MATRIXSYNTH: Search results for Ian


Showing posts sorted by relevance for query Ian. Sort by date Show all posts
Showing posts sorted by relevance for query Ian. Sort by date Show all posts

Tuesday, January 03, 2012

BLUE ZTVCO DRY DEMO & Surrounding Controversy


YouTube Uploaded by bluelantern320 on Jan 3, 2012

Update 10/4/2013: I heard from Ian Fritz and the controversy is over. Blue Lantern no longer offers the ZTVCO. That said, BL posts will resume.

This one, which seems to be a reoccurring theme with Blue Lantern, comes with a good dose of controversy. You might recall from a few years ago BL got into a bit of heat selling MIDIBox SIDs on eBay. MIDIBox explicitly forbids the commercial resale of MIDIBox SIDs. Blue Lantern stopped and went into producing affordable eurorack based modules and systems.

This latest controversy surrounds the source of design for the new BLUE ZTVCO. You might recall from the comments in this previous post, the design of that prototype module appeared to be a copy of Ian Fritz's Teezer (TZFM Saw VCO debuted Sep'08) design. Ian Fritz's modules are available via The Bride Chamber and Elby Designs.

In short:

1. Is the BLUE ZTVCO based on Ian Fritz's design?
2. If so, to what extent?
3. If so, is it legal?
4. If so, is it fair and does it matter?

The answer to 1 and 2 will not be known until someone gets a hand on the ZTVCO and reverse engineers it. I asked BL if he would be willing to provide the schematics to put the issue to rest and he replied no. He said people can reverse engineer it when it it's available and he is sure someone will. The answer to 3 is quite possibly so. There is currently a good thread on the subject on the electro-music.com forum here. The answer to 4 depends on you. My personal opinion is that it is not fair and it definitely does matter. Whether legal or not, I view it as stealing. These designs do not come out of thin air. They take time and talent and sometimes years to produce. You will see some insight on this in regards to Ian's Teezer design from him directly below. When someone makes their designs available, credit should be given.

The following is a response from Blue Lantern in regards to the claims made against him. The most important thing to read out of his points below is "3. This is not a clone, this vco is a beast in it's own cage."

Friday, January 02, 2009

Ian Mason - Gotta Lotta Love (1978)


YouTube via nzoz1978. sent my way via Ian. Spot the synths.
"Music from Australia and New Zealand in the year 1978:

Ian Mason's promo-video for the single 'Gotta Lotta Love' taken from the 1978 album 'Nobody Takes Me Seriously'.

This track was produced by John Farrar; most famous for writing hits for Olivia Newtown-John.

Ian Mason:

Ian Mason began playing in bands as a teenager, during the 1960's. His own band Mason's Cure (later known as 'Stylus) made a name for themselves in Australia as a live act.

Ian Mason also became an in-demand Jingle composer during the '70's. He composed many memorable advertising Jingles for radio and television. One of his most remarkable pieces was a 1978 Jingle he did for Melbourne radio station 3XY. The jingle was 'I Can Feel It' and was performed by the 3XY Supergroup Party which featured 300 of Australia's finest performers and musicians (found on NZOZ1978 under the title '3XY Supergroup Party - 3XY Radio Promo (1978').

During the early 1980's, he bought a-state-of-the-art recording studio called 'The Music Farm', which was used by many famous Australian and international musicians; including Australian Crawl, Mi-Sex, Moving Pictures, Tim Finn, Redgum, Goanna
Band, Divinyls, INXS, Jimmy Barnes and Midnight Oil. He has worked and traveled overseas - playing with Stevie Wonder, Toto and many others.

Ian Mason remains an in-demand musician and is greatly respected by his peers and the music industry.

Ian is now working as a composer of film and television and is currently producing his first Feature Film!

---------------------------------------
NZOZ NZOZ1978 1978 Australia Late Seventies 1970's 1970s 70's 70s

Musical Terms: Singer/Songwriter, Synthesizer, Synth, Love Song, Pop, Rock, Aussie, Old Australian Singer/Songwriter, Artist, Solo Artist, Act, Performer, Musician"

Tuesday, September 07, 2021

Bloody Marys with an Angry Goddess (CM16) by Ian Richter



New release from supporting member Ian Richter available on Bandcamp and other digitial outlets.



"A short visit to the Indochinese Peninsula at the wrong time of the global pandemic breakout, led Ian Richter to over a year and a half of living in Vietnam, and to a deep love affair with the Vietnamese folk religion. Ian was intrigued to find a place drenched in culture and mysticism existing hand in hand with hyper capitalism (yet officially committed to socialism).

Over the course of the last 18 month Ian recorded, mentally and physically, the sounds of his encounters and experiences. From daily life, through industrial and natural landscapes, to ancient and modern dance, forging foreign with familiar, mysticism with science, and claustrophobia with liberation.

released September 2, 2021

Written and produced by Ian Richter
Master by Harel Schreiber
Cover by Studio Harel & Maayan"

Thursday, May 31, 2018

An Arab And A Jew Make Sweet Love by Ian Richter




A new release by supporting MATRIXSYNTH member, Ian Richter.

"IDR-Newswire / TEL AVIV / May 29th 2018 / ​Tel Aviv-based South African-born musician and producer Ian Richter has just released his first LP under the moniker ​Ricatelli​. The album, entitled “An Arab and a Jew Make Sweet Love”, offers an eclectic electro-acoustic collection of mid-tempo grooves layered with everything from Eastern percussion to modular synthesizers.

When asked about what inspired the album, Richter recalled the scandal surrounding Dorit Rabinyan’s 2014 novel ​All the Rivers​, explaining, “'It's insane to me that a book telling the love story of an Arab and a Jew was removed from the high school curricula in Israel. With all the literature about war and conflict, why remove the one positive example?'

The album is mostly instrumental, and takes the listener on a journey through a variety of beat-based music genres. Richter produced the album at his home studio, recording a colorful palette of instruments including synthesizers, guitars, samplers, and drums. Some tracks include vocal takes, mostly performed by Richter, with the addition of manipulated samples and computer-generated speech.

Richter views the root of the Middle East conflict as 'a segregation caused by fear-mongering that exists in many parts of the world', saying, '​As a musician, I thought I'd just point to something that's already going on - love between Arabs and Jews. Oh, and yes, they have sex too.'

The album 'An Arab and a Jew Make Sweet Love - By Ricatelli' ​is available on all major streaming platforms and online music stores.

About Ian Richter
Having lived in two of the world’s most conflicted regions - South Africa and Israel - Ian Richter has been exposed to culture through a unique set of circumstances. Growing up in the sleepy surfer town of Durban, Richter eagerly absorbed the sonic influences offered to him, drawn to both Western and African music. Moving to Israel at the age of 18 offered him the chance to connect to a more active alternative music scene. Tel Aviv proved to be fertile soil, and collaborations with a variety of artists led to playing the local circuit and gaining experience as a live performer. Today, Richter juggles a range of sonic projects, performing in clubs, composing music for contemporary dance, designing sound for the visual arts, and producing recorded pieces across a number of genres."

http://www.ian-richter.com

Monday, April 15, 2019

Sequential Featured Artist Interview with Ian Hultquist


You can find the interview on Sequential's website here.

"Ian Hultquist is an American composer and producer based in Los Angeles, CA. Over the past few years he has made a name for himself composing the scores for numerous films, documentaries and TV shows.

Ian started his career in music as a founding member of the band Passion Pit, which started in Boston, MA where he was studying film scoring at Berklee College of Music. He spent many years touring around the world and honing his productions skills as a music director, and working on remixes for artists such as Portugal the Man, Imagine Dragons, Tegan & Sara and OK GO. In 2014 he, along with his wife and fellow composer Sofia Hultquist (aka Drum & Lace), relocated to Los Angeles in order to fully dedicate himself to working in music for film.

He has built a lasting working relationship with renowned directors in the film and documentary world such as Andrew Rossi (Ivory Tower, The First Monday in May) Erin Lee Carr (Mommy Dead & Dearest) and Alistair Legrand (Clinical). In 2018 alone, Ian had four feature films being released theatrically including Love & Bananas: An Elephant Story (dir. Ashley Bell, Abrorama), The Gospel According to André (dir. Kate Novack, Magnolia Pictures), A-X-L (dir. Oliver Daly, Lakeshore/Global Road) and Assassination Nation (dir. Sam Levinson, NEON/AGBO).

In 2016 Ian formed Little Twig Records, an imprint label focused on releasing soundtracks for Film and TV.

We chatted with Ian about his music."

---
You can find previous posts featuring Sequential's Spotlight series here.

Tuesday, August 21, 2018

Synthstrom Deluge 2.1 Firmware Feature Tease: Multisampling & Upcoming US Tour


Published on Aug 21, 2018

"Just a little tease of one of the features coming in Deluge Firmware Update 2.1. Still lots more features to add, so don't expect this to be released till late 2018.

We will touring the US Aug/Sept 2018 and showing off further features in development"

Details:

"DELUGE US TOUR

Lots of big news in this newsletter, but among the most exciting is that we’re heading to the US very soon for a mix of live performances, workshops and demos! Please come along and hang out, and, if you’re a current user and are keen to play a short set (5 mins or more) at the LA, Portland or Seattle events, please get in touch! (ian@synthstrom.com)

Aug 24th, Los Angeles, CA at Coaxial Arts - Demo/Workshop and live performances
Aug 25th, Bishop, CA at Mountain Rambler Brewery - Live performance by Ian Jorgensen only*
Aug 26th, San Fran, CA at Noisebridge - Demo/Workshop (Meetup event)
Aug 27th - Arcata, CA at The Miniplex - Live performance by Ian Jorgensen only*
Aug 28th - Portland, OR at Valentines - Demo/Workshop
Aug 29th - Seattle, WA at Chop Suey - Demo/Workshop and some short live performances
Sept 5th - Brooklyn, NYC at Private Studio - RSVP required - Demo/Workshop
Sept 7th - Northeast Electro Music Festival, Homer, NY - Demo, Workshop and live performance
Sept 8th and 9th - KnobCon - Chicago, IL - Trade show and live performance
Further details (timing etc) will be announced HERE soon and also on the FB event for this tour.

Other East Coast cities? If you have a space you could host a small event at, let me know and Ian might be able to make it to your city, even just a studio that ten people could hang out in: ian@synthstrom.com

*The Bishop and Arcata events are simply a live Deluge performance by Ian Jorgensen from Synthstrom Audible who will be playing on a bill along with Vaporwave legend from New Zealand, Eyeliner and the LA based Limousine - details on that tour here: www.alowhum.com"

Tuesday, April 16, 2019

Ian Richter - The President's Ball


Published on Apr 16, 2019 Ian Richter




released August 15, 2015

All music and lyrics by Ian Richter.

Produced by Ian Richter.

Mastered by Emanuel Geller at Salz Mastering Studio, Germany.

༎ຶ‿༎ຶ
www.ian-richter.com

Sunday, February 13, 2022

Ian Helliwell's Tone Generation



[Note: I'm not seeing how to skip episodes in the player above aside from sliding the progress bar to the end to get to the next one.]

You might remember Ian Helliwell mentioned in previous posts on the site here, including his book Tape Leaders. Atomic Shadow wrote in to let us know about his 34-part history of electronic music titled Tone Generation [player above/episode list below], as well has his work on SoundCloud.

The following is a short blurb from his website, http://www.ianhelliwell.co.uk:

"Leaving school and full time education aged 16 armed with six O-levels, Ian is a self-taught and self-funded multi-media artist, working in music, film, animation, analogue electronics, instrument building, collage, installations, live performance, light show projection, graphic design, writing and film programming.

Ian coined the term ‘creative soldering’ to best define his ‘intuitive electronics’ approach, and since the 1990s he has designed and built a unique range of electronic tone generating machines – Hellitrons and Hellisizers – which he uses to realise his compositions."

"The Tone Generation is Ian's audio series looking at the early period of electronic music history, focussing on experimental tracks mostly drawn from his CD and record collection.

TG 34 - Louis & Bebe Barron
TG 33 - Cybernetic Serendipity
TG 32 - Electronics in Space
TG 31 - Synthetic Sound
TG 30 - Beaver & Krause
TG 29 - Electronics in Rock 2
TG 28 - Electronics in Rock 1
TG 27 - Edinburgh Festival Concert 1961
TG 26 - Electronic Odyssey 1967
TG 25 - QEH Concert 1968
TG 24 - Analogue Synthesizers
TG 23 - Electronics for Feature Films
TG 22 - Moog
TG 21 - Buchla
TG 20 - Electronics and Voice
TG 19 - Women in Electronics
TG 18 - Computer Music
TG 17 - EMS
TG 16 - Electronics for Expos
TG 15 - Electronic Music Authors
TG 14 - Electronics for Dance
TG 13 - Electronics in Jazz
TG 12 - The RCA Synthesizer
TG 11 - Expo 58
TG 10 - EM Worldwide
TG 9 - Canada
TG 8 - USA
TG 7 - Soviet Union & E. Bloc
TG 6 - Scandanavia
TG 5 - Holland & Belgium
TG 4 - Italy
TG 3 - Germany
TG 2 - France
TG 1 ..."

Wednesday, April 24, 2019

Ian Richter - Entrusted


Published on Apr 23, 2019 Ian Richter

A new EP from supporting member, Ian Richter.



"First track off the Entrusted EP.

Listen to/Download the EP: https://ianrichter.bandcamp.com/album...

Video by Nimrod Gershoni: http://nimrodgershoni.com/

Available on: iTunes, Spotify, Beatport, or your favorite streamy-weamy service.

www.ian-richter.com"

Monday, June 19, 2017

Ian Boddy + Nigel Mullaney - Live From Cymru Beats 2017


Published on Jun 19, 2017 sonicstate

"Ian Boddy and Nigel Mullaney played a live set at Cymru Beats in 2017. Ian Boddy was using the French Connection Ondes Martenot controller, as well as Nigel's almost complete collection of Elektron gear.
This is their performance in full."

Ian Boddy + Nigel Mullaney Live Rig

Published on Jun 19, 2017 sonicstate

"Nigel Mullaney and Ian Boddy's live rig from their gig at Cymru Beats 2017. we got a look arond"

Thursday, September 14, 2023

AJH NEW MODULE! 'CHANCE DELAY' Voltage-Controlled Probability/Random Gate Delay and More


video upload by AJH Synth Official



"The Tone Science Chance Delay is a unique concept in Eurorack modules that combines chance and randomness, with pulse delay and pulse conditioning. It is a collaboration between between electronic musician/composer Ian Boddy and AJH Synth. It can perform as a Chance generator, but is also capable of pulse stretching for Trigger to Gate conversion, pulse shortening for Gate to Trigger conversion, Gate Delay, Sub Bass Generation and also "divide by n" clock division. There is a wide range of control and all functions can be operated manually from the front panel or can be automated using external CV voltages. Chance can range between 0 to 100%. The Gate out can be delayed by anywhere between from 0.5mS to 30 Seconds, and the output Pulse length can also vary from 0.5mS to 30 Seconds. The TRIG push button allows manual triggering of pulses, also determined by the Chance control, and a green LED shows the output pulse status. It includes a handy "Gate pass through" mode; when the Length control is set to zero the incoming pulse or trigger will still be determined by the Chance and Delay controls, whilst the outgoing gate length will be the same as the incoming gate length. Its compact 8hp form factor and very low power consumption make this an excellent addition to any Eurorack system. For a full description of the module, and more information about Ian Boddy & Tone Science, visit the product page on the official AJH Synth website: https://ajhsynth.com/ChanceDelay.html See Ian Boddy's video about the Chance Delay [below]

Tone Science (Ian Boddy) is a sub-label of DiN Records: https://dinrecords.bandcamp.com/album...

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability.

Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.

Video by @DreamsOfWires"

Chance Delay Module

video upload by theianboddy

"It's great to announce my second Eurorack module design, the Chance Delay, in conjunction with AJHSynth. Launching under the Tone Science brand this can perform as a Chance generator, but is also capable of pulse stretching for Trigger to Gate conversion, pulse shortening for Gate to Trigger conversion, Gate Delay, Sub Bass Generation and also 'divide by n' clock division.

There is a wide range of control and all functions can be operated manually from the front panel or can be automated using external CV voltages. Chance can range between 0 to 100%. The Gate out can be delayed by anywhere from 0.5mS to 30 Seconds, and the output Pulse length can also vary from 0.5mS to 30 Seconds.

The TRIG push button allows manual triggering of pulses, also determined by the Chance control, and a green LED shows the output pulse status.

Includes a handy "Gate pass through" mode; when the Length control is set to zero the incoming pulse or trigger will still be determined by the Chance and Delay controls, whilst the outgoing gate length will be the same as the incoming gate length.

Compact 8hp form factor and very low power consumption make this an excellent addition to any Eurorack system.

Module Width: 8hp
Module Depth: 26mm (Including power lead)
Current Usage: 25mA Positive, 6mA Negative

The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability."

Monday, March 11, 2019

Ian Richter - DEATHPATCHES


Published on Mar 10, 2019 Ian Richter

Playlist:

1. Ian Richter - DAYTIME DEATHPATCH [Make Noise STO, Function, Intellijel Dixie II, Wasp Filter]
Start your day on the right femur with this self-playing drone I created to set the spiritual tone for success in wealth, health, and love.

*Disclaimer: I. Richter cannot be accounted for any failure you may experience in wealth, health and love.
2. Ian Richter - NIGHTTIME DEATHPATCH [Make Noise STO, Function, Intellijel Dixie II, Wasp Filter]
A self-playing patch I created especially for that getting-ready-for-bedtime ambience.

Sweet dreams.

Sunday, May 29, 2016

iNDEX05 - Compilation Featuring Parallel Worlds, Dave Bessell & Self Oscillate


MATRIXSYNTH Member, Bakis Sirros of Parallel Worlds participates with 4 collab tracks in this compilation: 2 tracks by PW & Dave Bessell and 2 tracks by PW & Self Oscillate.

iNDEX05 - Compilation
DiN50 | 2016 | Limited to 1,000 copies
Release date June 24th 2016
info here:

http://www.din.org.uk/din/node/505

"iNDEX05 is the fifth DiN compilation album and includes two tracks each from the titles DiN41 - 49. The artists on show this time are Ian Boddy, Node, ARC, Dave Bessell (one of the members of Node) and collaborations between Parallel Worlds & Dave Bessell, Ian Boddy & Markus Reuter, Erik Wøllo & Bernhard Wöstheinrich and Parallel Worlds & Self Oscillate.

As with the previous four DiN samplers DiN label boss Ian Boddy has mixed and cross-faded the 18 tracks into a continuous ambient mix that not only showcases the albums featured on the release but presents an exciting and varied title in its own right. It also highlights the varied and intriguing music that the DiN label offers on its releases from deep analogue synth grooves through vibrantly melodic instrumentals to powerful, epic ambient atmospheres. An intoxicating mix of the old and new beautifully presented in a slimline cardboard wallet with an extra flap which just adds to the value and collectibility of this release.

This compilation edited from the original tracks by Ian Boddy - January 2016"


Gear: Doepfer, A100, Analogue Systems, RS Integrator, Analogue Solutions, Concussor, Blacet, Metalbox, CGS, Serge, Buchla, Technosaurus, Selector, Moon, Synthesis Technology, MOTM, Dotcom, etc.

Saturday, December 14, 2019

Novation Bass Station II / Yamaha PSS-580 / PSS-460 / TC Electronic Alter Ego - From the Live Room 6


Published on Dec 13, 2019 Alfonse

"Get the track here: https://alfonse.bandcamp.com/album/fr...

Live jam featuring Ian Bostic on drums and Alfonse on the Novation Bass Station ii, as well as the 1986 Yamaha PSS-460 and 1989 Yamaha PSS-580 FM mini-synths. The PSS-460 tracks were overdubbed later (the lead was double-tracked and slightly detuned to sound a little bigger), with effects provided by two TC Electronic pedals: Alter Ego delay on the Copycat and Specho settings and the Hall of Fame mini reverb.

Music (C) Copyright 2019 Alfonse and Ian Bostic

ALFONSE
Store: http://alfonse.bandcamp.com
Twitter: http://twitter.com/alfonsemusic
Instagram: http://www.instagram.com/alfonsemusic
Soundcloud: http://www.soundcloud.com/alfonsemusic

IAN
Youtube: https://www.youtube.com/channel/UCX7V...

From the Live Room 6: Novation Bass Station II - Alfonse vs. Ian Bostic"

Tuesday, September 26, 2017

Inventions for 3u 104hp Eurorack II




A new release from supporting MATRIXSYNTH Member, Ian Richter. His previous release was featured here.

"my journey into modular synthesis has taken me through another interesting waypoint. there's something about the tactile wires-out rawness of this interface that i can connect to. i manipulate intuitively, i move functionally, i think expressively.

though the eurorack system i own is extremely limited in its capabilities, the more i am forced into corners, the more i enjoy the results. minimal square waves that drone unforgivingly; sine waves that beep along like a morse code machine stuck on a single letter; it's a gas.

this ep, "inventions for 3u 104hp eurorack" was not planned, just like the synth patches that make up its tracks. i found it fitting to place it in series after the previous eurorack album, mainly because of the ambience and approach that was used within the creative process.

You can keep track of Ian Richter on Facebook.

You can find additional posts featuring Ian here on MATRIXSYNTH.

Sunday, July 14, 2019

From the Live Room 2: Novation Bass Station ii


Published on Jul 14, 2019 Alfonse

"Live jam featuring Ian Bostic on drums and Alfonse on the Novation Bass Station ii. Two more tracks of synth overdubbed later, with delay provided by the Boss DD7 digital delay pedal. Some additional reverb was added to the synths at the mixing stage.

Music (C) Copyright 2019 Alfonse and Ian Bostic
Download here: https://alfonse.bandcamp.com/album/fr...

ALFONSE
Store: http://alfonse.bandcamp.com
Twitter: http://twitter.com/alfonsemusic
Instagram: http://www.instagram.com/alfonsemusic
Soundcloud: http://www.soundcloud.com/alfonsemusic

IAN
Youtube: https://www.youtube.com/channel/UCX7V...

From the Live Room 2: Novation Bass Station II - Alfonse vs. Ian Bostic"

Saturday, January 25, 2020

Novation Bass Station II / Casio MT-600 / Yamaha PSS-580 - From the Live Room 7


Published on Jan 25, 2020 Alfonse

"Get the track here: https://alfonse.bandcamp.com/album/fr...

Live jam featuring Ian Bostic on drums and Alfonse on the Novation Bass Station ii and the Yamaha PSS-580 FM mini-synth from 1989, which was running through a TC Electronic Alter Ego 'vintage echo' pedal set to "Copykat" mode. The lead parts were overdubbed later on a 1987 Casio MT-600 with effects provided by the Yamaha SDS CH-10MII chorus pedal and the Boss DD7 delay.

Music (C) Copyright 2020 Alfonse and Ian Bostic

ALFONSE
Store: http://alfonse.bandcamp.com
Twitter: http://twitter.com/alfonsemusic
Instagram: http://www.instagram.com/alfonsemusic
Soundcloud: http://www.soundcloud.com/alfonsemusic

IAN
Youtube: https://www.youtube.com/channel/UCX7V...

Novation Bass Station II / Casio MT-600 / Yamaha PSS-580 - From the Live Room 7 - Alfonse vs. Ian Bostic"

Saturday, August 17, 2019

From the Live Room 4: Novation Bass Station II and Yamaha PSS-680


Published on Aug 17, 2019 Alfonse

"Live jam featuring Ian Bostic on drums and Alfonse on the Novation Bass Station ii, as well as the 1988 Yamaha PSS-680 FM mini-synth. The two tracks of customised Yamaha patches were overdubbed later, with effects provided by the Boss DD7 digital delay and CH1 Super Chorus pedals. Some additional reverb was added to the synths at the mixing stage.

For anyone who has a keyboard from the PSS-480 to 780 range, here are the parameters for the lead patch:
Voice 84: 0.35 1.45 2.19 3.07 4.01 5.02 6.05 7.88

Get the track here: https://alfonse.bandcamp.com/album/fr...
Music (C) Copyright 2019 Alfonse and Ian Bostic

ALFONSE
Store: http://alfonse.bandcamp.com
Twitter: http://twitter.com/alfonsemusic
Instagram: http://www.instagram.com/alfonsemusic
Soundcloud: http://www.soundcloud.com/alfonsemusic

IAN
Youtube: https://www.youtube.com/channel/UCX7V...

From the Live Room 2: Novation Bass Station II - Alfonse vs. Ian Bosti"

Sunday, July 28, 2019

From the Live Room 3: Roland SH2 and Novation Bass Station II


Published on Jul 28, 2019 Alfonse

"Live jam featuring Ian Bostic on drums and Alfonse on the Novation Bass Station II, as well as the classic Roland SH2 monosynth from 1979. With the tuning of VCO2 going a bit unexpectedly wild on the original jam, I ditched the SH2 bassline and re-recorded it on the Bass Station afterwards, followed by a subtle and understated lead part using the SH2, with effects provided by the Boss CH-1 Super-Chorus pedal and Boss DD7 and Vestax DDX digital delay pedals. Some additional reverb was added to the synths at the mixing stage.

Music (C) Copyright 2019 Alfonse and Ian Bostic

ALFONSE
Store: http://alfonse.bandcamp.com
Twitter: http://twitter.com/alfonsemusic
Instagram: http://www.instagram.com/alfonsemusic
Soundcloud: http://www.soundcloud.com/alfonsemusic

IAN
Youtube: https://www.youtube.com/channel/UCX7V...

From the Live Room 3: Roland SH2 and Novation Bass Station II - Alfonse vs. Ian Bostic"

Friday, April 29, 2022

Ian Richter - Liễu Hạnh [Official Video]


video upload by SEKRET PAKT



"'Liễu Hạnh' is the third track off Ian Richter's "Bloody Marys With An Angry Goddess" album, released via Confused Machines.

Choreography and performance: Nguyễn Hạ Xuân Nguyên.
Camera: Red
Makeup: Thương Lê

Special thanks to Nguyễn Hoài Bảo Tâm, Nguyễn Công Nguyên, Chinh Ba, and CAB Hội An.

Video by IR.

Hear/download the album: https://confusedmachines.bandcamp.com...

Some additional info via supporting member, Ian Richter:

"The story behind the Liễu Hạnh video started when I was invited by the Morua artist collective to compose and perform music for one of their experimental pieces. The idea was to live and work together in central Vietnam for two weeks, and then tour the country with the finished piece. Shortly after arriving in Hội An, fate took an ill twist and that plan fell through, but living in close quarters in a small town, we started getting to know each other and exchanging ideas. That progressed naturally into working on smaller collaborations together, one of which ended up being between myself and Nguyễn Hạ Xuân Nguyên, a choreographer with a background in both contemporary and traditional Vietnamese dance. Nguyên and I kept the process intuitive, and found a location that we both felt suited the spirit of the material. The final video was shot in a single take."

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