"Friendly Stories about Computers / Synthesizers - by John Simonton, Jr. PAiA Electronics founder. Subtitled: WHY Microprocessors are the greatest thing to happen to electronic music since voltage control and HOW to apply them. 72 pages of articles from Polyphony Magazine. Mainly deals with their 4700 series computer interface. Has a lot of 6502 assembly language listings. This is a great walk down memory lane of the very early days of microcomputer controlled synthesizers.
FREE bonus - 1989 PAiA 12 page catalog - MIDI SMPL Modules, Studio Equipment, Guitar Effects. Books Kits and More."
Among the items you will some of studio equipment including the synths pictured here. It's interesting to see the gear he used. The Roland MKS-70 (JX10/JX-8P) used on Twin Peaks is not listed as I believe it was owned and by Angelo Badalamenti, not Lynch. I included his portable audio recording equipment, not as a synth, but as a possible sample source. Unfortunately the listing does not mention if there are any recordings present in them so keep that in mind if you bid. It would be a shame if they were removed.
Most of the items mention they were "owned and used by David Lynch in his personal recording studio."
Images in this post were captured in the order listed for each listing.
"A lot containing the BOSS VT-1 Voice Transformer owned and used by David Lynch for voicing the characters of his cartoon DumbLand (2002), a Dumbland DVD box set, and two microphones used by David Lynch in his home recording studio known as Asymmetrical Studio."
"For sale, a very rare exemple of the famous Minimoog racked by Studio Electronics.
This is not a clone, this is the real R.A. Moog board mini in a rack !
It will be fully serviced prior to sale."
You’ve discovered the synth industry’s best-kept secret: the 3rd Wave 8M — bringing Groove Synthesis’ award-winning wavetable technology to more studios, stages, and creative spaces than ever before. This isn’t a watered-down version. This is 8 voices and 2 parts of pure, uncompromised 3rd Wave DNA in a more accessible, compact package. Same premium sound engine. Same analog filters. Same innovative synthesis. Just more accessible to more producers and musicians.
ACCESS ALL AREAS
The performance-oriented control set featuring a generous 7” display with six encoders gives you the confidence to create the sounds you’ve always envisioned.
COMPLETE SYNTHESIS TOOLKIT
Choose from wavetable synthesis, analog-style synthesis, FM, and sampling for each of the three oscillators to create rich and expansive soundscapes.
• 8 Voices of full 3rd Wave sound engine with complete patch compatibility
• Bi-timbral operation with two independent parts
• Premium analog filters and output stages—identical to our flagship models
• Multiple synthesis types: wavetable, analog-style, FM, and sampling
• Streamlined interface with larger, more intuitive display
• Compact desktop format that fits your creative space
CLASSIC LEGACY – MODERN SOUND
While the 3rd Wave has roots in the classic digital wavetable synths of the past, it takes that concept into the 21st century with a lush, expansive sound that’s a product of its expanded wavetables and warm, organic analog filters.
It boasts not only a punchy, Dave Rossum-designed 2140 analog low-pass filter with variable saturation, but a second, SEM-style state-variable filter (low-pass, high-pass, notch, and band-pass) for additional tone-sculpting. Run both filters in series for harmonically complex textures."
Update: and the press release:
ORINDA, CA – May 8, 2025 – Groove Synthesis, the innovative synthesizer company known for its award-winning 3rd Wave 24-voice advanced wavetable synthesizers, today announced the 3rd Wave 8M – a compact desktop synthesizer that brings the distinctive Groove Synthesis sound to a more accessible price point, without compromising on sound quality or core features.
Building on the success of the flagship 24-voice 3rd Wave models 24K and 24M, the new 8M features 8 voices of polyphony and bi-timbral operation in a streamlined desktop format. Priced at $1,999 USD, the 8M delivers the same premium sound quality and cutting-edge synthesis capabilities that have made Groove Synthesis a favorite among producers, composers, and performers worldwide.
"We created the 8M to bring the distinct 3rd Wave sonic character and sound design capabilities to more musicians and producers," said Bob Coover, co-founder of Groove Synthesis. "This isn't a watered-down version of our flagship 24-voice models. The signal processing chain, analog electronics, and the sound are the same as on the 24. The 8M just makes the 3rd Wave experience accessible to musicians, sound designers, and producers who don't need the full scale system.”
The 3rd Wave 8M maintains complete patch compatibility with the 24-voice 3rd Wave models, allowing users to seamlessly integrate the 8M into existing setups or upgrade to larger models in the future. The streamlined user interface focuses on performance-oriented controls while utilizing a larger, more intuitive display for deep sound design capabilities.
Key features of the 3rd Wave 8M include:
● 8-Voice Polyphony: Full 3rd Wave sound engine with 8 voices and three oscillators per voice ● Complete Synthesis Toolset: Wavetable synthesis, analog-style synthesis, FM, and sampling ● Bi-timbral: Two independent parts for layering and splitting ● Complete Patch Compatibility: Seamless integration with 24-voice 3rd Wave models ● 8 Analog Filters and Output Stage: The same premium analog filters and output circuit design as flagship 24-voice models, 24K and 24M ● Streamlined Interface: Performance-oriented, expressive control set with larger display ● Multiple Outputs: 4 balanced outputs for flexible studio integration ● Compact Design: Smaller footprint ideal for desktop or touring setups
"As a bunch of synth enthusiasts ourselves, we know that the sound is everything," said Andrew Silverman, co-founder of Groove Synthesis. "The 8M has the full DNA of our flagship models. We've carefully considered what matters most to musicians and sound designers, preserving the elements that define our sound while creating a more accessible entry point to the 3rd Wave sonic universe.”
The 3rd Wave 8M continues the Groove Synthesis tradition of combining vintage inspiration with modern capabilities. While the 3rd Wave has roots in the classic digital wavetable synths of the past, it takes that concept into the 21st century with a lush, expansive sound that’s a product of its expanded wavetables and warm, organic analog filters. The intuitive, performance-focused interface avoids menu diving for a natural control flow, preserving and adapting the vital parts of the keyboard’s controls in a compact format.
"From Deep is a hypnotic acid incantation, its evolving bass line shifts the energy while ritualistic rhythms loop like mantras.
Spectral high sounds drenched in feedback fracture through and spiral into infinity, dissolving the boundaries of perception
Ill Acid Records Cat. No. ILL012
129 BPM
Performed, recorded, mixed, mastered by MSTRBLSR at Ill Acid Studio.
Machines: modified Roland TR-606, Din Sync RE-303, MC-202 with Tubbutec mod, Boss BX-8 mixer, Alice 1228 mixer, Boss KM-4 mixer, Tapco 4400 dual spring reverb, TC Electronics Nova Reverb & Delay pedals, Korg SDD-1000 and 1200 delays, BSS DPR-402 compressor, DOD SR-866 compressor, Ableton Live"
"Updated demo video showcasing L-Fusion Modular Analog Kicks Eurorack module with walkthrough through all the parameters, also tips how to get most of it using filtering and EQ. For best listening experience use studio headphones/speakers that can handle the low end.
808 kick generates softer more boomy kick sound while 909 outputs more aggressive punchy kick often used for making techno. Built using modern components – Audio grade Burr-Brown OpAmps, low noise transistors as well as quality capacitors including legendary WIMA German ones where larger values are needed - module provides two clean analog sound outputs with dynamic range of over 90dB.
808 kick is based on T-Shape resonator, often used in Electro/Acid tracks. It has decay, pitch and tone knobs. The circuit has been modified for longer maximum decay.
909 kick is more complex, it generates more aggressive punchy kick sound often used making techno, its core is based on integrated triangle shape oscillator. This kick drum can be controlled with original attack, decay, tune, tune decay potentiometers. Original 909 circuit has been improved for longer maximum decay, we have also integrated extra potentiometers for soft clipping distortion and fast decaying attack noise control."
"Introducing new kick drum module with famous 909 and 808 base kick drums based on on original discrete transistor circuits. 808 kick generates softer more boomy kick sound while 909 outputs more aggressive punchy kick often used for making techno. Built using modern components – Audio grade Burr-Brown Opamps, low noise transistors as well as quality capacitors including legendary WIMA German ones where larger values are needed - module provides two clean analog sound outputs with dynamic range of over 90dB.
"Updated demo video showcasing L-Fusion Modular Analog Kicks Eurorack module with walkthrough through all the parameters, also tips how to get most of it using filtering and EQ. For best listening experience use studio headphones/speakers that can handle the low end.
808 kick generates softer more boomy kick sound while 909 outputs more aggressive punchy kick often used for making techno. Built using modern components – Audio grade Burr-Brown OpAmps, low noise transistors as well as quality capacitors including legendary WIMA German ones where larger values are needed - module provides two clean analog sound outputs with dynamic range of over 90dB.
808 section outputs classic boomy kick based on T-Shape resonator, often used in Electro/Acid tracks. It has decay, pitch and tone knobs. The circuit has been modified for longer maximum decay.
909 kick is more complex, it generates more aggressive punchy kick sound often used making techno, its core is based on integrated triangle shape oscillator. This kick drum can be controlled with original attack, decay, tune, tune decay potentiometers. Original 909 circuit has been improved for longer maximum decay, we have also integrated extra potentiometers for soft clipping distortion and fast decaying attack noise control."
"Here’s a URSA MAJOR SPACE STATION SST-282 that was just restored here at the shop. These sound so amazing and I hope I find one for my studio someday. They’re like having a Roland space echo without the tape/noise and sound incredible!
When it arrived, it wasn’t outputting any delay/reverb signals at all.
Repairs done:
-Found 3 blown Tantalum caps, replaced with new Tantalum caps.
-Rebuilt PSU (had leaking Filter capacitors)
-Replaced stuck/broken Power Switch
-Replaced all bad electrolytic capacitors and tantalum’s throughout.
-Replaced a bad RED square LED
-Replaced faulty/old ribbon connector and installed a machined 16 dip socket"
"This comparison is low pass only. It would take far too long to compare (in what I view as a useful way) every output and mode, so this is it for now.
In theory they're all based on the SEM circuitry, but some do have alterations.
I'm less concerned with "purity" or adherence to the "original" sound as I am with how good they sound period.
Source VCO is an Acid Rain chainsaw. Envelope is Zadar. Sequencer is Pittsburgh Modular microSequence.
"Quick demo of the SE Roland filters in an Omega 8 Synthesizer. In order it goes:
1 - Oberheim
2 - Moog
3 - Roland 24db
4 - Roland 6db (unsure if it's actually 6db but will use that here for now)
5 - Roland 24db & 6db - messing with the rather subtle non-resonant highpass filter"
"Some @rolandglobal @StudioElectronics #se02 #sounds and #tips and some things I like about this small but fat sounding synthesizer from Roland and Studio Electronics - Shot with #nikon - Recorded in @bitwig Studio - @ArturiaOfficial #keystep37 #whendoyouguyscreateananalogpolyforthemassesqm
Do you fancy some new sounds for your SE-02 - consider supporting and purchasing them here: https://solidtrax.nl/product/analog-m... - intro offer available until the end of February 2025."
"Cracklebox (Kraakdoos) : With Analog Resonator, Granular & Delay : Vaemi (Standalone Synthesizer)
Kraakdoos (Cracklebox)
The Kraakdoos, also known as the Cracklebox, is an experimental electronic musical instrument first developed by Michel Waisvisz in the 1970s. This device makes interacting with electronic circuits fun and unconventional, and is played through its touch-sensitive surfaces. When you complete the circuit with your fingertips, it starts producing sound, with the tone, intensity, and rhythm changing according to your touch.
This modern version designed by Vaemi presents the classic Cracklebox concept with an innovative approach. The Kraakdoos serves as a creative tool in sound design, appealing to both musicians and those interested in experimental sounds.
The Kraakdoos, aka Cracklebox, uses the classic LM709 op-amp, which is now only available from a limited number of manufacturers. This component plays a crucial role in shaping the device’s characteristic tone and unique sound palette, providing a truly one-of-a-kind audio experience.
Features
Transformer-Isolated Line Output: The line-out connection is equipped with transformer isolation, ensuring signal isolation for cleaner sound transmission and professional-grade noise reduction.
Speaker and External Output Options: Option for external speaker use or external line output.
Touch Controls: The device responds dynamically to user touch, generating unique sounds.
Revived with Vaemi's design, the Kraakdoos offers an unforgettable experience in the world of analog electronics. With its transformer-isolated line output and the ability to run on a 9V battery, this device is an ideal choice for both studio and outdoor performances."
The Kraakdoos, also known as the Cracklebox, is an experimental electronic musical instrument first developed by Michel Waisvisz in the 1970s. This device makes interacting with electronic circuits fun and unconventional, and is played through its touch-sensitive surfaces. When you complete the circuit with your fingertips, it starts producing sound, with the tone, intensity, and rhythm changing according to your touch.
"»[ https://www.solidtrax.nl/shop/analog-... ]«
128 new and magical #presets for the @rolandglobal @StudioElectronics #se02 - These #sounds are suitable for ambient, cinematic, synthwave and various sorts of electronic dance music genres.
This comprehensive synthesizer is a true analog synthesizer at a very affordable price which looks tiny, but has a big fat sound and offering far more than meets the eye!
All sounds are recorded dry, towards the end of each demo you'll notice the addition of some applied effects. What you're hearing is the raw output from this SE-02; no EQ or dynamic tools have been applied. Drums are also from the SE02!
Effects applied are:
@bitwig Delay+, Flanger+, Phaser+ - amazing effects with loads of options.
@talsoftware Chorus LX - another classic!
@RelabDevelopment Sonsig Rev-A - true gem!
"We’re gathering over 70 boutique synth makers in one awesome Silverlake spot so you can learn, listen, and live the latest in electronic music sound production. This hands-on, headphones-only gathering gives you a chance to hear the best sounds science has ever created. From additive to subtractive, analog to digital, keyboards to breath, audio to visual (yes- some video synths will be here too!), modular to full-size polyphonic, eurorack to Serge to Buchla, you’ll meet synth makers and synth enthusiasts alike. This will be January’s biggest two-day collection of hands-on synths on the West Coast! If you love creative sound, you need to be here."
Delicious food (including vegan) from Moby Rick’s fish tacos, incredible carbonated beverages from United Wild Brew.
Exhibitors: 1010music • 4ms • After Later Audio • AIAIAI • AJH • ALM Busy Circuits • Animal Factory • Ashton Research • ASM • Bastl Instruments • Bitwig • Black Corporation • Bored Brain • Buchla • Catalyst • Circuit Happy • Crosspatch • Days of Yore • Rain City Modular • Doepfer • Dogbotic Labs • Dreadbox • Drift DJ • Elektron • Endorphines • eowave • Eternal Research • Five12 • Flame • Frap Tools • Future Retro • Genki Instruments • Groove Synthesis • Jomox • LA Synth Club • Mega Modular Corp • Melbourne instruments • MEMS project • Meris • Modbap • Moog Foundation • Mystic Circuits • Netherblade • New Systems Instruments • Noise Engineering • Noisebug • Novation • Null Modular • OXI Instruments • Polyend • Prism Circuits • Roger Linn • Schlappi Engineering • Sleepy Circuits • SoCal Synth Society • SOMA • Soundwork Shop • Studio Electronics • Supercritical • SynthRISE • TipTop • Tobinski • Touellskouarn • U.D.O. • Vermona • Wavea • Waveform Magazine • Wavesequencer • Weston Precision Audio • WMD ... & more!
Buchla organizes this event to make a stronger synthesizer community. We make it free to attend and affordable for exhibitors. This makes the vibes great - after all, we are all making our own waves!"
