Meet Colossus - Analogue Solutions Rendition of the Classic EMS SYNTHI 100

You might remember Analogue Solutions EMS SYNTHI 100 for sale from previous posts. It appears they have put it to good use and designed their own version. P.S. I spotted this earlier this morning, but thanks to Soviet Space Child for sending in the link.

via Analogue Solutions:

"Available direct only... Come see Colossus at SynthFest (UK, 5/Oct)

Numbers will be limited - we are currently taking pre-orders, ready to ship in early 2020.

This is truly something special.

Price is £25K. This exclude any tax (most likely you can claim it back through your business). Shipping: Outside of UK it would need to be crated, onto a pallet, then freighted. Shipping and crating likely to be 500-1000GBP. If you aren’t too far from Calais there maybe other options.

WHAT IS COLOSSUS?
Analogue Solutions is excited to introduce Colossus, an exciting new mega-synth with a design ethos truly from the dawn of analogue synths. It is more than a powerful analogue ‘workstation’ - it is also art, architecture, exquisite studio furniture.

Design inspiration is of course from the 1970’s EMS Synthi 100, however, no circuit from the Synthi has been cloned or copied. We prefer to make our own designs. We have chosen some of our favourite circuits from our own large back catalogue synths such as Polymath, Telemark and Vostok.

Colossus is not a Synthi 100 clone - all circuits are non-EMS, Analogue Solutions’ design.

CLICK FOR MORE »

Analogue Solutions Now Available in Black

via Analogue Solutions:

"Limited Edition Colossus (in black) is now available!

👉 Contact us for more information or visit the AS website for reservation and purchase info (see below)

http://www.colossus-synth.com"

Update: video & description added below.
video upload by Analogue Solutions

"This is a limited edition black version of the classic Colossus synthesizer!

We have chosen some of our favourite circuits from our own large back catalogue synths such as Polymath, Telemark and Vostok.

Colossus is not a Synthi 100 clone - all circuits are non-EMS, Analogue Solutions’ design.

The original Synthi was so large it wouldn’t fit through a standard doorway. We didn’t make that mistake but don’t underestimate its size. It will be prominent in your studio, or art gallery!

It is sized at 1585mm wide, 700mm deep and 655mm high and weighing in too big to fit on the scales. It’s not entirely practical, but to be impressive physically and in sound. It will be an awesome centrepiece for your studio.

CLICK FOR MORE »

Vince Clarke Enters the Eurorack Market with New Line of MIDI to CV Utility Modules

Vince Clarke Circuits - The VCM & VCS Auto Tune System from erasureinfo on Vimeo.

In collaboration with Analogue Solutions.

"This self contained Eurorack expandable Midi to CV converter/calibration system offers an uncomplicated solution to the problems of tuning and scaling both vintage synthesisers and modern VCO Eurorack modules. With 16 bit voltage resolution and a tune time of 10 seconds. The unit can compensate for VCO alignment issues and environmental factors that cause tuning drift with the push of a button. Its Digital Automatic Audio Gain Control Circuitry (DAGCC) enables the unit to be connected to most synthesiser outputs, and has been tested on a large array of makes and models. While obviously not being capable of fixing the problems of faulty circuitry it will however save time and money on re–calibration, and ensure the technical side of synth ownership doesn't impinge on the creative process.

MORE DETAILS:
http://www.vinceclarkemusic.com/circuits/"

And the press release:

"Vince Clarke keeps tuneful tracks tuned with namesake clever CV/Gate tuning system

BROOKLYN, NY, USA: synth-pop Svengali Vince Clarke is proud to announce that he will be releasing a series of creative and utilitarian modules for the ever-present Eurorack small-format modular system under the namesake Clarke company name, designed and built to exacting standards in close collaboration with British ‘boutique’ analogue synthesiser and accessory designer/manufacturer Analogue Solutions, starting with the now-available Auto Tune — a self-contained, expandable Eurorack-compatible MIDI-to-CV converter/calibration system offering an uncomplicated solution to the problems of tuning and scaling both vintage analogue synthesisers and modern Eurorack VCO (Voltage Controlled Oscillator) modules — as of March 18...

So why simultaneously sidestep into this creative and utilitarian synthesiser module manufacturing (ad)venture alongside superlative synth-pop music compositional creativity? Who better qualified to address this than the Ivor Novello Award-winning songwriter himself... hardly surprising, really, since Vince Clarke can, of course, comfortably find his way around a notable number of synthesisers, too, as attested to by the well-earned songwriting success-funded collection of analogue classics currently residing at his NYC studio, relatively recently relocated from a custom-built cabin in rural Maine to inner-city Brooklyn. But this is no millionaire’s museum piece, but rather a unique personal workspace, where each and every awe-inspiring analogue instrument included in his sizeable collection of vintage and modern synthesisers comfortably housed within regularly earns its keep on a variety of musical projects, be they synth-pop based or otherwise. “For those of you who work with synthesisers using CV and Gate, you will all be aware of the problems of calibration,” notes Vince Clarke, continuing: “Having tried many a cumbersome software-based package over the years, I wondered if there might be a neater solution — a kind of all-in-one MIDI-to-CV convertor with auto-calibration.”

And, as if by musical magic, the collaborative Clarke company concept was born. And with it the first of those creative and utilitarian modules for the ever-present Eurorack small-format modular system that is increasingly popularised (and heavily populated) by an ever-growing band of merry ‘boutique’ manufacturers now numbering hundreds worldwide... welcome into the world Clarke’s clever Auto Tune system! So, let’s learn a little more about what it is, what it does, and how, exactly, it does it...

In a nutshell, then, the Auto Tune system consists of a VCM20 master module, which can control up to 16 VCS20 slave modules, each of which provides one channel of CV (Control Voltage) and Gate. With 16-bit voltage resolution and a tune time of 10 seconds, this straightforward system can compensate for VCO alignment issues and environmental factors that cause tuning drift quite literally at the push of a button!

The VCM20 master module has an LED (Light Emitting Diode), an increment push button to select the MIDI (Musical Instrument Digital Interface) channel, and MIDI IN and MIDI THRU sockets; the VCS20 slave module has four 3.5mm jack sockets for communicating with the outside analogue synthesiser world, which is where the tuning action really gets going: CV1 connects to the synthesiser’s pitch control voltage and can be set to either V/oct (Volts per octave) or Hz/V (Hertz per Volt); CV2 is mapped to keyboard velocity — typically to control a VCF (Voltage Controlled Filter) or VCA (Voltage Controlled Amplifier); the 11 Volt GATE output can be set to either V-Trig (Voltage Triggers) or S-Trig (Switch Triggers), its use being indicated by the Gate LED; the VCO input connects to the synthesiser’s waveform or audio input and allows the VCS20 slave module to read audio frequencies during the calibration process — a square, sine, or sawtooth waveform without modulation is recommended for doing this. The oscillator output can either be split or an unused waveform connected in the case of modular system setups while with typical hardwired analogue synthesisers it’s a case of splitting the audio output or, in most cases, using the headphone output. Either way, the synthesiser needs to be set to output a single oscillator without filter or modulation with the VCA envelope set to zero attack, zero decay, full sustain, and zero release. For the most accurate calibration of the control voltage the synthesiser’s oscillator range should be set to 8’ or its initial oscillator frequency set midway.

Having correctly connected everything, pressing the VCS20 slave module’s Tune button automatically tunes the analogue synthesiser, compensating for calibration errors between 0.5 and 1.5 V/oct. (During the tuning process, the Gate opens and its associated LED lights up, going out once complete.) Calibration data is duly stored — solving the problem with a neat solution! Still better, the VCS20 slave module retains the calibration data on power down — no need, necessarily, to repeat the process.

Suffice to say, Vince Clarke’s canny vision of an all-in-one MIDI-to-CV convertor with auto-calibration has truly become reality with the Clarke Auto Tune system since it is possible to set the individual MIDI channel for each VCS20 slave module and see which MIDI channel a slave module is set to at any time by simply pressing its Show button. Beauty is in simple things, after all. Equally easy, the VCS20 slave module’s Oct. (octave) button transposes the incoming MIDI signal by one octave with each push, cycling around four octaves — useful if the synthesiser’s range circuit is detuned. Don’t forget, each VCS20 slave module connected can be individually set to work with V/oct or Hz/V synthesisers so a variety of older and newer analogue instruments can be calibrated and automatically tuned by the Clarke Auto Tune system. Start with a VCM20 master module and one VCS20 slave module, maybe? Then simply add more VCS20 slave modules as your analogue instrument collection grows... guaranteed to stay in tune, each and every one of them — just like Vince Clarke’s Brooklyn-based sizeable collection of vintage and modern synthesisers! Synth-pop songwriting success, sadly, cannot be guaranteed.

The Clarke Auto Tune system is priced at £189.00 GBP (plus tax and delivery) for the VCM20 master module and £189.00 GBP (plus tax and delivery) for the VCS20 slave module; all are available to order online from Analogue Solutions here: http://analoguesolutions.com/clarke/

For more detailed information, please visit the Clarke webpage here: http://www.vinceclarkemusic.com/circuits/"

CLICK FOR MORE »

analog techno improvisation

analog_techno_improvisation

YouTube Published on Jun 28, 2012 by YA YU

"It performed with this friend. ---------- roland tr909 tr808 tb303 sh101 sre555 moog minimoog analogue solution vostok ems vcs3 korg sq10 sherman filterbank2 and more"

analog_techno_improvisation_2.mov

YouTube Published on Apr 30, 2012 by kosogawa yuya

"used---- tr909 tb303 minimoog odyssey sre555 filterbank rca ek-5b ribbon microphone
tr 808(clock) analogsolustion vostok sh101 etherwave theremin....and more"

Ultimate Sound (Ult-Sound) percussion synth in this one.


YouTube Published on Jun 7, 2012 by YA YU

"used---- tr909 tr808 tb303 minimoog sre555 filterbank ems vcs3 dk2 tr 808 analogsolustion vostok sh101 korg wavedrum(old) sq 10....and more

I got tired when the room redecorated.
I don't like cable spaghetti......."

analog techno improvisation 4

YouTube Published on Jul 19, 2012 by YA YU

"It performed with this friend. ---------- roland tr909 tr808 tb303 sh101 sre555 moog minimoog analogue solution vostok ems vcs3 korg sq10 sherman filterbank2 arp odyssey sharp GF858 and more"

analog techno improvisation 5

YouTube Published on Aug 18, 2012 by YA YU

"It performed with this friend. ---------- roland tr909 tb303 sh101 sre555 moog minimoog analogue solution vostok ems vcs3 korg sq10 sherman filterbank2 fostex 3180 and more"

Novation Bass Station II Analogue Synth Review Part 1 at Nevada Music UK

Published on Jun 29, 2013 NevadaMusicUK·848 videos

Novation Bass Station IIs on eBay

"http://www.nevadamusic.co.uk/piano-ke... Chris from Focusrite Novation runs us throughthe main features of the ultra cool Bass Station II. Fat analogue synth sounds pour out of this wonderful keyboard and as well as being easy to use, it feature USB and MIDI for a complete studio solution. Bass Station II is an analogue mono-synth based on the classic original Bass Station but updated for the requirements of the contemporary keyboard player. The Bass Station has two filters, two oscillators plus a third sub-oscillator, it provides patch save facilities and has a fully analogue effects section. Add-in a step sequencer, arpeggiator, full sized keys and a powerful modulation section and you have the makings of a synth that is built for bass, but capable of so much more.

Bass Station II is an analogue mono-synth specifically designed for bass, but with a sound-engine that is versatile enough to kick out sharp leads and crisp arpeggios. It brings the best elements from the original Bass Station into a brand new design with re-worked modulation, effects, filters and more - it has all the advantages of the original Bass Station, but with a much, much bigger sound. The signal path is pure analogue - including the effects section, whilst the hardware has been laid out in modules with dedicated pots, switches, sliders and buttons for all major parameters. Critically, you can store and recall patches on Bass Station II, which comes with 64 killer factory presets, space for a further 64 of your own sounds within the unit, and furthermore you can then store additional patches on your computer."

Novation Bass Station II Analogue Synth Part 2 at Nevada Music UK
Published on Jul 1, 2013

"http://www.nevadamusic.co.uk/piano-ke... Chris from Focusrite Novation creates a track using the Novation Bass Station II and the Launchpad S grid controller. Being a monophonic synth, Chris uses midi to record note information then plays it back to the Bass Station so he can tweak the sound. Then it gets recorded as audio in a clip on the Ableton software so the Bass Station can be free'd up to produce another sound. This is a great way of recording as its both hands on and very creative. The Bass Station allows for experimentation which is hard to do within software as well as teaching your ear how the different controls effect the sound, LFO's, oscillators and filters etc, a great lesson for all the plug in musicians. If your into computer music, you owe to yourself to experience a real analog synth and now with midi and USB connectivity it easily works with software without old school CV issues. Destined to become a modern classic, there's no better place to find your own sounds and blend the best of the old with the new. Affordable, real and fun.

Fat analogue synth sounds pour out of this wonderful keyboard and as well as being easy to use, it feature USB and MIDI for a complete studio solution. Bass Station II is an analogue mono-synth based on the classic original Bass Station but updated for the requirements of the contemporary keyboard player. The Bass Station has two filters, two oscillators plus a third sub-oscillator, it provides patch save facilities and has a fully analogue effects section. Add-in a step sequencer, arpeggiator, full sized keys and a powerful modulation section and you have the makings of a synth that is built for bass, but capable of so much more.

Bass Station II is an analogue mono-synth specifically designed for bass, but with a sound-engine that is versatile enough to kick out sharp leads and crisp arpeggios. It brings the best elements from the original Bass Station into a brand new design with re-worked modulation, effects, filters and more - it has all the advantages of the original Bass Station, but with a much, much bigger sound. The signal path is pure analogue - including the effects section, whilst the hardware has been laid out in modules with dedicated pots, switches, sliders and buttons for all major parameters. Critically, you can store and recall patches on Bass Station II, which comes with 64 killer factory presets, space for a further 64 of your own sounds within the unit, and furthermore you can then store additional patches on your computer."

Analogue Solutions Leipzig S

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"LIKE NEW IN THE BOX Analogue Solutions Leipzig-S. As we are not an Analogue Solutions dealer it is being sold without warranty but you have the supreme benefit of getting this piece new in the box at an unbelievable price! Analogue Solution's quality is exceptional in the synth world and you can purchase with confidence! We offer a 14 day inspection period to make sure the synth is perfect for you.

Pure analogue voice and modulation circuitry.
Fat Moog style filter.
2 VCOs with Glide and Sub-VCOs.
Osc Sync & Cross-Mod
Plenty of modulation routing possibilities.
Analogue step sequencer – with plenty of clocking options.
Audio input so can be used as a sound processor.
Rugged steel/aluminium construction.
MIDI In for software sequencer control."

CLICK FOR MORE »

Analogue Solutions COLOSSUS CLASSIC - (Limited Edition w/ Black Wood Sides)

Note: Auction links are affiliate links for which the site may be compensated.

via SYNTH CITY Reverb

Note auction links are affiliate links. See the site's privacy policy for more info.

"This demo unit was featured at Knobcon 2022, now on display here in our showroom. Can be freighted anywhere in the country, please contact us for more info!

Analogue Solutions is excited to introduce Colossus, an exciting new mega-synth with a design ethos truly from the dawn of analogue synths. It is more than a powerful analogue ‘workstation’ - it is also art, architecture, exquisite studio furniture.

Design inspiration is of course from the 1970’s EMS Synthi 100, however, no circuit from the Synthi has been cloned or copied. We prefer to make our own designs. We have chosen some of our favourite circuits from our own large back catalogue synths such as Polymath, Telemark and Vostok.

Colossus is not a Synthi 100 clone - all circuits are non-EMS, Analogue Solutions’ design.

The original Synthi was so large it wouldn’t fit through a standard doorway. We didn’t make that mistake but don’t underestimate it’s size. It will be prominent in your studio, or art gallery!

It is sized at 1585mm wide, 700mm deep and 655mm high and weighing in too big to fit on the scales. It’s not entirely practical, but to be impressive physically and in sound. It will be an awesome centre piece to your studio.

*diagonal dimension is a little less for those with tight door ways - about 620mm effective width.

Also we have found putting Colossus on its end, you can pivot it through narrow doorways (more details in the manual).

All the voice and modulation circuits are of course 100% analogue. We purposely steered away from digital, it doesn’t have MIDI or USB (there are plenty of MIDI converter boxes out there should you need that facility). This wasn’t designed to be the solution to your modern digital studio but rather a serious analogue power house of sound. There are of course digital elements to the sequencer control - that is unavoidable - even classic analogue sequencers like the ARP sequencer using digital logic chips. In fact the Synthi 100 features a digital sequencer.

This synth is purely for those who want it just as it was in the 1970s - but new with parts still in production.

Colossus is large scale, featuring large knobs that control metal shaft potentiometers. VCOs have multi-turn verniers. The two enormous pin matrix panels dominate the horizontal panels - these are incredibly expensive Swiss made broadcast quality signal routers - 1 for CV and 1 for Audio.

There are two spring reverbs, touch keyboards, step sequencers, moving coil meters, joysticks and so much more. An immense expanse of jack sockets for additional patching within or without the system.

There are no gimmicks - this is pure synthesiser. A huge sound enclosed in a solid metal case wrapped in solid hardwood. No expense has been spared to bring this incredible machine to life.

Synthesisers like this only come around once in a decade, or possibly a generation."

SonicVoltage Eurorack & Synth Demo Videos

Published on Nov 17, 2017 SonicVoltage

Playlist:
AJH Synth DH-ADSR Envelope MiniMod REVIEW Eurorack Modular Envelope Module for Modular Synth
AJH Synth Sonic XV REVIEW Eurorack Modular Filter Diode Ladder Wave Filter Module for Modular Synth
AJH Synth Sonic XV Preview Eurorack Modular Filter Diode Ladder Wave Filter Module for Modular Synth
AJH Synth MiniMod Dual LFO VCA Review. Eurorack Modular LFO and VCA Module for Modular Synth.
AJH Synth Ring SM Review All Features Tested. Modular Eurorack Review
Eloquencer CheatSheet 1.04
Eloquencer New 1.04 Features Update! Eurorack Modular Sequencer
FREE Winter Modular Eloquencer Cheat Sheet PDF Download Eurorack Modular Sequencer
ALM 010 Busy Circuits OAx2 Review Eurorack Modular. All features Shown
Modular Synthesizer Music Nebula Connection Code - Live to stereo rec.
Eloquencer Full Review. The Right Eurorack Modular Sequencer For You?
Winter Modular Eloquencer Test Track: hEroLOI
Sonic Voltage Modular Eurorack Videos Coming Soon
New Analogue Solutions Mr. HYDE SynthBLOCK: PREVIEW & PRICE
Analogue Solution Fusebox Overview - Preview and Price
Analogue Solutions Fusebox and Mr Hyde - Demo Play Prerview
Dubreq Stylophone GEN X-1 Analogue Synthesizer
DPW Design MOG D1 4Band Distortion Pedal
DPW Design MOG AV 1 Attenuverter
DPW Design MOG MF 1 Wavefolder Expander E 1

New Joranalogue Eurorack Modules for SUPERBOOTH22

via Joranalogue Audio Design

Springtime has arrived, and that can only mean one thing: SUPERBOOTH is upon us!

We've been hard at work in the lab, developing, testing, soldering and listening... Now, it's finally time to present our latest additions to the Eurorack series.

Read on below, and if you're in Berlin, come and meet the new modules in our cosy tent at booth Z430!

Delay 1

Delay 1 is a fully analogue BBD-based delay module with a multitude of features geared towards modern musical use. An integrated temperature-compensated, high-frequency voltage controlled oscillator (VCO) provides the ‘clock’ signal necessary to drive the delay line within 1 to 50 ms.

By increasing the drive frequency to over 20 kHz, the classic ‘BBD clock whine’ problem is solved, while still providing a wide range in delay time. Classic chorus, flanger and echo effects are easily achieved using the dry/wet blend, feedback and damping parameters.

Delay 1 also allows you to experiment with Karplus-Strong synthesis, an exciting technique to create string and percussion type sounds. This is made easy by an integrated noise transient generator, driven by the ‘pluck’ input, and by the clock VCO’s 1 volt per octave response.


PVT2

While the patch programmability of a modular system is its greatest strength, it can also be a weakness: quick experimentation is often hampered by the need to repatch the synthesiser to change the signal flow.

Pivot 2 offers a unique solution: a compact, fully voltage controlled variable signal router. At the turn of a single knob, any signal can be routed through two external modules in series, parallel or reverse series, as well as any combination in between.

Experiment with patching wavefolders before, after or alongside filters, shuffle multiple delay lines, precisely dial in two-stage audio compression or easily control intricate feedback patches.

Looking beyond the basic signal routing application, Pivot 2 will also function as a complementary pair of counter-acting linear voltage controlled amplifiers (VCAs), a voltage controlled crossfader or a voltage controlled panner.


Step 8

What about Step 8? Our sequential tracking/sampling register received a lot of attention at last year's SUPERBOOTH. However, it quickly became clear that the design needed a bit more development time. We've since added some exciting improvements and are planning to commence production soon.

Step 8 represents a new type of modular building block: a sequential tracking/sampling register, which can be configured to provide a variety of functions. These include sequencers, sequential switches, counters, analogue shift registers...

At its heart lies an analogue 1-to-8 signal switch feeding an octet of high-stability track/sample-and-hold stages. Each of these has its own analogue output with an attenuation slider, in addition to a gate output. LEDs visualise the status of each stage in real time. The switch can be controlled sequentially using the built-in 8-step counter, or addressed directly by an analogue control voltage (CV).

For those who are feeling adventurous, there are always more applications to try: configurable voltage mapper, hocketing controller, clock divider, graphic waveshaper, multi-output analogue downsampler...

Modded Roland TR-606 Vintage Analogue Drum Machine SN 091900

Note: Auction links are affiliate links for which the site may be compensated. via this auction
"This unit has been modified (Similar to Kenton / Analogue Solution's Mods) to include:
Seperate outputs for each drum sound (Run each sound into a seperate channel on your mixer for perfect EQ & Recording or each sound into different effect units!)
1/4" input jack for remote On/Off (e.g. footpedal control - perfect for solo artists playing keyboards or guitars!)
Isolated On/Off switch (No more accidentally switching off the unit when fading the volume out!)

The TR-606 is a fantastic little drum machine that was sold along side the legendary TB-303. It was designed small, light and compact, which to me makes it The Choice for live performances over its big brothers the TR808 & TR909. The unit itself has the ability to be used for a Din Sync controller as well as having 2 CV/Gate triggers, making it a perfect tool for bringing out more in any analogue synth!"

Morphor AP-1 - Analogue String Synthesis Eurorack Module

video uploads by Morphor

via the Morphor AP-1 Kickstarter

The Morphor AP-1 module is a fully analogue Eurorack module that can produce plucked string sounds. Based on the Karplus-Strong principle, this module is a compact all-in-one solution for generating amazing bass, acoustic guitar and percussion sounds. By using high quality analogue components we made a module with a rich sound. Being only 10HP in width, you won't need a lot of space to get going and start creating some incredible music. Background

I am Thijs, based in Belgium, dipping my toes into developing modules for the first time. After recently graduating as an electronics engineer, I'm currently looking for ways to use my skills and passions to create new things that people love. Thanks to Eli and Matthew from ENT Studios, music lovers who have been just as passionate about this project, this dream is coming to reality. They have over 15 years of experience as electronics engineers and have been supporting me with technical advice, frontplate design and more.

The idea for the Morphor AP-1 module came from personal experience and interests. Being extremely passionate about music, playing bass myself and having some experience with string synthesis in software, the idea to bring this concept to Eurorack in a completely analogue way was obvious from the start. After months of tinkering away I am confident enough in my working prototype to share this exciting project with the world.

The Morphor AP-1 module can produce plucked string sounds with a wide variety of sounds. The module has the following controls:

GATE: to pluck the string, simply insert a 5V pulse into the input. Short triggers work great but you can play around with longer pulses to get rougher sounds.
TUNE: change the frequency of the string with a 1V/oct input. Afterwards you can generate vibrato and other effects with a separate CV pitch input.
COLOUR: you can alter the timbre of the string with this control, including a CV input. This way you can get very noisy or dampened sounds.
FILTER BYPASS: the colour parameter is shaped by an internal filter but can be bypassed if you like. Use your own external filter to generate unique sounds. A one pole low pass filter will give the best results but feel free to get creative with this feature. You can insert anything you like into the loop.
FEEDBACK: by adjusting the feedback amount it's possible to change the decay of the sound. Create short plucked sounds or long ringing strings. In some configurations, you might even get some nice oscillations.
OUTPUT: take the output to the rest of your modular system and start experimenting!
Other information:

Frequency range: sub audio range to roughly 400 Hz
Dimensions: 10HP width, 3U Eurorack standard
3.5mm patch cables for all jacks
16-pin power socket

Synthétiseur modulaire : par où commencer ? Solution n°2 - Analogue Solutions Tereshkova / Vostok

Published on Jul 3, 2013 modularsquare·49 videos

"Vous désirez un synthétiseur modulaire mais vous ne savez pas par où commencer ? Il existe plusieurs solutions, dont des systèmes prêt à l'emploi comme le Tereshkova et le Vostok de chez Analogue Solutions.

Ces systèmes sont quasiment identiques et sonnent exactement pareil. Les seules différences sont les suivantes :

Le Vostok dispose d'une matrice comme on en trouvait sur les vieux synthétiseurs EMS, qui permet de créer des connections entre les modules à l'aide de "pins" en se passant des câbles. Intérêts ? Simili sauvegarde du patch en cours, économie de câbles, simplification visuelle (on évite l'effet spaghetti).

Le Tereshkova se passe de la matrice mais rajoute à la place un LFO, 2 VCAs, et 2 multiples.

Lequel choisir ? Ça dépend de vous, si vous désirez le système le plus complet partez sur le Tereshkova, si vous cherchez un système pré-patchable pour aller plus vite sur scène par exemple, le Vostok est sans doute pour vous.

Pour venir essayer ces produits contactez-nous au 01.45.15.41.95, vous pouvez également consulter leurs pages respectives sur notre site internet :

- http://modularsquare.com/fr/Analogue-...
- http://modularsquare.com/fr/Analogue-...

Pour finir, nous organisons tous les mois des rencontres gratuites et des initiations, vous trouverez plus d'infos sur ces rendez-vous sur notre blog.

http://www.modularsquare.com
http://www.modularsquare.com/blog
twitter.com/Modularsquare et Facebook"

BeatStep Pro controlling TB-303 Borg & MFB-522 Drum Machine

Published on Apr 17, 2016 Guy Schneerson

"Equipment Used:
* Arturia BeatStep Pro
* Arturia BeatStep 1
* Roland TB-303 analogue Bass Synth with Borg modification by Analogue solution - CVs & Gates
* MFB-522 Drum Machine* Alto ZMX122

Configuration CV - control voltage:
Arturia BeatStep Pro - Ch 1 Pitch --- TB-303 CV
Arturia BeatStep Pro - Ch 1 Gate --- TB-303 Gate
Arturia BeatStep 1 - Ch 1 Gate --- TB-303 Accent

Configuration MIDI:
Arturia BeatStep 1 Midi --- Arturia BeatStep Pro Midi
Arturia BeatStep Pro MIDI --- MFB522 MIDI"

Arturia updates Oberheim SEM V and Wurlitzer-V Analog Classics

"GRENOBLE, FRANCE: music software and hardware company Arturia is proud to announce availability of Oberheim SEM V 1.1.6 and Wurlitzer-V 1.0.5, the latest updates to its software recreations of the classic Oberheim Synthesizer Expander Module® and Wurlitzer EP 200A electric piano...

These free updates bring performance, stability, and MIDI improvements to two of Arturia’s most popular Analog Classics, the Oberheim SEM V and Wurlitzer-V, respectively released to critical acclaim in 2011 and 2012. The best just got a whole lot better!

Using Arturia’s TAE® (True Analog Emulation) technology, Oberheim SEM V faithfully reproduces the analogue warmth and ingenious interface of the classic Oberheim Synthesizer Expander Module® (SEM) to which it owes its inspiration and name. Created by legendary synth designer Tom Oberheim back in 1974, the dual-oscillator SEM was originally conceived as a way of beefing up weaker-sounding compatible analogue monosynths of the time before becoming a sought-after sound in its own right — so much so that its American creator came up with a series of successive SEM-based instruments, first pairing up two SEMs with a 37-note keyboard and a simple analogue sequencer to form the Two Voice, Oberheim’s first compact, programmable, polyphonic synthesizer in 1975, followed by the larger Four Voice (featuring four SEMs) in 1976 and enormous Eight Voice (eight SEMs) in 1977. Though these instruments were groundbreaking, polyphony was achieved with multiple SEMs so each voice/module had to be programmed independently, which was quite a daunting task — even by somewhat shaky Seventies standards!

But that was then, this is now. Today, Arturia’s eight-voice, MIDI-controllable, multitimbral Oberheim SEM V software solution brings many more truly 21st Century developments to the table — or even desktop (or laptop)! Additional ARPEGGIATOR, PORTAMENTO, SUB OSC, LFO 2, OVERDRIVE, CHORUS, and DELAY parameters, plus an in-depth Modulation Matrix module, all combine to considerably widen its sonic palette and appeal above and beyond merely mirroring the original Oberheim SEM hardware. Oberheim SEM V valiantly does that, too, of course — right down to replicating the behaviour of Oberheim’s original multi-SEM synths’ specific voice assignment and triggering, thanks to its advanced ‘fold-out’ 8-Voice Programmer, for example.

Arturia has taken a different approach with Wurlitzer-V, however. Unlike traditional sampling libraries, its embedded physical modelling engine readily reproduces the agreeable acoustic properties of the well-known Wurlitzer EP 200A electric piano’s musically distinctive reeds, key action, and amplification characteristics by ‘constructing’ played notes in real time. In doing so, it realistically recreates a staple sound of the Seventies in a cost-effective performance package fit for 21st Century compositions.

Yet those beloved bright and overdriven ‘Wurly’ sounds so ingrained in popular music culture thanks to artists as musically diverse as The Beatles, Supertramp, and Marvin Gaye are as much down to a creative combination of admirable amplification, mic placement par excellence, and precision processing, with multiple analogue chorus, phasing, and tape echo units often being used to fashion a deeper, luscious tone. Which is exactly why Wurlitzer-V effectively places its users in an authentic-sounding Seventies-style recording studio, complete with classic tube amp emulations, modelled mics, and stompboxes galore — everything needed to achieve that vintage vibe, in fact. But that’s not all. Alongside additional in-depth performance parameter controls, Wurlitzer-V also lets users choose between three output modes — Studio, Stage, and Rotary, each with a distinctly different sound.

Anyone wishing to transport those tricky still-sought-after sounds of the Seventies screaming and kicking into the convenience of present- day DAW-based workflow simply owe it to themselves to check out Oberheim SEM V 1.1.6 and Wurlitzer-V 1.0.5 — now better than ever, thanks to those latest updates!

Oberheim SEM V and Wurlitzer-V can each be bought from the Arturia online store (http://www.arturia.com/evolution/en/buy/online-shop.html) as software downloads for €99.00 EUR/$99.00 USD or as boxed versions for €119.00 EUR/$129.00 USD.

Existing Oberheim SEM V and Wurlitzer-V users can download the latest updates for free from here: http://www.arturia.com/evolution/en/downloads/updates.html"

Pittsburgh Modular Officially Announces Modular Effects Pedals

You saw the teaser pics here. The following is the official press release:

"Pittsburgh Modular makes modular effects pedals dream come true at Musikmesse 2015

PITTSBURGH, PA, USA: modern, fully-patchable, modular synthesizers and accessories manufacturer Pittsburgh Modular is proud to launch its Patch Box line of modular effects pedals — redefining both modular synthesis and the venerable stomp box by creating unique patchable effects units for guitarists and keyboardists — at Musikmesse 2015, January 15-18 in Frankfurt, Germany...

In a seismic shift in the definition of what a modular synthesizer can be, Pittsburgh Modular’s Patch Box redefines modular synthesis around the venerable stomp box by creating a monster performance device for guitarists and keyboardists alike — a patchable, modular system designed to handle anything. As a playground for unrestricted creativity, the Patch Box is a fully-patchable, customisable performance pedal enclosure. Its open architecture allows users to create unique effects unattainable with standard, fixed-signal path guitar effects. The Patch Box is not just another empty Eurorack case, however. Rather it can be packed to the gills with the functionality of (up to) five highly-tuned modules integrated into a heavy-duty steel enclosure that’s as road-ready as it is ready to use.

To protect the tone of user instruments, thoughtfully the Patch Box features a true BYPASS and a unique preamp with extremely high headroom in addition to a pair of fully-buffered outputs. Custom-engineered soft-limiting circuitry built into the preamp adds character without unwanted noise at higher gain settings. Said preamp has dual, buffered outputs to allow for complex signal routing, but for patching a single modulation or audio source into two destinations, the patchable signal splitter is a perfect solution. Also known as a MULTIPLE, the signal splitter has one input and two outputs, allowing any signal to be routed to two destinations.

Dual, assignable expression pedal INPUTS allow the Patch Box to easily integrate third-party expression pedals anywhere into the signal path to allow for realtime foot control of any voltage-controllable parameter or split the signal from the foot controller to control two parameters at once. Dual, assignable A/B foot switches — SWITCH 1 and SWITCH 2 — expand signal routing options. Perfect for use as on/off switches or to flip between two signals, the foot switches can be patched up to enable/disable individual modules or route audio and control voltages. Try patching a modulation source, such as an LFO (Low Frequency Oscillator) or external expression pedal, through the foot switch to enable or disable the modulation while playing. Patch the outputs of two effects into one of the foot switches to bounce between effects. With two independent, patchable foot switches to play with, there are countless options for realtime signal routing. The last stage of the Patch Box signal path is a master OUTPUT level control. Adjust the output signal level to connect with a wide range of devices.

Furthering flexibility, the Patch Box is available as an empty case, ready and waiting for user-customisation, courtesy of an ever-increasing selection of Pittsburgh Modular, Dwarfcraft Devices, or other compatible Eurorack-format modules. Meanwhile, the Patch Box is also available in a number of preconfigured so-called Complete and Core effects systems that highlight the wide range of Pittsburgh Modular and Dwarfcraft Devices effects modules — from stunning filters to character-rich analogue delays, sweeping phase shifters to nasty distortion, and much more besides... all are available to interact with and manipulate in entirely new ways! Why don’t we take a closer look at what’s on offer?

Being billed as “A Modular Exploration of Time and Space,” Time Box Complete comes complete with a Patch Box enclosure, Analog Replicator (wide-range analogue delay module), Reverb (voltage-controlled digital reverb module), Lopass Gate (integrated lowpass filter, VCA, and lowpass gate module), LFO2 (dual modulation source module), and Multiple (dual passive signal splitter), plus a 12-pack of patch cables from premier Eurorack modular synthesizer accessory specialist Nazca Audio. Alternatively, Time Box Core comprises Patch Box-housed Analog Replicator and LFO2 modules, plus a six-pack of Nazca Audio patch cables.

Next up, Filter Box Complete makes modular filtering and signal-crushing downsampling a flexible musical experience, thanks to a Patch Box-housed Filter (multimode state variable filter module), Lopass Gate, Crush (analogue downsampling module), Follow (envelope follower module), LFO2, and Multiple, plus a 12-pack of Nazca Audio patch cables. ‘Downsizing’ somewhat, Filter Box Core offers filter sweeps courtesy of a Patch Box-housed Filter, Follow, and LFO2 modules, plus a six-pack of Nazca Audio patch cables.

Phase Box Complete comes complete with a Patch Box enclosure preconfigured with a Phase Shifter (16-stage analogue phase shifter module), Lopass Gate, LFO2, and Multiple, plus a 12-pack of Nazca Audio patch cables. Phase Box Core makes massive liquid simplicity reality with Patch Box- housed Phase Shifter and LFO2 modules, plus a six-pack of Nazca Audio patch cables.

A collaboration with Eau Claire, WI, USA-based handmade effects pedals and synthesizers specialist Dwarfcraft Devices, Dwarf Box Complete celebrates this partner company’s expertise in sonic destruction by partnering up their Big Distortion Sound Machine (parallel distortion module with two distinctly different fuzz flavours) with Pittsburgh Modular’s Filter, Chain Reactor (quadraphonic, voltage-influenced chaotic waveform generator), and Toolbox (multi-purpose slew, noise, sample & hold, and inverter) modules in a Patch Box enclosure, plus a 12-pack of Nazca Audio patch cables. Coming full circle, those favouring a more streamlined approach to a destructive palette could consider the Dwarf Box Core, comprising Patch Box- housed Big Distortion Sound Machine and LFO2 modules, plus a six-pack of Nazca Audio patch cables.

There it is, then. Nine new products, no less — Patch Box enclosure, available without any modules, and two sets of four preconfigured systems, each offered as a Complete system, full of modules, or as a Core system, partially filled with room for additional modules. Pittsburgh Audio has truly made the dream of modular effects pedals come true. They will all be being demoed and displayed in Hall 5.1, Stand C53 at Musikmesse 2015, April 15-18 in Frankfurt, Germany. Come check them out!


The Patch Box modular Eurorack performance pedal enclosure will be available to purchase from Pittsburgh Audio’s authorised dealer network in May 2015 at a suggested retail price of $349.00 USD.

Time Box Complete will be available in June 2015 at a suggested retail price of $1,199.00 USD; Time Box Core will be available in May 2015 at a suggested retail price of $779.00 USD.

Filter Box Complete will be available in June 2015 at a suggested retail price of $1,149.00 USD; Filter Box Core will be available in May 2015 at a suggested retail price of $739.00 USD.

Phase Box Complete will be available in June 2015 at a suggested retail price of $1,029.00 USD; Phase Box Core will be available in May 2015 at a suggested retail price of $799.00 USD.

Dwarf Box Complete will be available in June 2015 at a suggested retail price of $1,199.00 USD; Dwarf Box Core will be available in May 2015 at a suggested retail price of $689.00 USD.

For more detailed information, please visit the Patch Box product webpage from here: http://www.pittsburghmodular.com"

Synthfest UK 23 New Videos

video uploads by sonicstate

Playlist:

1. Synthfest UK 23: MyVolts - Nifty USB Power Solutions

At Synthfest UK 2023, we caught up with Caroline from MyVolts, and they've added to their panoply of useful power solutions for musicians. MyVolts showcased their new product, the Alchemist power distribution hub, which harnesses the versatility of USB-C to deliver various voltages from 5V to 20V. This means you can power a range of equipment, from vintage synths to modern gear, with one device. They've also taken their USB power innovation to the next level with a step-up 12V power tip, allowing users to draw 18W from USB to power gear like the Electron Analog Four on the go. MyVolts aims to simplify power management for musicians, addressing issues like earthing and noise, and they're actively seeking input from the community to fine-tune their solutions.

In addition to the Alchemist power hub, MyVolts will be releasing their own power banks, USB-C power cables with wattage indicators, and a range of power tips compatible with various voltages. This expansion means users can power a wide range of devices efficiently and conveniently. These products are expected to be available around February or March. MyVolts encourages you to fill out their survey to help them better understand and solve the unique power challenges musicians face.

https://myvolts.co.uk/

2. Synthfest UK 23: Rides In The Storm - SED CSM Synth Voice

At Synthfest UK 2023, we caught up with Uwe from Rides In The Storm to get a glimpse of their upcoming modular synth voice module, the SED CSM. This module is a powerhouse of sound design possibilities, offering a wide range of features packed into a single unit. With two oscillator sections, three waveform options, pulse width modulation, and a wave folder, there's plenty of sonic flexibility on tap.

The SED CSM also includes a robust mixer section, a ring modulator, wave folder, noise source, and an external input, expanding its sound-shaping capabilities. Uwe demonstrated how the module can be used for lush soundscapes and dynamic modulation with its various features. SED CSM offers envelope generators with loopable modes and versatile LFOs and filter options.

SED CSM Price: around £390

3. Synthfest UK 23: Analogue Solutions - Ample Desktop Pin matrix

We returned to the Analogue Solutions booth to chat again with Tom who showed us the second synth he’s released this year, Ample. Ample is a 3 VCO synth which combines some of the greatest bits of other Analogue Solutions synths, including a patch pin matrix similar to the Vostok, a sequencer taken from the generator, an interval generator similar to that on the Fusebox, and a 24dB filter akin to that of the Pro One. It even has the same delay circuit from the new Maximus.

There are 3 types of pin for the pin matrix with resistances of 0 ohms on the black pin 10k ohms on the red one and blue giving a value of 100k, which allows for more flexibility in attenuating the signals you patch. Tom told us that Ample is particularly suited to percussion, with its snappy filter, and various clock sources available, and though Ample is in a desktop format, Tom has given us plenty of space between the controls so no accidental knob bumping can occur.

Available October 23

Ample Price: around £2000 plus vat

4. Synthfest UK 23: Expert Sleepers - Analogue Modules

At Synthfest UK 2023, we had the chance to chat with Os from Expert Sleepers, known for their versatile digital modules. However, Os has been exploring the analog side of modular synthesis and has introduced a range of eight analog modules.

Among the analog modules, Os showcased a squelchy filter, oscillators with unconventional sine wave cores, and an intriguing octave fuzz effect. He emphasized that these analog modules offer a different approach to sound generation and signal processing compared to their digital counterparts. Os also pointed out that once an analog module is designed and built, it's a finished product, offering a sense of completeness that's distinct from the continuous updates often associated with digital modules.

Expert Sleepers Analogue modules Prices: from £159

5. Synthfest UK 23: Yamaha - DM3 - Super Compact Digital Mixer

At Synthfest UK 2023, we caught up with Chris from Yamaha to take a look at their latest offering, the DM3 digital mixer. This compact 16-input mixer packs some impressive features into a small footprint, making it suitable for a variety of applications. With a focus on pro audio and audio versatility, the DM3 boasts brand-new microphone preamps inspired by Yamaha's high-end CL and QL series, ensuring top-notch audio quality. Operating at 96 kHz, the DM3 offers pristine audio resolution. We have to admit, we're all Gassing for this one...

The DM3 boasts a touchscreen interface, complemented by touch-and-turn knobs for tactile control. This innovative combination allows users to efficiently navigate and control the mixer's parameters. The DM3 can also serve as an audio interface, providing 18 in and 18 out over USB, making it an excellent choice for recording and streaming applications. With a compact and portable design, this mixer is versatile enough for live gigs, corporate events, podcasting, and studio work.

DM3 Standard Model Price: Around £1,500

DM3 Dante-Enabled Price: Around £2,000

6. Synthfest UK 23: Tone Science - Triple Cross - Chance Delay

At Synthfest UK 2023, we caught up with Ian Boddy from DIN Records, known for his prolific work in the electronic music scene. While DIN Records is celebrating its 25th anniversary next year, Ian has expanded his creative endeavors with the release of two modules under the sub-label Tone Science in collaboration with AJH Synth. The Triple Cross module offers versatile signal manipulation capabilities, enabling crossfading, morphing, panning, with non-synchronous LFOs and DC-coupled outputs. The Chance Delay module introduces a unique concept of probability-driven gate delay. Musicians can control the likelihood of triggers passing through, allowing for rhythmically intricate and ever-changing sequences. These modules are designed to enhance the performative aspect of modular synthesis, providing musicians with dynamic tools for evolving soundscapes and rhythmic complexity.

Triple Cross Price: £260

Chance Delay Price: £175

7. Synthfest UK 23: 1010 Music - Bluebox Eurorack Edition

At Synthfest UK 2023, we had the opportunity to chat with Steve from 1010 Music about their latest creation, the Bluebox Eurorack Edition. This module was born out of customer demand, as users of the original Blue Box desktop unit clamored for a Eurorack-compatible version. The Bluebox Eurorack Edition packs all the power and versatility of the desktop version but with a few key differences. It offers mono inputs and outputs that can be combined into stereo, six CV inputs for mapping to various parameters, and two dedicated USB-C ports—one for MIDI and the other for USB audio. This means you can connect your Blue Box to a Mac, PC, or iPad, send and receive audio tracks, and still record all 12 tracks, plus a master track and two effects sends, separately on a micro SD card. An upcoming firmware update will also bring stereo audio in both directions to the Blue Box Desktop Edition, offering even more flexibility in routing and recording. With its compact 30 HP size and thoughtful design, the Bluebox Eurorack Edition also offers a clock output bridging the gap between hardware and software seamlessly.

Bluebox Eurorack Edition Price: $699

8. Synthfest UK 23: Nonlinear Labs - C15 - Software Updates

At Synthfest UK 2023, we had a conversation with Tim from Nonlinear Labs, the creators of the highly expressive C15 synthesizer. Tim shared some exciting updates that have recently been implemented with the inclusion of LFOs via looping envelopes providing musicians with more sonic versatility. The C15's unique concept, based on a two-operator FM synthesis engine, remains intact, but these new LFO capabilities expand its sonic palette. Tim also showcased the expanded key tracking options, which can stretch pitches to create unique tonal textures. Furthermore, he highlighted the new twin-engine feature, which allows for cascading delays and creating captivating stereo soundscapes. Tim also hinted at future developments that owners of this expressive synthesizer can look forward to.

C15 Black Price: 4,300 Euros (incl. VAT)

C15 Cherry Wood Price: 4,750 Euros (incl. VAT)

9. Synthfest UK 23: Kenton - LNDX Midi Line Driver

At Synthfest UK 2023, we caught up with John from Kenton Electronics to check out their latest offering, the LNDX Line Driver, a handy solution for extending MIDI signals over long distances. Designed to address the challenges of maintaining stable MIDI connections in large venues and studios, the Line Driver utilizes Cat5 cables to transmit MIDI signals up to an impressive 500 meters. It's an ideal tool for live gigs in massive stadiums or situations where the control center is far from the performance area. The Line Driver features LEDs to monitor both the incoming and outgoing MIDI signals, providing essential feedback for troubleshooting and ensuring signal integrity. This straightforward and robust solution adds reliability to any MIDI setup, whether it's in the music industry, broadcasting, or even unconventional applications like flight simulators. With its opto-isolation and straightforward connectivity, the Line Driver is set to become an essential tool for professionals seeking rock-solid MIDI signal transmission over long distances.

LNDR pair Price: £127.92

10. Synthfest UK 23: Sweet Discrete - Synth Panel Restoration

At Synthfest UK 2023, we had a chat with Craig from Sweet Discrete, a company specializing in unique synth restoration and custom creations. Craig showcased their latest endeavor, which goes beyond their well-known synth overlays. Sweet Discrete has taken on the ambitious task of restoring classic synths like the Jupiter 8 to their former glory. These aren't just simple restorations; they're meticulous, artisanal processes, involving lead loading to remove rust and imperfections, followed by precise silkscreening. What's more, Sweet Discrete manufactures exact replica shells for various synth models, offering three versions for the Jupiter 8 alone. They've even delved into MIDI mods for the Jupiter 8, bringing modern convenience to these vintage gems.

Beyond their cosmetic work, Sweet Discrete is exploring the possibility of delving into electronics and design for synthesizers. With a keen focus on quality and precision, they're making a name for themselves in the world of synth restoration and custom solutions. To learn more about their offerings and explore the range of products, visit their website

See the SYNTHFEST UK label for more coverage of this year's event.

how to transpose with a mixer module eurorack modular synth basic tutorial

Published on Mar 10, 2016 DavidH

"send the sequencer to a mixer
mix with a CV/gate keyboard out
and send the mix to the oscillator 1v/oct input
here and example with a malekko wiard richter system, but you can mix with a makenoise maths, any other mixer should also work, give a try to a MX224 Analogue Solution, it is a fantastic little mixer for you transport things. Ask question if you like, ,cheers"

analog techno improvisation 6

YouTube Published on Aug 25, 2012 by YA YU

"It is the art of a pair. It recorded being conscious of Speed.
This is BPM 20.

If there is time, please enjoy BPM 120 analog techno improvisation 6x6.

It performed with this friend. ---------- roland tr909 tr808 tb303 sh101 sre555 moog minimoog analogue solution vostok ems vcs3 korg sq10 sherman filterbank2 fostex 3180 korg kms-30 and more"

analog techno improvisation 6x6

Published on Aug 25, 2012 by YA YU

"It is the art of a pair. It recorded being conscious of Speed.
This is BPM 120.

It recorded by BPM20."

Broken radio - RF Nomad and a random antenna

Published on Apr 15, 2017 Andor Polgár

"This time I 'cheated' a little bit - I had recorded the sounds the night before I recorded this video. I planned to make the video along with the performance, but in the daytime here in Haarlem I couldn't find any radio stations, only static noise.

The signal path: Antenna - Evaton Technologies RF Nomad - Analogue Solution Telemark band pass filter - Mutable Instrument Clouds"

machine tone

Published on Mar 29, 2013

"It performed with this friend. ---------- roland tr909 tr808 tb303 sh101 sre555 moog minimoog analogue solution vostok ems vcs3 korg sq10 sherman filterbank2 arp odyssey s-cat dubsta foster 3180 and more"