows for more settings and greater MIDI implementation. Sad to see it go, but I found just too much overlap in sound between this and my Juno."

CLICK FOR MORE »

203 systems Mystrix Pro: An open source MIDI pad controller!

video upload by Floyd Steinberg

"Here's the Mystrix Pro ( https://203.io/ ), a 8x8 MIDI pad controller with an open source operating system. You can code your own applications running on this. Table of contents:

00:00 split keyboard demo
00:16 introduction
00:48 what's in the box?
01:23 features
01:42 the operating system and apps
02:26 the "note" app
03:07 menu button and settings menu, octave selector
03:30 root notes display
03:34 keyboard split
04:08 vertical or horizontal splits
04:29 brightness
04:45 colour setup
04:53 scale selector
05:25 enforcing scales
05:48 overlap
06:29 midi channel selector
06:44 velocity on/off switch
07:05 system settings
07:18 brightness and screen orientation
07:35 performance app / amethyst player / unitor
08:06 polyphonic aftertouch demo
09:00 installing the development environment (Visual Studio Code) and compiling the OS
10:57 conclusion
11:41 kkthxbye

Links:
Mystrix WIKI https://matrix.203.io/docs/Mystrix/Ge...
GitHub: https://github.com/203-Systems/MatrixOS
Visual Studio Code: https://code.visualstudio.com/
Amethyst Player: https://play.203.io/

HÄLP ZIS CHANNEL
https://www.patreon.com/floyd_steinberg
https://floydsteinberg.gumroad.com/
https://floydsteinberg.bandcamp.com/"

Hands on with Groc: Basics of Pitch Shift

video upload by oddment audio

"Join our resident Sound Scientist for our longest and nerdiest video yet! We walk through the basics of how you can shift the pitch of a sound without changing its speed, then we take our closest look at yet at Groc's many grains parameters and how they can be used to achieve different timbres and effects."

0:00 Intro
0:25 First Granular Processing
0:38 Pitch Down w/o Slow Down
1:09 Using Grains!
1:30 Grains Up Close
2:58 Now Let's Slow Down
3:51 Grains: Speed, Size, Overlap, Shape
7:40 Grains: Secondary Functions
8:42 Synchronous vs. Asynchronous
10:40 Nuances of Overlap and Size
12:24 Grains: Tuning, Placement, Filter, Fidelity
15:11 Sunset

Digitakt, microcosm | still. | live ambient performance

video upload by patchesinblue

"still.

this video is a live performance of ‘still.’, a track that i’ve been working on in the studio for a while. the full version is a work in progress, but it’s shaping up to be a piece that will make its way onto an EP.

playing it live feels emotionally different from the studio version, but i think both capture what i’ve wanted to express.

‘still.’ is a reflection on how some feelings & memories have their way of staying with us, no matter how much time passes—like old photographs tucked away in a book you forgot to finish reading, only to resurface with all their colors intact and unchanged; they've been persisting quietly in the background.

musically, 'still.' is built around a single melodic phrase that repeats and layers upon itself, shifting and evolving slightly with each repetition. each line comes from one of the eight voices on the digitakt. the morphagene starts the line initially and then goes on to morph into other ideas as the piece progresses. these overlapping lines blur together, creating a sound that feels full yet indistinct, much like how memories work over time. as time goes by, we revisit the same moments again and again, but each time the details shift, overlap, and blend, forming a kind of collage—an imprint of a time long gone, yet somehow always familiar. i hope you enjoy listening to it.

i want to take a moment to thank everyone who’s been here with me supporting my work—whether you’ve been listening from the beginning or just discovered it, i’m truly grateful for the time you take to engage with my music.

on a personal note, i’m looking for opportunities where my music can be a good fit, so if you or someone you know is looking for original music for a project, please feel free to reach out to me. thank you.

i'm ‪@patchesinblue‬ on bandcamp, instagram and yt"

Modulation 'Masterclass'

video upload by Cinematic Laboratory

"First of all, I put 'masterclass' between quotes because I am not a master. I can call myself an 'expert' after +10.000 hours of patching but that's no guarantee for good information. However, you wouldn't be interested in watching modulation basics either. So my 'masterclasses' are more like sitting around the campfire, telling ghost stories, and we're all equal.

I've been inspired by a subscriber, who pointed to his beloved Rossum Trident/Triton as his/her/their favorite VCO. I looked it up, decided there's too much overlap with my THREE-BODY VCO, but noticed something interesting called 'Zing modulation'. It's a recipe based on ring modulation, with the simple trick of syncing the carrier and modulator. Dave wrote he may have been the first person who ever used the term 'hard-sync', but credited the technology to Serge Tcherepnin. Suddenly I was lost and inspired in a new world of modulation I did not know about. Since it's a recipe instead of a circuit, we can all use it as long as your VCO has a Sync input, and you have a ringmod in your case. If you don't, get one. It's an essential piece and it costs nothing.

I can't explain Zing modulation (ZM) without Ring modulation (RM) without thru-zero amplitude modulation (AM) and when the bloody TZ comes along I am aways reminded that I am still clueless about thru-zero FM. I've seen good, bad and no explanations about TZFM. I know it preserves pitch, it's been restricted to digital - but now it's also possible with analog - and it needs to be supported by the VCO. You can't seem to patch it up, the VCO should do it. I have a problem with things that can't be done. It's not that I am stubborn, an important aspect of creativitiy is to never give up. And to be confident you'll figure it out eventually. Thanks to Dave Rossum's recipe, I wondered if I could ringmod my modulator VCO before it goes to my principal VCO's LIN-FM. It can't possibly be amplitude modulation anymore.
I experimented with ring-modulating the modulator with an inverted version of itself, so it would flip polarity and go thru-zero. I don't know if this qualifies as true thru-zero so I call it WTFM.

Anyway, this video can keep you busy for weeks. Happy Patching!
Robert.

00:00 Intro
00:52 Amplitude Modulation
01:44 Frequency Modulation
02:47 Ring Modulation
04:12 Zing modulation by Dave Rossum
04:52 Thru-Zero Linear Frequency Modulation
05:59 Thru-Zero Linear WTF Modulation by Cinematic Laboratory
08:17 A few Ring Mod alternatives
09:32 Zing along with Serge and Dave"

Synth Stuff Ep. 88 - Sequential Take 5

video upload by tritonrecordings

"It only made sense to feature the Take 5 right after featuring its Oberheim cousin. They are really only related in price and form factor, however. The sound is quite different, and I imagine many people will wonder how they compare. To me, the comparison is just the same as a Prophet 5 and vintage OB: the Sequential sound is thick, almost chocolatey, while Oberheim has an inherent sharpness or brassy character. All synths have some overlap, but that's how I'd describe it. It feels like the Take 5 is a bit too new to call it underrated, but this thing sounds fantastic. Even I ignored it for a long time, mainly because of the name. Seriously! I looked up synonyms for "prophet" and "Druid 5" or "Augur 5" would've been cooler names. I can't explain why, but "Take 5" is lame to me, haha. All in all, this thing has the Sequential/Prophet vibe. That thick and rich character oozes out of this thing, but with enough of its own personality coming through as well. If you want a relatively affordable polysynth that feels and sounds substantial, and like the small form factor, this one might be for you.

Follow me at:
www.funayureimusic.com"

Hardware Jams Weekend Challenge - MazeRunner (WIP)

video upload by SynthAddict

"Maschine+

Synthwavey jam as you meander through a maze. Some pleasant and contrasting elements overlap to give a sense of unease while going through the maze.
Notice the center, right, and left whooshes as you pass gaps and corners going diff directions.
Unfinished but there it is..."

Groc - from train announcement to wavetable synth

video upload by oddment audio

"Can Groc do wavetable synthesis? Oh yes.

Here’s how: (1) pick a sound, (2) set the speed near 0, (3) turn the overlap all the way up, (4) use small grains, (5) have fun playing with speed and grain size to seamlessly move between the original sound and your wavetable synth!"

Introducing the Fauxhundred

The FAUX HUNDRED

Details from the brochure:

IN THE HANDS; WHO MAKES THE RULES? HIERARCHICAL PERCEPTIONS GRASPING ELUSIONS OF CONTROL WITH THE LIGHTEST TOUCH ON SENSITIVE PROBLEMS, MIDAS IS HANDLING - HANDLING POSSIBILITIES.

SYSTEMS OF KNOWLEDGE OVERLAP, REVEALING ZONES OF CONFUSION, THE SOURCE ABSURDITY MANIFESTS TO SUGGEST REVISITATION: TO CONTEMPLATE CERTAIN ANGLES OF REPROGRAMMING THE METAORGANISM.

TO CLOSE A KEY IS TO RELEASE THE QUESTION, EXPLORING OTHER CORNERS OF PYCSHOTELEMETRY: MEASURING KNOWN STEPS - INSERTING REPEATING INGREDIENTS - YET FACILITATION THE DEVELOPMENT OF NEW RANGES, LOCATIONAL DYNAMICS IN UNMAPPED ENCOMPASSING DIMENSIONS, AND VITAL - ALMOST IMPERCEPTIBLE - DIFFERENCES TO THE ORIGINAL MEDIA.

THE OBSERVER MAY ABANDON THEIR ROLE TO INSTEAD DEFINE THEIR EXPERIENCE; THUS, DESPITE INDUCTIVE DUST INDICATIVE OF ONE MILLION REPETITIONS, THE NEXT INSTANTIATION YIELDS SOMETHING GREATER THAN ITS SUM.

WAHT IS REAL?
FAUG GOLD IN THE HANDS?
SIXTEEN RECTANGLES NEATLY ARRANGE TEN-STAGE CURVES BY SIX MOON'S PHASE FOUR TIMES. ONCE UNDER LEAD LAMPS, THE EXTINGUISHED LIGHT BREACHES AN OLD WINDOW AND THE SCOPE NOW FRAMES THE NEIGHBORING FIELD, WHERE THE RAM RETRIEVES A MEMORY OF THE BREAKING POINTS.

SO UNREAL: AN INDEX OF CONTINUOUS IMPLICATIONS THAT THE DEFINITION OF THE EDGE IS STILL SUBJECT TO VARIATION, N-DIMENSIONAL TRAJECTORIES TRACING AXES STILL UNKNOWN.

TECHNIQUES ARE EMPLOYED, FROM WHICH UNUSUAL LINKS AND PROCESSES JUMP FUTURE ELEMENTS AN EXAMINATION OF STRUCTURE; INDIVIDUAL MUSIC; INDIVIDUAL LANGUAGE. IN TIME, EMERGENT NONLINEARITIES MERGE TO DEFINE THE USER PROGRAM: A NEW SENSE OF PERCEPTUAL MECHANICS; A SPECIAL RELATIONSHIP TO YOUR OWN EXTERNAL FEEDBACK SYSTEM; A DEPARTURE OR CONTRAST.

TO MATURE IN EXISTENCE, TO FLOWER IN PERCEPTION, EVALUATE RELATIONSHIPS, REDUCE LOGICAL ASSUMPTIONS, SKIP THE NEXT ACTION, AND CHECK THE SUM.

STOP; DON'T LOOK UP; TRANSFER OPERATIONS, SCORE MANIPULATIONS, AND UNFOLD THE OTHER PLANS.

ANOTHER ITERATION, THE TASK'S NEW BRANCH, NOW EMERGING: ADDRESS THE SEQUENCE - THE DEFAULT PERCEPTUAL HIERARCHY PROCESSION, SUCCESSION, AND CHANGE.

WHAT IS REAL?

FAUX GOLD IN THE HANDS.

- Except from Faux Gold

Kaivo: Granulator Module Overview

video upload by Madrona Labs

"Kaivo is a software instrument combining two powerful synthesis techniques (physical modeling and granular synthesis) in an easy-to-use semi-modular package. It’s laid out a bit like an acoustic instrument; the GRANULATOR module acts like the player’s touch, exciting one or more tuned objects (here, the RESONATOR module, based on physical models of resonant objects) that come together in a central resonating body (the BODY module, also physics-based).

https://madronalabs.com/

Chapters:
00:00 Intro
00:24 Granulator Overview
02:53 Waveform Display Window
03:33 X & Y Sliders
04:59 Source Menu
05:16 Importing into Granulator
06:23 Pitch Control
07:03 Linear and Exponential Inputs
07:21: +/- Input
07:43 Patch Demonstration 1
09:21 Continuity Error Acknowledgment
09:31: Trigger Input
10:14 Follow Button
11:04 Overlap Control
11:49 Sync Button
13:01 Wrap Button
14:14 Patch Demonstration 2
15:40 Noise Button
16:17 Pan Control
16:40 Patch Demonstration 3
16:51 Outro"

New Groc Granular Hardware Synth from Oddment Audio

video uploads by oddment audio

Playlist: 1. Groc granular synth - modulating fun

Here we have simple note sustain while modulating grain bandwidth, overlap, placement (in stereo field), distortion drive and filter cutoff frequency. Oh, and our first reveal of the delay unit!

2. Violin and ambience with Groc granular synth

Here we are editing sample loop points, ADSR envelope and Groc's unique "time path" to create lush sustains from a short violin clip.

3. cool fall day + warm groc tones

walking on a cool fall day, accompanied by warm tones produced by groc granular synth

4. Groc - LED sequence with spatial sound

This video shows the first testing of the groc interface board, and includes the first audio demonstrations of spatial sound overlaid. Headphones recommended!

5. Groc Demo - Grain parameters

First demo of groc's grain parameters with a guitar loop as audio sample.

"Sculpt sound. Modulate everything. Do you groc?

Stunning, yes.

Slim, yes.

Powerhouse, also yes.
quad core 64-bit ARM processor
1GB RAM, 4GB of user storage
vivid DSI touch screen
cutting edge signal processing
fits in a bread box

Not like the others.

Groc demonstrates that a compact form can deliver unparalleled functionality. Access dozens of parameters in the custom granular synthesis engine with 4 grains encoders. Achieve one-of-a-kind manipulations of playback speed, shape multiple envelopes, edit audio sample crop and loop points, adjust 4 LFOs, 3 macros and morph between patches with just 8 more encoders. Add in an entire world of effects, accessed with just 4 more.
The large and vivid touch screen provides rich information and beautiful visualizations of your sounds, and enables deep functionality within just a touch or two. Is this where we mention the placard at Oddment HQ that reads, “Down with menu diving!”?

Patch without limits.

Every parameter on groc is a modulation destination, and connecting modulation sources is as easy as plugging in a patch cable (w/o the need to search in your closet).

To go with its myriad destinations, groc has a bounty of modulation sources: 4 LFOs, 4 envelopes, MIDI velocity, key tracking, polyphonic after touch and all the rest.
In the event you were hoping to use a physical patch cable, yes, you can use groc’s modulation sources to wiggle analog voltages via the 4 control outputs. Or configure them as inputs to control any of groc’s parameters with CV from your other gear, a sustain pedal or you name it.

Did you want to sequence a parameter, or draw a custom modulation curve on the touch screen? That seems reasonable and groc will support you. Do you want to connect a dozen or more modulation sources to the same parameter? That is far less reasonable, but that’s just, like, our opinion."

Learn more about Groc and Oddment Audio: www.oddmentaudio.com

A short RK008 Quantize grid example loop

video upload by Retrokits

"Recording realtime gives you complete freedom of playing - but sometimes a quantize grid can help you out, also production- wise.The quantize grid in the RK008 is capable of separately altering note on, note length or note off.

A note-off is part of the groove and you can use the grid options to tighten up sounds but also make the most of a synth with limited polyphony, timing note-offs perfectly before starting a new one.

PS: I'm focusing on the quantize grid here, you can also adapt the length of a note in a percentage of the original which is not shown in this movie. You can check the complete RK008 Quantize menu here:"

RK008 Menus: ALT+6 - QUANTIZE

video upload by Retrokits

"RK008 Menu 6 houses real-time Quantize transformations.
The first part (ALT+6) is for note-on quantize, straightening out played notes on a user-selectable grid:

Digit 1 to 6 select a timebase;
Digit 1 - 2 - 3: 1/64 - 1/32 - 1/16
Digit 4 - 5 - 6: 1/8 - 1/4 - 1/2
Digit 7 - 8 - 9: decrease - 1/16 center - increase
(inc/dec is also accessible via ALT+DEC and ALT+INC)

Tapping a digit multiple times will also allow you do select a dotted or triplet grid For example in case of a 16/th note-on Quantize(3):
1x tap: 1/16
2x tap: 1/16D (dotted, notes are 1.5 times a 16th note)
3x tap: 1/16T (Triplets, notes are 1/3rd length of a 16th note)

Pressing INC will slide to the Swing settings which have the same type of interface, selecting timebases with 1-6 and making adjustments with 7-9.

Pressing INC again will slide to the Note Length Quantize part. In this menu you will be able to quantize the note length to fixed length - or- only quantize note off fixed to a grid.

For example - on the 16th Note Length Quantize (3)
1x tap: 16th length fixed
2x tap: 16th- length staccato (length is cut just before the next 16th note)
3x tap: 16th+ length legato (length will just overlap the next 16th note)
4x tap: Q_16 note off length is snapped to a 16th note grid
5x tap: Q_16- note off length is snapped to a 16th note grid staccato style
6x tap: Q_16+ note off length is snapped to a 16th note grid legato style

The @EspenKraft video mentioned is here:" [posted here]