MATRIXSYNTH


Tuesday, July 17, 2007

Decibel Festival 2007

"The 4th Annual Decibel International Festival of Electronic Music Performance, Visual Art and New Media will be happening September 20th through the 23rd in Seattle. This year's program will be featuring artists from 9 countries in 14 showcases across 7 venues, each of which will be outfitted with custom sound and video. In keeping with the tradition of the festival, you can expect to experience a broad range of cutting-edge electronic music based performances, featuring international talent of the highest caliber."

Title link takes you there.

James Joyce Wallpaper

Title link takes you to more including more info on Music Thing.

Xpander Shootout - USA vs. Japan

Via Matt
"I had an xpander here for service last week, a Japanese version like mine. At the same time, a friend brought over his US made version, and for no other reason than nerdy synth-geek gratification, we racked the three up together as in the photos. While we had them all together we thought we would test the Japan made models vs the US made model. There has been much speculation in recent times as to the comparitive quality of the different units.
So the test was a very simple one, we loaded Kid Nepro preset banks on each machine via sysex, daisy chained midi through them and A/Bd the output from each unit.. The result was immediately very obvious.. no difference in sound whatsover. We tested various patches.. pads, percussive sounds, bass sounds, fx etc.. there was no difference in envelope times, tone, brightness, thickness or fatness, resonance or anything else. We were rather surprised how identical the units sounded considering the board layouts are quite different. I expected some difference in the sound between the units, but there was none, to our ears anyway. So there you go. It could of course be said that other units may sound different to the three we had racked up.. We didnt do any recording or any scientific testing.
Some other xpander trivia, aside from what I have read before.. the US version has nicer wood sides, the jacks on the rear of the US version are black as opposed to silver in the Japan versions. The rotary encoders on the US version click louder and do not roll as smoothly/softly as the Japan version encoders.
Lastly it is written in Xpander folklore that the Japanese power supply is of poor quality and made from cheese. After very careful scrutiny I can say that the Japanese power supplies were not of poor quality, but I can confirm however that the power supply in the Japanese version is indeed made from cheese.. very tasty.. "

Roar Studio

via catsynth.com.

Forat

No new news here, I just realized that although I've put posts up featuring Forat gear, I've never put one up on the site itself. For those of you not familiar with Forat, from the history page on the site: "Since 1982, Bruce and Ben Forat have provided the entertainment community with first-class music electronics. Since 1986 they have provided service, parts, and modifications to all Linn Electronics products. They revamped the original line including the LinnDrum, LM-1, and LinnSequencer and introduced the world to the F-9000." Title link takes you there.

DIY M NES CONTROL


YouTube via donaconfuse.
"Mister DIY M NES CONTROL is cool. by Anagram. asquelo(at)yahoo(dot)fr"

via Axel
"the DIY M nes CONTROL is my creation
PAD NINTENDO NES WITH MIDI IMPLANTATION"

MISTER E's VINTAGE TAPE DELAY ECHO BOX


YouTube via AMOKIAN. via AudioLemon.
Guess the synth.

YAMAHA DX7 II CENTENNIAL

via this auction.
"1988) CELEBRATION OF HUNDRED YEARS HISTORY OF YAMAHA
- Programmable 6-operator x 2 (A & B) 32-algorithm digital FM tone generator (improvements include enhanced MIDI support, stereo panning, 6 envelope generators and enhanced 16-bit circuitry)
- Independent 8-parameter envelope generator for each operator
- 64-voice internal RAM memory and 64-performance memory
- Split and Layer mode
- Microtonality

- Random patch shift allowing slight pitch changes
- Fractal scaling
- Cartridge slot for ROM and RAM cartridges - different type than the original DX-7 (64 voices capacity)
- 76-key velocity and after-touch sensitive keyboard
- 40 character two line backlit display
- 32-note polyphonic stereo output (2 x 16 voices)
- Sustain footswitch, portamento footswitch, volume and modulation controllers and breath controller inputs.
- Additional slider controller
- MIDI IN/OUT/THRU terminals
- A real rarity made for collectors - limited edition(100 ), all pieces were signed and numbered.
- The instrument has steel gray colour. Wheels, buttons and sliders are gold paint. The keys glow in the dark .
- Original price was $4.000, recent price is around $6.000"

Sent my way via Mr IWC

Virtual Aelita

Title link takes you to a free soft synth version of the Aelita. There is a sample comparison against the real thing. via the comments of this post.

Note you can also fine samples of the real thing here.

MOOG 901 Voltage Controlled Oscillator

Title link takes you to shots via this auction.

"This is a Vintage Moog voltage controller oscillator 901 for a model 10/11? Moog synth. Date is difficult to see in picture but it appears to be Jul 22, 1969."

Note the Trumansburg sticker. This is where it all began.

Moog 921a Oscillator Driver

Title link takes you to shots via this auction.

"This is a Vintage Moog Oscillator Driver 921A for a model 10/11? Moog synth."

MOOG White Noise Source

Title link takes you to shots via this auction.

"This is a Vintage Moog White Sound Source (white noise generator?) for a model 10/11? Moog synth. Date is difficult to see in picture but it appears to be Jul 22, 1969."

yamaha cs30


YouTube via vaskuryandex.

Radical technologies spectralis synthesizer


YouTube via vaskuryandex.

"The Spectralis is the first "GrooveBox", which combines the LIVE usability of the latest digital technology with the best elements of proven analog technology. We also have thrown in some other cool features which give the synthesizer much more flexibility than anything seen before. While traditional Sequencers are limited to playing back rhythm patterns and tone sequences, the step Sequencer of the SPECTRALIS makes possible highly complex sound creations which opens up completely new worlds of sound when used in connection with the programmable FIXED FILTER BANK. In addition to its outstanding analog sound possibilities the SPECTRALIS also provides DSP based sound creation, which takes care of all the ancillary needs for drumsounds and polyphonic voices. This sound creation is 48 voice and offers killer drum sounds, creamy pads and a lot of other goodies"

arp axxe


YouTube via vaskuryandex.

The Hartmann Hohner Adam


via sequencer.de. You can find more info on this synth on the Hohner ADAM page on sequencer.de. BTW, Moogulator recently added a number of items to the synth db on sequencer.de. You can see the full list here.

Update via swissdoc via the comments:
"More details here. Stefan Stenzel from Waldorf wrote the software for the ADAM."

Moog synthesizer collaborator Herbert Deutsch at IMAC

"One of the most radical shifts in music began in 1961 with a hobbyist magazine article on how to build a theremin and a jazz musician from Baldwin named Herbert Deutsch.

The theremin, an electronic device that generates sound using radio frequencies, had been around for a while, but Deutsch found the Electronics World article interesting enough to pick up the issue and follow the instructions. When he couldn't get his gizmo to work, he phoned the article's author, an engineer, who gladly mailed out an easy-to-assemble kit for $49.95.

Two years later, Deutsch spotted the engineer selling his kits at a music trade show upstate in Rochester, and the two fell into conversation. They discussed a relatively recent invention called the Mark II synthesizer, which made music by sucking up rolls of key-punched paper and etching the results with a lathe onto a shellac record. It was intriguing, but you couldn't exactly 'play' the thing like a piano or guitar, or even a theremin.

'Wouldn't it be exciting,' Deutsch told the engineer, if there were smaller synthesizers 'that a performer could own, or a composer could own? Something you could have in your home?'"

The engineer? Bob Moog of course. Title link takes you to the full article.

Monday, July 16, 2007

Serge Modular

Three panels up for auction. Panel links below take you to the corresponding auctions.

Panel 2
"8X2 sequencer, the quantizer (TKB), analog shift register, dual transient generator, /N comp, and 5 preamp modules."

Panel 1
"touch activated keyboard sequencer."



Panel 3
"The rack case is new from sound transform systems. this third panel has the wave multiplier, 2 precision VCOs, and one NTO new timbral oscillator and the very rare gentle electric pitch and envelope follower!"

Formula Filter Array 24 Update

In case you missed the update to this post, apparently the filter was actually made by Bob Moog for Patrick Gleeson and it was the only one made. Comments in this post disabled to keep them with the previous post.

Eight of the CEM3340 VCOs

flickr by Yotsuba&!.

click here for the full size shot.

Roland Jupiter-6

Title link takes you to more.

Nieuwe Binnenweg, Rotterdam

flickr by Antan.

synth graffiti

click here for the full size shot.

Solid State Musical Tesla Coil


YouTube via thegeekgroup.
"Joe DiPrima and Duck demonstrate the Solid State Musical Tesla Coil"
Don't miss the ending after the credits. Also check out these Tesla Coil posts for more.

AELITA

Click here for shots via this auction.
"Synth was made in 80's years in USSR. Aelita is rare synthesizer actually much more rare than well known polyvox soviet synth. Aelita's sound can be very organic, mellow and very fat, agressive also. Synthesizer has very original "transformer" design with removing main operation panel. It is the soviet version of famous minimoog synth. It is big and fat sounding synth. One of the best analog mashines prodused by soviet music industry.

Aelita has three oscillators with square, pulse and saw waveforms.There is LFO with triangle,square,saw and ramp waveforms.Every oscillator can be independently detuned in one octave range. We have possibilities in any chord playing here.You can switch oscillators from 32' to 2' registers.Every oscillator has it's own level slider in mixer section.Oscillator's pitch can be modulated by LFO and first oscillator can be modulated by third oscillator.Than we have nice sounding moog type 24db lowpass filter with screaming resonanse and fat low end.Filter has it's own ADS envelope, keyboard tracking and can be modulated by LFO.VCA has it's own ADS envelope with release switch.There is unussual unison mode when you can get signal of all oscillators in 4 registers in one time. Dimensions: 310x350x920 mm. Weight: 18 kg."

Formula Filter Array 24

Update: be sure to check out the comments for more. This was actually made by Bob Moog.

Title link takes you to shots, including some of the inside, via this auction.

"This auction is for one vintage Formula Sound Multiple Resonance Filter Array. This is a USA-made fixed filterbank / string filter from the 1970s that was (according to the engraved faceplate) custom made for San Francisco musician and producer Patrick Gleeson. Gleeson made some excellent albums on his own, but was better known as a session musician and producer/engineer who worked with artists as diverse and influential as Herbie Hancock and Devo. Though this model was advertised by Formula Sound in some magazines back in the 70s (see picture), this is the only actual unit I have ever seen or heard of. Since the faceplate says it was custom made for Gleeson, I believe it is the only one in existence. In theory it is similar to Moog String Filter but with greatly expanded and more tweakable facilities, but generally it excels at allowing you to electronically simulate the natural resonances of an acoustic chamber (like a violin or other stringed instrument).
This is also presumably somewhat of an inspiration for the Moog MURF pedal, as they seem to have taken the name from this unit (MURF stands for MUltiple Resonance Filter). Unit runs on 110V voltage and comes with a standard IEC power cord.

This piece is generally in very good cosmetic and functional condition, but has a few warts that I will be more explicit about in the following paragraph. All of the functions should be fairly self-explanatory... a mono signal goes to the input of the unit and is fed through 24 steep bandpass filters at various fixed frequencies, each of which can be assigned to one or both of the output channels via bus switches on the front panel. When all the sliders are down the unit is fully attenuated (silent).... as various frequency sliders are raised, that frequency becomes audible. There is a resonance shift rotary switch that allows you to change the overall harmonic tone of the selected frequencies and a drive knob which seems to have a compressor circuit built-in and sounds more like a tone control than a harmonic clipper.
In addition, there is a rotary switch that selects the overall mode---bypass (dry signal only), direct (unit engaged, frequencies sent directly to selected output bus), x-fade and x-pan (both similar in theory but different sounding). There are also 1/4" jacks for CV (control voltage) access so that you can integrate it into your modular system... one is a VCA input jack and the other is a modulation output jack that allows you to send the internal modulation LFO out to external equipment for coordinating sweep times. This is a very full featured unit that allows you to radically alter a sound, though it sounds very different and in a lot of ways a lot less radical than a standard lowpass filter.

Everything generally works as expected with a few exceptions, so I'll be pretty explicit here about everything that isn't quite perfect.
---The Drive pot is very scratchy.
---The Resonance Shift rotary switch is very loud and emits a loud thump through the outputs when switching, though this seems to be more by design than by a defective switch.
---The output Bus Selector switch for the 372 Hz frequency is wobbly and doesn't click into place like the others but it selects the output bus just fine.
---In Direct mode, in which is acts as a standard fixed filter bank, the B output bus is noticably quieter (about 15 db or so) than the A output when all frequencies are assigned to both buses. The overall volume difference, however, seems to depend on the drive level, input level and resonance shift amount. At certain settings the output levels are much closer to each other, though. I overcame this by running the 2 outputs into different hard-panned mono channels on my mixer and using the input gain pot to make up the difference.
---In X-fade mode it is the same as Direct mode---one channel is louder than the other. This is very noticable when using the 2 hard-panned mixer channel trick that is described above.
---In X-pan mode the output channels are pretty much equal volume and this mode sounds very similar to the X-fade mode, so I just used this mode instead.
---The front panels is very clean but there are numerous scratches and wear on the top, bottom and sides of the unit. There are some small paint marks that someone added to the selector switches and on one of the frequency slider caps.

This thing is built like a tank. All of the frequency sliders have very attractive machined aluminum tips. It does have some wear, but looks very good both inside and out, especially for a 30-plus year old unit. I've owned it for close to 10 years and I just had it serviced by analog guru Phil Cirocco in fall 2006 to fix a dead output channel. Though I don't have any schematics for the unit, any competent tech should be able to service it as the filter cards are modular (12, with 2 frequencies per channel) and all of the other stuff (VCAs, etc) are on breadboards and the circuits are clear and easily traceable. As you can see by the high quality parts and tons of circuitry, building something like this at today's prices would cost many, many thousands of dollars."

Marshall Time Modulator and the Marshall Tape Eliminator

"To my friends at Whatever Works:

I'm very pleased to announce that I've signed an agreement with the wife of the late Steven St. Croix to sell and service the Marshall Time Modulator and the Marshall Tape Eliminator.

Lots of engineers know these remarkable units, and I'll bet that some here bought their MTM decades ago. It certainly was a beloved piece of gear! Here's a brief history, and for those who don't know it, description of what the MTM does.

The MTM is an analog effects unit that Steve developed in the late 70's. It doesn't truly modulate time; you can't go back and buy Apple stock for $15. It does modulate and manipulate audio delay time, producing many unique and amazing effects. The input signal passes through two analog delay lines. The delay time is adjusted by manual control, a wide range LFO circuit, or (for most effects) a combination of the two. Dry and delayed signal are combined, with feedback added to taste.

This simplified description may sound quite dull, but the sounds produced by the MTM are utterly amazing. Effects include vibrato, positive flange, negative flange, cardboard tube echo, automatic double (and triple) tracking with pitch and delay dithering, resonant flange, circus vibrato, arpeggio, pitch quantizing, and many more. The MTM was used to create Darth Vader's voice in Star Wars, and was used on many hit records.

My understanding is that Steve developed the very first prototype in 1975, to win a bet. He brought it into a studio to try it out in session, and everyone was blown away. The AES Convention happened to be a few days away, and everyone encouraged Steve to produce a finished demo model and show it, which he did. His booth was mobbed at the AES and the Time Modulator instantly got lots of great press. Initial prototype runs were produced, with early batches going to Stevie Wonder and Sound 80 Studios in Minneapolis. Wrestling with improvements and tweaks, it was another two years or so to before Steve went into production. But when the 5002 Time Modulator was finally released, it scored rave reviews in Studio Sound, REP, and Modern Recording, and sales took off.

The 5002 was followed by the 5402, which featured a new control set and greatly extended delay times. Steve also developed the AR-300 Tape Eliminator, which simulated delay at various tape "speeds". It included a tape-like EQ curve and natural sounding tape compression -- just like the boxes released today. Of course, he beat all the new guys to it, by 20 years or so!

It's worth repeating that these were analog boxes, totally free of quantization noise and other digital artifacts. The MTM had a signal to noise ratio of 95 db! This was an amazing and unheard of feat, that most modern gear still can't equal. Steve was a real perfectionist. Plug in a Time Modulator, turn the monitors all the way up and you hear...nothing. No background noise.

Mr. St. Croix also authored the Fast Lane column in Mix Magazine for 18 years. I understand that a book featuring some of the best columns is in the works. He proposed a device to make legible the "erased" Nixon tapes after Watergate, and later founded Intelligent Devices. I.D. produces hardware and software for forensic audio and law enforcement applications. The company has been very successful and is still active.

Steve was truly a renaissance man, surely a genius. This brief description barely scratches the surface of his accomplishments. I've copied over a thousand pages of original documentation, and will be adding extensive historical info about the man and these products to my site.

Steve's tech room contained a large number of Time Modulators and other products. We will be servicing and completing these units, offering both repaired units and brand new ones for sale. We intend to stock all the parts used in these models, and will be glad to service and calibrate these Marshall products to their original specs.

Steve created a 15 minute Time Modulator demo record, which was pressed on Evatone Sound Sheets. Last year I created an MP3 of this recording. Here's the link.

There's much more that I'd like to say about Mr. St. Croix and the amazing Time Modulators, but I wanted to keep this initial post on the short side. I'll do my best to answer any technical or historical questions. I'm very grateful to Steve's wife -- a very cool lady who is utterly dedicated to doing Steve's memory right -- for allowing me to help carry on the legacy for these amazing products."

Filing this one under effects. via the PSW Recording Forums where you will find more discussion.

'Fat Bastard'

Title link takes you to a couple more shots sent my way via Rt.Hon.Beermaster.

"Thought I'd send you a couple pics - I'm finally getting my modular dream to come true and getting 'Fat Bastard' built. The first stage has been clearing out the room so new electrics can be added and new carpets etc - the result was that some of my gear had to be moved to the spare bedroom - the pics attached are small part of the modules that will be 'Fat Bastard' - A duvet of modules ! ha ha"

An interesting side note is my first flickr set ever was a set of pics sent in via Beermaster. You can see that set here which was posted on Matrixsynth back on Aug 3, 2005. You can see all my sets since then here.

Robot Makers Zeroscillator Track

via Roger on the Cyndustries list:

"I hope this tune might be of some interest as it features Cyndustries Zeroscillators used in some ways that might not have been discussed before. Check out "Modern Android Cybernaut"

An ostinato appearing from 0:33 - 0:46 is a Zeroscillator with electric guitar used as the modulator signal. The ZO is also set to sync to the modulator signal, in a setup that is meant to be similar to Moogmusic's Freqbox. The ZO set up this way works quite well and allows the generation of a great variety of unusual sounds.

From 2:45 to 3:15 there's a brass melody which is mostly a pair of ZO's in a classic FM patch. The result is mixed with sawtooths from some Moog 921 VCO's and very heavily EQ'd to mimic the spectral content of actual brass instruments.

I hope you enjoy it.

Best regards,
Roger"

The Roland Junior 106


Remember this mini Juno-106? Click here for new details.

Jupiter-8V by Arturia and Nori Ubukata


YouTube via Arturiaweb.

XAVIER TRIBOLET ET NORD LEAD

Title link takes you to a great video demonstration of the NORD G2 via Xavier Tribolet.

Note the title of the video has "Nord Lead" while the G2 is actually Clavia's second generation Nord Modular.

minimoog

flickr by jessgoss.

click here for the full size shot.

click here for another shot.

What do a Minimoog, a Cobra and Kelly Clarkson Have in Common?


YouTube via punxazz.

Synthwood Prophet 5

Remember the Synthwood Prophet 5 restoration for Mike McKnight? Title link takes you to more shots of the finished product. Amazing.

Synthwood

Update via Stephen in the comments:
"- Nearly all tantalum caps, especially on the rails, were replaced with electrolytics
- power supply caps were replaced, regulators solder joints were resoldered and old thermal paste was removed and replaced with new paste. PS was calibrated
- analogue board was scaled, weak solder joints were retouched
- digital board DAC was adjusted, ROM upgraded, memory expansion installed, MIDI installed (MIDI jacks were installed in the sequencer interface holes
- control panel switches and pots were cleaned, replaced where needed. Solder joints on the pots were retouched or leads were fixed where needed.
- keyboard was complete disassembled, keys were washed in warm soap water. Crusty bushings were cut off, keyboard was cleaned, new bushings were installed. J-wires were aligned, resoldered where needed. Pitch and Mod wheels were adjusted
- Chassis/control panel, keyboard/mod wheel mountings were fitted to a synthwood.com black walnut case.
- new Prophet-5 and Sequential Circuits nameplates were installed.

I scrubbed this thing and I'd eat my dinner off of it."

STUDIO


YouTube via RadekTymecki. Note the Roland D-50 signed by Jean Michel Jarre.

Roland D-50 and some Jean Michel Jarre's sounds


YouTube via RadekTymecki. via Shepitology.
"Short vid demonstrating my Roland D50 and some custom sounds made by me. Jean Michel Jarre used Roland D50 on Revolutions album. You can hear it everywhere - just like Elka Synthex on Rendez Vous. What can I say more... ? Wasn't practicing playing titles so be prepared for some mistakes :D"

Jen SX1000 "Mk2" Restoration Project

Three shots via Alphacode on this VSE thread.

"Just finished after almost 3 weeks my Jen Sx 1000 restoration project .Took me some time but i'm not expert in this kind of jobs so ... Some modyfications were done (hence the Mk2)

Quick rewiew:
The Lfo is now Sin, Saw UP, Saw Down and heve a flashing red Led fro the speed knob. The Filter Enveloppe can control the Pw of the Pulse ,and there is a Sub osc with -1,-2, and -3 octaves settings.

I totally repainted the metal chassis and made a new grey (kinda roland Sh ) layout . i Also made new wooden panels ''ala'' korg Monopoly."

Star Instruments Synare S3X

via this auction.

"electronically modified to accept an external trigger, sequencer, and could be used in stereo or mono.

2 Oscillators w 3 way selectors and each with separate tuning parameters Filter section with Tuning,OSC 2 MIX, SWEEP, RESONACEMASTER SECTION WITH DECAY & VOLUME as well as an Adjustable PRESET Bank selector.This could become the most versatile 10" in your set up! Standard 1/4" ou put works with any amp or PA. It has a Standard 1/8" 9 Volt AC Adapter jack."

KORG 770

Title link takes you to shots via this auction.

"This a rare old Korg. Great vintage synth.. not a lot of bells and whistles but a great ring mod and a really unique sound. Specs are listed below. The only flaws are fairly minor. there is a center toggle, which switches osc 1, osc 2, or both. the toggle part is broken, you can still switch it if you can get a pinky or a pencil eraser tip to flip the switch, or better yet-leave it switched to the center and use the mixer pot to choose your oscilator setup. All of the original knobs and slider caps are here but some of the metal trim rings are missing from the knobs. here are the specs: Polyphony - 1 - Monophonic Oscillators - VCO-1: Scale (64', 32', 16', 8', 4', 2'), Waveform (triangle, square, sawtooth, pulse, PWM, External Signal). VCO-2: Coarse Tuning (16'-1'), Fine Tuning, Mode Selector (sawtooth, Ring 1, 2, Scale Noise, Pink Noise, White Noise). LFO - 2 (LFO2 is called VCO Vibrato) Filter - (2) VCF's: High Pass and Low Pass (Traveler). VCA - VCA + ENVELOPE GENERATOR: Attack Time, Singing Level, Range Selector, Sustain Selector, Envelope Mode Selector, Trigger Mode Selector Keyboard - 32 Keys Memory - None Control - VCF foot pedal; CV/Gate mods can be added; Mouth/Breath Controller Date Produced - 1976"

Sunday, July 15, 2007

Gary Wright - Heartbeat (1981) music video


YouTube via FuraRockDiscos

Guess the modular/s. MOOG Liberations all around.

Inside the x0xb0xmod

Two shots of the inside sent my way via limor, aka ladyada. Title link takes you to discusson on layada's tea party.

See this previous post for more info and vids.

COMMONTONES - Roland MC-303 Demos

On July 1, I posted about COMMONTONES, a project by Sonicbrat, Eric, and LDT, in which they would produce a track once a week. The interesting bit is that each week the role of contributors to composer changes. Contributors will provide samples for the composer to work with. This week Eric will be the composer and LDT and Soncibrat will be the contributors. Title link takes you to a post by LDT which includes his contributions, mainly Roland MC-303 samples. You'll find the samples along with notes on the 303. You can find a post by Eric following LDT's post on COMMONTONES that pictures the additive soft synth, Morphine just recently posted here.

The Latest on Synthwire and Matrixsynth-b

Just a heads up, I added two new sections to the right just above the Google Search box. "Currently on Matrixsynth B" and "Currently on Synthwire". These are the last five posts on each site. Be sure to check them out so you do not miss what's coming in there as well.

Oberheim Director Chairs

via an anonymous reader.

EDP Wasp Special

Two shots sent in via an anonymous reader.

Roland PG-200

Two shots sent in via an anonymous reader.

x0xb0xmod

"This is a major mod kit for the x0xb0x. Everything you need to know can be found at x0xb0xmod.

The new feature set includes the following:
New Controls:
VCO1 Level
VCO2 Level
VCO2 Tune
VCO2 Fine Tune
VCO2 Waveform Switch
VCO Xmod
Filter Overdrive Range Switch
ENV2 Attack
ENV2 Decay
ENV2 to VCF Depth
ENV2 to VCO Depth
ENV2 to VCO2 On/Off Switch
ENV2 Trigger Source Switch
VCO to Filter Mod Amount
VCO to Filter Mod Source Switch
VCA Attack
VCA Decay
VCA Decay Range Switch
VCA Release
VCA Release Range Switch
Accent Decay
Accent to VCA Amount
Accent Release (Sweep Speed)
Filter Tracking
Slide Time
Hi Resonance Switch
Gate On/VCA On Switch
Envelope Re-trigger Button
Cutoff High Range Switch
Overdrive On/Off Switch
Overdrive Amount Switch
Overdrive Tone
Overdrive Low Freq Switch
Overdrive Type Switch
Power Switch

New Inputs/Outputs:
Gate In
CV In
Accent In
Slide In
Accent Out
Filter Mod CV In
Filter Mod CV In (Audio)
VCO Out
VCF In
VCF Out
Accent Sweep Out

New Indicators:
Gate On LED (logo)
ENV2 LED
Accent Decay LED
Env Decay LED
Hi Resonance LED
Cutoff Hi Range LED



links to the audio demo's:
x0xb0x Mod Audio Demo1
x0xb0x Mod Audio Demo2
x0xb0x Mod Audio Demo3"

via Brian

Update: see this post for some shots of the inside and a link to discussion on ladyada's tea party.

Gary Wright - Love Is Alive (Midnight Special, 1977)


YouTube via rg2027x.

"Keyboardist/Songwriter Gary Wright performing "Love Is Alive" on the Midnight Special TV show, 1977. Featuring a young Steve Porcaro {keyboards for TOTO, Herb Alpert, Pablo Cruise, Brothers Johnson, etc.} on synthesizers along with a rockin' female cowbell player ;-) Awesome Minimoog bass. Enjoy this great song from the 70's decade of musical innovation & legendary songwriting."

SIMMONS SDS-800

via this auction.

MOOG Prodigy

Title link takes you to shots via this auction.

Roland Juno-106 Parts

via this auction.
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