Live Dawless Techno | Novation Circuit Tracks & Rhythm Jam

video upload by Underground Modulation

"In this video I perform a groovebox jam, delivering a driving techno track created in a fully dawless setup. This live session features a powerful combo of Novation Circuit Tracks and Novation Circuit Rhythm, two grooveboxes that perfectly complement each other in a hybrid performance workflow.

Both Circuit Tracks and Circuit Rhythm handle rhythmic and melodic elements, creating a tight and evolving techno structure. The Circuit Rhythm is loaded with custom samples, adding character, texture, and punch to the groove. Everything you hear is sequenced live on the hardware, keeping the performance hands-on and spontaneous.

No DAW is used during the jam — this is a true dawless techno performance.
Final mastering is done in Ableton Live to enhance clarity, dynamics, and low-end impact."

Korg Wavestate - "Dance Legends" (40 Performances)

video upload by LFOstore

"Feel the Power of Rhythm with Korg Wavestate! Ignite the dancefloor with "Dance Legends", a powerhouse collection of 40 cutting-edge performance presets for the Korg Wavestate. This essential soundset captures the explosive energy of electronic dance music's most iconic eras, delivering everything from thunderous basslines and razor-sharp leads to hypnotic pads and ready-to-play drum loops.

This collection of 40 exclusive presets are created by well-known sound designer, OttO K. Schwarz, a creator of remarkable soundsets such as “Divina”, “Berlin Era” and others. In this soundset you will find punchy drum loops and percussive sequences, sub-crushing basses and grooving synth basslines, lead weapons (from acidic squelches to soaring supersaws), transparent pads and nasty synth/plucks sounds!

All presets are modulation wheel and X/Y Pad - assigned, which gives you a wide options to rule and customize the sound. This soundset is perfect for electronic music producers, live performers and DJs, sound designers creating dance music, as well as Wavestate owners wanting ready-to-play dance presets. Whether you're crafting mainstage anthems or underground bangers, 'Dance Legends' delivers the authentic sound of dance music history with modern production gloss.

Soundset is here - https://ottolfo.sellfy.store/wavestate"

Superbooth 2025 - Novation Bass Station 2 Swifty Edition

video upload by KEYBOARDS

"🎛️ Novation Bass Station II Swifty Limited Edition – The iconic synth with a new look! 🎨 At Superbooth 2025, Novation celebrates the return of a classic – in a brand-new design! The Swifty Limited Edition of the legendary Bass Station II combines analog power with striking retro artwork designed by British graphic designer Ian Swift (aka Swifty)."

Googlish:

"🎛️ Novation Bass Station II Swifty Limited Edition – The iconic synth with a new look! 🎨
At Superbooth 2025, Novation celebrates the return of a classic – in a brand-new design! The Swifty Limited Edition of the legendary Bass Station II combines analog power with striking retro artwork designed by British graphic designer Ian Swift (aka Swifty)."



via Novation

Together with visionary British graphic designer Ian “Swifty” Swift, we’ve reimagined our iconic paraphonic synthesiser in his inimitable DIY style and packed it with fresh, new artist packs from Bass Station II power users Legowelt, Pecq, and Maria Chiara Argirò.

Key Features

Limited-edition colourway
Includes 60 new artist patches
Two analogue oscillators
Two characterful filters
Incudes AFX and Paraphonic modes

Analogue soul.

Since 2013, Bass Station II’s deep capability, raw character, and unbeatable value have made it a modern classic. Now, together with British designer Ian “Swifty” Swift, we’re reimagining it with a fresh, new look, that brings underground attitude to a synth that's long been a driving force in electronic music.

Powerful analogue oscillators

Bass Station II’s true-analogue signal path begins with two tuneable, syncable oscillators with four waveforms each plus, a sub-oscillator for even more low end and adjustable portamento. The two dedicated LFOs allow for modulation of other parameters via four waveforms of their own.

CLICK FOR MORE »

The Center for Haptic Audio Interaction Research Introduces ILSE

video upload by The Center for Haptic Audio Interaction Research



via The Center for Haptic Audio Interaction Research

"Ilse the Eurorack synth voice in one DIY module is making warm but harsh Berlin Techno / Surgeon style stabs.

Ilse is an elegantly minimal, yet fully functional synthesizer voice in a compact 10 HP Eurorack module. The only thing you need to let it meow is a CV source to trigger its 1V/Oct frequency input (or a MIDI to CV converter and a MIDI sequencer) . Because it has a low part count it is ideal for Eurorack beginners or entry-level DIY projects.

Ilse is named after a cat, living in the legendary “Villa” in Weimar, Germany. The “Villa” was a place where a community lived and came together. Many underground concerts and parties took place here before the house got sold, renovated, and the mayor moved in. We created the graphics on the aluminum face-plate in her memory. Ilse (the synth) makes great acid sounds, so it was only logical to illustrate a cat tripping. Turn the knobs to make her look around or roll her eyes.

Ilse is designed to be affordable, easy to build, yet flexible, and feature rich. It is a synthesizer voice for your Eurorack, but can even be driven without a rack using two 9V batteries (not included).

Ilse is fully open source (KiCad schematic and layout is available in a git repository) and inspired by Syntherjack’s single-chip synthesizer Totoro. Check out his website with nice explanations, e.g. on the filter (we use the same filter on Ilse). We extended the design for external voltage control on filter, oscillators and LFO. Unlike Totoro, Ilse is designed around a unique oscillator design, which integrates the exponential conversion directly into the oscillator core. This results in an efficient circuitry saving you build time, parts and costs.

PCB and face-plate are manufactured in the EU. Kitting was done by our friends from Befaco in Barcelona. Complete assembly manual can be found in our forum.

Technical specifications

Functions

Two saw tooth oscillators
Bridged-T low pass filter with resonance control
Triangle LFO with speed control, and routing to filter and/or oscillators
Simple mixer and detune for oscillators
Controls

LFO Speed, Filter Modulation, Osc Modulation
Filter Cutoff, Filter Resonance
Tuning, Osc2 Detune
Osc1/Osc2 (Filter in)
Output volume
Input/Output

1V/Oct CV for oscillators (0-5V)
Gate (0-5V)
Filter cutoff (0-5V)
External filter input
Volume controlled output
LFO Speed (linear, via solder pad on back, 0-8V)
Oscillator 2 detune (linear, via solder pad on back, 0-8V)
Current draw per Eurorack rail

+12 V: 22mA
-12 V: 18mA
+5 V: NC
Dimensions

50mm wide (10HP), 128.5mm high (3U), depth in rack: 23mm, overall thickness: 43mm"

CLICK FOR MORE »

GForce Bass Station synth goes perfectly with Launchkey

video upload by Novation

"Based on a true story, GForce Bass Station is an expertly modelled recreation of our first ever synth released in 1993. Its digitally controlled analogue oscillators, filters, and VCAs from the late, great Chris Huggett’s legendary WASP synthesiser, gave it an unruly, lo-fi sound. Cementing its status as an underground icon, the original Bass Station featured on pivotal records from Radiohead, Orbital, Nine Inch Nails, and Wu-Tang Clan.

What's better, is how Launchkey MK4's creative tools and customisable mapping capabilities enable you to perform the digital recreation, not just play. Watch to see what you can do with Launchkey and the GForce Bass Station.

Bass Station fans will feel at home here, with the original hardware’s sound, feature list, and much of the interface faithfully recreated in exacting detail. However, GForce didn’t stop there. This digital descendent comes with modern enhancements and quality-of-life improvements we could only dream of in 1993.

The Bass Station plugin is included with every purchase of Launchkey MK4, SL MkIII, or FLkey and has been specifically designed to integrate seamlessly with each model. It is also available for purchase directly from GForce Software.

Find out more about the GForce Bass Station, here: https://novationmusic.com/gforce-bass...
New Launchkey Range: https://bit.ly/_NEW_Novation_Launchke...

Chapters:
00:00 - Introducing GForce Bass Station
00:05 - Using Components to send Custom Modes for GForce Bass Station
00:13 - The GForce Bass Station plugin's voices
00:28 - Combining Polyphonic Mode and Launchkey's User Chord Mode
00:46 - Mapping Launchkey's encoders to on-board effects
00:57 - Programming Launchkey's polyphonic aftertouch pads
01:20 - Expanding your modulation
01:40 - Programming patterns
01:50 - Controlling GForce Bass Station's macro dials
02:18 - Choose the perfect waveform for your track
02:43 - Access expertly crafted presets
03:00 - Mapping parameters to Launchkey's encoders
03:15 - Create and mutate musical sequences using Launchkey's Arp Pattern Mode
03:37 - What Novation products come with the GForce Bass Station plugin?
03:45 - Find out more about the GForce Bass Station plugin"

Basilisk - NEW Analog-Hybrid Generative Bassline Synthesiser by Wirehead Instruments

video upload by Wirehead Instruments

Playlist: 1. Basilisk - NEW Analog-Hybrid Generative Bassline Synthesiser! 2. Basilisk Hybrid Generative Synthesizer Demo 3. Basilisk Hybrid Bassline Synthesizer - AVAILABLE NOW!

"Introducing Basilisk from Wirehead Instruments, a new hybrid-analog generative bassline exploration machine! Available soon from Thonk, Tindie & more!

Basilisk is a new bass-line exploration synthesizer from Wirehead Instruments, with dual digital oscillators driven into an aggressive MS20-style analog filter coupled with a powerful generative sequencer.

Whether you need thumping bass-lines, melodic leads, or percussive tribal beats, the Basilisk is ready to lead you down the rabbit hole from the moment you power it on.

The dual oscillators include saw and square/pulsewave, with manual & LFO control over PWM, detune, pitch envelope & glide.

The analog filter has a fat saturated drive stage with resonance that can go from subtle to squelching to screaming, and the external audio input can process instruments from your desktop or Eurorack

All of this can be sequenced and modulated by the attack/decay exponential envelope, multiwaveform/multi-destination LFO and Elektron-style parameter-locks.

The Basilisk is powered by a 1-16-step generative sequencer evolved from the Freaq FM, with multiple algorithms. Explore deep space, underground caverns, deep jungle or 1980s suburbia!"

"Basilisk is a bass-line exploration synthesizer, with dual digital oscillators driving into an aggressive MS20-style analog filter all powered by a built-in generative sequencer.

Dual Digital Oscillators, Saw & Square/Pulse
Analog MS20-style Filter With Overdrive
Generative Sequencer with LFO and Parameter Lock Modulation
External Audio Input"

Introducing GForce Oberheim OB-1

video upload by GForce Software

Playlist:
Introducing GForce Oberheim OB-1
GForce Oberheim OB-1 Mini Demos
GForce Oberheim OB-1 Walkthrough

GForce Software and Oberheim proudly unveil the Oberheim OB-1.

It’s incredible that the 1978 hardware Oberheim® OB-1 has remained under the radar for so long. The GForce Oberheim OB-1 broadens the Oberheim sound palette in ways that we believe will see it become a big favourite among techno and electro producers and underground artists, as well as composers for its character and anyone cherishing vintage analogue tones. Its rich, aggressive sound and expansive feature set make it an essential hustler.

The GForce Oberheim OB-1 delivers a sound as full and robust as the legendary Minimoog® yet as aggressive and snarling as the MS-20®. It strikes the perfect balance between these two icons, making it an incredibly versatile tool in any producer’s arsenal.

Whether you’re conjuring deep bass lines or soaring leads or looking for something a little extra special, the Oberheim OB-1 is your ultimate ally in the studio.

Join the rebellion against mundane sounds and bring balance to your music with the timeless strength of the OB-1. Let the OB-1 guide your sonic journey like a true master.

HOW WAS IT AUGMENTED?

The GForce Oberheim OB-1 emulation has been richly enhanced to bring the best of both worlds—vintage charm aligned with modern possibilities. Here are the key enhancements:

Enhanced Signal Path: The OB-1 retains the authentic, rich tones of the original while benefiting from a new waveform alongside waveshape modulation, discreet level for the oscillators, sub and noise, LFO sync & retrig, Envelope looping, discreet key tracking, cross-mod, pan spread and more.

Polyphony up to 16 Voices and Unison: Unlike the monophonic original, we’ve added polyphony and mono unison.

X-Modifier: Unlocks unparalleled creative possibilities by enabling direct modulation of most parameters, transforming your sonic landscape with ease.

High Pass Filter: This addition allows for more precise control over the frequency spectrum, enabling cleaner mixes and more intricate sound design.

Chorus, Delay, and Reverb Effects: Integrated effects expand the sonic palette, allowing for lush, atmospheric, and dynamic soundscapes.

Four Versatile Macros: These provide real-time control over key parameters, enhancing expressive performance and sound customization. Macro4 can be modulated by the sequencer. This can get very creative.

Built-in Arpeggiator and Sequencer: These tools make it easy to create dynamic rhythmic and melodic patterns, adding depth and complexity to your music. The sequencer features individual step length and probability, as well as a track dedicated to sequencing Macro4.

Advanced Patch Browser: Quickly find and customize the perfect sound from a vast preset library, streamlining the creative process.

These enhancements ensure that our Oberheim OB-1 is not just a nostalgic homage but a powerful and versatile musical instrument.

You can find additional details and demos at GForce Software.

Solton Project 100 - Part 3

video upload by Vintage Audio Institute Italia

Solton Project 100 posts

"Imagine an underground spa in mid level hotel in an episode of Miami Vice.
This would be the scene when the New Age cult members slipped Tubbs a Roofie and lured him into the spa at night.

We're using the Solton Project 100 along with the EKO Ritmo 20 - a very nice sounding Italian drum machine with individual volume controls for each sound.
For effects we're using two 80s grade B, rack units - the half rack format LEM FX 22 and the Vermona DEG 50 Echo. The LEM FX 22 is a multi-effect with a combo mode that lets you engage two effects at the same time. The Vermona DEG 50 is actually part of our secret weapons arsenal - a pretty crappy and noisy Digital Delay rack unit but the chorus modulation has that magic wonk.

The Solton Project 100 is maybe the coolest name for a synth we've ever heard - prove us wrong in the comment section :)"

Elektron Officially Introduces the New Syntakt 12 Track Drum Computer and Synthesizer

video upload by Elektron

This post is developing. Check back for new videos and updates below.

Street price appears to be $999. See dealers on the right for availability. In via Alex Timchak.

"We are delighted to announce the release of Syntakt – the 12 track drum computer and synthesizer that fuses digital and analog synthesis together in one music megabox.

Enter this sonic metropolis and experience epic sounds from the past, while pulling others into existence from the future. Syntakt is a drum specialist, full of percussive possibilities, but its four analog and eight digital tracks can be used for melody, harmony, and bass sounds too, giving you a musical melting pot with dozens of machines at your disposal.

Affect the sound of each machine with the intuitive and playful graphics. Add analog distortion and filtering to your mix or separate tracks, using the FX block. Run wild and free with the four expressive modifiers. Access a variety of different scales via the keyboard mode. And create dynamic soundscapes with its phenomenal sequencer.

The streets of Syntakt are never-ending, the neon lights are never-dimming, its underground is fathomless. Discover worlds within worlds."


video upload by Elektron

"Syntakt is a sonic metropolis of machines, fusing digital and analog synthesis together in one drum and melody megabox. A 12 track drum computer & synthesizer melting pot like Syntakt needs a majestic guide. Let the intrepid Elin Piel show you around the many features at your disposal."

Baseck Plays : Elektron Syntakt : 12 Track Analog & Digital Synthesizer / Drum Computer

video upload by Perfect Circuit

"Elektron's newest device is finally here : The Syntakt ! A 12 Track Synthesizer and Drum Computer!
Let's see how far our friend Baseck can push this new machine.
Grab one NOW : https://bit.ly/3EEzgOE

Read our Signal article dissecting the Syntakt : https://bit.ly/37Cj446

0:00 - TUFF ACID TECHNOLOGY
1:19 - GLITCHIN' N FINGER RIPPIN'
2:24 - DETUNED DRUM DESTROYER
4:39 - SYNTAKT STEPPPPUHH
6:10 - THE ENCHIRIDION LIVE"

Elektron Syntakt : Analog & Digital Synthesizer and Drum Computer : Walkthrough with Mario !

video upload by Perfect Circuit

"Our pal Mario from Elektron came down to the Perfect Circuit HQ and walked us through the ins and outs of their newest Synthesizer and Drum Computer : Syntakt

0:00 - Intro & overview
1:30 - Machines & Visual Language
3:27 - Beats To Melt Brains To
3:59 - Modifiers
7:40 - FX Track
11:50 - Outro Jams

Elektron Syntakt Analog & Digital Drum Machine

video upload by Reverb

"Elektron's new instrument, the Syntakt, is a powerful combination of analog drum sounds, digital synthesis, and new performance features not seen on any other Elektron product. In partnership with Elektron, watch as our host Fess breaks down these features."

Getting Started With The Syntakt

video upload by EZBOT

"In this video I show you how to use the Elektron Syntakt. This tutorial requires no prior experience with an Elektron product.

Get yourself a Syntakt here and help support the channel at no extra cost to you: https://shrsl.com/3hm0m

Step up your game with 1 on 1 lessons: https://www.ezbot.live/"

Syntakt and Octatrack Performance - The Ultimate Duo

video upload by EZBOT

"In this video I perform one of my new tracks using the Elektron Syntakt and the Octatrack MK2. All the sounds in this video are from the Syntakt, I am using the Octatrack with my performance template.

Get my Octatrack performance template (among other rewards) by joining my Patreon: https://www.patreon.com/ezbot"

Syntakt Demo and Overview

video upload by Patchwerks

Learn more about the Elektron Syntakt here: https://bit.ly/pw_syntakt

Elektron Syntakt. Techno and Electro Patterns

video upload by Adam Jay

"Some patterns I’ve made with Syntakt. No processing.

Things I love: The machines! The flexibility!

It can be so many things.
8 tracks of Model cycles chord machines with deeper control, 2x LFO per track, full envelopes, dual filters, p-lockable FX track. Or half a Rytm , plus new digital drum synth and bass/lead synth machines.

Or a mix between.

All with a tasty chunk of analog Heat drive, filter, and EG, but p-lockable!

There is an inverted envelope shape in the analog fx that I use as a master compressor. The drive is lovely. I also love using some of the analog kicks with a bandpass filter for textures. Can even get kinda of vinyl pops and clicks out of these.

Can have up to 3 simultaneous analog DVCO machines."


video upload by loopop

TIMELINE:
0:00 Intro
1:35 Overview
4:35 Connectivity
5:30 Project scope
7:05 Panel layout
10:10 Digital machines
17:45 Analog machines
23:10 Analog FX Block
25:15 FX sequencing
26:45 Trig mods
28:50 Sequencing
29:30 Patterns & scales
30:50 Grid rec
31:30 Live rec
31:50 Step rec
32:45 Param locks
34:20 Conditional trigs
35:40 Filters
37:05 LFOs
38:45 Digital FX
39:55 Mixer
40:10 MIDI sequencing
42:00 Sound banks
42:35 Expression
43:20 Misc combos
44:05 Pattern chains
44:45 Pros & cons
48:05 Factory patterns

Elektron Syntakt : Live remake of "The Last V8" - C64 SID chiptune

video upload by tubesockor

"The brand new Elektron Syntakt is here!
I'm doing a brief overview, followed by a SID emulation rendition of Rob Hubbard's theme music for the C64 game 'The Last V8' from 1985. Then it grows into a live jam, using all the 12 digital and analog tracks of the Syntakt, including the features such as analog distortion.

0:00 Intro
1:50 Song starts
3:57 Live jam!"

Full details:


12 Track Drum Computer & Synthesizer

Enter a sonic metropolis with Syntakt. Analog and Digital synthesis. Drum and melody. In full fusion.

All your sound crafting, sequencing, and performance needs are fulfilled, in an all-round music mega box that fits in your lap. Syntakt is a drum specialist, full of percussive possibilities, but its four analog and eight digital tracks can be used for melody, harmony, and bass sounds too. Experience epic sounds from the past, pulling others into existence from the future.

The streets of Syntakt are never-ending, the neon lights are never-dimming, its underground is fathomless. Discover worlds within worlds. Adore now. Explore forever.

Meet the machines
There are 35 sound-generating machines to call on, covering a wide range of drum and melodic sounds. Some machines have been reimagined from Analog Rytm and Model:Cycles, with deeper sound control for the latter, while others are entirely new to the world.

For you to create and personalize your sound, we’ve made sure you’ve got a set of parameter controls tailor-made for each machine. They let you quickly tweak the nature of each type of sound, showing you just the relevant options. Comprehensive without being overwhelming. Let loose with analog or digital overdrive, depending on the tracks you’re playing with.

The graphics more than play their part too, with plenty of animated icons offering visual guidance and extra clarity on how each parameter affects the sound. The joys of tweaking shouldn’t only be for the ears after all.

Special effects
Syntakt lets you route any of your synth tracks or external audio sources through the FX block. This gives you analog distortion and filtering, and a couple of LFOs to go to town with. Additionally, you can also call on Delay and Reverb as powerhouse send effects.

And all of the above effects can be sequenced with the FX track. Have them kick in at just the right moment. Add accents and dramatic changes to the selected tracks or external audio. Or use it as a master track for ducking and gating effects.

Modify the moment
Wield a little extra trig craft using the four modifiers, offering four varied levels of expression. Configure the first two modifiers to give you the retrig or velocity behavior you desire, and use the other two to access custom intensities of other parameters. They’re ready for action regardless of which synth track you’re using.

And the best bit is that they don’t just give you that extra playability fun in the here and now, you can also capture the moment by recording to the sequencer.

The keys to the city
Syntakt’s keyboard mode gives you a whole bunch of different scales to play with.

There are some familiar faces and some maybe a little less familiar for you to try out, helping you discover new places and taking things to another level.

Play across a single octave like on a piano keyboard. Or use fold, and have several octaves laid out in front of you.

Deep sound-shaping
Syntakt comes full of filter and envelope goodness. All tracks have a Multimode filter to put to use allowing you to emphasize different parts of your sound, with the digital tracks also able to call on Parametric EQ and a Base-width filter – an additional filter giving you even more sonic control.

Choose from two amplitude envelope types to define the ideal contour of your sound. Try out the ADSR envelope – for your wicked synth lines – or the simpler AHD envelope – perfect for transient percussive sounds.

CLICK FOR MORE »

G-Sonique Swede Trap Bass - VST plug-in synthesizer instrument for Trap / Hip-hop kick & bass

video upload by G-Sonique



"Made in cooperation with Swede from 808 Mafia, music producer for biggest stars Lil Wayne, Dj Khaled, Gucci Mane, Nas, Farruko, Dalex...
Made music for soundtracks like Bad Boys for Life with Will Smith, TV Show kidding with Jim Carrey, music for commercials with NBA Star Paul George and more!!"

DOWNLOAD HERE: https://www.g-sonique.com/swede-trap-...

"Swede Trap Bass is a plug-in synthesizer designed for creating heavy Trap / Hip-Hop Kicks and fat Basslines. Cooperation between G-Sonique X Swede, plug-in developer more than 14 years on the market and famous hip-hop RIAA platinum producer Swede.

Swede made music for world-class rappers and singers like Lil Wayne, DJ Khaled, Gucci Mane, Nas, Farruko, Dalex etc. his music was used in Hollywood movies / Soundtracks like Bad Boys for Life with Will Smith, etc.

Trap Bass is instrument designed to create kicks and basslines easy and fast without the need of difficult post-production and fine-tunning with additional effects, everything is included. With trap bass you can create massive kicks and basses in seconds, from classic to progressive new kind of basslines. The synthesizer combines the best of digital and analog/vintage, from warm analog filters and oscillators, to vintage style exponential envelopes coded after real hardware drum boxes. 20 kick oscillators, 8 filters, oscillator waveshaping, analog distortion circuits, parametric saturation and much more. Thanks to emulation of various vintage analog circuits/modules plug-in sounds very smooth, round and fat comparing to basic digital synths.

The synthesizer is designed for heavy Trap and Hip-Hop kick drums and basslines but it can be used in various music styles like Techno, House, Acid, Rave, Underground tekno, Hardcore, Gabber, Psytrance, Deep Drum and Bass, Bigroom, Minimal, Uk garage, Downtempo, Electro and others.

CLICK FOR MORE »

Future Retro 777 Monophonic Analog Synthesizer SN FR3D71499398

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

Video in the listing previously posted here.

"This is one of the most well thought out synths I've ever used and a real stroke of genius. The knobby interface and hands on sequencer make it endlessly fun to coax raw, aggressive and acidic tones out of this box. For me, the 777 is the best monophonic synth with step-sequencer ever released. One of the few machines that delivers what it promises. The possibilities, the look and feel, and last but not least...the sound is absolute stunning. You can go from a conservative 303 sound to a mutation of acid sound, that needs a new definition. Every underground Acid/Techno producer should have one 777. The 777 is worth every cent.

Future Retro 777 Monophonic Analog Synthesizer. Comes with original manual and power supply. Out of production. Used by several artists including Trent Reznor (NIN)

CLICK FOR MORE »

New Roland SYSTEM-500 Overview Videos

Published on May 1, 2018 RolandChannel

"The Roland SYSTEM-500 is a series of fully analog Eurorack modules inspired by vintage Roland modular synthesizers. Each module is made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan."

Playlist:

1. Roland SYSTEM-500 505:VCF Module Overview

Inject the sound of the Roland SH-5’s revered filter section into your modular rig with the SYSTEM-500 555 module. The Roland SH-5 is one of the most sought after monosynths in history with one of the most distinguished filters of any monosynth in history. Combining a multi-mode filter with a band-pass filter, it produced a sound that has propelled it to “favorite filter ever” territory for many. It maintains its bass response with a meaty resonance growl. With switchable outputs, built-in VCAs, and CV control of cutoff, resonance, this dual filter gives you two different vintage filter characters in a flexible and compact 16hp module.

2. Roland SYSTEM-500 555: LAG / S&H Module Overview

Channeling inspiration from the Roland SYSTEM-100m's 150 and 165 modules, the 555 module is a five-in-one powerhouse that brings core utility functions to your modular setup, but with some new and interesting twists. With ring modulation, versatile sample and hold with seven waveforms and internal LPF, pink and white noise modes, LFO with internal ENV and VCA, and two CV controlled portamento circuits, your tonal shaping and modulation options are near infinite.

3. Roland SYSTEM-500 531: MIX Module Overview

Inspired by the SYSTEM-100m’s 131 output module, the SYSTEM-500 531 module brings six high-quality inputs, each with level slider, pan knob, and performance-friendly mute button. It has high-fidelity sound with low noise, ensuring that your modular rig sounds its best. The six pan knobs are CV controlled and there’s even a boutique-quality stereo preamp, so you can bring in mic or line level signals–or get overdriven tones. The headphone section has an easy-to-reach, dedicated volume knob as does the multi-format output section that lets you use both 1/4" and 1/8” cables. There’s even an LED level indicator for visual feedback.

4. Roland SYSTEM-500 510:SYNTH Module Overview

With the SYSTEM-500 510 module, designing your first modular setup or integrating classic Roland sound into your existing modular rig has never been easier. Based on the vintage SYSTEM-100m's 110 VCO, VCF, and VCA module, the SYSTEM-500 510 module brings together the best aspects of the SYSTEM-500 into a single voice module. It contains three pristine oscillator waveforms, classic Roland low pass filter with hi-pass switches, and a VCA with multiple outputs. It has inputs for external signals and modulation, and output jacks for both Eurorack and line-level audio. At 20hp and internally normalled for cableless operation, the SYS-510 is an essential building block, whether you’re an experienced user or just diving into modular synthesis.

Update: and the official announcement:

"Roland Expands SYSTEM-500 Modular Synthesizer Series

CLASSIC SYSTEM. NEW FORMAT.

Inspired by vintage Roland modular synths of the 1970s, these new additions to the SYSTEM-500 family not only expand on the SYSTEM-100m-based modules, but also explore fresh territory. Designed in Eurorack format, the SYSTEM-500 delivers the classic character and functionality of vintage Roland modular synths, with all the advantages of a modern instrument.

After a recent resurgence, and thanks to the Eurorack format, modular synthesizers continue to grow in popularity. With roots in the dawn of synthesis, modular synthesizers let you design your own electronic instrument, with deep control of each building block. Unparalleled control over how it’s patched lets you craft your own custom sounds and explore the outer bounds of sound design. Roland has a deep history in modular synthesis, having made several modular and semi-modular synthesizers that are now highly sought-after by collectors.

In 2015, Roland partnered with Malekko Heavy Industry to bring back these legendary instruments as a series of fully analog Eurorack modules. The SYSTEM-500 was born, finally making the sound of these rare instruments available to today’s musicians. And for 2018, there are four new additions to the SYSTEM-500 family. These modules expand on the SYSTEM-100m-based modules and explore fresh territory.

The SYSTEM-500 consists of Eurorack modules that you can mix and match in any combination to create the ultimate Roland modular synthesizer. They’re also a perfect way to inject vintage Roland sound into your existing modular setup. Each module is completely analog and made to exacting standards in a collaborative design and production process between Malekko in Portland, USA and Roland in Hamamatsu, Japan. Designed for maximum compatibility with the world of contemporary synthesizer and effects modules, the SYSTEM-500 delivers vintage Roland character and functionality in a modern system. And the possibilities for sound design and musical exploration are vast.

THIS IS ROLAND SOUND

It’s hard to describe what the “Roland Sound” is—but you’ve heard it on countless worldwide hits and underground classics. Something about the character of Roland electronic instruments continues to make them perennial favorites of musicians and producers. For over 40 years, the Roland sound has moved artists to create new genres, moved music forward, and moved feet on dance floors. Often imitated, the SYSTEM-500 brings truly authentic Roland sound to your studio setup or live rig.

THE STUFF OF LEGEND

The history of Roland modular synthesizers goes back to the mid-1970s. The almost-mythical SYSTEM-700 was the first modular synthesizer ever made in Japan and was followed by the more affordable SYSTEM-100m. The 100m is a favorite of electronic music producers to this very day and working units fetch a high price on the used market. The SYSTEM-700 is extremely rare, slipping into the realm of unobtanium. The SYSTEM-500 brings the unmistakable vintage character of these legendary synths to your own studio and for use in your own tracks."

Also see: Roland SYSTEM-500 & Roland Boutique Performance

Arturia Announces V Collection 5 Including New NED Synclavier Port, Hammond B3 and More

Published on May 19, 2016 ARTURIA - Update: new video uploaded May 30, 2016

Update: Clarification: the NED Synclavier is not an emulation but a port of the original software:

"this is not an emulation - it is the real thing, the real mccoy. Cameron Jones himself ported the original Synclavier code to run on PC/MAC/VST etc.

- you have the choice of playing each patch either in the original 8-bit depth, or change it to 4-bit (!), 10-bit, 12-bit, 14-bit, 16-bit, 18-bit, 20-bit, 22-bit or 24-bit depth.

- resynthesis: not implemented in the current release but there may be plans to put it in a future release. However some of the original factory patches included (83 total) are resynthesis-based

- the partials/timbre frame functionality was vastly expanded"

Video description:

"The new V Collection 5 is a giant leap forward in our quest to create the greatest legendary keyboards collection ever, including 5 new softwares instruments: Piano V, Synclavier V, B-3 V, Stage-73 V, Farfisa V.

Special thanks to:
Altius Prod
Stéphane Schott (http://www.lyynkstudio.com/)
Studio Question de Son (http://www.questiondeson.com/)
Underground Records (http://www.undergroundrecords.fr/)
Garbage & Greg Kaplan (https://www.garbage.com/)"

Arturia announces the Synclavier V

Published on May 19, 2016 ARTURIA

Update: It's not clear if the Synclavier V supports sampling resynthesis (see above), although it does take the FM and additive synthesis with partials to a new level. For reference, you can find the history of features for the original Synclavier on Wikipedia here.

"Arturia announces the Synclavier V, the first recreation of the legendary digital synthesizer made in collaboration with Cameron Jones, the inventor of the original instrument.

The Synclavier V faithfully recreates the elite digital synthesizer/workstation that started it all, powering some of the biggest hits and film soundtracks of the early ‘80s with its unique rich, edgy sounds.

While the Synclavier V expertly brings this historic instrument to life, we’ve improved it dramatically by taking advantage of today’s processing power. We’ve also infused into it everything we’ve learned over 16 years of developing award-winning software synthesizers. The result is a thoroughly modern, cutting-edge instrument that stands alone among hardware and software synths alike.

Update: some details on the synth engine:

Timbres consist of up to 12 Partial Timbres
Much of the magic of the original Synclavier owed to the ability to build Timbres (presets) by creating and layering four completely different sounds or Partial Timbres to realize massive, complex sounds. With the Synclavier V, we’ve taken the number of Partial Timbres to 12, dramatically expanding the creative possibilities. Since each Partial Timbre is a complete sound, that means that you can stack many different sonic elements into electrifying Timbres resounding with rich complex textures brimming with subtleties.

Partial Timbres are each compete synth engines
Each of the 12 Partial Timbres has two digital oscillators that combine the principles of both additive and frequency modulation (FM) synthesis. Rather than using filters to subtract harmonics from simple oscillators, additive synthesis builds up complex sounds by selectively adding harmonics in this case. The Synclavier V goes way beyond that, combining these oscillators in an FM architecture where the carrier (main) oscillator is modulated by the second harmonic oscillator. The fusion of additive and FM technologies make for a stunningly diverse and unique universe of cinematic pads, epic leads, evolving bass lines and more.

Time Slices animate long passages
Time Slices allow you to specify up to 50 snapshots of the 12 Partial Timbres of additive and FM synthesis goodness, and animate through them over time. For each Time Slice, you can set the volume, pitch, FM modulation amount, and delay. The ability to set parameter crossfades of up to 30 seconds between Time Slices—over a total time of 5 minutes—makes it possible to create long evolving ambient pads and cinematic cues of incredible complexity.

Improvements make a great instrument even greater
We’ve made a lot more improvements beyond boosting the sound engine from four Partial Timbres to 12. Where the original modulation oscillator was only a sine wave, now you can also choose sawtooth, square, or triangle—or graphically build your own waves comprised of 24 phase-controllable harmonics. These enhancements allow you to create outrageous textures never possible before. Each Time Slice can now even have a separate FM modulator waveform. Variable bit depth between 4- and 24-bits, on-board effects, and a MIDI Learn feature are just some of the many examples of the new options available to you in Synclavier V.

With the Synclavier V, digital synthesis meets total creative and performance expression.
Sure, all synths have LFOs, but the vibrato section of the Synclavier V is exhaustive, giving you control over LFO attack, phase, quantizing, bias and more. Things get even more interesting when you apply the LFO to the FM harmonic oscillator that, in turn, modulates the carrier. Let that sink in for a minute!

Want to take your listeners on an animated journey? Add extra energy to your pads and soundscapes with the stereo modulation section. It actually takes the form of separate linkable tremolos for each channel, making for unique spatial animation effects that will have everybody’s heads spinning.

Imagine performing with expressive nuances never possible before. Press harder on the keyboard to change the amount of FM modulation. Ride the expression pedal to affect the frame speed of your Time Slices. Grab the mod wheel to rock the FM modulation ratio. These are just some examples of what’s possible when you use the modulation matrix to easily map any of your favorite MIDI controllers to dozens of sound engine parameters—discretely for each Partial Timbre."

You'll find Arturia's page on the Synclavier V here, and Synclavier Digital's website here.

Update: the official press release for the entire V Collection 5 [Note: The Analog Lab press release below was the first to go up. Apologies for the all the updates, but this is how it comes in, and posts here on MATRIXSYNTH are about capturing that]:

"Arturia advances industry-standard V Collection of virtual classic keyboards

GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of V Collection 5 — the latest incarnation of its impressive industry-standard collection of authentic-sounding virtual instruments, expanded and updated to include five all-new additions alongside new versions of ‘old favourites’ (plus Analog Lab 2) — as of May 19…

With no fewer than 17 virtual instruments that recreate hard-to-source synthesizers and classic keyboards, V Collection 5 represents really remarkable value on many musical levels. At an attractive monetary level, it’s a no-brainer! Bringing something special to the 21st Century performance and production table, five all-new authentic-sounding additions lead this latest V Collection charge.

B-3 V beautifully recreates the distinctive tones of the B-3 tonewheel organ, one of the most iconic and influential instruments of all time. It truly transcends time and place by bringing this still-sought-after sound to the computer-based music-making masses. Meanwhile, Farfisa V virtually puts players in the driving seat of the sound that drove the hits of several decades as a superb software simulation of the famous Farfisa Compact Deluxe organ. Pushing the physical boundaries of an acoustic piano, Piano V meticulously models the sound and behaviour of one of the most important instruments history has yet thrown up — albeit not as one but rather nine virtual instruments rolled into one! An authentic-sounding software simulation of the Seventies-vintage Stage and Sixties-vintage Suitcase 73-key electric pianos, Stage-73 V is the sound of the Sixties, the sound of the Seventies… the sound of today, the sound of tomorrow! Thanks to Arturia’s close collaboration with original Synclavier® software developer Cameron Jones, Synclavier V takes everything the trailblazing Synclavier® could do as the most powerful additive and FM synthesizer ever created and makes it more powerful!

Put it like this: thinking about all those thousands of new sounds and styles in V Collection 5 that are available at the touch of a (virtual) button beggars belief, but Arturia’s aim is true… to create the tools that lend a helping hand to today’s musicians, taking inspiration from the past to (re)invent the music of tomorrow. The 12 remaining virtual instruments in V Collection 5 — ARP 2600 V, CS-80V, JUP-8V, Matrix-12 V, Mini V, Modular V, Prophet V, and SEM V analogue synthesizers; Prophet VS digital synthesizer; Wurli V electric piano; VOX Continental V electronic organ; and Solina V string machine — do just that, too. All are updated with resizable (Retina/4K-compatible) GUIs that truly have to be seen to be believed! But digging deeper, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) — allowing advanced integration with third-party software instruments — naturally features across the board. As does AU, AAX, VST2, and VST3 compatibility, standalone operation, plus MIDI Learn (to easily map all parameters to a MIDI CC).

Continuing Arturia’s quest for absolute authenticity through TAE® (True Analog Emulation), physical modelling, and additional technologies, anyone prepared to dig deep into V Collection 5’s treasure trove of hard-to-source synth and classic keyboard recreations will be musically rewarded in kind. Conversely, Analog Lab 2 is a powerful yet painless way of accessing a broad selection of sounds from across V Collection 5 within a single application. As it supports Arturia’s many MIDI controller devices natively, it adapts to reflect their physical controls when they are connected… connect with V Collection 5, then, and accept Arturia’s helping hand to today’s musicians, taking inspiration from the past to (re)invent the music of tomorrow!"

The Analog Lab press release:

"Arturia advances Analog Lab composite virtual instrument to include V Collection 5 sound selection

GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of Analog Lab 2 — an all-new incarnation of its composite virtual instrument that gathers together a broad selection of sought-after sounds from its V Collection 5 software bundle — as of May 19...

Analog Lab 2 is a powerful yet painless way of accessing a sought-after selection of sounds from all 17 of Arturia’s authentic-sounding virtual instruments as a single application. Included are sounds from eight emulated analogue synthesizers (ARP 2600 V, CS-80V, JUP-8V, Matrix-12 V, Mini V, Modular V, Prophet V, and SEM V), two digital synthesizers (Prophet VS and Synclavier V), two electric pianos (Stage-73 V and Wurli V), an acoustic piano (Piano V), and three electronic organs (B-3 V, Farfisa V, and VOX Continental V). Those virtual instruments recreate hard-to-source hardware synthesizers and classic keyboards of the past and conveniently transport them to the present-day desktop.

Analog Lab 2 invites instant exploration as an AAX-, AU-, VST-, and VST3-compatible plug-in in any DAW (Digital Audio Workstation) or as a standalone version. Its redesigned, resizable (Retina/4K-compatible) GUI (Graphical User Interface) is as easy on the eye as it is to use. Studio View shows the original historic hardware, helpfully bringing up the best presets from each instrument in question. But there’s a whole lot more to Analog Lab 2 than good looks alone.

Accessing those sought-after sounds at the speed of sound is simple, thanks to a new preset browser. Browse presets by TYPES, BANKS, sonic CHARACTERISTICS, and INSTRUMENTS (crossing categories). Create PLAYLISTS. Or simply Search for presets by NAME. Needless to say, with 4,500-plus presets to choose from there’s always a sound to suit every mood, every ambiance, and every music style — sounds that transcend time and fashion.

For those wishing to dig deeper then the dual-instrument MULTI feature with independent MIDI settings panel for each instrument will make their musical day. Drag and drop splits and layers of those presets to take ownership of the sound. Sounds and Multis can be organised in the PLAYLISTS area for instant recall via program change messages, making Analog Lab 2 a best friend in the studio and a pillar of live performance.

Put simply, Analog Lab 2 is so much more than just a sound library. It’s a substantial sound design tool and an amazing live performance instrument integral to immeasurably improving everyday workflow. When connected to one of Arturia’s many MIDI (Musical Digital Instrument Interface) controller devices, Analog Lab 2 will automatically adapt to reflect their physical controls. Generic MIDI controllers of course can also be used with MIDI learn to easily map all parameters to a MIDI CC (Control Change).

Changing the sound of Analog Lab 2 is even easier thanks to two EFFECTS slots with pre/post fader switch per instrument. Included Bitcrusher, Chorus, Delay, Destroy, Dub Delay, Eq4, Flanger, Overdrive, Phaser, Pitchshift, Reverb, Roundpanner, and Vocal Filter effects ensure that Analog Lab 2 always sounds the way you want it to.

Take your sound and workflow to another level with Analog Lab 2, an easily-accessible environment at an easy-to- swallow price point. What’s not to like?"

Arturia B-3 V Tutorial

Published on May 19, 2016

"The B-3 V delivers the most authentic tonewheel organ and rotary speaker experience you’ll find anywhere, plus customizations that open up new creative opportunities."

"Arturia pulls out all the software stops to realistically recreate tonewheel organ combo classic

GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of B-3 V — an authentic-sounding software simulation of the classic B-3 tonewheel organ and Leslie rotary speaker combo — as of May 19...

B-3 V realistically recreates the special sound of the B-3 tonewheel organ. One of the most iconic and influential instruments of all time. One which has graced many of the greatest recordings of all time. Today Arturia brings this to its award-winning Analog Classics family of virtual instruments that recreate hard-to-source synthesizers and classic keyboards.

Keyboard players have made their mark in all forms of popular music with the B-3, back from its inception in the Fifties way past its discontinuation through to today. Procol Harum’s hit ‘A Whiter Shade Of Pale’ proved particularly memorable with a melancholic countermelody displaying an altogether softer side to the B-3. But raucousness remains the order of the day for the blues, jazz, and gospel genres with which it first found favour. After all, it had historically been aimed at churches as a more compact and affordable alternative to conventional pipe organs.

One saying springs to mind: Pulling out all the stops — to hold back nothing — is an allusion to organ stops being pulled out to turn on each set of sounds in a pipe organ. The B-3 effectively ‘emulates’ this with its drawbars. Doing this and a whole lot more is what B-3 V does best, thanks to Arturia pulling out all the software stops to make it happen!

Thirties-developed tonewheel technology originally made that special sound happen. An electronic current is created when rotating a metal tonewheel near an electromagnetic pickup and amplifying that signal. The B-3 has 91 of those tonewheels with each key connected to a fixed set of tonewheel outputs. Drawbar settings control how these are mixed together. The tube preamplifier subsequently shapes the sound a little further — filtering and distortion take hold here — while factoring the position of the expression pedal. This not only acts as a volume control but also affects the frequency response of the preamp which is connected to a speaker.

Speaking of which, B-3 V faithfully simulates the favoured Leslie tone cabinet, containing a power amplifier that drives a rotating horn and a stationary woofer firing into a rotating drum reflector. Spellbinding spatial and frequency-shifting effects above and beyond the sound-shaping effects of commonplace loudspeakers are all perfectly possible!

B-3 V brings this classic combo — complete with the inherent imperfections that made that tonewheel technology sound so unique — to the present-day desktop as an AAX-, AU-, VST-, and VST3-compatible plug-in in any DAW (Digital Audio Workstation) or as a standalone version. Visually, things couldn’t get clearer, thanks to the resizable (Retina/4K-compatible) GUI (Graphical User Interface) that’s as easy on the eye as it is to use.

Under the hood, things couldn’t be better with MIDI control of many parameters and insert slots for ANLALOG DELAY, CHORUS, FLANGER, OVERDRIVE, and PHASE effects, as well as ADVANCED SETTINGS for upper and lower manuals and rotary speaker behaviour. B-3 V boasts a built-in step sequencer, allowing anyone to easily set an amount of modulation for each step of the sequence! Naturally, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) allows advanced integration with B-3 V.

All of the benefits of the original iconic instrument are available to modern music-makers with B-3V, but without the heavyweight hassles. Where anyone chooses to take it musically is anyone’s guess, but bet your bottom dollar that special sound will be being heard for many more years to come... courtesy of B-3 V!"

Arturia Stage-73 V Tutorial

Published on May 19, 2016

"The Stage-73 gives you actual authentic modeling of both Stage and Suitcase versions of the most popular electric piano on the planet —completed with unparalleled control of virtual mechanics, a complement of effects pedals, and built-in classic amps."

https://www.arturia.com/products/analog-classics/analoglab/overview

Update: And the official press release for the new Farfisa-V:

"Arturia augments Analog Classics collection with faithful Farfisa Compact series software simulation

GRENOBLE, FRANCE: music software and hardware developer Arturia is proud to announce availability of Farfisa V — faithfully modelling the famous Farfisa Compact Deluxe electronic organ with additional features from its Duo Compact series sibling — as of May 19...

Arturia’s award-winning Analog Classics family of virtual instruments recreate hard-to-source synthesizers and classic keyboards. As a worthy addition, Farfisa V virtually puts players of today in the musical driving seat with a still-sought-after sound that drove the hits of several decades: Farfisa’s famous Compact Deluxe electronic organ, one of a series of iconic instruments manufactured in Italy between 1964-1968. A staple of Sixties-produced popular music, they made their musical mark with a wider-ranging sound than that of their main VOX Continental competitor. With more bass waveforms and an expanded percussion and vibrato section sales soared.

Speaking sonically, Farfisa Compacts are almost more top octave synth-like than organ-like, thanks to a rudimentary envelope that allows for attack and decay control that went way beyond the typical organ sound of its day. Little wonder, then, that they proved popular with musicians throughout the Sixties (‘Sam The Sham’ and The Pharaohs, Percy Sledge), Seventies (Jean-Michel Jarre, Kraftwerk), Eighties (B-52s, Blondie), and beyond. But unlike heavyweight Hammond tonewheel organs, transportation to performances was trouble-free. For the fortuitous Farfisa form factor included integrated legs that could be folded up and stored within the body of the instrument itself, surely sealing many purchasing deals!

Today, though, finding and maintaining an original Farfisa has become both difficult and costly. Farfisa V solves such problems by bringing all the benefits without any of the hassles to the present-day desktop! Developed using an original hardware organ for reference, it meticulously models the original circuits and sounds of the famous Farfisa Compact Deluxe. Features from its Duo Compact series sibling are also included alongside an authentic combo amp simulation. Standalone instrument operation on Mac OS X and Windows is a given for performance purposes. Plug-in support for all major formats inside any DAW (Digital Audio Workstation) with easy MIDI-learn functionality provides hands-on control of many of its parameters and automation support for considerable creative control. Naturally, Native Instruments’ new NKS® (NATIVE KONTROL STANDARD) — allowing advanced integration with third-party software instruments — is there for the taking.

As always, recreating an instrument in software provided an opportunity to add a number of more advanced features fit for the 21st Century. Cue the special USER WAVE position, allowing anyone to create an additive waveform. Why not use the ToneDraw feature to create a new waveshape based on the graphical look of the sliders? Having modelled the original built-in spring reverb, Arturia added other reverb IRs (Impulse Responses). Reorder the additional ANALOG DELAY, CHORUS, FLANGER, OVERDRIVE, and PHASER effects. Easily-accessible individual voice tuning, PARA (paraphonic) and POLY (polyphonic) modes, ATTACK and RELEASE envelopes for upper and lower keyboards, BASS WAVE (waveform selector), TONE control for bass section, TREMOLO SYNC, and REPEAT SYNC round out this all-new Analog Classic. Hearing is believing. So is seeing, thanks to the resizable (Retina/4K-compatible) GUI (Graphical User Interface) that’s as easy on the eye as it is to use.

Ultimately, then, whether you’re set on recreating a distinctive and powerful organ sound of the past or forging ahead with a new organ sound of the future, Farfisa V does it all. But best of all... legs no longer play a part in sealing this must-have musical deal!

An Interview with Barry Schrader

Hi everyone! As you know Barry Schrader will be giving his farewell concert at CalArts on September 26. The following is the beginning of my interview with him. I opted to post the questions and answers as they come in.  New QAs will get a new post so you do not miss them and they will be added to this post so we have one central post for the full interview. This should make it easier for all of us to consume in our busy lives, and it will allow you to send in any questions that may come to mind during the interview process.  If you have anything you'd like to ask Barry, feel free to send it in to matrixsynth@gmail.com.  This is a rare opportunity for us to get insight on a significant bit of synthesizer history, specifically with early Buchla systems, and I'd like to thank Barry for this opportunity. Thank you Barry!

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Exclusive Moog Minitaur Review - All the Bass & More for Less

This is a MATRIXSYNTH review...

A brand new Moog Minitaur will set you back $599, a Slim Phatty, $795, an RME Voyager, $2695. So how does the Minitaur sound compared to its siblings? Pretty darn incredible.

For this review I had access to both a Minimoog Voyager and a vintage Minimoog Model D for comparison, and the Minitaur more than held its own. Actually it was capable of sounding identical to the Voyager with roughly equivalent settings. The Model D, whether due to age or physical design, has a brighter, fizzier, more unstable characteristic to it compared to both. It's kind of like the original Minimoog has a wild beast inside it while the Voyager and Minitaur have managed to keep that beast under control. I used to think of an analogy where the Model D sounds like it has a Tasmanian Devil inside it, while the Voyager has Darth Vader. Well, the Minitaur adds a massive fat bull. All three are extremely powerful sounding synths. The bass the Minitaur produces is as full as it gets and the filter gets wide open. It was a bit shocking when I first heard it. The Minitaur might be slimmed down in price, but sonically it has all the fat you will ever need.

As the Voyager sounded closest to the Minitaur, I primarily focused on it for comparison. For the most part I could get the Minitaur to sound identical, but there were subtle differences. An interesting thing I noticed was that the filter on the Minitaur seemed to open more than the Voyager, but then I realized that on the Voyager the filter opens up more if you apply the envelope to it. Once I adjusted the envelope on the Voyager, they sounded nearly identical. The saw waves were identical and the pulse waves varied a little, but I believe this was likely due to additional pulse width settings on the Voyager that the Minitaur does not have. I found myself spending more time attempting to get the Voyager to sound like the Minitaur vs. the other way around. This was clearly due to the extra parameters on the Voyager, and it reminded me that sometimes less can be more. With pulse waves, the Minitaur sounded a little more rounded, smooth and fuller. In many cases where I couldn't sonically hear a difference, I could feel it. A funny side note is I have an overhead lamp in the studio I did my testing in. The lamp has a metal hood over a small glass dome for the bulb enclosure that rattles with significant bass. It rarely happens but I noticed it happening quite a bit with the Minitaur. I decided to take the Minitaur, Voyager and Model D to town with a rattle test. The Minitaur won. It consistently produced the most intense lamp rattle. :) This is not too surprising considering Moog's reputation for bass, and that the Minitaur is based on the Moog Taurus 3 bass pedals, which in turn was based on the original Taurus I released back in 1975 (note the Taurus II unlike the I & 3 was based on the Moog Rogue - this is significant, and I'll comment on this in the summary). It's worth noting that although there are other dedicated bass synthesizers out there, there are essentially two types - TB-303 emulators and thundering bass pedals. The Minitaur of course is based on the latter, and few synths sound as full. The Novation BassStation keyboard which is also analog, for example, was geared more towards TB-303 emulation and does not really compare to the Minitaur.

Before we get into specs and finally the summary, there are a few things you need to know off the bat regarding the Minitaur:

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Casio Limited Edition Gold XW-P1GD

"CASIO INTRODUCES LIMITED EDITION XW-P1 PERFORMANCE SYNTHESIZER
200 XW-P1GD Units Available Nationwide in Signature Hue

DOVER, NJ (October 3, 2012) /PRNewswire/ — Casio America, Inc. re-entered the professional synthesizer market this year with the launch of two products ideal for performing and recording artists – the XW-P1 Performance Synthesizer and the XW-G1 Groove Synthesizer. Based on the successful introduction of the XW series, Casio has teamed up with aNYthing, a streetwear/lifestyle brand located in New York City, to create a limited edition XW-P1 synthesizer. Designed in a signature gold hue, only 200 XW-P1GD units will be available at Guitar Center and Musician’s Friend.

“We were honored to work with Casio on the design of the limited edition XW-P1. Music is a major part of our culture and everyday life – it sets the stage for how people behave, dress and interact,” said Kiernen Costello, CEO of aNYthing. “We hope our creativity and experience helps Casio to make some noise among one of our core audiences – the underground, performing artists.”

Casio’s XW-P1 is the 2012 recipient of Keyboard Magazine’s prestigious Key Buy Award, as well as a National Association of Musical Merchants (NAMM) Best in Show honoree. Equipped with 61 keys and Casio’s exclusive (HPSS) Hybrid Processing Sound Source, the XW-P1 provides screaming virtual analog monophonic leads and basses, drawbar organs, complex layers, stereo pianos, drums and more to produce the sounds and real-time control any performing musician needs.

“As the epitome of innovation, value and quality, we hope our limited edition XW-P1 sparks some excitement and inspires young artists,” said Mike Martin, general manager of Casio’s Electronic Musical Instrument Division. “Our collaboration with aNYthing represents a new direction for Casio in the musical instrument business. In the future, we plan on additional collaborations with both influential artists and unique companies that will further allow Casio to go beyond sound and enable musicians of varying levels to express themselves and enjoy music like never before.”

A six oscillator monophonic solo synth is just one of the amazing sound engines in the XW-P1. Two virtual analog style oscillators, two PCM based oscillators, a noise oscillator and an external oscillator via mic and line inputs can be combined to make up a single solo synth tone. Each oscillator has an independent filter, envelopes, independent key tracking, portamento, two LFO’s and access to master resonant filter.

In addition to the solo synth, the XW-P1 Performance Synthesizer is armed with an arsenal of gig-ready sounds like stereo pianos, vintage electric pianos, strings, brass, guitars, basses, drums and more. The sounds can easily be used within the XW-P1’s step sequencer to create unique grooves and compositions.

Furthermore, the XW-P1 has four real-time controller knobs, pitch bend and modulation wheels, along with nine sliders to provide control over internal sounds and external devices. Through standard MIDI ports and with a class-compliant USB port the keyboard can be used as a controller for other instruments, including computer software and iPad® based software applications. It also includes an audio input allowing you to monitor an MP3 player, computer or other device without the need for a mixer.

The XW-P1GD will be available in October 2012 for an MSRP of $799.00 at Guitar Center and Musician’s Friend. For additional information, visit www.casiomusicgear.com.

About Casio America, Inc.
Casio America, Inc., Dover, N.J., is the U.S. subsidiary of Casio Computer Co., Ltd., Tokyo, Japan, one of the world’s leading manufacturers of consumer electronics and business equipment solutions, established in 1957. Casio America, Inc. markets calculators, keyboards, digital cameras, mobile presentation devices, disc titles and label printers, watches, cash registers and other consumer electronic products. Casio has strived to fulfill its corporate creed of “creativity and contribution” through the introduction of innovative and imaginative products. For more information, visit www.casiousa.com.

About aNYthing
Founded by streetwear vet Aaron Bondaroff, known to the public at large as A-Ron the Don, aNYthing (A New York Thing) is a streetwear / lifestyle brand that has been bubbling on the New York underground for several years now. aNYthing has begun to evolve into a creative collective, bringing into the fold many of the untapped talents in arts and fashion that walk the New York streets."

Alesis Andromeda A6 Analog Synthesizer

via this auction
"It’s hard to adequately describe the good features of the Andro because there are so many. Off the top of my head:

Oscillator soft-sync, which I’ve only ever seen before on an SH-5, opens up new harmonic territory. Often quite random this can be inspirational.
Sub-oscillators tightly thicken up the two main osc, and it’s possible to get very rich oscillator sounds and thick detune before even using effects or the unison mode, which can be set from 2-16 voices.

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