SSB X-Flow FM Synthesizer

video uploads by Synthesizer Studio Berlin

Playlist (use the player controls to skip around):

1. Gnossienne no 1 X FLOW EDIT
2. X FLOW DEEP DIVE INTO XY FM
3. X FLOW TUTORIAL
4. THE POWER OF X FLOW MPE

SSB X-Flow FM Synthesizer
available at:
https://www.synthesizerstudioberlin.c...

A Revolution in Visual FM Synthesis

Experience FM synthesis like never before with the SSB X-Flow, a groundbreaking instrument for Native Instruments Reaktor.

X Flow reimagines FM with an innovative visual approach, replacing complex matrices with intuitive XY fields, putting the power of FM directly at your fingertips.

Key Features:

Visual FM Matrix:Ditch the confusing charts! X-Flow uses four XY fields to represent the FM matrix, providing a clear and direct way to shape your sound. Each operator's modulation source is visually displayed, making FM synthesis more accessible and creative.

Expressive Performance: X-Flow is designed for performance. Modulate your FM creations live with your mouse, MIDI controllers, or even with the nuanced control of Mono-, Poly-Aftertouch or MPE, for unparalleled sonic expression.

Deep Modulation Capabilities: Dive into a world of intricate sound design with extensive modulation options. X-Flow features 4 FM Envelopes per voice, 2 LFOs per voice (which can be polyphonic, monophonic, key synced or one-shot) for Pitch, Amp, and Filter modulation, and 8 XY LFOs per voice to further animate the FM matrix.

Powerful Sound Engine: X-Flow boasts a 24-voice engine with 4 operators, each offering 5 selectable waveforms (Sine, Tri, Saw, Pulse, Square). Shape your sound further with a dedicated filter section (including Low Pass and High Pass options) and an Overdrive effect for added grit and character.
(16 Voices for the MPE version)

Advanced Control: Fine-tune your sound with detailed controls including individual operator Pitch and Level, voice panning with randomization, and comprehensive Voice Mode options for polyphony, monophony, unison, and detuning.

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Korg Wavestate - "Enigmatica" (Enigma Tribute) (40 Performances)

video upload by LFOstore

"This soundset is a trubite to Enigma - a music project that unleashed a sonic revolution. Blending Gregorian chants, hypnotic grooves, and seductive whispers, his debut album became an instant classic, selling millions and shaping the sound of ambient, new age and cinematic music. Tracks like 'Sadness,' 'Principles of Lust,' and 'Beyond the Invisible' transported listeners to a world of mystery, spirituality, and sensuality—forever changing the landscape of electronic music.

Now, OttO K. Schwarz, a renowned sound designer, award-winning film composer and co-founder of LFO Store, pays homage to Cretu’s genius with 'Enigmatica', a 40-preset cinematic soundset for the Korg Wavestate. OttO is no stranger to evocative soundscapes. As a sound designer, he has collaborated with industry-leading synthesizer brands like Modal Electronics, Access Music (Virus TI), Native Instruments, etc. His deep expertise in electronic music production ensures that 'Enigmatica' isn’t just a preset pack—it’s a meticulously crafted journey into the heart of Enigma’s signature sound.

FEATURES
✔ 40 Professionally Designed Presets – pads, leads, basses, sequences, and iconic Enigma-style drums and atmospheres.
✔ The Sample Bank of 1Gb+ with high-quality multisamples (external samplebank should be stored in the settings).
✔ 5 Midi files - used in the video demo. In the midi files, each track is indicated by the name of the preset used, for ease of use in the DAW.
✔ Instructions - with detailed step-by-step actions to load samplebank and presets into your synthesizer.

RESULTS
As a result, you will get instant Enigma vibe - perfect for cinematic scoring, new age and ambient music. This soundset is a gem for Korg Wavestate users, Enigma fans craving that iconic 90s mystique; film & game composers needing haunting, spiritual, and cinematic textures; and electronic music producers crafting downtempo, chillout, or ambient tracks.

Step into the shadows of mystery. Let the journey begin!

Soundset is available here - https://ottolfo.sellfy.store/wavestate/"

The Beatles’ “Here Comes the Sun” - SYNTH PARTS YOU’VE NEVER HEARD BEFORE!

video upload by Anthony Marinelli Music

"I’m going to take you on a quest into one of The Beatles’ most iconic songs, 'Here Comes the Sun', and show you something I recently discovered, that really surprised me. — THERE ARE SYNTHESIZERS IN THIS ACOUSTIC AND ORGANIC SOUNDING TRACK!

I’ll break down the arrangement of this beautiful song and show you how to create all the synth sounds that were used to transcend it's sound. We’ll cover everything from the signature whistle sound, the main lead synth, the intro sound, and the buzzy synth bass that gives the track its vibe. I’ll also discuss the Beatles’ evolution as they started experimenting with effects on traditional instruments, which ultimately led them to integrate synthesizers in ways that completely reshaped what others thought possible.

They used the Moog synthesizer to replace orchestral parts in some sections of the song and to complement the acoustic elements in others. It was all about pushing the boundaries of what was possible at the time but still keeping their unique voice in tact.

What makes this even more special is that I’ve recreated these sounds on my rare, vintage 1969 Moog IIIc — the same model that was shipped just months after The Beatles received their own Moog directly from Bob Moog. This instrument, used on the 'Plantasia' album by Mort Garson, is in fully working order, so it’s my chance to give you a sense of the subtle nuances The Beatles heard when they first explored this revolutionary sound in their music. I’ll bring you as close to the original sound as possible and show you exactly how they used it in 'Here Comes the Sun'.

So, grab your synths (or just sit back and enjoy), and let’s take a closer look at how The Beatles incorporated this groundbreaking technology into their timeless music. You might just discover something new about one of the most loved songs in history and how you can do the same in your music today.

Don’t forget to like, subscribe, and hit the notification bell so you don’t miss out on any of the synth goodness I have coming your way! Also, check out my course Think Like a Synth to learn the exact method I've used for decades on hit records and films — and still use today.

____________________________________
ABOUT ANTHONY

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns , Internal Affairs , The Man From Elysian Fields , 15 Minutes and Planes, Trains & Automobiles , been commissioned by the Los Angeles Philharmonic for his symphonic work 'In the Family Way', written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller .

His extensive work as a young arranger, orchestrator and performer for Quincy Jones , Jack Nitzsche , Lamont Dozier , Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

Website - https://www.anthonymarinellimusic.com"

Opening the Synthesizer Museum Berlin - a few words by co-founder Michael Soltau

video upload by Synthesizer Museum Berlin

"Opening night of Synthesizer Museum Berlin (part one). Co-founder and owner Michael Soltau welcomes the audience and the two artists that are about to perform: Pyrolator will open the show, followed by Thorsten Quaeschning from Tangerine Dream (concert videos and interviews coming soon)

Eröffnungsabend des Synthesizer Museum Berlin (Teil 1). Mitbegründer und Eigentümer Michael Soltau heißt das Premierepublikum willkommen und kündigt die beiden Künstler an, die auf der Bühne auftreten werden: Zunächst Pyrolator und danach Thorsten Quaeschning von Tangerine Dream (Konzertvideos und Interviews folgen)."

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Modu-Grain: The Ultimate Granular Synth for MODULOX BRAIN | Open-Source software & MIDI-Ready!

video upload by RaspiAudio



"🎛️ Introducing Modu-Grain: The Granular Synth for MODULOX BRAIN! 🎛️

🔗 More info & get yours here: https://raspiaudio.com/produit/brain

We're thrilled to introduce Modu-Grain, a powerful granular synthesizer for the MODULOX BRAIN, designed for music creators and sound designers! 🎶

🧠 What is MODULOX BRAIN?
The RASPIAUDIO team has spent two years developing an open-source audio synthesizer platform. Our vision? A versatile hardware unit capable of running multiple applications. This week, we're releasing the Granular Synthesizer, with more to come, including Sampler, VA, and FM. Our open-source code on GitHub allows the community to create and share new applications!

⚡ Why Modu-Grain?

Comes with pre-recorded samples
Four-voice polyphony for rich sound layering
Adjustable sound parameters (grain size, density, envelope, random playback, sample duration)
Real-time waveform visualization and boundary adjustments
Live sample recording via built-in mic or external input
Customizable real-time effects: Filter, Delay, and an assignable LFO
MIDI support for integration into any setup

💾 How does it work?

Precompiled firmware available in our [app store] (apps.raspiaudio.com)
Community-driven: Modify, enhance, and expand features!
🔧 MODULOX BRAIN Specifications:

24-bit DAC & ADC resolution
320x240 color screen
Headphone jack + onboard mic & speaker
MIDI in/out (3.5mm jack) + USB-C MIDI
Expandable via magnetic connectors for MODULOX devices (Knob, Touch, Slide)
Nano pad anti-slip bottom for stability

🎛️ Accessories Included:

3.5mm jack to MIDI DIN RX-TX + sync cable

🚀 Join the Open-Source software Revolution!
MODULOX BRAIN is more than a synthesizer—it’s a platform for endless sonic exploration. Download the firmware, modify it, and create your own instruments!

🔗 Get started now: https://raspiaudio.com/produit/brain

🔗 Explore the source code: [GitHub Link] (apps.raspiaudio.com)"

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Mattel Intellivision ECS Computer & Piano Synthesizer TV Commercial

video upload by Intellivision Revolution

"Video hosted by IntellivisionRevolution. Enjoy!"

Lego Minimoog

This one was spotted and sent in via
M Me.

It's actually from the official Lego site as a concept idea you can vote on. Don't miss the pics of the inside below.

From Lego Ideas:

"From the moment it hit store shelves back in 1970, the Minimoog signalled the start of a musical revolution. It was the first synthesizer ever to be sold in retail stores, and over its original 13 year run sold over 12,000 units. It became a cultural icon and transformed how music was produced and performed in and out of the studio, leaving its mark across a huge variety of genres: prog rock, jazz, funk, pop and disco are but to name a few.

This project submission serves to honour the legacy of one of music history's most iconic instruments. Captured at 1:1 scale, this faithful recreation replicates the look and feel of this legendary synthesizer inside and out. With rotating knobs and pitch wheels, pushable keys and a rotating control panel. The rear of the control panel is even removable, revealing the collection of circuits and electronics inside that truly bring this model to life!

As an avid electronic music listener and (very amateur!) producer. I wanted to make product idea that follows with my passion, and provides a great display piece for fellow music fans, that would fit right alongside other music-themed sets Lego has produced in the past.

If you yourself are a fan of music production or music history, then please consider supporting the project! Any and all support or feedback would be greatly appreciated! Thank you !"

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SOR Waldorf Microwave Presets | Unique patches for Techno and Melodic House production

video upload by SoundsOfRevolution

https://www.sounds-of-revolution.com/...

"SOR Waldorf Microwave Presets offers 131 patches (67 programs and 64 multis/splits) for Waldorf Microwave 1. You get evolving ambient textures, organic pads, classic house stabs, hard-pumping basses, unique effects, glassy, cold, powerful leads, and many wonderful analog-sounding patches. The presets are modern and retro and go well with every genre of electronic music. You can modify most sounds via Aftertouch, Bender, and/or Modulation.

As this unusual Synth never fails to impress with its distinct sound, I have added the Microwave 1 plugin to my SOR-Blog under 'Best Synth VST Plugins'. I really enjoy these slightly gritty, broken wavetable tones and the powerful filter, which sounds truly unique. It’s simply a fantastic recreation of a classic!

The download of ‘SOR Waldorf Microwave Presets’ includes the original synth patches (MIDI File dump) I produced for the classic hardware synthesizer (128 patches), as well as a revised and perfected new version for the Plugin (131 patches). 24 MIDI files are also included for musical inspiration and context; you can hear them in the demo.

Please note: Since the Microwave has no internal effects, a few standard effect plugins were used for the demo. All sounds, except the drums, are from the Microwave 1 plugin.

Requirements: Waldorf Microwave 1 Plugin or Waldorf Microwave 1 Hardware Synthesizer"

SERGE Medusa Comes to Eurorack

video upload by Serge Modular | Random*Source

"Teo takes the Medusa for Eurorack for a (long) spin, here's the full recording used for the IG teaser ... #sergemodular"

Press release follows:

Introducing the Serge MEDUSA Subharmonic Oscillator for Eurorack: Unleashing New Depths in Modular Synthesis

Frankfurt, 1 November 2024 — Serge Modular proudly announces the launch of the Serge Medusa Subharmonic Oscillator for the Eurorack modular synthesizer format. This groundbreaking module designed by Serge Tcherepnin brings orchestral clusters, coveted undertones and rich harmonic complexity to the Eurorack format.

A Revolution in Sound Design

The Subharmonic Oscillator is one of Serge’s latest inventions and one of his most extraordinary designs. 7 accurate analog VCOs tied at the waist—in unison, yet their frequencies can open like a fan, creating complex clusters. Each voice generates a pulse wave. It is temperature compensated and follows exceptional 1V/Octave tracking. 
In addition, each voice provides (voltage controlled) pulse width modulation or subharmonic division as well as an individual output. By producing mathematically related lower frequencies, it enables the creation of complex and evolving soundscapes that were previously difficult to achieve within the Eurorack environment.
The precision of these voices in combination with a global Spread control and various FM inputs opens an enormous sonic range from massive unisono sounds to dissonant, orchestra-style textures. The ODD and EVEN outputs enable the use as a stereo oscillator.

Key Features:

• Original Serge 2023 design
• 100% analog
• Seven simultaneous subharmonic VCOs with individual Outputs, PWM and variable divisions
• Wide Range Frequency Control: Precisely dial in frequencies from deep bass to soaring highs, all synchronized to the master oscillator.
• Voltage-Controlled Parameters: Extensive CV inputs allow for modulation of pulse width and frequency divisions, enabling expressive performance potential.
• Odd and Even outputs for independent processing / Stereo use.
• Global Spread Control (manual and VC)
• Linear and Exponential FM
• Eurorack format (3U), 42 hp
• Power consumption: 220mA @ +12V, 200mA @ -12V
• Skiff-friendly: depth less than 25mm (1")

“This is my version of a cluster generator. Clusters are part of the contemporary music arsenal of effects. The Subharmonic Oscillator has a total, tracking, V/octave range that is the same as all our VCOs, however, it outputs only pulse waves. Pulse-width operates from instantaneous -> square wave > 1st sub-harmonic > 2nd sub-harmonic ...> Nth sub-harmonic. You guessed it, this is one VCO that sounds like a symphony orchestra playing Atmosphères by György Ligeti.”
Serge Tcherepnin, 18 October 2023

Unmatched Versatility

Designed for both traditional musicians and experimental artists, the Serge Subharmonic Oscillator excels in a variety of applications:

• Bass Enhancement: Generate powerful sub-bass frequencies to add weight to your mixes.
• Polyphonic Textures: Create rich, chord-like structures from a single note input.
• Rhythmic Modulation: Utilize subharmonics to produce complex rhythmic patterns and sequences.
• Sound Exploration: Dive into uncharted sonic territories with modulations and cross-patching.

Availability

The Serge Subharmonic Oscillator will be available starting November 1st, 2024 through Serge Modular / Random*Source and authorized dealers worldwide.

The Story behind Medusa

“I was sitting on a bench recovering from a bike ride at the edge of Fontainebleau forest, when a swarm of crows - some 30-40 of them, suddenly erupted in the sky above the large forest trees facing me.  They swirled in a large arc, emitting a few caws-caws, disappearing and reappearing wildly in the sky in front of me.  
And here is what this made me realize about my electronics: Drones have been part of my musical consciousness from the very beginning, thanks to LaMonte Young and the many examples of drones in Indian classical music.  One of my first electronic circuits was a 3 oscillator 9V operated shruti box. Maryanne Amacher, Eliane Radigue, Charlemagne Palestine, are drone masters I helped and fostered.  Charlemagne still uses the console of ultra stable drone oscillators that I designed for him more than 50 years ago.   
Drones and clusters, in fact.  Clusters, thanks to the marvelous composer Henry Cowell who coined the word for music. The fruit of all this, was me deciding on designing electronics for the creation of drones and clusters.   MEDUSA is the result of this project.

But what do a swarm of crows swirling in the sky above a forest have to do with drones and clusters??

EVERYTHING

MEDUSA is the perfect module for letting fly a swarm of semi independent musical notes, swirling in and out of unison, clusters, or chords, capable to scaling the entire range of frequencies, from sub-sonic to inaudible. MEDUSA gives wings to drones :)”

About Serge Modular
Serge Tcherepnin is an American composer, musician and electronic mastermind of Russian and Chinese descent who grew up in France and in Chicago. In 1970 he joined the music faculty at Cal-Arts where he developed the idea and design of the first “Serge” modules. He founded his company, Serge Modular Music Systems, in Hollywood, in 1975.
Random*Source was founded by Ralf Hoffmann in 2015 with a mission to carry on and extend the work of synth pioneers Serge Tcherepnin and Jürgen Haible. Since the beginning Random*Source has been working in close cooperation with Serge on a new generation of the Serge system. In 2018 Serge became Chief Innovation Officer and is leading the development under the Serge Modular brand.

Korg N5 WHOLE TONE REVOLUTION Chromatone Synthesizer -

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

See this previous post for some additional info on these. Note this new listing has it listed as Tokyo Champion. The brand is Tokyo Yusyo, Yusyo effectively translates to Champion.

Note the MIDI out for use as a controller for other gear.

CLICK FOR MORE »

Behringer Working on PRO-16 - 16 Voice Prophet-5

via Behringer

"Designing the PRO-16: The 16-Voice Revolution

We are excited to share an update and achievement with you: the recreation of the iconic Prophet 5, but with a twist – our version boasts 16 voices and many new features that push the boundaries of what's possible in a synthesizer.

Recreating this synthesizer was no small feat. The engineering work involved is extraordinarily complex, requiring meticulous attention to detail and precision. Our team of engineers had to navigate the intricacies of integrating thousands of components to stay true to the original sound while adding modern capabilities.

One of the most challenging aspects of this project was the development of an 8-layer printed circuit board (PCB). For those unfamiliar, a PCB is essentially the backbone of any electronic device, housing all the components and ensuring they work together seamlessly. An 8-layer board means there are eight layers of circuitry stacked within a single board, allowing us to pack more functionality into a compact space. This complexity is necessary to manage the increased number of voices and new features while maintaining signal integrity and reducing noise.

The result is a synthesizer that not only honors the legacy of the original, but also enhances it with 16 voices, offering unparalleled polyphony and richness. This modern version includes:

- Multi-mode filters. Providing a wide range of tonal possibilities.

- 8-mode atrophy settings: Allowing for extensive modulation and sound-shaping capabilities.

- Poly aftertouch key bed: Delivering expressive and dynamic playability, making it a dream to play.

These advanced features make the new PRO-16 a powerhouse for today’s musicians, blending the classic sound with cutting-edge technology.

We are incredibly proud of this achievement and can't wait for you to experience the new PRO-16."

TOKYO YUSYO Whole Tone Revolution Synthesizer Keyboard

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Rebranded KORG N5EX with custom keyboard. See this previous post for additional details.

CLICK FOR MORE »

Bob Moog Foundation to Host The Sounds of Innovation - First Public Broadcast of the Abominatron Tape

via The Bob Moog Foundation

"We are excited to announce that the Moogseum will be hosting The Sounds of Innovation, the first public broadcast of the Abominatron Tape in its entirety. The event will occur on Friday, March 29, at 7:00 p.m. It will feature an introductory reading by Executive Director Michelle Moog-Koussa from Bob Moog's biography, Switched On: Bob Moog and the Synthesizer Revolution, followed by a listening session of the full iconic 84-minute tape.

Tickets for the event are $15 per person and are now on sale.
The event is limited to 20 people, so do not hesitate to buy your ticket now.

In the summer of 1964, Bob Moog and Herb Deutsch began working on what would eventually become the Moog modular prototype. Deutsch spent three weeks working side by side with Moog in his basement workshop in Trumansburg, New York, where he added crucial input to the design process. Moog spent several months developing the prototype and later that year, he sent Deutsch the now-historic tape explaining the various controls, parameters, and capabilities of the Moog modular prototype.

The Moog modular prototype is widely considered the instrument that marked the genesis of a musical revolution and significantly advanced the development of electronic music. The Abominatron Tape captures the very first recorded sounds of a Moog modular.

The Sounds of Innovation is supported by the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources, with funding from the National Endowment for the Arts."

Oberheim Inspired Analog Synth by Shear Electronics | NAMM 2024

video upload by Anthony Marinelli Music

See the Shear Electronics label at the bottom of this post for more.

"I had an inspiring and heart-warming experience meeting Jacob Brashears from Shear Electronics at NAMM 2024. Jacob, along with his mother Cheryl Brashears (a high performance systems engineer with a storied background) have together created a truly remarkable sounding discrete analog polyphonic synthesizer in the style of the Oberheim 8-voice Iconic SEM Synthesizer. It's aptly called the "Relic". In addition to achieving the classic sound and offering all the familiar routing of it's predecessor, the "Relic" delivers a new take with voltage controllable filter profiles (the ability to transition between HP, LP and BP filters for example), waveform blending, rich intermodulation distortion at fingertip control and all parameters are controllable with the highest resolution digital encoders available. Be sure to keep following and support this next generation synth company of mother and son on their journey to follow their dreams. I'm looking forward to playing their instrument(s) soon and seeing them flourish for a long time to come!

00:00 Anthony's Intro
00:18 Jacob's Story
00:53 About the "Relic" Synth
03:22 Sound Demonstration
04:18 About the Filters
05:08 "Take it to 11" (harmonic distortion)
05:56 Dry vs Reverb Sync Piano
06:44 Oberheim Inspired Sound
07:36 Plans for the "Relic"
08:10 Introduction to Cheryl Brashear (co-designer/engineer)
09:09 Anthony's Summary
09:56 Logo (music)E

____________________________________
*ABOUT ANTHONY*

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including _*Young Guns*_ , _*Internal Affairs*_ , _*The Man From Elysian Fields*_ , _*15 Minutes*_ and _*Planes, Trains & Automobiles*_ , been commissioned by the *Los Angeles Philharmonic* for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as *Michael Jackson's* _*Thriller*_ .

His extensive work as a young arranger, orchestrator and performer for *Quincy Jones* , *Jack Nitzsche* , *Lamont Dozier* , *Arthur Rubenstein* and *Giorgio Moroder* was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major."

ARTURIA Introduces Pigments 5 | Polychrome Software Synthesizer

video uploads by Arturia

"Pigments 5 is the latest edition of Arturia’s flagship modern software synth with the power to create any sound, from the best mix-ready presets to deep custom sound design. The 5th edition brings more ways than ever to design, sculpt, modulate and arpeggiate your sound."

And a video from supporting members, CatSynth and Anton Anru.

Arturia Pigments 5: Demo and tutorial of new features and preset banks

video upload by CatSynth TV

"We explore the new features in version 5 of Arturia's flagship instrument Pigments, along with the newly released Liquid Explorations and Beats Explorations preset packs.

00:00 Introduction
00:27 External Audio Input
03:44 New wavetables
05:30 New Sequencer features (presets, random, lock)
07:02 Liquid Explorations presets
09:54 Beats Explorations presets
12:53 Conclusion"

Arturia Pigments 5: New Atmospheric Presets Demo. No Talking

video upload by Anton Anru

"Arturia have just released the update to one of the most powerful synths - Pigments. Now it's version 5. They added new sequencer and oscillators features, more wavetables and samples, the ability to pass and process external audio, and other improvements.

This is a short video with some of my favorite presets from the new Pigments 5 collection. Get the update and have fun with the new sounds.

📚 Presets for hardware synths: https://antonanru.sellfy.store/"



What’s new in Pigments 5?

A revolution in modern synthesis, Pigments’ approach to sound design is as intricate as it is accessible. Now with more ways than ever to craft those hard-hitting sounds.

CPU Pigments 5

Reduced CPU consumption

Pigments now utilizes multi-core processing for greater CPU efficiency, allowing more users to explore this powerful softsynth with ease.

Process any audio with Pigments

You can now process external audio in Pigments from the Utility engine, by routing the sound to the instrument through the track sidechain input. Additional FX routing options have also been integrated.

Compose in style

Pigment’s refreshed interface includes an improved play view, with new visualisers and other UX enhancements.

Melodize any sound in 1 click

Explore the new generative sequencer, featuring one-click sequence generation and new play modes, as well as saveable presets and sequence browsing. Make use of the sequencer lock to apply your sequence settings to any sound.

New curated content and sounds

Discover a selection of 100 new factory presets alongside new wavetables and samples in Pigments 5, comprising more than 1500 sounds.

New preset expansions

Explore an exclusive selection of sounds with Explorations; 3 new sound banks including 150 presets in each, showcasing a range of bold, colorful and expansive sounds that Pigments is renowned for.

Bill Wolfer-The Man Behind MJ’s “Billie Jean” CS-80

video upload by Anthony Marinelli Music

"Bill Wolfer has referred to himself as "the least famous musician that everyone has heard play". He was a rising star in 80's Soul Music working with Stevie Wonder, Shalamar, Vanity, Dynasty and was responsible for programming and performing the iconic CS-80 synthesizer chord riff on Michael Jackson's biggest song 'Billie Jean'. Michael remembered a CS-80 sound he heard Bill play while they were on tour together and the rest is history.

This video provides a rare behind the scenes look at Michael Jackson's creative process while composing "Billy Jean" all the way through a detailed account of the final recording session at Westlake Studios. We discuss what it was like to work closely with producer Quincy Jones, engineer Bruce Swedien and of course Michael.

Bill was a trusted friend of Michael, someone that he could rely upon to develop his 3 original songs for the Thriller album - 'Billy Jean'. 'Beat" It', and 'Wanna Be Startin' Somethin’. Bill helped Michael feel comfortable working out musical ideas and played an important role getting Michael's original songs ready for the album.

He also put together a truly great unlikely hit solo album in the vein of Quincy Jones' The Dude. The lineup of musicians include mega-stars Stevie Wonder (harmonica solo), Michael Jackson (backing vocals on two cuts), Finis Henderson (vocals) and Gospel star Jon Gibson."

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ARP 2600 Tonus vs Korg 2600 M: Synth Showdown

video upload by Anthony Marinelli Music

"Prepare your ears for an electrifying synth showdown! In this video, we embark on a journey of pure critical listening as we compare the Korg 2600m and the ARP 2600 Tonus model, one newcomer synthesizer and one Giant of Synthesizers!
We'll begin with a mesmerizing solo performance, featuring my original composition played on the Korg 2600m and ARP 2600 Tonus.
Next, we'll dive into a comparison of three legendary musical examples on both synthesizers, exposing some intricate details of each sound.
Throughout the video, we'll be conducting shootouts to explore various aspects of these synthesizers:
Waveforms: Exploring the sonic palette of different waveforms.
VCF's (Voltage Controlled Filters): Uncovering the unique filtering capabilities.
Envelope Generators: Analyzing the shaping similarities and differences
Spring Reverb: Discovering the distinctive character and beauty of the 2600m
2 Voice Mode Capability: Exploring the dual-voice mode and its sonic potential.
Finally, we'll wrap up with a comprehensive summary. I'll share my personal opinion on the strengths and characteristics of the Korg 2600m and ARP 2600 Tonus.
Join us on this audio adventure where we rely solely on our ears to determine the winner in this epic Korg 2600m vs. ARP 2600 Tonus synth showdown. If you're passionate about synthesizers and critical listening, this video is a must-watch. Don't forget to like, subscribe, and share your thoughts in the comments below!

00:00 Original Music Track
01:57 Introduction
02:32 Korg 2600m Solo
04:08 Michaels Jackson's "Thriller" Bass
04:44 Logan's Run EFX Patch
05:44 Midnight Express "Chase" Bass
06:22 Waveform Shootout
10:26 Listening for subtlety in sounds
11:13 VCF Shootout
15:10 Like & Subscribe
15:28 ADSR Envelope Generator Shootout
19:29 AR Envelope Generator Shootout
22:17 2600m Reverb Demo
23:52 2 Voice Mode
26:11 Summary
27:10 Vibrato Patch
28:34 Original Music Outro
____________________________________
*ABOUT ANTHONY*

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including _*Young Guns*_ , _*Internal Affairs*_ , _*The Man From Elysian Fields*_ , _*15 Minutes*_ and _*Planes, Trains & Automobiles*_ , been commissioned by the *Los Angeles Philharmonic* for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as *Michael Jackson's* _*Thriller*_ .

His extensive work as a young arranger, orchestrator and performer for *Quincy Jones* , *Jack Nitzsche* , *Lamont Dozier* , *Arthur Rubenstein* and *Giorgio Moroder* was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

*Website* - https://www.anthonymarinellimusic.com"

Bob Moog (didn't invent the synthesiser)?

video upload by Zoë Blade

A mini historical timeline of key events by Zoë Blade. It's interesting in that it gives you some of driving forces behind the designs. For an in depth list of electronic music instruments see https://120years.net. If you want read a couple of books on Bob Moog check out Analog Days: The Invention and Impact of the Moog Synthesizer, and Switched On: Bob Moog and the Synthesizer Revolution (Amazon affiliate links). Note: memories can be fuzzy. There are some critiques for Analog Days not being 100% accurate. I haven't heard any on Switched On. That said, both books are interesting reads and will get you closer to some of that history.

Video description:

"After researching a bit about where Bob Moog got his ideas (and rewatching It's Always Sunny in Philadelphia), I finally got around to making my 'crazy board' red wool video (over a year and a half after buying the wool for this specific purpose), before I inevitably forget it all again.

This is my latest attempt at making a 'quick and easy' video, where I ramble on at the camera for three takes then edit the best bits together into something vaguely coherent.

I spent a good while typing out the subtitles for those who need it, which, given how I talk, is probably everyone. 😅

I hope you like it!"

Yamaha Introduces New Montage M - Next Gen Flagship Synthesizer - Overview & Sound Demos

video upload by Yamaha Synths Official

Curious if Yamaha will ever re-introduce their Formant & fseqs synth engine found on the FS1R. The FS1R was crippled by the UI.

Yamaha | Montage M Sound Demo
video upload by Yamaha Synths Official

"Enjoy this sound demo video showcasing sounds available in the new Yamaha MONTAGE M Series Synthesizers.

0:00 - 0:36 : AN-X Syn Orch Pat - AN-X Poly Synth with Polyphonic Aftertouch
0:37 - 1:00 : Hamburg Grand - AWM 2 Concert Grand Piano
1:01 - 1:19 : Sweet Synths - AN-X Poly Synth
1:20 - 1:48 : RD 67 Smooth - AWM2 1967 Tines E. Piano
1:49 - 2:10 : Classic Mini Sawlead - AN-X Mono Lead
2:11 - 2:35 C7 + Analog String Ensemb - AWM2 Yamaha C7 Grand Piano + AN-X String Ensemble
2:36 - 2:55 : Poly Dreams - AN-X Poly Synth
2:56 - 3:10 : SFZ Tremolo BPM Sync - AWM2 Tremolo Strings
3:11 - 3:49 : Distant Memories - AN-X Poly Synth
3:50 - 4:11 : Drawbar Organ - AWM2 Organ with YC Series VCM Rotary Speaker effect
4:12 - 4:29 : FM Piano + Soft Pad - FM-X E.Piano + Soft Pad
4:30 - 4:45 : Synthpop Forever - AN-X Poly Synth
4:46 - 5:05 : U1 Upright - AWM2 Yamaha U1 Upright Piano
5:06 - 5:31 : Dum Drum Bass - FM-X + AWM2 Poly Synth

Yamaha presents our next-generation flagship Synthesizer: MONTAGE M. Featuring three engines that create a variety of sounds – ultra-realistic instruments, vintage analog synths, and cutting-edge FM synths. For keyboardists, synthesists, and pianists, MONTAGE M seamlessly bridges stage and studio, unlocking new possibilities for sound, control and workflow."

NEW AN-X ENGINE

A revolution in authentic analog sound, control and behavior, the AN-X engine recreates the warm, classic sound of an analog synthesizer with a host of sophisticated modulation options.

･Three Oscillators with 5 waveforms (Saw 1, Saw2, Triangle, Square and Sine) and Noise Generator

･Two filters with 10 filter types

･Pulse width modulation

･Oscillator Self Sync

･Ring modulation, FM, and wave shaper

･Amp EG with drive

･LFO for both amplitude and filter,

･Voltage drift and aging settings to simulate vintage synth behavior

Integrated into the Motion Control system, the AN-X Engine allows you to create expressive, unique analog sounds to your heart’s content.

Improved AWM2
Experience realism and detail with MONTAGE M’s improved AWM2. Offering an incredible 128 Elements per part, AWM2 allows for smoother transitions, giving you an expansive canvas for ultra-high-definition sound creation, especially for “nameable” sounds such as piano and strings.

400 NOTE TOTAL POLYPHONY
A significant upgrade from the original MONTAGE’s 256 notes, MONTAGE M offers up to 400 notes of polyphony across its three engines:

･128 notes for AWM2 Preset Waveform Parts

･128 notes for AWM2 User Waveform Parts

･128 notes for FM-X Parts

･16 notes for AN-X Parts

And more about sound
AND MORE
[PRESET WAVE AND FLASH MEMORY UPGRADE] MONTAGE M offers twice the memory over its predecessor with an increase from 5.67GB to 9.97GB of Preset Wave memory, and an increase from 1.75 to 3.8GB of User flash memory. Plus, you’ll find a host of new sounds and instruments, including pianos, orchestral instruments, drums, and more!

[FM-X] MONTAGE M rekindles the Yamaha legacy of expressive and dynamic FM Synthesis with its 8-operator FM-X engine, offering a wide variety of diverse tones: from crisp and bell-like, to edgy and aggressive, to mellow and evolving. This is an excellent complement to the AWM2 and AN-X engines.

[VCM ROTARY AND DRAWBAR BEHAVIOR] Using sophisticated modeling technology, the VCM Rotary Speaker effect simulates the rich and enveloping motion of a classic rotary speaker cabinet. Plus, the new organ drawbar fader setting simulates the vintage “pull out” drawbar organ behavior.

[16 LIBRARY LOCATIONS] With 16 Library slots at your disposal, you can house up to 10,240 additional Performances (that’s in addition to the over 2,700 performances in the presets), facilitating quick searches by Category, Name and Attributes.

[PURE ANALOG CIRCUIT 2] The upgraded Pure Analog Circuit included in MONTAGE M reduces noise and improves the dynamic range, crosstalk, low-frequency phase, and distortion rate, resulting in clearer sound at all volumes. You’ll also find the sound has more detailed low-mids and presence.

GEX ACTION WITH POLYPHONIC AFTERTOUCH (MONTAGE M8x ONLY)
Available exclusively on MONTAGE M8x, GEX Action elevates your performance and sound creation with Polyphonic Aftertouch – a revered synth control found in the legendary CS-80 and DX1. Polyphonic Aftertouch allows you to individual modulate held notes with pressure. GEX also provides key repetition behavior typically found in grand pianos.

NEW PERFORMANCE CONTROLS
MONTAGE M introduces new performance controls: a 5-segment ribbon controller with dedicated HOLD button, a new KEYBOARD HOLD button for sustaining chords while using knobs to edit, and a Portamento on/off button and dedicated Portamento time knob.

DEDICATED KEYBOARD, PART AND SCENE CONTROL
You’ll find dedicated Keyboard, Part and Scene Control buttons to control 16 Parts per Performance. This intuitive control, particularly beneficial for live performances, improves overall usability and adds dimension to each Performance.

AND MORE
[HIGH-RESOLUTION CONTROL] All the Performance Controls – from the Keyboard and Faders to the Super Knob and Sustain, as well as the Sound Engine, are now in High Resolution. Because of the fine resolution, you’ll find the MONTAGE M behaves in a smoother and more “analog” way.

[MOTION CONTROL SYNTHESIS ENGINE]This groundbreaking engine allows you to interact with sounds in a variety of ways, including Motion Sequences, which dynamically automate synth and effect parameters, and can even be synchronized to tempo; the Super Knob, which controls dozens of modulations in a single gesture; the Envelope Follower, which modulates sound from the A/D input or another Part; and many, many more ways!

[NEW AND IMPROVED LED LIGHTS AND COLORS] Enhanced LED lights and colors on MONTAGE M faders, Performance, Live Set and Category Search offer visible, instant feedback, vastly improving the user interface.

WORKFLOW
Expanded Creativity

EXPANDED SOFTSYNTH PLUGIN (E.S.P.) (COMING EARLY 2024)
A game-changer for musicians, the Expanded Softsynth Plugin (E.S.P.) replicates the MONTAGE M in your favorite Digital Workstation (DAW). Free for all registered MONTAGE M owners, E.S.P. allows you to create, edit and mix MONTAGE M Performances anywhere you happen to be – without the hardware – offering an unprecedented level of stage and studio integration. We are planning on releasing E.S.P. in Early 2024. The first version will have all the MONTAGE M sound while being limited to basic editing. The full version will be available in Summer 2024.

FASTER, MORE INTUITIVE NAVIGATION
Upgraded navigation enables quick, intuitive sound editing and operation. You’ll find features like a new 512 x 64 LCD screen, 6 touchscreen display knobs, and a PAGE JUMP button that moves what’s in the LCD screen over to the larger 7” TFT Color touchscreen for deeper editing. And the dedicated Navigation button shows an overview of a Performance. Just touch a graphical object in the screen to jump to that parameter for deeper editing. The dedicated Navigation button allows you go directly from the “surface” of a sound to the deepest part.

USB MIDI AND MULTICHANNEL AUDIO INTERFACE
Simplifying your studio setup, MONTAGE M offers a USB MIDI and multichannel 32 output/6 input audio interface. Streamline MIDI recording, virtual instrument monitoring, and multi-track audio recording through a single USB cable, so you can spend more time being creative.

AND MORE
[FASTER UI] MONTAGE M’s UI is significantly speedier than the previous generation. Plus, the overall look is cleaner and easier to see.

[CATEGORY SEARCH] Search for Performances by Category (Piano, Keyboard, etc.), Sub Category (Acoustic, Vintage, etc.),Name, and Attributes (AWM2, FM-X, AN-X, etc.).

[TWO USB-TO-DEVICE PORTS] Allows simultaneous connection of a flash drive (or drives!) and USB MIDI controllers.

[DEDICATED DAW REMOTE BUTTON] Use your MONTAGE M as a hardware controller for DAWs such as Cubase, Logic, ProTools and Live. Control the mixer, transport, softsynth plugins and more.

[NEW SHIFT BUTTONS] Two new Shift buttons make it effortless to access secondary functions, increasing overall functionality.

[COLOR-CODED BUTTONS and SLIDER LAMPS] Backlit LIVE SET and CATEGORY buttons are colored differently and clearly show mode function. New slider lamps show red LED value increments, while active Parts are illuminated in blue.

Click the pics to zoom in.

CLICK FOR MORE »

Anthony Marinelli's Favorite Eurorack Module

video upload by Anthony Marinelli Music

"I have to tell you about joystick modules because they've changed my ability to perform expressively on synthesizers that don't have expressive keyboards or sophisticated built-in controllers. A joy stick allows the user to expressively send control voltage signals according to varying positions of a stick. You can also use it to mix up to 4 different audio signals to create morphing complex sounds from simple sources. I'm demonstrating this type of controller using the Intelijel Planar which is a relatively inexpensive Euroack solution that can be integrated into many types of setups. In this video, I've integrated it with my ARP 2600 and show you how to control filter brightness and vibrato at the same time with one hand movement. It would otherwise be impossible to simultaneously change these two parameters while playing the keyboard with your other hand (without the joy stick). I've added some efx pedals to the sound to achieve a vocal quality that pairs well with the joystick modulations. There are many more uses for this expression controller, so stay tuned for more advanced applications and musical examples in upcoming videos.

THRILLER SYNTH GIVEAWAY

Giveaway link : https://www.anthonymarinellimusic.com...

Want to win the same model synthesizer used on THRILLER to make the iconic FROGGIE BASS sound? Visit the above link to find out how to enter. Hurry because the giveaway ends Oct 30th!

00:00 - 00:23 - Musical Example
00:24 - 01:36 - Introduction to Demonstration
01:37 - 02:11 X-plane
02:12 - 03:12 Y-plane
03:13 - 04:08 VCA Envelope
04:09 - 05:33 Adding EFX Pedals
05:34 - 06:37 Summary

Anthony's musical touch as both composer and performer is connected with some of the most influential creative minds over the last 40 years. He’s composed and conducted original orchestral scores for over 80 feature films including Young Guns, Internal Affairs, The Man From Elysian Fields, 15 Minutes and Planes, Trains & Automobiles, been commissioned by the Los Angeles Philharmonic for his symphonic work "In the Family Way", written over one thousand TV commercials in a myriad of musical styles, co-founded Levels Audio Post (LA's premiere post production facility) and performed and arranged on big-box-office films and influential hit records such as Michael Jackson's Thriller.

His extensive work as a young arranger, orchestrator and performer for Quincy Jones, Jack Nitzsche, Lamont Dozier, Arthur Rubenstein and Giorgio Moroder was vital in launching his own career. His early years pioneering modular analog synthesizers along with his wide-ranging music scholarship positioned Anthony at the center of the music technology revolution. He attended the University of Southern California School of Music as a piano and composition major.

Website: www.anthonymarinelli.com"