MATRIXSYNTH


Tuesday, May 22, 2007

Synthesizer von gestern vol.1

via this auction.

Details:
"Synthesizer von gestern vol.1
Matthias Becker, 1990. 122 pages, A4, high quality full colour pictures by Dieter Stork.

Matthias Becker started in September 1987, writing an articleserie in the german magazine KEYBOARDS. Later on this was put together into a book "Synthesizer von gestern". With photos from Dieter Stork have Matthias Becker set a very high standard presenting historical synthesizers in word and picture. The wonderful photos (at least 100 in each volume ) make up the fact that it's in German. Everyone interested in classical synthesizer will find very interesting details, including information which maybe the manufacturer didn't think of."

EMS Putney VCS3 pictured.

Roland GR-500 and GS-500 Schematics

Title link takes you there.

Thomas Henry DIY Module

flickr by janvanvolt. Title link takes you to more.

Monday, May 21, 2007

458nm

Title link takes you to a short film featuring the Andromeda A6 for bass. via Moogulator of sequencer.de, who worked on the audio.

Disease Factory demos his hard sync mod on Plan B OSC!


YouTube via hexfix93.
"Velvet Acid Christ demos euro rack modular with plan b osc modified with hard sync mod."

TimeCode Elektron Videos

TimeCode Creap


TimeCode Issue

YouTube via Travistalktoyou. "Monomachine performance"
via Mr. Array

Analog Synthesizer and Sequencer Clip #2 Part 1





YouTube via 123synthland. Title link takes you to the rest.
"Here's a short clip of a sequence we quickly set up using an analog sequencer and synthesizer. Enjoy! minime123@onebox.com"

Prophet VS Rack


Title link takes you to shots via this auction. via Rob

Details:
-8 voice polyphonic hybrid analogue/ digital synth, responds to velocity and aftertouch.
-4 oscillators per voice or 32 oscillators stacked in unison mode! Each oscillator has 127 different waveforms to choose from. Each of the 4 oscillators can select a different waveform and has independant tuning.
-The waveforms are based on high quality 12bit samples. They include all the standard analogue waveshapes sawtooth, square, triangle and sine plus 120+ other very interesting waveforms.
-User waveforms can also be created with the Vector joystick or via a midi sample dump.
-8 Resonant analogue filters based on CEM filter chips. Great sound!
-3x Envelope generators one for amplitude, filter and oscillator mix.
-Each envelope generator has 5 stages with 12 parameters. Each stage can be looped, backwards or forwards, infinitely or for a fixed number of times!
-The 'Oscillator Mix' envelope generator is where the oscillators are blended/ crossfaded over time, creating the movement between the oscillators (Vector synthesis)
-Each oscillator has its own parameter settings for each stage of the 'Oscillator Mix' envelope.
-Sounds can also be created without using the Vector capabilites, just using it like a conventional 4 oscillator analogue polysynth! 4 oscillators! > VCF > Amp/ Filter EG Chorus. Fat sounds!
-Modulation capabilities are also very well specified. As well as the Vector synthesis there are two LFOs and a comprehensive modulation matrix. Velocity, aftertouch, pitch-bend and modulation wheel can be used to control virtually any Prophet VS parameter!

Other features worth mentioning:
A nice arpeggiator.
-Stereo voice panning. Each voice can be panned anywhere in the stereo field.
-Unison mode, with detune! (Great for basslines)
-Random patch generator.
-Midi of course, with great specification.
-The Prophet VS has 100 preset memories. Patches can be split or layered too. Unit comes with my own custom programmed patch bank plus a CDROM with some other program banks which can be dumped via Sysex.

Sonically, the VS is unsurpassed for evolving synth string and pad sounds! Its also great for smooth brass sounds, unison basslines, effects, arpeggios, leadlines, anything...

Rare synth. Less than 400 VS racks were made worldwide, these rack versions are highly sought after."

Anchorsong with String Quartet - Breathe Breathe Me (edit)


YouTube via yohage. via Masaaki Yoshida (Anchorsong).

"Anchorsong is the solo project by Masaaki Yoshida from Tokyo, Japan.

He creates music with AKAI MPC2000XL and KORG Triton right in front of the audience.
Some people say, "To see that he constructs music little by little on the stage, reminds me of a painter drawing on a white canvas." This time, he collaborated with amazing string quartet.

Finally, his 1st EP "The Storytelling EP" was released on 16th May 2007.
2 discs inside(CD & LIVE DVD), and full version of "Breathe Breathe Me" is included on DVD side."

TB-303 Pot Holder

via /Daniel

"My girlfriend made me this pot-holder as a christmaspresent a couple of years ago, it is the right scale and nicely stylized!"

mok's PEK Channel

Title link takes you to mok's PEK Channel where you will find more images and samples of the Dave Smith Instruments Polyevolver Keyboard. BTW, Mok is selling it. You can PM him by click on his profile on Twango.

Stolmen from IKEA, Regelwerk and Katrina

Title link takes you to a flickr set via Chris. The shelves are the Stolmen from IKEA. The Juno-106 was a victim of Hurricane Katrina. You can read more about Chris' Katrina experience on Music Thing.

EMS Synthi DK-2 Keyboard

Title link takes you to shots via this auction.

Details:
# Rare keyboard for the EMS Synthi series.
# Gets its power from the Synthi.

Super Mario's soundtrack @ jackiAntenna Studio


YouTube via jackiAntenna. Via Mr. Array.

"The song of Super Mario played with MIDI Keyboard and SID Station Elektron. Special thanks to Luca Giacomini."

Elektron SIDStation
Roland Juno-106

Update: and.... via /kroffe in the comments:
Tvspelsmusik från På Spåret

YouTube via grabulon.

Thomas Henry's Making Music with the 566

Thomas Henry's Making Music with the 566 is now available via
Magic Smoke Electronics.
Contents include:
General Requirements
Wide Range Linear VCO
Exponential VCO
Triangle and Sine Wave Outputs
Pulse Width Modulation Output
Square Wave and Sub-Octave Outputs
Quadrature Square Wave Outputs
Ramp Wave Output
Adding Hard Sync
A Tunable Nose Source

Radikal Technologies Spectralis Demo

Title link takes you to a demo made solely with the Radikal Technologies Spectralis via Zamise in this VSE thread.

keybdwizrd - Absynth 3 Demo #1 (softsynth)


YouTube via keybdwizrd.

keybdwizrd - Oddity Demo #1 (softsynth)


YouTube via keybdwizrd.

keybdwizrd - Pro-53 Demo #1 (softsynth)


YouTube via keybdwizrd.

ALTAIR-231

Title link takes you to shots via this auction.
Details:
"Synthesizer is based on 3 VCO (any can work as the modulator), 1 VCF (lowpass 24dB/oct) with ADSR, 1 VCA, 3 LFO, noise generator (white/pink), portamento. Consist of 5 main sections - MODULATION, OSC'S, MIXER, FILTER and AMP (called Contour). "

Vintage Allison Labs 2DR


Click here for more shots via this auction. If you know more about this unit, feel free to comment.

Details
"VARIABLE Hi-CUT and LO-CUT RACKMOUNT FILTER. It is hard to find much info out there about these, but I did see that recording artist John Vanderslice mentioned incorporating a similar, less feature packed Allison Labs filter into his recording setup. This is a passive unit, requiring no power cord, and all connections and controls are positioned around front. This unit IS VERY HEAVY, and VERY STURDY- extremely well made."

Sunday, May 20, 2007

Me, a synthesizer, and a cat.

flickr by leslie.paige.

KORG N364

Cool Synth Solo

via Bitexion on this VSE thread:

"Check this out, it's from a DVD of Ritchie Blackmore's Rainbow from 1984. They had a true virtuoso keyboardist. Check out his part of the stage.

And the solo [mp3]

I don't know what the two synths below the Memorymoog on the left are (there are more closeups of the MM during the clip).

Here's a breakdown of the solo since you can't see it. The pipe organ is the EMU Emulator, very good pipe organ sound. He uses both hands all the time like a true keyboardist. On the funny classical part he triggers a MIDI sequencer that sequences the bassline and chords from the Oberheim, and play the lead lines on the Hammond and the mystery synth below the big Memorymoog with each hand. The drum bit is a drum machine I believe, and the beow beow beow bass sound is also sequenced.

Onto the massive Taurus/Minimoog part..He steps on the Taurus, plays the crazy guitarlike solo on the Minimoog (truly raping the keyboard) and the strings bit again on the mystery synth. Maybe it's a strings synth. I love the way he uses delay as a second instrument, bouncing off it. Makes the Minimoog sound like an electric guitar in the Jan Hammer style. I think there is some distortion on the Mini aswell? He also uses portamento heavily in the last part. And we even enter FM territory (audio rate modulation of the filter) at the end.

On the final explosion he jumps around and bangs the Memorymoog. I have tried to play off the delay the way he does, and it's not an easy thing. You need 100% steady timing or the entire thing is thrown off track."

mp3 mirrored here for when the thread goes down.

moog grafitti

flickr by Antan.

Buchla 259 and 261e

The following notes comparing the original Buchla 259 and the new 261e Complex Waveform Generators came in on the Buchla list via Ezra Buchla, Don Buchla's son. Note the reference to the 258 Dual Oscillator.

"the waveshaping circuits of the 261e and the old 259 are very very very close. they "sound the same." except that the old one is indeed hotter, and the driving sine wave is not quite as clean or as stable in pitch.

to me, the functional difference is in the mod osc section. there are tradeoffs. the 259 has nice smooth cv output and you can push it to very low frequencies with cv input. this is good. the 261e has an additional, quite radical waveshaping circuit on the mod osc itself, which allows you to crossfade between sine, square, narrow square and a kindof funky sinusoidal trapezoid. this is good too. listen to the phase locked mod osc audio output! that is not the same, at all.

phase lock behaves differently. there are more possible behaviors in the 261e, as the process can receive certain information from software-land. and these again can come out as very interestingly close spaced chaotic orbits.

experiment with frequency modulation + pitch tracking + phase lock for maximally intricate orbit-space!

we will not do a 259 clone anytime soon. oh well.

i do luv me a 258. now THAT's buildable. of course maybe not by me, just at the moment... i am busy!

-eb"

KORG KPR77 Drum Kit and Pro Solo Sync Guide

via punkdISCO who brought us this great video:

"I have just uploaded a Battery 3 kit I did from my KPR77 which has the Plutonique9 Kick mods. Includes velocity switching for accent/non-accent sounds. Also includes the rather nice metronome sounds from the KPR."

Title link takes you there. Note the zip contains WAV files so you don't need Battery.

See this link for the Pro Solo Sync Guide.

Rogue Element

Title link takes you there. Click on Photos when you get there for the gear shots.

via sequencer.de

Synare Drum Synth

via this auction.

Details:
"Star Synare Percussion Module. I am told that this is a prototype of the PS1 because the pads are not mounted up front as on the production model. This unit has a strange connector on the back of the box to make the external trigger pad connections. Inside the unit is a circuit board that looks to be hand soldered and a hand written diagram beside the connectors to show the different trigger pad connections. I don't know if this unit is functional as far as sound output. I plugged in headphones and played with all of the pots and never heard anything. I do however, see that the LFO led blinks at different rates when I adjust that pot."

Two Oberheim SEMS (4 Oscs) Demo

Title link takes you to the mp3 via REwire in the comments of this post.

The Tubbie Box - Circuit Bent Contraption


YouTube via carpeteria.

"Here's a new kind of box, this time made from the guts of an interactive red Teletubbie doll. The light box is originally from the doll's stomach, ripped out, rehoused, and glitched out. Lots of interesting switches that mess up the noises which already sounded weird to begin with. Enjoy."

BugBrand Stylus Keyboard & Fracrak case


YouTube via BugBrand.

"This is modular porta-power! A 3.5 octave stylus keyboard outputting standard 1v/oct CVs, gate, trigger etc - housed in a case that can hold 7 Fracrak sized modules. Plus some footcontrols thrown in too! Keyboard built with schems from Music From Outer Space.

This is the first tests - not everything is quite finalized yet but its working pretty darn good already!
More details & videos coming soon...

www.bugbrand.co.uk"

BugBrand Weevil07 Prototype


YouTube via BugBrand.

"Hey! New Weevil Prototype trying out some new ideas.... CNC Engraved Frontpanel - tinned pcb frontpanel with 9 touchpoints and engravings around controls Twin ringmod oscillators with pitching / range / pulse width / low power Resonant 2-pole low pass filter - gnarly when resonant Compact size - the production model will be bigger - this is a bit too cramped! Note - this is a prototype only - check www.bugbrand.co.uk to see production development sometime soon..."

BugBrand Dual Pattern Generator


YouTube via BugBrand.

"New sequencing module - pretty experimental.!.

Check the electronics page of www.bugbrand.co.uk for schematic.

You input gate signals to select the step (A through D) - this is binary counting (ie Bit0 and Bit1 -- 00, 01, 10, 11 - does that make sense?!) and the two Bit inputs each have two gate inputs that are OR'd together. Probably losing you now to tech-sleep!

Whatever,,, the Bit inputs select the step and there are two independent preset columns - each step having a range of 0 to +5v.

So, one of my modular techniques is to take a regular clock signal and divide it many ways - - 2,3,5,7,9,13,137 etc... Combine these back together and you get a regular pulse but confused with some cross-rhythms and morphing. FIre the BitInputs from four different clock divisions and the SeqStep will jump between the different steps.

Nice lights too!
Sorry about the wobbly-cam effect!"

Saturday, May 19, 2007

Wurlitzer SideMan - 1950s Tube Drum Machine


YouTube via peahix.

"The Wurlitzer SideMan was arguably the world's first drum machine. It depends on whether you count the Chamberlin Rhythmate, which was introduced some years earlier, but featured tape loops instead of electronically generated drum sounds. In any event, the SideMan is definitely the first "beat box." I just picked this one up for $50. It's got all its guts exposed so you can see how it works."

Circuit Bent Boss DS-2 Turbo Distortion


video upload by zioaxiom

Via Luca Capozzi via the Matrixsynth forum.

Update: Circuit Bent Boss DS-2 Tutorial

Blindly Patching for Light

This is pretty hilarious. Title link takes you to the full post on Muff Wiggler including an mp3.

"Check this out, I'm CRAZY CRAZY CRAZY sleep deprived and quite unsane at the moment, and i did something stupid

i got the idea to totally waste a shitload of time instead of sleeping, and patch up my modular so that every LED was lit, to take some pictures."

Awesome. Title link takes you there.

The Most Underrated Synths

Update: also check out this post for Sonic State's podcast on the list.

JB thought it would be fun to come up with an underrated synth list in the same vein as The first synth to post. I think this might be a pretty cool idea. I think all synths have something to offer and it would be interesting to see what people come up with. So here is how it will work. Put a synth you chose in the comments with 1 to 3 main points on why you think it's underrated and I'll update the list in this post. Make sure to follow the format below, or it doesn't go up. I need to be able to just copy and paste it in. You can discuss away in the comments, but only the list will get updated in the body of the post. Note the reasons can be a combination of what was cool about the synth in your opinion and what you believe kept it from gaining higher status. And yes, you can cheat by combining small things like I did below. I'll make this a sticky post on the right of the site as well so we can check it out and add to it over time as other posts go up. That said. I'll start with two. The most underrated synth in my book of course starts with:

The Oberheim Matrix-6
1. The modulation capabilities for the price - ramp and tracking generators, release velocity, matrix modulations, etc.
2. It is completely overshadowed by it's bigger brother the Matrix-12.
3. It is a CEM based DCO analog and categorized as one of the lesser sounding poly analogs along with it. It's true to an extent but I still like it's sound and it is the source of name of my alias and this site. : ) My first synth.

The Rhodes/ARP Chroma
1. It's just as incredible sounding as the more popular analog poly monsters like the Roland Jupiter-8, SCI Prophet 5, Oberheim OB-Xa, Memorymoog and so on, but for some reason it never seems to get the same recognition. I found one for US $950 in prestine condition from a shop that usually overprices gear.
2. It has a weighted keyboard and mod settings to die for. It's one of the most expressive and best sounding synths I have ever played. Definitely in a class of it's own.

Elka Synthex
1. the Elka synthex was much underrated too because of its brand. It's a fantastic synth anyway.

INSOMNIA

Title link takes you to a Doepfer A-100 track via COMMONTONES. Be sure to check out the rest of their daily tracks. Note this is a project of Sonicbrat.

MOOG Rouge Videos

Messing with my Moog Rogue


basic analog synthesis on a moog rogue


Selkies Synth




Me on the moog

Via this auction.

MOOG Rogue

Title link takes you to shots via this auction. I didn't realize it used a wall wart. Click the image to the left for the full effect. There are some good shots of the synth after the hop and at the auction.

Elektor Formant


Click here for shots via this auction.

Details:
"The Elector Formant modular synthesizer was designed by C. Chapman. The Formant was published in a series of articles in Elektor (in The Netherlands, Elektuur), and later as a book with a compilation of the articles. A year later there was another book with additions and extensions by M. Aigner, an Austrian. In those days I was still a student, and didn't have the time or money for the project. So I shelved it, till a later date when I would have both time and money at the same moment. This rare combination of factors occurred in October '92, triggering the project from hibernation.

"The Formant is a conventional Moog-style synthesizer, voltage-controlled with a 1V/octave characteristic. It consists of separate modules, which I mounted in a rack. Each module is a printed circuit board with a front.

"The original book describes the keyboard and interface, power supply, VCO, VCF, LFO (consists of 3 LFOs), Noise, ADSR, VCA, COM (output module), RFM (Resonance Filter Module) and a 24dB VCF. The book by by M. Aigner contains things like Ring Modulator, Envelope Follower, Mixer, Phase Shifter, ADSR Controller, VC-LFO's, Sample and Hold, and a few more. I'll briefly describe the modules here, and how building the Formant went.

The Modules
Keyboard interface
The keyboard is made with double switches, one switching a resistance ladder, the other the gate signal.
* inputs: frequency modulation
* controls: portamento, octaves coarse and fine

VCO
The VCO generates sine, triangle, square, sawtooth and spaced sawtooth waves. The pulse width of the square is adjustable, and even modulatable (PWM).
* inputs: frequency modulation, external control voltage, pulse width modulation. A LED indicates the pulse width.
* dials for octaves coarse and fine, output level, pulse width, pulse width modulation and frequency modulation.
* Switches to select each waveform (you can have sine and square at the same time, the signals are simply added together).
* External control voltage/keyboard voltage selector.

VCF
The VCF is a 12dB/octave voltage controlled filter. You can configure the filter as Low Pass, High Pass, Band Pass or as a notch filter. Quite versatile really.
* inputs: Timbre Modulation, external control voltage, external signal.
* dials for timbre modulation, external signal level, envelope, octaves, Q (resonance) and output level.
* Switches to select HP, BP, LP and Notch filter function.

ADSR
The ADSR generates the envelope signals for the VCA and the VCF. Normally you will have two ADSRs in a system, one for the VCA, and the other for the VCF(s).
* dials for Attack, Decay, Sustain and Release.
* switch to select AD or ADSR envelope
* LED indicator showing the envelope

VCA
The VCA has the following controls:
* inputs for amplitude modulation and external signal.
* dials for AM depth, ES level and Gain.
* Switch for ENV/Off (Off means no ENV control).
* LED to view the input signal level.

LFO
The LFO module consists of 3 LFOs. LFO 1 and 2 are identical, generating square, triangle and sawtooth ( /|/| ) waves. LFO 3 is different, in that it generates triangle and two sawtooths, one being the inverse of the other. ( /|/| and |\|\ ). Each LFO has a dial for the frequency, and a LED that shows the triangular wave amplitude.

Noise
The noise module generates white noise, coloured noise and a random voltage. The 'speed' of the random voltage is adjustable with a dial and indicated with a LED.

COM
The Control and Output Module outputs the Formant signal, there are dials for tone control (Bass, Mid, Treble) and Output level. You can connect a headphone or external amp to this module. (All outputs of the Formant you can connect a headphone to.)
24dB VCF

It is basically like the VCF, but 24dB/oct.
* inputs: Timbre Modulation (TM), ECV, External Signal (ES).
* dials for TM, ES level, Envelope (ENV), Octaves, Q (resonance) and output level.
* Switch to select HP/LP, a switch to select VCO's/ES.
* A dB/Oct selector: 6, 12, 18, 24 dB/oct.

RFM
The Resonance Filter Module is used to mimic existing instruments more naturally, or just as some filter. Another name for an RFM is a 'parametric equalizer'. This is not a voltage controlled filter. The Formant RFM consists of 3 filters in parallel. Each filter has three dials for frequency, Q and A."-----Rick Jansen"

Hartmann Neuron

Title link takes you to shots via this auction.

Details:
" This RARE 21st-Century keyboard represents a unique approach to sound modeling and reproduction! Like a sentient being, Neuron recognizes a sound. But more than that, its intelligence is such that it puts at your disposal parameters whose structures are adapted DYNAMICALLY to suit this sound. Ant that makes Neuron the first synthesizer with a brain full of responsive synapses, that is, variable rather than fixed parameter assingments. In simpler terms, the keyboard applies pattern recognition based on neural networks to digital sound samples and extracts parameters which can be controlled by the numerous knobs, wheels, and x-y joysticks (whose movements can actually be recorded, similar to the motorized sliders of high-end digital mixers) populating the front panel. The parameters being controlled vary from sound to sound and represent sonic aspects that no other keyboard - or human beings, for that matter - could ever possibly recognize. The Hartmann website permits downloading of ModelMaker software which permits you to create your own samples and import them via USB to the Neuron for subsequent processing. Unlike conventional synths, with their VCOs, VCFs, VCAs, EGs, LFOs, and the like, the Neuron consists of custom exotic modules such as Resynators, a Blender, Shapers, a Programmer, a Mod, a Slicer, a Silver (incuding Surround Sound controls), and Master Effects. Accessories include a fabric dust cover, a damper pedal, a footswitch, an expression pedal, a bag of spare parts, a power cord, a user manual, a Model & Parameterset Info guide, a digital coax output cable, and an SKB hardcase."

Oberheim TVS

Title link takes you to shots via this auction.

As always, click on the images for the full shot.

Friday, May 18, 2007

ARP 2600 with MIDI



via this auction

Details:

"Much of the following info can also be found at discrete synthesizers.

2600:
The very first model 2600 was produced in early 1971 and is known as The Blue Marvin. It has mistakenly been called the "Blue Meanie" but according to Alan R. Pearlman, the Blue Marvin is so named after Marvin Cohen, head of engineering at ARP at the time. It came in a bright blue aluminum case with a funky and fragile wooden enclosure. It used an entirely micro-chip based voice path but the chips they used wound up being highly unreliable, although they sounded great! Only a few of these were made (approx. 25) and they were mostly built in a garage.

2600C:
Next, the factory produced 2600C Gray Meanie (pictured above) appeared in 1971 and can be identified by the rectangular 'ARP' logo on its right speaker grille. About 35 of these were made.

2600P:
Later in 1971 came the 2600P V1.0 which featured the same metal case (housing the same electronics as the original models) now enclosed in a much more roadworthy suitcase-style enclosure (similar to the pic below). In 1972, ARP switched out the unreliable (Teledyne) VCO chips for the model 4027 and 4027-1 (National Semiconductor) VCO chips in the 2600P V2.0 and 2600P V3.0, respectively. These new VCO chips sounded weak and nowhere near as good as the originals. A new duo-phonic keyboard (3620) with LFO was introduced with the 2600P V4.0 in 1974. The 2600P V3.0 and V4.0 models are denoted by the "G-clef" ARP logo and are the most common models out there with roughly 1700 2600P's produced during 1971-1974. Unfortunately, further changes to inferior parts were just around the corner. The Model 4012 filter used in the all the 2600's through 1976 used a design that was a copy of Moog's patented ladder-filter design. This led to a law-suit between Moog and ARP which forced ARP to design their own filter for their next version.

2601:
The Model 4072 filter, a four-pole low-pass designed to replace the original 4012 was widely considered to be faulty. The frequency response of this filter only goes to about 12kHz, giving this model a duller sound than models with the Moog style 4012 filter. The early 2601 V1.0 models were still using the disputed 4012 filters during 1975-76. In 1977 ARP started using their new 4072 filter in the model 2601 V2.0 with the modern orange-on-black design (pictured below). Around 1978 ARP unleashed a whole new line-up of their synthesizers using this new orange-on-black look. These were produced from 1977 through 1980. Very late 1980 versions of this model featured un-potted submodules, making them easier to maintain (but they are more rare).

There were also three versions of the remote keyboard: The Model 3601, which is a very rudimentary version with just Portamento and Tuning controls. The Model 3604 is similar but adds adjustable scaling and was used until 1974. The duo-phonic Model 3620 (pictured at top and bottom) which adds a dedicated LFO, latching and some other very useful features was introduced with the 2600P V4.0, and used with all subsequent models from 1974 to 1980."

Yazoo - Don't Go(Rare Live)


YouTube via andy2058.

Vince Clarke Synthesizer Programming

Part 1


Part 2

YouTubes via mode101wpb.

Traxxpad trailer


YouTube via alliah08.
"Traxxpad blends the power of sequencers, drum machines, and keyboards while simultaneously making the equipment easy to use and accessible, allowing anyone to create, mix and sample their own tracks at home or on-the-go." Title link takes you to more vids. Update: more info will go up here.

Yamaha CS15 Service Manual

Title link takes you to a download via Mo Rosati on AH.

TUBE interview 1984 - Haruomi Hosono


YouTube via softbank9984. Sent my way via Javier.

"TUBE interview 1984 - Haruomi Hosono"

KORG MS-5

Via Kon

"if an ms-10 (she) and an ms-20 (he) would spend a night drinking a lot of alchool and having sex , what would happens?? here it is , an ms-05 .."
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